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56 Days S01E05 (2026) [Full Movie] [Full Story]Full EP - Full
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00:04You
00:30How did you sleep?
00:33Not as good as you did, I think.
00:36Yeah.
00:37What did you dream about? Do you remember?
00:40Uh, no. You.
00:43Oh, really?
00:44No. I don't remember.
01:00Oh, really?
01:02Oh, no.
01:06Oh, my God.
01:46I was wondering where that was.
01:48I stole it from your drug drawer, and I was saving it for a very special occasion, but I thought
01:53today, I don't know, St. Patrick's Day, Boston, it qualifies.
02:01Organic Panic Psychedelic Chocolate Will Melt Your Body.
02:06One, square, relaxation. Two, disinhibition. Three, introspection. Four, revelation.
02:16I don't know, I feel like we should be trying for revelation.
02:20Have you ever done it before, psilocybin?
02:24Oh, a couple of times. I don't know, I feel like it's good for opening the mind a little bit
02:31and loosening up some boundaries.
02:36I don't know, we can be psychonauts together. We'll launch into the deep space of our brain and see what
02:43we find.
02:45I usually microdose.
02:47Yeah, but I mean, if we're going to do it, we should really do it, right?
02:53Go on. Don't you want to revelate with me?
02:57That's not a word.
03:01Fuck it. Fine.
03:05Cheers.
03:07Cheers.
03:08Cheers.
03:10Cheers.
03:11Cheers.
03:16Where are you, Jane Miller?
03:20Why don't you ask Elliot Brerhain? He was her landlord.
03:24Oh, because Elliot Brerhain isn't speaking to the police.
03:29Hey, maybe I could be like a middleman. You know, just smooth things over.
03:33We'll call you if we need you. Get him out of here.
03:36See you later, man.
03:37Okay. All right. All right, I got you.
03:39But look, if you need anything, you know where to find him?
03:41Yes, sir, we do.
03:44You know, he's right. We would be further ahead if we hadn't lost Brerhain as a witness.
03:48We don't need him to tell us that she didn't move out. All her shit's still here.
03:51All right. What we need to do, maybe we should call CSR and get the text in here before we
03:56romp and tromp all over the place.
03:58This could be a secondary scene.
04:00Could be primary.
04:02He could have killed her here, brought her back to his place to melt her down.
04:07What?
04:08That theory has some issues.
04:12You have issues.
04:14You have issues.
04:34You have issues.
04:38You have issues.
04:38You have issues.
04:39You have issues.
04:39You have issues.
04:40You have issues.
04:40You have issues.
04:41You have issues.
04:41You have issues.
04:42You have issues.
04:42You have issues.
04:42You have issues.
04:43You have issues.
04:45You have issues.
04:57I didn't know that you were microdosing every day.
05:00I didn't say every day.
05:01Every day?
05:01No, I didn't say every day.
05:02I just said some days.
05:03My therapist gave it to me for my anxiety.
05:07Yeah, it just helps me.
05:07It helps me focus on stuff.
05:09Makes sense.
05:10I'm going to be honest.
05:11I'll have to tell you something.
05:12I think I feel a revelation coming on.
05:14What do you have to review?
05:19Yeah, it's good.
05:20I've seen it, though.
05:21I've seen it before.
05:21Yeah, but they haven't.
05:23They've spread the wealth.
05:31I've seen it before.
05:34I've seen it before.
05:50Oh my god!
06:14Okay, okay!
06:18Hey!
06:31Oh my god, you're so pretty!
06:58Everybody wants to be so bad right now.
07:01Yeah, I'm a very lucky man.
07:02Yeah, I know. They're all really jealous.
07:13We've got a show here.
07:17We've got so many friends!
07:23Good morning.
07:25You ready?
07:26I'm going to start soon, but I've got to stop and get those eye drops.
07:29Who's driving?
07:30Liz is picking us up.
07:34What if your dad is there with what's-her-face?
07:37He's been there in years. Why do you show up now?
07:40Just to piss me off?
07:43Look, fuck him, okay?
07:45We don't care.
07:48Well, all right, I'm going to change.
07:51The skirt looks cheap, and it wasn't.
07:53You look fine, ma.
