- 4 weeks ago
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00:00Previously on Moonlight
00:03I was a medic back in World War II
00:05Multiple gunshot wounds were common
00:07I know you must be older, but you look about 30
00:09I'm gonna be 85 this November
00:11It can't be all that bad to live forever
00:13Yeah, but it's not so fun to experience things alone
00:16I haven't been in a romantic relationship with a human since I became a vampire
00:21What happens when a vampire thinks he's about to be exposed?
00:24He moves on, starts all over
00:26As long as you're involved with me and you work at Buzzwire
00:29A secret will always be in danger
00:31I have something to tell you
00:32I quit Buzzwire
00:33If you hadn't been a vampire, I'd have died 23 years ago
00:36Being a vampire isn't all you are
00:56How good does it run
00:58Bigger, baby
00:59Hyah
01:00In the dark
01:01Way
01:02Go
01:03Go
01:04Go
01:05Go
01:06Go
01:07Go
01:08Go
01:09Go
01:10Go
01:11Go
01:12Go
01:13Go
01:14Go
01:15Go
01:16Go
01:17Go
01:18Go
01:19Go
01:20You
01:21Go
01:22Go
01:23Go
01:24Go
01:25Go
01:26Hey, I got your message.
01:55Wow.
01:56Look at you.
01:57Make sure you come and buy so early.
01:59Want your coffee?
02:00Yeah.
02:01Hey, how's it going?
02:02Two coffees?
02:04So, how's unemployment treating you?
02:07I know quitting buzzwire is the right decision, but I don't know.
02:10Being noble and unemployed isn't everything you dreamed it would be?
02:13Thanks.
02:14I have been baking a lot.
02:17I'm sure.
02:19Sit here.
02:22So, you, um, did you hear about the little boy who was abducted last night?
02:29I covered two similar kidnapping cases with last year.
02:33Do you think it's the same guy?
02:35I do.
02:36Yes, I pulled your reports.
02:38Very well researched.
02:40Really insightful.
02:41Didn't help.
02:43The boys were still found dead within a week of their abductions and the cops never caught the guy.
02:47Well, that's why I want you to come with me.
02:48Take a look at the crime scene.
02:50Oh, I'm not a profiler.
02:51No, but you've already done the legwork on the last two victims.
02:54There's gotta be some kind of connection.
02:56Maybe you'll see something we're missing.
03:06How could you not know a Roche-Boubois couch?
03:09From a Minotti.
03:10You invite me to a night on the town.
03:13I'm thinking jazz.
03:15Cigars.
03:16Maybe a fresh from the vein pitcher of sangria.
03:21Not window shopping for couches.
03:23So soon.
03:24My new office is almost ready and I just fired my bonehead designers.
03:28Okay, 4 a.m. really is the best time to browse.
03:31So, are we gonna find your designers at the bottom of the tar pits?
03:34Mick, please.
03:35I don't have the energy to kill everyone who pisses me off.
03:38I have to hire some people.
03:41Uh, blood, juice, day, night.
03:45You know a few weeks as a human and my body still can't work out what it wants?
03:48Yeah, well, blood orange juice must be particularly confusing.
03:51Oh, sorry about your jet lag.
03:53Maybe I should say human lag.
03:55But I am feeling the call of Sub-Zero Oblivion.
03:59I would so plea from the boy's father, Robert Fordham.
04:02This is my son, Jacob. You just turned six.
04:05He's 45 pounds. He's just under four feet.
04:08Well, you are positively Pavlovian when I grow as concerned.
04:12Uh, brown hair, brown eyes.
04:16Please, whoever you are, bring my son back.
04:21Mick!
04:22Hey. You're not here with Buzzwire?
04:25No, Talbot asked me to come. Why are you here?
04:42I grew up in this neighborhood.
04:45You grew up here?
04:46Beth.
04:47Go ahead.
04:48Are you okay?
04:49Yeah.
04:50Okay.
04:51Joseph thought it was seeing Beth that drew me here.
04:52But it wasn't.
04:53It was the house.
04:54And the people who once lived in it.
04:55My buddy, Ray.
04:56His wife, Lila.
04:57Mick!
04:58Keep an eye on him.
04:59You know he trips over his own shoelaces.
