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The Crown S01E09 [Full Movie] [Watch Free Online]Full EP - Full
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00:00:11If your sweetheart sends a letter a good-bye,
00:00:26it's no secret.
00:00:29You feel the record.
00:00:33This way, by the way.
00:00:43The end of the bar.
00:00:49Hello.
00:00:50Hello, Porchy.
00:00:54Find the place all right now?
00:00:55Taxi driver, dear?
00:00:57Yes.
00:00:58Of course.
00:01:00Wonderful.
00:01:15Is it just me or is this place faintly ridiculous?
00:01:20Two of my great hates in life, fine dining in central London.
00:01:25I just thought it's the kind of special occasion place one came if one had a special question
00:01:31to ask.
00:01:43This moment I wish I were a poet, not a horse breeder.
00:01:55Will you marry me?
00:02:01Oh, poor G.
00:02:03That sounds like a no.
00:02:05No.
00:02:06No.
00:02:06It's not a no.
00:02:08No, no, no, no, no, no, no, no, no, no.
00:02:13Twelve no's.
00:02:14I would love to.
00:02:16On one condition.
00:02:19That you don't still hold a torch for her.
00:02:22Who?
00:02:25Oh.
00:02:27Her.
00:02:36I know how close you were and how close your families still are.
00:02:41It's true.
00:02:41She and I, we are close.
00:02:43I was close to her father.
00:02:45I am close to her sister.
00:02:46Our families are close.
00:02:48In many ways, and I speak as a breeder myself, it would have been a good match.
00:02:52Perfect match.
00:02:53I won't deny it.
00:02:56Except for the fact it was never on the cards.
00:03:03For her, there was only ever Philip.
00:03:20It was only you.
00:03:34He will be better.
00:03:51He'll be through all the cards.
00:03:51I do not know.
00:03:51I do not know.
00:03:51I am a sign.
00:03:53I know.
00:03:55Get this.
00:03:55I do not know how far back the house.
00:03:57I am a sign.
00:03:58And I can tell you guys.
00:04:00I don't know.
00:04:02Let me know.
00:04:10I need a bit.
00:06:02Right, you are, Jock.
00:06:03Yes, I'll let him know.
00:06:06I'm sure he'll be delighted.
00:06:09Bye.
00:06:17Are you winning?
00:06:20No.
00:06:21Well, there was one brief tantalizing moment, and I thought I had it.
00:06:29I moved in for the kill.
00:06:32Oh, but then one wrong brushstroke, and it got away once again.
00:06:39I've just been talking to Jock about your 80th birthday.
00:06:42Oh, don't mention it.
00:06:43Because it happens on the same day as the opening of Parliament, they've decided to combine events and hold a
00:06:51reception in your honor at the Great Hall.
00:06:53Oh, that's very nice.
00:06:55Oh, and it's going to be Graham Sutherland.
00:06:57Who?
00:06:59The painter.
00:07:00To paint your portrait.
00:07:01What portrait?
00:07:03The official portrait commissioned by both houses.
00:07:06It's your present.
00:07:08Sutherland?
00:07:09Hmm.
00:07:11Never heard of him.
00:07:12He's got quite the reputation.
00:07:14He's a modernist.
00:07:15So I can trust a modernist with an English name?
00:07:19Give me a German modernist, or an Italian.
00:07:24They're the ones who have to start all over again, whatever would an Englishman want to change.
00:07:29All right.
00:07:51It's grand to be home again after so long an absence.
00:07:55The surgeon who operated on me told me yesterday that all was well.
00:08:00I'll need to have a further period of convalescence, put on some weight.
00:08:06There's nothing else to worry about.
00:08:09As I said, it's grand to be home again.
00:08:13I look forward to being back at work just as soon as possible.
00:08:37Hello?
00:08:38Porchy.
00:08:40I hope I'm not disturbing.
00:08:42Goodness.
00:08:43Am I disturbing?
00:08:47No.
00:08:48Good.
00:08:49It's all real.
00:08:50I think we're making a mistake.
00:08:52I think we should lead from the start.
00:08:55And I think you're wrong.
00:08:57But we both know he doesn't hold up naturally.
00:08:59We tried holding him up against Darius before, and Darius won.
