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How To Get To Heaven From Belfast S01E07 [Full Movie] [High Quality]Full EP - Full
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00:00I don't know.
00:36Ah, there you are.
00:41It looks so beautiful today.
00:44You look so beautiful today.
00:47Yes, please, stop it.
00:50They told Mum you'd pick her up from the station today.
00:52Daddy said I can stay over at Claire's.
00:54Check with your mother is what I actually said.
00:58Time to get in there?
00:59Mum, yes, fine.
01:01One o'clock, I think.
01:02I'll be there.
01:04See ya.
01:05Love you.
01:18See ya.
01:44You should always keep your front door closed.
01:48You never know what might get in.
01:56I wanted to have this conversation in Portugal.
02:00But you left in such a hurry.
02:03My family, my husband and my daughter, they don't know.
02:11You mentioned that in your letter.
02:13And what did you tell them about why you were cutting your holidays short?
02:17I lied.
02:19I've got very good at that.
02:21I expect you have too.
02:24Hmm.
02:26Hasn't been easy.
02:28Tracking you down.
02:32I even found myself back there.
02:37Heavensvale.
02:39It's a ghost town now.
02:43No.
02:44Afterwards, everyone left.
02:46Well, not everyone.
02:50Your mother's still there.
02:52What?
02:54Well, thereabouts.
02:56She's very ill now.
02:58There's this place on the outskirts.
03:01I thought you might...
03:02What?
03:03Visit her?
03:04Yeah.
03:06Maybe not.
03:10We were just two little broken dolls, weren't we?
03:20I want you to have something.
03:23I've got one, too.
03:25It's a...
03:26It's a friendship bracelet.
03:30We were friends once.
03:34You didn't come all this way to give me a friendship bracelet.
03:40I have the most wonderful news.
03:45When I saw you in Portugal after all this time, I knew it was a message.
03:50I knew it was him.
03:52I knew he'd brought you back to me.
03:56Who?
03:57Please tell me you're not talking about God.
03:59After everything that happened.
04:02The signs, they were strange at first.
04:07Especially the photographs.
04:08And not just photographs.
04:11He comes to me in my dreams, appears in the faces of strangers.
04:14Who?
04:16Charles Sampson.
04:21You look frightened.
04:24This is fucking terrifying.
04:25It's beautiful.
04:27It's God's will.
04:28What is...
04:29What does he want?
04:31For Charles to be at peace.
04:33For us to seek redemption.
04:36And for his son to have the answers he deserves.
04:39He had a son.
04:41Did you know that?
04:44I shut it out completely.
04:46The idea that Charles was a person with a past.
04:50And when the vision started, I got curious.
04:53He's studying journalism.
04:56The son, Andrew.
04:59His name's Andrea.
05:03We need to tell him what happened.
05:13I'd like you to leave.
05:29We're being given an opportunity here.
05:32A gift.
05:33Great.
05:34You take it.
05:35Keep me out of it.
05:37But I don't know what happened to him afterwards.
05:39His body, I mean.
05:41Because I dealt with it.
05:43For you.
05:44Yeah?
05:45To protect you.
05:46You felt guilty.
05:49Because you were clever.
05:51And interesting.
05:52You were worth saving.
05:54And I wasn't.
05:56But it's okay.
05:58It's all okay.
05:59Now.
05:59Get out.
06:02I'm not going anywhere.
06:06I'm calling my husband.
06:09It's too late.
06:11I rang his son.
06:12I told him to come here.
06:16I'll deny it.
06:19I'll deny everything.
06:20I still have the tape.
06:24What?
06:25I kept it.
06:27Locked it away in a little box.
06:29Are you blackmailing me?
06:30I'm guiding you.
06:32Guiding you into the light as God wants me to.
06:36You need help.
06:37For everyone practicing evil hates the light.
06:39Lest his deeds should be exposed.
06:41But he becomes into the light.
06:44His deeds may be clearly seen.
06:46And may have been done.
06:48In God's name.
06:49Fuck.
06:51I'm on the phone.