07:56I love you.
08:04Holy fucking shit.
08:10Look at this boy, the ugly thing.
08:13Looks like a lady.
08:16Carl, come in here.
08:17I'm just getting started out here.
08:18No, I mean it. You really want to see this.
08:21Okay, I will.
08:31Can I help you?
08:34Licka's not dead.
08:37I'm a freelance reporter.
08:39I'm working on a story about Oliver St. Ledger
08:41and the context of his extended family.
08:44Yeah, so what was the angle here?
08:45Kill a rich kid, pays his way out of justice,
08:48where is he now, sort of thing?
08:49Something like that, yes.
08:51In 16 years, Oliver's never spoken to the press.
08:54It's giving him a chance to speak for himself.
08:56Yeah.
08:57Now, I saw your car in the garage,
09:00so I'm going to assume that interview didn't go too well.
09:03He's a psychopath.
09:06Still waiting for a windshield, so...
09:08No, I never got my interview.
09:09Why did you think that the best way to get the interview
09:12was to drop off an anonymous letter?
09:15I dropped two anonymous letters, actually.
09:18Oh, even better.
09:19There was no way he'd say yes to an interview,
09:21but if he felt like the grace period of his anonymity
09:24was coming to an end,
09:25he might be more susceptible to my suggestion
09:28that he control the narrative himself.
09:29See, I call that poking the bear.
09:33Unorthodox.
09:33Did you go to journalism school, Ms. Miller?
09:35I don't know which one of you I find more offensive.
09:37Yes.
09:38Yes, I got my master's at BU.
09:40Is that where you learned to employ paranoia
09:42as a professional strategy?
09:43It's not paranoia.
09:44It's allowing the subject to speak their truth.
09:46And how'd that work out for you and that fiat?
09:48Better my windshield than my face.
09:50Well, yeah, but you do have a point.
09:52You ever meet his girlfriend?
09:53Yeah.
09:54A couple times.
09:56Her name was Ciara.
09:58Ciara.
09:59I don't know.
10:00She didn't say.
10:02She's very pretty.
10:05With dark hair.
10:07With strangest eyes.
10:08It's like she sees through you.
10:10Which is ironic,
10:11considering their whole relationship was a lie.
10:15She's a con artist.
10:18Why would you say that?
10:19She was after him for his money.
10:22I don't blame her.
10:23Why else would you date him?
10:24I don't know.
10:25Maybe she...
10:27found him attractive.
10:30Intelligent, funny, good sex.
10:31I don't know why people date each other.
10:33Regardless.
10:35She knew who he was,
10:36and she stayed with him.
10:39But he didn't know she knew.
10:42It's like they were living in this warped,
10:45double lie.
10:47A fugitive.
10:49A con artist.
10:51Obsessed with each other.
10:54I'm not sure which one of them was more demented.
10:58I'll take this.
11:01Hold it, though, please.
11:05Golly.
11:06See the news?
11:07Yeah, I'm sitting there at home on my ass,
11:09watching TV like you told me to.
11:10They are really out to get us today.
11:12I don't want to waste your time,
11:13but Linus Finch?
11:15Get a chance to talk to Lee?
11:17Yeah.
11:17Yeah, yeah.
11:18She explained it all to me.
11:20You remember that case a couple months back?
11:23Albanian kid?
11:2550-gallon drum and the shitty alibi?
11:27I remember the shitty alibi.
11:29Well, it turns out,
11:30Finch was a witness.
11:33He agreed to talk,
11:34but he didn't want to come in,
11:35so I should have met him at the zoo.
11:39That's all you got from her?
11:40What else you want?
11:42It's thought to be a bitter story.
11:44But if that's it, I'll take it.
11:45By the way,
11:47that's ought to make you happy.
11:48That claptrap who got her hands on your weapon
11:50has 36 unpaid parking tickets
11:52and skipped jury duty.
11:53So we put out a warrant.
12:00Did I lose you?
12:02No, I'm sorry, Joey.
12:05Still here.
12:08Do you think there's a world
12:09where Oliver found out
12:11Ciara knew his secret?
12:13And he killed her for it?
12:15Yeah.
12:16I do.
12:17He's clearly invested in his lies.