00:09:03That was the Guineas, which is a mile.
00:09:06This is the King George, a mile and a half.
00:09:11What will we do if he plays up before the race?
00:09:13He always plays up.
00:09:15That's who he is.
00:09:17You don't seem the slightest bit worried.
00:09:20Anything else?
00:09:22Well, can I just say one more time, for the record, I think we should start fast and run at
00:09:30a good clip.
00:09:33Noted.
00:09:34I am right sometimes, you know.
00:09:36Even you said yourself that I have good instincts.
00:09:39You do.
00:09:41I might well live to regret it.
00:09:44That and a good many other things.
00:09:47Oh, dear.
00:09:47Such as?
00:09:49Good night.
00:10:29Mr. Sutherland, Prime Minister.
00:10:31Good morning.
00:10:32How do you do?
00:10:33Good morning.
00:10:33Hello.
00:10:34How do you do?
00:10:34Good morning.
00:10:35How do you do, sir?
00:10:36It's an honor.
00:10:37I don't know.
00:10:37The honor is mine.
00:10:45So where do you want me?
00:10:52So, will we be engaged in flattery or reality?
00:10:57Are you going to paint me as a cherub or a bulldog?
00:11:00I imagine there are a great number of Mr. Churchills.
00:11:04Yes, indeed, there are.
00:11:07Well, as you search for him, perhaps I can implore you not to feel the need to be too accurate.
00:11:14Why? Accuracy is truth.
00:11:16No, for accuracy, we have the camera.
00:11:20Painting is the higher art.
00:11:24I paint a bit myself, you know.
00:11:27Yes, sir, I know.
00:11:29And I never let accuracy get in the way of truth if I don't want it to.
00:11:34If I see some landscape I like and I wish there wasn't a factory in the background, I leave the
00:11:41factory out.
00:11:45So, Mr. Sutherland, tell me, I'm fascinated.
00:11:48What is your process?
00:11:54First, I shall take some photographs.
00:11:57They'll be useful as reference when I get back to the studio.
00:12:00Then I shall do some charcoal sketches, studies of the head, hands.
00:12:03And then I'll work the sketches out.
00:12:09The actual painting up will be done in my studio at home.
00:12:16Um, is this? Do you mind?
00:12:18Perfect, all right. Carry on.
00:12:22What pose are you thinking of?
00:12:27Seated.
00:12:31A good right standing.
00:12:33It might be more commanding.
00:12:36Dynamic.
00:12:38It might make me look younger.
00:12:42I thought the painting was supposed to celebrate reaching a certain age.
00:12:46Four score years, Winston.
00:12:48Yeah.
00:12:49I think seated is more senatorial.
00:12:52Oh, senatorial.
00:13:00Yes, I agree.
00:13:09Cigar or no cigar?
00:13:13No cigar.
00:13:14Garter rose or no garter rose?
00:13:17No finely.
00:13:19No grandiosity.
00:13:22Dressed merely as a parliamentarian.
00:13:25A prosaic.
00:13:32I liked him.
00:13:33Yes, I could tell.
00:13:35He was smit, blushing like a little girl.
00:13:39Well, he's rather a wow.
00:13:42A wow?
00:13:43Tall and handsome.
00:13:45Saturne.
00:13:46A bit of a Heathcliff.
00:13:48He wants total control.
00:13:50Well, any artist worth anything would insist on that.
00:13:53We don't really want to flatter her.
00:13:55Yes, I do.
00:13:56No, you don't.
00:13:58Besides, it's manifestly clear he's a fan.
00:14:00Oh, no, don't be silly.
00:14:02You can smell the socialism on him.
00:14:04Even the socialists acknowledge you saved the country.
00:14:07Well, through gritted teeth.
00:14:10I have the protective instincts of a loving wife, and I can tell you this one is not an assassin.
00:14:15Oh, yeah, yeah, yeah.
00:14:41We have to do it.
00:14:43We have to do it.
00:14:43The price of our currency, now, five bucks a buck.
00:14:47We would like to welcome our hands to the end of the family,
00:14:49and the witnesses of the movement of the store.
00:14:52He was there.
00:14:53He couldn't get it.
00:14:54Hands over.
