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The Crown S05E02 [Full Movie] [Latest Version]Full EP - Full
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00:14I'm sorry I'm gonna have to ask you to speak up a little I I can't hear you very well
00:19okay
00:20no problem well what's your first question I want to know more how it started it started
00:28by accident well with an accident I yes I'd been injured once too often playing polo
00:40do you understand what I'm saying yes I understand good good and so age 50 I decided to give up
00:48the
00:49big love of my life and look elsewhere for some fun well that didn't come on right um I'm gonna
00:56insist we do that again excuse me we're going to go again again you ready yes yes and so age
01:1050 I
01:11decided to give up the big sporting love of my life and look for new challenges which is how I
01:21ended up
01:22carriage driving
01:28yeah
01:28yeah
01:29yeah
01:29yeah
01:30yeah
01:30yeah
01:30yeah
01:30yeah
01:30yeah
01:30yeah
01:30yeah
01:47we've become quite a gang traveling up and down the country from competition to competition
01:53in the country from competition to become something the second fam what
01:58yeah
02:02well
02:08yeah
02:09right
02:09thank you
02:10yeah
02:10yeah
02:12yeah
02:14yeah
02:14yeah
02:15yeah
02:16yeah
02:16yeah
02:16yeah
02:17Let's pray.
02:47Let's pray.
02:50Let's pray.
03:13There's a school of progressive medical thought.
03:17That suggests we bring cancer upon ourselves as a result of repressed emotion or unresolved psychological trauma.
03:30Then a perfectly angelic five-year-old dies of it and you realize what utter rubbish that is.
03:41Poor Norton.
03:43Yes.
03:45Why don't you pay him a visit?
03:48He could probably do with some support from his godfather.
03:51Yes.
03:55Yes.
03:56Yes, right.
04:01What's that look?
04:06I've never seen so many thoughts go on behind someone's eyes.
04:09Gratitude.
04:11Appreciation.
04:13What for?
04:15You make a better person of me.
04:19And you of me.
04:23Isn't that the point of marriage?
04:34Good night.
04:42Good night.
04:43Good night.
04:45Good night.
04:57Good night.
05:02Good night.
05:08Good night.
05:20Good night.
05:23Good night.
06:08Hello. Hi. You, um, you are coming.
06:14Sorry, one of those mornings. We're there in.
06:17One minute.
06:18One minute.
06:18One minute.
06:22One minute away, and she apologizes.
06:25Was that actually her?
06:27Yes, that was actually her.
06:29One minute.
06:59One minute.
07:00One minute.
07:06One minute.
07:07One minute.
07:08One minute.
07:09One minute.
07:10One minute.
07:10One minute.
07:10Thanks for agreeing to this.
07:11Of course.
07:14We saw the pictures of you in Italy.
07:16You, um, well, you all look so happy.
07:20Phony and you.
07:21It's honestly worse than ever.
07:23I'm at a loss for what to do.
07:24I'm at a loss.
07:26I'm at a loss.
07:30I'm at a loss.
07:33I'm at a loss.
07:59Jane's cold house, isn't it?
08:01Uh, yes.
08:03Do you have a moment?
08:04Which one?
08:07Tall, with glasses.
08:10I know the one. Clark Kent.
08:13He said his name was Andrew.
08:15It's just what I call him, silly.
08:17Andrew Morton.
08:19He's one of the friendly ones.
08:21He's written some nice things about me in the past.
08:24Well, now he wants to write a whole book about you.
08:26What it's really been like marrying into the royal family.
08:29The truth behind the fairy tale.
08:31I said you'd never agree to be involved in something like that.
08:34Oh, no.
08:35So then we arranged to play a game of squash.
08:37What?
08:38He saw my racket in the corner of my office and suggested a game.
08:41James.
08:42Don't worry.
08:43I said any further discussion of you was totally off-limits.
08:46It'd better be.
08:47I'll call you after I've seen him.
09:06Hello?
09:08Hello?
09:09Hello.
09:37I saw you.
09:38Hello?
09:44Hello?
09:48Hello?
09:53Oh, no.
09:54What have I done now?
09:56You're here today.
09:58Norton said you were coming tomorrow.
10:00He just left for London for meetings with the bank.
10:04Let me see if I can reach him.
10:06Oh, don't go to any trouble.
10:13What can I get you?
10:15Are you hungry?
10:16Oh, God, no.
10:16No, nothing like that.
10:20No, I, uh...
10:23I just came by to see how you're coping.
10:28That's kind.
10:31And to bring these.
10:36Daisies.
10:37Well, Leonora, you mentioned at the memorial that they were her favorite.