12:20And you know about his boss's wife.
12:24Um,
12:26Allison Meadows,
12:27I know she died a few weeks ago.
12:28The Emmy ruled it an accident.
12:30It wasn't an accident.
12:32Pretty sure he killed her too.
12:43Is this where we're going?
12:45Huh?
12:45Yeah, it could be.
12:46Uh, you want a drink?
12:47I can use a drink.
12:49I don't know
12:50if, like,
12:51a crowded bar full of fucking leprechauns
12:53is where I want to trip my balls off.
12:55Do you know what I mean?
12:55Yeah.
12:56You don't feel it yet?
12:57No.
12:57Yeah, I am feeling it.
12:59Uh, okay.
13:00So what else is fun?
13:01We could, uh,
13:02stand on the edge of the Grand Canyon,
13:03maybe,
13:04or we could look at each other
13:06in the mirror,
13:06or we could stare directly
13:09into the sun.
13:10I feel like these are bad ideas.
13:13Hey!
13:14Who's here?
13:16Fuck.
13:17Hey, Elliot.
13:19What, am I the last thing
13:20you expected to see here?
13:21Huh?
13:22Uh, yeah.
13:23No, uh, sorry, no.
13:25Uh, this is, uh, Ciara.
13:26You know Ciara.
13:26Ciara was.
13:27Hi, Elliot.
13:28I love her little hat.
13:29Oh, thank you.
13:31Hey, you want to grab a drink?
13:32No, no, no, no.
13:34I think, I think it's too crowded.
13:35Oh, no, no, come on.
13:35Come on, just one.
13:36You got a table.
13:37Huh?
13:38You can be a wallflowers later.
13:39Fuck.
13:41I'm so sorry.
13:48I think it's starting to kick in
13:49a little bit too hard.
13:50Yeah, me too.
13:51If it makes you feel any better,
13:52I think your boss is definitely
13:53out of you.
13:54Hey, honey,
13:55look who I ran into.
13:56What?
13:59Hi.
14:00Hi, Allison.
14:02Hi.
14:02This is our friend Jane,
14:04and, uh,
14:05this is Ciara.
14:08Hi.
14:09It's so nice to meet you.
14:10You too.
14:11Uh, Elliot told me
14:12so much about you.
14:14Ciara,
14:15did you say?
14:16Yeah, exactly.
14:18You look familiar.
14:19That's so funny,
14:20because I was just about to say
14:21that you look familiar.
14:22I think I've seen you
14:23where I'm staying
14:25at the crossings.
14:27You're staying
14:28at the crossings?
14:29Yeah, just temporarily.
14:30I'm here for work,
14:31and Elliot was kind enough
14:32to let me squat
14:32in one of the unit ceilings.
14:35Oliver's in the other one.
14:37So, uh,
14:38how do you guys
14:39all know each other?
14:40We met after this big
14:42forgery scandal
14:43at the museum
14:43a few years ago.
14:45She saved our acquisition staff
14:47from buying a fake Basquiat.
14:49Ah.
14:51That's good.
14:52So you, uh,
14:53you work at the museum?
14:55She's a reporter.
14:59Hey, uh,
15:00Ollie, uh,
15:01go get us another picture,
15:02would you?
15:03Elliot, honey,
15:04you're not the boss here.
15:05Go help him.
15:07No, that's okay.
15:07That's okay.
15:08I think, uh,
15:09I think we're gonna go, right?
15:10Okay, just take one drink.
15:14Uh, why,
15:15will you just grab me
15:16whatever you think?
15:17Yeah.
15:30Are you okay?
15:33Yeah.
15:34Why do you ask?
15:36Your boyfriend
15:36isn't who you think he is.
15:38Oliver Kennedy
15:39isn't his real name.
15:40He's dangerous.
15:41And I know
15:42this isn't the,
15:43the time or place
15:44to talk about it,
15:45but
15:48he killed someone.
15:51I know.
15:54What?
15:55I,
15:56how can you
15:57be with him?
15:57I,
15:58I don't understand.
15:59No one's asking you to.
16:06All I was told
16:06was Jane needed
16:07a place to stay.
16:09She's, uh,
16:10researching a story.
16:11The story's me.
