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The.Sandman.S02E12 [Full Movie] [High Quality]Full EP - Full
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00:28Dear Sylvie,
00:32by the time you read this, I'll be dead.
00:52Gone.
00:54I know.
00:56You said we shouldn't talk for a while.
00:58But I didn't want you to think my death had anything to do with you.
01:04Or us.
01:07Truth is, the planet is dying, democracy is dead,
01:12and the human race is next.
01:14But not before we inflict as much damage on the planet and on each other as we possibly can.
01:23Hiya.
01:27Hiya.
01:29Hiya.
01:31You're not at the office?
01:34Neither are you.
01:35Who?
01:37Yeah, well, I'm playing truant today.
01:39Amelia's helping me.
01:41Oh, but if you're working, Saxon, we can...
01:43Or, or, you're on your way out to work in that cafe where you sometimes work?
01:49Huh?
01:51Yes.
01:51Yes.
01:52Yes.
01:52I was on my way out.
01:56Uh...
01:56Just one last email to send.
01:58Oh, I read your piece in The Guardian.
02:01The one about the climate crisis.
02:03What?
02:03They're all about the climate crisis.
02:04I found it very hopeful.
02:06You did?
02:07You did?
02:10Well, um...
02:11We'll leave you to work, but you're coming out with us tonight, yeah?
02:17Actually...
02:18Is that tonight?
02:20You promised.
02:21Yeah, but don't you just want to have a night in?
02:23That's what we ever have.
02:24Do you like my friends?
02:25I do, just not as much as I like you.
02:27Oh, my God.
02:27They already told Jackie that we're coming, all of us.
02:29You, me, and Sexton.
02:30Yeah, well, Jackie will understand.
02:32I'm not going to cancel on her.
02:33Look, can you blame me if I want to be alone with you?
02:35You're obsessed, man.
02:36Yeah, and whose boy is that?
02:38It can't just be the two of us in the way for that one time.
02:40It's not just the two of us in the way for that one time.
02:42It's not just the two of us in the way for that one time.
02:47Hi, Sylvie.
02:53Hiya, Sylvie.
02:55Hi, Sylvie.
02:59It's me.
03:01Um...
03:01I know that you said that we shouldn't talk for a while.
03:06But, uh, I needed you to know that what I'm about to do...
03:11It's got nothing to do with you.
03:17Oh, wow.
03:19Well, who...
03:20Well, who...
03:20What threw you away?
03:28Oh...
03:37Oh...
03:38Oh...
03:46I don't know.
04:16I don't know.
04:38I don't know.
04:51I don't know.
05:14Hello?
05:17Someone there?
05:21Yeah?
05:25Hello?
05:25Hello?
05:32Are you alright?
05:34Yeah.
05:35I just can't seem to move.
05:39Oh, yeah, I see the problem.
05:41I don't know.
05:42Do you think you could maybe...
05:45Oh, I don't know.
05:47Never moved your refrigerator before.
05:50Maybe.
05:51Just give it a good...
06:00Oh, look at that.
06:02Didn't expect to be doing that today.
06:04Here.
06:05Nice.
06:06Oh, no.
06:07Sorry.
06:08Sorry.
06:09I forgot.
06:09It's my day off.
06:16There you go.
06:18Oh.
06:19You good?
06:22What?
06:22Well, what were you doing down there?
06:24Nothing.
06:25I fell.
06:26Oh.
06:26Uh.
06:27Oh.
06:29Looking for these?
06:29Oh, yeah.
06:30They're...
06:31They're for my allergies.
06:35Oh.
06:35You're bleeding.
06:37Oh.
06:38No.
06:39You better come back to my place.
06:40What?
06:42I'm only a few minutes away.
06:43I've got plasters for that arm.
06:44And I might even fix a jacket for you.
06:46But after that, you're on your own.
06:49Come on.
07:04Oh.
07:05I can't get over this beautiful day.
