- 3 hours ago
Beyond Paradise S04E02 [Full Movie] [New Drama]Full EP - Full
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00:00You
00:56All right.
01:04Third time this week I've had to call the police.
01:06Come on.
01:07This town's being taken over by Yorks.
01:13He's been keeping me hostage.
01:14I found him there asleep.
01:16Surrounded by all the food he's pilfered.
01:18What, free stale custard creams?
01:20Follow me.
01:26Um, yeah.
01:28What's your name?
01:29Adam Walsh.
01:31What were you doing in that man's shed?
01:33It came to save a mate last night but we fell out.
01:35Just needed to get my head down but then I woke up and that old crank had locked me in.
01:40Am I going to get done or what?
01:42I don't think they hand out custodial sentences for stealing biscuits.
01:48Custodial.
01:50As in custard creams.
01:51Forget it.
01:52Where do you live?
01:53Exeter.
01:54Okay, straight on the train.
01:55Go on home.
01:56Don't want to see you around here again.
01:57I just want to get home and have a shower and some food.
02:00I'm starving.
02:02What?
02:03Mum's cheese and homemade pickle sandwiches.
02:06Take it for the journey if you like.
02:08Cheers.
02:08Okay.
02:09Go on.
02:12Oi!
02:13Is that it?
02:15You won't be having any more trouble from him, Mr. Franklin.
02:18I'll hold you personally responsible if I do.
02:21Just so you know, Mr. Franklin, Boat's imprisonment is also a criminal offence.
02:40Oh, Humphrey and I appreciate that.
02:42Thanks.
02:43Bye.
02:45That was Hannah.
02:46Checking on us after our meeting the other day.
02:50Pausing fostering still feels like the right thing to do.
02:52Yeah, it's probably for the best.
02:53Especially now we're back living with your mum.
02:55Exactly.
02:57Green or blue?
02:59What do you think?
03:00Well, it's a bit formal for a Tuesday morning.
03:02The WI ladies are taking me out tomorrow evening.
03:05Again?
03:05Oh!
03:06Between us.
03:07They've become slightly suffocating since I've become councillor.
03:12Oh, they're both nice.
03:15The green one, then.
03:17You're just saying that to shut me up.
03:19Humphrey.
03:20Green to match your eyes.
03:21My eyes are brown.
03:23So they are.
03:27Sorry.
03:31Hello.
03:34Right.
03:35On my way.
03:37Saved by the bell.
03:49Hiding from the paparazzi.
03:51Pardon?
03:54Well, don't get me wrong.
03:55They're very stylish.
03:56Not a criticism.
03:58Is it an image revamp?
04:01No.
04:02It's a tension headache from a crick neck and no sleep, but thanks for the compliment.
04:07Oh!
04:09Oh!
04:10Oh!
04:10Rosewood Cottage.
04:12Where are you?
04:14Are you the police?
04:17Hello?
04:19Oh, Mrs Harris?
04:23I've been hiding in case they came back.
04:26Oh, darling.
04:32I am so sorry.
04:33I was with a client.
04:34My phone was off.
04:36Clive Harris, I'm June's husband.
04:38D.I.
04:38Goodman.
04:39This is D.S.
04:39Williams.
04:40I'm sorry we weren't here earlier too.
04:42Is it slightly tricky to find?
04:43We are tucked away here.
04:45It was much easier to find when the woodwork was pink, albeit slightly garish.
04:49Uh, shall we go inside, Mrs Harris?
04:59Look at it.
05:00They've wrecked the place.
05:11Sorry, Mrs Harris.
05:13What exactly did you notice was wrong?
05:19The whole place was upside down.
05:23They turned the drawers out.
05:25This chair was on its side.
05:27It was all a mess.
05:51How are you so good at it?
05:53At what?
05:54Adulting.
05:55I mean, you make it look so easy doing ten different things at once and you're not even stressed.
06:01I'm just good at hiding it.
06:03Besides, stress isn't always a bad thing.
06:05We wouldn't get what we wanted without it.
06:07But what if you don't know what you want?
06:09Like, I really like what I do here, but I'm just worried that it's not what I want to do
06:13long term.
06:14I should hope not.
06:15I don't want to see you go, Zoe, but you've got a whole life to live.
06:19Doing what, though?
06:21You're 18, you've got bags of time.
06:23It takes six years to train to be a vet.
06:25Do you want to be a vet?
06:25No, I won't.
06:26I'm just making a point.
06:29How did you decide?
06:30I didn't.
06:32I went travelling.
06:33Thailand, Vietnam, Malaysia, and the Caribbean.
06:36That must have been incredible.
06:38It was the best thing I could have done.
06:40I went alone and it taught me more than any course ever did.
06:42Really?
06:43Weren't you frightened?
06:45Sometimes, but that's life, isn't it?
06:47My advice is to have all the experiences you can, good and bad.
06:51Take risks.
06:53Choose adventure, Zoe.
06:57Bingo!
07:02I know what I saw.
07:04You're sure there's nothing missing?
07:06I've checked.
07:08Everything appears to be where it should.
07:10Understanding attachment disorders by Dr. Clive Harris.
07:13I'm a clinical psychologist.
07:15And a published one at that.
07:18I'm sorry, what happens now?
07:20Without any evidence of a break-in, then I'm afraid there's nothing much we can do.
07:24I am not mad!
07:25No one's suggesting that, Mrs. Harris.
07:28You don't need to.
07:29Clive is diagnosing me as we speak.
07:32June, that's not true.
07:37Yeah, thank you both for your time.
07:39I'm sorry if I've wasted it.
07:41Of course not.
07:42You're very welcome.
07:43Nothing to apologise for.
07:46Have there been any causes for concern with June recently, psychologically?
07:51Nothing.
07:51I'm as perplexed as you are.