06:52I'm not there.
06:54I'm not there.
06:55I'm somebody else.
06:56No.
06:58Oh.
07:02Oh.
07:04Oh.
07:05Oh.
07:06Oh.
07:07Oh.
07:11Oh.
07:19Oh.
07:22Oh.
07:22Oh.
07:23Oh.
07:24Oh.
07:26Oh.
07:27Oh.
07:28Oh.
07:29Oh.
07:29Oh.
07:30Oh.
07:31Oh.
07:32Oh.
07:32Oh.
07:32Oh.
07:32Oh.
07:33Oh.
07:33Oh.
07:34Oh.
07:34Oh.
07:35Oh.
07:35Oh.
08:24We know who killed him. We can describe her.
08:26Yeah, and they'll ask why she killed him.
08:28Well, to get to us. Because we had something she wanted.
08:31Well, that's my concern. The whole how we came to be in possession of that something question.
08:36Nothing any like being thrown in the general fuckery we've involved ourselves in lately.
08:39We haven't actually done anything wrong. Anything that wrong.
08:43Oh, I just want to get out of Donegal. Weird things happen in Donegal. Donegal is weird.
08:52No offence.
08:55We need to get to Belfast.
08:57But we can't pay you.
08:58Well, aren't you a trio of charmers?
09:00For some Duggar cards or phones.
09:02But you can have my jewellery.
09:03Why the hell would I want your jewellery?
09:05I'm a bus driver.
09:06Not a thick and highway man.
09:10On you get.
09:13Are you sure we should do this?
09:15We'll have to do this.
09:17For Liam.
09:20Nora O'Hara gave a child a daughter up for adoption in 1997.
09:24Greta.
09:24Has to be.
09:25Though the child's name doesn't appear on any of the paperwork, which means something really messed up happened.
09:30And it would explain why Nora wasn't allowed any contact.
09:33Whatever it was, it was big enough, insane enough, to make any information about Greta's life with Nora just disappear.
09:41Perhaps that's what your father was circling.
09:43And maybe he got too close to something.
09:45We know he was meeting someone on the school grounds that night.
09:48Then there's the symbol you saw in the caretaker's cottage, the one from the notebook.
09:52Liam, is this really the way to go about it?
09:55It feels quite risky.
09:57For you, I mean.
10:00Well, I was shot in the chest yesterday, so...
10:03No, fuck it.
10:08Welcome to South Belfast.
10:10Very important police station.
10:12No more inquiries, please report to the front desk.
10:28Christ.
10:32Surprise!
10:36Yeah, babes.
10:38This finally happened.
10:40We lost one.
10:41Ah, fuck.
10:42It's quite the conundrum.
10:43Ross has called a meeting.
10:44Fuck!
10:45In Derry?
10:46In Derry?
10:47It's very much a headquarters situation, I'm afraid, babes.
10:50Fuck!
10:51Fuck!
10:54There's PhDs that are more straightforward.
10:56That's the same with any cross-border request.
10:58They make it so complicated.
11:00Yeah, but you're happy to use our lads.
11:02That makes it easier.
11:04Guards poking around up here at, um...
11:06They can get some people's backs up.
11:07I bet.
11:08And if anything kicks off, you guys don't even carry guns.
11:11Which is weird.
11:13Or is it weird that you guys do?
11:14Do you have the pencil?
11:16Sorry?
11:17Do you have the iPad pencil, sir?
11:18God, I must have left it at the, uh...
11:20I'll go get it.
11:21If you wouldn't mind, sir.
11:25Oh, my God.
11:31Hey.
11:34You forgot this?
11:36Yeah.
11:38You remember Andrew?
11:40I think we need to talk.
11:43Don't you?
11:45We thought you were dead.
11:48We thought she killed you.
11:50And we couldn't do anything, because that mad bitch locked us in a tower.
11:54Like Rapunzel.
11:56Why are you guys here?
11:57In Belfast.
11:58We'll get to that.
11:59Who is she?
12:01I don't know.
12:02Honestly, we don't.
