[ Hot 2026🔥] In Other Words, Still You  (2026) - FULL ENGSUB - video Dailymotion

LifeMiracles

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Transcript

00:00:03I've always described the world in words people moments places all through

00:00:10metaphors and margins okay like my mom self-made stubborn and never wrong

00:00:19almost there you excited for your first day she calls this a fresh start I call it terrifying

00:00:31you've got this just for yourself that's kind of the problem

00:01:05okay morning class and you're not seated because I don't have a seat ah a new

00:01:16transfer Alice Keaton right let's see no there's a spot next to Charles seriously

00:01:27the charity case sitting next to Charles God quiet Charles I've always had words

00:01:38for everything but in that moment I forgot them all

00:01:54Charles move your things I'd rather not she'll be a distraction from what sleeping

00:02:03from everything if anything Charles Miss Keaton will be a positive influence on you she was top

00:02:08of her class at a previous school with all due respect sir her previous school was American I

00:02:16highly doubt that that's enough she can sit here it's fine back to Goldie thank you you got it I'm

00:02:29Sherry Vaughn Alice Keaton it's very important that we look at what he's talking about their experience of the time

00:02:40wait you sat next to Charles she didn't you totally shut her down oh knew it don't take it past

00:02:47me he's

00:02:47impossible can everyone stop acting like the goal is getting into his pants what he's hot everyone kind of is

00:02:56I I've seen Connor he's not my type you're joking I don't find bullies attractive hey be careful you're talking

00:03:05about the king of Ashford

00:03:07the what his family basically own the school and the town maybe even the country yeah everyone's tried to get

00:03:15close no one can get past his ego you're not the first to get ice

00:03:19okay first of all I wasn't iced it's more like a mutual decision and second I think he's arrogant cold

00:03:27thinks he's untouchable but if you really look at Charles he just seems isolated like he's faking out honestly I

00:03:35just think he's lonely and kind of pathetic

00:03:56next time read the room before opening your mouth American we're not in Kansas anymore Alice

00:04:23Hey how was your first day I good I think sighted captain not really super uneventful

00:04:32really how's your new job yeah all right get this they said we can stay in the servants wing

00:04:37seriously apparently the young master won't mind the company the young master

00:04:45this is your boss's house yeah isn't incredible I mean I wouldn't call it a house it's

00:04:53a museum with better landscaping

00:05:00wait here I'll talk to the butler

00:05:07wow rich people you've topped yourselves again

00:05:14Stephen King

00:05:17first edition

00:05:27breaking and entering now how American of you

00:05:53you can get up now I I'm trying wait

00:06:00are you serious well you said you were trying

00:06:04what is wrong with you funny I was about to ask you the same thing what are you doing in

00:06:11my house

00:06:13you wait your house my house my library and now apparently my unwanted guest

00:06:23oh master Charles must be miss Alice and daughter she said you'd be moving in today

00:06:29she what there there's been some kind of misunderstanding you see I'm not actually moving in

00:06:35that's so yeah I'm not staying here like at all that's a shame you must seem quite pleased with the

00:06:42arrangement well I just don't think it's appropriate well for sure and absolutely

00:06:48not come on Alice you must stay it'll be fun my dear classmate I'm dead like mentally socially

00:07:05and actually dead

00:07:14just trying to figure out how exactly my life went off the rails get it together Alice Keaton

00:07:21you've been through hell

00:07:26actually no

00:07:28this is hell

00:07:48so is that Miss Keaton

00:07:51what thing doesn't know that's often close for months

00:07:54she's going to be late

00:08:01okay how long is this thing gonna take maybe I'll just walk

00:08:05five miles to school

00:08:09okay if I sprint maybe I'll make it before first period

00:08:14or die of exhaustion on the way

00:08:20or die of exhaustion on the way

00:08:24what what are you doing here didn't you already leave

00:08:30wait did you come back for me

00:08:33relax

00:08:35I forgot my textbook don't flatter yourself

00:08:38wait

00:08:42since you're already here maybe you could be a decent person and give me a ride

00:08:50no

00:08:52seriously your car is huge

00:08:55yeah

00:08:56and I'm not a fan of sharing

00:08:59says the guy who forced me to live in his house

00:09:06unbelievable

00:09:16ashford institute please

00:09:18thank you

00:09:22who needs that entitled brat anyway

00:09:25sir

00:09:26you called the cab

00:09:27why not just give miss keaton a lift

00:09:35why not just give miss keaton a lift

00:09:37and have the whole school go crazy

00:09:39she's new

00:09:41everybody's already talking

00:09:42so you're worried about her

00:09:44you're overthinking

00:09:46I just don't like drama

00:09:53asshole

00:09:55who

00:09:57morning class

00:09:59back to golding

00:10:00remind me what he's saying through lord of the flies

00:10:08mr kenwood

00:10:09care to share what you found so amusing

00:10:11not particularly

00:10:13oh

00:10:14I insist

00:10:15you seem very entertained by golding

00:10:18I'm not entertained by golding sir

00:10:20on the contrary

00:10:22I think his ending is

00:10:25weak

00:10:26wait wait

00:10:27you actually read it

00:10:29quiet

00:10:31that's an interesting take

00:10:33explain

00:10:36he had the set up for something brutal

00:10:38something honest

00:10:39but in the end

00:10:41he backed out

00:10:42he could have left the boys on the island

00:10:44forced them to confront the collapse of all morality

00:10:46let them choose survival

00:10:48or death

00:10:50but instead

00:10:51he gave them a rescue boat

00:10:52slapped a happily ever after

00:10:54on a book about savagery

00:10:59it's a waste

00:11:00don't you think

00:11:01I'm delightfully surprised charles

00:11:03didn't think you had such strong literary opinions

00:11:06I'm always a model student sir

00:11:08let's not get ahead of ourselves

00:11:12so

00:11:13a critique of golding's mercy

00:11:15anyone disagree

00:11:33I think golding knew exactly what he was doing by ending the book that way