05:00Well, if he does, I'll be there to pick him up.
05:05You see, Frank, I love you.
05:06I'll be home soon, Lila.
05:07You can count on that.
05:08No, no.
05:09If it was the house.
05:10It wasn't.
05:11It was the house.
05:12And the people who once lived in it.
05:14My buddy, Ray.
05:15His wife, Lila.
05:16Mick!
05:17Keep an eye on him.
05:18You know he trips over his own shoelaces.
05:19Well, if he does, I'll be there to pick him up.
05:20Down at the station, I'll be by the gate.
05:25You see, Frank, I love you.
05:32I'll be home soon, Lila.
05:34You can count on that.
05:42We've been friends all our lives.
05:44I loved them.
05:49And then I betrayed them.
05:55We took shots of this.
06:14All right, I'll be in the room.
06:17Hey, Dave.
06:17Yeah.
06:19All the detectives are upstairs.
06:21I'm actually, uh, I'm private investigator.
06:24Mick St. John, Robert Fordham.
06:26Good to meet you, sir.
06:27I think there's a mistake.
06:28I didn't call anyone.
06:29No, I volunteered my help.
06:31I grew up right down the street.
06:33I can't believe this is happening.
06:35I'm really very sorry.
06:37Is your parents?
06:38Yeah, my folks passed away a few years ago.
06:41You know them?
06:43Kind of.
06:44I didn't know they had any children.
06:46Just me.
06:46I was a baby boomer.
06:47Mr. Fordham, why don't you go have a seat with your wife?
06:50We still have some questions.
06:51Okay.
06:52Okay.
06:54Mr. St. John, I don't know who let you in here.
06:59Detective, there's a child missing.
07:01You use all the help we can get.
07:07Thanks.
07:08Yeah.
07:09They'll, uh, finish the interview up in there.
07:12Okay.
07:12Okay, had anyone been bothering Jacob at school, on the playground?
07:23No, he would have told us.
07:25You said he was having nightmares.
07:27Was he seeing a doctor?
07:28No, no.
07:29It's nothing like that.
07:30He's six.
07:30He has a big imagination.
07:32Every little creak he heard was a monster.
07:34He-he said he heard tapping coming from the walls.
07:38I checked the crawl spaces that put rat traps in the attic.
07:42It's okay.
07:44Detective.
07:47Okay, you guys, take a minute.
07:53Hey, you mind if I, uh, take a look in the boys' room?
07:56Forensics are still working.
07:57Come back in a couple hours.
07:58Yeah, I agree.
08:08A couple of hours so they can trample anything useful.
08:11The cops never found blood or prints at the previous scenes.
08:14Hey, do you know Robert?
08:16What?
08:17No, why?
08:18I don't know.
08:19You're acting kind of odd.
08:21Oh.
08:23So you think it's the same guy who took the other boys?
08:25Well, the MO is exactly the same.
08:27A little boy taken from his home while his parents slept.
08:30No sign of forced entry.
08:32The perp is a ghost.
08:33Yeah.
08:34Or a vampire.
08:36Were any of the other victims missing blood?
08:38Do you have anyone in mind?
08:40Yeah.
08:41Somebody Talbot wouldn't know about.
08:46My name didn't ring a bell with Robert.
08:48I guess I shouldn't be surprised Lila and Ray never mentioned me.
08:55Damn.
08:55This makes K-rations seem gourmet.
08:58Yeah.
08:59Yeah.
08:59File a complaint.
09:01Oh, wait a minute.
09:03We're in the middle of nowhere fighting Germans.
09:06This isn't nowhere.
09:07It's a forest.
09:09In Italy.
09:10What I wouldn't give for one of Lila's Sunday dinners right now.
09:17Mm.
09:18Mm.
09:19I mean, not only does she have Lana Turner's legs and Garbo's laugh,
09:24but my wife could cook a ham so juicy you tempt a rabbi.
09:27Ha, ha, ha, ha, ha, ha, ha.
09:31Oh, my.
09:32Hold yourself.
09:32Take it.
09:46Take it off.
09:47Ray saved my life several times.
10:00And I saved his a time or two.
10:03It's what happened when you're fighting in a war.
10:10This is the bookshelf.
10:12Yeah.
