- 9 hours ago
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00:03The
00:04Victim is Tony Salinger. He was found dead in his hotel room by his sister Ruth. From now on, no
00:08more secrets.
00:09What do you think he meant by that? I have no idea. This thing with the daughter, is that a
00:13conflict of interest?
00:13No, it was a two-minute conversation. I'll ask her to CCTV just so we can eliminate her.
00:17You said you were leaving. I changed my mind. To Kim.
00:22I drank. What was the occasion?
00:24Here, Monkford, I'm arresting you on suspicion of...
00:27You're a great detective, but you're greedy and you're impulsive, and that makes you dangerous to be around.
00:38You fancy a trip to the coast?
00:51How are things with your daughter?
00:55Uh, yeah. She's not speaking to me.
00:59Nope. She won't be. She's gonna punish you about 50 times before she eventually gives you the time of day.
01:07What do I do until then?
01:10Keep showing up, regardless of how much she tries to push you away. And eventually those 50 punishments will run
01:18down to zero.
01:20She's leaving soon.
01:22You'd better get cracking then.
01:32This car was found over there. With the keys still in it and the suicide note on the dashboard.
01:40I want to know a bit more about Alan.
01:44This incident with, uh, Monica and the knife. When was it?
01:48A few days before he died.
01:49But you didn't see it?
01:51No, I told you. I was at uni. He told me about it.
01:56Thanks.
01:56But in the years before I left, Monica and Dad would argue a lot.
02:02Not blazing rows, just sort of tense, small, sort of snipings.
02:07Do you remember what about?
02:10Michael, mostly. How Monica and Molly cuddled him. How Dad wanted him out from underneath them.
02:16And me. How Dad was easier on me. Well, at least according to her. How that was giving Michael a
02:24complex.
02:25Dad wanted out. I know he did, but not like this.
02:46Why are you looking into all this again?
02:49Well, it's possible that when Tony said no more secrets, he was talking to Monica.
02:54And you think that my dad is the secret?
02:57I think... I'm late for work.
03:52Clifftop only opened to the public two months before Alan Barton was reported missing.
03:56I presume dead. Thank you.
03:58Since then, we've sadly had one further suicide and an accidental death there.
04:02Now, the tide is very predictable, even in extreme weather.
04:05And both of those times, the body washed up in the bay half a mile down the coast.
04:10Alan's body didn't.
04:11And no-one questioned it at the time because, I guess, no-one knew about the tide patterns.
04:15Kara and I have been back to the hotel to check on Tony's sight lines.
04:18When Tony said no more secrets, he was looking in a mirror at Monica.
04:25So, what was his secret?
04:27We've got two theories.
04:28Either Monica killed Alan, Tony knew and was threatening to expose her.
04:33But what was Monica's motive for killing Alan?
04:35I mean, he had a couple of grander savings, but that was about it.
04:38Like, the cottage maybe?
04:40That's what we need to find out.
04:41The bit I don't get is why she'd then tell Tony.
04:43I mean, you'd keep that to yourself, right?
04:45Again, that's what we need to find out.
04:47The other theory is that Tony was summoning up the courage to tell Monica that he lied about his job
04:53and his money.
04:55Now, Monica says that Tony told her the week before the wedding.
04:58What if he didn't?
04:59What if he told her that night?
05:01What, and then she killed him?
05:02That's quite a reaction, isn't it?
05:04Yeah, well, even if she didn't kill her first husband, Alan, the daughter said that Monica once threatened him with
05:09a knife.
05:09So we're dealing with someone potentially prone to aggression, violent outbursts.
05:14Kara, Sally, Dan, go back through the reports into Alan's suicide.
05:19We need to see if there's anything that they missed.
05:20Simon, Liam, Katie, talk to Monica's friends.
05:23Did she mention Tony's financial situation to anyone?
05:25And crucially, when did he tell her?
05:28And we still haven't figured out who this figure in the coat is.
05:34Bonnie.
05:36All right, all right, all right, all right, all right.
05:39Yeah, yeah, yeah. Good to see you. All right.
05:41David discharged you from the hospital?
05:42I mean, not technically.