16:12Oliver,
16:12I'm the fucking story.
16:14Come on.
16:14No, she's talking to me
16:15in my home,
16:17on the street,
16:17at the gym.
16:23Right now,
16:24she's talking to Ciara,
16:25and she's probably
16:25fucking talking about me.
16:27Fuck.
16:30Ollie,
16:32if you want to build
16:33a real relationship,
16:36you're gonna have
16:36to tell her sometime.
16:38Yeah, well,
16:38I did that last time
16:39and it didn't go so well.
16:43When Allison told me
16:44that he was here in Boston
16:45working for Elliot,
16:46I came to tell the story
16:47about the murder
16:48he committed
16:48and they're against it.
16:49And the massive
16:50cover-up.
16:51His family
16:52is just as fucked up
16:54as he is.
16:54He's been evading
16:55responsibility for years.
16:57I'm trying to give him
16:58the chance to change that
16:59by telling his story.
17:01In his own words,
17:02but he's not interested.
17:06Maybe you could tell him
17:07to talk to me.
17:08Are you trying
17:09to get her killed?
17:11You know,
17:11you're not the first girl
17:13to get caught up in this.
17:14I had a serious girlfriend
17:15in London,
17:16Lucy Hargrove.
17:18We dated for almost a year.
17:20I found her
17:21in Wales,
17:22tried to get her to talk.
17:23She completely shut me down.
17:25Yeah,
17:25because she's terrified.
17:27Oliver told Elliot
17:28he was planning to propose.
17:31that he wanted her
17:32to know the truth.
17:33So,
17:33he told her everything.
17:35And she freaked out.
17:37She ran for her life.
17:39He was devastated,
17:40but
17:41what did he expect?
17:43He told her everything.
17:45About the murder.
17:46He killed
17:48his classmate
17:49at Bridgefield Prep.
17:51Paul Sparling.
17:53Why?
17:54What did he tell you?
18:08Stop looking over there.
18:10You look like
18:10you're losing now.
18:17Hey, come on.
18:18Listen to me.
18:20Really.
18:21I didn't know
18:22what was happening here.
18:23And I know
18:24Alison has treated you
18:26unfairly in the past,
18:27but I agree
18:27this costs a lot.
18:29I will talk to Jane
18:31myself
18:32and tell her to back off.
18:34And if she doesn't like it,
18:35she can leave.
18:38You know,
18:39the reason
18:39I asked you
18:40to come here to Boston
18:42is because
18:42I promised your father
18:44before he died
18:46that I'd always
18:46keep an eye on him,
18:48protect you.
18:50So when I tell you
18:51I got your back,
18:53I mean it.
18:59I just want you
19:00to be happy.
19:05I'm sorry.
19:06It's okay.
19:08It's okay.
19:09Hey, it's all right.
19:10Elliot.
19:28What the fuck is this?
19:29What's it look like?
19:31A hundred grand.
19:32This can't be right, Mick.
19:33But it is.
19:34I promise.
19:35This is insane.
19:36The Narrow River Memorial Fund?
19:39you really think
19:39this in Ledger's
19:40is just,
19:40you know what,
19:41consider it a contribution
19:42or something?
19:43This is like
19:43a drop in the bucket
19:44to him, Shiloh.
19:45He has so much money
19:46he's not going to care.
19:47He's not even going to notice.
19:48He's been in hiding
19:49for so long.
19:50He goes by
19:51Oliver Kennedy now
19:52and he has no life.
19:53What are you talking about?
19:54How do you even know that?
19:57Because I know him now.
19:59What do you mean
20:00you know him?
20:01Because I met him.
20:03Because I,
20:03because I know him now.
20:05Okay?
20:06And by the way,
20:07he's not what you think.
20:09He's exactly
20:10what I think he is.
20:15I'm going to be like,
20:17Mom's going to die.
20:17Don't tell Mom, dude.
20:19I'm going to tell Mom
20:20because I'm the one
20:21who got this money.
20:21You stole it.
20:23No.
20:23I earned it.
20:25Oh, yeah?
20:25By doing what, Meg?
20:27Are you fucking a killer?
20:29Yeah.
20:30I am.