07:53Yes, well, you know where we are.
07:55Yes, Sergeant.
08:01Might be the start of something to do with our mental health?
08:05Yes.
08:06Well, there's a buck coming.
08:08I believe her.
08:11You think someone trashed the place, then immediately put everything back exactly as it was?
08:16Not exactly as it was.
08:18Dr. Harris's book was upside down.
08:20It's odd. Don't you think?
08:22And the rest of the shelves were so neat.
08:32I have a profile here on the eminent Dr. Clive Harris in the Times last month.
08:37I became a psychologist because I care.
08:40Oh, the burglary on Millstone Lane.
08:43I give my right arm for a burglary at the minute.
08:46Honestly, if I get one more call out about kids doing wheelies in the high street or eating people's custard
08:52creams, I'm going to scream.
08:54Well, it wasn't actually a burglary, so you didn't miss out on anything.
08:58But I took the call.
08:59Poor woman was hysterical.
09:01The house was immaculate.
09:02What's going on, then?
09:04Not sure yet.
09:05She certainly seemed convincing.
09:07Maybe it's like that old film, where the husband gaslights the wife into thinking she's gone doolally.
09:14Oh, what's it called now?
09:17Erm, Gaslight.
09:19That's the one.
09:21Oh.
09:22It says here they fostered, too.
09:24Dr. Harris's interest in attachment theory inspired him and his wife to foster children from troubled backgrounds.
09:31Doesn't sound like a manipulative gaslighter.
09:34Mum, I did an online quiz about this and apparently I've got an anxious attachment style.
09:42Oh, I don't buy into all that nonsense.
09:45That's because you're an avoidant.
09:48The only thing I'm avoiding is cod psychology.
09:51And this headache, if I can.
09:54See?
09:55You're masking the pain with pills when you should be pinpointing the root causes.
10:00I can pinpoint one of them right now, actually, Margot.
10:03Stress.
10:04That's what's going on here.
10:07Cortisol flooding the nervous system.
10:09I bet I know what started it on all.
10:12Or should I say, who started it?
10:15Yeah, all right, Margot. Thanks for the insight. But I slept badly, that's all.
10:18You should both try positive affirmations.
10:22Now, every morning, I look in the mirror and I say, I am enough. Out loud.
10:28Here.
10:30You try it.
10:32I am enough.
10:34No, no, no, no. It's a statement, not a question.
10:37Say it like you mean it.
10:39I'm enough.
10:41Less mumbly.
10:43Punctuate each word.
10:45I am enough.
10:48I am enough.
10:49All right. Don't blow my ears off.
10:52Now, you do that every morning and feel the difference it makes.
10:58Hmm?
10:59Good.
11:06Yeah.
11:15You should have another police station.
11:17Hold the line for me, please, Mr. Smith.
11:21Apologies, Mr. Smith.
11:24He's just popped out.
11:26Would you care to leave him a message and I'll get him to call you back?
11:32Will do.
11:33Goodbye.
11:37He didn't have the good grace to say goodbye.
11:40Who wants you to call him back at SCP?
11:42He says he's keen to know your decision.
11:44Hmm.
11:58Dr. Harris, sorry to bother you.
12:00Can I just check? Our next session is Tuesday, isn't it?
12:04Ten o'clock, yes. See you then, Amy.
12:42There's another liar.
12:44before someone's tried to remove it.
12:46The tumour's right, then.
12:48It's odd, but I feel rather relieved.
12:51Have you had any run-ins with anybody recently, Dr Harris?
12:55No.
12:56Does nobody you know who might be inclined to call you a liar?
13:00Not at all.
13:02You see, I did a bit of research after I left you earlier,
13:07and I found this.
13:09A fellow psychologist, Roger Franklin,
13:11accused you of plagiarising one of his research papers last year.
13:16How he was allowed to stay in the profession all those years is beyond me.
13:22That's the paper in question.
13:25Breaking the cycle of insecure attachment.
13:28Roger's under the impression that he invented Bowlby's theory of attachment.
13:32It's ridiculous.
13:33It's jealousy.
13:34Plain and simple.
13:36Good idea to start with him, then.
13:37Maybe, but I'd be amazed if he had the gumption to pull this off.
13:42Anything else?
13:45Unusual interactions?
13:47Who was the last patient you saw?
13:48Well, I bumped into one of them just before I arrived earlier.
13:52Amy Riley.
13:53She was outside the office.
13:55I wouldn't call it unusual, though.
13:57So she didn't have an appointment?
13:58No, not today.
13:59But I have a good rapport with all of my patients, detective.
14:03Amy has complex diagnosis, but she deals with it admirably.
14:08I've never had any cause to be concerned.
14:16Thank you, Doctor.
14:18Hi.
14:19Henry.
14:20Esther.
14:21Hi.
14:21Hi.
14:22Hello, Archie.
14:24You're here to see Doctor...
14:25About some wine.
14:27Doctor Harris wanted some advice.
14:30I'm so sorry to keep you.
14:31Um, unfortunately, I'm going to have to postpone our session.
14:44Good to see you, Archie, too.
14:50So, someone trashes the house, then puts everything back and cleans up after themselves,
14:55then goes and does the same thing to Doctor Harris' office.
14:59Any thoughts?
15:00Huh?
15:01Why would somebody commit a crime, then try to undo it twice within a couple of hours?
15:13Yes.
15:15Sorry, um, what was that?
15:18Are you okay?
15:20I'm fine.
15:21Yes.
15:22It's odd.
15:23Some sort of psychological game, maybe?
15:26Well, yes, possibly.
15:27In any case, I'm pretty sure it'll happen again.
15:29So, uh, we should submit an urgent request for access to his patient files, and, uh,
15:33let's pay a visit to Roger Franklin.
15:46My Margo?
15:47Got a call from the manager at the train station.
