- 2 days ago
＂Westworld＂ de Michael Crichton(1973) avec Yul Brynner et James Brolin [Full Movie] [Vertical Drama]Full EP - Full
Category
🎥
Short filmTranscript
00:00:20Hi. Ed Renfrew for Delos again. If there's anyone who doesn't know what Delos is, well,
00:00:25as we've always said, Delos is the vacation of the future today. At Delos,
00:00:29you get your choice of the vacation you want. There's Medieval World, Roman World, and of course,
00:00:36Westworld. Let's talk to some of the people who've been there. Pardon me, sir. What is your name?
00:00:40Gardner Lewis. Just got back from Westworld. Tell us how you liked it, Mr. Lewis. When you played
00:00:44Cowboys and Indians as a kid, you'd point your fingers and go bang, bang, and the other kid would
00:00:48lie down and pretend dead. Well, Westworld is the same thing, only it's for real. I shot six people.
00:00:55Well, they weren't real people. What Mr. Lewis means is he shot six robots, scientifically programmed
00:01:01to look, act, talk, and even bleed, just like humans do. Now, isn't that right? Well, they
00:01:05may have been robots. I mean, I think they were robots. I mean, I know they were robots.
00:01:11Yes, the robots of Westworld are there to serve you and to give you the most unique vacation
00:01:16experience of your life. Thank you, sir. And you, madam? Hello. What is your name? My name
00:01:24is Janet Lane, and I was in Roman World. What is the one thing that stands out in your mind
00:01:28about Roman World? Oh, well, I think it would be the man. I just feel marvelous. I mean, it's
00:01:37just a warm, glowing place to be. Thank you very much. Oh, thank you very much. Goodbye.
00:01:46Goodbye. And you, sir? Yeah. What is your name, sir? Oh, I'm Ted Mann. I'm a stockbroker
00:01:53from St. Louis. And which world did you just come from, sir? Oh, you're not going to believe
00:01:58this, but I've just been the sheriff of Westworld for the last two weeks. Did it seem real to
00:02:03you, sir? It's the realest thing I ever done. I mean that. Thank you very much. Yeah. And
00:02:10you, sir? My name's Arthur Kane. I've been in the castle. I've had a couple of sword fights
00:02:15and three jousts, and I... I married a beautiful princess. Is that something you always dreamed
00:02:22of doing, sir? Oh, my life! Well, there are some of the comments of the people who just returned
00:02:29from Dulles. Why don't you make arrangements to take our hovercraft to Medieval World, Roman
00:02:34World, and Westworld. Was it worth a thousand dollars a day?
00:02:40Contact us today, or see your travel agent. Boy, have we got a vacation for you.
00:02:49505-345-675-Delta-9. 505-345-675-Delta-9. Read you as Kappa-505-899. And on the Y
00:02:59-axis, confirm
00:03:00a reading of Kappa-505-786. See if you have all that. Kappa-505-899. This is Dulles Control
00:03:12to Station 3. You're cleared on Vector 7-9-1-9-5. We anticipate scanning in about 8.5 minutes.
00:03:38I'm not worried at all. I'm just... I'm just curious. How much do they weigh?
00:03:45Three or four pounds. That heavy.
00:03:51Did they have much of a kick? A Gull 45? Well, I never fired one before.
00:04:03Hey, what about the thing where you go like this over the gun?
00:04:06Fanny, yeah. What about it? Is that hard to do?
00:04:10No.
00:04:15Now, when they give you the gun belt, does it have those strings to tie around your leg?
00:04:20If that's the kind you want. That's the kind I want. I think it's probably better for quick draws,
00:04:24you know?
00:04:27It all depends.
00:04:29What kind of gun belt did you have the last time?
00:04:33I had the one without the strings.
00:04:37And you could draw fast?
00:04:38Mm-hmm.
00:04:41And maybe it doesn't matter after all.
00:04:47The guns they give you are real guns?
00:04:50Mm-hmm.
00:04:51Real guns.
00:04:53That's incredible.
00:04:54Give us a shift to 197 and take it down at 4 and 4 and 3.
00:05:00Take it down.
00:05:01Acceleration of 2-2, so long as you maintain passenger comfort.
00:05:07Sequencing was transferred according to the logic of 4-1.
