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00:12What?
00:14Oh my goodness.
00:26Congratulations on your new and exciting chapter.
00:30It's an honor to be on this journey with you.
00:33All my love from your favorite admirer, Michael.
00:38It's true.
00:44There is no one in the entire world who could possibly admire you more than me.
00:51You are the sweetest, most handsome, kindest.
00:58Keep it going.
00:58Most thoughtful.
00:59I can take it.
01:00Yeah.
01:01How did you pull this off? You have to tell me.
01:04Oh, I am a man of talent and mystery.
01:07That's right. You are the king of the romantic gesture.
01:11I wanted to surprise you.
01:13And I know you're incredibly busy with this new adventure, partnering with Phyllis, running a multinational conglomerate.
01:25Which, by the way, looks good on you.
01:33I just thought I should remind you how much I adore you.
01:41Always time for romance, right?
01:50Take the sofa here.
01:52Okay.
01:53Thank you for meeting me.
01:54Oh, of course.
01:55Well, I mean, I'm staying just upstairs.
02:01So, how are you doing?
02:03Are you all right?
02:05Are these ridiculous questions?
02:07I could ask you the same things.
02:10I would have the same answers.
02:12I think I just needed to vent.
02:15You seem to be the only person in my life who really understands what I'm going through.
02:20I feel the same.
02:22We can take turns.
02:24Any progress with you and Victor?
02:27No.
02:28Our latest go-around was the worst yet.
02:31The most painful.
02:33I am sorry.
02:35I truly am.
02:37We are at a standstill.
02:39He won't budge.
02:41Neither will I.
02:42I...
02:43I...
02:44I don't know what to do next.
02:46I mean, I am completely at a loss.
02:47So am I.
02:49And I cannot stand being in this position.
02:52There's got to be some way out of this for both of us.
02:55Others.
03:12I am a big part of the world.
03:13And I cannot stand by.
03:17I cannot stand.
03:18Any happens.
03:21I cannot stand by.
03:22I cannot stand by.
03:23You are blind.
03:23You are blind.
03:25I cannot stand by.
03:32Sharon, hey, it's Chelsea.
03:36Where are you?
03:37Did you go to Vegas?
03:39I did.
03:40I'm here.
03:41I'm actually in Adam and Nick's hotel room.
03:43How is everything?
03:45I'm hoping that your bad premonition turned out to be just a false alarm.
03:52Nick is missing.
03:56Missing?
03:57For how long?
03:58Is Matt there?
03:59Have you seen him?
04:01Yeah, he was here.
04:02He took Adam to where he believes Nick was last seen.
04:06That sounds like a trap.
04:08It's another one of Matt's twisted games.
04:13Adam hasn't come back yet, but I'm sure I'll hear from him soon.
04:16Chelsea, we don't know if Nick is all right.
04:20Is that what you're saying?
04:45It's a dark room.
04:48It's home.
04:50There he is.
04:53Oh, damn you.
04:55That cork.
04:57Nick?
04:59Oh, yeah.
05:00Wake up, Nick.
05:02Hey.
05:04Hey.
05:04Nick.
05:05Come on.
05:08Nick.
05:09God, I don't know.
05:10Go on.
05:10Please.
05:11Nick, wake up.
05:12Come on, please.
05:13You can't be dead.
05:14Nick.
05:16Come on.
05:16Wake up.
05:18Oh, there you go.
05:18Thank God.
05:19Thank God.
05:20Here, come on.
05:22There you go.
05:24There you go.
05:26Oh.
05:28Oh.
05:29Adam?
05:30Yeah.
05:31It's me.
05:33What?
05:35What?
05:39My hands are tired.
05:40Can you help me?
05:42Yeah.
05:45Oh.
05:47Oh, Nick.
05:49Where are we?
05:50We're in a room at the hotel.
05:55Oh.
05:58What are you doing here?
06:00I came to get you.
06:05How did you find me?
06:08Matt was gracious enough to bring me.
06:12He told me and Chelsea that you OD'd and died.
06:17He said you had a very serious addiction problem.
