- 17 minutes ago
The Crown S03E10 [Full Movie] [Watch Free Online]Full EP - Full
Category
🎥
Short filmTranscript
00:28Transcription by CastingWords
00:38Transcription by CastingWords
01:06Transcription by CastingWords
01:08Oh Margaret
01:10I forget what about
01:12There are so many
01:14Exchanges of views these days
01:21I thought things had moved on
01:24They've moved on alright
01:25He's moved on
01:28On to the next one
01:36He can't help himself
01:39My bright epic little snapper
01:43Woo!
01:46Woo!
01:49Woo!
01:51Woo!
01:52Let's go.
02:30Let's go.
02:37Let's go.
03:03Let's go.
03:20Let's go.
03:30Let's go.
03:44Let's go.
04:02Let's go.
04:09Let's go.
04:12Let's go.
04:13Let's go.
04:32Let's go.
04:33Let's go.
04:48Let's go.
05:01Let's go.
05:01Let's go.
05:03Let's go.
05:15Let's go.
05:30Let's go.
05:42Let's go.
05:54Let's go.
06:01Let's go.
06:05Let's go.
06:16Let's go.
06:22Let's go.
06:35Let's go.
06:36Let's go.
06:39Let's go.
07:10Let's go.
07:17Let's go.
07:20Let's go.
07:30Let's go.
07:54Let's go.
07:59Let's go.
08:01Let's go.
08:17Let's go.
08:21Let's go.
08:22Let's go.
08:36Let's go.
08:40Let's go.
08:43Let's go.
08:45Let's go.
08:45You tell me, who got downcentry, you have downcentry, you got this one out of tonic?
08:47No.
08:48He's been knocked up by one of the footmen.
08:50Philip.
08:51You wouldn't put it past her.
08:53I worry it's Tony.
08:59Ready?
09:03Mr Heath came to tell me that he was unable to form a correlation with the Ulsterunieists
09:07or the liberals, which left him with no alternative but to resign, at which point
09:12I don't mind admitting, I let out an unconstitutional cheer.
09:15Huzzah!
09:16Privately, I hope.
09:17Well, it's not his politics I object to, so much as his company, sometimes.
09:21And now, Mr Wilson, who I must say looks very tired, not at all well,
09:25is back again as Prime Minister of a minority government.
09:28And the best we can hope for is that he can survive until the next election in the auction.
09:32You really do have the most wicked story.
09:36Oh, really?
09:38Yes, darling.
09:39Oh.
09:48I have asked you all here.
09:50My family.
09:53On the occasion of my birthday.
09:56Happy birthday, Margot.
09:58Do you notice that my dear husband is not at my side on this joyous occasion?
10:02It is because he is now betraying me, not just in private, but openly in public too.
10:08And I don't think we should take this lying down.
10:11We.
10:11Yes, we, Mummy.
10:13If Tony insults me by implication, he is insulting the whole of the family too.
10:17I'm not sure I follow that logic.
10:18What would you like us to do?
10:20Send a clear signal to the world whose side you're on and impose sanctions.
10:26What?
10:27What kind of sanctions?
10:29No more invitations to royal events.
10:32No more royal photographs.
10:33No more access to crown property.
10:36It's him where it hurts.
10:38Punish him.
10:39Draw blood.
10:40Where is he now?
10:41He left the country this morning to make one of his films.
10:46Oh, Ghana?
10:47Or did you say Guinea?
10:49Gabon.
10:49Ah.
10:50With the thing.
10:51The what?
10:52I'll explain later.
10:53I rather liked his last film.
10:55Is it the one about dwarves?
10:56I'll tell you what I liked about it.
10:57Yes, it's sore.
10:58It had compassion.
11:00It had kindness.
11:02In fact, I think that's the thing I most like about Tony.
11:04And his wit.
11:05Yes.
11:06And the fact that he's generous enough to flirt with his mother-in-law.