10:14You know, when I asked you here,
10:16it wasn't a group invitation.
10:18Oh, I didn't call, Mick.
10:19It just seems wherever one of you goes,
10:21the other one isn't far behind.
10:25What?
10:28Look at the toys.
10:30Okay, so the kid's a little OCD.
10:33No, it's a defensive line.
10:35If a monster showed up,
10:37he'd have to break through the perimeter
10:38and make enough noise to wake Jacob.
10:41Is that what you did after you were taken as a child?
10:44How do you know about that?
10:45No, it's my business to know.
10:48Come on, tell me you didn't Google me
10:49after we first met, huh?
10:57Every vamp knows children's blood is more pure,
11:00less free radicals.
11:01But some crave it because they think it tastes better,
11:04like something cooked in butter instead of margarine.
11:08Leo's one of those vamps.
11:10He's also the nervous type.
11:11If Jacob heard tapping on the walls,
11:13I may have found the mouse.
11:18You can't let me, man.
11:25Tell me you didn't take that kid in West Adams last night, Leo.
11:30Nick, you wound me.
11:32I'm not some kind of pervert.
11:33And I'm not the cop, Leo,
11:36but I will get the truth before I leave.
11:38The only question is,
11:39easy way,
11:41hard way.
11:42I didn't take them.
11:44Children are our precious gift.
11:46I just like their blood.
11:48Where do you get it?
11:50Runaways, mostly.
11:52I buy them booze and they tap a vein
11:54while they're sleeping it off.
11:56Do you kill them?
11:58Hell no.
12:00I even leave them cash.
12:02More than they get at the blood bank.
12:05Ask anybody.
12:10Leave the runaways alone, Leo.
12:24So what kind of monster were you, Mr. Talbot, talking about?
12:28Oh, I was just wondering
12:29if there's any kind of real-life explanation
12:32for Jacob's fears.
12:33You mean someone he knew?
12:35Right.
12:35Somebody who had a key,
12:36like a housekeeper you fired
12:38or an angry ex-wife.
12:40No.
12:41No, there's no one like that.
12:43Huh.
12:45Is that a photo from World War II?
12:50Yeah.
12:50It's my dad.
12:52Ray Fordham.
12:55His company was stationed in Italy.
12:57Robert was a child of the baby boomer, right?
13:02Thousands of reunited couples celebrating life
13:05had thousands of babies.
13:07But Robert was born only seven months after Ray got home.
13:10Hey, so I saw a photo of you at Robert's.
13:28You were in the war with his father.
13:30Why didn't you tell me you wanted to help
13:31because you knew the family?
13:32Because they could be my family.
13:48Your family?
13:51How?
13:52Years before I became a vampire,
13:58I was just another soldier in World War II.
14:01Ray was my best friend.
14:04In the late summer of 1944,
14:06we were fighting together in Italy.
14:07Where's that coming from?
14:20That's the road to Florence.
14:22Okay, let's move out.
14:23Go.
14:25Keep coming!
14:27Take cover!
14:27Take cover!
14:28Take cover!
14:30Take cover!
14:30Take cover!
14:30Take cover!
14:31Take cover!
14:31Take cover!
14:31Take cover!
14:32Take cover!
14:32You're in the airport!
14:33Get over here!
14:35Take cover!
14:36Take cover!
14:37Take cover!
14:38Take cover!
14:39Ray!
14:40Answer me!
14:41Ray!
14:42Ray!
14:43Ray!
14:44Ray!
14:45Ray!
14:46It's okay.
14:47Are you all right?
14:48My leg's so funny.
14:49Are you still there?
14:50Yeah, of course.
14:51Two good legs and I still gotta run to you.
14:53You stay with me, Ray.
14:56Okay?
14:57Take care of Lyra.
14:58Okay?
14:59Don't cut the hell up.
15:00You gotta take care of Lyra.
15:01Okay?
15:02Don't cut the hell up.
15:03You gotta take care of her yourself.
15:06Tell her.
15:07Over here!
15:08That I love her.
15:10Tell her.
15:12I'll tell her, Ray.
15:15I'll tell her.
15:16Ray!
15:17Ray!
15:21A week later, I woke up in a field hospital.
15:24Wounded, but alive.