12:03She just started following us.
12:04Did you have a vest on?
12:06What?
12:06Like a bulletproof vest.
12:07No.
12:08The box stopped it.
12:10That's insane.
12:11How lucky was that?
12:12Would have been luckier just to, you know, not have got shot.
12:15We think that's what she wanted, the tape.
12:17That makes sense.
12:18Someone took her from the hospital.
12:19It was being treated.
12:20Did you listen to it?
12:23No.
12:26Did you?
12:27It wasn't time.
12:29How did she come to have it?
12:31We found it.
12:33In Portugal.
12:35In Jodie Pryor's place.
12:36She wasn't there.
12:38But it was with her stuff.
12:39The box.
12:40We thought it might have been a clue.
12:43That it might have been worth holding on to.
12:45Big fucking mistake.
12:50We were just so desperate to find out what really happened to Greta.
12:54Did you know she was adopted?
12:58No.
13:00Do you recognize this woman?
13:09Nora O'Hara.
13:13You're sure?
13:15That book there.
13:16Where'd you get that book?
13:18I left you a message about this.
13:20Yeah.
13:20Yeah, my phone got...
13:22Look, we only came here to report the fact that you'd been killed.
13:25It feels sort of redundant now.
13:27So, are we free to go or what's the crack here?
13:29You've nothing to hide, have you?
13:30I don't like your tone.
13:31I don't like getting shot.
13:33Would you ever fucking give over your grand, aren't you?
13:35Pardon, please.
13:35No.
13:36What right does he have to question us anyway?
13:38Like this here?
13:39We're in a PSNI station.
13:41He's a guard.
13:42You've no authority here.
13:43This is Northern Ireland.
13:44It's an entirely different country.
13:46Well, that was a swift abandonment of your nationalist ideology.
13:49Fuck, you know, sack this.
13:50Sit down.
13:51Ain't the will not, you fucking fetus.
13:53Let's go.
13:54Please don't.
13:55Please.
13:56I'm just trying to find out what happened to my father.
13:58Well, you'd have to ask Greta.
14:00I can't, can I?
14:00She's dead.
14:01Okay, fine.
14:03You want to hear something wild, Andrew?
14:05I need a cigarette.
14:09Do you have a cigarette?
14:12I'm sure I could find you one.
14:15Why don't you just grab some coffees?
14:34Why don't you lose the car?
14:37What's wrong with the car?
14:38It's fucking ridiculous.
14:40There's nothing wrong with the car.
14:42The car's class.
14:43You blame me, don't you?
14:44Of course I blame you.
14:45It's your fault.
14:48She syringed me, babes.
14:51She syringed the both of us.
14:53What could I have done?
14:54Not left your syringes lying about.
14:56You don't expect the threat to come from inside the house.
14:59Expect anything and everything?
15:01I thought I taught you that.
15:02Left the landline connected, for Christ's sake.
15:05I didn't know what it was, though.
15:06I thought it was some kind of Portuguese ornament.
15:08There was no need to get annoyed.
15:10Christ, you get hoist by your own syringe one time.
15:13Let's drop it.
15:14I don't understand why she did it.
15:15It's not like her problem's going anywhere.
15:18It doesn't make sense.
15:19People don't make sense.
15:21She's got her new ID, her new bank cards, and I was setting up a phone for her.
15:28She's easily traceable.
15:30She's not stupid.
15:30But she won't use them.
15:38The window's closing, and Rossa decides to call us to dairy.
15:42Well, there's no precedent.
15:44Yeah, this is the first, babe.
15:45It's not an achievement.
15:46Rossa's priority should be getting that gear back and shutting this down quickly.
15:50She's the boss.
15:51I'm aware.
15:51Christ, just such bad timing on the back of that hole while they're hollow blue.
15:59What are you on about?
16:00One of the delivery guys disappeared.
16:02Who, Jackson?
16:03Yeah, that's right.
16:04I blew Jackson up.
16:07Okay.
16:08Maybe you should have, like, told someone that, babes.
16:11He back-chatted me.