07:09Listen.
07:10Do you hear that?
07:15I hear...
07:16Shopping?
07:16Yes.
07:17That's what it is.
07:18Do you enjoy the sound of shopping?
07:20Well, isn't that why people live in London?
07:24Was that your rubbish back there?
07:26What?
07:26Were you flying to me?
07:27No.
07:28That's illegal.
07:29I would never do that.
07:30Then what were you doing?
07:32If you don't want my house in.
07:35Thinking, I suppose.
07:38What about?
07:42How about how we've taken a perfectly good planet
07:45and turned it into a place to put all of our rubbish?
07:48I don't know.
07:50I quite like it.
07:52This is me.
07:57Come on, we'll get you sorted.
08:03This is very nice of you.
08:05Well, it's no harder to be nice to people than it is to be awful.
08:09And it's much more fun.
08:11Wow.
08:14That looks much better.
08:16Have you met the goldfish?
08:19Oh.
08:20The big orange one, that's slim.
08:23And the little yellow one, he's called Wandsworth.
08:28I would introduce you, but you haven't told me who you are yet.
08:32Sorry.
08:33Sexton.
08:34Furnival.
08:34Oh.
08:35I blame my parents.
08:38I like it.
08:40Sexton Furnival.
08:42And you are?
08:44I am...
08:49very good at sewing.
08:55Okay?
08:56Yeah, you are.
08:58Hmm.
09:00Is that what you do?
09:01Are you in the fashion industry?
09:03No.
09:05Dan, what do you do?
09:08I...
09:10rescue journalists from illegal fly tips.
09:14Three sugars?
09:18Yeah.
09:18How...
09:19How did you know I'm a journalist?
09:21How many Sexton Furnivals do you think there are in the world?
09:26You read my column?
09:28When I have time off.
09:30Time off from what?
09:33Look, I tell you, but you won't believe me.
09:37Why not?
09:41Because...
09:45I'm Death.
09:50You're Death?
09:51Yeah.
09:54Okay.
09:55But you have nothing to worry about.
09:57Because...
09:58Today's my day off.
10:01Oh.
10:05Death was a day off.
10:07Just one.
10:09Every hundred years.
10:10Just to...
10:11See what it's like.
10:12To be human.
10:14Hmm.
10:16Death lives in Shoreditch.
10:18No.
10:19No, this place is just the universe's way of making me feel comfortable.
10:23Technically, right now, I'm only a few hours old.
10:28Of course.
10:32I should probably...
10:35Go.
10:36Thank you for the jacket and the tea.
10:41And everything.
10:42Of course.
10:45Well, I'll see you again.
10:48You will?
10:51Sooner or later, I'll see everyone.
10:55Right.
10:57Okay, bye.
10:58Okay.
10:59Bye.
11:01Bye.
11:01Bye.
11:02Bye.
11:12Bye.
11:23Oh!
11:25Oh.
11:46Hello, me bonnie boy.
11:48You were with her, weren't you?
11:50I can smell it on you.
11:53Upsy-daisy.
11:54Did you just be the best to understand it here?
11:56In my experience, broken bottles is sharp enough to make your face a lot less bonnie, bonnie boy.
12:02But look, if it's money you need...
12:04Button your lip and shut your face.
12:07You're going back inside, you're going to knock on her door, you're going to tell her it's you.
12:12Aren't you?
12:15Hello.
12:17It's Sexton.
12:19Bernabeu?
12:21Sexton.
12:24You're back.
12:25I didn't expect to see you so soon.
12:27Oh, it's you.
12:30That's right.
12:31It's me.
12:34Get in, bonnie boy.
12:44Leave Sexton out of this mad-haired tea.
12:46I'm not leaving him out of this.
12:47He's me bargaining thing, innit?
12:50And I've got a job for you.
12:54Fine.
12:56What's the job?
12:59Take a seat, bonnie boy.
