Beyond Paradise - Season 4 Episode 2
DI Humphrey Goodman and the Shipton Abbott team return for another captivating mystery in the heart of Devon. In Episode [X], a seemingly simple case takes an unexpected turn—revealing hidden motives, local secrets, and the human stories behind the crime.
🔹 Episode Highlights:
• [E1 Hook: "A mysterious arrival sparks the season's first investigation"]
• [E2 Hook: "Clues collide as past and present crimes intertwine"]
• [E3 Hook: "Trust is tested when a suspect hits close to home"]
• [E4 Hook: "The truth emerges—but at what cost?"]
• Signature charm: witty banter, coastal scenery & clever detective work
• Guest stars & emotional character moments you won't want to miss
🔹 Series Info:
• Format: British Crime Drama / Police Procedural / Mystery
• Original Network: BBC One / BritBox International
• Season: 4 | Episode: [2]
• Starring: Kris Marshall (DI Humphrey Goodman), Sally Bretton, Zahra Ahmadi, Dylan Llewellyn
• Setting: Shipton Abbott, Devon, UK
• Language: English (Original Audio)
• Runtime: ~60 minutes (full) | Clip/Highlight version: ~8-12 min
🎧 Prefer audio? Listen to Beyond Paradise recaps & podcasts on BBC Sounds, Spotify.
👉 Enjoying the series? Hit LIKE, SUBSCRIBE, and comment: "Who did YOU think the culprit was? 👇" Turn on notifications 🔔 so you never miss the next case!
#BeyondParadise #BeyondParadiseS4 #BritishCrimeDrama #BBC #MysterySeries #KrisMarshall #DetectiveShow #CoastalMystery #S4E2 #BingeWatch #UKTV
⚠️ Copyright Disclaimer: This video is shared for promotional, review, and informational purposes only. All rights to "Beyond Paradise" belong to BBC Studios and Red Planet Pictures. This upload complies with Fair Use guidelines (Section 107, U.S. Copyright Act). No copyright infringement intended.
DI Humphrey Goodman and the Shipton Abbott team return for another captivating mystery in the heart of Devon. In Episode [X], a seemingly simple case takes an unexpected turn—revealing hidden motives, local secrets, and the human stories behind the crime.
🔹 Episode Highlights:
• [E1 Hook: "A mysterious arrival sparks the season's first investigation"]
• [E2 Hook: "Clues collide as past and present crimes intertwine"]
• [E3 Hook: "Trust is tested when a suspect hits close to home"]
• [E4 Hook: "The truth emerges—but at what cost?"]
• Signature charm: witty banter, coastal scenery & clever detective work
• Guest stars & emotional character moments you won't want to miss
🔹 Series Info:
• Format: British Crime Drama / Police Procedural / Mystery
• Original Network: BBC One / BritBox International
• Season: 4 | Episode: [2]
• Starring: Kris Marshall (DI Humphrey Goodman), Sally Bretton, Zahra Ahmadi, Dylan Llewellyn
• Setting: Shipton Abbott, Devon, UK
• Language: English (Original Audio)
• Runtime: ~60 minutes (full) | Clip/Highlight version: ~8-12 min
🎧 Prefer audio? Listen to Beyond Paradise recaps & podcasts on BBC Sounds, Spotify.
👉 Enjoying the series? Hit LIKE, SUBSCRIBE, and comment: "Who did YOU think the culprit was? 👇" Turn on notifications 🔔 so you never miss the next case!
#BeyondParadise #BeyondParadiseS4 #BritishCrimeDrama #BBC #MysterySeries #KrisMarshall #DetectiveShow #CoastalMystery #S4E2 #BingeWatch #UKTV
⚠️ Copyright Disclaimer: This video is shared for promotional, review, and informational purposes only. All rights to "Beyond Paradise" belong to BBC Studios and Red Planet Pictures. This upload complies with Fair Use guidelines (Section 107, U.S. Copyright Act). No copyright infringement intended.
Category
🎥
Short filmTranscript
00:28The
00:51One morning in the month of June
00:53Down by a rolling river
00:55There where he tried the chance to stray
00:58And he beheld his lover
01:00Her cheeks were red, her eyes were brown
01:03Her hair and ringlets hanging out
01:05She had a lovely face that had to frown
01:07Just as the tide was flowing
01:24The spell on the water
01:26Still has the plates on the grass
01:31I won't let the roost
01:34Colour and size that would last
01:39All right!
01:42Mr. Brankley!
01:46Third time this week I've had to call the police
01:48Come on, this town's being taken over by yobs
01:55He's been keeping me hostage
01:56I found him there asleep
01:58Surrounded by all the food he's pilfered
02:00What, free stale custard creams?
02:02Follow me
02:09Um, yeah
02:11What's your name?
02:12Adam Walsh
02:14What were you doing in that man's shed?
02:16I came to save a mate last night
02:18But we fell out
02:18Just needed to get my head down
02:20But then I woke up
02:22And that old crank had locked me in
02:23Am I going to get done or what?
02:26I don't think they hand out
02:28Custardial sentences for stealing biscuits
02:32Custardial
02:34As in custard creams
02:35Forget it
02:36Where do you live?
02:38Exeter
02:38Okay, straight on the train
02:40Go on home
02:40Don't want to see you around here again
02:42I just want to get home
02:43Have a shower and some food
02:44I'm starving
02:46Oh
02:48Mums
02:48Cheese
02:49And homemade pickle sandwiches
02:51Take it for the journey if you like
02:52Oh, cheers
02:53Okay
02:54Go on
02:58Oi
02:59Is that it?