15:50Fights broken out there on Platform 1 between a couple of, uh...
15:54Don't tell me.
15:55Kids.
15:56Now, don't scream.
15:59Remember, you are enough.
16:03I've definitely had enough.
16:05Known that much.
16:07I can't sleep.
16:46Oh, I'm so sorry.
16:48I was miles away.
16:50In Dolphin Cove?
16:52Have you been?
16:53Oh, I wish.
16:54I just said there.
16:56Sorry, I wasn't snooping.
16:57It just caught my eye.
16:59It's like paradise.
17:00Doesn't it?
17:01You planning a holiday?
17:03Thinking about going travelling?
17:05Seen a bit of the world?
17:06That sounds amazing.
17:08Who are you going with?
17:09I'm not sure yet.
17:11Probably by myself.
17:13Well, that's brave.
17:15That's what life's about, isn't it?
17:16Having those different experiences, taking those risks.
17:19Well, good for you.
17:21As long as you take care of yourself.
17:25Kelby, I haven't told my mum yet,
17:27so please don't say anything for you.
17:41Mr. Franklin?
17:42Yes?
17:43I'm D.I. Goodman.
17:44This is my colleague, Detective Sergeant Williams.
17:47Oh, glad to see it's been passed up the rags.
17:49Trust you'll be throwing the book of that little toe rag
17:51who's been swatting in my shed.
17:54They sent a young lad this morning,
17:56barely out of his teens by the looks of it.
17:59If you're referring to P.C. Hartford,
18:01then he's a highly competent police officer
18:03and a fully grown adult.
18:04Yes, we're actually here to talk to you
18:06about Dr. Clive Harris, Mr. Franklin.
18:09What about him?
18:10And his Dr. Franklin?
18:12Dr. Franklin, my apologies.
18:14Can we have a quick chat?
18:16Now?
18:16Yes.
18:17Is there somewhere a little more, uh,
18:19private we could go?
18:22Yeah, but that is what Dr. Harris said.
18:28Absolutely preposterous.
18:29But you have called Dr. Harris a liar in the past.
18:31Because he is one.
18:32He stole my work and got away with it scot-free.
18:35Oh, and you wanted revenge?
18:36Don't try and trick me, Detective.
18:38For a start,
18:39I can't be in two places at one time, can I?
18:42And if one of your own officers
18:44isn't enough of an alibi,
18:46then I don't know what is.
18:47I suppose that depends on what time
18:48you arrived at the allotment.
18:49Oh, here we go.
18:51Okay.
18:52I got here about eight o'clock,
18:54unlocked the shed,
18:55and saw some layabout sleeping on the floor.
18:58End of story.
18:59If it's padlock from the outside,
19:01how did he get in?
19:02Well, I was here late last night, too.
19:051 a.m.?
19:08I'm an insomniac,
19:09later in my life.
19:11I hadn't locked up when I left earlier that day,
19:13so he must have got in then.
19:15I put the padlock on
19:16and then came back this morning
19:18and found him.
19:21Happy?
19:22And where were you at about 10 a.m.?
19:25Well, still here.
19:26Obviously.
19:27There'll be other people who can vouch for you?
19:29The other allotment holders?
19:31Well,
19:32they've not long arrived.
19:33I mean, I was
19:34alone
19:35for much of the time,
19:36as it happens.
19:40Right.
19:41Well, thanks very much for your time,
19:43Mr. Franklin.
19:44Beg your pardon?
19:44Doctor.
19:45Watch out.
19:45Share the seats.
19:47Welcome.
19:47Yes, I noticed.
19:48Take a little heads up.
19:50I don't mind that.
19:52I just skipped that coat of varnish.
19:56So you have.
19:59Technically,
20:00Roger Franklin
20:01could have broken into the Harris's,
20:02trashed it,
20:03regretted it,
20:04tidied up
20:05and come straight here.
20:07Er,
20:08technically,
20:09yes.
20:10Although,
20:10judging by the state of his shed,
20:11he doesn't strike me
20:12as being a particularly
20:13fastidious cleaner.
20:15Yeah.
20:16So,
20:16what now?
20:17Any ideas?
20:18Yep.
20:19Piece of cake.
20:19You know who did it?
20:20No idea.
20:21I mean,
20:22I want a piece of cake.
20:24Hmm.
20:27This stuff is ridiculous.
20:30Two lemon drizzles,
20:32two Americanos,
20:33a large milk
20:33and a double espresso.
20:35For Lady Gaga.
20:38Hardly surprising I'm stressed
20:39considering the amount of stick
20:41I have to put up with.
20:43Oh,
20:44no,
20:44I can't take any more
20:45or I'll be rattling.
20:46They're useless anyway.
20:48Sounds like you need a massage.
20:49You should try this new place.
20:51Apparently,
20:52the masseuse is incredible.
20:53No thanks.
20:54Can't bear anybody touching me,
20:56let alone when it's accompanied
20:57by bare feet
20:58and pan pipes.
21:00Mum,
21:00you should take some risks.
21:01Get out of your comfort zone.
21:03Hmm.
21:03Hardly class a neck massage
21:05is risk-taking.
21:06Great.
21:10Er,
21:11what are you doing?
21:15Hi,
21:16er,
21:16I was wondering
21:17if you had any availability
21:19for a massage later today?
21:21Zoe,
21:21no!
21:24Are you okay?
21:26Yeah.
21:27No.
21:29Er,
21:33Mr. Smith,
21:34from the hub.
21:35He's chasing me
21:36for a decision
21:37on who I'm letting go of.
21:38There must be another way
21:39to deal with these cuts,
21:40surely.
21:42Show them how well
21:43you can operate
21:44on a strict budget.
21:46Yeah, possibly.
21:49Can I get a refund
21:50on the lemon drizzle?