05:44I thought you'd all be missing me by now.
05:46Are you okay?
05:47Oh, yeah. Doctor said it's a scratch.
05:50Sorry, Jim, you carry on.
05:52No, it's okay. We were just finishing.
05:54Uh, thank you, everyone.
06:00May.
06:04Hey, boss.
06:05Thanks, Ben.
06:07Cheers, mate.
06:08Cheers, mate.
06:09Good to have you back.
06:10How are you feeling?
06:11It's like I just got stabbed.
06:12So, no, you shouldn't be here.
06:13What am I supposed to do? I can't go to the gym.
06:17Let me bring you up to speed.
06:19Yeah, all right.
06:21Um...
06:22You've lost the video, ain't I?
06:27Here.
06:30Here.
06:47Uh, Ian has confessed to killing Carl and to swapping the bloods and, uh, obviously to the attack on you.
06:54He's Adam and he didn't kill Tony.
06:56You believe him?
06:57I do.
07:00Wish I didn't.
07:21Here we go.
07:23Here we go.
07:25Here we go.
07:27Here we go.
07:38Here we go.
07:39Here we go.
07:40Here we go.
07:49Here we go.
07:50Let's put it behind me, okay?
07:51We're good.
08:00What happened there?
08:03I've no idea.
08:04Barney.
08:06I didn't expect to see you back so soon.
08:08Discharge this morning?
08:10That's...
08:11Surprising, after such a close shave.
08:13And got Jim arrived when he did.
08:15Take it steady, Barney.
08:17Understood, Mum.
08:18About time some of the others did some work, eh?
08:59What?
09:07Boss, have you got a minute?
09:08Well, I...
09:09Yeah.
09:10So the footage from the night of Tony's murder came in?
09:13What footage?
09:14Costello's, the restaurant.
09:16The footage of you and Nicola Barton.
09:18When you disclosed you had contact with Nicola the night of,
09:21you said it was a two-minute conversation.
09:23It wasn't.
09:25It was longer.
09:26Really?
09:27Way longer.
09:29It's 43 minutes.
09:3043 minutes?
09:33Wow, okay, yeah.
09:34You do understand I need to put this on the CMS, don't you?
09:37Yeah, of course.
09:38Which means that everyone in here can access that footage.
09:41Yeah, I know how the CMS works, Cara.
09:42And see that your two-minute conversation
09:44with the person connected to the case was actually much longer.
09:47and much more cosy than you initially let...
09:50Cozy?
09:50Uh, is it...
09:51It's subjective?
09:52Maybe.
09:53But the timestamp isn't.
09:56Look.
09:57Maybe you lost track of time.
09:59Or maybe you thought it was inconsequential.
10:02But please,
10:04get your fucking story straight.
10:06Sir.
10:10Alright.
10:38I thought you'd gone back to Manchester.
10:42I decided to...
10:43Stick around.
10:44Visit some old haunts?
10:46Like the cliff.
10:49A friend saw you there this morning.
10:51Sorry.
10:52That sounds like...
10:53I mean, you can...
10:53You can do what you like.
10:55I just mean that I...
10:56I wish I'd known you were still here.
10:59Um, we could spend a bit of time together.
11:02And done what?
11:05I thought we'd made some progress, Nick.
11:07I explained how your father was.
11:09I know that it must have been difficult for you to...
11:12But...
11:13You know...
11:13I thought it might have answered some questions for you.
11:17No.
11:18It did.
11:21It's just being back in Jersey...
11:23It's harder than I thought it would be.
11:27Being back around me, you mean?
11:38Have...
11:38Have you heard about love languages?
11:42People have different ways of demonstrating their love.
11:45And...
11:46I think that I had a way of showing you that I loved you.
11:49Because...
11:50Because I did.
11:51I...
11:52I do.
11:54And I think it's something that I learned from my mum.
11:57She was, um...
11:59She was practical.
12:01She was endlessly practical.
12:04So...
12:04The house was clean, and we were clean, and there was food, and...
12:08You know?
12:10I think that that's what I associate with love.
12:13And it's just as deep as something more demonstrative.
12:17But maybe it's not how you needed to be loved.