16:12You blew him up because he back-chatted you.
16:14I blew him up because I didn't trust him.
16:16The back-chatting just fast-tracked things.
16:18Why didn't you trust him?
16:19Remember that client we had?
16:21That young heir?
16:22She was trying to get away from that older guy.
16:24Real nasty prick.
16:25Do I remember?
16:27I was the one that had to wipe him out.
16:30I always wondered how he found her.
16:33Everything led back to Jackson.
16:36Why would he do that?
16:37Money.
16:38We should never have started working with men.
16:40We needed to.
16:41The operation's growing, babes.
16:43When it started, we were all volunteers.
16:46You remember?
16:47Well, those days are gone.
16:50Soon we'll all have to wear work uniforms.
16:53What?
16:54Rosa is talking about introducing a dress code.
16:58Apparently, some of our operators are...
17:02like, drawing attention to themselves.
17:05I can't think who she means.
17:07My ether, babes.
17:24Hello?
17:28Hello?
17:31Hello?
17:32Where is this?
17:34Hello?
17:36Hello?
17:37Hello?
17:38Hello?
17:38Hello?
17:43Hello?
17:46I love you.
17:51Mommy?
18:10cold hmm no i'm fine oh no please don't do that it's fine fine it's fine
18:25why didn't you tell me about andrew
18:30i don't know i didn't give it much thought or it didn't seem relevant which i don't know before i
18:38found you in dublin i went to the set of your show spoke to seb i spoke to say such
18:43a big machine
18:46but it all starts in your head doesn't it suppose i was thinking about what you told
18:52me the first time i was there about how you take bits and pieces from real life
18:57we'll say there's do you never worry the lines might get blurred the line between reality and story
19:04not really no
19:07there's anything else you haven't told me i'll do it now sir
19:20i see it in there
19:36hello gara sorry oh no i'm not actually is inspector o'neill about
19:42you borrowed the letter we need it back merman's birthday how you made inspector so young with
19:47own memory inspector o'neill did you say owen tell him the uh proposals with the superintendent now
19:55what the excavation proposal for the school grounds it's with the boss now it'll take him a while to
20:00go through it though so we shouldn't hang about try to give them a call
20:10what's keeping them
20:12i don't know
20:40why would he pretend to be owen it's the only way you get permission to do it did he want
20:46excavate the school grounds
20:48keep moving how does he know maybe those notebooks andrew had his father's notebooks
20:54maybe there was something in there they're gonna find the body yes that is now quite a real
20:58possibility we're we didn't kill him it doesn't matter we were there we we moved him we buried him
21:03our dna is probably all over him oh but it's been so long 20 years well dna doesn't wash off
21:10it's
21:10like catholicism yeah but we didn't do it granted it they're not gonna believe us they're gonna think
21:15we're trying to blame it on a dead woman she's not dead though i was just about to tell them
21:19that
21:19we can't tell them that not now don't you see if we tell them that now it's going to make
21:22us sound
21:23cornered and desperate and taxi we can't tell them we didn't do it we have to prove it i'll be
21:29back
21:29soon meet you by the bridge in an hour jesus christ where's she going
21:55uh hello sweetheart
21:59mom's alive
22:04what happened dad who died what did you do your mother has secrets
22:20i didn't want this person i was to infect the people i love
22:25what do we do now marco i know someone who can help us
22:29i represent an organization that helps women that have nowhere else to turn
22:38allow me to explain the process
22:43we're just trying to protect you you think i didn't know something was wrong
22:49i was going insane i knew you were all lying to me
22:56i thought you did something to her daddy i didn't know who i could trust
23:06that's why i traced those friends first that's why i sent that message
23:16you sent the email
23:20i'm sorry hey
23:25it's okay
23:37can you wait here
23:38i need the top step me too cow won't play ball at all it's been a fucking arsehole
23:55that's what's going on
23:55you're back
23:58where the hell have you been
23:59oh no
24:07what are you two doing here we're looking for you
24:09we were worried sick yeah you seem beside yourself like nobody could get a hold of you
24:13we lost our phones you lost your phones so how what's going on girls
24:17nothing's going on something's going on the disappearing acts the secrecy i'm gonna