21:52I'm not sure
21:52that equates
21:53to someone's yearly wage.
21:55It's a start.
21:59Oh.
22:03I knew it.
22:04The lad fighting
22:05at the train station before
22:06is the same one
22:07from the allotment
22:08this morning.
22:09Some angry old man
22:10found him
22:11kipping in his shed.
22:12Roger Franklin.
22:14How do you know that?
22:15Because we interviewed him
22:16earlier about the breaking
22:17of the Harris's.
22:18He's an odd fish,
22:19that man.
22:20I know his wife.
22:21She's a sorry
22:22short of a picnic hamper
22:23and old,
22:24truth be told.
22:25Kicked him out
22:25a few weeks ago.
22:27That explains why
22:28he spent so much time
22:28at the allotment.
22:30Apparently,
22:30they had a huge row
22:32because he got suspended
22:33from his work.
22:34Oh.
22:35What happened here, then?
22:37Well,
22:37it was all over
22:38by the time I arrived,
22:40but the station manager
22:41thinks it was something
22:41to do with drugs.
22:43He heard the other lad
22:45shouting,
22:45we've got a deal,
22:47you can't pull out.
22:48Very good.
22:50So,
22:52two crimes,
22:53two attempts
22:54to undo those crimes.
22:57What would an eminent
22:58psychologist have to say
23:00about that?
23:01Oh,
23:02that reminds me.
23:03Email from
23:04Dr. Harris' receptionist
23:05arrived with his
23:06patient records attached.
23:07I've just sent it to you.
23:08Excellent.
23:18I've just discovered
23:19something else
23:19very interesting.
23:21About Roger Franklin?
23:23No,
23:23Amy Riley.
23:24The patient Clive
23:25mentioned this morning.
23:26The one he saw
23:27just before he discovered
23:28his office had been
23:29broken into.
23:30He was right about
23:31her complex diagnosis.
23:36Dissociative Identity Disorder.
23:38It's a psychological condition
23:40where a person switches
23:42between different identities.
23:43Each identity or alter
23:45has their own name,
23:47age and history.
23:48It might explain
23:50the attempts
23:50to undo each crime.
23:53Because
23:53it was
23:55two different alters
23:56belonging
23:57to the same individual?
23:59Possibly.
24:03Okay.
24:04Shall we go and talk
24:06to her?
24:06No.
24:07Sorry,
24:07Sergeant.
24:08As your senior officer,
24:10I'm asking,
24:10no,
24:11ordering you
24:11to please stand down
24:13and go and have the massage
24:14your daughter booked for you.
24:15Oh,
24:16no,
24:16honestly.
24:16It's for purely selfish reasons,
24:18believe you me.
24:19Because I'm honestly not sure
24:20how many more of those
24:21strange noises
24:22I can listen to you make.
24:23Okay?
24:23So please,
24:24off you go.
24:27Enjoy.
24:30Right,
24:31Kelby,
24:31you're with me.
24:48Have a look today.
24:50All right.
24:50Hello.
24:51Hiya,
24:51can I help you?
24:52Amy Riley.
24:54Can I have a quick chat,
24:55please?
24:59I was a kid
25:00when it started.
25:01Seven,
25:02maybe.
25:03Nobody took any notice,
25:04really.
25:05My parents just thought
25:06I had imaginary friends.
25:08It's not unusual
25:08when you're little,
25:09is it?
25:11But they weren't friends.
25:14They were me.
25:16Or part of me,
25:17anyway.
25:18Would you mind
25:19telling us a little bit
25:20about the other identities?
25:23Past couple of years,
25:24it's been mainly Becky.
25:25Right.
25:26Sixteen,
25:27always acting out,
25:28can't stand authority.
25:30Authority meaning
25:31Dr. Harris?
25:33Apparently she gives him
25:34a bit of a hard time.
25:36What,
25:36apparently?
25:37I can't really tell you
25:39what my altars are like.
25:40You're best off
25:41asking other people.
25:43Dr. Harris says
25:44that Becky's
25:45always taking the mick.
25:47Calls him Clive,
25:49which is embarrassing.
25:51He doesn't mind,
25:52but I do.
25:54What does Amy
25:54think about him?
25:56I think that he is
25:58a brilliant,
26:00kind man.
26:02I just can't believe
26:03I did this.
26:05Wait,
26:06so you're admitting
26:07it was you?
26:08Not me as such.
26:10It sounds like
26:11just the sort of
26:12stunt Becky had pulled.
26:13But why might Becky
26:14call Dr. Harris a liar?
26:16Well, she doesn't reckon
26:17there's anything wrong with her.
26:18She tells me that
26:19he's talking rubbish.
26:20So if Becky
26:21is responsible
26:22for both break-ins
26:23and then you,
26:24Amy,
26:25put things right,
26:27then,
26:27well,
26:29wouldn't you remember
26:30doing that?
26:31Not all the time,
26:32no.
26:33Especially if I go back
26:34to Amy in the middle
26:35of doing some
26:36silly Becky stuff.
26:38Sometimes I remember.
26:40Sometimes I don't.
26:43Can you tell us
26:44where you were
26:44between 8 and 9
26:45this morning?
26:46At home.
26:47I think
26:49my memory
26:50gets a bit fuzzy.
26:52Sorry,
26:52I'm not being
26:53very clear,
26:54I know.
26:54No,
26:55no, no, no.
26:55You've been
26:55really helpful.
26:57I mean,
26:57thank you.
27:00Dr. Harris
27:01said he saw you
27:02this morning.
27:04I was on my way
27:04to work.
27:06So is it possible
27:08that you
27:09might have
27:10switched to
27:11Becky
27:11and then
27:12back to Amy
27:13just before you
27:14saw Dr. Harris
27:15this morning?
27:17It could have
27:18happened.