12:25Yeah.
12:27That...
12:28Would make a lot of sense if...
12:30I hadn't seen you do it with Michael.
12:33You weren't...
12:35Practical with him.
12:38You engaged with him.
12:40You gave him energy.
12:42And time.
12:44And love.
12:46And I got...
12:49What was left?
12:50Well, Michael just demanded more.
12:53He needed more.
12:54You didn't have to give it to him.
12:55You could have said no.
12:57You can't say no to a child like that.
13:00So I'm left with this impossible choice of what to believe.
13:04Yeah? That...
13:05Oh, you couldn't love me because of some...
13:10Flaw...
13:11In you.
13:12Some...
13:13Bit in you that's missing.
13:15Or that ultimately because...
13:17I'm just too hard to love.
13:19What?
13:20No, that's not...
13:22Christ, no!
13:23He doesn't stop!
13:24Shh!
13:34This is why...
13:35I didn't want to see you.
13:38Because these conversations are too hard.
13:41What?
13:46I'm sorry.
13:49About Tony, but...
13:52I want you to leave now.
14:02Have kids.
14:04Then we'll talk.
14:15Kim.
14:17I know you're sure is with me.
14:18And you have every right to be.
14:21But...
14:22You're leaving soon, you know?
14:23And I would just...
14:24Love it.
14:25If you would consider...
14:27Forgiving me...
14:28Just a bit quicker than you would normally.
14:32Yeah, I have forgiven you.
14:34Yeah, I mean, it just doesn't feel like that.
14:36I'm just...
14:37Tired.
14:40Er...
14:40Thanks for the lift.
14:4649 to go.
14:58Jim.
15:00Nigel.
15:02I'm sorry.
15:03Doesn't even come close.
15:05It's okay, Jim, really.
15:07It was a...
15:07It was an accident.
15:08No, it's not.
15:09Okay.
15:10It's...
15:11It was...
15:12It was out of line.
15:12And, er...
15:13Look, I'm sorry.
15:14Apology unnecessary, but...
15:16Accepted.
15:18Er...
15:19Is...
15:19Is Charlie in?
15:23Erm...
15:24Christ.
15:25Er...
15:26Well, if you're sure.
15:32Well, if you're sure.
15:40Hi, Tony.
15:42I...
15:43I just wanted to say...
15:45Erm...
15:46How...
15:46How sorry I am.
15:47And by the party.
15:50Is that it?
15:53Is that it?
15:53Well, yeah.
15:55I don't know what else there is to say.
16:02When Rachel died, you were devastated, as was I. As was everyone. In many ways, we will never fully recover.
16:13I appreciate that. But the rest of us, even her daughter, are managing to function now.
16:22And so, for you, to still be spreading such Olympic standard chaos, would suggest an element of choice.
16:30Of choice?
16:32At the risk of sounding condescending, Charlie, you do know that I'm an alcoholic.
16:36Really?
16:37Oh, you should have mentioned that. Oh, wait. You do. Endlessly.
16:43You know, Rachel was exquisite. She was... She was perfect.
16:49She was better than me in every single way, but... She never made me feel like I didn't deserve her.
16:56But from the moment we met, I have spent every single day trying to prove myself worthy to you.
17:06I have lowered the bar as far as I can for you, Jim. Any lower, it'll be in the cellar.
17:12Not getting drunk at Kim's leaving party was all that was required of you.
17:18I'm sorry, even that proved too much.
17:25Jim!
17:27That actually went better than I expected.
17:30How do you deal with her?
17:32Well, when you get to my age and you've been through some...
17:38Some stuff.
17:40Not to suggest you haven't had your own share of... stuff, but...
17:48I lost a child.
17:52My first wife and I.
17:55When he was only two.
17:57God.
17:59Nigel, I'm... I'm... sorry.
18:01And obviously, that's something Charlie and I have in common.
18:06And...
18:08The one thing about something so...
18:12Unfair, so...
18:14So savage...
18:17Is...
18:19It gives you some perspective.
18:23And some patience.
18:28I'll talk to her.
18:30All shall be well.
18:32And all manner of things shall be well.