06:22From the looks of it, he may be right.
06:26Oh, Matt.
06:28Oh.
06:30Oh.
06:33Didn't have to go to office trouble.
06:35But I'm so glad you did.
06:37You deserve it.
06:38And more.
06:39Well, do I sound presumptuous if I agree?
06:43Great minds think alike.
06:45Oh, my goodness.
06:47What have you done now?
06:49Open it.
06:50Okay.
06:58It's a watch, but with no hands.
07:02Is this on purpose?
07:04No, but there's a reason for that.
07:06Uh, now that you're busier,
07:09I wanted to remind you that we
07:13still have all the time in the world.
07:18Our love is timeless.
07:22So when you're here at work,
07:24I will be counting the minutes
07:28till we're together again.
07:29But you don't have to rush home to see me.
07:33We're never really apart.
07:36I believe in you.
07:38And I wish you every success
07:40in this new venture.
07:42And not a moment
07:46will go by
07:48when I don't support you
07:50in every way possible.
07:55Sounds like Victor is
07:57every bit as stubborn as Diane.
07:59She still won't talk to you?
08:02I have tried everything.
08:03I have texted her.
08:05I have sent letters.
08:06I have sent every flower
08:08in Genoa City to her suite,
08:09hoping to get through to her,
08:11hoping to help her get past
08:12this pain that I caused her.
08:14None of it works.
08:16I'm sorry.
08:18I know she's in pain.
08:20I'm in pain, too.
08:21I am killing myself
08:23trying to appeal to her.
08:27Well, I went to talk to her
08:30to try to knock some sense
08:32into her head.
08:33Well, that was an old move.
08:35Um, dare I ask
08:37how things went?
08:39She said she appreciated
08:41what I was trying to do,
08:43but she doubted my sincerity,
08:46so she kicked me out,
08:48slammed the door in my face.
08:49Ouch.
08:50You know things are bad
08:51when I try to get through to Diane.
08:55It was a noble effort.
08:56You're a good friend.
08:58So are you.
09:02Well, here we are.
09:04You and your wife
09:05not speaking to each other,
09:07my husband and I not speaking.
09:09Yeah, a strange one
09:10is not for the faint of heart.
09:12Yeah, that's for sure.
09:15So where do we go from here?
09:17I don't know,
09:19but I'm not ready to give up.
09:21Well, maybe if we put our heads together
09:24and just started throwing out ideas,
09:26maybe one of them would stick.
09:28Well, I am out of options,
09:32so you start.
09:36So Matt took Adam to see Nick
09:39and no one has been heard from since?
09:41I'm going to wait to talk to Adam
09:43before I come up with any dire assumptions.
09:46I don't like that Matt came into the room to gloat
09:49and then Adam walked off with him.
09:52I don't like it either.
09:53I agree with you on that,
09:55but Adam wanted to go with Matt
09:56and he couldn't be stopped.
09:58They wouldn't let me go with them.
10:00Now I'm starting to get a bad feeling too.
10:08Hey, easy.
10:11Easy.
10:12Yeah, now that's a good call.
10:16I think the floor is going to be where it's at for now.
10:20Yeah, I think I want to stay down here
10:22for a little while too.
10:25Then I'll try to get us out of here.
10:29You said Matt brought you here?
10:33Yeah, he told me and Chelsea that
10:35he OD'd trying to score some drugs.
10:39We didn't believe it, though.
10:41We insisted it was true,
10:42so I demanded that he take me to you.
10:45You brought me here.
10:46I saw you on the ground trying to help you.
10:49And that's when he must have knocked me out.
10:51Look, now we're here.
10:55Thanks for coming.
10:58Anytime.
11:03You said Chelsea's in Vegas?
11:06She's worried about me.
11:07She couldn't get in touch with me.
11:11You sure, too?
11:12No.
11:14Good.
11:17You know, Matt made quite the claims
11:19about you buying drugs off the street.
11:21It sounded pretty convincing.
11:28You know, he's just telling you stories.
11:33Trying to make you think I was dead.