15:26They told me I was the only one who survived from that patrol.
15:30And eight months later, I was back in the States.
15:34Of course, Lyra knew that Ray was gone, but...
15:39I needed to see her.
15:41We were devastated.
15:57And then a week later, the war in Europe was over, and there were parades in the streets.
16:04There were picnics.
16:07Everybody was starting over.
16:14Nick!
16:15Take a break.
16:16I swear, you're gonna start fixing things that aren't even broke.
16:19I like to keep busy.
16:29I know that feeling.
16:31Works until I close my eyes at night.
16:34You know, I can't believe a woman who built airplanes for three years can't change a fuse.
16:45It's not that I can't.
16:48Ray just always used to take care of some things.
16:57He wanted me to take care of you.
16:59Well, you do, Mick.
17:03You do.
17:21You started over with Lyra.
17:24I know how it sounds.
17:26But you...
17:28It just...
17:29Kinda happened.
17:30It didn't...
17:31It just happened.
17:32So you think Robert...
17:35How could you not know you had a son?
17:38When I left Lyra, I had no idea she was pregnant.
17:41But I checked Robert's birthday.
17:44It's possible.
17:47Why did you leave her?
17:49Because Ray survived.
17:51He was in a coma for months.
17:53He lost his dog tags.
17:54The army didn't know who he was.
17:56When Ray turned up, I made myself scarce.
17:59What else could I do?
18:01I left my best friend for dead.
18:03And then I stole his wife.
18:07It was wrong.
18:09It wasn't wrong if it was love.
18:13Was it love?
18:14Yeah.
18:19Yeah.
18:21Yeah, I think it was.
18:26It's getting late.
18:27Cops should be done by now.
18:29Yeah.
18:31Hey, thanks for letting us have a look around on our own.
18:35Yeah, well, like I said, you know, CSI and police have come to every inch.
18:38I don't care who finds Jacob as long as he's found.
18:41It's strange to have a son who looks old enough to be your father.
18:45You seem familiar somehow.
18:50Oh, he was all over TMZ last week.
18:53No.
18:54No.
18:58Do I maybe know your family?
19:01No, I don't think so.
19:04Excuse me.
19:05This was a human crime.
19:20There's no scent of vampire in here.
19:23Hey, can't you smell if Robert's your son?
19:26No, it's not that specific.
19:27Can you get a DNA test?
19:29Wouldn't work.
19:30My DNA was fundamentally altered when I became a vampire.
19:33What about pre-vamp DNA?
19:34I have a lot of skills.
19:35Time travel is not one of them.
19:36I don't know.
19:37What about a block of hair from a family bible, something like that?
19:40Maybe.
19:42I didn't keep much from when I was human, though.
19:47Is that fingerprint powder?
19:52No, it's-it's powdered metal.
19:54CSI's probably bagged a sample.
19:57Lucky for us, we have the mobile vampire lab.
20:02Let's take a look upstairs.
20:04Jacob's room would be right under here.
20:25He was here.
20:26This is where he watched Jacob.
20:27And this is the door he came in.
20:44Who's had physical access to the attic?
20:47We renovated last year.
20:48Other than the contractor, there were dozens of workers.
20:51Okay.
20:52We're gonna need those names.
20:53If he made a secret way into Jacob's room, maybe he made a secret way into the house.
21:01Or found one that's already here.
21:04A lot of these old houses had coal chutes.
21:06Like this one.
21:07And it's a way into the house.
21:08It's been open recently.
21:09Once he was in the kitchen, he could take the serving stairs to the attic and take his time.
21:18To take my son.
21:19To take my son.
21:20So Jacob was right.
21:21The monster was in the walls.
21:22And in the floors.
21:23And in the ceilings.
21:24And in the ceilings.
21:36This is a way out here.
21:37I was Imma видим, how he's that hole they were it.
21:41So Jacob is in right now.
21:42The monster was in the walls.
21:43And the floors.
21:44How'd you know about the coal chute?
22:02I grew up in a house like this.
22:04Here in L.A.?
22:05Yeah.
22:07What school did you go to?
22:09You investigating me now?
22:12Depends. You got something to hide?
22:13No, not anymore.
22:14The paparazzi exposed my deepest secrets.
22:17Shoe size ten and a half. Favorite color? Blue.