00:05:12The orientation on the resort will now begin.
00:05:15Please put on your earphones.
00:05:20Don't you want to listen?
00:05:21I heard it the last time.
00:05:23Consists of three separate resort areas, each with its own special appeal.
00:05:28Whichever resort you've chosen, we're sure you'll have a fascinating and rewarding stay here.
00:05:33Western World is a complete recreation of the American frontier of 1880.
00:05:37Here it is possible to relive the excitement and stresses of pioneer life to the fullest.
00:05:42Western World is a life of lawless violence, a society of guns and action.
00:05:46This is medieval world, where we have reconstructed 13th century Europe, a world of chivalry and combat, romance and excitement.
00:05:55Our teams of engineers have spared no expense in this recreation, precise to the smallest detail.
00:06:00Then we have Roman world, a lusty treat for the senses in the setting of delightful, decadent Pompeii.
00:06:07Here, the traveler experiences the sensual, relaxed morality that existed at the peak of the Imperial Roman Empire.
00:06:13Altogether, these resorts comprise Delos, the most exciting vacation spot in the history of man.
00:06:18This is Delos Control to Station 3.
00:06:21Your negative acceleration should be 2-5, and ground speed should be 3-5-5, and driving.
00:06:28The whole spectrum of technology has been employed in Delos for the vacationer's pleasure.
00:06:32Expensive and unusual, Delos is not for everyone.
00:06:35But for those that choose it, it is truly a unique and rewarding experience.
00:06:39The peak about transferable, large parts.
00:06:44Nope.
00:06:49We have you on grid 5.
00:06:52We have you on grid 5.
00:06:53Notify ground.
00:07:01Standby.
00:07:02Locking in now.
00:07:06Sheddown 2.
00:07:08Sheddown 3.
00:07:10Sheddown 2.
00:07:11Down 3.
00:07:13Nice job, everybody.
00:07:37Welcome to Delos.
00:07:40Please go to your color-coded tram, which will take you to the world of your choice.
00:07:45Give your name to the attendant.
00:07:50Welcome to Delos.
00:07:52Please go to your color-coded tram, which will take you to the world of your choice.
00:07:56May I have your name, please?
00:07:57John Blaine.
00:07:58Peter Martin.
00:08:00Please go to your color-coded tram, which will take you to the world of your choice.
00:08:07we are sure you will enjoy your stay in western was she uh probably
00:08:13that's amazing there are no rules supposedly you really can't tell except by looking at the hand
00:08:21they haven't perfected the hands yet nothing can go wrong you will enjoy your stay in roman world
00:08:27while you are there please feel free to indulge your every whim medieval world exists for you
00:08:34the guest nothing can go wrong
00:09:06so
00:09:10so
00:09:32i have a quick fade in the crt and my balance controls don't seem to help me
00:09:37we're keeping this in real time switch me over to an online status and i'll do it manually
00:09:44i don't know what to do if the stagecoach is late
00:09:47so
00:09:51so
00:09:56so
00:10:00so
00:10:24oh it's fantastic
00:10:45i reckon that's everything
00:10:50pass down the hall
00:10:52pass across you two bits for hot water
00:10:55dinner at seven breakfast at 6 30
00:10:57get lunch on your own
00:10:59a couple places in town to eat
00:11:02don't look like much here but we have everything
00:11:05just a minute
00:11:17you mean to tell me he's a robot
00:11:19that's what i need to tell you
00:11:25i'm paying a thousand dollars a day for this
00:11:28it's authentic
00:11:30the west of the 1880s
00:11:34well
00:11:34at least they could have made it a little more comfortable
00:11:38that's the point
00:11:40this is really the way it was
00:11:43you wanted comfort
00:11:44you should have stayed in chicago
00:11:46hey
00:11:46julia would have loved all this
00:11:48poking around for hours in all those funny shops
00:11:51looking for silly
00:11:52peter what the hell's wrong with you
00:11:53you're a lawyer
00:11:55you know better than anybody else
00:11:56what a ride she took you for
00:11:58well
00:11:58the kids
00:12:00fine
00:12:00the kids
00:12:01here you are six months later
00:12:03still thinking about it
00:12:04no not really
00:12:05just came to mind is all
00:12:14there's a lot to do here
00:12:37there's a lot to do
00:12:43there's a lot to do
00:12:44there's a lot to do
00:12:45there's a lot to do
00:12:45there's a lot to do
00:12:45there's a lot to do
00:12:45there's a lot to do
00:13:17What will it be?
