00:28For more information, visit www.fema.org
00:58www.fema.org
01:00www.fema.org
01:08www.fema.org
01:11www.fema.org
01:14www.fema.org
01:15www.fema.org
01:16www.fema.org
01:20www.fema.org
01:20Bullshit.
01:21It is this freaking wide.
01:23And it's periodic.
01:26Bullshit.
01:27Show me.
01:35Something terrestrial. Gotta be.
01:37Bouncing off the moon.
01:39Gee, never thought to check that.
01:42Look at that slope, man.
01:43You could ski down that thing.
01:45It is drifting.
01:47Look here. Zoom in.
01:49Zoom in. See that variation?
01:51And look. This gap here.
01:53This is where it stops, then starts over.
01:55It repeats?
01:56Every 78 seconds.
01:58The whole entire thing.
02:00Three hours straight and no end in sight.
02:06It can't be.
02:20It's gotta be something bouncing off the...
02:22Off the...
02:22It's not bouncing off the moon, Dave.
02:25Well, maybe it's those Chatty Cathy's at the forest service.
02:28I hate those guys always on the radios talking about trees.
02:31Dave, it's not Smokey Bear we're picking up.
02:33Look at that signal.
02:34It's drifting.
02:37What is it then?
02:44Looks like simple pulse width modulation.
02:46Old school, like Morse code.
02:49Maybe somehow it's the time signal out of Fort Collins.
02:53They use pulse width modulation.
02:54It's not the atomic clock.
02:56The atomic clock changes every minute because it's a clock.
02:58It's the same exact data repeated every 78 seconds.
03:01Plus, this is coming from 600 light years away.
03:08This Morse code of yours seems to be split four ways.
03:14The pulses are of equal duration,
03:17but they're positioned across four different frequencies.
03:20Looks like a player piano.
03:21So not binary, but base four.
03:24Quaternary.
03:25Whoa.
03:26This won't be easy to crack.
03:40What do you think it says?
03:41Maybe just, hello?
03:43Hey, we're out here.
03:45What'd we put on Voyagers 1 and 2?
03:47Chuck Berry?
03:49Maybe this is just their version of Johnny B. Goode.
03:53Imagine the power it took to send it.
03:57Megawatts?
03:59Gigawatts?
04:00And that's if it's pointed only at us.
04:03Antenna the size of Africa.
04:04Bigger.
04:07You go to all that trouble to send a message.
04:10It's gotta be more than just hello.
04:14And why make it hard to understand?
04:17Quaternary?
04:18It's like encryption.
04:20Why would you bother to...
04:30It's not quaternary.
04:36I think I know what it is.
04:46I think it's okay for you to do.
04:57And it's okay for you to make it hard to use.
04:58It's okay for you to have an idea.
04:58I think we'll be fair to do it.
04:58I think we'll have to pick you up on the table.
04:58If you have to do a gossip, you can do anything.
04:58The one from here just, I think I will.
04:58I think I'm going to give you up on the table.
05:00And then, I think I'll be that way.
05:21The twin moons hung low and full,
05:24two wine-green eyes peering over the horizon
05:26as if to steal a glimpse into Acacia's soul.
05:29She paced the blood-soaked decks of the Mercator
05:32looking for something, anything that might take her mind off Rabanne.
05:36Ascending the foc'sle, her gaze lingered over a bare-chested young sailor.
05:41On hands and knees, he scrubbed, his sinewy forearms stretched taut
05:45as he washed away all trace of the day's fight.
05:48With a languid nod,
05:52Acacia bade him follow to her cabin.
05:54Little did this callow deckhand know that serving at his captain's pleasure
05:58might take on such sweet meaning.
06:01Or, regrettably, that it would last but a single night.
06:08Later, at four bells, Acacia stood by the mizzenmast.
06:12Once again, she was alone.
06:16She pulled her topcoat tighter, fingering its coarse wool,
06:20as her thoughts flashed back to Rabanne.