03:00You won't be having any more trouble from him, Mr. Franklin
03:03I'll hold you personally responsible if I do
03:06Just so you know, Mr. Franklin
03:09False imprisonment is also a criminal offence
03:16Oh, Humphrey and I appreciate that
03:29Thanks
03:29Bye
03:31That was Hannah
03:33Checking on us after our meeting the other day
03:37Pausing fostering still feels like the right thing to do
03:39Yeah, it's probably for the best
03:41Especially now we're back living with your mum
03:43Exactly
03:45Green or blue?
03:47What do you think?
03:48Well, it's a bit formal for a Tuesday morning
03:50The WI ladies are taking me out tomorrow evening
03:52Again?
03:53Oh
03:54Between us
03:55They've become slightly suffocating since I've become counsellor
04:00Oh, they're both nice
04:03Uh, the green one then
04:05No, just saying that to shut me up
04:07Humphrey
04:08Green to match your eyes
04:10My eyes are brown
04:12So are they all
04:16Sorry
04:21Hello
04:23Right
04:24On my way
04:26Saved by the bell
04:39Hiding from the paparazzi
04:42Pardon?
04:44Well, don't get me wrong
04:45They're very stylish
04:46Not a criticism
04:49Is it an image revamp?
04:52No
04:52It's a tension headache from a cricked neck and no sleep
04:57But thanks for the compliment
04:58Ah
05:01Rosewood Cottage
05:03Where are you?
05:05Are you the police?
05:08Hello?
05:11Mrs Harris
05:15I've been hiding in case they came back
05:17Darling
05:24I am so sorry I was with a client
05:26My phone was off
05:27Um
05:29Clyde Harrison, June's husband
05:30Yeah, D.I. Goodman
05:31This is D.S. Williams
05:32I'm sorry we weren't here earlier too
05:34Um, it's slightly tricky to find
05:36We are tucked away here
05:38It was much easier to find when the woodwork was pink
05:40Or be it slightly garish
05:42Uh
05:43Shall we go inside, Mrs Harris?
05:53Look at it
05:54They've wrecked the place
06:05Sorry, Mrs Harris
06:07What exactly did you notice was wrong?
06:14The whole place was upside down
06:17They turned the drawers out
06:19This chair was on its side
06:22It was all a mess
06:47How are you so good at it?
06:49At what?
06:51Adulting
06:52I mean, you make it look so easy
06:54Doing ten different things at once
06:55And you're not even stressed
06:58I'm just good at hiding it
07:00Besides, stress isn't always a bad thing
07:01We wouldn't get what we wanted without it
07:04But what if you don't know what you want?
07:06Like, I really like what I do here
07:08But I'm just worried that it's not what I want to do long term
07:11I should hope not
07:12I don't want to see you go, Zoe
07:14But you've got a whole life to live
07:16Doing what, though?
07:19You're 18, you've got bags of time
07:20It takes six years to train to be a vet
07:22Do you want to be a vet?
07:23No
07:24I'm just making a point
07:27How did you decide?
07:29I didn't
07:30I went travelling
07:32Thailand, Vietnam, Malaysia
07:34And the Caribbean
07:35That must have been incredible
07:37It was the best thing I could have done
07:38I went alone and it taught me more than any course ever did
07:41Really?
07:42Weren't you frightened?
07:44Sometimes, but that's life, isn't it?
07:46My advice is to have all the experiences you can
07:49Good and bad
07:50Take risks
07:51Choose adventure, Zoe
07:56Bingo!
08:01I know what I saw
08:04You're sure there's nothing missing?
08:06I've checked
08:07Everything appears to be where it should
08:11Understanding attachment disorders by Dr Clive Harris
08:13I'm a clinical psychologist
08:15And a published one at that
08:19I'm sorry, what happens now?
08:21Without any evidence of a break-in
08:23Then I'm afraid there's nothing much we can do
08:25I am not mad
08:26No one's suggesting that, Mrs Harris
08:29You don't need to
08:30Clive is diagnosing me as we speak
08:32June, that's not true
08:39Yeah, I...
08:40Thank you both for your time
08:41I'm sorry if I've wasted it
08:42Of course not
08:43You're very welcome
08:45Nothing to apologise for
08:47Have there been any causes for concern with June recently?
08:52Psychologically?
08:53Nothing
08:53I'm as perplexed as you are
08:55Yes, well, you know where we are
08:57Yes, Sergeant
08:58Thank you
09:04Might be the start of something to do with our mental health?
09:08Yes
09:09Well, there's a buck coming
09:11I believe her
09:14You think someone trashed the place
09:16Then immediately put everything back exactly as it was?
09:19It's not exactly as it was
09:21Dr Harris' book was upside down
09:23That's odd
09:24Don't you think?
09:26And the rest of the shelves were so neat
09:36A profile here on the eminent Dr Clive Harris in the Times last month
09:41I became a psychologist because I care
09:44Oh, the burglary on Millstone Lane
09:47I'd give my right arm for a burglary at the minute
09:50Honestly, if I get one more call out about kids doing wheelies in the high street
09:55Or eating people's custard creams
09:58I'm going to scream
09:59Well, it wasn't actually a burglary
10:02So you didn't miss out on anything
10:03But I took the call
10:04Poor woman was hysterical
10:06The house was immaculate
10:08What's going on then?
10:09Not sure yet
10:11But she certainly seemed convincing
10:13Maybe
10:14It's like that old film
10:16Where the husband gaslights the wife into thinking she's gone doolally
10:20Oh, what's it called now?