13:09I want you to find me soul for me.
13:12Your soul?
13:16Any idea where you lost it?
13:17I didn't lose it.
13:20Put the little bugger somewhere safe as ours as I did somewhere.
13:24No one would find it.
13:26Especially not you.
13:27If you hide your soul from death, you never die.
13:31Well, she can't take it if she can't find it, can she?
13:33Let me get this straight.
13:35You've hidden your soul from me, and now you want me to go and find it for you.
13:40Will you?
13:43I've tried it so hard.
13:45I can't do it on me.
13:54Any idea where you've hidden it?
13:57No.
14:00My hat, I placed it in a duck egg.
14:04Inside a duck.
14:05Inside a well.
14:07In a castle, on an island, surrounded by a leg of fire.
14:11Guarded by a hundred dragons, each larger and more ferocious than the last.
14:18And maybe you didn't.
14:21It's been a long time, love.
14:24And, um, sometimes me mind goes a bit too, Lally.
14:32Fine.
14:39I'll keep an eye out for you.
14:42Help yourself to whatever's in the fridge.
14:45There's tea and biscuits in the cupboard.
14:48Thanks, love.
14:54Why aren't you going to call the police?
14:56Why?
14:57Because there's a homicidal madwoman in your flat.
15:01You'd be mad too if you'd lost your soul.
15:03Oh, do you want anything?
15:05I've been so busy, so I forgot to eat.
15:08No, thank you.
15:09Yum.
15:10Um, hello.
15:11One, please.
15:13Chicken, lamb or veg?
15:15Veg.
15:16And what would you like on it?
15:18Uh, whatever you've got.
15:19Chef's choice.
15:20All right.
15:21One veggie flatbread with the works.
15:24There was this Zen monk, right?
15:26And he orders one of these.
15:28Do you know what he says?
15:30Make me one with everything.
15:32You've heard that one, eh?
15:33Oh, I hadn't.
15:35Oh, that looks delicious.
15:37What do I owe you?
15:39Nothing.
15:39Keep your money.
15:40What?
15:41No.
15:42A beautiful woman with a healthy appetite.
15:44You make me feel glad to be alive.
15:46You enjoy that?
15:48This might be the best thing I've ever tasted.
15:50It's actually, you've got to try it.
15:51No, thank you.
15:52Hey, try it.
15:53Mmm.
15:56I think enough time has passed now that I'm allowed to go home.
15:58What do you mean?
16:00My flatmate and her girlfriend asked me to leave so they could...
16:04Have sex.
16:05Aw, that's sweet of you.
16:07Look, no idea how long that's going to take.
16:09How long have we been together?
16:11Three weeks-ish.
16:12No, he might be out a while.
16:15Oh, taxi!
16:16What are you doing?
16:18I have an entire list of things I want to get done while I'm here.
16:21Like what?
16:23Like, go to the opera.
16:25Or BFI.
16:26Oh, I want to get a chai in the queue at Dishun.
16:29And then a party.
16:30Then maybe an after-party.
16:32Oh, and then I want to get a full English at the Regency Cafe.
16:36Oh, and I promise Madhati I find her soul.
16:39How does that sound?
16:41Like too much for one week, let alone one night.
16:44Challenge accepted.
16:48Let's go.
16:50No.
16:52Why not?
16:53Because I don't know you.
16:56And if you don't get in this cab, you never will.
16:59Where to, love?
17:02Sexton, where would you like to go?
17:05Home.
17:06Um, where's home?
17:08He can't go home.
17:09His roommates are having sex there.
17:11Nice.
17:11Yeah.
17:12Well, anywhere else you want to go?
17:14I have no idea.
17:17That's the human condition, isn't it?
17:20Where would you like to take us?
17:21Me?
17:22Yeah.
17:23First place that pops into your mind.
17:26Well, I always like a bit of greenery.
17:29Can I see you drive through the park?