06:22It had been he who first wrapped the coat around her,
06:25whispering in her ear,
06:26May this keep you warm in my absence,
06:30my shy.
06:32With that, Rabanne,
06:35proud, haughty Rabanne,
06:38mounted the plank and leaped from sight.
06:40The amaranth and slipstand closed over him,
06:44leaving Mary a ripple.
06:58Attention, lovers of speculative historical romance literature,
07:02best-selling author Carol Sterka,
07:04will now sign her new novel,
07:06Bloodsong of Wiccaro,
07:07the fourth book in her Wins of Wiccaro trilogy.
07:09Wiccaro, please, the twins of Wiccaro.
07:13And Bloodsong is the best yet.
07:16God, are you in for a treat.
07:19Let's go, sang-wooks!
07:23Rabanne is alive, right?
07:26Maureen.
07:26You can read it.
07:28Why, well, tonight, I've already unplugged the phone.
07:31Just, no, Rabanne's not on the cover.
07:34No, he's not.
07:35Yeah, he's never not been on the cover, Carol.
07:38Well, if Rabanne doesn't come back,
07:42I'm done.
07:46Page 218.
07:50Okay.
07:51Okay.
07:53Bye.
07:53Thanks, Maureen.
07:55Hi.
07:56Hi, Oban.
07:57Lately, I can't take your idea.
07:59It's a pretty good day.
08:01Hi, Ben.
08:05Love it.
08:08Happy reading.
08:09This is Nikki with her pillow.
08:11Nikki with her.
08:12Oh, my gosh.
08:12It looks so good.
08:13You made this?
08:14Yes.
08:15This is Christine.
08:16This is Paulina and support person.
08:18This is Carlotta.
08:19Say Rabanne.
08:21Rabanne.
08:22When Rabanne and Ergamel fell in the cargo hold,
08:25do you remember what it was loaded with?
08:27Adobe and Spicefruit.
08:28Which, Lucasia is...
08:32Definitely allergic to.
08:34Oh, you guys want a picture, too?
08:35And cough, like Chris.
08:39Thank you so much.
08:40Hi, Tanya.
08:41Are you excited?
08:42Hi, Eva.
08:44I got two books.
08:45One for the tub.
08:46This is an authentic petless, just like LeBan's.
08:49Okay.
08:49Careful, it's really sharp.
08:51Okay, so three things.
08:52A, when finally are they going to make a Wai Kuro movie?
08:55And please tell me it'll be an actual theater,
08:57it's not on the Lifetime Network.
08:58B, you've got to get ILM to do the slipstand.
09:01Otherwise, it's just going to look like mailed.
09:03Pardon my French.
09:03And C, a small but very crucial point.
09:07As a two-masted scooter,
09:09the Mercator would not possess a mizzenmast.
09:11Craig, I'm going to need you to put this back in the bag
09:14before the store manager sees it.
09:16Oh.
09:17Right?
09:18Your humble servant.
09:21Oh, that's the one.
09:22Oh, love you.
09:23Thank you so much.
09:25See you next week.
09:27All right, all right.
09:33Hi, ladies.
09:34I have us going to the Hyatt Regency of Dallas.
09:37Yeah, thanks.
09:38Perfect.
09:40That was quite a send-off.
09:41I'm sorry, should I know who you are?
09:44Uh, depends.
09:45You a big fan of mindless crap?
09:47Ha, ha.
09:48What's that?
09:49I hope we're preparing.
09:51I'll catch you next week.
09:52Bye.
10:01Bye.
10:06Bye.
10:08Bye.
10:11Bye.
10:13Bye.
10:15Bye.
10:15Bye.
10:16Bye.
10:20Good morning, Doc.
10:22Oh, it certainly is.
10:25Hey, Mel.
10:26Hey.
10:27Oh, where'd those come from?
10:29Yours truly.
10:31Help yourself.