20:31And I'm also living
20:32in the city
20:33and I'm day drinking
20:34with people
20:35who went to college.
20:36Instead of working
20:37my ass off
20:38at a fucking Denny's
20:39or whatever it is
20:40you're doing now,
20:40I'm on my way
20:41to fucking church
20:42to pray that you
20:43go to hell.
20:52I'm on my way
20:59I should have known
21:02the money
21:04that all makes
21:05so much sense.
21:14I want you to get
21:15what you want
21:17but I want me
21:18to get what I want to.
21:20I need a reputable source
21:22on the record.
21:24Oliver himself
21:25would have been
21:26my preference
21:27and that's not
21:28going to happen
21:29but I'm more than willing
21:30to settle for you.
21:33I fell in love
21:35with a narrow river killer.
21:37I had no idea
21:38who he was
21:39and when I found out
21:40it was too late
21:43you'll be famous.
21:45First my story
21:46then the book
21:47the podcast
21:49then the movie.
21:51Everyone will love you.
21:55She's so beautiful.
21:56She's so strong
21:58for sharing her drama.
22:01This is an opportunity
22:02for you
22:03to reinvent your life
22:04on your own terms.
22:06It's the best one
22:07you're ever going to get.
22:09But if that doesn't
22:10appeal to you
22:11I will call the police
22:13and you will go to prison
22:14for embezzling
22:15from the richest
22:15most psychotic family
22:16in America.
22:24You're bad at your job.
22:27Okay.
22:29But your skin is nice.
22:33My turn.
22:38Off the record.
22:41I fell in love
22:42with the narrow river killer.
22:46But he didn't tell me anything
22:49because I knew so much already.
22:52I knew every city.
22:53I knew every alias.
22:55I knew his social security number.
22:57I knew his mother's maiden name.
23:00And today
23:00he's going to tell me
23:02what happened that day
23:04that Paul Sparling died.
23:07And when he does
23:09I promise
23:11I am ever
23:13going to tell you.
23:17Where are you?
23:39Hey, I think it's time to call it.
23:41Now?
23:43Baby, I'm on a roll.
23:44We have to go.
23:45Please.
23:48What's wrong?
23:49Stop, stop, stop.
23:51You told Jane
23:53Oliver was here.
23:54Didn't you?
23:55You made this whole mess.
23:57She said she was in her career,
23:59somehow.
23:59She needed a story.
24:02Are you kidding me?
24:04How could you do this?
24:05The world deserves to know.
24:07And I don't care
24:09that he's your godson
24:11or how much you
24:13fucking loved
24:14his fucking father.
24:17Okay, this was not
24:17your house, Mick.
24:19It wasn't yours either.
24:21Okay, I've told you
24:23and told you
24:25over and over
24:27how uncomfortable I am
24:29with this entitled
24:31asshole in our lives.
24:33And you
24:33never listened.
24:36You just
24:37dismissed my concern
24:39like I'm a child.
24:41You're not a child.
24:42Which is why
24:43I expect you
24:44to find some nuance,
24:46some compassion here.
24:48He made a mistake.
24:49Oh, it wasn't
24:50a mistake, Elliot.
24:51I've made plenty of those.
24:53Okay, I cheated
24:54on my driver's test.
24:55I fucked
24:56my roommate's brother.
24:57But I have
24:58never killed
25:00and if I did
25:02I wouldn't expect
25:04the pathetic
25:06BFF
25:07of my billionaire daddy
25:08to help me
25:10cover my tracks.
25:12You really are
25:14an ugly drunk.
25:14Because
25:15my little
25:16cry
25:17I
25:18had
25:18had
25:19I
25:23bit
25:25up
25:30and
25:30I
25:30couldn't
25:32have
25:32tried
25:33her
25:34I
25:43went
25:44to
25:47What did that woman say to you?
25:52I think you know.
25:56I don't know, so please, you have to tell me.
26:02You want to go outside?
26:14Shit.
26:28He was staring at Allison the whole time, making her so uncomfortable, like he was on drugs.
26:33I think they both were.
26:35You know, he was fucked up when he killed that kid in high school, too.
26:41Where's your partner?
26:43He's still on the call.
26:45Um, listen, I don't discount your concern over your friend's death, but my job is to investigate the incident that
26:51occurred here.