10:23Um
10:25Gaslight
10:25That's the one
10:28Oh
10:28It says here they fostered too
10:31Dr Harris' interest in attachment theory
10:34Inspired him and his wife to foster children from troubled backgrounds
10:38Doesn't sound like a manipulative gaslighter
10:41Mum
10:41I did an online quiz about this
10:44Apparently I've got an anxious attachment style
10:49Oh, I don't buy into all that nonsense
10:53That's because you're an avoidant
10:56The only thing I'm avoiding is cod psychology
10:59And this headache, if I can
11:02See?
11:04You're masking the pain with pills
11:06When you should be pinpointing the root causes
11:09I can pinpoint one of them right now, actually, Margot
11:12Stress
11:13That's what's going on here
11:16Cortisol flooding the nervous system
11:19I bet I know what started it and all
11:21Or should I say
11:23Who started it?
11:24Yeah, all right, Margot
11:25Thanks for the insight
11:26But I slept badly, that's all
11:28You should both try positive affirmations
11:31Now, every morning
11:33I look in the mirror and I say
11:35I am enough
11:37Out loud
11:38Here
11:40You try it
11:43I am enough
11:44No, no, no, no, no
11:45It's a statement, not a question
11:47Say it like you mean it
11:50I'm enough
11:51Less mumbly
11:53Punctuate each word
11:55I am enough
11:58I am enough
12:00All right
12:01Don't blow me ears off
12:02Now, you do that every morning
12:06And feel the difference it makes
12:10Good
12:17Yeah
12:22Oh
12:26You should have to have a police station
12:29Hold the line for me, please, Mr. Smith
12:34Apologies, Mr. Smith
12:36He's just popped out
12:39Would you care to leave him a message
12:41And I'll get him to call you back
12:45Will do
12:46Goodbye
12:51Didn't have the good grace to say goodbye
12:54He wants you to call him back, air CP
12:56He says he's keen to know your decision
13:12Dr. Harris
13:13Sorry to bother you
13:15Can I just check
13:16Our next session is Tuesday, isn't it?
13:18Ten o'clock, yes
13:19See you then, Amy
13:20Come here
13:32God
13:59There's another liar.
14:01Looks like someone's tried to remove it.
14:03The tumour's right, then.
14:05It's odd, but I feel rather relieved.
14:08Have you had any run-ins with anybody recently, Dr Harris?
14:13No.
14:14There's nobody you know who might be inclined to call you a liar?
14:18Not at all.
14:19You see, I did a bit of research after I left you earlier,
14:24and I found this.
14:27A fellow psychologist, Roger Franklin,
14:30accused you of plagiarising one of his research papers last year.
14:35How he was allowed to stay in the profession all those years is beyond me.
14:41That's the paper in question.
14:44Breaking the cycle of insecure attachment.
14:47Roger's under the impression that he invented Bowlby's theory of attachment.
14:51It's ridiculous.
14:52It's jealousy.
14:54Plain and simple.
14:55Good idea to start with him, then.
14:57Maybe, but I'd be amazed if he had the gumption to pull this off.
15:02Anything else?
15:04Unusual interactions?
15:06Who was the last patient you saw?
15:08Well, I bumped into one of them just before I arrived earlier.
15:12Amy Riley.
15:13She was outside the office.
15:15I wouldn't call it unusual, though.
15:17So she didn't have an appointment?
15:19No, not today, but I have a good rapport with all of my patients, Detective.
15:25Amy has a complex diagnosis, but she deals with it admirably.
15:29I've never had any cause to be concerned.
15:37Thank you, Doctor.
15:39Hi.
15:40Humbrey.
15:41Esther.
15:42Hi.
15:43Hi.
15:43Hello, Archie.
15:45Are you here to see Doctor...
15:46About some wine.
15:49Dr. Harris wanted some advice.
15:52I'm so sorry to keep you.
15:54Unfortunately, I'm going to have to postpone our session.
16:06Good to see you, Archie.
16:08You too.
16:14So, someone trashes the house, then puts everything back and cleans up after themselves, then goes
16:19and does the same thing to Doctor Harris's office.
16:22Any thoughts?
16:24Huh?
16:25Why would somebody commit a crime, then try to undo it twice within a couple of hours?
16:38Esther?
16:39Sorry.
16:41Um...
16:41What was that?
16:42Are you okay?
16:45I'm fine.
16:46Yes.
16:47It's odd.
16:48Some sort of psychological game, maybe?
16:51Well, yes.
16:51Possibly.
16:52In any case, I'm pretty sure it'll happen again.
16:54So, er...
16:55We should submit an urgent request for access to his patient files.
16:58And, er...
16:59Let's pay a visit to Roger Franklin.
17:12Hi, Margot.
17:13Got a call from the manager at the train station.
17:16Fights broken out there on platform one between a couple of, er...
17:20Don't tell me.
17:21Kids.
17:23Now, don't scream.
17:25Remember, you are enough.
17:30I've definitely had enough.
17:31Know that much?
17:36I'm kidding.
17:39I'm kidding.
18:15Oh!
18:16I'm so sorry.
18:17I was miles away.
18:18In, er...
18:20In, er...
18:20Dolphin Cove.
18:21Have you been?
18:22Oh, I wish.
18:24It just says there...
18:25Sorry, I wasn't snooping.
18:26It just caught my eye.
18:28It looks like paradise.
18:29Doesn't it?
18:31You, er...