24:21ask you a question girls and i want an honest answer yeah have you joined the ira
24:27nobody does the ira anymore mommy your cousin married it only last month
24:31mary joined isis mommy what oh no sorry not isis
24:36leave that oh how can i afford that look i had searsha's parents on the phone they're gonna
24:40ring the police look searsha is fine we'll call them we'll tell them she's fine and we will make
24:44some tea we have tea we'll make more
24:49what is going on what is the plan exactly
24:52searsha gave her that number the number from the lighthouse didn't she
24:55she'll meet i'm gonna find out who gretta was calling
25:02noxie nursing home oh hello it's a nursing home hello are you still there
25:08what should i ask i think there's a problem the mother's name who was it
25:17i'm very sorry i don't i don't know what happened there um could you put me through to
25:21nora o'hara please oh i'm afraid mrs o'hara's done terribly well at the moment can i help with
25:27anything i'm just trying to get in touch with her daughter oh i see well i can pass on a
25:31message
25:32when she arrives if you like
25:36could a fox have dug up the body can they do that is that is that asking too much oh
25:41god baby
25:42where have you been have you got a i don't want to talk about the cow
25:45what are these guys they're the writers what i'm the writers the writer i'm the writer he asked
25:51us to hire them who didn't you sent us an email when um hi there this series is so annoying
26:00i just almost my laptop at a window i can't do it on my own anymore hire some writers not
26:06ship once sirsia kiss hmm yes i see well i was obviously a few margaretas down at that point
26:15it is such a pleasure to meet you i have been you don't have to do this thing yep okay
26:21that's
26:21just like jesse he can't handle praise either he was just been on jesse armstrong's new show
26:26i see he's such a genius yeah so i hear anyway we need to change the story strand like quickly
26:32like
26:32immediately what which one uh yes yes this here when the when the kids bury her body in the school
26:39we're filming this soon we should have filmed it already but we had to push it down the
26:43shoulder oh no it's getting pushed all the way out of the show that will have a huge knock on
26:47the entire second half of the series will need to be re-plotted we put our lunch order in 45
26:52minutes
26:52ago but there's still no sign what's that got to do with anything sorry i thought we were talking
26:57about things that were worrying us this is why jesse maps everything out in such intricate detail
27:01i hear his catering's amazing oh he curates the menus himself he's across everything
27:05it's actually really tough to be that much of a perfectionist yeah poor old jesse
27:09fucking armstrong look we need a new idea okay any new idea we need to make this work otherwise
27:18what what is it
27:23otherwise it's never gonna go away
27:29session what are you doing borrowing the card you're leaving just come up with a new idea me it'll
27:35be great i trust you jesse would have stayed this isn't really my vibe well obviously it's like
27:47fashionable all right then look you do well to dress a bit more like me dar
27:52lesbians love mikey i'm gonna have to object to that statement on behalf of my people remember
27:56that that big gay street party thing we went to pride that woman that barrister she proposed to me
28:02she was quite drunk robin she didn't propose to you i am not wearing this fine i'll get you something
28:07out of jim's
28:15dear jody i'm truly sorry for how things turned out don't look for me again don't contact me again
28:22i want to move on please let me this might explain things better greta of course
28:34stop here pull over cheers
28:41oh girls stop
28:44hello come on get in get in get in quick sticks let's go let's go let's go
28:51she's headed there now are you sure that's what the woman in the nursing home said we finally smoked the
28:56bitch out oh she'll not know what's hit her i'm not taking the fall for something she did no sir
29:00fucking ray i'm not going down for no one time to face the music asshole she's had about 17 coffees
29:07i remember worse off this book in jody's apartment and that letter we find with the box the one
29:13greta sent jody it says this might explain things better okay so you think greta sent it
29:18shit jim where the hell have you gone now calm down jim you took my iphone how do you know
29:25that
29:25because i'm calling you on it oh and thanks for ringing searsha's parents oh no wait you didn't
