- 9 minutes ago
First broadcast 9th/16th October 2002.
A provincial young woman follows her heart, and a beautiful male impersonator, to London.
Rachael Stirling - Nan Astley
Richard Hope - Mr. Astley
Monica Dolan - Alice Astley
Annie Hulley - Mrs. Astley
Peter Kelly - Davy Astley
Benedict Cumberbatch - Freddy
Johnny Vegas - Gully Sutherland
Dean Lennox Kelly - Tony Reeves
Alexei Sayle - Charles Frobisher
John Bowe - Walter Bliss
Jim McManus - Tricky Reeves
Keeley Hawes - Kitty Butler
Bernice Stegers - Mrs. Dendy
William Sleigh - Barber
Daniel Mays - Jimmy Burns
Michael Kilgarriff - Music Hall Chairman
Susie Valerio - Singer
Sarah Waters - Audience Member
Jodhi May - Florence Banner
David Webber - Bill
Theresa Watson -Mrs. Best
Milly Gregory - Mary
David Spinx - Rough Man
Sally Hawkins - Zena Blake
David Simeon - Middle-Aged Gent
Tilly Vosburgh - Mrs. Milne
Heather Dickinson - Grace Milne
Paul Ready - Renter Alice
Edward Clayton - Rough Customer
Carl Chase - Corder
Anna Chanellor - Diana Lethaby
Janet Henfrey - Mrs. Jex
Sara Stockbridge - Dickie
Sarah Crowden - Woman with pipe
Di Botcher - Woman with Cigar
Hugh Bonneville - Ralph Banner
Eleanor McCready - Tramp Lady
Sam Graham - Man at Mrs. Milne's
Louis Alderton - Baby Cyril
Angela Curran - Mrs. Sykes
Diane Beck - Annie Price
Alex Kelly - Gay Girl
Janet Fullerlove - Elsie
Nick Bartlett - Drunk Man
Michael Kilgarriff - Music Hall Chairman
A provincial young woman follows her heart, and a beautiful male impersonator, to London.
Rachael Stirling - Nan Astley
Richard Hope - Mr. Astley
Monica Dolan - Alice Astley
Annie Hulley - Mrs. Astley
Peter Kelly - Davy Astley
Benedict Cumberbatch - Freddy
Johnny Vegas - Gully Sutherland
Dean Lennox Kelly - Tony Reeves
Alexei Sayle - Charles Frobisher
John Bowe - Walter Bliss
Jim McManus - Tricky Reeves
Keeley Hawes - Kitty Butler
Bernice Stegers - Mrs. Dendy
William Sleigh - Barber
Daniel Mays - Jimmy Burns
Michael Kilgarriff - Music Hall Chairman
Susie Valerio - Singer
Sarah Waters - Audience Member
Jodhi May - Florence Banner
David Webber - Bill
Theresa Watson -Mrs. Best
Milly Gregory - Mary
David Spinx - Rough Man
Sally Hawkins - Zena Blake
David Simeon - Middle-Aged Gent
Tilly Vosburgh - Mrs. Milne
Heather Dickinson - Grace Milne
Paul Ready - Renter Alice
Edward Clayton - Rough Customer
Carl Chase - Corder
Anna Chanellor - Diana Lethaby
Janet Henfrey - Mrs. Jex
Sara Stockbridge - Dickie
Sarah Crowden - Woman with pipe
Di Botcher - Woman with Cigar
Hugh Bonneville - Ralph Banner
Eleanor McCready - Tramp Lady
Sam Graham - Man at Mrs. Milne's
Louis Alderton - Baby Cyril
Angela Curran - Mrs. Sykes
Diane Beck - Annie Price
Alex Kelly - Gay Girl
Janet Fullerlove - Elsie
Nick Bartlett - Drunk Man
Michael Kilgarriff - Music Hall Chairman
Category
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TVTranscript
00:00:09I don't know.
00:00:29Oh, my God.
00:01:08Did you ever go to Whitstable and see the oyster parlours there?
00:01:14My father kept one. I was born in it.
00:01:18That's my sister, Alice.
00:01:21She was a good girl, Alice, and my best friend as well as my big sister.
00:01:28That's my father.
00:01:30Best whistable natives you'll ever taste.
00:01:31Right you are, sir. Coming.
00:01:35But this isn't about him.
00:01:37Or Alice.
00:01:38Or my brother, Davy.
00:01:40Or my mother.
00:01:46It's about me, Nan Astley.
00:01:50And I was nothing then.
00:01:52I was barely 18, and my life had hardly started.
00:01:56But open an oyster, and it's like a secret world in there.
00:02:01And that's how it was with me.
00:02:11I don't see how my life could have any surprises waiting in it.
00:02:15I suppose I was content with my oyster girl's existence.
00:02:23All right, then, Nan?
00:02:25Hello, Freddie.
00:02:27Go for a little walk, then.
00:02:29Yes, all right, then.
00:02:30I don't mind.
00:02:36That was our little routine.
00:02:38I'd meet him when they brought the boat in, and we'd go for a little walk.
00:02:43And a little spooning.
00:02:45We weren't what you'd call fast.
00:02:48It was expected, really, but I never knew how I was supposed to feel.
00:02:57Tony Reeves was sweet on Alice.
00:03:00He was under-manager at the Canterbury Palace of Varieties.
00:03:04Mother thought him a bit rapid, but he couldn't not like it.
00:03:09All right, you boggers.
00:03:10Ding-dong, ding-dong.
00:03:13I had that from Gully Sutherland himself.
00:03:15Hey, you mustn't miss this show next week.
00:03:17It's a stunner.
00:03:18I'll get you in the circle for gallery prices.
00:03:20How's that?
00:03:21That's very kind of you, Mr Reeves.
00:03:23Tony, Tony.
00:03:24We know each other well enough by now.
00:03:26Well, we should love to come.
00:03:28Is it all right if Nan's Freddie comes along, too?
00:03:30Of course.
00:03:30The more the merrier.
00:03:31He's not my Freddie, mother.
00:03:32He isn't yet, but he'd like to be.
00:03:34Is that about the shape of it?
00:03:39Come on.
00:04:01And now, ladies and gentlemen, a very special treat
00:04:05for those of you who are connoisseurs of elegance and top-class style,
00:04:12Miss Kitty Butler!
00:04:30What do you think?
00:04:31Pretty smart.
00:04:32Not half bad, I should say.
00:04:34I'm following in father's footsteps
00:04:37Following me dear old dad
00:04:40He's just in front with a fine big gal
00:04:43So I thought I'd have won as well
00:04:47Let's pray.
00:05:05Let's pray.
00:05:52Dear Rose, there's a rose in my heart for you.
00:06:37Goodbye.
00:06:38Goodbye.
00:06:39Come again.
00:06:40Congratulations.
00:06:44And now, ladies and gentlemen, the one and only Mr Gully, he'll tickle your fancy, Summer!
00:06:59Hey, ladies and gentlemen, I'm out of time, have you?
00:07:02I've just been on my own seat.
00:07:03It's at the seaside.
00:07:05You want me to come?
00:07:06You're all right, then?
00:07:08Who's this?
00:07:09Ben.
00:07:11I've seen that face somewhere before.
00:07:14Hello?
00:07:17You what?
00:07:20She did?
00:07:24I'm all right now, really.
00:07:26Do you want me to go back up?
00:07:28Come on, then.
00:07:30Keep me company.
00:07:32Oh, it must be wonderful to work here.
00:07:35It's summer time, it is.