18:31Planning a holiday?
18:33Thinking about going travelling?
18:35Seeing a bit of the world?
18:36That sounds amazing.
18:38Who are you going with?
18:39Not sure yet.
18:41Probably by myself.
18:43Well...
18:44That's...
18:44That's brave.
18:45That's what life's about, isn't it?
18:46No, having those different experiences.
18:48Taking those risks.
18:50Well, good for you.
18:51As long as you take care of yourself.
18:54Er, Kelby.
18:56I haven't told my mum yet, so...
18:58Please don't say anything for you.
19:12Mr Franklin?
19:13Yes?
19:15I'm D.I. Goodman.
19:16This is my colleague, Detective Sergeant Williams.
19:19Oh, glad to see.
19:20It's been passed up the rags.
19:21Trust you'll be throwing the book of that little toe rag
19:24who's been squatting in my shed.
19:26They sent a young lad this morning.
19:28Barely out of his teens, by the looks of it.
19:31If you're referring to P.C. Hartford,
19:34then he's a highly competent police officer,
19:36and a fully grown adult.
19:37Yes, we're actually here to talk to you about Dr Clive Harris, Mr Franklin.
19:42What about him?
19:43And it's Dr Franklin.
19:45Dr Franklin, my apologies.
19:48Can we have a quick chat?
19:49Now?
19:50Yes.
19:51Is there somewhere a little more, uh...
19:53private we could go?
19:58Uh...
19:59Yeah, but that is what Dr Harris said.
20:02Absolutely preposterous.
20:03But you have called Dr Harris a liar in the past.
20:05Because he is one.
20:06He stole my work and got away with it scot-free.
20:09Oh, and you wanted revenge?
20:11Don't try and trick me, Detective.
20:13For a start, I can't be in two places at one time, can I?
20:16And, if one of your own officers isn't enough of an alibi,
20:21then I don't know what is.
20:22I suppose that depends on what time you arrived at the allotment.
20:24Oh, here we go.
20:26Okay.
20:27I got here about eight o'clock,
20:30unlocked the shed,
20:31and saw some layabout sleeping on the floor.
20:34End of story.
20:35If it's Padlock from the outside, how do you get in?
20:38Well, I was here late last night, too.
20:40About one a.m.
20:44I'm an insomniac, the bane of my life.
20:47I hadn't locked up when I left earlier that day,
20:49so he must have got in then.
20:52I put the padlock on,
20:53and then came back this morning and found him.
20:58Happy?
20:59And where were you at about 10 a.m.?
21:02Well, still here.
21:03Obviously.
21:04And there'll be other people who can vouch for you?
21:06The other allotment holders?
21:09Well, they've not long arrived.
21:11I mean, I was alone for much of the time, as it happens.
21:18Right.
21:19Well, thanks very much for your time, Mr. Franklin.
21:22Beg your pardon, Doctor.
21:23Watch out! Share the seats!
21:25Broken.
21:26Yes, I noticed.
21:27Take a little heads up.
21:28Oh, I don't mind that.
21:30I just skipped that coat of varnish.
21:34So you have.
21:38Technically, Roger Franklin could have broken into the Harris's,
21:41trashed it, regretted it, tidied up, then come straight here.
21:46Er...
21:47Technically, yes.
21:49Though, judging by the state of his shed,
21:51he doesn't strike me as being a particularly fastidious cleaner.
21:54Yeah.
21:55So, what now?
21:57Any ideas?
21:58Yep.
21:58Piece of cake.
21:59You know who did it?
22:00No idea.
22:01I mean, I want a piece of cake.
22:07This stuff is ridiculous.
22:10Two lemon drizzles, two Americanos, a large milk and a double espresso.
22:16For Lady Gaga.
22:18Hardly surprising I'm stressed, considering the amount of stick I have to put up with.
22:24Oh, no, I can't take any more or I'll be rattling.
22:27They're useless anyway.
22:29Sounds like you need a massage.
22:30You should try this new place.
22:32Apparently the masseuse is incredible.
22:34No thanks.
22:35Can't bear anybody touching me, let alone when it's accompanied by bare feet and pan pipes.
22:42Mum, you should take some risks.
22:43Get out of your comfort zone.
22:45Hardly class a neck massage is risk-taking.
22:48Great.
22:53Er, what are you doing?
22:58Hi.
22:58Er, I was wondering if you had any availability for a massage later today?
23:03Zoe!
23:04No!
23:07Are you okay?
23:09Yeah.
23:10Er, no.
23:13Er...
23:16Mr. Smith, from the Hub.
23:18You know, he's chasing me for a decision on who I'm letting go of.
23:22There must be another way to deal with these cuts, surely.
23:26Show them how well you can operate on a strict budget.
23:30Yeah, possibly.
23:33Can I get a refund on the lemon drizzle?
23:36I'm not sure that equates to someone's yearly wage.
23:40It's a start.
23:44Oh!
23:47I knew it.
23:49The lad fighting at the train station before is the same one from the allotment this morning.
23:54Some angry old man found him kipping in his shed.
23:58Roger Franklin.
23:59How do you know that?
24:01Because we interviewed him earlier about the breaking of the Harris's.
24:04He's an odd fish, that man.
24:06I know his wife.
24:07She's a sarnie short of a picnic hamper and all, truth be told.
24:11Kicked him out a few weeks ago.
24:13That explains why he spent so much time at the allotment.
24:16Apparently they had a huge row because he got suspended from his work.
24:21Oh!
24:22What happened here then?