00:13:18Whiskey.
00:13:19What about you?
00:13:21I'd like a martini on the rocks with a twist of lemon.
00:13:23Very dry, please.
00:13:24Just give him whiskey.
00:13:26He's new in town.
00:13:32You've got to get into the feel of the thing.
00:13:34I feel silly.
00:13:36Why?
00:13:38Looks like a joke.
00:13:40It's not a joke.
00:13:41It's an amusement park.
00:13:43The best amusement park in the world.
00:13:45All you have to do is have fun.
00:13:49Some pretty rough-looking customers here.
00:13:52How many of them are...
00:13:53Guests like us?
00:13:55Who knows?
00:13:56That's the beauty of this place.
00:13:57It doesn't matter.
00:13:59It may look rough, but it's still just a resort.
00:14:17There's no way to get hurt here.
00:14:19Just enjoy yourself.
00:14:30What is this stuff?
00:14:33It doesn't say.
00:14:35God!
00:14:37Give me this.
00:14:38It puts hair on your chest.
00:14:39Yeah.
00:15:03Slop it with your drink.
00:15:15Give this boy a bib.
00:15:20Go on.
00:15:28He needs his mama.
00:15:32I'll kill her.
00:15:41You talk too much.
00:15:49You say something, boy.
00:15:56I said you talk too much.
00:16:06Why don't you make me shut up?
00:16:30Your move.
00:16:56I said you like.
00:16:57I said you I'm sorry about you.
00:16:58I said you both am тоже him.
00:17:00I said you both amほ sex.
00:17:00Yes.
00:17:00I said you take two days.
00:17:02I'm sorry about you.
00:17:20pretty realistic huh listen are you sure he was uh of course you don't really think he shot
00:17:26anybody do you wow hey john how do i know i'm not gonna kill another guest with this thing
00:17:41try it
00:17:45shoot me
00:17:49go on shoot
00:18:01the gun is a sensing device it won't fire at anything with high body temperature
00:18:07only something cold like a machine
00:18:09i thought of everything
00:18:15black knight won't be repaired till tomorrow afternoon there's a distortion
00:18:19the lighting is five five five five yeah i have the banquish schedule you better check the
00:18:25industry if that conforms
00:18:31oh
00:19:35Who's Miss Carrie?
00:20:23Who's Miss Carrie?
00:20:25Yep. Whiskey.
00:20:30Just passing through.
00:20:32Maybe.
00:20:34Looking for some fun?
00:20:38Maybe.
00:20:40Well, you come to the right place. There's plenty of fun here.
00:20:45That's Cindy and Arlette.
00:20:48Arlette's from Paris.
00:20:51Perhaps your gentlemen are taking a liking to them.
00:20:54Perhaps.
00:20:55They're real accommodating.
00:20:58There you go.
00:21:00You're looking, gentlemen.
00:21:02Why don't you just go on upstairs and we'll break an account later.
00:21:05John, it sounded good to me.
00:21:07Are those two girls machines?
00:21:11Now, how can you say this thing like that?
00:21:14Come on.
00:21:28What's going on?
00:21:31They're robbing the bank.
00:21:32Robbing the bank?
00:21:34Hey, maybe we ought to go help out.
00:21:36Oh.
00:21:37Well, you don't know.
00:21:38It might be fun to fight bank robbers.
00:21:39Look, Pete.
00:21:41This is better.
00:21:42It might be fun to fight.
00:22:26There, uh, there is something I have to tell you.
00:22:30I don't know if it matters, but it matters to me.
00:22:41I, uh, I haven't ever had a, uh, uh, well, I, I hardly know you, if you know what I
00:22:50mean.
00:22:50I mean, uh, we just met a few minutes ago and, uh, you're probably very nice.
00:23:17I feel funny.
00:23:22Why?
00:23:34Why?
00:23:36You're probably.
00:23:54Uh, we don't know.
00:23:54How did you see those goods?
00:23:55I think that people, who love you, if you look for them, I would have been up.
00:24:16I think you're very nice.