18:38I'm sorry again.
18:40You should see the other guy.
19:01I'm sorry.
19:02I'm sorry.
19:02Talk to me.
19:03Oh, yeah.
19:05Monica was telling the truth.
19:07I spoke to one of her bridesmaids and according to her, Tony had told Monica...
19:11About his financial situation a week before the wedding.
19:14Okay.
19:14Did you see how Monica responded?
19:15Well, I'm not thrilled, but not filled with murderous rage either.
19:19Okay.
19:19And I take it we're still nowhere with the figure in the coat?
19:21Yeah.
19:23But...
19:23Yeah, we're... we aren't.
19:26Uh, Cara?
19:27I had a look at Alan's phone records and I found some calls that the original investigation must have missed.
19:33Who are Phillips and Hawthorne?
19:34Solicitors on the mainland who happen to specialize in divorce.
19:37I spoke to them.
19:39They dug out the notes.
19:39They said Alan Barton spoke to them about divorcing Monica two weeks before you died.
19:45Monica didn't mention it in either investigation.
19:47Which means she didn't know.
19:49Or she concealed it.
19:50Yeah.
19:50Read the third paragraph.
19:58Okay, well, there we go.
20:00Uh, I'm gonna put this to Monica.
20:03And yeah, obviously you can come too, Bonnie.
20:08Should come too, eh, if you're up for it.
20:10I think I can manage sitting in the car and then sitting in a chair in her living room.
20:16Good.
20:18Yeah, brilliant.
20:19Let's go.
20:22Thanks.
20:23Yeah, see you in the car.
20:31If they get divorced, you're going into foster care.
20:33Oh, don't say that.
20:36Listen, I thought you should know, I was with Jim Bergerac today.
20:41I finally got him to look into my dad's death again.
20:44Right.
20:47So, you're still looping all this back to Monica then?
20:49She threatened my dad with a knife.
20:51I'd call that a red flag.
20:55I'm confused.
20:56I thought you thought Monica did it too.
21:02When I saw her, Michael was there.
21:05And he got into an argument with his neighbor.
21:08He was out of control.
21:10Just the rage.
21:12Monica actually had to hold him back.
21:14I just think maybe we're looking in the wrong place.
21:17You think Michael might have killed Tony?
21:20Maybe.
21:23And maybe not just Tony.
21:27I'd heard too.
21:28Oh, come on.
21:29Well, we've talked a lot about whether Monica did it, but never how.
21:33How did she overpower two husbands, two fully grown men who would have fought back?
21:50Look, we just have a couple more things we'd like to run by you.
21:54How would you describe your relationship with Alan around the time of his death?
21:59Well, what's this got to do with Tony's death?
22:01We're still trying to establish what Tony meant when he said, no more secrets.
22:06You described Alan as in a dark place before his death?
22:10Well, he killed himself.
22:13Unless I've read too much into that.
22:18You said that he was erratic and unpredictable, yet we found no evidence to corroborate that.
22:24If anything, Mrs. Salinger, we found that he was making plans for his future.
22:29You've been talking to Nicola.
22:33I don't know why she's dredging all this up again. I thought we'd settled this.
22:36Were you aware that shortly before his death, Alan contacted a divorce lawyer?
22:41What?
22:42Um, no. No, I didn't know that.
22:46They had two conversations. The solicitor described him as buoyed by their discussions and hopeful for his future.
22:54He said the final straw was a fight the two of you had where you threatened him with a knife.
22:59No, that never happened.
23:03I know this is hard, Monica, but we're still exactly where we were on the night of Tony's death.
23:08And look, no more secrets meant something, okay?
23:11And you don't upend your wedding day for a joke.
23:14Now, there are people who love Tony, you loved Tony, and so we owe it to all of you to
23:18explore every lead, answer every question.
23:20I'm really sorry, but that's led us to Alan's death.
23:22And look, look, if there is nothing, if there is no relevance, then I swear to you we will move
23:27on.
23:29But we won't know until we ask.
23:41Okay.
23:41What?
23:44It's true, the knife. It's true. But when Alan spoke to Nicola and this solicitor, he left out some pretty
23:55crucial context.