22:19Boxers, not briefs.
22:21How did we get on to this delightful subject?
22:23We digressed.
22:25Look, I know the other two crime scenes are in different parts of the city,
22:28but they're all turn-of-the-century Victorians.
22:30Maybe our guy worked on all of them.
22:32You should check and see if they have coal chutes.
22:34Well, explain how he got in.
22:35I'll have our guys check it out.
22:36This is, uh, every piece of paper from the renovation last year.
22:44Every work order, invoice, every suspect.
22:47That's a lot of names.
22:49Well, then we need to get started.
22:51Yeah.
22:52Thanks.
22:52Go make some coffee.
22:57Yeah.
22:59It's after three.
23:01You know what you want?
23:03Try to get some sleep.
23:05These are set and done.
23:13Robert's DNA.
23:14One sample down, one to go.
23:17You should try to get some rest, too.
23:19Yeah, it's hard to sleep knowing Jacob's out there with this nut.
23:23We'll get him back.
23:25We have to.
23:26The DA's office will narrow it down.
23:28Ben's got a good team.
23:29Ben.
23:31Oh, wow.
23:34Should I be jealous?
23:36Of course.
23:37Even if I have no romantic interest in him,
23:40your jealousy makes me feel desirable.
23:49Maybe I can't time travel,
23:55and I definitely don't have a lock of hair in the family Bible.
23:59But every soldier had to fit his life into a box.
24:03This, I kept.
24:07So, Robert's contractor is legit,
24:09but he hired a lot of labor off the books.
24:11So they could either be nice guys
24:13from the Home Depot parking lot
24:14or convicted felons.
24:16But I did have better luck with the other crime scenes.
24:17Both houses have been renovated within the last year.
24:23First victim was taken from a 1911 Victorian in Ocean Park.
24:26Second was taken from a 1903 Victorian in Pasadena.
24:29Do they both have coal chutes?
24:31No, but Ocean Park had a wine cellar with an access door,
24:34and Pasadena had an in-floor heating system
24:37riddled with a bunch of old steam tunnels.
24:39Both have been sealed up for decades.
24:41Have they both been open recently?
24:42Yep.
24:43I bet you $100 even the owners
24:45didn't know those entrances existed.
24:48You'd win.
24:50You ever think you'd be coming a civilian investigator?
24:53Uh, well, I did some investigating at Buzzwire,
24:56but I'm not a cop.
24:57But you don't have to be.
24:58But, uh, you would have to work for me.
25:00Is that a job offer?
25:03Yeah, it is.
25:07I thought my human past was dead,
25:10hidden away in storage.
25:12But now I find out it might be alive and well,
25:15living in a house in West Adams.
25:17Only my human DNA will tell me for sure.
25:20Ooh, nice footlocker.
25:24What, did you mug an army guy?
25:27Joseph, to what do I owe this pleasure?
25:30I left my cell phone here yesterday.
25:32I spent 400 years with that one,
25:34and now I can't go a day.
25:37So, G.I. Mick,
25:39why the trip down memory lane?
25:40I need DNA to confirm that I fathered a child
25:49with my best friend's wife after the war.
25:53Wow, never a dull moment, huh?
25:55I'll give you that.
25:58Come on.
26:00Give me your best shot.
26:02I know you're dying to.
26:04You want the truth?
26:06I'm jealous.
26:09You see, I've cited plenty of amps in my day,
26:10but, uh, no regrets.
26:13Well, that I know of.
26:15I guess they'd all be dust by now,
26:17so it's kind of a moot point, but...
26:20Yeah, you know, it's one of my only regrets.
26:24And I don't believe in regrets.
26:27That boy who was kidnapped?
26:31He might be my grandson.
26:35Yeah.
26:37I hope you get the kid back.
26:38Your last contribution to the human gene pool.
26:42Yeah.
26:43I guess he is.
26:44Unless you and Beth, uh,
26:46rewrite the rules of vampire love
26:47and figure out how to procreate.
26:50Hi, Beth.
26:52Beth's here.
26:53What did you find out?
26:59Uh, I think the kidnapper saw
27:00the original blueprints of the victim's houses.
27:03Could he get those online?
27:04No, all of the hard copies are filed
27:06at the county assessor's office.