00:24:27How was it? Wasn't it terrific? Boy, machines are the servant of man. Wasn't that great? Not bad. Not bad.
00:24:38Now you're the big lover.
00:24:42Well, you know how it is. Some guys have a way with women. Shooting stopped. I guess we missed the
00:24:52robbery.
00:24:54You can't have everything. John, this place is really fun.
00:25:41It's really fun.
00:28:37I think it's the gyro unit.
00:28:46What do you think?
00:28:47I wonder if we shouldn't try and rewire them.
00:28:49No, I'd replace the whole unit rather than try to repair it.
00:28:52With a 10?
00:28:53Use an XX50 if we have any in stock.
00:28:55The XXs have a longer lifespan.
00:28:56The 50 may not fit in here.
00:28:58Well, maybe you can shift the integrator unit further up into the cavity.
00:29:02I'll try.
00:29:09Balance servo again?
00:29:10Yeah, she fell over this afternoon.
00:29:13I think it's the sensor.
00:29:16But if it's a central unit, we'll have to open her up.
00:29:18Well, you get a confirmation before you do that.
00:29:25What's he in for?
00:29:26Central malfunction.
00:29:28Another one?
00:29:42Another one?
00:29:45Hmm.
00:29:46From the day we opened the resort, we had a failure in breakdown rate conforming to computer predictions.
00:29:51That is, 0.3 malfunctions for each 24-hour activation period, concurrent or not.
00:29:56Now, this was an anticipated operations aspect of the resort, and we were fully able to handle it.
00:30:01The majority of the breakdowns were minor or peripheral until about six weeks ago.
00:30:07Then, Roman world had a rise in breakdown rate which doubled in a week.
00:30:12In addition, we saw a disproportionate rise in central as opposed to peripheral breakdowns.
00:30:18Now, we identified some problems with humidity control and regained homeostasis.
00:30:23Well, despite our corrections, the breakdown rate continued to climb.
00:30:27Then the medieval world began to have trouble.
00:30:29Now we're seeing more western world breakdowns.
00:30:32And there's a clear pattern here which suggests an analogy to an infectious disease process,
00:30:38spreading from one resort area to the next.
00:30:40Perhaps there are superficial similarities to disease.
00:30:43It's only a theoretical concept. There are many ways to order that data.
00:30:47I must confess, I find it difficult to believe in a disease of machinery.
00:30:52We aren't dealing with ordinary machines here.
00:30:55These are highly complicated pieces of equipment.
00:30:58Almost as complicated as living organisms.
00:31:00In some cases, they've been designed by other computers.
00:31:04We don't know exactly how they work.
00:31:15That input goes out of level 537.
00:31:18I'm not getting sound pickup from the 10th quadrant.
00:31:20We'll try to stabilize there.
00:31:22Okay, my sun entry is good.
00:31:25Repeat at 2-2-3.
00:31:26Updates at 10 millisecond blocking intervals, but not slower.
00:31:28We have sunrise of 0.43.
00:31:31Ready on all quadrants.
00:31:33Energize, Greg.
00:31:35Get energized.
00:31:37Confirmed.
00:31:39All right, then.
00:31:40Give me 436 if you catch that, eh?
00:31:42Not 435.
00:31:44I have sound now.
00:31:46Thank you very much.
00:31:48Yes, I want scrambled eggs and bacon cinnamon toast.
00:31:51Do you have cinnamon toast?
00:31:52Better check the evaluation schedule.
00:31:53Okay, send it down to Central Control Room, Council 3.
00:31:57Hold on.
00:31:58Now, what was that?
00:31:59No grounding in Unit 5?
00:32:00Yeah.
00:32:01Try a bypass.
00:32:02I have readings at all Units 5 included.
00:32:04Hold on.
00:32:06All right.
00:32:07Let's stand by for resort activation.
00:32:15Are you ready on phase 4-4-3?
00:32:214-4-3.
00:32:24Okay, we're going to activate at 5-9.
00:32:29Lower gain Alpha 2.
00:32:34Ready on 6, on 5, on 4, on 3, on 2.
00:32:39Activate now.
00:32:57Oh
00:33:24Oh, give me a home where the buffalo roam
00:33:32and the deer and the antelope play
00:33:36Where seldom is heard a discouraging word
00:33:43And the skies are not cloudy all day
00:34:14What do you want?