00:11:36it's not mercy

00:11:37it's irony

00:11:39how so

00:11:42the rescue isn't a happy ending

00:11:44you don't just walk back into society and forget you're a monster

00:11:48golding didn't save them

00:11:49he left us with the discomfort of pretending they could be saved

00:11:52that's an interesting take misqueter

00:11:54you still think it's a harsh critique

00:11:57in some ways

00:11:58but not harsh enough

00:12:01yes it's a critique of toxic masculinity

00:12:03but still golding sympathize with them

00:12:06and the civilized world

00:12:08toxic

00:12:09violent

00:12:09he didn't call that out nearly as much

00:12:11so yeah

00:12:12I don't think golding pushed far enough

00:12:14but I think it's unfair to call it a happy ending

00:12:20thank you miss keaton

00:12:22well said

00:12:23anyone else?

00:12:26both opinions are valid

00:12:28okay

00:12:28that's kind of epic

00:12:30and let's not forget

00:12:30golding faced major backlash when he first published the book

00:12:34good literature will always divide opinion

00:12:40what's happening to me?

00:12:57okay what is going on?

00:12:59why is everyone staring at me?

00:13:01well you're new

00:13:02and apparently had a thing with charles

00:13:04a what now?

00:13:06you two are in the middle of the most epic feud as you've seen in years

00:13:10we're not even fighting

00:13:11well according to everyone

00:13:12you confessed your love on day one

00:13:14got rejected

00:13:15begged to sit next to him

00:13:17got rejected again

00:13:18and today in class

00:13:20you broke down crying about not believing in happy endings

00:13:23and stormed out in tears

00:13:27you were there sherry

00:13:28that is not what happened

00:13:31doesn't matter

00:13:31people believe what they want to believe

00:13:34and they want charles to be flawless

00:13:36untouchable

00:13:37wow

00:13:39is misogyny like a rich kid thing

00:13:41or just a british specialty?

00:13:42honestly

00:13:43both

00:13:44but seriously alice

00:13:46some people already see you as a threat

00:13:55okay

00:13:57loaded

00:13:58looks like the new girl is in for a rough first semester

00:14:16hello?

00:14:18hello?

00:14:19hello?

00:14:20is somebody out there?

00:14:23oh come on!

00:14:38fine

00:14:53seriously?

00:14:56oh shit

00:15:02what the hell?

00:15:04anne

00:15:05i thought you were having dinner with alice

00:15:07she hasn't come home

00:15:08her phone is off

00:15:09maybe you've seen her this evening

00:15:14yikes

00:15:14looks like the new girl is in for a rough first semester

00:15:23shit

00:15:29alice

00:15:30alice

00:15:31alice

00:15:31mr pelton

00:15:32charles kenwood here

00:15:33i was wondering if i could get the timetable for alice keaton

00:15:36she hasn't come home

00:15:37she hasn't come home

00:15:38i'll have it sent over

00:15:40check the common room in the library

00:15:41i'll take the rest

00:15:45alice

00:15:59come on alice

00:16:00come on alice

00:16:01close your eyes and jump

00:16:03it's fine

00:16:04you're fine

00:16:06you're fine

00:16:07you're fine

00:16:30Hey, Mr. Nonchalant

00:16:35Are you happy with how we end?

00:16:40What are you doing here?

00:16:45Can you get off me first?

00:16:56You're welcome.

00:16:58I didn't say thank you.

00:17:00I figured saving your life might only be basic manners.

00:17:02Someone just dumped swamp water on me.

00:17:05Excuse me if I'm not feeling very polite.

00:17:07You smell like a biology experiment.

00:17:09Wow.

00:17:11You should try falling out of a window into someone's arms and getting insulted for it.

00:17:15I wouldn't recommend it.

00:17:16You're heavier than you look.

00:17:19I hope you pull your shoulder.

00:17:26Are you okay?

00:17:28No, but I will be.

00:17:31Someone did this on purpose.

00:17:33What do you think, golden boy?

00:17:36Don't worry, I can handle it.

00:17:37You shouldn't have to.

00:17:42I'm sorry.

00:17:50I'm sorry.

00:17:51I'm sorry.

00:17:56Did you just apologize to me?

00:17:58Don't get used to it.

00:17:59I still wouldn't dream of it.

00:18:03Alice?

00:18:04Over here.

00:18:05Oh my god.

00:18:08You okay?

00:18:11Why are you drenched?

00:18:13Yeah, I just took a weird shower.

00:18:16Top exploded.

00:18:19Come on.

00:18:19Let's get you home.

00:18:30Alice Keaton, right?

00:18:33I heard you staged the whole thing for attention.

00:19:00I know how this place works.

00:19:01If you don't do anything about it, it's only going to get worse.

00:19:06I'll look into it.

00:19:09Charles?

00:19:11Good on you.

00:19:13How many here would speak up?

00:19:18I can't believe someone actually locked you in.

00:19:20That's insane.

00:19:22Where the hell was the school when this was happening?

00:19:24Busy protecting their golden boys and trust funds.

00:19:27Well, for what it's worth,

00:19:29I heard Charles looked pretty freaked out when he ran out last night.

00:19:33Please, he just didn't want a lawsuit.