11:35It's just another one of his mind games.
11:39If you say so.
11:44You all right?
11:45You just came to, Matt knocked you out?
11:47Yeah.
11:48And I woke you up.
11:52Where is he now?
11:54I promise I'll keep you posted.
11:57Try not to worry too much, okay?
12:00Someone's at the door.
12:01I have to go.
12:03I will.
12:03I promise.
12:04Bye.
12:18You know, I've thought a lot about
12:21this move of yours to work here with Phyllis.
12:28It may be the bravest thing I've ever seen you do.
12:32Brave or crazy?
12:34You know, maybe a little of both.
12:37You know, after all the ways you've supported me
12:42in my various career changes,
12:44even when you were doubtful they would succeed...
12:48Or the potential blowback.
12:51It would be hypocritical of me to try to stop you
12:54from pursuing your own dream.
12:57And I trust your talent.
13:00I trust your judgment.
13:02I like the spark in your eyes
13:04this kind of challenge gives you.
13:08Oh, I...
13:10I love my new role.
13:12But this spark isn't because of my job.
13:16No.
13:19What could it be for?
13:24You.
13:26The right answer.
13:33Well, I'm waiting.
13:34I'm thinking.
13:36Okay, well, don't think so hard.
13:37Just say the first thing that pops into your head.
13:39There are no bad ideas.
13:41Okay, I get in touch with Sally.
13:43I convince her to run a piece
13:47on the great love story
13:49behind the success of Jabot.
13:51How the Abbott family grew and grew
13:53to include Diane.
13:54It'll remind her of all that we've built
13:57and maybe melt her heart a bit.
14:00She'd see right through there.
14:01I thought there were no bad ideas.
14:03Okay, I'm sorry.
14:04You're right.
14:05We're just brainstorming.
14:07Your turn.
14:11Well...
14:14I pretend to kidnap my grandchildren
14:17and I tell Victor
14:19that they won't be returned
14:20until he admits he was wrong.
14:23You get a big F for originality.
14:25Oh, well, thanks a lot.
14:27I can't help it if my husband
14:28has cornered the market on bad ideas.
14:33Hey, well, you know, maybe...
14:35Maybe my sister Tracy
14:37has a plot or two in her novels
14:39that we could maybe pilfer.
14:41Ooh, that's good.
14:44Actually, I can think of one novel
14:46where the protagonist wanted to make
14:48their estranged partners
14:50so jealous that they would remember
14:52how much they cared about them
14:54and maybe forget
14:56why they were so angry.
14:58Hmm.
15:01Who would make Diane jealous?
15:05Not Patty.
15:06Oh, hell no.
15:07That's what got me here.
15:09So, who would Victor
15:11and Diane believe
15:13we would turn to?
15:34Hello, hot stuff.
15:36Where's Adam?
15:38Who's Adam again?
15:40Did you take him to Nick?
15:42Where are they?
15:43My goodness, so many questions.
15:44Have you done something?
15:45I don't know where to start.
15:46Have you done something to Adam?
15:47Okay, honey, listen.
15:49I spent years as a rock promoter
15:51and my ears are very sensitive
15:53and your voice right now
15:54is really...
15:55It's shrill.
15:56It's interesting to see you
15:57finally like this in person
15:59and recognize what a true jerk
16:00you really are.
16:01Okay, well,
16:02now I'm confused
16:03because I thought
16:05you were really looking forward
16:06to finally being alone.
16:07Tell me where they are.
16:09Or what?
16:11You don't know me,
16:13but I know you.
16:15Your type.
16:16I know that this
16:18tough girl thing
16:18you got going on
16:19is really working for you.
16:20You like to break people.
16:21It's fun for you.
16:22It's a game.
16:23It's part of the chase.
16:26Not really.
16:27No.
16:29Chelsea, look,
16:30I know that you care about Adam,
16:32but he's really stupid
16:33and he doesn't listen
16:34and Nick is always
16:35poking his nose
16:36into everybody's business.
16:37Nick is trying to make sure
16:38that you can't threaten him
16:39or his family ever again.