29:33because they're here my parents are there ah it's the woman herself hi searsha love i hear you and
29:40the girls have joined the ira so we didn't even know they were still in action listen robin i don't
29:47know if you're having some sort of breakdown i'm not having a fucking breakdown jesus i take a few
29:51days away at my friends aren't you always sailing off to london to make the money we need to keep
29:56our family after the kids for the best part of a decade guys in the world robin i keep our
30:00fucking family look i know that love and i appreciate that all i'm asking is for one more
30:09day the nursing homes near cork two more days do you think you could mind your own children for two
30:14days james of course all i'm asking i will be taking no further questions at this time ball bag
30:26the excavation request is being processed for even if we do get permission and nobody up here
30:31found out one you're not actually inspector o'neill right the area we're looking at well it's vast
30:36the skill grounds well we're thinking the caretaker's cottage though it's surrounded by woodland andrew we
30:42we might might get one shot at doing this we need to be more specific
30:48i have so little liam
30:53i spent my whole life trying to shape what little i have trying to understand who he was i mean
31:01that's
31:01the only reason i'm studying journalism christ i don't even know if i'm any good at it
31:07it feels like he's a character in a story everything about him is just so vague and fragile
31:15i always thought that if i could just find him
31:21i don't know then i could make him real
31:26but that's so mad right we're all trying to make sense of something to find light in the dark
31:38hoping to write my balance out or wrong
31:42just that way you're helping me liam
31:45or just a good deed that that might undo a bad one
31:52what made you move to knock dora something happened when you were working in dublin
32:00you know what andrew i think you'll make an excellent journalist
32:24welcome to madamorphosis
32:28if you need any assistance just ring the wee princess bell no we won't be doing that
32:34we have an appointment
32:36that names please no sorry we're in the other book the other book the other book of course right
32:47i am so so sorry i'll sign us out of course
32:54it's such an honor to meet you
33:04come on we've been driving for ages i'm starving this story is fascinating so it's this young girl and
33:10she's trying to move on from this very traumatic event that's well it's just referred to as the big
33:17bad where the hell are we the big bad no signal no road signs are we lost i'm not even
33:23sure what
33:23glad you were in anymore perfect let's ask here
33:41excuse me you were wondering if there was a hotel or b&b nearby that you might recommend
33:47do i look like the tourist board i'm sorry do i look like a freaking tourist board
33:54well no you buy something and then we talk we were gonna buy something
34:06cheeky wee she yeah anyway she the the writer she doesn't ever reveal what happened
34:14what the big bad actually was the the argument that she seems to be making is
34:22it's not relevant which is sort of the opposite of what you'd expect the thinking around trauma
34:27to be and this seems to be about making a distant dream like disassociating from it
34:46it's a motel down the road from here i didn't even know we had motels cars or card oh card
34:54please
35:15that's
35:23uh no shit wrong one
35:56Ladies. Ladies. I think that's all of us. So, as some of you probably already know, we've had an incident
36:10with one of our clients. They left before we'd completed the operation. There's a first for everything, I suppose.
36:21Rosa, before we get into that, there's another issue I'd like to discuss. But I'm sure it couldn't be quite
36:27as present.
36:28Oh, it is.
36:36Jackson?
36:37Yeah, Jackson. Jackson's left the building, I'm afraid. Apologies to anyone who was searching for him. I didn't mean to
36:45waste your time. I had a lot going on. Didn't get the chance to circle back, as they say.
36:54Why? He'd been exchanging confidential information for money. Putting clients at risk.
37:02Are you sure?
37:03I'm sure.
37:04She has receipts, babes.
37:06I see.
37:07We just need to make sure that he was the only one.
37:10Well, of course. We consider it a priority.
37:14And look, our AWOL client, I just want to reassure everyone that we will find her quickly and pull her
37:20into line.
37:21Toads, babes.
37:22No, it's not a matter of pulling her into line, Booker.
37:43Oh, good evening. My name is Norman. Can I help you?