00:19:52Being a scholarship student has its perks,

00:19:55like saving a fortune on tuition

00:19:57and getting into schools that normally wouldn't even let you pass the gates.

00:20:02Hey, we miss you in Paris.

00:20:05Though there are enough Americans to remind us of you.

00:20:08But sometimes, being here means staying behind

00:20:11and watching Asford Elites go on a two-week enrichment program

00:20:15you can never afford.

00:20:18Have fun.

00:20:20Bring me something overpriced and unnecessary.

00:20:27The trip cost 20 grand in pounds,

00:20:29which translates to

00:20:31mom's salary for half a year.

00:20:33So, yeah,

00:20:34I didn't go.

00:20:57What are you doing here?

00:20:58Do you not believe in shirts?

00:21:00Do you not believe in dignity?

00:21:02It's comfortable.

00:21:03You look like a rejected Ewok.

00:21:05This, this is not even your kitchen.

00:21:07And this is not even your house.

00:21:09And yet, you're here,

00:21:10dressed like this.

00:21:12Just don't look.

00:21:13Go away.

00:21:14Hard not to,

00:21:15when you're walking around dressed like that.

00:21:17What do you guys call it?

00:21:19Um, buzzkill?

00:21:22Cockblock.

00:21:23You're insufferable.

00:21:24You're the one cosplaying at breakfast.

00:21:26You know what?

00:21:27I don't get it.

00:21:28Why didn't you go on that tour?

00:21:29I thought rich people live for that kind of thing.

00:21:31Why do you think?

00:21:38Where would I go?

00:21:40I could practically recite the itinerary in my sleep.

00:21:44Florence,

00:21:45walk in the great footsteps of Dante,

00:21:47Michelangelo,

00:21:48Da Vinci and Titian,

00:21:49or Tiziana,

00:21:51if you want to sound extra pretentious.

00:21:53Then Venice,

00:21:54because everybody loves a good canal

00:21:56and getting lost in the most confusing city on earth.

00:21:59Next stop,

00:22:00Napoli,

00:22:01marvel at Pompeii,

00:22:03pretend you're shocked,

00:22:04ancient people had plumbing.

00:22:06The final stop,

00:22:07Paris,

00:22:08the ultimate city of romance.

00:22:11And naturally,

00:22:12Woody Allen's

00:22:14favourite city

00:22:15outside of New York.

00:22:18That's

00:22:19word for word.

00:22:21I told you,

00:22:22I've done this tour so many times,

00:22:24I could run it.

00:22:25Okay,

00:22:25but still,

00:22:26it's Europe.

00:22:26Most people would kill for that chance.

00:22:28Most people haven't had their phones stolen in Paris.

00:22:31Twice.

00:22:33Also,

00:22:33I hate the accommodations.

00:22:35Aren't they all five-star hotels?

00:22:37Standard rooms in five-star hotels.

00:22:39No thank you.

00:22:42Wow.

00:22:43Some were born in Rome, huh?

00:22:45That's unfortunate.

00:22:45It's a very chaotic city.

00:22:47One word of advice?

00:22:48Shut up.

00:22:49That's two words.

00:22:52You're weird.

00:22:53You're loud.

00:22:54You're annoying.

00:22:54You're in my kitchen.

00:22:55You have three other kitchens.

00:22:57And I prefer this one.

00:22:59Just for today.

00:23:00Come back when you've got a shirt on.

00:23:02Come back when normal clothes are on.

00:23:03You don't have to come.

00:23:04Don't tell me what I have to do.

00:23:09You're in my kitchen.

00:23:15Master Charles,

00:23:16roads are flooded.

00:23:17Staff won't make it tonight.

00:23:18Will you be alright sorting dinner?

00:23:23I've got it sorted.

00:23:36Jesus,

00:23:37what are you doing?

00:23:37Relax.

00:23:40I'm here to make a deal.

00:23:42What deal?

00:23:43You nearly gave me a heart attack.

00:23:48You'll survive.

00:23:50I'm not selling my body.

00:23:56I'm not selling my body.

00:24:02Wow.

00:24:03I am deeply offended.

00:24:06That thought disgusts me.

00:24:08Then what are you doing?

00:24:09The staff's off tonight.

00:24:11I'm buying dinner.

00:24:15Did you seriously think I'd spend a hundred pounds on...

00:24:18No, I'm...

00:24:18Jesus.

00:24:20Wait.

00:24:21You think I'm not worth one hundred pounds?

00:24:25I'm not spending one hundred pounds to snort you back up.

00:24:29You know what?

00:24:29Dinner's cancelled.

00:24:33Are you sure about that?

00:24:36I present to you.

00:24:38Meatball spaghetti, stir-fried veggies, and french fries.

00:24:41You're welcome.

00:24:43Interesting combo.

00:24:43Well, I know we're not in Italy or France, but this'll do.

00:24:48It's...

00:24:49good.

00:24:56Was that a compliment?

00:24:58Although,

00:24:59I am obliged to inform you.

00:25:01Meatball spaghetti isn't Italian.

00:25:03It's American.

00:25:04And french fries, likely born in South America.

00:25:08You should read more.

00:25:10Put it down.

00:25:12I paid for it.

00:25:13You really just have to win every argument, don't you?

00:25:16To be fair,

00:25:17you make it very easy.

00:25:20It's only easy because it costs you a hundred pounds.

00:25:23You know, if you'd ask for more,

00:25:24I probably would have given it to you.

00:25:25I'll make sure of it.

00:25:41Hey, Alice.

00:25:42It's fine.

00:25:44You're fine.

00:25:51911, what's for your emergency?