16:40They're all snooping around
16:41digging into my business,
16:42not their concern.
16:43This all started
16:44with your threats.
16:45Now tell me where they are.
16:55Sure, Matt's long gone by now.
17:00Do you remember what happened
17:02before he knocked you out?
17:04We walked from the hotel room
17:06to here.
17:08All right.
17:09That means we're
17:10in the same building.
17:14He must have locked us
17:15in here after he hit me.
17:16I mean, that probably
17:17was his whole plan.
17:19Buy time so he could run.
17:24I was on the phone with you, right?
17:26Like, before it happened.
17:27Yeah.
17:29How'd you end up in here?
17:34I was outside Rezo's.
17:36I was in his room
17:37and
17:40the door was cracked open
17:41so I walked in
17:42and I was just sort of
17:44looking around
17:45and
17:47I don't know,
17:48somebody like
17:49put like a bag
17:50over my head
17:51or something
17:52and then I woke up.
17:55I was here
17:56with Matt.
17:57What did you do next?
17:59She thought he was
18:00going to kill me.
18:03He said he had
18:04other plans for me.
18:06He said he was
18:07going to keep me
18:08so high on opioids
18:09I wouldn't even
18:09remember my name
18:10and then
18:13and then he brought up
18:14Noah and
18:15and Sienna and Sharon
18:17and said he was
18:17going to go after them.
18:18Keep you on opioids?
18:20So does that mean
18:20that you were using drugs
18:22before Matt took you?
18:28It's not important.
18:30Yes, it is.
18:31Nick, it is very important
18:34and it explains a lot.
18:37Like your strange behavior.
18:40Has Matt put his plan in motion?
18:43Are you hooked
18:44on drugs, Nick?
18:53No, no.
18:55I like that.
18:56I gotta go.
18:57I gotta get back to work.
18:59As if I could find my desk
19:01under all of these flowers.
19:03No.
19:04Not yet.
19:06Let's make a toast.
19:10To Phyllis.
19:12Okay.
19:13Why?
19:15Because she gave me
19:16this amazing opportunity.
19:18She took all the chances
19:20when no one believed in her
19:21and I admire that.
19:24I admire her for...
19:26Being reckless.
19:28Yes.
19:30Yes.
19:31Let's toast to reckless plans.
19:36Hmm.
19:38What?
19:39What's going on?
19:40Oh, there's nothing.
19:40I mean,
19:42of all things to toast,
19:43do we have to Phyllis in there?
19:44And why not, you know,
19:47the watch,
19:48your golden god of a husband,
19:50the flowers?
19:51I mean, love?
19:53Right.
19:53We did toast to love.
19:56Because isn't that
19:57the most reckless thing of all?
20:05Okay.
20:06I'm just spitballing here.
20:08We say that in the devastation
20:11of the loss of our marriages,
20:13you know,
20:13Victor kicking you out,
20:14Diane leaving me,
20:17we ended up spending
20:18more time together.
20:20Late nights,
20:22early mornings,
20:24we find comfort
20:25and solace
20:26in each other's company.
20:29If it were
20:30a romance novel,
20:32it could work.
20:34But in real life,
20:36with our spouses?
20:37More like a horror movie?
20:39If Victor were
20:40to truly believe
20:42that you and I
20:43had become
20:44romantically involved,
20:45I mean,
20:46all bits would be off.
20:47He can't stand the idea
20:48of the two of us
20:49being in the same room together.
20:50It would push him
20:51over the edge.
20:53Oh, wait, no,
20:53that sounds attractive.
20:54Yeah, let's hit him
20:55where it hurts.
20:58How do you think
20:59Diane would react?
21:00She would be even more
21:01outraged with me
21:03than she is now.
21:05Okay, you know what?
21:06I was wrong.
21:07There are such things
21:08as bad ideas.
21:10Let's just file this
21:11under desperate times,
21:12desperate measures.
21:13Yeah, this would
21:14definitely be in
21:15the nuclear option
21:16category, though.
21:17Right now,
21:18I'm very close,
21:19though it's a bad idea.