10:32I think they're mostly glazed, but one box ought to be sprinkled, powdered and all that.
10:36What did we do to deserve this?
10:38Ah, my 14-year-old son from Arch and Band.
10:43Oh, aren't you a good dad.
10:44What does she play?
10:46Trombone.
10:47Dr. D.
10:49Good evening, morning, whatever.
10:52Look what Mel brought.
10:53Ooh, for us?
10:54Yeah, please.
10:56They got you two working late.
10:57Yeah, I gotta guess a bunch of rats.
11:01So how goes the big project?
11:03What have you heard?
11:05I don't know.
11:06Thanks?
11:08Well...
11:09Our team's fairly certain we've got a sequence that includes for a lysogenic virus,
11:13but after eight whole months of animal testing...
11:15macaques, rabbits, mice...
11:16Guinea pigs.
11:17Guinea pigs.
11:18Now rats.
11:19No clinical signs whatsoever.
11:24Put another way?
11:26We got bupkis.
11:28We got bupkis.
11:45Okay, how do you want to do this?
11:47Uh, I can put him to sleep if you want to do the cardiac sticks.
11:51I hate the cardiac sticks.
11:53You're more than welcome to gas him.
11:56I hate gassing him.
11:58Might be in the wrong career.
12:00All right.
12:00Cardiac sticks it is.
12:03Let's get it over with.
12:06Uh-oh.
12:09Check it out.
12:11Oh, damn.
12:12What do you figure happened there?
12:20I don't know.
12:22I don't know.
12:44He's looking pretty dead to me.
12:48You got a heartbeat?
12:49I can't feel jack shit in these gloves.
13:00Huh.
13:01Huh.
13:02What?
13:04He's absolutely got a heartbeat.
13:06Strong one.
13:06Just bam, bam, bam.
13:07It's weird.
13:08If I didn't know any better, I...
13:09Oh!
13:10God!
13:10Oh, shit!
13:11Oh, no.
13:12You've got to be kidding me.
13:15Did he break the skin?
13:17Um, yeah.
13:18I don't...
13:18Yeah, it's through the glove.
13:19Oh, shit.
13:20Uh, soak it quick.
13:22If it's a merge.
13:23If it's bleeding, make sure to squeeze it out good.
13:25I'm going to call this in as soon as I catch him, okay?
13:41Uh-huh.
13:43It's right there.
13:45Right there.
13:52That's Mark 336, and, uh, Jen?
14:02Talk to me, Jen.
14:03Jen!
14:04Jen!
14:04Jen!
14:05Jen!
14:07Hang on right now.
14:09Oh, my God, Jen.
14:11Okay, come on.
14:13I'm not sure.
14:18Oh, my God!
14:19Oh, my God!
14:22Jen, can you hear me?
14:23It's going to be fine.
14:25You're going to be all right.
14:27Come on.
14:28You're going to be all right.
14:29You're going to be all right.
14:30You hear me?
14:31Come on.
14:31Come on.
14:32Come on.
14:32Talk to me a lot, Jen.
14:33Come on.
14:34Jen!
14:35You all right?
14:37Jen?
14:38Just say something.
14:40Jed, I got you! I got you!
14:43Jed?
14:47Hey, Jed, can you hear me?
14:50Jed, say something.
15:01Damn it.
15:04Are you kidding me?
15:09Ahh.
15:18Really?
15:32Can you believe this thing?
15:35You got skinny arms.
15:37Seems like a maybe...
15:42Hey.
16:07Hey!
16:12Hey!
16:21Hey!
16:23Hey!
16:24Hey!
16:26Yes.
19:27Let me get some gum.
20:09Whoa, seriously?
20:11I had one Tito's in Salt Lake.
20:14That was like two hours ago.
20:38Right Manhattan.
20:41And a Diet Pepsi.
20:44Thanks.
21:13Thanks.
21:14Do not toast it.
21:15Oh, how I hate all those paying customers showering me with love and respect.