00:25:58911, what's for your emergency?

00:26:00It's my dad.

00:26:01He needs help.

00:26:02He just had a stroke.

00:26:03Okay, miss.

00:26:03Hurricane's constant traffic shut down.

00:26:05We'll get to you as soon as we can, right?

00:26:07Please, he's not well.

00:26:08I understand.

00:26:09Can you confirm your address?

00:26:12Alice?

00:26:13Dad, yes, I'm right here.

00:26:15All right.

00:26:17My daughter.

00:26:18Please, stay with me, Dad.

00:26:20Please.

00:26:24No.

00:26:26Please, wake up.

00:26:32Dad, please.

00:26:33Please, please don't leave me.

00:26:37Please, please, please don't leave me.

00:26:39Please, please, please, please don't leave me.

00:26:41Please, please, please, please, please don't leave me.

00:27:07You, what are you doing here?

00:27:13You were crying.

00:27:15Loudly.

00:27:18Kind of hard to ignore.

00:27:19Right.

00:27:21Sorry for the night.

00:27:23Wait, you want to snarky come back?

00:27:26Not tonight, I'm too tired.

00:27:28If you're here to argue, knock yourself out.

00:27:32You were calling from your dad, right?

00:27:36Hurricane hit New York.

00:27:38Power went down, traffic froze.

00:27:41Dad had a stroke.

00:27:43But he couldn't get help in time.

00:27:47I sat there with a candle while he laid there.

00:27:54Peaceful.

00:27:55Like he was asleep.

00:27:58But he wasn't.

00:28:03So that's why you and your mum moved here?

00:28:06This used to be our hometown.

00:28:09After dad left, we had nowhere else to go.

00:28:18What are you doing?

00:28:23Come on.

00:28:25Come on.

00:28:26Come on.

00:28:29Come on.

00:28:40Wait, I thought the peril was out.

00:28:43It is.

00:28:44We have our own generator.

00:28:46Wow.

00:28:47Rich people houses her.

00:28:48Just for tonight, I'll allow it.

00:28:53Allow what?

00:28:54You can call this place your house.

00:28:56So enjoy it.

00:28:57Stephen King's first edition.

00:28:59Alan Gisberg's handwritten letters.

00:29:01Jane Austen's notes.

00:29:03All yours.

00:29:08This is your home.

00:29:11Alice Keaton.

00:29:17Careful.

00:29:18Almost sounded sweet.

00:29:21Don't push it.

00:29:21Okay, then.

00:29:25I have one request.

00:29:31What is it?

00:29:39Are you ever going to make a move?

00:29:41Wait.

00:29:42Give me a second.

00:29:43I'm thinking.

00:29:44You had one wish.

00:29:46Anything in the world.

00:29:47And in the middle of a thunderstorm,

00:29:50Inside a literal mansion,

00:29:52You chose chess.

00:29:54Yeah.

00:29:55Got a problem?

00:29:56It's just so cool.

00:29:57Like, spies or genius villains in movies.

00:30:01It's literally a board game.

00:30:02Says the guy who owns a custom set.

00:30:05Wait.

00:30:06Does the knight go diagonally?

00:30:08For the tenth time,

00:30:09It moves in an L shape.

00:30:12One.

00:30:13Two.

00:30:14Then turn.

00:30:16There.

00:30:18Happy.

00:30:18Excited.

00:30:21You know.

00:30:22That's suicide.

00:30:23Or a brilliant long-term sacrifice.

00:30:25You are playing checkers at a chessboard.

00:30:27Still beating you in sarcasm.

00:30:29You literally haven't won the past arguments.

00:30:31Golding disagrees.

00:30:33It's going to be a long night.

00:30:34Oh my.

00:30:35No.

00:30:36Why?

00:30:36What's wrong with that?

00:30:36You can't do that.

00:30:38No.

00:30:39No.

00:30:39Oh my.

00:30:40Oh my God.

00:30:41You had to shop a trip and about it all wrong.

00:30:44Tied to pull you in close as we're locked on your phone.

00:30:48Why you're so awkward cause I'm moving on.

00:30:51Oh yeah.

00:30:53Showing up at the door.

00:30:56Holding your heart there inside your hands.

00:31:00Maybe he's not so awful after all.

00:31:10Um, who are you?

00:31:18What are you doing here?

00:31:19Well, your parents said you were still at home.

00:31:22Thank God you skipped that boring grand tour.

00:31:24Who needs Italy and France again, right?

00:31:26When did you get back?

00:31:28Last night.

00:31:29From Zurich.

00:31:30You didn't answer my messages.

00:31:33I missed you.

00:31:35Anyway, thought I'd come surprise you.

00:31:37Apparently, I'm transferring to Ashford.

00:31:40Your parents were so thrilled.

00:31:42They didn't tell me about this.

00:31:43I wanted to deliver the happy news myself.

00:31:45They said it'd be lovely for us to reconnect.

00:31:49You know, considering the engagement and all.

00:31:52Engagement.

00:31:54Oh, did no one tell you?

00:31:57He's promised.

00:31:59Old money stuff.

00:32:00Very retro.

00:32:01I didn't agree to that.

00:32:02You didn't have to.

00:32:03It's never up to us.

00:32:06Where did you find this little toy?

00:32:08Serena.

00:32:09I didn't hear you, you know.

00:32:11Oh, an American.

00:32:14How refreshing.

00:32:18Goodbye.

00:32:20Wait.

00:32:37Where are you going?

00:32:38You still owe me breakfast.

00:32:40You only paid for dinner.

00:32:42I have homework.