11:10I'm going to throw up.
11:12He cares.
11:13All right, Mummy.
11:14He has a heart.
11:15Yeah, not that his wife or children have noticed.
11:17His charity work for the disabled.
11:19And the way he was at Aberfan.
11:21Yes.
11:22Yes.
11:26Enough!
11:32Why do you do this, Mummy?
11:35Why do you all do this?
11:37Why do you always, always take a side?
11:41This is my birthday party.
11:45And when I tell you that my husband is out of the country,
11:49betraying me with another woman,
11:51instead of supporting me and condemning him,
11:57you just sit here, praising him to the sky.
12:04Nice family.
12:06My own flesh and blood.
12:08My birthday.
12:15Perhaps we'll just stick to the back teeth of you
12:17and have sympathy for him.
12:19Philip!
12:19Well...
12:21Am I wrong?
12:23Like, hands up anyone who thinks I'm wrong.
12:26Anne.
12:30Anne.
12:33We should eat these before they get cold,
12:35shouldn't we?
12:36She'll be all right.
12:37I hate them.
12:38I hate them.
12:39I hate them.
12:40I hate them.
12:40I hate them.
12:40Why don't you come up here, ma'am?
12:43Come to Glen.
12:43We've invited a few guests for the weekend.
12:48Come here.
12:50You might even enjoy it.
13:14Have a great day.
13:42For the past summer,
13:43I don't know.
14:41I don't know.
14:43I don't know.
15:14I don't know.
15:25I don't know.
15:55I don't know.
16:52I don't know.
16:55I don't know.
17:18Oof, no.
17:20How could he ever be thrilled with me?
17:23He's so excessively thrilled with himself.
17:25Or Clive.
17:27Clive?
17:28Oh.
17:28He's married.
17:30So are you.
17:31Yes, I don't know.
17:33Yes, I do know that.
17:35Yes, I do know that.
17:36His wife is known to give him the green light to play away.
17:39Word is, he's quite the virtuoso.
17:49What about him?
17:52The one with all his clothes on?
17:54Well, that's Roddy.
17:57You must know his brother, Di.
18:00Or his father, Harry Llewellyn, the Olympic show jumper.
18:05Roddy.
18:07Roddy.
18:09Roddy.
18:11Roddy.
18:12Hello.
18:15Your Royal Highness, how do you do?
18:19You're, you're, you're perspiring.
18:22True, I am, ma'am.
18:23So, why don't you jump in the pool?
18:25Well, I didn't bring any trunks.
18:27That was stupid.
18:27No, it wasn't.
18:28Yes, it was.
18:29I just said it was.
18:30It can't be stupid.
18:31I don't possess any trunks.
18:34It's not just stupid.
18:35That's absurd.
18:37Where's Nira's town?
18:41Oh.
18:46You know, this really wasn't necessary.
18:49On the contrary.
18:50It was essential.
18:52I mean, everyone else coming along too.
18:56Hmm?
18:56They're not coming with us.
18:58I wouldn't let them.
19:00No, they're going for lunch while we go shopping.
19:05So, apart from owning a woefully inadequate wardrobe,
19:10what is it that you do?
19:12A research assistant at the College of Arms,
19:16which involves genealogical research and boning up on heraldry.
19:21Hmm.
19:21I also have a mobile disco company called Vibrations,
19:25and I clean the floors in a gallery on the Fulham Road at night.
19:29But all of this is just to fund my real passion.
19:32Have we got to the end of the answer yet?
19:34I'm rather regretting asking.
19:36What nice hands you've got?
19:40Have I?
19:41Hmm.
19:42Hmm.
19:43How nice you've not noticed.
19:46So nice when a man is unaware of his best features.
19:51It's so sad when a lady hides hers.
19:55Did you mean ladies?
19:59No.
20:01What then?
20:03Your smile.
20:09I forgot now.
20:22Where are we?