00:07:36You enjoying the show?
00:07:37Oh, yes.
00:07:39Anything in particular?
00:07:40Kitty Butler.
00:07:41I've never, ever seen a girl like her.
00:07:44Oh, you've got an eye for it, young Nancy.
00:07:46She's got it off, hasn't she?
00:07:47Like a proper boy.
00:07:48All the walk, all the business.
00:07:49But then she's not.
00:07:51You've got to remember that, Nancy.
00:07:53Well, of course I know that.
00:07:54Well, that's all right, then.
00:07:57Oh, I wish I could come and see her every night.
00:07:59Well, there's no reason why you shouldn't.
00:08:01We could put you up in one of the boxes, if you like.
00:08:03They're hardly ever taken on a weeknight.
00:08:06Really?
00:08:11Alice.
00:08:14Alice.
00:08:14Alice.
00:08:14What?
00:08:16How do you feel when you're with Tony?
00:08:18Oh, what question.
00:08:21Same as you when you're with Freddie, I suppose.
00:08:25I don't feel anything much when I'm with Freddie.
00:08:28Well, perhaps he should be showing you what to do.
00:08:33If you don't like him, chuck him, then.
00:08:35Plenty more fish in the sea.
00:08:36It's not I don't like him.
00:08:38Yeah, I know.
00:08:39He's just not the one.
00:08:41You'll find someone you really like, then.
00:08:43Promise?
00:08:45You wait.
00:08:46You'll meet someone.
00:08:48You'll have your head spinning.
00:08:49Your legs turning to Jamie.
00:08:52And you...
00:08:53And what?
00:08:55You'll find out.
00:08:57Now shut your eyes and go to sleep.
00:09:04Oh, Rosie.
00:09:08Dear Rosie.
00:09:10There's a rose in my heart.
00:09:15For you.
00:09:24But now I come to look around.
00:09:26There's a lot of pretty girls down here as well.
00:09:30Put up the lights, limesman.
00:09:32Let's have a look at you.
00:09:35Well, we're spoilt for choice this evening, gents.
00:09:41Catch.
00:09:47Goodbye.
00:09:48Come again.
00:09:51Here she comes in.
00:09:52How was she tonight, Nancy?
00:09:55Just as good, if not better.
00:09:56She's not a real boy, you know.
00:09:58I know she's not.
00:09:59You ask me.
00:10:00I think there might be some young chap in the orchestra pit she's got her eye on.
00:10:03I just hope young Freddie don't patty on.
00:10:06I wish you'd all mind your own business.
00:10:15When I see her, it's like...
00:10:17Oh, I don't know what it's like.
00:10:19When she walks on stage, she makes me want to smile and weep at once.
00:10:23She makes me sore here.
00:10:25I never, ever saw a girl like her before.
00:10:28I never knew that there were girls like her.
00:10:31I don't know what it is.
00:10:32I don't know what's the matter with me, Alice.
00:10:34Do you think I'm crack?
00:10:35I don't think you should get too keen on that girl, then.
00:10:37Are you ever not?
00:10:39Not like us, people like that.
00:10:41They don't lead natural lives, you know.
00:10:43I think you should forget about her, man.
00:10:46You don't understand, Alice.
00:10:47I don't want to talk about it anymore.
00:10:49It wasn't any use telling me to forget about Kitty Butler.
00:10:53As if I could.
00:10:55And I didn't see why I should.
00:10:57Well, that's it.
00:10:58You're holding as tight as you like.
00:11:00Don't worry.
00:11:01I'll tell you if it hurts.
00:11:04No!
00:11:05I don't want to.
00:11:06What's the matter?
00:11:07Nothing.
00:11:08I just don't want that, Freddie.
00:11:10I'm serious, you know, man.
00:11:12We could be engaged.
00:11:15Well, then it would be all right, wouldn't it?
00:11:16Can't we just go on as we are?
00:11:18You don't really care for me at all.
00:11:20I do, though.
00:11:21No, you don't.
00:11:22You just have to keep me there tagging along like.
00:11:25If you really cared for me, you'd let me do it.
00:11:28Well, then, I don't care for you.
00:11:31Oh, man.
00:11:32No, don't take it like that, man.
00:11:35I didn't really mean it.
00:11:37But I did.
00:11:38I meant it.
00:11:39And if what Freddie wanted was only human nature, so was what I wanted.
00:11:44But what was it I wanted?
00:11:47I didn't know.
00:11:48But I knew it had something to do with Kitty Butler.
00:11:51We said goodbye with a tear and a sigh.
00:11:57And whispered all the pretty things that sweethearts say.
00:12:02You promised you'd never forget me.
00:12:07I promised I'd always be true.
00:12:13Oh, Rosie.
00:12:16Dear Rosie.
00:12:19There's a rose in my heart for you.
00:12:28He calledanos.
00:12:32There's a rose.
00:12:37There's a rose in my heart.
00:12:38He came.
00:12:38He called me.
00:12:39He came to you.
00:12:39Man.
00:12:42Sch нами at first Thanksgiving.
00:12:43He put your door at the start- 운동.
00:12:43Then he came to you.
00:12:43Three years ago.
00:12:43He said goodbye.
00:12:44He called me.
00:12:46He called me to leave me.
00:12:49I replied with my friends.
00:12:50ESSENIが I told you like.
00:13:12Hey, skinny butter, ready to do it.
00:13:16Goodbye, come again.
00:13:19And now, we want you all to be ready to do it.
00:13:23The King of...
00:13:32Hey, ladies and gentlemen.
00:13:38I guess you haven't visited, as a friend would.
00:13:41And an Ops out door.
00:13:44Dony, I...
00:13:47No, no, no, no, no.
00:13:48Nothing to be sorry about.
00:13:50You're just the person I wanted.
00:13:52I've got a message for you.
00:13:55Someone wants to see you.
00:13:57Oh.
00:14:54Come in!
00:15:00Here she is.
00:15:02Miss Nancy Astley.
00:15:07Miss Butler, I'll take up no more of your valuable time.
00:15:11May I say again, a delightful evening, a rare treat.
00:15:19Miss Astley, a pleasure to make your acquaintance.
00:15:22Walter Bliss, at your service.
00:15:27Good night, ladies.
00:15:32Mr. Reeves.
00:15:40I'm very pleased to meet you, Miss Astley.
00:15:43Do you have a chair?
00:15:52So, you're my mystery admirer.
00:15:54I thought it was Gully you came to see every night.
00:15:57Then somebody told me you always went out after I'd finished.
00:15:59Is it really me you stay for?
00:16:00Yes.
00:16:09I'm sorry.
00:16:10Now I'm here, I can't think of what to say.
00:16:13Well, it was me who sent for you, so you needn't say anything if you don't want to.
00:16:17But I do wish you'd tell me what it is you like so much.
00:16:19I'm very vain, you see.
00:16:21I do love to hear nice things about myself.
00:16:23I like everything.
00:16:24Your costumes and your songs and the way you sing them.
00:16:28And the way you move and the way you smile and your voice.
00:16:30You seem so very gay and bold.
00:16:34It makes me happy just to hear you.
00:16:36And I think your hair is beautiful.
00:16:39Truly.
00:16:40Gully says it's like guinea pig's fur.
00:16:42Well, he's wrong.
00:16:43Well, I'll tell him you said so.
00:16:48Do you mind if I clean my makeup off while we talk?
00:16:57So, what about you?
00:16:59I know that you're a friend of Tony's.
00:17:01Is he your sweetheart?