00:34:16Home, home, home, range
00:34:35Have you no sense of de-
00:34:46No, no, no
00:34:48No, no, no
00:35:19Was he bothering you?
00:35:22He's not going to bother you again
00:35:24Well, I'm here to tell you things have changed
00:35:26There's a law here now
00:35:27You can't go around plugging whoever you please
00:35:31But, Sheriff, it was self-defense
00:35:33It's what they all say
00:35:35Shot a man, you'll have to stand trial
00:35:38Judge will be here next week
00:35:40If I were you, I wouldn't trouble over your friend here
00:35:43Judge Benson likes to hang him
00:35:45Hang him high
00:35:46Look, Sheriff
00:35:47Beat it
00:35:51I said beat it
00:36:11I've never been in jail before
00:36:15First time for everything
00:36:19But I haven't done anything wrong
00:36:22You shot a man, that's something
00:36:26Where are you from?
00:36:27Chicago
00:36:30Chicago's a long way from here, fella
00:36:33A thousand miles and more
00:36:35living plants and more
00:36:37Over Moods
00:36:43Gotta be in jail
00:36:46I'll see you next week
00:36:48Go this Hence a man
00:36:49I'll see you next week
00:36:49Oh, man, let's go here
00:37:03Let's go Here
00:39:34Well, what do we do now?
00:39:36The way I figure it, anything we want.
00:39:38There's no law in that town now.
00:39:40I'll say.
00:39:42We go in there, we do anything we want.
00:39:46You know what?
00:39:48What?
00:39:50I almost believe all this.
00:39:52Why shouldn't you believe it?
00:39:54It's as real as anything else.
00:39:57Yep.
00:39:58I reckon.
00:39:59What can you give me in grid seven?
00:40:01We have that on SM514.
00:40:03There's nothing wrong with it.
00:40:05No.
00:40:08Transfer.
00:40:10Reschedule.
00:40:11Listen, she wants to meet the king, and we have to restructure for that.
00:40:13I can't disappoint a guest.
00:40:15Yeah, listen, this is the third day in a row that I've called you about my laundry.
00:40:18You've got all my shirts, and most of my...
00:40:20You're rechecking the tapes on the mechanism now.
00:40:23We have programmed infidelity in the clean as of two minutes ago.
00:40:28All right, coming up in the castle, zero, now.
00:40:33It also conforms with your five-year history at this time of year.
00:40:40Leave me now.
00:40:57My queen.
00:41:03If the king should hear of this, we would both be put to death.
00:41:07I would be more than happy to die for you, my lady.
00:41:10Let us pray it shall not be so.
00:41:14I have news.
00:41:16The Black Knight has returned and seeks a match with you.
00:41:21The Black Knight?
00:41:22None other.
00:41:24Is he pretty tough?
00:41:26He has the strength of ten in cunning besides.
00:41:32But his sight is weak in his left eye.
00:41:35Stay to his left, and you will prevail and win the day.
00:41:37Confirmation of the reprogramming of that Black Knight
00:41:41for left lateral weakness and instability for tomorrow.
00:41:44I shall see you on the morrow.
00:41:46My lady.
00:41:55The Black Knight.
00:42:15I shall see you on Friday.
00:42:17Tomorrow a.m., it's his last day in the resort. Let's make it a lulu.
00:42:22Tomorrow a.m., broad source, schedule a lot.
00:42:25We have a problem with the air conditioning and beta section. Send a crew out.
00:42:29Yes, he can be sheriff any time he wants. That is correct. Just give him the badge.
00:42:46Now, I'm the new law around here.
00:42:49You think you can handle things?
00:42:55You want to try me?
00:43:23A thousand pardons, my lord.
00:43:28What is your name, child?
00:43:31Daphne.
00:43:33Daphne.
00:43:36Oh, I love this place. I love my horse. I love my horse and I love Julie.
00:43:42Oh, shut up. I like the spots on my horse.
00:43:46Did you see the spots on the horse? The horse is beautiful.
00:43:49Yeah, thank you very much. I liked yours, too.
00:43:53Look out. Let me handle it.
00:44:02Get it, John.
00:44:12Get it, John.
00:44:19God damn it.