21:23Thanks.
21:25Thanks?
21:26What have I done?
21:27We're right back
21:27where we started.
21:28Miserable.
21:30You made me laugh.
21:32I haven't done that
21:33in a lot of time.
21:43Well, well, well.
21:52Nick, call me
21:53as soon as you get this.
21:54I need to know
21:55that you're all right.
21:58Hey, Mom,
21:59who's on phone?
22:01Uh, no one.
22:02I was just leaving
22:03a message.
22:03There was no answer.
22:06Hey, what's wrong?
22:09Oh, nothing.
22:12There's news, isn't there?
22:14About Dad, Matt, or both?
22:16Mom, please tell me
22:17what's going on.
22:18You have to tell me.
22:25You're feisty.
22:27I like that.
22:31Look, Adam is
22:32my son's father.
22:34Nick and Adam,
22:35they both have small children.
22:36They're my family,
22:38so I'm sure you can understand
22:39why I'd be worried.
22:41I mean, worrying about things
22:42that you have no control over
22:43is a complete waste of energy,
22:44and I can think of, like,
22:45a million different ways
22:46that you and I
22:47could better use our energy.
22:49One in particular.
22:49You weren't gone very long, so
22:51you couldn't have gotten very far.
22:53Maybe they're still in the building.
22:54Maybe you took Adam downstairs,
22:56shoved him in a car,
22:58someone left with him.
22:59There's so many questions again.
23:02Matt, just...
23:03please.
23:04Just take me to them.
23:07As much as I would love
23:08to take you first, Ben.
23:11The answer is no.
23:14Matt?
23:18You have to help me.
23:21Chelsea,
23:22you seem like
23:23a really bright woman.
23:25I'm sure you'll figure it out.
23:27Okay, just, um,
23:28answer one thing for me.
23:29Just let me know
23:30if Nick is alive.
23:31You know,
23:31if he's okay.
23:33Can you just admit that much?
23:36When I took Adam
23:37to see Nick,
23:39Nick seemed pretty dead.
23:42I don't believe you.
23:43Okay, well,
23:44I don't know what to do.
23:45Look,
23:45here's the thing.
23:46If they are alive
23:47and you can find them,
23:47please tell them
23:48that I'm out of here
23:49because I'm done
23:50with the new ones.
23:50They're a really tiresome bunch.
23:52Matt?
23:54Please.
23:57I mean,
23:58as much as I'd love
24:00to see a hot woman beg,
24:01I gotta bounce.
24:03Don't
24:04come looking for me,
24:06okay?
24:07I am out of here.
24:09I'm like a Vegas magician.
24:10Watch,
24:11I'm gonna make myself
24:12disappear.
24:19That man must have
24:20given me something
24:21really strong
24:22when he put me
24:22in this room.
24:24Do you remember
24:25how much?
24:28More than enough.
24:30I mean,
24:31he really wanted
24:31to mess me up.
24:33Son of a bitch.
24:35That's all right.
24:38Once it gets out of my system,
24:39I'm gonna be good.
24:40That's me.
24:41So that is it?
24:43He gave you drugs
24:44in this room,
24:45but that is all?
24:49Yeah.
24:57Look,
24:58Matt must have
24:58taken my phone.
24:59Do you have your phone?
25:03No.
25:04Did he, like,
25:05picked out
25:06a block or something?
25:08We don't hang on.
25:08There's a phone.
25:15Oh,
25:15please pick up, Matt.
25:25Hello?
25:26Chels,
25:27it's me.
25:27I don't think
25:28God.
25:29Are you okay?
25:30Where are you?
25:31I'm with Nick.
25:33Is he...
25:35Is he okay?
25:36He's fine.
25:37He's all right.
25:39We're in the hotel.
25:40We're down the hallway
25:41from the room.
25:41Look for a storage closet
25:43or supply room.
25:44We're locked in.
25:45Okay, yeah.
25:46I'll be right there.
25:47I will be careful.
25:48Look out for Matt.
25:50Adam,
25:51he was here.