17:31That sounds perfect.
17:33Hop in.
17:35But what about the opera and the shooting?
17:38We'll get there.
17:40As my older brother would say, certain destinations are inevitable.
17:46After you.
18:05Can I ask you a question?
18:08Is it personal?
18:09Very.
18:11Good.
18:11Yeah, go on.
18:12I'll ask.
18:13What is it you think makes life worth living?
18:19Well, my sister, Maggie, she thinks it's men.
18:26For me, it's at the end of my night shift.
18:31And the sun's just coming up.
18:34And I've got London all to myself.
18:37And just for a moment, everything, everything feels possible.
18:43Yeah.
18:45I love that.
18:46Hey.
18:48What about you, Sexton?
18:50What makes life worth living?
18:55That moment when your clubmate stops having sex and you get to go home.
19:00I asked you a serious question.
19:02I gave you a serious answer.
19:04You two deserve a night out.
19:06Oh, now that sounds like wisdom to me.
19:08What do you have in mind?
19:10For the Undercut Club's just down the road.
19:12The Undercut Club?
19:14Have you been?
19:15No, I've never had the pleasure.
19:16You're better off.
19:18Believe me.
19:18Have you been?
19:21Have you been?
19:48The Undercut Club.
19:49So, I'd better drop you two there, yeah?
19:56Yes, please.
20:13What do I owe you?
20:14Nothing.
20:15It's a gift.
20:17Really?
20:20Say thank you, Sexton.
20:23Yeah.
20:25Eh, thank you.
20:26What?
20:27No problem.
20:28Well, London taxi drivers don't generally give people free rides through the park at Rush Hour.
20:34Yeah, I know.
20:36But there's something about her.
20:37I like her.
20:40But if you're so bothered, that'll be 60 quid.
20:51Well?
20:52Thanks, Mel.
21:00You have a knack for never having to pay for anything.
21:03What's it like to live for free?
21:05Nobody lives for free, Sexton.
21:07Especially not me.
21:09Now, I have 20 pounds and, ooh, two pence.
21:13Even if that's enough to get us in the club.
21:15I'll get you in.
21:16I'm not going.
21:17Why not?
21:19You scared you're going to see Sylvie?
21:23Sylvie?
21:24Your ex.
21:26How did you know she's called Sylvie?
21:29Because I know everyone.
21:31That's my job, remember?
21:34What I don't know is why you won't come in with me.
21:38Because this is not my idea of fun.
21:43These are not my people.
21:45Sexton!
21:47You're in here!
21:49I thought you were having privacy with Amelia.
21:52Oh, we had a row instead.
21:53I messaged you.
21:55My phone died.
21:56What was the row about?
21:59Sorry, are you with Sexton?
22:02Yeah.
22:02No.
22:06I'm, um...
22:06Dee Dee.
22:08Billy, this is Dee Dee.
22:10Dee Dee.
22:11This is, uh, my flatmate, Billy.
22:14Pleasure.
22:15So, how did you two meet?
22:17Stop smelling.
22:18It's not like that.
22:18I found him on a flight tip.
22:20Oh, well, that does sound more like it.
22:22What was the row about with Amelia?
22:24Oh, sex.
22:25My girlfriend basically accused me of being a sex addict.
22:28What?
22:28Are you?
22:29She says I just want to spend all my time alone with her
22:33and I don't want to hang out with any of her friends.
22:35They're all inside waiting for me.
22:38She'll be so happy you're here.
22:40She might even forgive me.
22:41I'm not staying.
22:44He's scared he's going to see Sylvie.
22:46He's dying to see Sylvie.
22:47No, I'm not.
22:54Is she here?
22:56Only one way to find out.
23:00And Amelia knows the guy on the door so we can get him for free.
23:03For free.
23:04You hear that?
23:06Come on, Sexton.
23:07It's my lucky day.
23:08And yours.
23:28It's my lucky day.