23:56He did change. His behavior did change. And I hid it too, because I didn't want people to think ill
24:05of this beautiful, kind man that I loved.
24:15One night, he hit me.
24:19And I grabbed a knife, because he kept coming towards me, and I told him to get out of the
24:28house.
24:29And I didn't see him for a few days, so that must have been when he spoke to Nicola and
24:34this lawyer.
24:35Anyway, after a while, he came home, and he was full of this indignation.
24:43And, um, he said that I had attacked him, and I said, no, Alan, you hit me.
24:50Because I still had the bruise.
24:55And, um, he was devastated, because his father was abusive towards his mother and him and his brother.
25:02And, um, there he was, completing the cycle, becoming the thing that he swore he'd never be.
25:12I see it in Michael, too, sometimes.
25:17And a few days later, he died.
25:20I couldn't help the kids. I mean, Nicola would never believe me. She will never let this go.
25:31Michael!
25:32You all right? I'm fine.
25:37Michael! Michael, please! Michael!
25:40No!
25:42Please! Come back!
25:45Oh, my God! You've got to go after him.
25:47Why?
25:48Well, he must have heard everything that I said about Alan. He didn't know any of that.
25:52I'm sure he'll be fine.
25:52No, no, no. Look, you don't understand.
25:54He's fragile. He's been going to the cliffs where Alan died.
25:57When he's like this, I have no idea what he's capable of.
26:00Please.
26:02Please.
26:08We need all available units dispatched to the Morbury cliffside,
26:12and a polo put out for Michael Bart, driving a blue VW polo.
26:36I have no idea how the people have heard it.
26:36I have no idea how the people have heard it.
26:37No, no, no.
26:37No, no.
26:37You're listening to me, but you are a wolf.
26:40I think you're going to be alive.
26:41That's the same thing.
26:42You're listening to Morbury cliffside.
26:45I know that I'm not sure you're talking about it.
26:54Oh, shit.
26:56Hey!
26:57History?
26:58No sign.
26:59No sign of his car, either.
27:02We've got a visual on Michael's car.
27:03Where?
27:04Pulling into the Clifton Hotel.
27:06Jesus.
27:08What?
27:09We need a unit at the Clifton immediately.
27:12Quiet approach.
27:13Room 401.
27:14We do not want him spooked.
27:15Wait.
27:16What is in 401?
27:17It's Nicola Buttonstrom.
27:18We don't know what Michael's capable of.
27:20He's not the one in danger.
27:21Nicola Rizzo.
27:23Come on!
28:03We've got laws against doing that.
28:06Hi.
28:07You've reached the Clifton.
28:11How did you know her room number?
28:13What?
28:15It doesn't matter.
28:34Hello.
28:35Welcome to the Clifton.
28:36Do you have a...
28:37Room for we're on?
28:37Uh, fourth floor.
28:39But you'll need a key card.
28:45Hey, uh, we need a room pass for room 401.
28:48Hey, um, I just need a credit card to activate the room pass.
28:53Thank you so much.
28:54Okay.
28:55Just...
28:56401, yeah.
28:57Please, please, please, can you just hurry?
29:00All righty, there we go.
29:02There's your room card.
29:03Oh, sorry, the, um, the lift's undergoing maintenance at this present moment in time.
29:07Of course it is.
29:24You all right?
29:25I'm fine.
29:26Just go.
29:35Wait, wait.
29:37Wait, wait, wait, wait, wait, wait.
29:38Wait, wait, wait, wait, wait, wait.
29:40Stop doing nothing.
29:49Go, go, go.
29:54Police!
29:54Police!
29:55I didn't do anything.
29:57I didn't do anything.
29:58I didn't do anything, I swear.
30:00Are you okay?
30:01Nicola?
30:02What is it?
30:04Nicola!
30:05What, what, what is this?
30:09Bermuda.
30:12I can't believe it.
30:14Well, it's true.
30:16So you can stop now.
30:18You can finally leave us alone.
30:19I don't understand.
30:20What is this?
30:21What's the confusing bit, huh?
30:22It's from him.
30:25Alan, my father.
