- 7 hours ago
Category
🎥
Short filmTranscript
00:00:28Transcription by CastingWords
00:00:43Transcription by CastingWords
00:01:12Transcription by CastingWords
00:01:51Transcription by CastingWords
00:02:07Transcription by CastingWords
00:02:09When denied for the third time, you'll be sent back to your home country.
00:02:13If you choose not to appeal, you'll be sent back.
00:02:16Any questions?
00:02:19Credit for your phone, minimum £5.
00:02:21By law, you own £79 a day in here.
00:02:23It's a bit useless if you ask me.
00:02:25You'll have internet access, but not to social media.
00:02:29Your room and roommate, Farrah, ICO, are out, you two.
00:02:35Come on, let us settle in.
00:02:44Hey, you're a problem with anyone or anything, you let me know, all right?
00:02:47We're here to help.
00:03:11She's not here to help.
00:03:14Don't let her niceness fool you.
00:03:16Helping is how they got out of the shop.
00:03:22The first couple of nights are the hardest.
00:03:24Then you get used to it.
00:03:26And if you don't, nowhere else for you to go.
00:03:31I'm getting out of here.
00:03:32Of course you will.
00:03:34They either send you back, or let you stay in the country.
00:03:40I'm just trying to help you understand how it works.
00:04:12I'm just trying to help you understand how it works.
00:04:40I'm just trying to help you understand how it works.
00:05:05My dear, are you a man or a woman?
00:05:08It's a issue.
00:06:01Is this what it's going to be like with you?
00:06:06You're just going to lay there and wait for what?
00:06:08What happened to you?
00:06:11You don't know me or my situation.
00:06:14Let me tell you something.
00:06:16Your situation, my situation, it doesn't matter.
00:06:19What matters is us getting out.
00:06:23What is that?
00:06:25Someone is being deported.
00:06:26I don't know.
00:06:28I don't know.
00:06:30I don't know.
00:07:08Move! You are in our space.
00:07:11Oh, sorry.
00:07:13I didn't know.
00:07:16You get money.
00:07:19You don't understand English.
00:07:21I do.
00:07:23Later.
00:07:24You'll buy me some things.
00:07:26I don't think it's that much.
00:07:27Mm-hmm.
00:07:32I'll buy it for you.
00:07:35Go.
00:07:35Go.
00:07:41Oh!
00:07:43Oh, my God!
00:07:45Oh!
00:07:48Senseless.
00:07:49You're welcome.
00:07:50All right, girls.
00:07:52Come on.
00:07:52You like this?
00:07:53I'm so busy.
00:07:55I'm so busy.
00:07:56I'm so busy.
00:07:57I'm so busy.
00:07:58I'm so busy.
00:07:59I'm so busy.
00:08:02I'm so busy.
00:09:06I think you should apply for asylum.
00:09:09Tell the home official a real story.
00:09:11I thought you said I shouldn't trust them.
00:09:14No.
00:09:16I said the guards are not up for.
00:09:19I'm glad to know you're listening to me.
00:09:29I'm David, and I'm the caseworker that will be deciding on your status.
00:09:34You've been exposed as working illegally in the UK, and you've applied for asylum.
00:09:40This interview would determine if we grant you asylum.
00:09:44As of today, I haven't received a copy of your file or your passport.
00:09:50If you're denied asylum at this stage, you can appeal in front of a judge.
00:09:55I request that you answer all questions verbally.
00:09:59Why are you claiming asylum?
00:10:08I'm a lesbian, and my mother found out.
00:10:12Why can't you be gay in Nigeria?
00:10:18It's illegal.
00:10:23Have you ever kissed a man or had sexual intercourse with one?
00:10:30Yes.
00:10:37How can I be sure that you're gay?
00:10:54No.
00:10:57No.
00:10:58No, I'm not going to lose you.
00:11:01Are you okay?
00:11:06I'm fine.
00:11:07Are you sure?
00:11:09Yes.
00:11:12No.
00:11:13No.