00:14:55It's so clever.
00:14:56I know, I know.
00:15:08What a champion.
00:15:11What a champion.
00:15:12Oh, hello.
00:15:26I remember getting the phone call from your father when he was born by Hyperion out of Angelola.
00:15:33Yes, we gave him his first milk, remember.
00:15:38Watching him grow up, everyone thought his elder brother would be the star.
00:15:41Your clever papa always had an instinct for this one.
00:15:44The underdog.
00:15:45And he backed him.
00:15:47And an underdog became a star.
00:15:50Yes, it's his favourite horse.
00:15:54So, what's next, Roger?
00:15:57Well, we've received an invitation to the Laurel International.
00:16:02America?
00:16:03Yes, next month.
00:16:05Well, he's what, four?
00:16:08Already at the older end of the spectrum.
00:16:10If you're asking my opinion.
00:16:12Well, that is why I asked you here today.
00:16:16My honest advice?
00:16:18I'd consider retiring him now.
00:16:20At the top of his game.
00:16:22The best middle-distance horse in Europe with a sky-high market value.
00:16:27Let him earn you some proper money as a stud.
00:16:30Well, I'm surprised to hear you turn down the opportunity of going to America.
00:16:36Why?
00:16:38Well, that's where your girlfriend's from, isn't it?
00:16:42Fiancee.
00:16:44Fiancee?
00:16:48Fiancee.
00:16:49Who is she?
00:16:51Money, I hope.
00:16:52So you can keep up the staples.
00:16:53Actually, she's a portsmann.
00:16:55Oh dear, so no money.
00:16:56Some money.
00:16:57Good horse mad.
00:16:59Well, she'd have to be.
00:17:03You'd approve, I think.
00:17:06Well, can I meet her?
00:17:07if you promise you won't scare her. why would I scare her? you're the queen. only
00:17:12some of the time. all the time. that makes you terrifying. she's heard a lot about you.
00:17:19from whom? from me. some of it nice too.
00:18:03the one you let get away. what?
00:18:07he's always carried a torch for you. poor she. nonsense. he told me himself. one night while in his cups.
00:18:18that doesn't count. when a man's had a drink that's when the truth comes out. no. that's when the nonsense
00:18:25comes out. besides you have interests in common. courses aren't an interest for you. they're a passion. a passion your
00:18:33husband doesn't share. he has other passions.
00:18:37so i hear.
00:18:43what happened?
00:19:10the foreign secretary is here.
00:19:14is here sir. shall i show him in? no. not here.
00:19:32sorry to keep you waking. as apposite as ever. i didn't mean it like that.
00:19:44there's ugliness in the air. i have nothing of beauty to say. then say what you must. deposit your ugliness
00:19:54and go. i have more important things to do.
00:20:01very well.
00:20:07at some point.
00:20:09every leader must ask himself whether by staying in office.
00:20:14this.
00:20:15he is giving to the country.
00:20:17or taking from it.
00:20:19helping.
00:20:20or harming.
00:20:23and i would suggest that for some time now.
00:20:27you have been.
00:20:29taking.
00:20:29taking.
00:20:30and harming.
00:20:31and therefore i come to you.
00:20:33in the name of the party.
00:20:35and of the country.
00:20:36for the very last time.
00:20:38winston.
00:20:40to bid you to stand down.
00:20:42i will.
00:20:43in good time.
00:20:43at the right time.
00:20:45the right time.
00:20:47was nine years ago.
00:20:48when you lost us the election.
00:20:49and i have since.
00:20:50avenged that defeat.
00:20:52by winning us the last election.
00:20:54i won us that winston.
00:20:55i won that.
00:21:01people voted conservative.
00:21:04in the clear expectation.
00:21:05that you would give way to me.
00:21:07that is such rubbish.
00:21:09they voted conservative because they couldn't stomach socialism.
00:21:13inflation is out of control.
00:21:15and with every misjudgment.
00:21:18with every miscalculation.
00:21:21with every utterance you make.
00:21:23that appetite to return to the left is growing.
00:21:26be careful anthony.
00:21:27too much excitement is not good for one so soon after an operation.
00:21:31spoken by a man who.
00:21:33only two months ago was effectively dead.