37:49Norman? You own a motel, and your name is Norman?
37:53I don't own it. My father owns it.
37:55What's his name?
37:57Norman.
37:58Do either of you practice taxidermy?
38:02We just need a couple of rooms for the night.
38:08Do you know Heaven's Veal?
38:10Kyle and Yao. I mean, that's a good bit further west. You made direct calls stopping here.
38:15I'm starting to question that.
38:17So you've heard the story, then?
38:19What story?
38:20Beautiful place, by all accounts. But sure, no one's lived there for decades. It's a ghost town.
38:26Why's that?
38:27Because they all got spooked.
38:29Spooked?
38:30A group of kids gathered in a little church one night. Then there was a fire. Most of them died.
38:39A of the poor little souls. Just doesn't bear thinking about it. I mean, it destroyed that community.
38:46It wasn't deliberate.
38:47Oh, it was deliberate, all right, yeah.
38:51Who started it?
38:53They say it was the devil himself.
39:01Here we are.
39:03Now, will you be wanting the minibar stocked?
39:05I think we're okay.
39:07We're very tired.
39:16Oh, I think the fuck's not.
39:18On second thoughts, we absolutely will be needing all the alcohol.
39:25She is out in the wild with sensitive information.
39:30What kind of message does that send to our other clients?
39:34Our more lucrative clients?
39:35This is a business.
39:37Rosa, when we started, it wasn't. It was a calling. We wanted to help vulnerable women.
39:45We wanted to help them escape from horrific circumstances.
39:50Now, we'll help anybody escape if they've enough money.
39:54Help abusive men escape justice if they have enough fucking money.
40:02Christ.
40:04The erosion.
40:07The erosion.
40:09You are so obsessed with the past.
40:14Times have changed.
40:20What fella's a fucking weirdo?
40:22I can't see anything about a fire in Heavensville.
40:24No, you have to search the Irish name. What is it?
40:27Call you now. She's done that.
40:29Have you spelled it right? C-A-I.
40:32I've got the right place.
40:33It says, a small Irish-speaking community lived there to the late 90s.
40:37Jesus Christ.
40:38What is it?
40:39The book.
40:42Do you want to tell us what the fuck you're talking about?
40:48Now, look at this.
40:53Okay, right. So, the first one.
40:56Heavensville.
40:57Look at the second half of the author's name.
41:00Can Calier. Calier. That's so similar.
41:03Call you means fail. What does can call you mean?
41:09Unveiled.
41:11Greta Unveiled.
41:19I made a contract with this woman.
41:22I promised to help her.
41:25You're telling me that I have to kill her?
41:29It is but harsh, babes.
41:32Who brought the case to you?
41:35No, Rosa.
41:36I can't. You can't.
41:40This person helped me in the past in a professional capacity.
41:45Are they, uh, are they one of us?
41:47Well.
41:50No.
41:51Oh, I see.
41:53The adoptive mother.
41:56It's complicated.
41:57Yeah, it always is.
41:59Was she the only family member who saw you?
42:05No.
42:06No.
42:07Oh, dear.
42:08Oh.
42:10Oh, dear.
42:15There must be another way.
42:17Booker.
42:19We need to erase the line completely.
42:25Anyone who knew about the case, anyone who can identify you,
42:30anyone who knows we exist, I have to protect the society.
42:37You cannot leave the process.
42:44So, is there anyone else we need to manage?
42:49So, the psychiatrist who wrote The Doll Complex, we're saying that's Margot Heaney?
42:53Mm-hmm.
42:54Yeah, I think so.
42:55And I think that is what Liam is circling as well.
42:58Oh, that means Greta was Margot's patient.
43:01Well, she adopted a patient.
43:02Sure, isn't that lovely and healthy?
43:04Well, so the big bad, it happened to Greta.
43:07Well, could it be connected to the fire in the church?
43:09So, we know that Jodie and Greta grew up in Heavensville.
43:15Jodie's body had burn marks.
43:16But they won't survive the fire.