00:11:17No.
00:11:19No.
00:11:21No.
00:11:22No.
00:11:23No.
00:11:24No.
00:11:25No.
00:11:26No.
00:11:27No.
00:11:27No.
00:11:27No.
00:11:27No.
00:11:29No.
00:11:30No.
00:11:31No.
00:11:35No.
00:11:36No.
00:11:39No.
00:11:40No.
00:11:40No.
00:11:41No.
00:11:41No.
00:11:44No.
00:11:47No.
00:11:49No.
00:11:50No.
00:11:52No.
00:11:54No.
00:11:59No.
00:12:34You all right?
00:12:38You see something?
00:12:41No.
00:12:43Kwasia.
00:12:51What's wrong?
00:12:52This place.
00:12:53If I go left, it's wrong.
00:12:54If I go right, it's wrong.
00:12:56You just need to learn how it works.
00:12:58Then how do I do that?
00:12:59Nana doesn't like me.
00:13:01Afia and her friends bully me and you...
00:13:07Maybe come with me to art class tomorrow.
00:13:10It might help you.
00:13:11Help me do what?
00:13:12Express your emotions.
00:13:14And let go to let in.
00:13:17Just try it.
00:13:20It's not like you have somewhere else to be.
00:13:32Beautiful as ever, Farrah.
00:13:35Thank you, Lisa.
00:13:36Your brush stroke has...
00:13:38It's really improved.
00:13:39I remember what you said last week about how I should hold the brush.
00:13:42Very good.
00:13:45Oh, this is nice.
00:13:48This is somewhere in your home country.
00:13:50Wait a second.
00:13:51It's London Bridge.
00:13:53Oh.
00:13:54Ah.
00:13:54Ah, yes.
00:13:57It's very nice.
00:14:00Oh, that woman sees us as poor, hopeless immigrants.
00:14:04She just wants to help.
00:14:05I beg.
00:14:07I'm nobody's pathway to heaven.
00:14:08I have a degree in political science.
00:14:12What did you study?
00:14:13Philosophy.
00:14:16Oh.
00:14:18Oh, so for me.
00:14:22Please.
00:14:24Philosophy.
00:14:25What is that?
00:14:26What job can you get without one?
00:14:28Ah, so you're one of those Nigerians who doesn't see the value in understanding human nature.
00:14:33Can you change person?
00:14:35So why are you learning about them?
00:14:37And the political science that you studied.
00:14:39At least without one, I can organize government.
00:14:43This is your Karl Marx and Spencer.
00:14:45Ah.
00:14:45The poor man will be rolling in his grave.
00:14:47Then let him roll.
00:14:48Over and over and over again.
00:14:54It's you.
00:14:55Nana, Atifa.
00:14:57Nice to properly meet you.
00:15:02Nana doesn't like people.
00:15:03I can't talk for myself.
00:15:05You have to learn to be friends.
00:15:08Ati.
00:15:09I told Isio you.
00:15:11Could you try and get her a job in the cafeteria?
00:15:14Give her something to do.
00:15:16Sure.
00:15:17I will try.
00:15:30You all right, girls?
00:15:33Ah, no.
00:15:34I did that.
00:15:35No, no, no.
00:15:36No, no, no, no.
00:15:36No, no, no, no.
00:15:38No, no, no, no.
00:15:47Why doesn't Nana like me?
00:15:51Nana?
00:15:55It's not that she doesn't like you.
00:15:58She doesn't know you.
00:16:00That's it.
00:16:04In here, people, they come, they go.
00:16:07It's not easy to know anyone.
00:16:17Where are you from?
00:16:20Angelia.
00:16:22You?
00:16:22Iraq.
00:16:33You have family back home?
00:16:36You have family back home?
00:16:49He's six years old.
00:16:53His name is Mustafa.
00:16:57Look.
00:16:58I have a picture.
00:17:04Happy.
00:17:10He's beautiful.
00:17:13Where is he?
00:17:17Germany.
00:17:18The authorities, they took him.