23:50Hey.
23:52I'm here.
23:54And look who I brought.
23:55Sexton, you came.
23:57See, isn't this nice?
24:01Pass on a night out together.
24:03Oh, this is Sexton's friend, DeeDee.
24:06This is Amelia.
24:07And that's Jackie.
24:09Wow.
24:09You both look stunning
24:11Those gloves are amazing. Thank you. They're vintage. Oh
24:16You flip it itself, don't you
24:20Really what you got? Oh paperbacks typewriters toys toys rocket ships race cars
24:28Toy collection is a modest one
24:31That's a shame
24:34Right we need drinks
24:37Uh first rounds on me. I'll come with you. No you say okay
25:01Sexton looks miserable
25:04Sexton is miserable, and I can't even say it's sylvie's fault
25:09Sexton has a rather dark view of the world at the moment
25:13Which is not entirely unjustified given the world at the moment and which a lot of people share
25:19But you done
25:23Well, I did
25:26But then I met Amelia
25:29And I'm not saying she's the answer or anything. She's just a person but
25:35Sometimes a person is all it takes to make you feel better about it all you know
25:44I think people are wonderful
25:48Nothing like them
25:52Are you looking for someone? Oh is sylvie here where no, I was just lost. I'm sorry
26:01Who's sylvie sexin's eggs?
26:06Well, if you've managed to stay friends with your ex that says a lot about both of you
26:10I'm not sure she's considering me your friends. Oh, why do you break up with her?
26:16No
26:20I'm sorry
26:24And I'm gonna go help with the drinks. Oh, we'll meet you
26:28There
26:33Well, I'm glad you came
26:37And sorry about earlier if you had no right to ask you to leave
26:41She had every race she wanted to be alone with you
26:46All she wants to do is shag men immediate I've known Billy since uni
26:51She's never been interested in sex ever until she met you
26:56Did she tell you to say that she'd kill me for saying that you cannot tell her
27:07Oh, I'll put you a gin and tonic. That's okay
27:12I thought we were fighting mm-hmm sex has sorted me out in it
27:15How much do you for the drinks drinks around the house
27:26Oh
27:28It's very kind of you and in front of sexton's
27:33Hello, feel sexton
27:36New are this is my friend
27:40Didi
27:41feel is the
27:44Manager here house DJ club promoter and your house for the evening
27:49He always friends with sylvie
27:53Got it
27:54Thank you, Theo
27:56Yeah, thanks, Theo
27:57Thanks
28:00Sexton
28:02Your friend Dini
28:04How long have you known her?
28:06I just met her a few hours ago
28:08You brought a girl to a club that you met just a few hours ago
28:13That doesn't sound like you sexton
28:15You don't know me, Theo
28:18Yeah, just also be talking
28:20I think that don't worry just you know
28:23She loves to have fun and you don't know your kind of fun. No, no
28:27I don't do any of that shit really
28:31So you just make money encouraging other people to do it
28:38Well
28:39Sylvie will be very happy to hear that you've met someone
28:42Well, no
28:43No, no, Dini and I are not together
28:46Oh well in that case
28:47What about your girlfriend?
28:48What about Natalie?
28:51You two still?
28:53Yeah, but Natalie does her thing
28:56I do mine
28:59Maybe that's why we're still together
29:15I love this place
29:17Well done
29:26You alright?
29:28Sorry, I am
29:31I was just admiring your ang
29:35Egyptian, right?
29:38Symbol of death
29:41The opposite actually
29:43Immortality
29:44Right
29:46Because the pharaohs all wanted to live forever, didn't they?
29:48Some of them did
29:50Some of them knew better
29:52Immortality is not all it's cracked up to be
29:55I don't know about that
29:59If you knew you were gonna live forever you could do whatever you want
30:03You wouldn't have to be afraid of anything
30:07Anyone
30:11You don't need immortality for that though, do you?