21:19And why do I have to make so much money?
21:20Where?
21:22How do you bear it?
21:32Bunch of dummies.
21:45Bunch of dummies.
21:52Wow.
21:53Yeah.
21:54Yeah.
21:54Yeah.
21:58It's like a bad episode of Star Trek.
21:59All right.
22:00All right.
22:00All right.
22:00So how about you throw everybody a changeup?
22:01Hmm?
22:02Green sand?
22:03Is that a purple?
22:05Maybe it's time for your serious book.
22:09Why not?
22:09You've been plugging away on it for five years.
22:12Four and a half.
22:13Barely.
22:14Pardon me.
22:14So put it out already.
22:15I can't just...
22:18It needs polishing.
22:21Obviously.
22:21I mean, it does.
22:22Right?
22:22Well, okay.
22:23Take the next few months and polish.
22:25I'll work it out.
22:26I'll buy you some more time before your next Wecaro.
22:30You really think bitter chrysalis is that good?
22:34I think people will love it.
22:41Have you ever read, um, Finnegan's Wake?
22:44No.
22:46I tried, too.
22:47In grad school.
22:51It's probably great.
22:53I don't know.
22:55All I know is it made me miserable trying to get through it.
23:01I figured you make even one person happy.
23:06Maybe that's not art.
23:09It's something.
23:17To Rabanne.
23:19Proud, haughty Rabanne.
23:29Did you bring your cigarettes?
23:31Since when do you smoke?
23:33Since now?
23:34Made my rise all over the town.
23:38When I were born.
23:41Can't everybody's like to have it.
23:43What I got?
23:44Keep going down this borderline.
23:47It's what you find me here.
23:49That's my name.
23:55Were you trying to start a forest fire?
23:57Stop wasting my butane.
24:00Stop telling me how to smoke.
24:02I used to smoke in middle school.
24:04You know, you're supposed to light the other person's cigarette first, by the way.
24:06That's etiquette.
24:07Yeah?
24:07On a plane, do you put your own oxygen mask on first?
24:13Ooh.
24:14You're gonna hear it.
24:15Houston Mom, 78, says about Blood Song.
24:18Best Waikaro ever!
24:19All caps.
24:20And, uh...
24:2416, 17!
24:25No.
24:25Exclamation points.
24:26Wow.
24:26Is that a new record?
24:27It's gotta be.
24:28Spoiler alert.
24:29Rabanne is back.
24:30And yummier than ever.
24:31Yummier than ever.
24:32Think she means?
24:33Mm-mm.
24:34You better belief he's got my permission to come aboard.
24:37I'd walk his plank any time.
24:39I'm sensing a nautical motif.
24:41A little bit.
24:41Think Houston Mom's off for meds again?
24:43I think Houston Mom would spread her legs for a grilled cheese sandwich.
24:48Huh.
24:51Look at that.
24:53What?
24:55What do you think they're doing?
24:57What do you think they're doing?
24:58What's what doing?
24:58The planes.
24:59Look.
25:03I don't know.
25:04Was that weird?
25:05Yeah, it's weird.
25:06Isn't it?
25:07All of them kind of parallel like that?
25:10Huh.
25:10I don't know.
25:22Anybody else weigh in?
25:24That's all the usual suspects.
25:26Plus a few new ones.
25:28Everybody loves it.
25:40You want to answer a few questions for them?
25:43What now?
25:44No, no, no.
25:45Do a quick one.
25:45Let them know you're paying attention.
25:48Carol, my husband says Rabanne can be my hall pass, which I don't think is fair since Rabanne's not a
25:53real live person, although I wish he was.
25:55In real life, was there an actual man you were thinking of when you came up with Rabanne?
26:01That's hilarious.
26:05You want to tell the truth?
26:09What do you have to lose?
26:13Put down George Clooney.
26:15What?
26:16What's wrong with him?
26:17Nothing.
26:18Just...
26:18I mean, how about a hot Brazilian soccer player?