00:21:35which makes two of us.
00:21:37i have recovered.
00:21:38that's not what i hear.
00:21:40i hear you're a shadow of your former self.
00:21:44that when you walk.
00:21:45the pills rattle around inside of you.
00:21:48i have something that you will never see again.
00:21:52a clean bill of health.
00:21:55a stallion said the same.
00:21:57he died.
00:21:58brobbling on the floor.
00:22:01mr sutherland is here.
00:22:04hello anthony.
00:22:05anthony was just leaving.
00:22:08pillow penny.
00:22:11yes i was uh.
00:22:14just leaving.
00:22:17here we are.
00:22:19morning.
00:22:21morning.
00:22:22sir.
00:22:22this is my wife kathleen.
00:22:23she assists me sometime.
00:22:26hope you don't mind.
00:22:27i know.
00:22:34hello.
00:22:50you know.
00:22:54you're like.
00:22:55you're like.
00:22:58i know.
00:22:59Over here.
00:23:07What's that you're using?
00:23:09Pencil.
00:23:10Yeah, but which kind?
00:23:144B or 6B or something. I'm not sure.
00:23:19It's a 6B.
00:23:21And on what paper?
00:23:23Drawing paper.
00:23:23I paper heavyweight cotton, cold-pressed, decal-edged,
00:23:28sized with gelatine.
00:23:36How many paintings has your husband complete in a year, Mrs Sutherland?
00:23:413 or 4.
00:23:44Would you care to guess how many I average?
00:23:4710?
00:23:4915?
00:23:5160!
00:23:53Of course, I'm just a hobbyist.
00:23:56An enthusiast.
00:23:58Not a major artist like your husband.
00:24:03Taking his time.
00:24:07Over here.
00:24:38I did a little reading about you, Mr Sutherland, after our last session.
00:24:44Did you?
00:24:44Quite interesting.
00:24:46From what I read, this is all very new to you, this portraiture.
00:24:51I don't think anyone starts out wanting to be a portraitist.
00:24:54Yeah.
00:24:55But in your search for your metier, you've tried a bit of everything.
00:24:59That's true.
00:25:02I came to painting quite late.
00:25:04But now that you've found it, you'll never leave it, yes?
00:25:07Yeah.
00:25:08I quite understand.
00:25:27How is it, Mrs Sutherland?
00:25:32It has truth.
00:25:35I might be allowed a peek.
00:25:37No.
00:25:38Why not?
00:25:40I could give you advice.
00:25:42After all, I know this face better than you do.
00:25:46If you've made the neck too thick or the arms too long, I can tell you.
00:25:50I find, in general, people have very little understanding of who they are.
00:25:54One has to turn a blind eye to so much of oneself in order to get through life.
00:25:58And you see it as your responsibility to bring all that out into the open?
00:26:02Certainly. The good as well as the bad.
00:26:03Just concentrate on the good and all will be well.
00:26:07You're not just painting me, you know.
00:26:10You're painting the Prime Minister of the United Kingdom of Great Britain and Northern Ireland
00:26:15and everything that great office represents.
00:26:17Democracy.
00:26:18Freedom.
00:26:19The highest ideals of government and leadership.
00:26:22Just remember that.
00:26:35Yes?
00:26:36Lord Porchester, Your Majesty.
00:26:40Plug in.
00:26:42Haughty.
00:26:43What a palaver.
00:26:44What is?
00:26:45Getting through to you.
00:26:47I picked up the phone to you just after nine this morning.
00:26:50It's now gone midday.
00:26:51Oh, don't exaggerate.
00:26:53But yes, I know, it is infuriating.
00:26:55Fire away.
00:26:56You asked me to come to some figures for you with regard to Oriole.
00:26:59Although I'm numerically dyslexic, runs in the family, I'm afraid, like the high forehead.
00:27:04I have done the sums.
00:27:06See if this helps you with your decision.
00:27:08In the course of his lifetime as a racehorse, Oriole has made you just over 40,000 pounds.
00:27:13Goodness.
00:27:15But, if you were to put him out to stud, he could make you far more.
00:27:18He's a recognised champion with a top-notch pedigree.
00:27:21You could stand him at Wolferton's stud for top dollar.