30:14I'm sorry
30:18It's not
30:19Did section show you this used to be a department store?
30:20Club?
30:21Yeah
30:21Bad linens
30:23Garden furniture
30:25Kids toys also upstairs. You need to provide the parties
30:30I can give you the tour. Yeah, maybe later
30:39You're gonna dance
30:42I'd love to but I came to sexton so section doesn't dance
30:49At least not according to serving
30:53Golly
30:58Let's go
31:06What is wrong with you she likes you
31:10She likes everyone I can't work out whether she's being serious or not. She told me
31:22She thinks she's dead
31:26What she thinks she's the living incarnation of death
31:32She told you that oh, she'll tell you if you ask her she's not shy about it
31:41Maybe I will someone needs to save her from the day come down to us. No
31:48According to Sylvia, I don't dance
31:51To prove the wrong
32:08No
32:13This is where I'm going to start the line
32:17Everything will be perfect
32:20Everything will be perfect
32:23Everything will be perfect
32:26Everything will be perfect
32:27Everything will be perfect
32:29Tonight and forever
32:37Are you not a joiner then?
32:40No, I've never been very good at that.
32:43It takes practice.
32:48I think I must be doing it wrong.
32:53Everyone here seems to not notice or care.
32:57The world is ending.
33:01Well, maybe that's why they're here.
33:10It just makes me want to give up.
33:15You don't mean that.
33:19Yeah, you're probably right.
33:25May I offer another perspective?
33:28Are you going to try and cheer me up?
33:30I'm never the exact opposite.
33:32Yeah, by all means.
33:35So I had this friend who was abused by her father and a few of her father's friends.
34:12Jesus.
34:15I know.
34:16I'm sorry.
34:20I'm only telling you this because when she woke up in the hospital, even with bandages all
34:26all the way down her arms and her father just sitting there, terrified she would talk, she was still glad
34:34to be alive.
34:52So, according to Theo, this place used to be a department store, he's invited us on a tour.
34:57He's invited us.
35:00Or you?
35:02Me.
35:03But I'm inviting you.
35:05He's got a girlfriend, you know?
35:06She's got a girlfriend, you know?
35:07She's got a girlfriend, you know?
35:10She's got a girlfriend.
35:11We're not going to go garry now.
35:13Peter.
35:17Walk away.
35:18Stop it.
35:19Come on.
35:19Theo's waiting.
35:20Theo is not a good guy.
35:22Oh, Sexton, do you really believe that there are good people and not good people in this world?
35:27I'm a reporter. I know for a fact that there are, and I've heard things about Theo.
35:31Really? Such as?
35:32Ready for the tour?
35:36Yeah, you don't mind if sex comes too, do you?
35:41Not at all.
35:44This way.
36:03Oh, well, this looks like a storeroom.
36:08So this is where you host private parties?
36:11Well, we're having one right now.
36:15Ow!
36:16Theo, give it back!
36:16Get back!
36:18It's not a weapon. It's a symbol.
36:20It's a sigil. Your sigil.
36:24From now on, I decide who lives and dies.
36:27It doesn't work like that, Theo.
36:31You better hope it does.
36:35Theo!
36:36Hey! Theo!
36:38Theo, let us hang in here! Theo!
36:42Don't let me help!
36:43We can't hear you, Sexton.
37:02And...
37:05Did you tell him you're deaf?
37:09I didn't have to.
37:14He is in front of me.
37:27So welcome, Mother.
37:39I'm so sorry, Sexton.
37:43It's not your fault.
37:45It is. You warned me, but I got cocky.
37:51I just thought it doesn't matter if something happens to me.
37:55That's what today's for.
37:59I didn't think I'd be hurting other people, too.
38:02You haven't hurt anyone.
38:08What about Mad Hattie?
38:11At this point, we'll never find our soul.
38:14I thought you were just humoring her.
38:17No, of course not.