27:07He would have had to physically sign them out.
27:09Okay.
27:10We'll drop you at the Hall of Records.
27:13Oh, you found it?
27:14Yeah.
27:16Pre-vampire DNA.
27:18Well, we should take it to bioanalysis.
27:20Okay.
27:26So the lab promised to rush your DNA results,
27:29and we should know by tomorrow.
27:31So about what Joseph said.
27:34What?
27:34That we can't have a baby?
27:37You want to have my baby?
27:38What do you think of Elliot for a boy?
27:42I'm kidding.
27:43Relax.
27:44But, I mean,
27:45children are a part of most normal human relationships.
27:49Our relationship being neither normal nor human.
27:56But Joseph was right.
27:57Vampires can't have kids, so...
28:00I mean, if it's a deal-breaker...
28:02Oh, whoa, whoa.
28:03I think we're getting ahead of ourselves.
28:05I mean, we haven't even slept with each other yet.
28:07It may not be any good.
28:13Look, let's just focus on getting Jacob back,
28:15and we'll worry about our children when the time comes.
28:18Yeah.
28:25Bye.
28:25I already went through all this with the police.
28:37I understand it's a lot of names,
28:39but I need you to try to remember faces, voices,
28:43anyone who's off-kilter at all.
28:48Hey.
28:49Hey, hey, hey.
28:49It's okay.
28:51Let's just take a breath.
28:53Okay.
28:53Okay.
28:54You know, we-we had Jacob late in life.
28:59He was our little miracle, you know?
29:02Just like I was for my folks.
29:05Why were you a miracle?
29:08Because my father was partially paralyzed
29:10when he came back from the war.
29:12I didn't think that he could have any kids.
29:13And then I came along seven months later.
29:17It was the biggest premium my mother's doctor ever saw.
29:20He was big because he wasn't premature.
29:23He was mine.
29:26Robert, I-
29:27How do you tell a man twice your age that you're his father?
29:31You don't.
29:37I'm gonna get Jacob back.
29:44Just, you know,
29:45I never thought that I'd ever have a son, you know?
29:47Yeah, I know.
29:56Okay, so listen.
29:58These workmen,
30:00were any of them especially interested in Jacob?
30:04Yeah, it's chaos when you're renovating, you know?
30:07There's a lot of-a lot of dust and noise.
30:08People everywhere.
30:09Wait a minute.
30:12There was this one guy, though.
30:15He liked to work at night.
30:17Did-did he ever speak to Jacob?
30:19Maybe once or twice.
30:20I think he did the, uh,
30:22the metal work on the roof.
30:24I don't know his name.
30:26Um, wait a minute.
30:27What is this?
30:28Kevin.
30:29Or, uh, Ken.
30:30So the V.
30:31Oh.
30:32Vertolino.
30:33Ken Vertolino.
30:34That's him.
30:39Hello?
30:50Have you figured it out yet?
30:52Vertolino.
30:54Yeah, and you're Mick St. John.
30:56The P.I. who drives the old Mercedes.
30:59You've been watching me?
31:00It's what I do.
31:02Where's Jacob?
31:04Jacob's mine now.
31:05Stay away.
31:07We can talk about this in person, Ken.
31:08Come on.
31:10How about I talk to your blonde friend instead?
31:12She's lonely all by herself
31:14among the files and the bookshelves.
31:18I always did like the smart girls.
31:20She's lonely.
31:21I always do.
31:21I always do.
31:21I always do.
31:23I always do.
31:25I always do.
31:26Oh, my God.
31:57Hello? Hey, I'm still in here. Can you turn the lights on, please?
32:03Hello?
32:06Flashlight.
32:20Hello?
32:24Hey!
32:26Hello?
32:31Hello?
32:42You okay?
32:45There's somebody in there. He's watching me.
32:47Listen to me. His name is Ken Vertolino. He's the guy who took Jacob, okay? You have to stay here.
32:51Listen. Stay here.
32:53Okay.
33:03Okay, I got it. Thank you.
33:05Oh. He's long gone.
33:09If you keep sneaking up on me like that, I am going to mace you one of these days.
33:13It's only a matter of time. Who's that?