00:32:43Goodbye.

00:32:47Your little toy has quite the temper.

00:32:49Serena, can you please just stop?

00:32:51What?

00:32:52Teasing the help?

00:32:59That's her.

00:33:00That's the one from Kenwood's house.

00:33:03Was she, like, the maid or something?

00:33:20Oh, my God.

00:33:21What's wrong with people?

00:33:23They're saying you live with Charles.

00:33:25Oh, and Serena.

00:33:26What about her?

00:33:27Well, apparently she told everyone you were caught sneaking into his room.

00:33:31Of course she did.

00:33:45Careful, Alice.

00:33:46You're starting to look desperate.

00:34:03Come to the music room.

00:34:05Urgent.

00:34:06I just remembered I need to check something.

00:34:08You guys go ahead.

00:34:09Yeah, okay.

00:34:16Hello?

00:34:17Is someone there?

00:34:18Seriously?

00:34:20This is getting old.

00:34:32Wait.

00:34:34Music room, what?

00:34:38James?

00:34:39Was anybody in here earlier?

00:34:41Just Miss Serena.

00:34:42Said she was waiting for you.

00:34:44Sir?

00:34:46Sir, it's raining.

00:34:58Come on, Alice.

00:35:00You're fine.

00:35:02You're not that girl again.

00:35:10Wait.

00:35:10Can you remind me one more time?

00:35:12Okay.

00:35:14Rooks move in straight lines.

00:35:16Yeah.

00:35:17Bishops move diagonally.

00:35:18And knights...

00:35:19The knight's the weird one.

00:35:26Rooks.

00:35:28Straight lines.

00:35:30Bishops.

00:35:32Diagonally.

00:35:33Hello?

00:35:36Hello?

00:35:37Hello?

00:35:39Hello?

00:35:40Hello?

00:35:54The text.

00:35:55Are you okay?

00:35:57Are you hurt?

00:35:58I...

00:35:59I'm okay.

00:36:00I...

00:36:00I saw the text and I thought...

00:36:02I...

00:36:02I didn't see the message.

00:36:04Serena took my phone.

00:36:05I didn't know.

00:36:06I'm sorry.

00:36:07I'm...

00:36:08Okay.

00:36:10You're gonna catch a cold.

00:36:11You're freezing.

00:36:12You didn't have to come.

00:36:16Don't tell me what I have to do.

00:36:18Give me hope that feels like hope...

00:36:41That wasn't a mistake.

00:36:43If that's what you're about to say.

00:36:46I...

00:36:46Wasn't going to.

00:37:00You're really bad at this, you know.

00:37:02What?

00:37:03Kissing?

00:37:04Hiding feelings.

00:37:05I don't like that.

00:37:07I...

00:37:27Dump those Ewok pyjamas.

00:37:29Oh, you wish.

00:37:32Seriously.

00:37:33It's a cock block.

00:37:35You kissed me.

00:37:38That's basically consent to everything.

00:37:46Dangerous words, Keaton.

00:37:48I might hold you to that.

00:37:59You'll be working in pairs on your comparative essays.

00:38:02The list is on the board.

00:38:06One, two, three, four.

00:38:08Paper planes

00:38:11Are you okay?

00:38:12Fly me to outer space

00:38:15That's where I'll see your face

00:38:20And have you with me

00:38:26It may seem dark

00:38:30But you always lie

00:38:32You're distracting

00:38:41You're welcome

00:38:45They're either enemies or secretly married

00:38:49Honestly?

00:38:50Right?

00:38:53I was sure I'd never find someone

00:38:55To make my head spin around

00:38:57No one's ever gonna be the thing I need

00:39:00They all just let me down

00:39:01But baby

00:39:03You saved me

00:39:05Till I'm brand new

00:39:08Everything's so different now

00:39:11So, the night goes in an L shape, right?

00:39:15Why is that the only one you remember?

00:39:17Because it's weird

00:39:18And I like weird

00:39:28Check

00:39:35You're cheating

00:39:36I'm winning

00:39:37There's a difference

00:39:38You are very distracting

00:39:40And you like it

00:39:52Charles

00:39:54We need to talk

00:40:03I expected poor judgement

00:40:05But this in my house?

00:40:08It isn't what it looks like

00:40:09No

00:40:10Kissing a servant's daughter

00:40:12In the family library

00:40:14Enlighten me then, Charles

00:40:15We came back tonight

00:40:16After speaking with Serena

00:40:18Imagine our surprise

00:40:20Walking in on this

00:40:22She isn't just

00:40:23You have no right

00:40:25To barge in

00:40:26On my property

00:40:30I care about her

00:40:31I'm not ashamed of that

00:40:33That's enough

00:40:36Why do you care?

00:40:38We're protecting our son's future

00:40:40And our name

00:40:42You think this protects me?

00:40:44We think

00:40:45She does not belong

00:40:46In your world

00:40:51Then maybe I don't either

00:40:54You're ready to give up everything

00:40:56For a girl you barely know

00:41:01Yes

00:41:01Then

00:41:02Are you sure

00:41:05She's ready?

00:41:12I'm asking you

00:41:13Do you think

00:41:14She's ready

00:41:15To lose everything

00:41:16Regardless of how little

00:41:17That is

00:41:18Just to be with you

00:41:20What are you talking about?

00:41:22You left us no choice, son

00:41:23You shouldn't disobey your father

00:41:28Pelton

00:41:28It's Frederick Kenwood

00:41:30Ah

00:41:31Mr. Kenwood

00:41:32How can I help?