27:19Could have
27:20easily happened.
27:23It all adds up?
27:25Yes,
27:27circumstantially.
27:28She pretty much
27:29confessed, though.
27:30That's more than
27:30circumstantial.
27:31Well,
27:31a lifetime of
27:32not being in control
27:33of your own actions
27:34has to take
27:35its toll,
27:35Kelby.
27:36Amy strikes me
27:37as someone ready
27:38to take the blame
27:39for anything.
27:41Unlike Roger
27:42Franklin.
27:43Yes.
27:55Have you had
27:56a hot stone
27:57massage before,
27:57Esther?
27:58Uh,
27:59I've had a brick
28:00thrown at me,
28:01if that counts.
28:02Sorry?
28:04Hazard of the job.
28:05I'm a detective.
28:07A detective?
28:08Wow.
28:09Well,
28:09no wonder
28:10you're stressed.
28:11Now,
28:11it's perfectly normal
28:12to feel a little nervous
28:14the first time.
28:15I'm not nervous.
28:17Good.
28:23Okay.
28:27How's that pressure?
28:29good.
28:31fine,
28:31thanks.
28:33Good.
28:37I don't normally
28:39enjoy this sort of thing,
28:41but,
28:42oh,
28:42that feels amazing,
28:43actually.
28:44My boyfriend's the same.
28:46Uh-huh.
28:46It's early days,
28:48though,
28:48so perhaps I can
28:49convince him.
28:51Most people
28:52will be delighted
28:52to have free massages
28:54on tap.
28:55Not Archie Hughes,
28:57though.
28:59Ooh.
29:00You are tense,
29:01aren't you?
29:02Let's get in
29:03those shoulders.
29:07Clive!
29:09Becky.
29:10Girl on shift
29:11with Amy.
29:12Said she had a visit
29:12from the police before.
29:14Said what happened.
29:14I'm sorry,
29:15Becky,
29:16but I'm afraid
29:17I can't have
29:18this conversation now.
29:19I'll see you
29:20at our next session.
29:22You know
29:23I never do anything
29:24like that,
29:24don't you?
29:26Clive!
29:28Clive!
29:29Clive!
29:55No shades?
29:57Can I assume
29:58that's because
29:58the massage
29:59did the trick?
30:00You can assume
30:01it's because
30:01I was so desperate
30:02to get away
30:02from Archie's
30:03new girlfriend
30:03that I left
30:04them behind.
30:07What?
30:42background search
30:43on Franklin
30:44is pretty revealing.
30:46Apparently his behavior
30:47towards Clive Harris
30:48was erratic,
30:50bordering on unhinged.
30:51Hundreds of abusive
30:53emails and phone calls.
30:55I mean it's a pretty
30:57solid case for a
30:58disciplinary reaction.
30:59No wonder his wife
31:00gave him the elbow.
31:01Even more of a motive.
31:03He accuses Clive Harris
31:05and his whole life
31:06is unraveled.
31:07It makes sense.
31:08Yes,
31:09apart from the undoing.
31:11Oh,
31:12and that Mr. Smith's
31:13been on again.
31:14He's like a terrier
31:15with a bone,
31:15that man.
31:16What's he after?
31:17Oh,
31:18well,
31:19I suppose he's just
31:19new to the role
31:20and wants to make sure
31:22he's communicating
31:23regularly with everyone.
31:25Well,
31:25he's certainly
31:26doing that.
31:27I don't speak
31:28to my next of kin
31:29as much as I speak
31:30to him at the moment.
31:31And as for communicating,
31:33I can't understand
31:34half of what he's
31:34on about.
31:35I mean,
31:35what's the KPI
31:36when it's at home?
31:38Ha!
32:09Tim?
32:28Humphrey,
32:30you're asleep.
32:30Yes.
32:33Are you
32:38a few days ago,
32:40Hannah told me
32:40that Rosie
32:41had something
32:42she wanted to send us.
32:43And?
32:44Nothing's arrived.
32:47I keep rushing
32:48to the door
32:48every time the post comes.
33:02Why didn't you mention
33:03it sooner?
33:05Because you've got
33:05so much on your mind.
33:08Speaking of which,
33:10talk to me about work.
33:11I know that's why
33:12you're still awake.
33:13Oh,
33:13do I have to?
33:16Do I have to?
33:17Do I have to?
33:19Do I have to?
33:21Mr. Smith is still
33:22hounding me
33:23for a decision
33:24on who I'm going
33:24to let go.
33:26The guys are still
33:27oblivious,
33:28and I'm still
33:29desperately trying
33:29to think of a solution.
33:31I've thought of
33:31myriad ways to save money,
33:33and none of it
33:33comes close
33:34to a yearly salary.
33:35I can't stave him
33:37off for much longer.
33:52Hello?
34:01They were all in black.
34:04Did you hear them speak?
34:05No.
34:07I collapsed
34:08straight away.
34:10And the most thing
34:11I remember,
34:12I woke up in the ambulance.
34:15I was at my sister's.
34:17I will never forgive myself
34:19for leaving him
34:20alone in the house.
34:20Come on now,
34:21Johnny.
34:22It's okay.
34:23Okay?
34:24It's not okay, Clive.
34:26This has to be dealt
34:27with once and for all.
34:31Is there something else
34:32we should know,
34:32Dr. Harris?
34:35Clive?
34:39I bumped into
34:41Amy Riley yesterday.
34:44Or rather,
34:46her main altar,
34:47Becky.
34:48She told me
34:49you'd spoken to her.
34:54the ambulance.
34:56Who called for it?
35:00I've no idea.
35:02Nor me.
35:04The hospital
35:05phoned when he was admitted.
35:09It's okay.
35:15It doesn't look like
35:16anything was damaged.
35:18Nothing obvious
35:19stolen either.