33:15It was Ben. He's got Vertolino's address from the DMV. It's 1532 Hobart and Wes Adams. He's getting a search warrant.
33:21Why don't we pull Vertolino's blueprints while we're here? This is done. 1532 Hobart.
33:26It's right under the freeway.
33:30And there's a basement.
33:33It's got to be where he's holding Jacob. Let's go.
33:36Mick, wait. Mick. Mick.
33:39I know this boy means a lot to you, but we should wait for the warrant.
33:42You want to play it by the book while this guy could be moving Jacob or worse?
33:45I just don't want you to spook him. He might do something desperate.
33:49I know what I'm doing.
34:08Vertolino knows I'm on to him. He's out of time. And so is Jacob.
34:15They tore houses down years ago to make room for the freeway.
34:45But they left scars behind. Basements.
34:51For monsters to hide in.
34:55Cops are on their way. You let Jacob go, you can walk out of here alive.
35:00Vertolino likes the dark.
35:05Fine by me.
35:07Ken Vertolino! LATD! Open up!
35:10Take it down.
35:10I know how you feel, Ken.
35:33Always on the outside looking in.
35:35Always alone.
35:38Always in the dark.
35:40That's why I can't let him go.
35:43We all have to learn there's nothing to fear in the dark.
35:45You think kidnapping him and terrorizing him is therapy.
35:51Clear!
35:55I thought St. John said Vertolino was here.
35:57He did.
35:58No sign of either of them.
35:59No, I saw Mick's car outside. He's still here somewhere.
36:02Once Jacob gets over his fear, he's free to go.
36:06How can he get over his fear when he's cold and alone?
36:12Life's cold, Mick.
36:13It's a harsh lesson we all gotta learn.
36:16Actually, you're pretty close.
36:18Closer than you think.
36:19Where's Jacob?
36:25Tell me where he is now!
36:28Tell me now, Mick!
36:32Why aren't you scared?
36:34It's over.
36:35So it is.
36:37And now Jacob's gonna die alone.
36:40And scared.
36:42Because of you.
36:45Keep up on me.
36:46Get in the lock!
36:51Oh, there's nothing over here!
36:53Go, Tim!
36:54Go, Tim!
36:55Go, Tim!
36:55Go, Tim!
36:55Go, Tim!
36:55Go, Tim!
36:56Go, Tim!
36:56Go, Tim!
36:57Go, Tim!
36:58Go, let's go!
37:04Jacob!
37:07Jacob!
37:08Jacob, if you can hear me, you gotta make a noise, buddy.
37:13Jacob?
37:14Beth, I'm caught. There's nothing here.
37:15You heard the gunshots. He's here. I know he's here.
37:18Yeah, I know.
37:19Jacob, you gotta give me a sign.
37:22Come on, kid.
37:34Jacob.
37:42Hey.
37:43Hey, hey.
37:44Guys, guys, I found something.
37:45Let's go. Let's go. Let's go.
37:46Let's go.
37:53Jacob?
37:54Jacob!
38:02Jacob.
38:10Jacob.
38:11Come on, Jacob.
38:13Breathe.
38:14breathe
38:16okay
38:20okay
38:22come on
38:23this is LAPD come out slowly with your hands up
38:28it's St. John I have Jacob
38:30it's St. John stand down
38:31clear me
38:32you clear
38:33where are the paramedics
38:35there where's Marlino
38:36he killed himself
38:37you're okay
38:43hi response three
38:48airways clear
38:50dilated
38:51you got a mask on
38:52yeah it's gonna be okay
39:11the DNA test
39:12the lab sent it over this morning
39:14Robert's not my son
39:31good for you Ray
39:34I'm sorry
39:36no
39:37no this is the way it's supposed to be
39:42I just didn't know how much I wanted a family until I almost had one
39:47you know
39:49family's not only about DNA
39:58Jacob
40:10Jacob
40:10hey buddy
40:15look it's Mick
40:20I know I know I just saw him pull up
40:23we'll go say hi
40:24no in the picture
40:25it's not the pale moon
40:38that excites me
40:40that thrills
40:43and delights me
40:46oh no
40:48it's just the nearness of you
40:54the nearness of you
41:01don't hurt me
41:12um
41:14you
41:16oh
41:17Transcription by CastingWords
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