00:17:03No.
00:17:05No, he's courting my sister Alice.
00:17:07Is he?
00:17:09Hmm.
00:17:10So, what about you?
00:17:12Have you got a sweetheart?
00:17:15No.
00:17:17Nor have I.
00:17:21So, where do you come from and what do you work at?
00:17:24Whitstable.
00:17:26I work in an oyster house.
00:17:28An oyster house?
00:17:29Like the song?
00:17:31As I was going down Bishop's Gate Street to an oyster girl,
00:17:34I happened to meet into her basket.
00:17:36I happened to peep to see if she had any oysters.
00:17:42I do hope I haven't offended you, Miss Ashley.
00:17:44No.
00:17:44No.
00:17:46There's nothing wrong with oyster girls.
00:17:48I think they're rather nice if you're an example of them.
00:17:52Miss Butler?
00:17:53Oh, call me Kitty, do.
00:17:54And what can I call you?
00:17:56Nan, thank you.
00:17:58You're very kind.
00:18:00I was going to ask Kitty.
00:18:02Why did you think of it in the first place?
00:18:05Dressing like a boy and cutting your hair short and everything.
00:18:08Oh, wouldn't you if you had the chance?
00:18:11Men have all the fun.
00:18:13Besides, there's too many girls in this business.
00:18:15Most of them would do anything to please the manager
00:18:17and you won't find me playing those games, Nan.
00:18:20And I love my costumes and being able to stride about
00:18:22and give them a bit of cheek.
00:18:26Don't get me wrong.
00:18:30I do like being a girl as well, you know.
00:18:34Well, what do you think?
00:18:42Pretty smart or a bit of a letdown?
00:18:44I should say so.
00:18:45No.
00:18:47Oh, no.
00:18:49You're a dear girl.
00:18:51I can't stop and talk any longer this evening, Nan.
00:18:53Gully's taking us all out for supper
00:18:55and what Gully wants, Gully gets.
00:19:01But you'll come and see me again, won't you?
00:19:03You could come before the show and help me dress if you'd like.
00:19:07Really?
00:19:08Of course, really.
00:19:10Then I shall.
00:19:14Starting next Monday.
00:19:17And now she'll have to say goodnight.
00:19:20Miss Asley.
00:19:39You smell like...
00:19:41I know.
00:19:41Like a herring.
00:19:44Not a bit like a herring.
00:19:49Like a mermaid.
00:19:59I told myself to be sensible.
00:20:02Perhaps she hadn't meant it.
00:20:04Or she might think better of it.
00:20:08Like a mermaid.
00:20:10Like a mermaid.
00:20:15And so I became Kitty Butler's dresser.
00:20:19And her best pal, too.
00:20:21And we were together all that season.
00:20:25Come on, baby!
00:20:26Come on, baby!
00:20:26Come on, baby!
00:20:29Come on, baby!
00:20:30Come on, baby!
00:20:32Come on, baby!
00:20:34Come on, baby!
00:20:35Come on!
00:20:36Come on!
00:20:37Be careful, Kitty.
00:20:39Don't turn that poor girl's head.
00:20:42Come on, baby!
00:20:43Come on, baby!
00:20:45Come on, baby!
00:20:47Come on, baby!
00:20:48What would she think if she knew the part she played in my fierce dreamings?
00:20:57Come on, baby!
00:21:16Come on, baby!
00:21:18Hmm.
00:21:40you hold it like this flat shell on top then you put the point of the knife in
00:21:46the hinge see hold it steady mustn't waste any of the liquor that's the best bit some say
00:21:55that's the flesh you cut that loose and now you may eat it
00:22:11thank you thank you and this is your room
00:22:22very cozy it feels funny you being here
00:22:31come sit by me I'm sure your mother would disapprove I am just about dying for a smoke
00:22:42you're lucky to have a proper family such a nice one too
00:22:46I've never had a proper family how do you mean oh you don't want to know let's just
00:22:51talk about happy things I think if I had a family like yours I'd never want to leave home
00:23:04Nan I have something to tell you it's a piece of good news and you must promise to be happy
00:23:09for me
00:23:11do you remember the man who was with me the first night you came around Mr Bliss
00:23:18well he's offered me a contract in London working in the halls there
00:23:24he says I'm too good for the provinces he says London needs to see me and I need to be
00:23:27seen there
00:23:29he thinks I could be one of the really big names Nan
00:23:32I've got to take it oh yes I see that you have I am happy for you Kitty
00:23:41you don't look it well I'm selfish I'd be unhappy to see you go
00:23:49and I'll be unhappy to leave you behind
00:23:53truly
00:23:54would you come with me Nan
00:23:58come with you
00:23:59if your mother and father will let you of course
00:24:00I mean you'll have a proper wage not much but well enough if we share a room
00:24:04yes
00:24:06do you really think you might and do you think they'll let you
00:24:09I suppose you could always come back home if you didn't like it
00:24:11if I didn't like it
00:24:12I'd do anything to go with you I'd go even if they said I wasn't to
00:24:15they could lock me in my room and I'd climb out the window and walk all the way to London
00:24:19to be with you
00:24:19I love you more than anyone or anything I do
00:24:32remember when you gave me this
00:24:36when you picked me out of all the others
00:24:40you did didn't you
00:24:42you chose me
00:24:44yes
00:24:45yes I did
00:24:47and I didn't know then I was choosing the very best friend I've ever had
00:24:55they didn't try to lock me in
00:24:57they could see my heart was set on going to London with Kitty
00:25:01and they couldn't bear to see me grieve
00:25:05there
00:25:10don't spend it all in the same shop
00:25:13and you will write us won't you then
00:25:16of course I will
00:25:17we'll visit when you can
00:25:21goodbye mother
00:25:24thanks
00:25:25what am I going to do without you
00:25:35take care now
00:25:38I shall
00:26:04I'll have one
00:26:05go
00:26:25Miss Butler, what a pleasure.
00:26:29Welcome to the Game Metropolis.
00:26:32And Miss Ashley, late of Whitstable.
00:26:34Off goes his bonnet to an Oyster girl.
00:26:41You are very welcome, my dear.
00:26:43More so than I can say.
00:26:47Go on, then.
00:26:50And Miss Butler.
00:26:53Follow me, Porter!
00:26:59Follow up! Keep up, help!
00:27:01Good one!
00:27:15Oh, my back.
00:27:27BABY!
00:27:29BABY!
00:27:30BABY!
00:27:35BABY!
00:28:11Mr. Bliss kindly took us to our new home, Mrs. Dendy's Theatrical Lodging House, in
00:28:18Brixton. Oh, I've always had Theatricals. And my mother before me. So Henry Irving himself
00:28:30once fell down these stairs. Evening, Signor Corelli.
00:28:39Don't get no trouble for me. He loves those gums. Oh, they're very nice, gents. No trouble
00:28:48at all. Three more up here, Signor Corelli.
00:28:56This'll be yours. You've got a little entrance hall as well as the bedroom. You won't mind
00:29:01doubling up, I hope. He loves what? He's going to use two eggs and a doll's outside.
00:29:06They're perfect. We're a bit close to the railway. We'll get used to that in a while.
00:29:14Come on, Douglas.
00:29:34Are you asleep? No. Are you homesick, Nan? Do you miss Alice? Not really.
00:29:58Oh, your heart beats. Do you like this, Nan? Hmm. If you knew how I'd longed for a sister,
00:30:11you'll be my sister now, won't you? I didn't want to be her sister.