43:18Did they know what happened or who caused it?
43:20Still thinking.
43:21Probably not the devil.
43:22Okay, we need to try and lay this out chronologically.
43:28This is such a good idea.
43:29It's a screenwriting trick.
43:31It's how we plan everything out.
43:32And all writers do this even the big ones.
43:34Big ones?
43:35You know, like your ma'am, Jesse Armstrong.
43:38Why are you so class?
43:40Okay, can you pass me some more paper?
43:46Heavensville is our inciting incident.
43:48What the fuck is this?
43:51Oh, God.
43:52Okay.
43:53You wrote about it?
43:54What?
43:55It was burying the body in the school grounds.
43:57She used it in her stupid show.
43:59I wrote it ages ago, before any of this started.
44:01It's not even what happened.
44:03It's inspired by...
44:05Oh, my God.
44:06I've asked for it to be taken out.
44:07This is why they want to take up the grounds.
44:11Liam saw this.
44:11Seb sent those messages about the scripts.
44:28What are you doing?
44:29Leaving?
44:30I can't.
44:31You can't leave.
44:34You stupid, selfish bitch.
44:38This is what you do.
44:40You like chaos.
44:42You surround yourself with it, but...
44:45I'm done.
44:48We're done.
44:54Dara.
44:55Dara.
44:57What did you expect, Saoirse?
45:09Shit.
45:13First the envelopes.
45:14Those letters and now this.
45:16Fuck knows what else she's done.
45:17She's been manipulating this whole thing all along.
45:20She's like a puppet on a string.
45:22Well, I think that would be us.
45:23The puppets on strings.
45:24I think she's more the puppet master.
45:31Hello?
45:33Robin?
45:36Who's there?
45:45Can I come in?
45:48Sure.
45:58Go out to the garage, saw my ID, call the local station.
46:02Look, I know what you think.
46:03Look, I know what you think.
46:03I don't even know what I think.
46:05You think we killed Charles Sampson?
46:08We didn't.
46:09Innocent people don't run.
46:10It's complicated.
46:12It'd be less complicated when we find his body.
46:15And I'm not gonna rest until we find his body.
46:20Maybe slow down a wee bit.
46:22She's a fucking insane to her.
46:24You know, we need to start protecting ourselves here.
46:27Me and you.
46:28We need to start distancing ourselves.
46:34Oh, my God.
46:37What was that?
46:39I don't know.
46:44He was dead when we got there that night.
46:46At the caretaker's cottage.
46:48Greta told us he attacked her.
46:50He'd been hanging around for weeks.
46:52She said he was an ex.
46:55She said his name was Jason Meadows.
46:57It was all lies.
47:00Everything she told us was a lie.
47:03And I think I sort of knew that.
47:06Wait, come here.
47:10Come here.
47:16Turn around.
47:29I knew I'd seen it before.
47:32Charles Samson drew that in his notebook yet.
47:34You'd never even spoken to him.
47:36We were kids when we got them.
47:38And Greta convinced us to.
47:41Greta again?
47:42Yes.
47:43She's taken a lot of responsibility for a woman who wasn't here to defend herself.
47:49Greta's alive.
47:54What did you say?
47:55I know what it sounds like.
47:56Her body was in the morgue.
47:57Judy Pryor's body was.
48:03I can't see him.
48:04We hit something, Robin.
48:05Well, then where is it?
48:13We're trying to find her, Greta.
48:18Trying to find out who the hell she actually was and what exactly we are caught up in here.
48:24Liam, I'm so sorry I've dragged you into all this.
48:27I really am.
48:30But all I was doing was trying to find out the truth.
48:37What do I do with this?
48:49What should I do now?
49:00Do whatever you want.
49:24What should I do with this?
49:25What should I do with this?
49:29What should I do with this?
49:37No one is with this one.
49:42The second one is just because if it isn't the only one, women is the only one, so it is.
49:42In fact, the scene's girls, they're at the laboratory, and they're at the office.
49:43What's been called?
49:43What's the thing about this?
49:52We'll probably see you again.
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