20:24Peebles, ma'am.
20:27Where?
20:32This is the hotel.
20:34We'll be in the bar waiting for you.
20:36The department store's just over there on the right.
20:38You can't miss it.
20:40Would you?
20:40Please.
20:52Thank God.
20:55We've stumbled upon an experiment in this prison.
20:58In breeding.
21:02Your royal highness.
21:04Gentleman's bathing trance, please.
21:07What size are you?
21:09Small.
21:10Sincerely hope not.
21:12He means slim.
21:24Did we ever get to the bit where you told me your passion in life?
21:28No.
21:30Then what is it?
21:32Gardening.
21:33No.
21:35Ah.
21:38These, please.
21:41No.
21:42These.
21:43I'm paying.
21:44I choose.
21:45Try them all.
21:56Oh.
21:57Oh.
21:58Oh.
22:00Oh.
22:07No.
22:09No.
22:09Not a garden.
22:10It means doing.
22:12Do you?
22:13I imagine you must have an army of gardens.
22:15I don't believe everything you hear.
22:18My garden is quite neglected.
22:21Especially the one in Mustique.
22:23Where?
22:25It's a small private island in the Caribbean.
22:31I love it.
22:32My husband hates it.
22:35Since I hate my husband, what he thinks is irrelevant.
22:38You know, in the Caribbean, I have one of my favourite trees.
22:43The silk cotton tree.
22:46The challenge for any gardener is to judge the right amount of pruning.
22:50Is that so?
22:52Well, you need very nimble fingers.
23:03And do you have nimble as well as pretty fingers?
23:09I do.
23:15Perfect.
23:16She goes...
23:38So now what do you have?
23:50I'm just a girl, a wonderful girl.
23:53I'm the sweetest one in town.
23:55You can touch some miles around.
23:57But not one likes me kind of hard.
24:01You've got a smile, a wonderful smile, and a certain little way.
24:06And every time the boys get near me, they look at me and say...
24:13Red hot mama, red hot mama, you're the one we need.
24:19Red hot mama, sun charmer, yes indeed.
24:23They say that I should be in the folly's.
24:28But tomorrow, I have a pair of boys, just like all Svengali's.
24:36I confess that you possess the sweetest charms in town.
24:41And unless I miss my guests, the boys all follow you around.
24:46I'll make a music master, drop his fears.
24:49I'll make a bald-handed man start the air in the middle.
24:52Red hot mama, red hot mama.
24:54I have to tell my devil.
24:56Hey!
24:57Red hot mama, red hot mama.
24:59You're the one we need.
25:02Red hot mama, sun charmer, yes indeed.
25:22When she went to bed, did you notice?
25:24Of course I noticed. Everyone noticed.
25:26The top of the stairs, instead of turning right...
25:29He turned left.
25:30What have we done?
25:32This could come back to haunt us.
25:35Why?
25:35It would look like we've encouraged the Queen's sister to betray her husband.
25:40She's not betraying Tony, she's with Tony.
25:44Can't you see?
25:45Slim, Welsh, reddish hair.
25:48The two men are virtually identical.
25:50Roddy's a carbon copy of Tony.
25:53Just younger.
25:55I hadn't thought of that.
26:18Lord Snowden, ma'am.
26:26Your Majesty.
26:28Dear Tony.
26:32So kind of you to come.
26:33I know how busy you are.
26:42Before we start...
26:47Just look what I found in my studio the other day.
26:51How young we were.
26:53How pretty you were.
26:54Oh, stop it.
26:55Like Vivian Leigh.
26:58I've always loved this picture.
27:01Yes.
27:02Gosh.
27:03Philip.
27:04Not looking cross for once.
27:05Miraculous.
27:07All yours, ma'am.
27:08For me?
27:09With my compliments.
27:10Oh.
27:11And now...
27:13To the main business.
27:19Voila.
27:21A mug.
27:25And...