35:20Laptop's out
35:21on the desk
35:21in the office.
35:24Hmm.
35:30woven polyester mix
35:32from cargo pants.
35:35But this is grey.
35:36Clive Harris said
35:37the intruder was all in black.
35:39Grey could be mistaken
35:40for black in the dark,
35:41though.
35:42They've caught themselves
35:43on something
35:44when they ran out.
35:45Right.
35:46So nothing damaged
35:47this time.
35:48Nothing taken.
35:52But something
35:54left
35:54behind.
35:58Amy,
35:59does the name
36:00Edith
36:01mean anything to you?
36:03Edith?
36:04Huh?
36:05You don't have an
36:06altar by that name?
36:08No, not that.
36:11Edith, no.
36:13It's mainly Becky
36:14who is
36:15more than enough.
36:17Uh,
36:18Dr Harris said
36:19he saw Becky
36:20yesterday.
36:22Do you remember that?
36:25Beg pardon.
36:26Can I have a quick word?
36:29The recording
36:30of the 999 call
36:31from last night
36:31just came through
36:32from emergency services.
36:33I knew you'd want
36:34to listen to it
36:35straight away.
36:36Right, thanks, Marco.
36:37Hello?
36:38Can you send an ambulance
36:39to the house
36:40with the pink
36:40to Rosewood Cottage
36:42on Millstone Lane?
36:44Right.
36:45So it's fair to assume
36:46it's the intruder
36:46making the call.
36:47And yet,
36:48another attempt
36:48from them
36:49to reverse
36:50the damage
36:50they've done.
36:51They sound genuinely
36:52upset.
36:52Definitely male.
36:54Is Amy Riley
36:55in the clear?
36:56Mm-hmm.
36:57Plus,
36:57the caller
36:57started to refer
36:58to it as the
36:59house with the pink
36:59woodwork.
37:00Remember,
37:01Clive mentioned
37:02it used to be pink.
37:09Hello?
37:11I just popped back
37:12to pick up
37:12a few bits
37:13for Clive.
37:14The doctor's
37:14being very positive,
37:15so that's good.
37:16Good.
37:17Um,
37:19sorry,
37:20Mrs. Harris.
37:22Do you recognise this?
37:28I've never seen it
37:28before.
37:30Is this Edith
37:31on the back?
37:32Does that name
37:33mean anything to you?
37:34Nothing.
37:37And, um,
37:37sorry,
37:39what about this?
37:41Sorry.
37:45Uh,
37:47Clive,
37:47uh,
37:48mentioned that
37:49the woodwork
37:49on the house
37:50used to be pink.
37:52That's right.
37:52Well,
37:53I don't suppose
37:53you remember
37:53how many years ago
37:54it was painted white.
37:56I do,
37:56as it happens.
37:57It was ten years ago.
37:59He'd just finished
38:00painting it
38:00when he had
38:01his first heart attack.
38:03I told him not to do it,
38:04that it would be
38:04too strenuous,
38:05but he wouldn't listen.
38:06And that's when
38:07we had to
38:08give up fostering.
38:10Yes,
38:11of course,
38:11you fostered.
38:12I read it.
38:15My wife and I do.
38:17Although we've had
38:18to put it on hold
38:18at the moment.
38:19It's a wonderful
38:20thing to do,
38:21but hard not
38:23to get too attached.
38:24Yes.
38:25We actually had
38:25a placement
38:26when Clive fell ill.
38:27A gorgeous boy.
38:28He'd been with us
38:29for months,
38:30we talked about adoption,
38:31but social services
38:32were worried
38:33about Clive's health.
38:34We just didn't know
38:35what the future held
38:36and how much care
38:38Clive would need.
38:39The last thing
38:40I wanted was for Adam
38:41to feel sidelined
38:42again.
38:43He deserves
38:44so much more.
38:46It must have been hard.
38:48It was the hardest
38:49decision we ever
38:50had to make.
38:51I can't say
38:52I don't regret it.
38:55No.
38:58Sorry.
39:00How old
39:01would Adam
39:02be now?
39:04He'd be
39:04what?
39:08He'll have just
39:08turned 18.
39:1018?
39:1118.
39:12Pink.
39:13And now they're white.
39:1418.
39:21Kelby.
39:22What was his name?
39:24Sorry, sir?
39:25Your boy from the allotment,
39:27the one who was fighting
39:27at the station,
39:28what was his name?
39:29Adam.
39:30Adam.
39:30I'd have a wash.
39:35Edith
39:35is not
39:37a person,
39:38it's a place.
39:40Specifically,
39:41her children's home.
39:43Let's see.
39:48Edith's house
39:49in Exeter
39:49is for young people
39:51aged 16 to 18
39:52on the cusp
39:53of leaving care.
39:53Yep.
39:54I just spoke to
39:55the unit manager.
39:55This key ring
39:56is included
39:57in a leavers pack.
39:58She also
39:59sent me over
40:00a photograph
40:01of the most
40:01recent residence.
40:03Look.
40:05Adam.
40:06Yep,
40:06he left there
40:07a few days ago.
40:07The manager said
40:08that once they turn 18
40:09then there's little
40:10support from social services.
40:11What's his connection
40:12to Clive and June Harris?
40:14He was their last
40:14foster placement
40:15ten years ago.
40:16They wanted to adopt him,
40:18but Clive had
40:19his first heart attack
40:20and then the social services
40:21removed Adam
40:22because they became
40:23concerned about
40:24the house's ability
40:24to care for him long term.
40:26So he went back
40:26into the system
40:27until he left last week
40:29and came straight
40:29back to Chippton Abbott.
40:31Why target them
40:32if they were so close?
40:33For that exact reason.
40:35Imagine thinking
40:36you'd found a family
40:37at last
40:37and they send you away.
40:39They couldn't help that.