00:27:27Well, that's the decision then.
00:27:30Good.
00:27:31And in the meantime, I'll ask if I can get you a direct line.
00:27:36To you?
00:27:37Yes, to me. Why?
00:27:39Or is there anyone else you wanted to speak to here?
00:27:42No.
00:27:43Good.
00:27:47Dollar.
00:27:48Dollar.
00:27:48What is it?
00:27:49Top dollar.
00:27:50I need numbers.
00:27:52400.
00:27:53A pot.
00:27:54A shot.
00:27:56Sorry, I'm trying to find a less onomatopoeic express of what is ultimately...
00:27:59I know what it is.
00:28:00A shag.
00:28:01A cover.
00:28:03A cover?
00:28:03Yes, that's the correct term.
00:28:06For a horse hump.
00:28:09Yes.
00:28:11So what might you earn then, over the course of the year?
00:28:14Well, in one year alone, Aurel might cover 40 mares, making about 16,000 pounds.
00:28:23Good for him.
00:28:24In the course of his lifetime at the stud, he might sire 500, 600 foals, making me over 200,000
00:28:31pounds.
00:28:31Creating an entire generation of offspring.
00:28:34Yes.
00:28:36Father to all the fells in our stables and any other stable that could afford him.
00:28:40Yes.
00:28:42Oh, I see. So in time, every horse out there could somehow be related to Aurel.
00:28:50Yes, I suppose so.
00:28:53Like old man Carnarvon.
00:28:56Who?
00:28:58Your friend Porchy's father.
00:29:01Porchy?
00:29:02No.
00:29:03Like I said, his father.
00:29:05Yes, they're both called Porchy.
00:29:07Wasn't that the rumour?
00:29:08What rumour?
00:29:10Oh, that he'd had so many affairs.
00:29:12An entire generation of British aristocrats was related to him.
00:29:16An illegitimate Porchy.
00:29:19In every great house in the land.
00:29:23High foreheads everywhere.
00:29:25Numerical dyslexia.
00:29:29What?
00:29:30Nothing.
00:29:32What?
00:29:33Nothing.
00:29:36Michael.
00:29:38Dear boy.
00:29:44Good night.
00:29:47Good night.
00:29:49Good night.
00:30:15Good night.
00:30:17Good night.
00:30:18Happy birthday, good night.
00:30:20Good night.
00:30:27Good night.
00:30:29Happy birthday, good night.
00:30:30Good night.
00:30:30Good night.
00:30:30Good night.
00:30:30Good night.
00:30:30Good night.
00:30:32Good night.
00:30:33Bye.
00:31:46Good morning.
00:31:47Morning.
00:31:48Good morning.
00:32:00Your wife this time?
00:32:03No.
00:32:05I asked her not to come.
00:32:11Since this is to be our final session
00:32:14I wanted us to be all alone
00:32:21In silence, preferably
00:32:23Yes, yes
00:32:25I'll be a good boy
00:32:34I quite understand
00:32:35And the need for concentration
00:32:37Painting the picture is like fighting a battle
00:32:41A bloody battle
00:32:42In the gladiatorial fight to the death
00:32:46The artist either wins or loses
00:32:51Are you winning?
00:32:53I hope so
00:32:56You think I'll like it?
00:32:58I think that's possibly too much to ask for
00:33:01But I do take comfort from the fact that
00:33:04Your own work is so
00:33:06Honest and revealing
00:33:08Oh
00:33:10Thank you for the compliment
00:33:16Are there any works that you're referring to in particular?
00:33:22I was thinking especially of the goldfish pond here at Chartma
00:33:27The pond
00:33:28Why the pond?