00:17:22Alhamdulillah, I have family there.
00:17:24They make sure he's okay.
00:17:33When I leave here, I will get him.
00:17:37You sound so confident about leaving.
00:17:42I have to.
00:17:46I have no choice.
00:17:58Hi.
00:17:59Hi.
00:18:08Hi.
00:18:09Hi.
00:18:11Hi.
00:18:34Is that how you fold it?
00:18:37What's wrong with how I'm folding?
00:18:40Oh.
00:18:42You make a terrible housewife.
00:18:46Who told you I wanted to be a housewife?
00:18:48Me, I want to be a CEO.
00:18:50CEO of what?
00:18:51People who can't fold?
00:18:53Then you fold for me.
00:18:59Anything else, madame?
00:19:02And I'd make an excellent housewife.
00:19:06My food is very, very tantalizing.
00:19:14I guess I have to find out.
00:19:24How does it happen that our lives can drift far from ourselves while we stay trapped in time, queuing for
00:19:35death?
00:19:37It doesn't matter why we're here, just how we live.
00:19:44It seems nothing will shift the patter for our days, alter the rhyme we make with loss to assonance with
00:19:55bliss.
00:20:09This is for you.
00:20:12Read it.
00:20:14Why?
00:20:16You sure this is your matter?
00:20:25Be crazy.
00:20:26Paul, this is your life.
00:20:28Yes, my life.
00:20:44Isio, we can fight this.
00:20:47The first thing we need to do.
00:20:49It's not a problem!
00:21:03Follow me to the shop.
00:21:04I need something.
00:21:08Are you dead?
00:21:14Stop it!
00:21:15Stop it!
00:21:16I'm not going to take you!
00:21:17Get her down!
00:21:19Get her down!
00:21:20Get her down!
00:21:23Get her down!
00:21:24Get her down!
00:21:25Get her down!
00:21:26Get her down!
00:21:26Get her down!
00:21:27Get her down!
00:21:28Get her down!
00:21:28Get her down!
00:21:28Get her down!
00:21:29Get her down!
00:21:30Get her down!
00:21:31Get her down!
00:21:32Get her down!
00:21:34Get her down!
00:21:37Get her down!
00:21:48I don't know.
00:22:21How are you feeling?
00:22:24I feel like I...
00:22:27Like I'm losing myself
00:22:29in this place.
00:22:35I know they're going to send me back.
00:22:37I know.
00:22:39I know.
00:22:40I know they're going to send me back.
00:22:43Look at me.
00:22:43I can't go back.
00:22:45I can't.
00:22:46I can't go back.
00:22:49Just try to breathe.
00:22:54Breathe.
00:22:55In.
00:22:57And out.
00:23:03In.
00:23:15Keep your eyes on me.
00:23:17Just breathe.
00:23:24That's good.
00:23:26That's good.
00:23:41I just need to understand this place.
00:23:44I'll be better.
00:23:49Can I show you something?
00:23:52What do you see?
00:23:55Gods.
00:23:57Women.
00:23:59Look closer at our vias gang.
00:24:02Yes.
00:24:06We do what we can to survive.
00:24:11And we look out for each other.
00:24:17I'll help you up here.
00:24:20There are some rules you need to follow.
00:24:23First,
00:24:24you need to keep your head down
00:24:25and mind your business.
00:24:26And let the guards think
00:24:28that we have no power.
00:24:30All the guards wear the same uniform
00:24:31that subconsciously makes us believe
00:24:33that they are stronger than us.
00:24:35But they can't watch everyone.
00:24:38Look around you.
00:24:40There are more of us
00:24:41than them.
00:24:45When did you enter the country?
00:24:54Isio.
00:24:55Hmm?
00:24:57When did you enter the country?
00:25:00How many times have you done this?
00:25:03Enough.
00:25:07I'm on my last appeal.
00:25:10I'm running out of time.
00:25:12What would you do
00:25:13if they say no?
00:25:16Run away.