24:23Well, it was all over by the time I arrived, but the station manager thinks it was something to do
24:29with drugs.
24:30He heard the other lad shouting, we've got a deal, you can't pull out.
24:35Very good.
24:38So, two crimes, two attempts to undo those crimes.
24:45What would an eminent psychologist have to say about that?
24:49Oh, that reminds me.
24:51Email from Dr Harris's receptionist arrived with his patient records attached.
24:55I've just sent it to you.
24:56Excellent.
25:07I've just discovered something else very interesting.
25:10About Roger Franklin?
25:11No, Amy Riley.
25:13The patient Clive mentioned this morning.
25:15The one he saw just before he discovered his office had been broken into.
25:20He was right about her complex diagnosis.
25:25Dissociative Identity Disorder.
25:28Yeah, it's a psychological condition where a person switches between different identities.
25:33Each identity or alter has their own name, age and history.
25:39It might explain the attempts to undo each crime.
25:43Because it was two different alters belonging to the same individual?
25:50Possibly.
25:52Oh.
25:54Okay.
25:55Shall we go and talk to her?
25:57Er, no.
25:58Sorry, Sergeant.
25:59As your senior officer, I am asking, er, no, ordering you,
26:03to please stand down and go and have the massage your daughter booked for you.
26:07Oh, no, honestly.
26:08It's for purely selfish reasons, believe you me.
26:11Because I'm honestly not sure how many more of those strange noises I can listen to you make.
26:15Okay?
26:15So, please, off you go.
26:19Enjoy.
26:23Right, Kelby, you're with me.
26:44Hello.
26:45Hiya.
26:45Can I help you?
26:46Amy Riley.
26:48Can I have a quick chat, please?
26:53I was a kid when it started.
26:55Seven, maybe.
26:57Nobody took any notice, really.
26:59My parents just thought I had imaginary friends.
27:02It's not unusual when you're little, is it?
27:06But they weren't friends.
27:08They were me.
27:11Or part of me, anyway.
27:13Would you mind telling us a little bit about the other identities?
27:18Past couple of years, it's been mainly Becky.
27:20Right.
27:21Sixteen.
27:22Always acting out.
27:23Can't stand authority.
27:25Authority meaning Dr Harris?
27:29Apparently she gives me a bit of a hard time.
27:31What, apparently?
27:33I can't really tell you what my alters are like.
27:36You're best off asking other people.
27:38Dr Harris says that Becky is always taking the mick.
27:43Calls him Clive, which is embarrassing.
27:47He doesn't mind, but I do.
27:50What does Amy think about him?
27:53I think that he is a brilliant, kind man.
27:59I just can't believe I did this.
28:02Wait, so you're admitting it was you?
28:06Not me as such.
28:08It sounds like just the sort of stunt Becky had pulled.
28:11Why might Becky call Dr Harris a liar?
28:14Well, she doesn't reckon there's anything wrong with her.
28:16She tells me that he's talking rubbish.
28:18So if Becky is responsible for both break-ins,
28:21and then you, Amy, put things right,
28:25then, well, wouldn't you remember doing that?
28:30Not all the time, no.
28:32Especially if I go back to Amy in the middle of doing some silly Becky stuff.
28:37Sometimes I remember.
28:39Sometimes I don't.
28:42Can you tell us where you were between eight and nine this morning?
28:45At home.
28:47I think my memory gets a bit fuzzy.
28:51Sorry, I'm not being very clear, I know.
28:53No, no, no, no. You've been really helpful.
28:56I mean, thank you.
29:00But...
29:00Dr Harris said he saw you this morning.
29:03I was on my way to work.
29:07So is it possible that you...
29:09might have switched to Becky and then back to Amy just before you saw Dr Harris this morning?
29:18It could have happened.
29:20Could have easily happened.
29:24It all adds up.
29:26Yes.
29:28Circumstantially.
29:29She pretty much confessed though.
29:31That's more than circumstantially.
29:32Well, a lifetime of not being in control of your own actions has to take its toll, Kelby.
29:38Amy strikes me as someone ready to take the blame for anything.
29:43Unlike Roger Franklin.
29:45Yes.
29:58Have you had a heart stone massage before, Esther?
30:02I've had a brick thrown at me, if that counts.
30:05Sorry?
30:07Hazard of the job.
30:09I'm a detective.
30:10I'm a detective.
30:10Oh, a detective.
30:12Wow.
30:12No wonder you're stressed.
30:14Now, it's perfectly normal to feel a little nervous the first time.
30:18I'm not nervous.
30:20Good.
30:27Okay.
30:30How's that pressure?
30:33Uh...
30:35Fine.
30:36Thanks.
30:37Good.
30:38Oh.
30:40Oh.
30:42I don't normally enjoy this sort of thing, but, oh, that feels amazing, actually.
30:49My boyfriend's the same.
30:51Uh-huh.
30:52It's early days, though, so perhaps I can convince them.
30:56Most people would be delighted to have free massages on tap.
31:01Not Archie Hughes, though.
31:04Ooh.
31:06You are tense, aren't you?
31:08Let's get in those shoulders.
31:14Clive!
31:15Becky.
31:16Girl on shift with Amy.
31:18Said she had a visit from the police before.
31:20Said what happened.
31:21I'm sorry, Becky, but I'm afraid...
31:24I can't have this conversation now.
31:26I'll see you at our next session.
31:29You know I never do anything like that, don't you?
31:33Clive!
31:35Clive!
31:55Clive!
32:03No shades?
32:05Can I assume that's because the massage did the trick?