40:40I'm not sure
40:40a vulnerable
40:41eight-year-old
40:41would see it that way.
40:44But Adam
40:45was locked
40:45in Roger Franklin's shed
40:47when the first
40:47break-in happened.
40:49It couldn't have been him.
40:53Hold on, look.
40:54There's that lad
40:55he was fighting
40:56with at the train station.
40:58The deal.
41:00The deal!
41:02The station manager
41:04heard the other boy say
41:05we've got a deal
41:06you can't pull out.
41:07Is that right, Kelby?
41:08Yeah.
41:09I don't think
41:09it was a drug deal.
41:10So what if
41:11the other boy
41:12targeted the Harrisers
41:13in return for Adam
41:14doing something for him?
41:16But Adam got cold feet.
41:17Exactly.
41:18And tried to reverse
41:19the damage each time.
41:21The other boy
41:21broke into the Harrisers
41:22first and trashed
41:23the living room.
41:31This is what June saw
41:32when she came back
41:33from her power walk
41:33that morning.
41:45After June left
41:46to go and get help
41:47Adam entered the house
41:48at around 9.15.
41:52Straight from the allotment
41:53where Kelby had just seen him.
41:54Exactly.
41:55He then placed
41:56everything back
41:57as it should be.
42:00Apart from one book
42:02which you put back
42:03on the shelf
42:03upside down.
42:09The same thing
42:10happened in Clive's office.
42:11Adam tried to put it right again.
42:13Well, before he could
42:14finish the job
42:15he heard Clive
42:16opening the door
42:20and escaped
42:21through the window.
42:23Adam then tried
42:24to leave
42:24Shift and Abbott
42:25but the other boy
42:25stopped him
42:26and a fight broke out.
42:27What are you doing?
42:29Get off me, man!
42:30We are still!
42:32You're joking.
42:33What's wrong with you?
42:38So during the last break-in
42:40the other boy
42:41framed him.
42:42A piece of cloth
42:43torn from Adam's cargo pants
42:44during the fight
42:44was left there deliberately
42:46along with the Kiwi.
42:48I don't think
42:49it was his intention
42:50to harm Clive.
42:53June?
42:56But the other boy
42:57certainly didn't want
42:58the risk of being
42:59accused of possible murder.
43:04Adam went back
43:05to the house
43:05to put things
43:06right again
43:07but this time
43:08it was far worse
43:09than he could have imagined.
43:17Hello?
43:18Can you send an ambulance
43:19to the house
43:20with the pinked
43:21to Rosewood Cottage
43:23on Millstone Lane?
43:24We first went
43:25to the Harris's
43:26we were looking
43:26for Rosewood Cottage
43:27but couldn't find it.
43:28Clive said
43:29it used to be
43:29easier to find
43:30when it was painted pink.
43:31So whoever
43:32made that call
43:34must have had
43:35a history
43:35with the house.
43:37I do.
43:38Yes.
43:39And I think
43:39I know where to find it.
43:53Adam?
43:54Can you tell us
43:56who this is?
43:58Sam.
43:59We met in care
44:00and became mates.
44:01Same boat.
44:02Nobody wanted us.
44:04A few days after
44:05we left Edith's house
44:06Sam showed me
44:07this thing
44:07you found online.
44:08Clive.
44:09in a newspaper.
44:11A profile piece
44:12in the Times?
44:14Talking about
44:15how much he cared
44:15about helping people.
44:17Didn't seem like
44:18he cared much about me
44:19when I went back
44:19into care.
44:21It must have stung
44:21reading that.
44:24I know it was stupid
44:25but
44:26I wanted to hurt them
44:27like they hurt me.
44:28Not properly
44:29just
44:31shake them up.
44:32So that's when
44:33you and Sam
44:35made the deal.
44:36He would go off
44:37to the Harris's for you
44:38and what do you want
44:38you to do
44:39for him
44:40in exchange.
44:43Set up his mum's
44:44dealer boyfriend.
44:45Get him arrested.
44:46A revenge swap?
44:47I told Sam
44:48I changed my mind
44:49but he wasn't having it.
44:50So you tried to stop it?
44:52Yeah but that stupid bloke
44:53locked me in his shed
44:54and by the time
44:55I got to the house
44:57it was too late.
44:58Then
44:59Sam started
45:00blackmailing you?
45:01If he didn't
45:01keep your side
45:02of the deal
45:03he'd frame you.
45:05It all got so out of hand.
45:11I never meant
45:12them any harm
45:12but
45:14nobody told me
45:15anything.
45:16One day
45:17I'm living with
45:18Clyde and June
45:18thinking I've got
45:19a family again
45:19and
45:20the next I'm
45:21back in care.
45:22You understand.
45:25No you don't.
45:27No you're right.
45:30I don't understand
45:31what it was like
45:32for you.
45:34But I do have
45:35experience
45:35from the other side.
45:42My wife and I
45:43fostered
45:44a little girl
45:45Rosie
45:46not so long ago.
45:48I thought we might
45:49have a future
45:50together.
45:51It's a family.
45:53But we had
45:54to say goodbye
45:55to her.
45:57It was hard.
45:59Still is.
46:03Clive
46:04and June
46:05didn't
46:06reject you
46:07Adam.
46:07They loved you.
46:09Letting you go
46:11wasn't their choice.
46:17Adam
46:20can you take us
46:21to Sam?
46:23I can't.
46:25He's not a bad
46:26person.
46:26He's just been
46:27through all...
46:27This isn't about
46:28punishment,
46:29Adam.
46:29We want to help
46:30both of you.
46:31I promise.
46:32But we can't do
46:33that if we don't
46:34know where
46:35Sam is.
46:39The next train to
46:40Exeter will be
46:41from Fat
46:42for one
46:42and twelve
46:43minutes.