00:44:20Do you suppose it's real?
00:44:22Hell no.
00:44:24That's not supposed to happen.
00:44:26Maybe it is. Maybe it's part of the thing.
00:44:28The hell goddamn machines anyway.
00:44:31That's not supposed to happen.
00:44:34The rattlesnake struck a guest?
00:44:35Yeah, he was shooting at it. He missed.
00:44:37Even so, the snakes are programmed never to hit on a strike. Was the guest injured?
00:44:40His minor puncture was?
00:44:42Inexcusable to injure a guest.
00:44:44Pick up that snake for a total post at once, and check all the snake central mechanisms tonight during the
00:44:48repair period.
00:44:57Doesn't anything work around here?
00:44:59Right.
00:45:13No.
00:45:36How dare you?
00:45:43Let's go.
00:46:13The logic circuits on the snake simply failed to respond.
00:46:15There was no sign of mechanical damage or tampering and no clue to the malfunction.
00:46:20Central mechanism, Sycosis?
00:46:22I feel we should shut down the resort for a month.
00:46:24Oh, that seems rash.
00:46:26Well, the snake injured a guest. We can't allow that to happen.
00:46:29Many elements of the Delos resort are potentially dangerous.
00:46:31That's part of the appeal. But if they should become truly dangerous...
00:46:34I agree.
00:46:35We can announce that the resort is overbooked and not allow any further new guests to arrive.
00:46:41I think we can take care of the ones already here.
00:46:43If we can't ensure the safety of the guests, we're going to be in desperate trouble.
00:46:46But we can ensure their safety. Everything's fine.
00:47:33All right.
00:47:35Let's start that bar fight.
00:47:36Cheat!
00:47:43John, what do you say?
00:47:46Uh, it's...
00:48:07Now, that's just rude.
00:48:08Oh, shit.
00:48:13What?
00:48:14Woo!
00:48:17Hey!
00:48:22Woo!
00:48:27Woo!
00:48:28Woo!
00:48:32Woo!
00:48:38Woo!
00:48:46Yeah!
00:48:47Yeah!
00:48:481, 2, 3
00:48:51Wooo!
00:49:19Come on, let's go upstairs.
00:49:26Come on, let's go.
00:49:52Come on, let's go upstairs.
00:49:55Come on, let's go upstairs.
00:50:02Come on, let's go upstairs.
00:50:09Come on, let's go upstairs.
00:50:35Come on, let's go upstairs.
00:51:34Come on, let's go upstairs.
00:51:38Are you confusing any other animals in trouble?
00:51:40Let's go upstairs.
00:51:41Come on, let's go upstairs.
00:52:02A seduction issue is a sex model.
00:52:04It certainly is.
00:52:06You think they're going to shut down?
00:52:07No, the directors feel to close down now would hurt tourists' confidence.
00:52:10Come on, let's go upstairs.
00:52:12I don't like it.
00:52:19Breakfast.
00:52:39Oh, I'm never going to drink again.
00:52:42Oh.
00:52:53Oh.
00:53:08Okay.
00:53:08Okay.
00:53:08I've gained 437.
00:53:10I'm not getting sound pickup from the tele-quadron.
00:53:12I'm not getting sound pickup from the tele-quadron.
00:53:13I'm not getting sound pickup.
00:53:32I'm not getting sound pickup from the tele-quadron.
00:53:33Hold, Barlett.
00:53:34Hold.
00:53:36Hold.
00:53:44Are you speaking to me?
00:53:45None other, sir.
00:53:48Look, I'm hungry, and I...
00:53:52Prepare for thy doom, thy scurrilous knave, huh?
00:53:56Wait a minute. Can't we talk this over?
00:53:59What have you?
00:54:00Fine, Garnet!
00:54:02Well, I...
00:54:04The Queen!
00:54:09Full monitor.
00:54:14Okay.
00:54:17Let him go.
00:54:32Come on, Garnet!
00:54:34Come on, Garnet!
00:54:38Come on, Garnet!
00:54:42Come on, Garnet!
00:55:14Oh, hangover.
00:55:36Come on, Garnet!
00:55:38Aye, Garnet!
00:55:41Aye!
00:55:45We're losing a little tolerance. Bring me up.
00:55:47Ha!