25:53He came to see me.
25:55Did he hurt you?
25:56No.
25:57He was a creep,
25:57and he was
25:58taunting me.
26:00He wouldn't tell me
26:01where you were,
26:01and then he said
26:02that he was going
26:04to disappear
26:04like a Vegas magician.
26:08And that means
26:09it's not over.
26:18Are there any markers
26:19I should be looking for?
26:21Uh,
26:21there's an ice machine.
26:23Just walk, uh,
26:24past that.
26:25If you made it
26:26to the stairwell,
26:27you'd gone too far.
26:28Okay.
26:30Nick.
26:32Nick.
26:34Are you all right?
26:35I'm fine.
26:38Matt just gave me
26:39a really heavy dose,
26:40clearly.
26:41What's happening?
26:42Is that Nick?
26:43Is he okay?
26:44Yeah, just, uh,
26:46try to hurry
26:47if you can.
26:47There might be
26:48another doorway
26:49to the gym
26:49on the left.
26:50Just pass that.
26:56Where are you right now?
27:09You're interrupting
27:10a private conversation,
27:11Victor.
27:12I led you to
27:14indulge in your
27:15self-conflicted misery.
27:16Well, you're the one
27:17who started all this.
27:18The blame lies squarely
27:19at your feet.
27:20I did not
27:21treat on my wife,
27:22now that I...
27:23If you'll
27:23excuse me, please.
27:25Diane?
27:26You know what?
27:27I really don't want
27:27to do this right now.
27:29I'll just go back
27:29to my room.
27:30You can go down
27:30to the lounge.
27:31Jack, how many times
27:32do I have to say it?
27:32I don't want to talk to you.
27:34Well, sir, Diane,
27:35you stay out of this.
27:37We're working
27:37through something.
27:38Actually,
27:39there is something
27:40I'd like to say to Victor.
27:47I heard from Chelsea.
27:49She's gone to Vegas.
27:51She and Adam
27:52have seen Matt Clark.
27:54Okay, so he's there.
27:56We can nail him.
27:57Well, that was the plan.
27:59Well, you didn't mention
28:01Dad.
28:01Where is he?
28:02What about him?
28:03They don't know.
28:05Your father seems
28:06to have disappeared.
28:08How?
28:09Like he just vanished?
28:10Went missing?
28:11It's possible
28:12Matt has him.
28:15Okay, we have to leave now.
28:16Wait, no.
28:17Hold on.
28:17Mom, are we really
28:18going to abandon Dad
28:19when he could be in trouble?
28:20I sure as hell can't.
28:22I hear you.
28:23I swear I do.
28:24I should have been there
28:25already.
28:26Okay, I could have
28:26stopped this.
28:27I've been wanting
28:28to go to Vegas
28:29since the beginning.
28:30We agreed.
28:31It was better
28:32that you...
28:32No, I didn't agree.
28:33No, I did not agree.
28:35And now we can't find Dad.
28:37Okay, and if Matt has him,
28:38if something happens to him,
28:40I should have never let you guys
28:42talk me out of going.
28:43That was for your own good.
28:44Matt is back into our lives
28:45because of me.
28:47Mommy is sadistic
28:49and horrible.
28:50You know that.
28:51I can't just sit around
28:52and wait.
28:53I need to go to Vegas
28:54now.
28:57You have to be close.
28:58It's a plain door.
29:00No signage.
29:02Adam!
29:04Chelsea!
29:04Yeah, yeah, yeah.
29:05We're here.
29:06Chelsea, come on.
29:07Here, try the handle.
29:09Chelsea, we're in here.
29:11You guys okay?
29:12Yeah.
29:13Try it again.