00:41:33If a scholarship student

00:41:35Were to violate our behavioral code

00:41:37In a public setting

00:41:39With photographic evidence

00:41:40Would that warrant a review?

00:41:43Yes, sir

00:41:47So

00:41:48Answer me again

00:41:49Do you think

00:41:51She's ready

00:41:51To lose everything

00:41:52Just to be with you?

00:42:05Charles

00:42:06What happened?

00:42:07Did your parents say something?

00:42:08Are they mad?

00:42:08Is everything okay?

00:42:10Pack your things

00:42:13You can't stay here anymore

00:42:15What?

00:42:17My parents fired your mother

00:42:19She's leaving

00:42:20So are you

00:42:21Wait, why?

00:42:22Is it because of us?

00:42:24We can fix this

00:42:25I'll get a job

00:42:26Stop, stop it

00:42:26You don't get it

00:42:28If I don't walk away from this

00:42:30They'll cut me off

00:42:32Okay?

00:42:33No card

00:42:33No trust

00:42:35No support

00:42:36Nothing

00:42:37Then

00:42:38Then we'll figure it out

00:42:40We don't need all that

00:42:41We can

00:42:42Do you really think

00:42:44I'm going to live like that?

00:42:48So that's what this was

00:42:50Just fun

00:42:51Until it got inconvenient

00:42:54What did they promise you?

00:42:58Nothing

00:42:59Nothing

00:43:01They just reminded me

00:43:03Of what's real

00:43:07Charles, I'm not stupid

00:43:09You don't just turn into a cold stranger

00:43:12Because of one conversation

00:43:13What did they threaten you with?

00:43:20What did they threaten you with?

00:43:22This is the difference between me and you

00:43:24What?

00:43:25You think you know me

00:43:26Or what I have

00:43:28You don't

00:43:30Alice

00:43:30You're still lying

00:43:32I'm not

00:43:33Alice

00:43:33Look around you

00:43:35This mansion you thought was a museum

00:43:37It's my house

00:43:39My world

00:43:41I was bored into this

00:43:43I am not choosing

00:43:45Between this

00:43:48And something I picked up

00:43:50For a moment

00:43:51Of fun

00:43:54Don't do this Charles

00:43:55You don't mean it

00:43:57It was fun

00:43:58But you

00:44:01You don't compare to what I own

00:44:04I'll survive the loss

00:44:08Right

00:44:11I should have known

00:44:14Guys like you

00:44:15Don't end up with girls like me

00:44:19You play with them

00:44:20Then you throw them away

00:44:23Go to sleep Alice

00:44:35This fall is a little more

00:44:38Than I expected

00:44:41In so deep I can barely see myself

00:44:47Yeah around me feels so heavy

00:44:54But I find that's the place

00:44:56To test myself

00:45:06Oops

00:45:24Oh sorry

00:45:25Didn't see you there

00:45:27Then again

00:45:28Nobody does

00:45:29Move please

00:45:30Try begging

00:45:38You know what

00:45:39Keep it

00:45:44Poor thing

00:45:46So dramatic

00:45:48Don't

00:45:49Excuse me

00:45:51I warned you

00:45:52Walk away Serena

00:46:14Last week's group assignments

00:46:16Were mostly forgettable

00:46:18But one pair surprised me

00:46:21In a good way

00:46:22Charles Kenwood

00:46:23And Alice Keaton

00:46:25Would you mind giving us

00:46:26A short summary

00:46:28She loves the sound of her own voice

00:46:30Better have it

00:46:38Our essay explored what happens when two fundamentally different voices meet

00:46:43Like logic and chaos or silence and noise

00:46:47Different worlds, different rules

00:46:52At first glance they clash

00:46:55But what makes the story interesting is what happens next

00:46:58Confusion, curiosity

00:47:00But in the end some stories aren't about staying

00:47:03And yes there is no such thing as a happy ending

00:47:17And yes there is no such thing as a happy ending

00:47:21Is she still talking about the essay?

00:47:26Miss Keaton

00:47:28Dramatic as always

00:47:30All right

00:47:31Thank you Alice

00:47:32That was

00:47:33Late

00:47:36Are you okay?

00:47:37A reminder

00:47:37That good literature

00:47:39Always stirs something

00:47:44Hello

00:47:45Hi

00:47:45Here's Alice Keaton

00:47:46This is Whitmore Press

00:47:47We've been following your work

00:47:48We'd like to offer you a long term publishing contract

00:47:51Name your price

00:47:52We'll make it work

00:47:53Sorry what?

00:47:58That's kind of insane

00:48:00Who's behind this?

00:48:02Your sponsor wishes to remain anonymous

00:48:04Can

00:48:05Can I meet them?

00:48:09I want to

00:48:10Please

00:48:12Or at least tell me a name

00:48:17Sorry they wish to stay in office

00:48:19Since they're only interested in words

00:48:20Not the person

00:48:21I'd really like to meet them

00:48:22I'm sorry Miss Keaton

00:48:23They were very good

00:48:24I think the most generous offer

00:48:26We've ever given a disability or something

00:48:28I see

00:48:29Congratulations again

00:48:35You got the interview

00:48:36I think it's just an interview

00:48:37I haven't gotten in yet

00:48:38Still

00:48:39Alice Keaton at Oxford

00:48:41That's iconic

00:48:50You okay?

00:48:52Yeah

00:48:54I'm so excited

00:49:08It's done Mr. Kenwood

00:49:09Miss Keaton signed the contract

00:49:12Good

00:49:13It's a generous deal

00:49:14You sure you don't want it to know?