38:19She's counting on me.
38:23And I only have a few hours left.
38:26Until what?
38:31Until my one day every hundred years is over.
38:41Ah, here we go.
38:44We'll get the door open.
38:46We'll open Theo's skull.
38:48Sexton, put that down.
38:51You could hurt him.
38:53Are you sure you're deaf?
38:56Doesn't mean I go around killing people.
38:59Doesn't it?
39:01No.
39:03There is such a thing as free will.
39:05People make choices.
39:07People don't choose to die.
39:12Normally, there's war, there's famine, disease.
39:19I'm not saying it's not painful to be alive, but it's not always painful, is it?
39:31No.
39:37In fact, sometimes it's so nice that you forget that there's suffering everywhere.
39:45All the time.
39:48People with nothing struggling to survive, to keep their families alive.
39:55It never stops.
39:56No matter what I say, or do, or write.
40:00No matter how hard I try to make a difference.
40:02I don't.
40:02I can't.
40:03Which leads me to why bother.
40:08Which leads me to what's the point.
40:14I keep having to remember that you've only ever been human.
40:21So you don't know what it's like not to be able to feel these things.
40:32What it's like not to have free will.
40:36You don't have free will.
40:39My siblings and I have our duties.
40:43And we perform them.
40:50Except for one day.
40:54Every hundred years.
40:58A death takes a holiday.
41:02Spends it locked in a storeroom.
41:04Well.
41:07That's my fault for making plans in the first place.
41:10For having these expectations.
41:13Which makes it impossible to just enjoy what the day actually turns out to be.
41:23You'd think I would have learnt my lesson by now.
41:30What?
41:42Marbles.
41:43Marbles.
41:46Marbles.
41:46Marbles.
41:47Marbles.
41:47Marbles.
41:47Marbles.
41:48Marbles.
41:52Marbles.
41:54Marbles.
41:56Marbles.
41:57Marbles.
41:59Marbles.
42:03Marbles.
42:07Marbles.
42:08what a difference a day makes.
42:13What do you mean?
42:15The sleeping pills in your pocket.
42:19I'm not judging you.
42:22There is such thing as free will.
42:27And today you want to live.
42:34What the fuck are you doing?
42:36Were those meant for me?
42:46Where's my egg?
42:47At the bottom of the Thames.
42:49It doesn't fucking work.
42:50Not the way you wanted it to.
42:52Well, it doesn't matter.
42:55Because I've got you.
42:57And you're coming with me.
42:58You, she's not that.
43:00I've told him. He doesn't believe me.
43:02Even if she was, you don't need her.
43:03You've got the power to kill that's in your hands.
43:06I don't want her to kill anyone.
43:11I wanted to bring someone back.
43:18Natalie.
43:22Will you bring her back for me?
43:26I can't.
43:28It was my fault she died.
43:31No.
43:32It wasn't.
43:35Natalie overindulged one night.
43:39Theo, you did everything you could to try to save her.
43:43Including summoning me.
43:47No one's going to believe that, though, are they?
43:52They're all going to think I killed her, and why wouldn't they?
43:57I'm going to spend the rest of my life in prison.
44:04I'm best.
44:06Theo.
44:07Will you take me like you took her?
44:08No, Theo, listen.
44:09Theo, put the gun down.
44:11Shut the fuck up, Sixten.
44:12I know you think I killed a two.
44:13I don't.
44:14I swear.
44:14Theo, put the gun down.
44:15Stay back!
44:16Stay back!
44:25Theo.
44:28He's hit his head.
44:31Get help.
44:33Call an ambulance.
44:41Please bring her back to me.
44:45Once they're gone, it's too late.
44:49Are you taking me now?
44:52Not today.
44:56Today's my day off.
45:15I won't be here.
45:25Right.
45:28Death only gets one day off.
45:36Well, it wasn't the day I wanted, but it was probably the day I needed.