00:33:29It's just a pond
00:33:30It's very much more than that
00:33:32As borne out by the fact that you've returned to it
00:33:35Again and again
00:33:36More than twenty times
00:33:37Well, yes, because it's such a technical challenge
00:33:40It eludes me
00:33:43Well, perhaps you elude yourself, sir
00:33:45That's why it's more revealing than a self-portrait
00:33:48Oh, that's nonsense
00:33:50It's the water
00:33:52The play of light
00:33:55The trickery
00:33:56The fish
00:33:58Down below
00:33:59I think all our work is unintentionally revealing
00:34:02And I found it especially so with your pond
00:34:04Beneath the tranquility and the elegance
00:34:06And the light playing on the surface
00:34:08I saw honesty and pain
00:34:10Terrible pain
00:34:12The framing itself
00:34:14Indicated to me that you wanted us
00:34:16To see something
00:34:18Beneath all the muted colors
00:34:21Deep down
00:34:22In the water
00:34:25Terrible despair
00:34:27Hiding like a leviathan
00:34:29Like a sea monster
00:34:31You saw all that?
00:34:34Yes, I did
00:34:37Perhaps that says more about you than me
00:34:41Perhaps
00:34:46May I ask you a question, Mr. Sutherland
00:34:50It's about one of your paintings
00:34:53The one you call pastoral
00:34:56With all that gnarled and twisted wood
00:35:01Those great ugly dabs of black
00:35:05I found something
00:35:09Malevolent in it
00:35:10Where did that come from?
00:35:13Well, it's very perceptive
00:35:15That was a very dark time
00:35:17My son, John
00:35:23Passed away
00:35:24Eight to two months
00:35:30Oh, my
00:35:32I am sorry
00:35:39Yes, thank you
00:35:59You have five, yes?
00:36:00Four
00:36:04Marigold
00:36:04Was the fifth
00:36:07She left us at age
00:36:10Two years, nine months
00:36:11Septicemia
00:36:13I'm so sorry
00:36:14I had no idea
00:36:19We settled on
00:36:20The name
00:36:21Marigold
00:36:22On account of her
00:36:24Wonderful golden curls
00:36:26The most extraordinary color
00:36:32Regretfully
00:36:33Though perhaps mercifully
00:36:36I was not present
00:36:37When she died
00:36:39When I came home
00:36:41Clemmie
00:36:45Roared like a wounded animal
00:36:54We bought
00:36:56Chartwell
00:36:57A year after
00:36:59Marigold died
00:37:03That was when I put in
00:37:07The pond
00:37:09The pond
00:37:11The pond
00:37:37Yes, thank you
00:37:40Yes, thank you
00:37:55Oh, thank you.
00:37:59It's a pleasure.
00:38:06I look forward to seeing it.
00:38:10What?
00:38:11Oh, oh, oh, oh.
00:38:26Let me, let me, let me freeze again.
00:38:49Hello.
00:38:51Hello.
00:38:53Shall we?
00:39:23Yes.
00:39:42Oh, oh, oh.
00:39:55Oh, oh, oh, oh.
00:40:11Oh, oh, oh, oh, oh, oh.
00:40:13Oh, oh, oh, oh.
00:40:13Oh.
00:40:24Oh, oh.
00:40:27Huh?
00:40:29Telegrams have been pouring into Dining Street today
00:40:32to wish Sir Winston Churchill a happy 80th birthday
00:40:36on this, the 30th of November.
00:40:38They come from all parts of the globe.
00:40:44Happy birthday, that darling old pug.
00:40:57Happy birthday to you,
00:41:02Happy birthday to you my mission
00:41:07Happy birthday to you,
00:41:13Happy birthday to you
00:41:13Happy birthday to you
00:41:42Oh, is it time?
00:41:43It is, Bob.
00:41:44Right.
00:41:53Go sit down, Michael.
00:41:54Thank you, Bob.
00:41:55Westminster Hall, silent witness of nearly a thousand years of history,
00:41:59was the scene of the birthday presentations to Sir Winston.
00:42:55I am deeply honoured to be here today.
00:43:01No politician has ever received such an honour before, and I am deeply grateful.
00:43:10I am aware, however, that after having served my country for 54 of my 80 years,
00:43:26it is a word that hangs in the air.
00:43:32And indeed, this is the perfect occasion for it.
00:43:36The stage is set, and the audience is assembled all ready for a grand valediction.
00:43:46There is only one problem.
00:43:48The lead actor has forgotten his life.
00:43:53And instead of standing down, he is taking an encore.
00:43:59Oh dear, he is playing with them all.
00:44:03When your political colleagues are kind enough to present you with a portrait by an ambitious
00:44:11modernist, one has to ask oneself, is it a gift?