27:30A teapot.
27:35And...
27:40A commemorative plate.
27:46And a tea towel.
27:47With the dates...
27:491952 to 1977.
27:54The powers that be thought it might be nice if someone from inside the firm were to design some of
28:00the memorabilia.
28:01Oh, Tony, you are clever.
28:02Always happy to help my family.
28:05Are you?
28:07Let's talk about that for a minute.
28:09May I keep these as well?
28:11Yes.
28:11Yes, of course.
28:13Now, I don't want to pry or lecture anyone about what goes on in a marriage.
28:22In my experience, people find a way to do what they need to do to remain happy or sane.
28:27I often think turning a blind eye is the best approach.
28:32Things work themselves out in the end.
28:35But recently, Margaret has been so wretched.
28:40And so lost.
28:44And she's so in love with you.
28:46I wouldn't be a responsible elder sister or head of the family if I didn't say how happy it would
28:52make us all, but particularly Margaret, if you two were to patch things up again.
28:57Even if just for the children.
29:01I quite agree.
29:04And had been giving the matter serious thought.
29:07Had you really?
29:09Yes.
29:09But then I heard the latest developments.
29:15Who she's met.
29:17What she's doing.
29:20How she's...
29:23Conducting herself.
29:26What latest developments?
29:29What latest developments?
29:52I'm here!
30:08Welcome, Your Royal Highness.
30:10No, I don't think you see.
30:12No, quite right.
30:12Hot and sweaty.
30:14Yes, isn't it unbearable.
30:15What are you talking about?
30:17That's lovely.
30:18Oh, you're right.
30:19Heavenly.
30:19It's the aeroplane.
30:20It was hot.
30:21Hello.
30:21Is this us?
30:22Yes, ma'am.
30:23Yes, I think straight to the house.
30:25I don't want any of that.
30:26Right.
30:28Hello, Anne.
30:29Hello.
30:29Where's the boy?
30:30Look, do keep up now.
30:32Come on.
30:33I'm sorry, darling.
30:34Don't call me that in public.
30:35Ever.
30:36How about you didn't call me boy?
30:38You are one.
30:39You're a little boy.
30:40Steady.
30:40Who needs to be taught everything.
30:43Ma'am.
31:08There it is.
31:11The joliso.
31:12Lovely.
31:13I was given it as a wedding present.
31:19The irony is, one person I never share it with is my husband.
31:25Drink, ma'am.
31:30Yes.
31:31Wonderful idea.
31:32Shall we?
31:36Well, no one told me about her.
31:40What could I do?
31:43Well, no one told me about her.
31:48No, they all knew.
31:50But it's too late to say you're sorry.
31:54Not what I knew.
31:55Why should I care?
31:58Please don't bother trying to find her.
32:01But she's not bad.
32:04Well, let me tell you about the way she looked.
32:07The way she acted.
32:08The color of her hair.
32:10Her voice was soft and cool.
32:12Her eyes were clear and bright.
32:14But she's not bad.
32:15There she is.
32:21Never Her voice.
32:44Did you see other parts behind her?
32:45I could use a Hail.
32:45No tie at the middle of nowhere.
32:45I might ella know,
32:45Are we not there?
32:46Yesterday.
32:46But no one told me about her
32:50What could I do?
32:52Hello!
32:53Hello!
32:54No one told me about her
32:56Hello!
32:58Look at all her!
33:01She's so bad for me!
33:03I wouldn't know why she died
33:07Your mother trying to find her
33:10She's not there
33:13My life is acting about the way she loved
33:16The way she acted
33:17The color of her hair
33:19Her voice was something new
33:21I'd say when there's a role in there
33:25I'd smell blossom and the trees are bare
33:29All day long I seem to walk on it
33:34I wonder why
33:39Enjoyed it, you too?
33:40Yay!