10:45That's so kind of you.
10:48Should we take them to her?
11:00Norton thought it was morbid to have her so close, but...
11:06I wanted somewhere I could see her every day.
11:10To be near to her every day.
11:14It also means I can never leave here.
11:17Why would you want her?
11:22It's not always easy.
11:47You know, one of the many, many things that attracted me to Lilibet.
11:52was that the commitment would necessarily be lifelong.
11:59And to a young man who'd had such an unsettled, romantic childhood,
12:05the clarity of that permanence felt so reassuring.
12:09It still does.
12:12But it brings its problems, too.
12:16Because it doesn't take into account the one thing human beings do
12:20the minute they make a commitment to a life together.
12:25Which is?
12:27It's growing separate directions.
12:47Tell Norton I'll be sure to be in touch soon for a godfatherly chat.
12:53Well, as for you, there's two things you might consider.
12:57Why not start a charity in Leonora's name?
13:01Yes, I'd already had that idea.
13:03And you might find yourself a hobby.
13:06Something that has nothing to do with any of this.
13:09Oh, not a hobby.
13:10An escape.
13:12A passion.
13:13I'll bear that in mind.
13:15Good.
13:17Oh, speaking of hobbies, Norton said that you'd given up polo
13:23and developed a thing for carriage driving.
13:25I have, yes.
13:27I'm obsessed.
13:28Why?
13:36Look at that.
13:39An old four in hand.
13:41Well, Norton wanted to sell it.
13:44Can't do that.
13:45We've been told it's beyond repair.
13:47Then he thought if you could make use of it.
13:49Well, it may be a bit dusty.
13:51Oh, I think the damage is worse than that.
13:53All right, a bit cracked in places.
13:55Norton was told structurally irreparable.
13:59No, no, no.
14:00She's a beauty.
14:01And part of the family heritage.
14:07I'll tell you what.
14:09Why don't we do this?
14:12I'll send someone to collect her.
14:15We'll clean her up, take a look at her,
14:18and then we can talk again.
14:19We don't need to talk again.
14:22This could be a hobby for you.
14:24Oh.
14:26No, it's really not for me.
14:28Oh, well.
14:29That was my attitude at first.
14:31But then I tried it, and...
14:33I saw the light.
14:34I saw the light.
14:39Oh, I think that's cool now.
14:50Oh.
14:56Oh, my God.
15:28Hello.
15:32Right, thank you.
15:34Thanks.
15:47How was it?
15:48Oh, bloody hell.
15:51Very evenly matched.
15:52He moves infuriatingly well for a tall man.
15:55Quick to the tee.
15:57Plenty of nasty little drop shots and boasts.
15:59We played the best of three games.
16:02Pipped him in the third.
16:03I wasn't asking about the squash.
16:05I want to know about the lunch.
16:07Ah, a little Italian place near the squash club.
16:10The Barker, run by a husband and wife.
16:12Not where you had lunch.
16:14Oh, sorry.
16:15Oh, what you ate?
16:16Linguini.
16:20Let's start with who paid.
16:22He did.
16:23James.
16:23He's a tabloid journalist.
16:25And he bought lunch because he lost.
16:27And if you are worried about indiscretion,
16:29he got nothing from me, not a word.
16:30Whereas I got plenty out of him.
16:33Revelation number one.
16:35He's already started writing.
16:36What?
16:37He thinks there's already another book coming out about you
16:39that's likely to be a bit of a hatchet job,
16:41you know, based on sources close to the Prince of Wales.
16:44Oh, God.
16:45Anyway, Morton's view is that his version
16:47would at least give you some control,
16:49like, uh, be sympathetic.
16:52He'd even let you have final approval.
16:54Trust me, I'd love to have a book out there
16:55so everyone understands how difficult it's been for me,
16:58but I don't want to be responsible for starting a war.
17:00Morton said that you'd never need to meet him.
17:02Ever.
17:03There would be no connection between the two of you
17:05that anyone could prove.
17:07It would all be totally deniable.
17:09How'd that even work?
17:10Tape recordings.
17:12You would record your side of the story,
17:14saying only what you want to say,
17:16all in your own words,
17:17and then Morton would...
17:19write the book from those recordings.
17:22If you and I don't meet,
17:23how would he get the recordings?
17:27There would have to be a middleman.
17:30Go between someone who you both trusted,
17:35someone who thought it was important.
17:39And you would do that?
17:42If you wanted me to.
17:43You would do that.
17:43if you would do that.
17:46If you wanted me to do it.
17:48If you wanted me to do it,
17:59I'll call you.