00:56:18Shut down. Shut down immediately.
00:56:25Section sponsor.
00:56:27Then cut the robot power.
00:56:29Power cut.
00:56:31Oh, my head.
00:56:39It's freezing.
00:56:46Gotta get to the hotel.
00:56:50I think I'm going to be sick.
00:57:03Then I'm responding.
00:57:04Should we cut the main power grid, sir?
00:57:06It'll kill the light.
00:57:06Shut it all down. Shut it all down.
00:57:12Oh.
00:57:18Hold it.
00:57:21Oh, God.
00:57:25Come on. Not now.
00:57:28Not you again.
00:57:29It's too early.
00:57:33Let me do it this time.
00:57:38Your move.
00:57:51I'm shot.
00:57:52What?
00:57:54I'm shot.
00:58:06John?
00:58:19Oh, my God.
00:58:23Draw.
00:58:35Sir, we have no control over the robots at all.
00:58:43Oh, my God.
00:58:47No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:58:58no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:59:00no, no, no, no, no, no, no, no, no, no, no, no, no.
00:59:15Let's go.
00:59:46Let's go.
01:00:09Hello? Hello? Hello?
01:00:52How are we going to get out of here?
01:00:53All these doors are electrically powered.
01:00:57I get these doors open in here before we all suffocate.
01:00:59All these doors open in here.
01:01:59All these doors open in here.
01:02:29All these doors open in here.
01:02:59All these doors open in here.
01:03:00All these doors open in here.
01:03:00All these doors open in here.
01:04:05Temperature elevated, 98 degrees.
01:04:08Oxygen, 17% and dropping.
01:04:11Get that power on so we can open these doors.
01:04:46Hey!
01:04:48Don't shoot me.
01:04:50Hey, wait a minute.
01:04:54What's the matter with you?
01:04:58Hold out your hands.
01:05:01Let me see your hands.
01:05:06You're a guest.
01:05:07You really gave me a scare.
01:05:09Look, uh, everything's broken down.
01:05:11The machines have gone crazy.
01:05:12You know about the machines?
01:05:14Yeah, I repair them.
01:05:15There's one chasing me now, a gunslinger.
01:05:18Gunslinger.
01:05:20Must be a model 404, maybe a 406.
01:05:23Here's a 406.
01:05:24He's got all the sensory equipment.
01:05:26It's a beautiful machine.
01:05:28He's after me!
01:05:29I don't doubt it.
01:05:30What can I do?
01:05:31There's nothing you can do.
01:05:32If he's after you, he'll get you.
01:05:33You haven't got a chance.
01:05:35There must be something.
01:05:36Tell her, don't kid yourself.
01:05:38There are things you could try.
01:05:39Asset for his, uh, visual system.
01:05:42Noise for his hearing.
01:05:43No matter what you did,
01:05:44there'll always be one jump ahead of you.
01:05:46You haven't got a chance.
01:05:51Yes, I do.
01:05:54Yes, I do.
01:06:00I do.
01:06:00Oh, no.
01:06:30Oh, no.
01:07:06Oh, no.
01:07:33Oh, no.
01:08:00Oh, no.
01:08:57Oh, no.
01:09:02Oh, no.
01:09:38Oh, no.
01:10:01Oh, no.
01:10:31Oh, no.
01:11:00Oh, no.
01:11:30Oh, no.
01:12:05Oh, no.
01:12:32Oh, no.
01:13:02Oh, no.
01:13:34Oh, no.
01:14:01Oh, no.
01:14:35Oh, no.
01:15:02Oh, no.
01:15:30Oh, no.
01:16:00Oh, no.
01:16:29Oh, no.
01:17:27Oh, no.
01:17:31Oh, no.
01:18:03Oh, no.
01:18:33Oh, no.
01:19:00Oh, no.
01:20:03Oh, no.
01:20:10Oh, no.
01:20:15Oh, no.
01:20:18Oh, no.
01:20:19Oh, no.
01:20:26Oh, no.
01:20:29Oh, no.
01:21:05Oh, no.
01:21:09Oh, no.
01:21:38Oh, no.
01:22:08Oh, no.
01:22:46Oh, no.
01:23:17Oh, no.
01:23:38Oh, no.
01:24:08Oh, no.
01:24:38Oh, no.
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