00:25:21You know,
00:25:24don't expect to win.
00:25:29Keep fighting.
00:25:36Isio.
00:25:39Isio.
00:25:46What were you dreaming about?
00:25:57I'm here.
00:25:58If you need me.
00:26:00Oh.
00:26:28I keep having the same.
00:26:30dream, again and again and again.
00:26:59When I first came here, I kept dreaming about my
00:27:04father. Sometimes, I would see him in my
00:27:11hotels. What happened to him? He was
00:27:24looking into Boko Haram. One day, I
00:27:34did not come home. They had taken him.
00:27:57Then they came from my family.
00:28:03But I wasn't home. I knew they would come for me if I didn't get out.
00:28:31They said you just moved to a different part of the country, but they can't find you.
00:28:41I have taken my destiny into my own hands.
00:29:15Whatever you're scared of. It doesn't have to own you.
00:29:24You make it sound so simple.
00:29:26Sometimes it is that simple.
00:29:34Freedom begins in the mind.
00:30:19Freedom begins in the mind.
00:30:51Freedom begins in the mind.
00:30:51It's beautiful.
00:30:54It's not that simple.
00:30:56Why not?
00:30:59I need to get out of here, not fall in love.
00:31:02Why can't you have both?
00:31:06Look at the way you're smiling.
00:31:09Listen.
00:31:13of course we have to think about the future and have hope
00:31:17but we could be deported at any moment
00:31:22look at us
00:31:26we've already lost so much in life
00:31:30how much more do you want to lose before you realize you deserve to be happy
00:31:50yeah
00:31:51yeah
00:31:53yeah
00:31:54yeah
00:31:54yeah
00:31:55yeah
00:32:09Farah, I want you to, um...
00:32:16I wasn't expecting this.
00:32:21Me neither.
00:32:25For you.
00:32:27For you.
00:32:30You know.
00:33:07Can we take it slow?
00:33:09I don't know.
00:33:21I don't know.
00:33:40I don't know.
00:33:47I don't know.
00:33:48another way out of here would you take it if it meant going back to the life I
00:33:58was living I know I've lost too much of myself already there's only one way to
00:34:08get out of here MMA fighter issue Allahi Nana the only way you know how to fight
00:34:16is with your mouth let's go to art class do you guys really find that art class
00:34:23helpful I find it can be helpful you should come I was your art teacher she
00:34:43was nice she asked about you asked about me care are you sure not about your brush
00:34:48through you need to stop with issue jealousy who is jealous of the two of you
00:35:19so
00:35:27so
00:35:58What is it?
00:36:02My appeal did.
00:36:07You'll be fine.
00:36:09Just tell the judge the truth.
00:36:16I got my first job right after I graduated.
00:36:21It was in a bank.
00:36:24Nothing special.
00:36:27But my mother was so proud.
00:36:33It was there that I met Abie.
00:36:39We flirted.
00:36:42At first it was just playful joking.
00:36:45We used to call each other wife.
00:36:50One day, she kissed me.
00:36:56This was, it was then that I knew that I liked women.
00:37:01I had kissed men before, but nothing felt like this.
00:37:08With men, it felt obligatory.
00:37:18One weekend, my mother was away, so I called Abie to come over.
00:37:26This was my first time sleeping with a woman.
00:37:30It felt natural.
00:37:35Nothing wrong with this.
00:37:44My neighbor called my mother, who came home with two men from the church.
00:37:57They dragged Abie out of the room and locked me inside.
00:38:13I, uh, I was locked in that room for, for three days, while four different men raped me.
00:38:34My mother said, I just needed a man that would fix me.
00:38:42I managed to escape and I ran.
00:38:45I just ran.
00:38:47I took all the money I saved up and I bought my way here.
00:38:51I can't go back.
00:38:52I can't.
00:38:53I can't.
00:39:02How did it go?
00:39:04I don't know.
00:39:11We planned something that would cheer you up.
00:39:14Please, we.
00:39:16I think in my country we do it better.