45:48And there's the proof.
45:50You like it?
45:52It's perfect.
45:54How much is it?
45:56For you?
45:57Ah, just give it to her.
46:00We all know you're going to.
46:03For you?
46:05Thirty quid?
46:07Thirty quid?
46:11Is it real silver?
46:14Thirty quid, love.
46:15If you're lucky, it's real metal.
46:16Well, how much for that?
46:20How much you got?
46:22Twenty pounds and two pence.
46:27I'll take the pounds.
46:29You keep the pence.
46:36I had a really good time today.
46:41You enjoyed being held captive at gunpoint?
46:45No.
46:48But it was part of the whole thing.
46:54And I wanted the whole thing.
46:57Speaking of which...
47:01For you.
47:03It's all I got left.
47:07You never know when they'll come in handy.
47:09Hmm.
47:10Oh.
47:11And, uh...
47:16This is for Mad Hezzy.
47:36Have a lovely day.
47:42Hmm.
48:07It just goes so fast.
48:13You want to hang on to every second.
48:18And you give anything for just one.
48:33Please.
48:35Help.
48:39Dee Dee!
48:51Dee Dee!
48:54Dee Dee!
48:56Dee Dee!
48:56Dee Dee!
48:57Dee Dee!
48:59Dee Dee!
48:59She's dead, love.
49:00She's gone.
49:05You can't bring her back now.
49:13Did she give you the tonts?
49:25Give him here.
49:30That's the cost of life.
49:42Poor, love.
49:44She only gets a day every hundred years.
49:48Doesn't ever get any easier.
49:53Did she give you anything else before she died?
50:08There you are.
50:10There you are.
50:13I knew she'd find her.
50:22me soul
50:25this was called delia me baby i wasn't mad at you back then of course
50:33they called me henrietta and i lived in a fine house
50:38long time current now
50:42all gone
50:46i suppose i better hide you again
50:52if she'd stuck around i could have asked her where to put it but no one would think of looking
51:00i give her time naughty boy
51:07another hundred years
51:09but she'll be back
51:23a few minutes later the paramedics came and took her away
51:32they thought it might have been a heart attack but
51:37what if she really was death
51:44not be nice if death was someone and not just pain and emptiness
51:52someone frankly genuinely likes people and is kind and funny
52:06no idea
52:33is sex now right
52:34i'll say for yourself
52:36um we were worried and billy said you didn't make the home last night
52:42i just wanted to make sure you're okay after our chat
52:47yeah i'm sorry we didn't get a chance to do that
52:49oh no no no it's fine
52:51there were so many people
52:58uh well i'm sure you're working
53:01no no i do you want a cup of tea
53:09do you want a cup of tea
53:11yeah yeah if you have time
53:24milk and sugar
53:25three shivers
53:26three shivers
53:32so that was it
53:41yeah how was it
53:52it was wonderful
53:54it was filled with people
53:58i got to breathe and eat and dance
54:03i only wish it didn't have to end like that
54:07it always ends
54:09that's what gives it value
54:12when you get to be alive even
54:14for a day
54:17well
54:19it's really only one way to stop living
54:23i suppose so
54:27was it worth it
54:32i wish it could have gone on forever
54:41take my hand
54:42no
54:46no
54:57no
54:58no
55:13Right when I laid eyes on you
55:17I thought to myself
55:21Oh, could it be
55:23Someone that's made just for me
55:28Oh, I can't make this up
55:31What if I fuck it up
55:36Well, then I'm wrong
55:38You're not the perfect someone made for me
55:44Right when I laid eyes on you
55:48I thought to myself
55:52Oh, could it be
55:54Someone that's made just for me
55:59Oh, I can't make this up
56:03What if I fuck it up
56:09Oh, I can't make this up
56:19Oh, I can't make this up
56:49Oh, I can't make this up
56:53Oh, I can't make this up
57:05Oh, I can't make this up
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