32:09You can assume it's because I was so desperate to get away from Archie's new girlfriend that I left them
32:13behind.
32:16What?
32:21Clive!
32:25Clive!
32:51Oh, so, um, background search on Franklin is pretty revealing.
32:57Apparently, his behaviour towards Clive Harris was erratic, bordering on unhinged.
33:03Hundreds of abusive emails and phone calls.
33:07I mean, it's a pretty solid case for a disciplinary action.
33:11No wonder his wife gave him the elbow.
33:13Even more of a motive, he accuses Clive Harris and his whole life just unravelled.
33:19It makes sense.
33:20Yes, apart from the undoing.
33:23Oh, and that Mr Smith's been on again.
33:26He's like a terrier with a bone, that man.
33:28What's he after?
33:31Oh, well, I suppose he's just new to the role.
33:34And wants to make sure he's communicating regularly with everyone.
33:38Well, he's certainly doing that.
33:40I don't speak to my next of kin as much as I speak to him at the moment.
33:44And as for communicating, I can't understand half of what he's on about.
33:48I mean, what's the KPI when it's at home?
33:51Ha!
33:52Well, I don't know.
34:25Tune?
34:44Humphrey, you're asleep.
34:47Yes.
34:49Are you?
34:55A few days ago, Hannah told me that Rosie had something she wanted to send us.
35:01And?
35:01Nothing's arrived.
35:04I keep rushing to the door every time the post comes.
35:20Why didn't you mention it sooner?
35:23Because you've got so much on your mind.
35:26Speaking of which, talk to me about work. I know that's why you're still awake.
35:31Oh, do I have to?
35:40Mr. Smith is still hounding me for a decision on who I'm going to let go.
35:45The guys are still oblivious, and I'm still desperately trying to think of a solution.
35:50I've thought of myriad ways to save money, and none of it comes close to a yearly salary.
35:54I can't stave him off for much longer.
35:59PHONE RINGS
35:59Oh, my...
36:02PHONE RINGS
36:04Oh, my...
36:06PHONE RINGS
36:19PHONE RINGS
36:21They were all in black.
36:25PHONE RINGS
36:25Did you hear them speak?
36:27No. I collapsed straight away.
36:31And the next thing I remember, I woke up in the ambulance.
36:36PHONE RINGS
36:37Oh, is it my sister's?
36:39I will never forgive myself for leaving him alone in the house.
36:42Come on, now, June. It's OK.
36:45OK?
36:46It's not OK, Clive.
36:47This has to be dealt with once and for all.
36:53Is there something else we should know, Dr. Harris?
36:58Clive.
37:03I bumped into Amy Riley yesterday.
37:07Or rather, her main altar, Becky.
37:11She told me you'd spoken to her.
37:15Hmm.
37:18The ambulance?
37:19Who called for it?
37:24I've no idea.
37:26No, me.
37:28The hospital phoned when he was admitted.
37:40It doesn't look like anything was damaged.
37:42Nothing obvious stolen, either.
37:45Laptop's out on the desk in the office.
37:49Hmm.
37:55Woven polyester mix?
37:58From cargo pants?
38:00But this is grey.
38:02Clive Harris said the intruder was all in black.
38:04Grey could be mistaken for black in the dark, though.
38:08They've caught themselves on something when they ran out.
38:11All right.
38:12So nothing damaged this time.
38:14And nothing taken.
38:18But something left behind.
38:24Amy, does the name Edith mean anything to you?
38:30Edith?
38:30Edith.
38:31No.
38:32You don't have an altar by that name?
38:35No, not that.
38:38Edith, no.
38:40It's mainly Becky who is more than enough.
38:45Uh, Dr. Harris said he saw Becky yesterday.
38:49Do you remember that?
38:53Beg pardon.
38:54Can I have a quick word?
38:57The recording of the 999 call from last night just came through from emergency services.
39:02I knew you'd want to listen to it straight away.
39:04Right.
39:04Thanks, Margot.
39:06Hello?
39:07Can you send an ambulance to the house with the pinked?
39:09To Rosewood Cottage on Millstone Lane?
39:13All right.
39:14So it's fair to assume it's the intruder making the call.
39:17And yet another attempt from them to reverse the damage they've done.
39:20They sound genuinely upset.
39:22And definitely male.
39:24That's Amy Riley in the clear?
39:25Mm-hmm.
39:26Plus, the caller started to refer to it as the house with the pink woodwork.
39:30Do you remember?
39:31Clive mentioned it used to be pink.
39:40Hello.
39:41I just popped back to pick up a few bits for Clive.
39:44The doctor's being very positive, so that's good.
39:47Good.
39:48Um, sorry, Mrs. Harris.
39:53Do you recognise this?
39:59I've never seen it before.
40:01It says Edith on the back.
40:03Does that name mean anything to you?
40:05Nothing.
40:08And, um, sorry.
40:10What about this?
40:13Sorry.
40:18Uh, Clive, uh, mentioned that the woodwork on the house used to be pink.
40:24That's right.
40:25Well, I don't suppose you remember how many years ago it was painted white?
40:28I do, as it happens.
40:30It was ten years ago.
40:32He'd just finished painting it when he had his first heart attack.
40:36I told him not to do it, that it would be too strenuous, but he wouldn't listen.
40:39And that's when we had to give up fostering.
40:44Yes, of course, you're fostered.
40:46I read it.
40:49My wife and I do.
40:51Although we've had to put it on hold for the moment.
40:53It's a wonderful thing to do.
40:55But hard not to get too attached.