18:01I'll call you.
18:03If you want me to come back,
18:05If you could do it.
18:09Just a bit more than that boy!
18:11Come on, that's all right!
18:13Yeah, don't you eat nothing?
18:18Oh, marvelous, marvelous. You've got the hickory in time.
18:31I've taken the liberty of getting another few ideas.
18:45You've missed a bit.
19:04Come on, come on, come on, come on, come on, come on, come on, come on, come on, come on,
19:13come on.
19:22Thank you, sir.
19:23Thank you, sir.
19:26You said it couldn't be done.
19:27You pulled all the stops here, sir.
19:29He worked very hard.
19:42What do you think?
19:44Is it even the same carriage?
19:47The original paintwork was a dark black.
19:51I thought we'd have these dashes of gold in this nice sloping footboard.
19:57Go on.
20:04Now grab here.
20:06The foot here.
20:08The other foot here.
20:18How does it feel?
20:20Fine.
20:22Largely because it's not moving.
20:41You try.
20:44These two reins control the leaders.
20:47Those are the horses at the front.
20:49And these two, the wheelers.
20:51They control the horses nearest to us.
20:54Feel free to nod or say yes to let me know you're still alive.
20:58Yes.
21:00The trick is to keep these both together.
21:02Put between these two fingers.
21:05There.
21:06Now, these two reins, you have control over all four horses.
21:11To turn left, make a loop, that's it.
21:15Turn to the left.
21:18And to turn right.
21:20Very good.
21:23Off you go.
21:33Here.
21:34Let me take you.
21:41Well, where are we going?
21:53Hang on.
22:11Surprising, isn't it?
22:12Yeah.
22:13More fun than it looks.
22:14Yeah.
22:22The princess is intrigued by the proposition and is wanting to consider it.
22:26But as her friend, I want to make sure that this will actually make her life better, not just yours.
22:34You understand why I ask?
22:36She can be a little naive at times and you stand to become a rich man.
22:41I feel protective.
22:43As a royal correspondent, I've had a ringside seat to this marriage for a while.
22:49Most recently her second honeymoon.
22:53And I can't stand to see someone being crushed like this.
22:55You think she is being?
22:57I do.
22:58Take this book that's being written.
23:00With the Prince of Wales' cooperation.
23:02Maybe not him directly, but his friends for sure.
23:06Who want what they see as the truth about Diana to be told.
23:09Trust me.
23:10It won't be pretty.
23:14I just want to do what's right for her.
23:16She's like a sister to me.
23:19Can I give you my word?
23:21No one will ever know she had anything to do with it.
23:26Let's take it one step at a time.
23:28Get a draft written.
23:30The princess can always kill it later if she wants.
23:41Here's a list of questions for her.
23:53Bye, mommy.
23:56Bye, mommy.
24:18Bye, mommy.
24:51Ready?
24:57I'm sounding incredibly nervous.
25:02Andrew wanted you to start by explaining why you're doing this.
25:13I've tried everything.
25:17I've confronted my husband about his mistress and I have been dismissed.
25:23I've gone to the Queen.
25:26It's like facing a blank wall.
25:29And it finally dawned on me.
25:32And that's how I get my side of the story out there.
25:35People will never understand how it's really been for me.
25:40And I thought about moving abroad with the boys.
25:44But the crown could take legal custody of any heirs to the throne.
25:51And I'd have the boys taken away from me.
25:58Which is what happened to my mother.
26:03And I couldn't survive that.
26:21Can you tell me something about your childhood?
26:24Well, it was a very unhappy childhood.
26:29My parents were always wrapped up in their own problems.
26:33And my mother was always in tears.
26:37And my father...
26:39never telling us what was going on.
26:43And there was always a succession of nannies.
26:47Who I hated.
26:50Prince Charles famously replied,
26:52Whatever in love means.
26:54And asked if he was in love with you.
26:56How did that make you feel?
27:00Absolutely traumatized.
27:02My self-worth was cut in two.
27:07But...
27:08I was too scared to ask him what he meant.
27:11And then it was too late.
27:14From the outside, it was the fairytale wedding.
27:17How did it feel on the inside?
27:22Like a bad dream.
27:24The night before the wedding.
27:28I was...
27:29suddenly overwhelmed.
27:31And I sobbed my eyes out.
27:36And I ate everything inside.
27:39I was sick all over the place.
27:42Which was a big sign.
27:45It all was not well.
27:47I'm walking down the aisle.
27:48I was overwhelmed with love for my husband.
27:52And then I saw Camilla.
27:54And her grey suit.
27:56And her pillbox hat.