33:42I don't say
33:43I don't say
33:43Oh, turn it up
33:45Turn it up
33:46I love this song
33:47A bit louder
33:48All the way
33:49Sing it to
33:50Sing it to
33:50Sing it to
33:52Come on, come on
33:56Come on, come on
33:57Come on
34:00Come on
34:04Come on
34:05Come on
34:06Come on
34:08Come on
34:09Come on
34:21happiness is a fickle creature
34:24constant companion to some
34:26hides herself completely
34:28from others
34:30she's being
34:31an elusive creature to me
34:35but
34:35here she is finally
34:37sitting among us
34:39and I say
34:40welcome
34:43I won't mention
34:45how late her arrival is
34:48who?
34:49hmm?
34:52happiness dear
34:55oh
34:55never mind
35:01cream
35:02I'm not burning am I?
35:04not yet
35:06better safe than sorry
35:07doda
35:09doda
35:11doda
35:26doda
35:37How could she be so stupid?
35:41Who?
36:11Your Majesty.
36:16The floozy and the scrounger, lady and the trep.
36:19It's not entirely Margaret's fault.
36:21She had gone a long way to be private.
36:23Spending 12 hours on an aeroplane doesn't give you a license to behave like a whore.
36:27You must bring her back straight away.
36:29That won't be easy.
36:31She doesn't take well to my orders.
36:32Fine.
36:33Then she can take mine.
36:34See to it, please, Martin.
36:38Are you still here?
36:52We don't know all the facts yet.
36:53What is this if it's not a fact?
36:55That is a fact.
36:56That's a fact.
36:56That's a fact.
36:57And that's a fact.
36:58That's a fact.
36:59And that's a fact.
37:42you've seen the papers
37:44i have
37:47what's the matter
37:48thought you'd be happy
37:51why would i be happy
37:54because now we have what we've been waiting for
37:57margaret in love with someone else
38:00legitimate grounds for separation in a way that will still protect your name
38:04your reputation
38:07our future
38:08and
38:10you expect me to jump up and down with jai
38:15she's my wife
38:18mother of my children
38:30was there anything else
38:48you
38:50you
38:54you
39:06Oh, my God.
39:27Oh, my God.
39:56Oh, my God.
40:24I didn't expect to find you here.
40:26Where else would you expect to find me?
40:28It's my home.
40:30Used to be your home.
40:32It's still my home.
40:35What is he doing in it?
40:37Hello, sir.
40:41I would ask where you've got the nerve to come here if I thought you had nerve.
40:46But looking at you, I can tell you've no nerve at all.
40:49You're just stupid.
40:50Come on, get out.
40:50Don't you dare talk to him like that.
40:53I'll speak to him whichever way I like.
40:55In my house.
40:56My house.
40:57Our house.
40:58Ducky.
40:59No, not ours anymore.
41:06Please leave.
41:08I won't leave.
41:10You don't want me to leave.
41:12I'm desperate for you to leave.
41:14Desperate.
41:15Like a patient.
41:17Desperate to cut out a cancer.
41:19Think very carefully about what you're saying.
41:22Every game has its limits.
41:24It's not a game anymore.
41:29He's a child.
41:31He's no idea how to make him happy.
41:34You made me happy.
41:35Couldn't make me any more wretched than you have.
41:38You were wretched when I found you.
41:42Your little love notes.
41:44You leave me everywhere.
41:45How do I loathe thee?
41:47Let me count the ways.
41:49You look like a Jewish manicurist.
41:51You look like a Maltese landlady.
41:53Little rich, I think, coming from a misshapen cripple.
41:55Oh, yes.
41:56Holy boy.
41:57Hoppity hop, hoppity hop.
41:59Overlooked by his mother because he wasn't strong enough.
42:02Or, well, born enough.
42:04An embarrassment.
42:05Not able-bodied enough.
42:06And if we're talking about overlooked,
42:09you know what this is all about.
42:10Overlooked Margaret with no role, no purpose,
42:13no real friends.