40:58Yes.
40:58We actually had a placement when Clive fell ill.
41:01A gorgeous boy.
41:03He'd been with us for months.
41:04We talked about adoption.
41:06But social services were worried about Clive's health.
41:09We just didn't know what the future held and how much care Clive would need.
41:14The last thing I wanted was for Adam to feel sidelined again.
41:18He deserves so much more.
41:21It must have been hard.
41:23It was the hardest decision we ever had to make.
41:26I can't say I don't regret it.
41:31No.
41:33Sorry.
41:36How old would Adam be now?
41:39He'd be what?
41:44He'd have just turned 18.
41:4618.
41:4718.
41:48Pink.
41:49And now they're white.
41:5118.
41:58Kelby.
41:59What was his name?
42:01Sorry, sir?
42:02Your boy from the allotment, the one who was fighting at the station.
42:05What was his name?
42:06Uh, Adam.
42:07Adam Walsh.
42:12Edith.
42:13It's not a person.
42:16It's a place.
42:18Specifically, a children's home.
42:26Edith's house in Exeter is for young people aged 16 to 18 on the cusp of leaving care.
42:32Yep.
42:33I just spoke to the unit manager.
42:34This key ring is included in a leavers pack.
42:37He also sent me over a photograph of the most recent residence.
42:42Look.
42:44Adam.
42:45Yep.
42:45He left there a few days ago.
42:46The manager said that once they turn 18, then there's little support from social services.
42:51What's his connection to Clive and June Harris?
42:53He was their last foster placement ten years ago.
42:56They wanted to adopt him.
42:58But Clive had his first heart attack and then the social services removed Adam because they became concerned about the
43:04house's ability to care for him long term.
43:06So he went back into the system until he left last week and came straight back to Shipton Abbott.
43:11Why target them if they were so close?
43:14For that exact reason.
43:16Imagine thinking you'd found a family at last and they'd send you away.
43:19They couldn't help that.
43:21I'm not sure a vulnerable eight-year-old would say it that way.
43:25But Adam was locked in Roger Franklin's shed when the first break-in happened.
43:30It couldn't have been him.
43:34Hold on, look.
43:36There's that lad he was fighting with at the train station.
43:40That's a deal.
43:42The deal?
43:44The station manager heard the other boy say,
43:47we've got a deal you can't pull out.
43:49Is that right, Kelby?
43:50Yeah.
43:51I don't think it was a drug deal.
43:53So what if the other boy targeted the Harris's in return for Adam doing something for him?
43:58But Adam got cold feet.
44:00Exactly, and tried to reverse the damage each time.
44:03The other boy broke into the Harris's first and trashed the living room.
44:14This is what June saw when she came back from her power walk that morning.
44:29After June left to go and get help, Adam entered the house at around 9.15.
44:36Straight from the allotment where Kelby had just seen him.
44:38Exactly.
44:40He then placed everything back as it should be.
44:45Apart from one book, which he put back on the shelf upside down.
44:54The same thing happened in Clive's office.
44:56Adam tried to put it right again.
44:58But before he could finish the job, he heard Clive opening the door.
45:06And escaped through the window.
45:09Adam then tried to leave ship to Nabok, but the other boy stopped him and a fight broke out.
45:13What are you doing?
45:15Get off of me, man.
45:17We have a deal.
45:18You joking?
45:19What's wrong with me?
45:25So during the last break-in, the other boy framed him.
45:29A piece of cloth torn from Adam's cargo pants during the fight was left there deliberately, along with the Kiwis.
45:36I don't think it was his intention to harm Clive.
45:40June?
45:44But the other boy certainly didn't want the risk of being accused of possible murder.
45:52Adam went back to the house to put things right again.
45:56But this time it was far worse than he could have imagined.
46:05Hello?
46:07Can you send an ambulance to the house with the pink...
46:10to Rosewood Cottage on Millstone Lane?
46:13We first went to the Harris's.
46:15We were looking for Rosewood Cottage, but couldn't find it.
46:17Clive said it used to be easier to find when it was painted pink.
46:21So whoever made that call must have had a history with the house.
46:26I do.
46:27Yes.
46:28And I think I know where to find it.
46:43Adam, can you tell us who this is?
46:49Sam.
46:50We met in care and became mates.
46:52Same boat.
46:53Nobody wanted us.
46:55A few days after we left Edith's house, Sam showed me this thing he found online.
47:00Clive.
47:00In a newspaper.
47:02A profile piece in the Times?
47:06Talking about how much he cared about helping people.
47:09Didn't seem like he cared much about me when I went back into care.
47:12It must have stunned reading that.
47:15I know it was stupid, but I wanted to hurt them like they hurt me.
47:20Not properly, just shake them up.
47:25So that's when you and Sam made the deal.
47:29He would go after the Harris's for you.
47:31And what did he want you to do for him in exchange?
47:36Set up his mum's dealer boyfriend.
47:38Get him arrested.
47:39A revenge swap?
47:40I told Sam I changed my mind, but he wasn't having it.
47:44So you tried to stop it?
47:45Yeah, but that stupid bloke locked me in his shed, and by the time I got to the house, it
47:51was too late.
47:52Then Sam started blackmailing you?
47:54If he didn't keep your side of the deal, he'd frame you.
47:59It all got so out of hand.
48:05I never meant them any harm, but nobody told me anything.
48:11One day I'm living with Clive and June, thinking I've got a family again, and the next I'm back in
48:17care.
48:18Yeah, I understand.
48:21No, you don't.