30:32He's not dead.
30:35He's not dead.
30:50It arrived the day before my 30th birthday.
30:56A few months earlier, dad had been officially declared dead, and mum had arranged a little gathering for us to
31:03say goodbye.
31:05I and Nicola came, reeking of vodka as per, and that's when she first suggested that our mother,
31:12a woman who has to literally asked me to open jars for her, killed our father.
31:17I mean, it's ludicrous.
31:21Anyway, that's when the card arrived.
31:23At first I thought it was Nicola playing some sort of joke.
31:27But then, postmark.
31:31The date.
31:32And you didn't tell Monica.
31:34Oh, mum, by the way, dad's alive.
31:37He'd just rather you think he was dead than ever talk to you again.
31:42No, I didn't.
31:44I didn't tell anyone.
31:47The police had ruled her to suicide for the second time.
31:49Nicola had been extradited back up to her northern town.
31:53I didn't think that there was any point in exhuming it all again.
31:56But then, Tony died.
31:58And when Nicola reappeared and started trotting out her greatest hits,
32:03I did think about telling her then.
32:06But the next minute she was leaving, so I didn't bother.
32:11Except she didn't.
32:14Did she?
32:16Hmm?
32:21I saw you with her.
32:24At the cliffs.
32:28And sure enough,
32:29you descended on my mother,
32:32parroting Nicola's slurred fantasies like they were facts.
32:35Right.
32:36I thought enough is enough.
32:39You're taking quite a big risk there, your father.
32:42How did he know that you wouldn't tell your mother and Nicola straight away?
32:46Nicola likes to tell everyone about this
32:49special relationship she had with dad.
32:52But I was the son.
32:54I was his blood.
32:56He could trust me.
32:59Now, look,
33:01don't get me wrong.
33:03I mean,
33:05I feel sorry for her.
33:07It must be quite a shock.
33:10No, to find out that someone would literally fake their own death
33:16rather than spend time with you.
33:20I mean,
33:22that's bound to smart little.
33:31Forensics have checked the postmark.
33:33It's authentic.
33:34Definitely sent from Bermuda.
33:37What about the handwriting?
33:38They've only been able to do a preliminary analysis.
33:40They still need to do four bells and whistles.
33:42But they compared the card with confirmed examples of Alan's handwriting.
33:46And it's a match.
33:50Right, so
33:50Monica didn't kill Tony because of the money.
33:52She didn't kill him because
33:53he was about to tell the world that she killed Alan,
33:56which would suggest
33:57she didn't kill Tony.
33:59Okay, so
34:00we keep looking.
34:01We keep digging.
34:02Jim,
34:03I'd like a word with you.
34:07Can someone tell Monica Salinger
34:09her first husband is alive and well
34:10and living in Bermuda?
34:12I'll call their family liaison.
34:13Cara,
34:14did the footage come back from the bar of Nicola Barton?
34:17Er, yeah.
34:17It's on the CMS.
34:18Yeah, and?
34:20It's deemed irrelevant.
34:34It's irrelevant.
34:50What's your next move?
34:52I have absolutely no idea.
34:54Well, whatever it is,
34:55it won't involve Barney.
34:56You need to send him home.
34:58He's practically green.
34:59Er, yeah,
35:00that's my fault
35:01for allowing him to accompany me
35:02to interview Monica.
35:04I'll make sure he stays behind his desk from now on.
35:06You seem uncharacteristically eager to keep him here.
35:08Normally, I have to sit you two as far apart as possible.
35:11Er, well,
35:11he's an exceptional officer
35:12and an integral part of the team.
35:14Now I'm really suspicious.
35:17Why did he go and see Ian Monkford without backup?
35:20We were working in parallel
35:22and we both uncovered different strands of evidence against him.
35:25That's not what I asked.
35:27He went without telling his colleagues,
35:29specifically you,
35:30suggesting a troubling
35:31and in this case,
35:32potentially fatal
35:33breakdown in communication.
35:36Something's going on
35:37and it's becoming a problem.
35:39Sort it out, Jim.
35:41Redraw some boundaries.
36:04Oh, please.
36:05Er, listen.