42:14Of whom it must have finally asked.
42:16What is a princess for?
42:20You go after him and I'll divorce you.
42:22Oh, you wouldn't dare.
42:25You go after him and I'll bring you to your knees!
42:28Molly!
42:29Molly!
42:32Molly!
42:34Molly!
42:34Molly!
42:35Molly!
42:36Molly!
43:01It's age.
43:03It happens to us all.
43:04No, ma'am.
43:05It's not just age.
43:07It's been diagnosed.
43:08It has a name.
43:12Alzheimer's.
43:24I first noticed symptoms two years ago.
43:29I always speak in public without notes.
43:32I have something of a photographic memory.
43:35But then, one day, I dried.
43:40And in the months that followed, I noticed more forgetfulness.
43:48Agitation.
43:52Delusion.
43:55Paranoia.
43:56I shouldn't worry too much.
43:58Several of your predecessors had far more serious afflictions.
44:01And they continued to govern without the public being any the wiser.
44:06No, ma'am.
44:06It's a mental health issue now.
44:09I shall put myself in the hands of the doctors.
44:15Oh, Prime Minister, I am sorry.
44:17This will come as a terrible shock.
44:19Well, maybe.
44:22No shock lasts longer than 48 hours.
44:25There's too much appetite for the next shock.
44:31I'll miss our sessions terribly.
44:34I don't mind admitting I let out an unconstitutional cheer
44:37when you beat Mr. Heath this time.
44:40I always said deep down you're a lefty at heart.
44:44Nothing to do with the politics or just a better companion.
44:47Although I wouldn't have said that the first time you met.
44:50No.
44:51You thought I was going to rough you lot up.
44:54And look what a sentimental old royalist I turned out to be.
45:15Your Majesty.
45:31Prime Minister.
45:35If you saw fit to invite your Queen to supper at Downing Street before you left,
45:40she would be honoured.
45:43But that's an honour previously only given to Churchill.
45:48The Duke of Edinburgh and I would like that very much.
45:54So would Mrs. Wilson and I.
46:12Martin?
46:26The amount of nitrazepam the princess took was quite critical, ma'am.
46:35Nitrazepam?
46:36A sedative used in short periods for the relief of anxiety and insomnia.
46:48Based on the numbers of empty packets we found.
46:55You would say more indicative of a cry for attention than a genuine suicide attempt.
47:02A cri de coeur rather than a coup de grace.
47:05I wouldn't want to there be anything at this.
47:05...
47:34I wouldn't let the Samuel says.
47:45Hello, you.
47:47Hello, you.
48:07Am I going to get her ticking off?
48:09That hadn't been my intention.
48:11Perhaps I should.
48:14Why?
48:15Because for a while there, it was touch and go.
48:21So I hear.
48:25Did you mean it?
48:28I don't know.
48:31Possibly.
48:35How do you feel now?
48:38Tired.
48:43It's sore.
48:45There were tubes.
48:49A little bit foolish.
48:54Where's Roddy?
48:56Gone.
48:58Where?
48:59Run for the hills.
49:02I hear Moroccan hills.
49:04And Tony?
49:06Back for the thing.
49:09Future Lady Snowden and I would wager.
49:16I'm not very good at it.
49:22What?
49:25The men.
49:27Seem to drive them all mad.
49:33Tony and I are going to separate.
49:36Yes, I think that's probably wise.
49:39Which I'm afraid to say will lead to divorce.
49:42Yes.
49:44The first royal divorce since Henry VIII and Anne of Cleves.
49:49I have a little bit of good news in that department.
49:52Which is?
49:53If we time it right, the announcement of your separation might get lost in the Prime Minister's resignation.
50:00I thought you only just got re-elected.
50:02Or did I really miss something?
50:03Due to ill health.
50:04Alzheimer's.
50:07Alzheimer's.
50:08Sorry?