00:30:18I do love you, Nan. I wanted to be her sweetheart. Night-night.
00:30:26Ladies and gentlemen, I get your pleasure this evening, Miss Kitty Bacar.
00:30:48Hello. I've just come down from Brighton. There's a lot of pretty girls down there, you know.
00:30:58So, following your father's footsteps is a motto for each boy. And following your father's footsteps is a thing I
00:31:07much enjoy.
00:31:08My mother put me out running up the West End on a screen. She said, where are you going? And
00:31:17I also don't ask me.
00:31:22I'm following your father's footsteps, following the dear old dad. He's just in front with a fine big gal, so
00:31:31I thought I'd have one as well.
00:31:48They don't like me, Nan. They don't like me.
00:31:58My dear, your first night in the capital, they were warming to you. Give the word a chance to spread.
00:32:04They'll be eating out of your hand by the end of the week.
00:32:06Do you really think so, Walter?
00:32:08I'd stake my life on it, Kitty. I promise you, I swear to you, there is no match to your
00:32:16act in town. I promise you.
00:32:19You promised you'd never forget me. I promised I'd always be true. Oh, Rosie.
00:32:32Dear Rosie, there's a rose in my house for you.
00:32:48But he was right. It didn't happen by the end of the week. But after a few months, they couldn't
00:32:55get enough of her.
00:33:06A triumph! Oh, a triumph! Now we've got him. Now, Kitty, get changed quickly. The manager of the Alhambra wants
00:33:12to meet you.
00:33:13The Alhambra?
00:33:13Yes, you won't mind, will you, Nan. It'll all be business talk. Your chance for an early night.
00:33:17I did mind. But what could I do? I was proud of her success, but terrified it would take her
00:33:25away from me. I wanted to keep her close. As close as my own skin.
00:33:36I've just been down to the seaside. There's a lot of pretty girls down there, you know. Come to think
00:33:43of it, there's a lot of pretty girls down here, too.
00:33:47I'm following in father's footsteps, following the dear old dad. He's just in front with a fine big girl, so
00:33:56I thought I'd have one as well.
00:34:01I got talking to an oyster girl, she could suck an oyster rather well.
00:34:12Oh, Kitty. I love you. Love you. Love you.
00:34:33It's you.
00:34:36I'm sorry. I don't know what came over me.
00:34:38Well, don't be sorry, Nan.
00:34:41You're the very thing. You look more like a boy than I do.
00:34:46Give us a turn. Go on.
00:34:48No. I'm shy.
00:34:59I could quite fall for a boy like you. Come here and give me a kiss.
00:35:11What a handsome fellow. I can't resist him.
00:35:26Just wait till Walter sees you. I don't want him to.
00:35:30Well, I think it could be just the thing he's looking for.
00:35:32We were talking about developing my repertoire, Nan.
00:35:34Well, to go on with a pal might be just the very thing.
00:35:37Help me, Nan. We'll show him first thing tomorrow.
00:35:42But all I could think was that she had kissed me on the lips,
00:35:46and yet I was no nearer to declaring myself.
00:35:51Was it possible that she felt as I did?
00:35:56I couldn't risk it.
00:35:58I couldn't risk it.
00:36:13Ready?
00:36:15Mm-mm.
00:36:24My God, that's it.
00:36:27Why didn't I see it before?
00:36:30Aha!
00:36:31Oh, this could be sensational.
00:36:34Didn't I tell you?
00:36:35Doesn't she look quite the Bobby Dazzler?
00:36:36It's as if she was born to it.
00:36:38Let's try a little song.
00:36:39No. No, I couldn't.
00:36:41Yes, you could.
00:36:41You know all the words to all the songs.
00:36:43Come on, Walter.
00:36:44Father's footsteps.
00:36:50To follow in your father's footsteps
00:36:54is a motto for each boy.
00:36:57And following in father's footsteps
00:37:00is a thing I much enjoy.
00:37:03My mother caught me out one evening
00:37:05up the West End on a spree.
00:37:08She said,
00:37:10Where are you going?
00:37:13But I answered,
00:37:15Don't ask me.
00:37:19We're following in father's footsteps,
00:37:23following the dear old dad.
00:37:25He's just in front with a fine big gal,
00:37:28so I thought I'd have one as well.
00:37:33We don't know where we're going,
00:37:36but when he gets there I'll be glad.
00:37:39We're following in father's footsteps,
00:37:42yes.
00:37:44We're following the dear old dad.
00:37:48Bill from Bow Bells
00:37:51and his shy brother Bob.
00:37:55How about that?
00:37:56We'll get some songs to suit,
00:37:57new suits made to measure.
00:37:59And we should do something about that hair.
00:38:24There we are, miss.
00:38:26Or perhaps I should say, sir.
00:38:33Remarkable.
00:38:44Now I'm like you.
00:38:50Ladies and gents,
00:38:52your very own favourite with a special treat.
00:38:56For the first time in this or any other hall,
00:39:01it's two for the price of one.
00:39:03It's Kitty Butler and Nan King.
00:39:09I'm rather shy.
00:39:11I'm rather shy.
00:39:13I'm rather shy.
00:39:14I'm rather shy.
00:39:15I'm rather shy.
00:39:16All right.
00:39:17I'm rather shy.
00:39:18Come on, Bob.
00:39:19They won't eat you.
00:39:20Oh, I don't know, Bill.
00:39:21I'm rather shy.
00:39:22I don't know what I'm gonna do with him.
00:39:24He is the best brother anybody could wish for,
00:39:26but he's a little bit backward
00:39:27and coming forward,
00:39:28if you know what I mean.
00:39:30Listen, and I'll tell you.
00:39:31Come on, Bob.
00:39:35Last Sunday was a holiday.
00:39:37We scrubbed up nice and clean
00:39:39and took a little stroll about
00:39:41around the village green.
00:39:43We saw a couple of pretty girls
00:39:45as they were passing by.
00:39:48I say, my boy, what a spitting peb.
00:39:51I'm sure one won't arrive.
00:39:55Oh, I don't know, Bill.
00:39:57You better leave me out.
00:39:59He's going like a...
00:40:01Well, it's very easy, Bob.
00:40:05You never know until you try.
00:40:07Oh, I'm sorry.
00:40:09Oh, I don't know, Bill.
00:40:11I'm rather shy.
00:40:13Come on, Bob.
00:40:14You're not funking it.
00:40:16Well, I don't know what to do, Bill.
00:40:18Well, I don't know what to do, Bill.
00:40:19Leave the stage!
00:40:20Come here, and I'll show you what to do.
00:40:22I'm trying to do her!
00:40:22Sorry!
00:40:22You come up very softly
00:40:24and you take her by the hand.
00:40:30Like this?
00:40:32That's right.
00:40:35Look tenderly into her eyes
00:40:37and she will understand.
00:40:39Like this?
00:40:42Then lean a little closer
00:40:45and steal a little kiss.
00:40:50Oh, I can't!
00:40:52I'm too shy!
00:40:53You're not!
00:40:53I am!
00:40:54Just try it!
00:40:56What?
00:40:57Like this?
00:41:10I think he's been taking private lessons.
00:41:12What do you think?
00:41:13Should we ask him?
00:41:14Now, Bob.
00:41:15Mm-hmm.
00:41:16Oh, no.
00:41:16Where did you learn to kiss like that?
00:41:19Oh, no.
00:41:20I couldn't tell you, Bill.
00:41:22I'm rather shy.
00:41:24I'm rather shy.
00:41:25I'm rather shy.