26:21Someone with dreadlocks.
26:22Hip it up.
26:24Just...
26:25Put George Clooney.
26:27It's safer.
26:34Shit!
26:50Oh.
26:56Buddy, you...
26:57You okay, buddy?
27:05Oh, Jesus.
27:17Helen, should we call someone?
27:22Helen!
27:23Helen, stop looking at the goddamn phone!
27:37Helen?
27:42Oh my god, Helen!
27:44Helen?
27:51Help! Somebody help us!
27:54Help!
27:56Just hang in there.
27:57Hang in there.
27:59Just hang in there.
28:07Oh my god!
28:36Mom!
28:40Help!
28:41No, no, no, no, no, no, no.
29:11No, no, no, no, no, no, no.
29:22She's going to die.
29:24Please, please.
29:27Yes, yes, yes, yes, yes.
29:30Please remain on the line, an operator
29:33will be released shortly.
29:35He's reached the out-
29:37Number 3 on the line, an operator on the street.
29:42Free the Albuquerque.
30:20Come on, come on, come on, come on, come on!
30:24Come on, come on.
30:25Come on.
30:34Fuck you.
30:35Fuck you, fuck you, fuck you, fuck you, fuck you.
30:42Fuck you!
30:52You better get out.
30:53Come on, get out! Get out!
30:59No! Fuck!
31:04Fuck it! Go!
31:05No!
31:20Go for it!
31:38Go for it!
31:48No!
31:50No!
31:52No!
31:53No!
31:53Oh, my God.
32:32Oh, thank God.
32:35Oh, thank God.
32:59Oh, my God.
33:00Oh, my God.
33:07Oh, my God.
33:07Oh, my God.
33:14Oh, my God.
33:15Oh, my God.
33:32Oh, my God.
34:13Oh, my God.
34:37Oh, my God.
34:49Oh, my God.
34:54Oh, my God.
34:55Oh, my God.
34:55Oh, my God.
34:57Oh, my God.
34:59Oh, my God.
35:00Oh, my God.
35:09Oh, my God.
35:21Oh, my God.
35:55Oh, my God.
36:05Oh, my God.
36:31Oh, my God.
36:38Oh, my God.
37:13Oh, my God.
37:17Oh, my God.
37:18Oh, my God.
37:28Oh, my God.
37:37Oh, my God.
38:11Oh, my God.
38:18Oh, my God.
38:21Oh, my God.
38:38Oh, my God.
38:41Oh, my God.
39:24Oh, my God.
39:31Oh, my God.
39:51Oh, my God.
40:02Oh, my God.
40:17Oh, my God.
40:21Oh, my God.
40:22Oh, my God.
40:25Oh, my God.
40:54Oh, my God.
40:57Oh, my God.
41:26Oh, my God.
41:28Oh, my God.
42:04Oh, my God.
42:15Oh, my God.
42:29Oh, my God.
42:31Oh, my God.
42:50Oh, my God.
43:06Oh, my God.
43:38Oh, my God.
44:05Oh, my God.
44:09Oh, my God.
44:19Oh, my God.
44:33Oh, my God.
44:37Oh, my God.
44:38Oh, my God.
44:49Oh, my God.
45:20Oh, my God.
45:40Oh, my God.
46:11Oh, my God.
46:16Oh, my God.
46:24Oh, my God.
47:03Oh, my God.
47:25Oh, my God.
48:11Oh, my God.
48:28Oh, my God.
49:10Oh, my God.
49:13Oh, my God.
49:23Oh, my God.
50:11Oh, my God.
50:22Oh, my God.
50:46Oh, my God.
51:23Oh, my God.
51:51Oh, my God.
52:24Oh, my God.
52:45Oh, my God.
53:23Oh, my God.
53:33Oh, my God.
54:03Oh, my God.
54:55Oh, my God.
54:58Oh, my God.
55:56Oh, my God.
55:58Oh, my God.
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