50:15How many does that make it?
50:17Prime Minister's.
50:18Mm.
50:18And whoever replaces him will be my seventh.
50:23The rest of us drop like flies.
50:25But she goes on and on.
50:53For the record, I think there are many things you're good at.
50:56Name one that's actually meaningful.
50:59Being a sister.
51:01No need to humour me.
51:03I'm not.
51:05Of all the people everywhere, you are the closest and most important to me.
51:11And if by doing this, you wanted to let me imagine for one minute what life would be like without
51:17you,
51:19you succeeded.
51:24It would be unbearable.
51:32Then we must both carry on.
51:33Then we must both carry on.
51:34There's nothing.
51:47It would be just a people with masks.
51:48It would be a good thing.
51:50I don't appreciate you.
51:52We have no money.
51:52You have no money.
51:52It's all for you.
51:53We have no money.
51:53We have no money.
51:53At least for us to hang out.
51:54I don't know.
52:00We have no money.
52:01Good morning, Your Majesty.
52:21Good morning, Your Majesty.
52:33Well, usually when I drive into Broadcasting House just after five in the morning, the most I'm likely to see
52:38is a bread delivery van or an office cleaner on the way to work.
52:41But this morning, despite the dark skies, there was a feeling of activity.
52:44A string of horses clashing through the streets and knots of people wearing red, white and blue gear drifting down
52:50towards the Trouder Square.
52:52But one of those have been up all night to make sure of getting a good view of the procession.
52:56Andy Price is with them outside Buckingham Palace.
52:59I'm standing in front of Buckingham Palace and I expect the Queen's teesmaid has just rung her back to consciousness.
53:05I expect she's lying there, just coming to and remembering that this is Jubilee Day.
53:09This is a day as gruelling as her coronation 25 years ago, certainly in ceremonial terms.
53:15But she was a bit of a thing in those days.
53:17I expect today she's wondering if the shoes she's going to wear are quite as comfortable as they might be.
53:22Now, the weather looks as though, as I say, as though it's certainly going to hold for the journey out.
53:29What's your view, the Jubilee?
53:35You must do it.
53:39You don't think it might all backfire on me?
53:43Ask yourself, in the time I've been on the throne, what have I actually achieved?
53:47You've been calm, stable and useless and unhelpful.
53:54This country was still great when I came to the throne and now look.
53:57So much for the second Elizabethan age, which Winston talked about.
54:03All that's happened on my watch is the place has fallen apart.
54:06It's only fallen apart if we say it has.
54:10That's the thing about the monarchy.
54:14We paper over the cracks.
54:17And if what we do is loud, grand, confident enough,
54:23everyone will notice that all around us it's fallen apart.
54:27That's the point of us.
54:31Not us.
54:33You.
54:36You cannot flinch.
54:40Because if you show a single crack,
54:44we'll see it isn't a crack, but a chasm.
54:48And we'll all fall in.
54:52So you must hold it all together.
54:58Must I do that alone?
55:01There is only one Queen.
55:10And now, the poet laureate, Sir John Benjamin.
55:14God save the Queen.
55:17In days of disillusion, however low we've been, to fire us and inspire us, God gave to us our Queen.
55:28She exceeded young and beautiful to a much loved father's throne.
55:34Serene and kind and beautiful, she holds us as her own.
55:40And 25 years later, so sure her reign has been, that our great events are greater for the presence of
55:51our Queen.
55:54For our monarch and her people, united yet and free, let the bells from every steeple ring out loud the
56:04Jubilee.
56:05See you soon, and I have time too, and you're together with The Director of the Prince of Villa, with
56:08a heart and heart.
56:08And we see a lot of which we are supposed to be, no matter how great we can do.
56:08So now, I'm here to go.
56:08I'm here to practice.
56:28I'm here to practice in a row, and I'm here to practice the first stage, but I'm here to practice
56:35the first stage.
Comments