00:49:17No

00:49:19No it's better if I stay out of her life

00:49:31Congratulations Alice Keaton

00:49:33Go live the life you were always meant to

00:49:41Your engagement and advancement

00:49:43Should align perfectly with the Foundation Gala

00:49:46And the Browns already offered

00:49:48To host the London reception

00:49:51It's all coming together beautifully

00:49:57I've lost my appetite

00:50:01I'll go check on him

00:50:08What's your problem Charles?

00:50:13Disengagement

00:50:15It's not happening

00:50:16It's not up to you

00:50:17You know that

00:50:17Serena we're not doing this

00:50:21You've changed

00:50:25Or maybe I finally just stopped pretending

00:50:56It's not happening

00:50:57You're a sponsor

00:50:58You've been funding Alice Keaton this whole time

00:51:03So?

00:51:04You lied to everyone

00:51:06Including her

00:51:07I protected her

00:51:11You loved her

00:51:12Still do

00:51:15Let it go

00:51:16Serena

00:51:18There's no point

00:51:28I need a favour

00:51:29Find out when the Oxford interview is

00:51:33And make sure Alice Keaton won't show up

00:51:40Anything?

00:51:41No?

00:51:43She's not answering

00:51:44The interview's almost over

00:51:46Well she won't just not show up

00:51:48Something's wrong

00:51:50Where's Alice?

00:51:52When was the last time you heard from her?

00:51:54Last night

00:51:55She said she was prepping all evening

00:52:01James

00:52:01Track someone for me

00:52:04Wait

00:52:05Where are you going?

00:52:13Chill

00:52:14Okay

00:52:14We won't hurt you

00:52:16Yeah

00:52:17We're just supposed to

00:52:18Keep you away from the interview

00:52:19That's it

00:52:28Shit

00:52:28Come back

00:52:57I remember how it meant

00:52:59I remember how it meant

00:53:01Didn't need a second guess

00:53:07Hey

00:53:08Hey hey Alice

00:53:09Alice

00:53:10Alice

00:53:11Stay with me

00:53:12Stay with me Alice

00:53:13Alice

00:53:19You're awake

00:53:21Where

00:53:22Where am I?

00:53:24Local clinic

00:53:25Passer by brought you in

00:53:27Passer by

00:53:29He found you on the side of the road

00:53:31He had to leave

00:53:32He didn't leave a name

00:53:34Oh

00:53:37The interview

00:53:38What time is it?

00:53:39Easy

00:53:39It's okay

00:53:40Someone already contacted the university

00:53:42And sent in your writing samples

00:53:45They've rescheduled your interview for tomorrow

00:53:47Wait what?

00:53:47Who?

00:53:48No idea

00:53:49But it's all taken care of

00:53:54What did you say?

00:53:55Nothing

00:53:57I just

00:53:59Had a dream

00:54:11I got him!

00:54:12I got him!

00:54:15I knew it!

00:54:17Too bad Charles isn't here to watch you crush it

00:54:20He's not here

00:54:22He's not here

00:54:22Oh you didn't know

00:54:25Know what?

00:54:27He left

00:54:27A few days ago

00:54:29Yeah everyone doesn't really know where he went

00:54:31Honestly Ashford's been quieter without him

00:54:34It's probably for the best

00:54:35Come on

00:54:41Alice?

00:54:45The summer I met Charles Kenwood was loud

00:54:49Chaotic

00:54:50Unexpected

00:54:54And with his absence

00:54:56Come on

00:54:58It ended quietly

00:55:01Like summers always do

00:55:16And joining us today

00:55:18The decade's most unexpected literary phenomenon

00:55:22Alice Keaton

00:55:23Thank you for having me

00:55:24Now your words moved millions

00:55:27They say your stories feel real

00:55:30Especially the ones about love

00:55:32Thank you

00:55:32Which brings us to the most obvious question

00:55:35How's your dating life like these days?

00:55:37No comment

00:55:38A little bird told me that the past four years

00:55:41Has been just writing and working

00:55:44Not even a single date

00:55:45Let me guess a bird named Sherry

00:55:46She caught me

00:55:47Still no comment

00:55:49Alright alright

00:55:50No matter what you say

00:55:51You write love like someone who's lived it

00:55:55If you're so real

00:55:57Because once I did

00:55:58With someone who felt like chaos and clarity

00:56:01Behind Alice Keaton

00:56:03And no one ever quite matched the light after that

00:56:05And let's give it up for Alice Keaton

00:56:08One more time

00:56:19Congratulations Alice

00:56:21The numbers just came in

00:56:22You broke your own record

00:56:25That's incredible

00:56:27We're thinking celebration

00:56:28Press

00:56:29Photos

00:56:30Maybe tonight

00:56:31Actually

00:56:31There's something I'd rather do

00:56:35I'd like to meet with the person who

00:56:37Believed in me first

00:56:39My sponsor

00:56:40You're sure?

00:56:42Yeah

00:56:42Just once

00:56:44Tonight

00:56:56Good evening

00:57:01Good evening

00:57:05May I sit?

00:57:11Hey Mr. Nonchalant

00:57:16Hi

00:57:17Hi

00:57:20You look well

00:57:23And you look like you just stepped out of a GQ cover

00:57:27You always did

00:57:29You were expecting someone else

00:57:32I was

00:57:34Hoping

00:57:36But I guess I always knew

00:57:38I didn't come here to confuse you

00:57:40Or to reopen anything

00:57:44I just wanted to say congratulations

00:57:48Oh

00:57:48Thank you

00:57:52Didn't know you're still reading

00:57:53You're rich enough not to do so

00:57:57Always

00:57:58Either way

00:57:59Your sponsorship started my career

00:58:02So

00:58:03No

00:58:04You earned everything

00:58:08Every word

00:58:09Every page

00:58:13Every reader

00:58:15That's what I came to say

00:58:19It was good to see you again

00:58:22I hope

00:58:22Charles

00:58:25Can you just

00:58:27Wait a little longer

00:58:35I think I knew it was you

00:58:39There was one email

00:58:41You said something

00:58:43It felt familiar

00:58:44Really?