00:44:18Or is it a curse?
00:44:27Mr. Sutherland, the artist, and I spoke a great deal during my sittings.
00:44:35I reminded him of the stakes involved, that his portrait was not just of me, but of the office
00:44:45I represent, indeed, of our entire system of government.
00:44:50So, at long last, I look forward to unveiling this painting.
00:45:31A fine patriotic piece of modern art.
00:45:35A fine patriotic piece of modern art.
00:45:54A fine patriotic piece of modern art.
00:46:10Why are you here?
00:46:12I understand you've rejected the painting.
00:46:15I have.
00:46:16On what grounds?
00:46:17That is not a painting.
00:46:19It's a humiliation.
00:46:22How shall I paint him today?
00:46:25Ah!
00:46:26Sitting on a chair, producing a stool.
00:46:30A broken, sagging, pitiful creature, squeezing and squeezing.
00:46:36That's not how it's being seen.
00:46:37That is how it is.
00:46:39And I will not accept it.
00:46:41I don't think it's wise to reject it.
00:46:43It was commissioned by the members of the joint houses of parliament as a sign of respect.
00:46:47But then they should have commissioned an artist who is respectful, instead of a Judas
00:46:52wielding his murderous brush.
00:46:55Look at it!
00:46:56It is a betrayal of friendship.
00:46:58And an unpatriotic, treacherous, cowardly assault by the individualistic left.
00:47:06As regards the friendship?
00:47:07Clearly, there is none.
00:47:11I accepted this commission because I admired you, and I came through the experience admiring
00:47:16you even more.
00:47:16You make monsters of everyone you admire?
00:47:20It's not vindictive.
00:47:22It's art.
00:47:23It's not personal.
00:47:24Well, you are a lost soul.
00:47:29A narcissist without direction or certainty.
00:47:32Please, sir.
00:47:34Don't overreact.
00:47:35Give it time.
00:47:36I showed the sketches to your wife throughout the process.
00:47:39She remarked on how accurate they were.
00:47:40That is the whole point.
00:47:42It is not a reasonably truthful image of me.
00:47:46It is, sir.
00:47:47It is not.
00:47:47It is cruel.
00:47:49Age is cruel.
00:47:57If you see decay, it's because there's decay.
00:47:59If you see frailty, it's because there's frailty.
00:48:03I can't be blamed for what is.
00:48:07And I refuse to hide and disguise what I see.
00:48:14If you're engaged in a fight with something, then it's not with me.
00:48:24It's with your own blindness.
00:48:37I think you should go.
00:48:50The Lord is next.
00:48:50What?
00:48:51What?
00:49:05The Lord is next.
00:49:15Hi.
00:49:15I don't need your blood.
00:49:16The Lord is next.
00:49:22He's right.
00:49:25What?
00:49:27I am that man in the painting.
00:49:31Wretched and decaying.
00:49:34And I cannot go on.
00:49:37I've said that before.
00:49:43And this time I mean it. I'm tired.
00:49:49You've had enough.
00:49:52I have, my love.
00:49:58This time I really have.
00:50:02Good.
00:50:17Good.
00:50:23Good.
00:50:28Good.
00:50:40Good.
00:50:47Of course, I knew it was coming.
00:50:50If I'm being frank, there were one or two moments when I might have even hoped for it, too.
00:50:57Prayed, no doubt.
00:51:06You really have been the most remarkable servant to your country.
00:51:09Thank you, ma'am.
00:51:10No, Winston.
00:51:12On behalf of us all.
00:51:20And you wish for Mr. Eden to take over?
00:51:23I do.
00:51:24Well, that will make him happy.
00:51:26For a day or two, he might even stop cursing me.
00:51:31Then he will be overwhelmed by a job in which no man can ever succeed,
00:51:36and curse me again for leaving it to him.
00:51:41It might be an idea not to tell him that before he starts.
00:51:44No, ma'am.
00:51:51So, this is our last audience.
00:51:53Oh, yes.
00:52:02Yes.
00:52:08However, will I cope without you?
00:52:11You will be fine, ma'am.
00:52:15I have nothing more to teach you, which is why it's time for me to leave.
00:52:31No match is dead.
00:52:33No match is dead.