26:52Inspector, where are you? I need to speak to you for a minute.
26:54Wait, right here.
27:08Is that Russo on the phone?
27:10Yeah, yeah, it's all good. Check this out.
27:12What the hell? She's a kind of bank robber?
27:16Did she pull the alarm?
27:19She's the floppy goblin.
27:26This is a coat.
27:28Oh, hey, did you see the stalker girl?
27:30Oh, I saw it. Look at this.
27:35This is the crime scene.
27:36Yeah. She took a picture of a dead body. What the fuck kind of shit is that?
27:41It explains why she didn't return my calls.
27:44She is telling a very morbid story here.
27:46Yes, she is. And people like that shit for some reason.
27:50Okay, we've got the false alarm, misprison of felony.
27:54Really?
27:55I'm calling it burglary.
27:56Burglary.
27:57I like burglary.
27:59Okay, this is big. I'm gonna tell CSR.
28:04You're right. People do like morbid stories.
28:06Yeah, I know. And it's like, it's my job, but I do not like that shit.
28:09Oh, yeah? Well, we can't all be foreign addicts like you.
28:12Have you ever taken a picture of your titties and sent them to somebody?
28:16Once.
28:18On a...
28:19on a Xerox machine.
28:21This was before or after 9-11?
28:24On the day of. That's how I remember it.
28:28I don't know. I don't know.
28:32Hey, um...
28:34What did you say to Russo?
28:36Oh, I just told her that Linus Finch was one of our witnesses on that Albanian case last year.
28:42Okay.
28:46Thanks, I really didn't...
28:51Right?
28:53God, I forgot all about the Albanian.
28:55That was a blip.
28:56Yeah.
28:57That's me. I don't remember.
29:00Does it involve a copier?
29:03I don't wanna know.
29:04Hmm?
29:10The ground is moving. Can you feel it?
29:12Can you feel it?
29:13Don't look at the ground. Why don't you look at me?
29:15I can't... I can't... I can't look at you. I can't talk to you. I can't tell you. I can't
29:19tell you.
29:20Yes, you can. Yes, you can. You know why? Because we need to get past this, okay?
29:24So, if... if you don't wanna go, maybe I go. I can go first.
29:28No. No, I don't want... I don't want... because if you say something...
29:31I don't... because if I tell you... if I tell you... then...
29:37Then what? What'll happen if you tell me? What'll happen?
29:40Hey.
29:41You'll hate... you'll hate me.
29:42I'm not gonna hate you. You're gonna hate me.
29:43Oliver. Oliver. I'm not gonna hate you.
29:46I'm not gonna hate you.
29:50Yes, you will.
29:52You'll hate me and then you will leave.
29:54And I... I don't want that.
29:56Whatever you have to say to me, don't say to me.
29:58Just... just don't say it and then we can just keep it...
30:00the same... as it is. I can't...
30:15Okay. Come here. Come here.
30:18Hey. Look at me. Okay?
30:22Breathe. Let's breathe, okay?
30:30Okay. It's okay.
30:32Stay with me.
30:55It's okay.
30:58Can you hear me?
31:06Okay.
31:10Hmm.
31:16My name is not Ciara.
31:19My name is Megan.
31:22And we did not meet on accident.
31:29I came here
31:31to find you on purpose
31:34to take what you owe me
31:38and my family
31:42because I thought I knew what happened in that river
31:44but I don't know, maybe I don't
31:49and I grew up believing that you were a monster
31:53and now I don't know that either, maybe you're not
31:56I don't know, I can't tell
32:05but if you could have
32:08if you could have just been honest with me
32:12if we could have
32:15talked about it
32:18I really, I really think
32:20then I would have found a way to understand you
32:25I really do
32:28focus somewhere
32:31this became really real for me
32:33this was real for me
32:43and I, I think I wanted to leave
32:46I think
32:47I wanted us
32:50I wanted us
32:52to work
32:54somehow
32:55I don't know
32:57I thought we could work
32:59but now
33:01I see
33:02I know
33:03we can't
33:04I know we can't
33:09and that's really sad
33:19because
33:23I really
33:27could have loved you
33:34I really wanted to love you
33:36but
33:49I think
33:49something
33:50I don't know
33:50it was
33:50it's
33:51I know
33:55I know
33:57I know
33:58I know
33:59I know
33:59I know
33:59I know
34:00I know
34:05but
34:06I know
34:17Jesus Christ, Kevin, becoming codependent to the alleged suspect?