27:58And I just felt chill to the bone.
28:02How quickly did things start to go sour?
28:05Well, I started to unravel at the honeymoon.
28:08And at night I was having these dreadful nightmares about Camilla.
28:13When the Queen was there, I always felt second place.
28:16When Charles barely looked at me, I just felt like a fish out of the water.
28:18And I was so thin.
28:20My bones were just sticking out all over.
28:22When I talked to him about photographers pounding me,
28:25he talked about Camilla.
28:26When I tried to be brave, make a speech in Wales,
28:29I got no support.
28:31Well, I just felt like a lamb to the slaughter.
28:33Did you feel that your husband was committed to the marriage
28:35in the same way that you were?
28:37Well, there was always the other one.
28:41And the word go.
28:45And I couldn't compete.
28:49And I'd overhear him on the phone to her.
28:52And he used a voice I'd never heard in use with me.
28:57Tender, caring, adoring.
29:03When I was pregnant with William, I threw myself down the stairs at Sandringham.
29:06I'm sorry.
29:24I'm sorry.
29:35Now during the time often, I'm running out of the stairs.
29:40and just listen to the tapes he has and drafted some follow-up questions what
29:46should he think I think it was a bit shocked he said he had to look up
29:52bulimia nervosa and Kumar and Clarks I have to admit there have been a few
29:59surprises for me in all this too I wish you'd have told me before about the
30:13the suicide attempts so sorry
30:19why didn't you call us
30:30he wants to know if he can speak to any of your friends why he said it would
30:34help with the deniability if you can show he has other sources for all this
30:37that gives you cover he'd ask them the same questions I've asked you and
30:41they'll be corroborating witnesses
30:47all right
30:53I'll start with Sue
30:54who's Sue?
30:56my room therapist
31:00and Felix Lyle
31:02Felix Lyle
31:04my astrologer
31:06um
31:07Una
31:08Shani Toffolo
31:10don't tell me she's your Reiki healer
31:12my acupuncturist
31:16um
31:17Stephen Twig my body worker
31:22it's like an osteopath
31:24right
31:35good good
31:37you're doing really well
31:40thanks
31:47here we are
31:52now
31:52I've had a go at the governing instrument for the charity
31:58these are the trust of deeds
32:01the memorandum
32:02and the articles
32:04what do you think of a research fellowship
32:08to study cancer in children
32:12they were all so good to us at Barts
32:14made such a difference to Leonora's final days
32:18I think that's a lovely idea
32:20getting registration can be a bit of a slog but
32:23well I'm on good terms with some of the charity commissioners
32:27let me talk to them
32:28you know a long time ago
32:40I lost my favorite sister
32:44Cecile
32:45in an airplane crash
32:49I learned then what grief
32:51was
32:53true grief
32:59how it
33:00moves
33:01through the body
33:04how it inhabits it
33:08how it becomes part of your skin
33:12your cells
33:16and it makes a home there
33:20a permanent home
33:27but you learn to live with it
33:32and you will be happy again
33:35no never in the same way as before
33:38but that's the point
33:42to keep finding
33:43new ways
33:49yes
34:26you
34:27you
34:27you
34:29you
34:32you
34:33you
35:02She's getting started.
35:19Don't be silly.
35:22Anything you need,
35:24you have the number that gets straight through to me.
35:27Avoids the operator and all that nonsense.
35:30Oh, I almost forgot.
35:32Something Norton wanted me to pass on.
35:35Apparently there's a book being written
35:37about the Princess of Wales, with her cooperation.
35:39What kind of book?
35:40One that claims how badly she's been treated by the family.
35:44Everyone's failure to understand her.
35:47The jealousy everyone feels about her popularity and success.
35:50Norton said he'd had several calls from people
35:53saying that either they'd been approached
35:55or knew someone else who had.
35:59Probably just gossip.
36:02Norton should know better.
36:07Send in my best.
36:09I will.
36:30You don't think the two incidents are related?
36:32First you get knocked off your bike,
36:34then Andrew's house gets broken into.
36:35It's not the first time I've been driven into the gutter
36:37by white van man.
36:39And break-ins happen in London hundreds of times a day.
36:42Besides, nothing was stolen.
36:44I'm not answering that.
36:45I'm not speaking on this thing again ever.
36:47I heard a click on the line this morning.
36:50This end.
36:50I heard a click on the line.
36:52I heard a click on the line with Pinkettle.
37:15Duke of Edinburgh's private secretary,
37:17requesting a meeting with you as soon as possible.