00:58:45Kind of had that

00:58:46Rich asshole with a conscience energy

00:58:48Very on brand

00:58:51I should have anonymized my grammar

00:58:53Too late

00:58:53Your semicolon usage gave you away

00:58:56Still the only girl I know

00:58:58Who flirts through punctuation

00:58:59Still the only guy I know

00:59:01Who uses wild sound ironically

00:59:05You've changed

00:59:07But

00:59:09Not really

00:59:12You haven't changed

00:59:14But maybe you've grown into

00:59:16Who you really were

00:59:19Anyway

00:59:20I wanted to say

00:59:22Thank you

00:59:25And

00:59:26Thanks for being here tonight

00:59:28You didn't have to come

00:59:30Don't tell me what I have to do

00:59:32I do

00:59:35You didn't have to come

00:59:37Don't tell me

00:59:39What I have to do

00:59:59If you could go back

01:00:01If you had the chance

01:00:02To do it all again

01:00:03Would you do anything differently

01:00:10No

01:00:16No

01:00:20I see

01:00:25I know my answer now

01:00:26I didn't have the power

01:00:27Back then

01:00:29Not enough to protect you

01:00:30I couldn't watch you get crushed

01:00:32Because of me

01:00:34Because of my name

01:00:36My family

01:00:38I didn't want to be the reason

01:00:40You lost everything

01:00:41So you just disappeared

01:00:43Without a word

01:00:47If you had the chance

01:00:48To see the world

01:00:49Without me weighing you down

01:00:51If you still chose me

01:00:53After that

01:00:57You keep saying

01:00:58You wanted to give me a choice

01:01:01But you made a choice for me

01:01:05Did it ever cross your mind

01:01:06That maybe

01:01:09I would have chosen you anyway

01:01:16I didn't think I was the smart choice

01:01:20You weren't

01:01:23But

01:01:23I never claimed to be that smart

01:01:33This is me

01:01:35Right

01:01:43I'm still mad at you

01:01:44You know

01:01:47I'm still in love with you

01:01:48You know

01:01:57Do you want to come in for a bit

01:02:01You're asking your ex

01:02:02Who you haven't seen in four years

01:02:05To come into your hotel

01:02:07At approximately 11pm

01:02:10You were right

01:02:12You never were that smart

01:02:14You don't have to come

01:02:15Don't tell me

01:02:17What I have to do

01:02:18It's almost like you say

01:02:21Less things

01:02:23Where can I go

01:02:32Stop quoting yourself

01:02:34I recycle

01:02:35It saves energy

01:02:37This feels

01:02:38Wildly irresponsible

01:02:40You sound like a disclaimer

01:02:41You're the one who wants

01:02:42Called romance a distraction

01:02:43I said that

01:02:45Yeah

01:02:45Before calling

01:02:46Wuthering Heights overrated

01:02:48Still is

01:02:49You're lucky you're a good kisser

01:02:55That is cute to me

01:02:56Don't you dare quote poetry

01:02:58I wasn't going to

01:02:59I forgot all of it

01:03:01The day you left

01:03:02Then shut up

01:03:04And prove it

01:03:11I still can't believe

01:03:13This is happening

01:03:13I told you

01:03:14They're either worst enemies

01:03:16Or secretly married

01:03:17And I told you

01:03:18They're both

01:03:22It's more than a night

01:03:24To let the ride

01:03:32It's enough to let folks

01:03:34Let it be

01:03:45I vow to always

01:03:46Tell you the truth

01:03:48Except for when you ask

01:03:49How your cooking was

01:03:51Then I lie

01:03:53Respectfully

01:03:55I vow to keep choosing you

01:03:58Loudly

01:03:59Quietly

01:04:01Always

01:04:03Even when you forget

01:04:04To do the laundry

01:04:07Is he actually good at this

01:04:09I mean

01:04:09He did beat her at song

01:04:11I vow to argue with you

01:04:16At least twice a week

01:04:17Especially over Shakespeare

01:04:20I vow to write you

01:04:21In your every story

01:04:22Even when I say I didn't

01:04:24You will always be part of my life

01:04:28If she quotes Austin in this toast

01:04:30I'm out

01:04:30No you're not

01:04:31You're going to cry harder

01:04:32Why are the rest of my life

01:04:37Why are the rest of my life

01:04:40Why are the rest of my life

01:05:02Guard your phone?

01:05:03Guard your phone

01:05:04Just don't dress like a walking inheritance

01:05:06And you'll be fine

01:05:09You are not wearing that on our honeymoon

01:05:13Please Alice go change

01:05:15Don't tell me what I have to do

01:05:21No

01:05:22No

01:05:23No

01:05:23That is not an invitation

01:05:24Do not take off these clothes

01:05:26Overruled

01:05:27You look much better without them

01:05:34To the ones who loved in silence

01:05:37In chaos

01:05:38In chapters

01:05:40You will find your way home

01:05:42You will find your way home

01:05:45Sometimes I wanna be on my own

01:05:48But I don't wanna die alone

01:05:51God

01:05:52God

01:05:53God

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[ Hot 2026🔥] In Other Words, Still You (2026) - FULL ENGSUB

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