00:41:26I'm rather shy!
00:41:28I'm rather shy!
00:41:28I'm taking private lessons
00:41:29and giving girl the eye.
00:41:32Where did you go last Friday
00:41:34when you couldn't know from the side?
00:41:36One, two, three.
00:41:38I couldn't tell you, Bill!
00:41:41One, two, three.
00:41:42Come on!
00:41:43Oh!
00:41:43Oh, my God!
00:41:44The judge!
00:42:05Thank you very much.
00:42:06You're welcome.
00:42:07Well done.
00:42:09Over you, man.
00:42:12Bravo.
00:42:13Congratulations, my dear.
00:42:15You've done well for yourself there, Bliss.
00:42:17I'll give these two a booking any time you like.
00:42:20Well, that's very good of you.
00:42:24Charlie Furbisher, The Empire.
00:42:26Here we are, girls.
00:42:27Best table in the place.
00:42:32Well, here's to Bill and his shy brother...
00:42:36Well, how does it feel to be a star, eh, Nan?
00:42:39All right.
00:42:41It feels all right.
00:42:56Come and have a dance, Kitty.
00:42:59Go ahead.
00:43:00It'll be a pleasure to watch.
00:43:02All right.
00:43:02I will.
00:43:06for you, everyone.
00:43:10Go, go, go, go.
00:43:13You, Lord.
00:43:14Go, go.
00:43:21Go, go, go, go.
00:43:23Go, go.
00:43:25Go, go, go, go.
00:43:25Go, go, go, go.
00:43:55Hello, what do you know me?
00:43:58Jimmy Burns, I was in the pit this evening, doubling up here for a bit of pocket money.
00:44:03Well, I don't know how I like you best, in skirts or trousers and that's a fact.
00:44:08I don't know how I like myself best.
00:44:10Well then it's nice to have the choice, ain't it?
00:44:12Do you fancy standing up with me for a little twirl round?
00:44:15Oh go on, say you will.
00:44:17I don't think I could, I've had too much shan.
00:44:19Well that's all the better. Up you come.
00:44:23That's it.
00:44:24Now, who's going to lead then? You or me?
00:44:27You can if you like.
00:44:55Come on, give me the fish.
00:44:57You've spoiled my dress.
00:44:58Soon put that right.
00:45:00No! Get off! Get off!
00:45:06I'm going. You can come or not, as you like.
00:45:12I'd better go.
00:45:13What?
00:45:15Kitty!
00:45:17Kitty, wait!
00:45:23What's the matter?
00:45:25What did you think you were doing making a fool of yourself without the horn player?
00:45:28We were only larking about.
00:45:30Larking about?
00:45:31His hands were all over you.
00:45:32They were.
00:45:32Sometimes I don't think you care about my feelings at all, Nan.
00:45:36Oh Kitty.
00:45:39If you knew!
00:45:41I hate the way you make me feel!
00:46:07No!
00:46:09No!
00:46:11No!
00:46:13No!
00:46:14No!
00:46:15No!
00:46:16No!
00:46:16No!
00:46:16No!
00:46:18No!
00:46:19No!
00:46:30May I really touch you?
00:46:33Nan.
00:46:38I think I shall die if you don't.
00:46:43Nan.
00:46:50Nan.
00:46:51Nan.
00:46:59Oh, my God.
00:47:22I do love you, Nan, so very much.
00:48:00Good morning.
00:48:03Good morning.
00:48:07I drank too much last night.
00:48:09We both did.
00:48:11But don't say you want to undsay what we said or undo what we did.
00:48:14I think I'd die.
00:48:15No.
00:48:17No.
00:48:21But it has to be a secret.
00:48:24Our secret.
00:48:35I wish I'd had the nerve to tell you before.
00:48:38Couldn't you see how I felt about you?
00:48:41I wasn't sure.
00:48:43It's easier to be friends.
00:48:45I didn't know it was possible.
00:48:47You know, for two girls to be sweethearts and to go all the way.
00:48:52I'd never heard of it.
00:48:53Had you?
00:48:54Well, it's true.
00:48:55I've never cared for any other girl the way I care for you, Nan.
00:48:58Oh.
00:49:05But the fact was, I loved her too much to fret long over the other girls she might have loved
00:49:12before me.
00:49:13For she loved me best.
00:49:16And she loved me now.
00:49:18Wow.
00:49:19Wow.
00:49:19Wow.
00:49:33Wow.
00:49:35Wow.
00:50:45To butler and kin, the toast of lunch.
00:50:47And I was happier than I had ever been.
00:50:50And I wished I could tell the whole world.
00:50:53But Kitty insisted we kept it a secret, even from Walter, for no one else would ever understand.
00:51:00And it was the happiest, most magical six months of my life.
00:51:05It was Kitty butler and Miss Nan King.
00:51:28It's time to hear the nature of truth!
00:51:41Walter arranged us a few days off.
00:51:43He needed Kitty for some business meetings.
00:51:46And I thought it was time I visited my parents.
00:51:48I felt strange.
00:51:52Like a ghost.
00:52:07Nancy!
00:52:09Is he really you?
00:52:14Hey!
00:52:16We shall have to mind our manners, shall we, Davy?
00:52:19You're such a fine lady in our parlour.
00:52:21Don't be silly, Father.
00:52:22I haven't changed.
00:52:23I'm just the same as I always was.
00:52:24She's kind of lardy-dart.
00:52:26Don't be rude, Davy.
00:52:27I don't mind, Mother.
00:52:28Must be the company I've been keeping.
00:52:30So, how have you been keeping?
00:52:32Have you got yourself a young man yet?
00:52:35No!
00:52:36No time for anything like that.
00:52:38I'm far too busy.
00:52:40Look, I've got presents for you all from London,
00:52:42and I hope you like them, for I've spent half my wages on them.
00:52:45That's for you, Mother.
00:52:47Oh.
00:52:47That's for you, Pa.
00:52:49That's for you, Davy.
00:52:52And this is for you, Alice.
00:52:58My word, Nancy, you've done us proud.
00:53:02I shall look quite the thing in this now, shalln't I?
00:53:05Look at these, Ma.
00:53:07Look, Alice, soft as butter.
00:53:09I should be the best-shocked bloke in Kent now.
00:53:11Oh, Nancy, you shouldn't have.
00:53:13Well, what else would I do with my money?
00:53:16Oh, you are a good girl, Nancy.
00:53:21Aren't you going to open it, Alice?
00:53:28Oh, what a stunner.
00:53:37Don't you like it, Alice?
00:53:39Well, when would I ever wear a thing like that?
00:53:48It seems so strange to be back here, in our room.
00:53:53I hope you don't mind being invaded, Alice.
00:53:55It wouldn't make any difference if I did, would it?
00:53:57Oh, Alice, please don't be lightest with me.
00:54:01I can't bear it.
00:54:02What's the matter?
00:54:03Was it the hat?
00:54:05I thought you'd like it.
00:54:07I thought you could wear it when you went out with Tony.
00:54:09I bet you anything, he would like you in it.
00:54:11I can't finish with Tony.
00:54:12Oh, Alice, I'm sorry.
00:54:14What happened?
00:54:15I don't want to talk about it.
00:54:16Hurry up.
00:54:22Oh, that's better.
00:54:29What's the matter?
00:54:31I wrote and told you I'm part of the act now.
00:54:34You didn't think I went on as a girl, did you?
00:54:35I wouldn't get much work like that.
00:54:37But I make a very good boy.
00:54:40You'd be surprised.