37:24Three miles from Castle Durgin, County Tyrone,
37:27when at least two terrorists were frightened off
37:30as they planned to ambush an off-duty member
37:32of the Royal Irish Regiment at his home.
37:38...with the security forces
37:39in the early hours of this morning.
37:41According to police, the fierce exchange of gunfire...
38:02...and coming to the front door.
38:04With the white man's dead,
38:06he has to go for the next door.
38:06She needs to come together.
38:06I'm going to come down here.
38:15...and someone's running out of hand.
38:20well it's been a while since i've been in kensington palace the leper colony is that
38:27what you call it i think of it as the depot where we put all the mad old arts
38:37all watching each other's comings and goings through net curtains
38:44is there any privacy at all none ghastly because privacy is so important isn't it
38:55yes confidentiality too
39:01i suppose that's what i've come to see you about today please
39:08i won't if that's all right
39:18yes i uh i can be a tough old nut but i've always had a soft spot for you
39:24maybe because you're young maybe because you're a beautiful woman
39:30maybe because i often share your frustration with your husband
39:35now i've always felt protective of you fond of you there i've said it
39:43so when i see you're making errors of judgment i want to lean across the table and remind you
39:50i'm on your team what am i trying to say you're not a novice anymore you're long past the point
40:00of
40:00thinking of us as a family that's the mistake people make in the beginning but you understand
40:06i think it's a system and we're all in this system you me the boss the cousins the uncles the
40:17aunts
40:18the lepers for better or for worse we're all stuck in it
40:26and we can't just air our grievances and throw bombs in the air as in a normal family
40:32or we end up damaging something much bigger and something much more important
40:39the system
40:43so the tip i want to give you is this
40:47i mean just just be creative
40:53you can break as many rules as you like you can do whatever you want
40:58you can make whatever arrangements you need to find your own happiness as long as you remember the one
41:05condition the one rule you remain loyal to your husband and loyal to this family in public
41:18you mean silent yes don't rock the boat
41:31right ever
41:35to the grave
41:49you're not saying anything
41:54i shouldn't think there's anything to say
42:00do you know i think that's the wisest thing i've ever heard come out of your mouth
42:43you're
42:45be fine good yes I told her that if she were a little more clever little more
42:56strategic she could find all the happiness she needs in this system
43:02without anyone being any of the wiser is that the solution do you think that
43:09husbands and wives should keep secrets from one another
43:12secrets it's not a very nice word no um no what I mean is you know if people were
43:20well more considerate more mature more discreet it can actually be the glue
43:27that binds it all together you see I think in a marriage one should aim to
43:34exist without secrets or accommodations well that's because you are who you are
43:42and not just because any husband or wife can feel when something is awry but
43:47ultimately it's not what I know about you or even what you know about me it's what
43:55he knows about all of us I think he has the night off occasionally
44:09good night good night
44:35tonight I'm joined by Andrew Morton one-time royal watcher and now author of the book that everyone is talking
44:42about
44:42andrew good evening good evening for anyone who's been living under a rock and doesn't
44:48know could you tell us what your book is about my book is an intimate portrait of princess
44:52diana an attempt to tell the story of what her life particularly her marriage is really like and the fact
44:59is behind the glamorous public
45:01facade what we have is a woman who is deeply unhappy which you go into in great detail in a
45:07book
45:07that seems to be channeling diana herself and yet which you claim she was in no way involved I can
45:13say
45:13categorically that I did not interview the princess but I spoke to her friends associates anyone who was
45:19willing to talk many of them were not just willing they were desperate to tell the world how it really
45:24is and we really are talking about the whole world I mean this book is breaking all kinds of publishing
45:29records in France Holland Germany Japan and is making you a rich man in the process do you feel a
45:36sense of
45:37guilt or responsibility for throwing the royal family into crisis honestly I think the royal family have been
45:43throwing themselves into crisis they knew what they were getting into with diana they knew she was
45:49vulnerable they knew she'd had a difficult childhood they knew she needed love and security and reassurance
45:58but did they give it to her no they gave her the total opposite so they can't be surprised she
46:05wants
46:05people to understand why she hasn't been happy so where does that leave us that leaves us in one of
46:12those cyclical moments where the royal family is in genuine crisis but where the fragile truce between
46:18diana and the royals is clearly not working there are two alternatives to a truce either you have a
46:25long-term negotiated peace which i don't see happening the two sides are too entrenched or you escalate
46:36into what all-out war which sadly seems to be where this is currently headed
47:11in the vintage is one of the elderly house and they think we can find the same way that the
47:18royal child is
47:18in one of the pillows and if it's in a very short relationship that has come to the top of
47:18the
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