48:22No, you're right.
48:26I don't understand what it was like for you.
48:30But I do have experience from the other side.
48:37My wife and I fostered a little girl, Rosie, not so long ago.
48:44I thought we might have a future together as a family.
49:00Clive and June didn't reject you, Adam.
49:04They loved you.
49:06Letting you go wasn't their choice.
49:15Adam.
49:18Can you take us to Sam?
49:21I can't.
49:23He's not a bad person.
49:24He's just been through it all.
49:25This isn't about punishment, Adam.
49:27We want to help both of you, I promise.
49:30But we can't do that if we don't know where Sam is.
49:38The next train to Exeter will be from Platform 1 in 12 minutes.
49:51Finally seen some sense, then.
49:53Took your time.
49:55I'm sorry, Sam.
50:08You're gross.
50:09No, it's okay.
50:10I never laid a finger on him, I swear.
50:12We know that.
50:13We just want to help.
50:15Yeah, whatever.
50:15Sam.
50:17It is all right.
50:29You're okay?
50:30Yeah.
50:31The brightest palace halls
50:34Far and go nowhere
50:40Come now, remember
50:43The light we made
50:48Meet me in the twilight
50:51Meet me in the day
50:54Keep me where those troubles
50:58Now all been cast away
51:08The noble stars
51:11As they first arise
51:14The silence of the eve
51:18The deep and full new skies
51:28I'll get my stuff
51:29Amy
51:32I'm not here to arrest you, okay?
51:35I'm here to tell you that we have found who's responsible
51:38And it's not Becky
51:40Okay, so most importantly
51:42It's not you
51:45I'm here to tell you that we have found who's responsible for being in the twilight
51:52I'm here to tell you that we have found who's responsible for being in the twilight
52:13Like you do
52:16Thank you
52:19Take care of yourself
52:26The sun's coming down
52:30Like a king to rest
52:34Brightest palace
52:35Come on then
52:36Spit it out
52:37What's on your mind?
52:39Nothing?
52:42Okay, there is something
52:43It's exciting though
52:45Don't worry
52:45I was talking to Martha
52:47Oh my god, ma'am
52:48There's Archie and that woman
52:50What should we do?
52:52Hello
52:53Esther
52:54Zoe, hi
52:56Sorry, this is
52:57Amelia, I know
52:58We met
52:59Hi
52:59Hi, Esther
53:00Came in for a massage
53:02Oh
53:03How's the headache?
53:04Gone
53:05I feel like a brand new woman
53:06Oh, I'm so pleased
53:07Well, let me know when you want to book in again
53:09Oh, no need
53:10I'm fixed
53:11You're a miracle worker
53:12Tell him that, will you?
53:14She is
53:14It's true
53:16See, you sort yourself out, mister
53:18Yeah, I'm trying
53:22Well, we'd best be going, haven't we, Zoe?
53:25Nice to see you both
53:26Yeah, great to see you, Esther
53:27Yeah, well, you know where I am
53:29If you need me
53:30I do, cheers
53:32Right, um
53:33Okay
53:37Oh my god, ma'am
53:39You're so amazing
53:41Well, we're all adults
53:43Apart from you, obviously
53:44You'll always be my little baby girl
53:47Go on, anyway
53:48What was it you want to talk about?
53:51Can't think, no
53:52No, you were chatting to Martha
53:54Something exciting
53:56Kind of forgotten already
53:57Er, yeah
53:59She was just saying
54:00How much she appreciated me working at the cafe
54:03See?
54:05None of us can do without you
54:09I'm very proud of you
54:10Yeah?
54:11Yeah
54:13Thanks
54:15Thanks, ma'am
54:23It came this morning
54:32Aren't you going to open it?
54:34Yes
54:35Why am I so nervous?
54:40July?
54:40Yeah
54:44To hunt for your Martha?
54:56Do you think she knows how much we cared about her?
55:00How much we still care about her?
55:04Of course she does
55:06She knows Humphrey
55:10I wonder what she'd think about the lily bond, though
55:13I think it was my fault
55:15No, it wasn't
55:18Was it?
55:23Well, we couldn't live on a boat forever
55:26Speaking of which
55:27I think we should put an offer in on the house
55:28Oh, it's so much work, Martha
55:30Not to mention money
55:31Yeah, but we take our time
55:35Do it bit by bit
55:38Remember what we said
55:40It's the two of us
55:42And whatever else happens
55:44It will always be the two of us
55:46This is our adventure, Humphrey
55:49And there's nobody else I choose to be on it with
55:57That's it
55:58Come on, ladies
56:01Let's get inside
56:02And I'll get us all a drink
56:10Just the two of us
56:20This is Dark Morris
56:22Someone help him! Hurry!
56:24So if someone did trigger the allergy, they did so during the dance?
56:27But we were all watching
56:28So what did we miss?
56:30Is that the allergy?
56:31There's a Mr. Smith was talking about that on the golf course
56:33So, not just me you ignore, but your staff too
56:36If she doesn't know about Mr. Smith
56:38Don't be cross-lipper
56:39I'm not
56:39I'm angry at him
56:41I'm here for one reason
56:42And that's to save your sentimental ass
56:45You can't help who you fall in love with
56:47But you can decide what you do about it
56:53Love is a confusing game
56:55Perhaps it's better left unplayed
56:57Catch the other Bennet sister now on iPlayer
56:59This and everything across the BBC is made possible because we're funded by you
57:03Thank you
57:05On the way next, new Have I Got News For You
57:07Here on BBC One
57:20What?
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