00:54:42I don't know how you can show yourself like that.
00:54:47Kitty can do it.
00:54:48Why shouldn't I?
00:54:49Kitty.
00:54:50Are you two as close as you ever were?
00:54:53Yes, we are.
00:54:56Closer, if you'd like to know.
00:55:00I'm in love with her, Alice.
00:55:04Please, let me tell you.
00:55:06We never used to have no secrets from each other.
00:55:09Come on, then.
00:55:10If you must.
00:55:14Well, she's just everything to me.
00:55:17And I am to her as well.
00:55:20Remember how I used to feel like there was something wrong with me?
00:55:23How I never felt anything much when I was with Freddie?
00:55:26Well, it turns out there's nothing wrong with me at all.
00:55:29She only has to touch me or sometimes even just to look.
00:55:32I don't want to hear any more.
00:55:33You're disgusting.
00:55:36I thought you'd understand.
00:55:38I don't want to understand.
00:55:39I hate anything like that.
00:55:40All those...
00:55:43Alice.
00:55:44If you want to know, that's why I broke up with Tony.
00:55:47When I found out he liked men as much as he liked girls,
00:55:50he made me feel dirty.
00:55:51And you make me feel dirty.
00:55:53I don't wish you any harm, Nan,
00:55:55but I don't want to know about your life
00:55:56and I don't like you near me.
00:55:57And please don't try talking to mother and father
00:56:00about your dirty life
00:56:01because it would break their hearts.
00:56:09Alice, please don't be like this.
00:56:12It's still me.
00:56:14I'm still the same as I ever was.
00:56:16Just get into bed.
00:56:18Keep to your own side.
00:56:30My own sister couldn't bear to have me lying next to her.
00:56:35I'd lost her.
00:56:37And all I could think of was getting away as quick as I could.
00:56:41Back to London and my dearest, dearest Kitty.
00:56:44Kitty, my lover and my only friend.
00:56:50I didn't belong there any more.
00:56:52If they couldn't love me as I am,
00:56:55then I should go where I would be loved.
00:56:57My life was in London now.
00:57:00With Kitty.
00:57:06Oh, Miss Astley, you're back already.
00:57:09Oh, Miss Astley, you're back early.
00:57:11I came back early.
00:57:20Run for one more.
00:57:29What's this?
00:57:30Nan, you surprised us.
00:57:33We didn't look for you until tomorrow.
00:57:35We were going to tell you, Nan, when you came back.
00:57:37Tell me what?
00:57:39Kitty?
00:57:43No.
00:57:44It isn't true.
00:57:48I'm so sorry, Nan.
00:57:49Tell me it isn't true, Kitty.
00:57:53It's true, Nan.
00:58:01No, don't touch me!
00:58:02Go away!
00:58:03Go away!
00:58:08Oh, Kitty.
00:58:12What have you done?
00:58:13Don't be horrible to me, Nan.
00:58:16I couldn't help it.
00:58:17Oh, he forced you, did he?
00:58:19So that's what all your business meetings were about?
00:58:22All this time when I thought you were mine?
00:58:26No, it wasn't like that.
00:58:28Until last night.
00:58:30Just talk and kisses, I swear it, Nan.
00:58:35We were going to tell you everything.
00:58:37Everything?
00:58:40Good God, what war is there to tell?
00:58:42Kitty and I are going to be married, Nan.
00:58:44I'm sure in time you'll come to see it for the best.
00:58:46No!
00:58:52No!
00:58:53No!
00:58:55Don't you see, Nan?
00:58:56It wouldn't do to go on as we were.
00:58:58I believe you've killed me.
00:59:01The pair of you.
00:59:02Oh, come now, compose yourself, Nan.
00:59:04I know this has come as a shock to you,
00:59:05but this carry-on is quite out of proportion.
00:59:08Out of proportion?
00:59:10Don't you know?
00:59:12Hasn't she told you about us?
00:59:14I know that you were sweethearts of a kind.
00:59:16Of a kind!
00:59:17The kind that hold hands!
00:59:19Didn't she tell you that we fuck each other?!
00:59:21I don't care to use such language, Nan.
00:59:24And if I did, I wouldn't use that word
00:59:26for anything a pair of girls can do.
00:59:29You need a man for that, I think you'll find.
00:59:32Hey, Kitty.
00:59:39Goodbye.
00:59:53You said you'd be together forever.
00:59:55You said you'd love me.
00:59:57You said you'd love me.
00:59:59You said we'd be together forever.
01:00:01You said we'd be together forever.
01:00:03You said you'd love me.
01:00:05Love me.
01:00:05Love me.
01:00:06Love me.
01:00:07Love me.
01:00:08Love me.
01:00:08Love me.
01:00:09Love me.
01:00:10Love me.
01:00:10Love me.
01:00:20Kitty and I are going to be married.
01:00:26I walked the streets all that day, not knowing where I was going.
01:00:30I wanted to see nothing, to feel nothing, to remember nothing.
01:00:36Everyone I knew and loved had betrayed me.
01:00:41You need a man for that, I think you're all right.
01:00:45You need a man for that, I think you're all right.
01:00:48You need a man for that, I think you're all right.
01:00:52You said you loved me!
01:00:57How could she let him touch her?
01:01:00I hated them and wanted to die.
01:01:04But I wouldn't let them do that to me.
01:01:11Morning, Nan.
01:01:14Oh, you don't look at her thing at all.
01:01:16Kitty's not in, is she? Or Mr Bliss?
01:01:19No, for you. A bit early for them.
01:01:32Thank you very much.
01:01:35Good night.
01:01:40Thank you very much, dear.
01:01:41Thank you very much.
01:01:41Thank you very much.
01:01:41Thank you very much.
01:01:41You're welcome.
01:01:41Oh, my God.
01:02:11Yes?
01:02:12I've come about the room.
01:02:13The house I keep here is a tidy one.
01:02:15I like my lot of ditto.
01:02:17I've had trouble with single ladies in the past.
01:02:20Who you see or what you do outside my house is your concern,
01:02:24but there's one thing I won't have,
01:02:25and that's gentleman followers in a single lady's room.
01:02:29You'll have no trouble on that score from me, Mrs Best.
01:02:39Five shillings a week.
01:02:41In advance.
01:02:46Late payments will not be tolerated.
01:02:49I expect the room to be kept clean at all times.
01:02:52No cats, dogs, no nits.
01:02:57Now I was truly alone.
01:03:00A poor outcast from life's feast,
01:03:03tormented by my memories.
01:03:27It's nice and hot.
01:03:29You really should take something, Miss.
01:03:40Oh, my gosh.
01:04:09Ha, ha, ha, ha.
01:04:13Ha, ha, ha, ha, ha.
01:04:15Ha, ha, ha, ha.
01:04:21Ha, ha, ha, ha.
01:04:22Ha, ha, ha, ha.
01:04:23Ha, ha, ha, ha.
01:04:25Ha, ha, ha, ha.
01:04:25Ha, ha, ha, ha.
01:04:25Ha, ha, ha, ha.
01:04:27Ha, ha, ha, ha.
01:04:31For nigh on two months, I never left that room.
01:04:35I barely washed and never changed my dress, for I had no other.
01:04:39I believe I would have faded away altogether if it weren't for the listeners.
01:04:43It was my little maid Mary, who brought me morsels of food and urged me to eat them.
01:04:47Nice enough, miss.
01:05:01Kitty and I are going to be married.
01:05:05Kitty and I are going to be married.