36:06Don't start.
36:07I'm fine.
36:08You're not.
36:08You need to go home.
36:09Does that come from Uma?
36:11Me.
36:11It's coming from me.
36:12Take your time.
36:13Get better.
36:13Christ.
36:14At this rate,
36:15when you come back...
36:15I'm just in the middle of something here.
36:16Do you need me to leave this second
36:17or can I finish?
36:18in the middle of something here?
36:19No.
36:37I'll see you tonight.
36:39I'll see you tonight.
36:42No, don't be there.
36:42I'll see you now.
36:44I'll see you next week.
36:45Oh, good.
36:47I'll see you later.
36:47Yeah, sure.
36:47Over here.
37:07you all right absolutely sensational good no i know that despite your best efforts to conceal
37:16that kim leaving is challenging for you so it'd be all right if things weren't all right yes it is
37:22challenging for me and i think it's important kim isn't privy to that the last thing she needs is to
37:27feel guilty about what she's leaving behind that would be selfish and i'll leave that to her father
37:36what was jim like before rachel died very different capable besotted with the two girls
37:48steady reliable right so this isn't him he's still hijacked by the grief he's a man possessed
37:59did you become a functioning adult again how long did it take
38:05it's a work in progress
38:08i'm saying be patient with him
38:12i'm not making any promises that's my goal
38:23i'd like to give you the money for the restaurant it would be alone obviously but
38:28seems rather silly you need the money and i've got it sitting in my bank account
38:33um right that's very kind of you but no no what no thank you but why not
38:47because it would be emasculating and utterly humiliating for god's sake so this is about
38:52pride is it it's all i have charlie i i don't have any property i i don't have any investments
38:59i
38:59i don't even have a family my pride is the one thing i've been able to cling on to so
39:04no
39:05but again thank you where are you going i need to pee i don't need any help with that either
39:18good night
39:20good night
40:06Nicola?
40:10Hey.
40:12I'm in here.
40:19Free upgrade.
40:21Due to the door.
40:22So thank you.
40:30It's Monica she keeps calling.
40:32That will, yeah, someone will have just told her.
40:35I'm sorry, it's looking like the card is genuine.
40:38It can't be.
40:40I'm sorry.
40:42Because my dad is dead.
40:45He wouldn't do this to me.
40:53He wouldn't do this to me.
40:56Hey, it's okay.
40:59It's okay.
41:12It's okay.
41:25Oh, Christ.
41:27Is that Monica again?
41:29Oh, it's Kim.
41:31Um, I'll take this outside.
41:35Hi.
41:35Hey, sweetheart.
41:37I'm seeing another night at Granny's.
41:39Yeah, okay, yeah.
41:41Uh, that's, that's fine.
41:42Uh, will I, I'll pick you up tomorrow.
41:44I'll text you.
41:49I didn't even make it to the door.
41:52She rang you, though.
41:54She could have just texted.
41:57She wants a dialogue.
41:59Yeah, you really think so?
42:03Is this what being a parent is like?
42:05Your kid becomes like someone you have a crush on at school,
42:08and you're constantly trying to decipher every single interaction.
42:12Oh, Archie asked me earlier for a lift.
42:19I think she likes you, Jim.
42:22Yeah, you see, now you've made it weird.
42:27Well, she's just, she's trying to keep the channels open.
42:29She just wants to run it down from 50 to zero, as much as you.
42:41What are you doing, Jim?
42:44In what sense?
42:45In any sense.
42:47The case.
42:51Us.
42:53There can't be any us.
42:55So stop showing up at my hotel.
42:59I know, I'm, I'm sorry.
43:18Just, um, hold that thought.
43:21I, um, I just, I gotta pee.
43:30Oh, my God.
43:39Uh, where's the minibar?
43:42Uh, you're kidding, right?
43:44I thought we could share a sparkling water.
43:47Yeah, let's push the boat out.
43:49It's in the wardrobe.
44:00It's in the wardrobe.
44:13It's in the wardrobe.
44:23I've found it.
44:30Jim?
44:54Oh crap.
44:58Perfect.
45:56Transcription by CastingWords
45:57CastingWords
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