29:25i'm just so glad you're both okay thanks for coming to find us chelsea you saw matt oh yeah
29:33i begged him to take me to you guys but the bastard wouldn't do it i'm not surprised i just
29:39i hate that you were alone with him he didn't hurt me and i can take care of myself
29:46nick you don't look so good are you all right appears matt gave nick something in the room
29:51and caused him to pass out oh my god do you want to lie down can i get you something
29:56no
30:00no i just need to splash some water on my face
30:11adam i'm worried about your head no look i'm gonna be okay i'm worried about him
30:18how was he when you found him he was out of it compared to wake up i mean i thought
30:23that he was
30:24oh my god you know i can't even imagine i'm so sorry it must have been horrifying so did he
30:32overdose did matt get him hooked on drugs i want to believe that this was a one-time deal but
30:40do you
31:19have to get some work done today really
31:24yes you don't want to hear more of our reckless plan oh by all means what is it
31:38one dance every romantic interlude has to have one dance just one and then i'm kicking you out
32:05and i'm not interested in hearing a lecture from you about how this is all my fault
32:11no no as much as i hate to admit it you were apparently right about jack you're a better judge
32:19of my
32:19husband's character than i was you can't mean that jack if i were you i'll just accept defeat and move
32:27on
32:31you will pay for this if it is the last thing i do you will pay for this
32:41all right let's talk about that's next move are you sure we can't get you to a doctor no
32:48i'm fine i'm good as new like i said i'm pretty sure matt is long gone he couldn't have gotten
32:55far
32:56well i called sharon before matt arrived i let her know where things stood that he's in vegas we found
33:02him yeah i really need to check in with her i know i don't have my phone matt took mine
33:08so i'm
33:09pretty sure he's taken yours too
33:12so
33:13so
33:23so
33:26so
33:48Oh, wait a minute, wait a minute, wait a minute, wait a minute.
33:52How are you going?
33:53You have to work.
33:54Yes, I do.
33:55I'm just really enjoying this moment right now.
33:58So, can't I enjoy it just a little long?
34:02Oh, maybe we should go home.
34:13What do you think?
34:14Maybe.
34:15Maybe we should just be reckless.
34:20What?
34:21Yes.
34:22Excuse me, Victor.
34:23What?
34:26Oh, that's what I'm saying.
34:28Oh, my God.
34:37Jack, your threats were empty.
34:39The only thing you're capable of is destroying your marriage.
34:51How could you take his word over mine?
34:54Oh, are you feeling betrayed?
34:57It's exactly how I thought.
35:04Try not to let it get you.
35:06How can I not?
35:08I don't know about you, but I am on the verge of desperate times.
35:13Something's got to give Nikki.
35:15And soon.
35:20We'll use my phone to call Sharon.
35:22Give her an update.
35:23She'll be relieved to hear your voice, Nick.
35:25No, no, no, no.
35:25Let's hold off on that.
35:27Why?
35:28I want to find Matt first before we tell Noah and Sharon what is going on, or at least get
35:33an idea of where he's gone.
35:34But Sharon already knows that you were missing, Nick.
35:36I told her.
35:37She's going to worry, Nick.
35:39That means Noah's going to worry.
35:40Yeah.
35:41I mean, she's already worried.
35:43No.
35:43If Noah and Sharon learned what has happened out here, they will be on the first flight
35:47out here.
35:48I promise you.
35:49Matt could have killed me.
35:50He will do the same thing to Noah and Sharon.
35:53We have to find him and track him down before he makes his way back to Genoa City.
36:00Hang on.
36:06Your father texted me just now.
36:10I have Matt.
36:12It's over.
36:12Come to Vegas now if you want to see Matt go down.
36:16Finally.
36:17What are we waiting for?
36:19We are on our way.
36:30Can't wait to see you, Sharon.
36:38Next week on The Young and the Restless.
36:41Who are you now, Olivia?
36:41She would be my mother.
36:44Nate Hastings.
36:46Oh, my goodness.
36:47I have a little surprise of my own.
36:52Well, actually, it's kind of a big surprise.
36:56Michael, what's wrong?
37:00All right, there's no good way to come out with this, so I'm just going to say it.
37:05Summer's conglomerate is going down.
37:09This is definitely not what I expected.
37:11This looks like it's been abandoned for years.
37:13What do you think?
37:15Should we go ahead?
37:17Or me?
37:19I'm here.
37:20I'm here.
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