01:05:07To join together, Elizabeth.
01:05:11Oh!
01:05:14You said you're not me!
01:05:17Kitty!
01:05:17It was done.
01:05:18It was over.
01:05:20I suppose I had been hoping that she would change her mind and come and find me.
01:05:25But now I knew for certain she was lost to me.
01:05:28It was time to face the world alone.
01:05:31Though I had no idea how I should live in it.
01:05:35But I found that to walk alone in London isn't an easy thing for a woman to do.
01:05:40Hello, darling.
01:05:41Hey!
01:05:42Hey!
01:05:44What's the matter, love?
01:05:45Not six months have found a penny?
01:05:47You pluck the old line with me now, did you?
01:05:50No!
01:05:50Leave me alone!
01:05:51Leave me alone!
01:05:51Come on, dear!
01:05:53Don't be asking!
01:05:55Yeah!
01:05:55I thought, what a cruel joke that I, who had swaggered across the stages of London, should
01:06:01be afraid to walk upon the streets.
01:06:04And most of all, I wished that I could escape from my miserable self.
01:06:21Yeah!
01:06:23Yeah!
01:06:45Looking for a room.
01:06:47How long, dear?
01:06:48Just an hour.
01:06:51One hour only, mind.
01:07:13Hello, dear.
01:07:14You looking for a nice time?
01:07:19Not today, dear.
01:07:20Perhaps another time, eh?
01:07:22All right, dear.
01:07:24Well, don't forget now!
01:07:27And for the first time since that terrible day, I felt a sort of freedom and a sort of
01:07:33strength.
01:07:34Somehow, I had taken the first steps that would lead me out of my misery and into some different
01:07:40way of living.
01:07:42Though I had no idea what that would be.
01:07:48My little stock of money was dwindling fast, and I was going to have to find some way of
01:07:53replenishing it, or starve.
01:07:56Necessity is a hard task, master.
01:07:58And if the opportunity had presented itself, I dare say I should have sunk so low as to
01:08:02become a thief.
01:08:06Good evening, Tommy Atkins.
01:08:08Buying a little present for your sweetheart?
01:08:10Couldn't afford anything here, sir.
01:08:12It's a shame she'll have to be content with a kiss then, eh?
01:08:15Haven't got no sweetheart.
01:08:16Not anymore.
01:08:20No, sweetheart.
01:08:21A good-looking lad like you, I find that hard to believe.
01:08:24Are you up for it, Tommy?
01:08:25For a sovereign?
01:08:27Up for what, sir?
01:08:27I don't understand you.
01:08:28Oh, come on.
01:08:29You know the game, Tommy.
01:08:30You're all that.
01:08:31You soldier boys.
01:08:32Your hands are never off each other's cocks.
01:08:35Not me, sir.
01:08:36I've only joined up last week.
01:08:38I've never done anything like that.
01:08:39Then it's time you began, my boy.
01:08:40Just take it in your hand.
01:08:42Only a minute's work.
01:08:43And there's a sovereign in it for you.
01:08:46Oh, have a heart, Tommy.
01:08:48I'm hard as a broom handle and aching for a spend.
01:08:52Nan Astley could never have given the answer that I gave him.
01:08:56But Tommy Atkins took us both by surprise.
01:09:07Come on, Ben.
01:09:18Slow and steady, Tommy dear.
01:09:28Go on.
01:09:38I thought if this were water, I'd bite it off.
01:09:41Oh, stay on.
01:09:43Oh.
01:09:43Oh.
01:09:47Oh!
01:09:49Oh!
01:09:49Oh!
01:09:52Oh!
01:09:53Oh!
01:09:55Oh!
01:09:56Oh!
01:09:57Oh!
01:09:58Oh!
01:10:01Oh!
01:10:02Oh!
01:10:05Oh!
01:10:06Oh!
01:10:07Oh!
01:10:07Oh!
01:10:13I suppose I should have felt ashamed
01:10:15but I felt nothing but surprise
01:10:17and a kind of fierce elation
01:10:19that in a couple of minutes
01:10:21I had earned enough to keep me for a couple of weeks
01:10:25and so I began my new career as a streetwalker
01:10:29and I found it not so very different
01:10:31from acting on the stage
01:10:33I told myself it wasn't Nan Astley
01:10:35who took men's spunk in my mouth
01:10:37or in my hand
01:10:39but Tommy Atkins
01:10:41or Eton Bertie
01:10:42or Ava Seaman Sims
01:10:44or Bobby Brown
01:10:45from Bermondsey
01:11:02but now I was in a regular way of business
01:11:04I needed a more regular way of life
01:11:13I had had enough of changing in filthy rooms
01:11:17that reeked of men's spendings
01:11:18perhaps this respectable lady
01:11:21would accommodate the needs
01:11:22of a rather unusual female
01:11:26good afternoon
01:11:28good afternoon
01:11:38I've come about the room
01:11:57say good day to the lady grace
01:11:59good day grace
01:12:02oh dear
01:12:04to tell the truth
01:12:05we were hoping for someone a bit older
01:12:07a widow perhaps
01:12:09you see
01:12:12my daughter's
01:12:12a rather unusual
01:12:14trusting sort of girl
01:12:16I wouldn't like to have young fellas coming in and out
01:12:19there wouldn't be any young fellas
01:12:20mrs. Milne
01:12:21that I'll guarantee
01:12:23and I'd never get behind with my rent
01:12:25well
01:12:26you see the thing is
01:12:27I work as a kind of entertainer
01:12:29at parties and such like
01:12:30and for that
01:12:31I sometimes dress in gentleman's suits
01:12:33now
01:12:34if you and grace don't mind that
01:12:36I think I might do very well
01:12:40gentleman's suits you say
01:12:42well grace
01:12:43what do you think of that
01:12:44would you like to see one grace
01:12:54well my eyes grace
01:12:55what a beauty
01:12:57would you like to try it grace
01:12:59yes please
01:13:00well now isn't that kind of a lady
01:13:21she gave me the first floor front
01:13:23eight shillings a week
01:13:25I think she'd have let me have it for nothing
01:13:27for grace's sake
01:13:29sometimes I thought she must have been as simple as her daughter
01:13:32for she never asked where I went or what I did
01:13:36I'm off then Mrs. M
01:13:37see you tomorrow Gracie
01:13:39you'll take as long as you like dear
01:13:40give your own key
01:13:42bye then
01:13:50some nights I didn't need to go out
01:13:52I told myself that this was freedom
01:13:55perhaps that was the secret of happiness
01:13:57to expect nothing
01:13:59or expect very little
01:14:01what is it the soldiers say
01:14:03if you're warm
01:14:04dry and smoking
01:14:06that's happiness
01:14:11evening sweetheart
01:14:12how are you?
01:14:14come on Florence
01:14:16get ready
01:14:18Florence
01:14:20Florence
01:14:21who knows what it is
01:14:23that draws one person to another
01:14:24but for the first time in months
01:14:27I felt something of my old self stirring in me
01:14:30I wanted to see more of Florence
01:14:32and soon enough
01:14:33I did
01:14:39hello again
01:14:41I hope I didn't cry on you the other night
01:14:43I'm sorry I don't
01:14:44evening sweetheart
01:14:45how are you?
01:14:47oh that was you
01:14:48quite right
01:14:49you live up there do you?
01:14:50I do
01:14:51and you live there?
01:14:52that's right
01:14:53we were very lucky
01:14:54mother and I lost our other house
01:14:56but Miss Darby found us this one
01:14:58and now I work for her charity
01:15:01finding homes for others
01:15:03well that's nice
01:15:05I was just going to the park
01:15:06will you come with me?