00:52:34It is.
00:52:36So, yes, he has a lady.
00:52:37Be your friend.
00:53:04He did not come back.
00:53:12Oh, my God.
00:54:07Renaming London Airport?
00:54:10I want something more personal for Winston.
00:54:16What about dinner?
00:54:18Here?
00:54:18Oh, Buckingham Palace.
00:54:20No, there.
00:54:21Downing Street?
00:54:22Yes.
00:54:23It would be quite the compliment.
00:54:25You and Philip go there for dinner.
00:54:28I'll ask Philip.
00:54:30No, you'll tell Philip.
00:54:33Mummy.
00:54:33Dinner?
00:54:34Downing Street, oh God.
00:54:36Why not?
00:54:39Does she look anything?
00:54:42How many of our stallion?
00:54:44Would I fancy her?
00:54:46Attraction isn't so much about looks.
00:54:49Smell.
00:54:50Oh, I see.
00:54:51Well, does she smell good?
00:54:52Well, we'll see, don't we?
00:55:03Rather like us, darling, when we were courting, eh?
00:55:06Shh.
00:55:06Will you please be quiet?
00:55:10Yeah, look.
00:55:11Here we go.
00:55:12All right.
00:55:14All right?
00:55:17All right.
00:55:18Hold her steady.
00:55:19Ready?
00:55:23All right.
00:55:25I say.
00:55:28Over there.
00:55:31Back off.
00:55:34Good?
00:55:34Yeah.
00:55:35Good.
00:55:36Good.
00:55:38Good boy.
00:55:41is that it
00:55:442,000 guineas for that
00:55:45as long as he's done what he needs to do
00:55:48and it bears fruit
00:55:49I don't mind
00:55:50well done Porche
00:55:54yes indeed
00:55:56well done Porche
00:55:58I hear he's been given a direct line
00:56:01who?
00:56:02Porche, so he can call straight in
00:56:03I know only because I tried to get one for Mike
00:56:06and was refused
00:56:08yes
00:56:09on account of him not being a family member
00:56:11Porche is like family
00:56:13is he?
00:56:16yes, part of the furniture
00:56:19well as long as you don't sit on him
00:56:21many times too
00:56:33well that all seemed to go well
00:56:35yes it did, isn't it?
00:56:38you're right
00:57:03you're right
00:57:08can you leave us now please
00:57:10yes ma'am
00:57:27I have nothing to hide from you
00:57:29nothing
00:57:34Porche is a friend
00:57:39and yes
00:57:40there are those who would have preferred me to marry him
00:57:43indeed marriage with him
00:57:44might have been easier
00:57:48might have even worked better than ours
00:57:53but to everyone's regret
00:57:55but to everyone's regret
00:57:55and frustration
00:57:57the only person I have ever loved is you
00:58:03and can you honestly look me in the eye and say the same
00:58:17can you?
00:58:32pray silence for her majesty the queen
00:58:44my lords
00:58:45my lords
00:58:47ladies and gentlemen
00:58:48dear Winston
00:58:49and lady Churchill
00:58:56my confidence
00:58:57in Sir Anthony
00:58:59is complete
00:59:01and I know he will lead the country
00:59:03on to great achievements
00:59:06but it would be useless to pretend
00:59:08that either he
00:59:10or any of those successors
00:59:11who may one day
00:59:13follow him in office
00:59:14will ever
00:59:15for me
00:59:16be able to hold the place
00:59:18of my first prime minister
00:59:21to whom my husband and I
00:59:23owe so much
00:59:26and for whose wise guidance
00:59:28during the early years of my reign
00:59:31I shall always
00:59:32be so profoundly grateful
00:59:34I will remember you always
00:59:43your magnanimity
00:59:45your courage
00:59:47at all times
00:59:55and for your unfailing humour
00:59:57founded in your unrivaled mastery
01:00:00of the English language
01:00:04I take comfort
01:00:06from the fact
01:00:07that in losing my constitutional advisor
01:00:13I gain a wise counselor
01:00:19to whom I shall look
01:00:21for help
01:00:21and support
01:00:23in the days which lie ahead
01:00:33may there be many of them
01:00:34they may do
01:00:36I may do
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