46:51Finally
46:52seen some
46:52sense,
46:53Sam.
46:54Took
46:54your time.
46:55I'm sorry,
46:56Sam.
46:58I'm sorry,
46:58Sam.
47:08You're
47:09crashed.
47:09It's okay.
47:10I never laid a
47:11finger on him,
47:11I swear.
47:12We know that.
47:13We just want to
47:13help.
47:14Yeah,
47:14whatever.
47:15Sam,
47:17it is all right.
47:21the sun's gone
47:23down
47:24like a king
47:26to rest.
47:28You're okay.
47:29Yeah.
47:30palace holds
47:31far and
47:33go
47:34west.
47:37come out
47:39of the
47:40memories
47:40of the
47:42fire we
47:44made.
47:46Beat me
47:47in the
47:48twilight.
47:49Beat me
47:50in the
47:51day.
47:53Beat me
47:54where those
47:55drums
47:55have all been
47:57cast away.
48:00Yeah.
48:02Yeah.
48:02Yeah.
48:03Yeah.
48:06the global
48:07stars
48:09as they
48:09fast
48:10arise
48:12The silence
48:13of the
48:14eve
48:16The deep
48:17and full
48:18skies
48:21The two
48:22bands
48:22die
48:24I'll get my
48:25shots.
48:25Amy.
48:28I'm not here
48:29to arrest
48:29you,
48:30okay?
48:31I'm here
48:31to tell you
48:32that we have
48:32found who's
48:33responsible
48:34and it's not
48:35Becky.
48:35Okay,
48:36so most
48:36importantly,
48:38it's not
48:38you.
48:40Really?
48:40Yeah.
48:41Thank God.
48:48Amy,
48:49I hope this
48:50doesn't sound
48:51patronizing,
48:51but I think
48:54you're really
48:54brave.
48:56The way you
48:57handle your
48:57disorder,
48:58the way
48:58you're so
48:59honest and
49:00open.
49:01everyone
49:02everyone has
49:02their stuff
49:03don't they?
49:03Yeah,
49:04true,
49:04but not
49:05everyone
49:05handles
49:06their stuff
49:06like you
49:07do.
49:12Take care of
49:20some.
49:28Come on then,
49:29spit it out.
49:30What's on your
49:31mind?
49:31Nothing.
49:34Okay,
49:35there is
49:35something.
49:36It's
49:36exciting though,
49:37don't worry,
49:38I was talking
49:38to Martha.
49:39Oh my God,
49:40ma'am,
49:40there's Archie
49:41in that
49:41woman.
49:42What should
49:43we do?
49:44Hello.
49:45Esther.
49:46Zoe,
49:47hi.
49:48Sorry,
49:49this is...
49:49Amelia,
49:50I know,
49:50we met.
49:50Hi.
49:51Hi,
49:51Esther.
49:52I came in
49:53for a massage.
49:54Oh.
49:55How's the headache?
49:56Gone.
49:56I feel like a
49:57brand new woman.
49:58Oh,
49:58I'm so pleased.
49:58Well,
49:59let me know
49:59when you want
49:59to book in again.
50:00Oh,
50:00no need.
50:01I'm fixed.
50:02You're a miracle
50:03worker.
50:04Tell him that,
50:04will you?
50:05She is.
50:05It's true.
50:07See,
50:07you sort yourself
50:08out,
50:08mister.
50:09Yeah,
50:09I'm trying.
50:13Well,
50:13we'd best be
50:14going,
50:14haven't we,
50:14Zoe?
50:15Nice to see you
50:16both.
50:16Great to see you,
50:17Esther.
50:18Yeah,
50:18well,
50:18you know where I am
50:19if you need me.
50:20I do.
50:21Cheers.
50:22Right,
50:23um,
50:23okay.
50:27Oh,
50:28my God,
50:28Mum.
50:29You're so amazing.
50:31Well,
50:31we're all adults.
50:33Apart from you,
50:34obviously,
50:34you'll always be
50:35my little baby girl.
50:36Go on,
50:37anyway,
50:37what was it
50:38you want to talk about?
50:40Can't think,
50:41no.
50:42No,
50:42you were chatting
50:42to Martha,
50:43something exciting.
50:45Kind of forgotten
50:46already.
50:47Uh,
50:48yeah,
50:48she was just saying
50:49how much she
50:50appreciated me
50:50working at the cafe.
50:52See?
50:54None of us
50:55can do without you.
50:57I'm very proud of you.
50:59Yeah?
51:00Yeah.
51:01Thanks.
51:03Thanks,
51:03Mum.
51:11It came this morning.
51:20Aren't you going to open it?
51:21Yes.
51:22Why am I so nervous?
51:26July?
51:27Yeah.
51:31To hunt for your Martha.
51:42Do you think she knows
51:43how much we cared about her?
51:46How much we still care about her?
51:49Of course she does.
51:52She knows Humphrey.
51:55I wonder what she think
51:56about the Lily Bond, though.
51:58I think it was my fault.
52:00No,
52:01it wasn't.
52:03Was it?
52:08Well,
52:08we couldn't live on a boat forever.
52:11Speaking of which,
52:11I think we should put an offer
52:12in on the house.
52:13Oh,
52:13it's so much work,
52:14Martha.
52:15Not to mention money.
52:16Yeah,
52:17but we
52:17take our time,
52:20do it bit by bit.
52:22Remember what we said.
52:24It's the two of us.
52:26And whatever else happens,
52:28it will always be the two of us.
52:30This is our adventure,
52:31Humphrey.
52:33And there's nobody else
52:34I'd choose to be on it with.
52:41That's it.
52:42Come on,
52:42ladies.
52:44Let's get aside
52:45and I'll get us all a drink.
52:46Come on.
52:53Just the two of us.
52:54To talk to you now.
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