01:15:07oh no
01:15:08I've got so many calls
01:15:10oh
01:15:11better go along that way
01:15:13so you're not in your trousers today then?
01:15:16no
01:15:17I like to change and change about
01:15:19boy one day
01:15:20girl the next
01:15:21does that shock you?
01:15:23no
01:15:23I don't think so
01:15:25I can see it must have advantages
01:15:28I suppose you can go where you like
01:15:30you can do as you like
01:15:32exactly so
01:15:32hit the nail on the head
01:15:34well Miss Darby would be most interested
01:15:36she's writing a book about the woman question
01:15:39perhaps she'd like to put me in it then
01:15:41I certainly think she'd be interested in meeting you
01:15:44I didn't give a tinker's fart for Miss Darby
01:15:47or the woman in question
01:15:49but I knew I wanted to see more of Florence
01:15:52I wonder
01:15:54would you like to come to a lecture with me?
01:15:57at the Athenaeum Hall?
01:15:58it's on women and labour
01:16:00a lecture?
01:16:01I say that's just my style I don't think
01:16:05but I'll give it a go if you like
01:16:07really?
01:16:08said so didn't I?
01:16:10when is it?
01:16:11Thursday
01:16:12six
01:16:14we could meet for some tea beforehand if you like
01:16:16done
01:16:20you live with your mother don't you?
01:16:21that's right
01:16:23before that we lived just round the corner
01:16:25you know I've never been out of Islington
01:16:28very adventurous eh?
01:16:29you don't have to travel far to have adventures
01:16:35you're not from round here are you?
01:16:37no so where'd you come from?
01:16:39Kent
01:16:41Whitstable
01:16:41it's a seaside place
01:16:43I used to work in an oyster bar
01:16:47did you go back there very often?
01:16:49see your ma and pa?
01:16:52they're dead
01:16:54oh
01:16:55I'm sorry
01:16:56no need to be
01:16:57it was a long time ago
01:17:01so what work do you do in London?
01:17:04in a shop
01:17:05what sort of a shop?
01:17:07a hat shop
01:17:09well I'd never have imagined that
01:17:11why not?
01:17:12I don't know
01:17:13you just don't seem the sort
01:17:16I bet they don't let you wear your trousers in that
01:17:19no
01:17:21no of course not
01:17:30so
01:17:32what do you do there exactly?
01:17:35you
01:17:36you serving the shop
01:17:37or are you in the back making the hats up?
01:17:40I just can't seem to imagine you there somehow
01:17:43I
01:17:45well
01:17:47I couldn't keep it up
01:17:48she was so sweet and straight
01:17:51I couldn't bear to lie to her
01:17:53but I couldn't tell her the truth either
01:17:58is there a lady's lavatory here?
01:18:00yeah through there I think
01:18:02I won't be a dig
01:18:22what made me think I could be friends with a respectable girl
01:18:27all that was over for me
01:18:30if she could have seen me
01:18:31known what I really did
01:18:33and what I really used those clothes for
01:18:37I belonged in the gutter
01:18:44watch it now
01:18:45how's business?
01:18:48can't do anything I want to do dear
01:18:57you going for it sonny
01:18:58it's a sword for a dubbing
01:19:00two for a suck
01:19:00but I won't be buggered
01:19:01I don't pay more than a suck for a soldier
01:19:04dubbing or nothing then?
01:19:06no place?
01:19:07follow me
01:19:27this is a place sir
01:19:28come on in
01:19:29come on in
01:19:29let's see what you've made of
01:19:31soldier boy
01:19:32no I said no
01:19:33let me up
01:19:34I'll cut you
01:19:35I will
01:19:36keep still
01:19:37or you'll get worse
01:19:44all right me boy
01:19:46you're safe now
01:19:47you come with me
01:19:49you won't be here
01:19:51please constable
01:19:51let me go
01:19:52it was my very first time sir
01:19:54it was my very first time sir
01:19:54it was my very first time sir he made me
01:19:55constable
01:19:57constable
01:19:57I'm no constable
01:20:00somebody's taking a fancy to you
01:20:03you've got nothing to fear
01:20:06I won't be buggered
01:20:09in you go
01:20:14good evening
01:20:17I never thought
01:20:18well now you see you have nothing to fear
01:20:20I'll see you safely home
01:20:22or my own house
01:20:23is quite nearby
01:20:24let me offer you a hot toddy
01:20:26to calm your nerves
01:20:27you were in a little difficulty
01:20:28just now I think
01:20:29yes
01:20:30thanks ever so
01:20:33that chap said he bought me a drink
01:20:34and next thing I knew
01:20:35he dragged me off the street
01:20:36I had a bad fright there
01:20:38but I shall know better next time
01:20:39miss
01:20:39shall you
01:20:40so you were perfectly innocent
01:20:42were you
01:20:43no idea at all
01:20:44what a gentleman on the town
01:20:45might want with a young soldier boy
01:20:48no miss
01:20:48well now that's a surprise
01:20:50I had the impression
01:20:52that you understood the game pretty well
01:20:53I've been watching you for a while young man
01:20:55there's no need to be coy with me
01:20:57I'm sorry miss
01:20:57you made a mistake
01:20:58no I don't think I have
01:20:59truly you have miss
01:21:01I'm very grateful
01:21:02but honest
01:21:02I'm not what you're looking for
01:21:04oh yes I think you are
01:21:05but I'm a girl
01:21:06do you think I didn't know that
01:21:07you little fool
01:21:08though you wear the outfit
01:21:10far better than most of the lads do
01:21:12and you have the legs for it too
01:21:13oh yes
01:21:14and none of your gentleman guessed
01:21:18if they did
01:21:19they didn't say
01:21:20in any way
01:21:21I was pretty strict
01:21:23about what they could
01:21:23and couldn't touch
01:21:24and it all went off alright
01:21:26until tonight
01:21:27pretty strict were you
01:21:29I wonder
01:21:30should I like you
01:21:32to be pretty strict with me
01:21:35there's no need to be afraid
01:21:36this could be the luckiest night
01:21:38of your life
01:21:39come come
01:21:40where's your sense of adventure
01:22:04take my arm
01:22:06don't think of making a run for it
01:22:08quarter is quick as well as strong
01:22:23that'll be all for tonight
01:22:25thank you Blake
01:22:25yes ma'am
01:22:26night ma'am
01:22:27night sir
01:22:31come come
01:22:59there's no need to be
01:23:04how warm it is in here not too warm for you I hope perhaps a bit what's your name Nancy
01:23:14King and I think you might have offered me a glass of wine and a cig I beg your pardon
01:23:19Miss
01:23:19King my name is Leatherby Mrs. Diana Leatherby have you heard that name before no all the better
01:23:36there if you were the king of pleasure and I were the queen of pain you're very handsome Miss King
01:23:45I know
01:23:54what have we here I wonder
01:24:06so all your promises come to nothing after all take those off give me the glass and the cigarette
01:24:15quickly you may leave the jacket on and the boots and the hat
01:24:45good now go through there into the bedroom and open the chest under the mirrors
01:24:49Hunter
01:24:51Let's go!
01:25:21Let's go!
01:25:58Put it on.
01:26:00Put it on and come to me.
01:26:17Come here.
01:26:29Put it on and come to me.
01:27:01Put it on and come to me.
01:27:21Put it on and come to me.
01:27:27You exquisite little tod.
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