34:23We just going for a ride.
34:24FYI, this asshole runs illegal poker out of an empty apartment on the police floor.
34:28He's exercising your right term.
34:29He watches women in the elevator on surveillance.
34:32Nobody care about that shit.
34:33On a scale of one to weird, you got them beat by nine.
34:35Here, Officer Curry, you're going to take it downtown.
34:39Thanks for your cooperation.
34:42Big man.
34:43You guys, you know, need anything else.
34:44You know where to find him.
34:45Oh, I guess.
34:46Oh, up my ass.
34:47Kevin, it's been a long day, bro.
34:49Please, go home.
34:51I appreciate it.
34:52See you there.
34:54What was that?
34:55Medical examiner.
34:56Autopsy begins in 90 minutes.
34:58We're almost headed.
34:59We've got to make sure CSRs get to go and file charges.
35:02All right, well, I'll file.
35:03You reach out to the techs, you know, how somebody drop you off at the ME in 40 minutes.
35:08You got the key.
35:10You got the key.
35:13I know.
35:14I know.
35:16You got the key.
35:20I know.
35:31I know.
35:50Hey, Allison.
35:51What do you want?
35:52Is Ciara in there?
35:53No idea.
35:54Maybe.
35:55She ran for her life.
35:57That's what she should do.
35:59Wait, why?
35:59Why should she do that?
36:00What the fuck?
36:01Why do you hate me?
36:03Allison, what have I ever done to you?
36:07You are a parasite on my husband.
36:10Your father was a user, too.
36:12And I fucking hated him.
36:16And you are exactly fucking like him.
36:25That's what this is about, huh?
36:29Elliot loved my father.
36:32So you're jealous?
36:33Of a dead man?
36:34Yeah, you're jealous of him, and you're jealous of me.
36:40Yeah.
36:43I wish I were an isolated, lonely millennial living under a fake name, because I'm so ashamed of who I
36:53really am.
36:55That sounds awesome.
36:57I can't wait until the whole world knows everything about you.
37:05And you have nowhere left to hide.
37:08Yeah, but even if that does happen, Elliot will never love you the way that he loved my father.
37:15The way he loves me.
37:22In case you didn't know, your girlfriend is a liar, too.
37:29You deserve each other.
37:41How do you feel?
37:48You deserve you, elder Jesus, you deserve you.
37:52volcanic surrealism,
37:54you deserve you, or you're there.
37:56You deserve you.
37:57I don't know.
37:58You deserve you.
37:59You deserve you, too.
37:59All right.
38:00He'll, you deserve you, too.
38:00He's been asleep here.
38:00He'll listen to me, too.
39:12Allison!
39:15Allison!
39:17Allison!
39:21Hey!
39:25Allison!
39:27Hey!
39:32Oh, shit!
39:34Oh, shit!
39:34Oh, my God!
39:34What the fuck?
39:36Jesus!
39:37Oh, shit!
39:39Hey!
39:39What the fuck?
39:40Hold on!
39:41Hold on.
39:42Oops.
39:52No one else?
39:59Fuck!40
40:02All I say said, hold on my tail, and I'm in trouble, out of his leash.
40:45What do you want to go?
40:48Nowhere.
41:22Dr. Hippolyte, first of all, I'm very happy to hear that this case was in your very capable
41:25hands.
41:26What is the time frame that we can expect?
41:29The prelim will be in early next week.
41:31Oh, I'm a weak dog, please.
41:34I've rarely seen this level of disarticulation.
41:36There's little I can do to rush the process.
41:37Okay, okay, okay.
41:39What do you see?
41:41Is there anything you can give me?
41:49Based on the partial skull master process, in comparison between second and fourth digits
41:54on the articulated hand, I can draw a fairly certain conclusion the victim is male.
42:00Male.
42:22I'll tell you the truth.
42:23No?
42:25No?
42:26No?
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