00:39:19What do you mean in your country?
00:39:23Actually, this was Nana's idea.
00:39:25The first appeal is always the hardest.
00:39:28Besides, I wanted some Ghanaian jollof and chicken.
00:39:30Thank you, Nana.
00:39:33I just want you to know that Nigerian jollof is the best.
00:39:35Chale, you Nigerian should have come and startled.
00:39:38As if I today you're a Ghanaian, I know you better support me.
00:39:41I always support you.
00:39:42I always do the best.
00:39:44You're a Ghanaian.
00:39:45I will say goodbye to her.
00:39:50Wow.
00:39:52Lord of God.
00:39:59He's got two runners.
00:40:00He's got six.
00:40:03He's got six, seven, eight, eight or eight, eight.
00:40:12Oh, my God.
00:40:12Yes.
00:40:45Nama's J-Rice, it was okay.
00:40:56It wasn't just me.
00:41:04I know.
00:41:26Are you sure?
00:41:43I know.
00:43:00Are we being naive?
00:43:03What if this is all we can be?
00:43:06They send us back.
00:43:08See if that didn't happen.
00:43:11If we had a chance of life on the outside.
00:43:17I need to tell you something.
00:43:31What's going on?
00:43:33You didn't tell her?
00:43:35I thought we could do it together.
00:43:37Tell me what.
00:43:38We're escaping.
00:44:03I want you to come with us.
00:44:11Say something.
00:44:15This way we can be together.
00:44:17You were just saying about us getting out.
00:44:19I meant legally.
00:44:20I know people who can help us on the outside.
00:44:23Passports.
00:44:24We can get real jobs.
00:44:27Isio.
00:44:29What about us?
00:44:33I could get my app you.
00:44:35I could do it.
00:44:35I don't know.
00:44:46I can't do it.
00:44:48I can't do it.
00:44:52I can do it.
00:45:19Oh, my God.
00:45:28Oh, my God.
00:45:52Oh, my God.
00:46:23Charlie, you really love this literature.
00:46:31You know, I've never been here before.
00:46:42This thing with Farah, you need to figure it out.
00:46:44Listen.
00:46:46You're a nice person.
00:46:47Unfortunately, naive at times.
00:46:49But I can forgive that.
00:46:51But the issue with nice people is that you never do what's right for you.
00:46:56Stop avoiding your feelings and listen to your hearts.
00:47:07I thought you didn't like me.
00:47:09I don't.
00:47:10I'm just tired of seeing Farah Sarge.
00:47:35Can we go?
00:48:00I...
00:48:05I don't want us to end.
00:48:10Me or you could be taken at any moment.
00:48:20I still have to go through with my appeal process.
00:48:23I have to try and do things the right way.
00:48:28But I want you.
00:48:33Even though it doesn't make sense.
00:48:36I want you.
00:48:38I want you.
00:49:06Charlie, you're laughing her again.
00:49:10Just listen to us.
00:49:12I read a book about a man in Australia
00:49:14who escaped by pretending to be a translator.
00:49:18And the guards, they helped him.
00:49:20As soon as we have James' card, we can get out.
00:49:22And you just want to walk out of the front door?
00:49:24And why are you here if you're not coming with us?
00:49:26There are still some things to sort out,
00:49:27which I think Isio can help us with.
00:49:30We need to know who else is working that night.
00:49:33We're already working on this, see if she can help us.
00:49:35That is why you're always going to that useless at class.
00:49:38Why would she even help?
00:49:39She's always talking about burning the system now.
00:49:42It does not work.
00:49:43It's a chance to prove that.
00:49:45And Farah is her favorite,
00:49:46so she will convince her to hide us in her car.
00:49:50And then we get out of here.
00:49:57Let's say you're successful and you do get out of here.
00:50:01What's the first thing you'll do?
00:50:08When we are both out,
00:50:11I will take you on a proper date.
00:50:15What if it is I that wants to take you out?
00:50:19Where?
00:50:20Well, first, you have to be daytime
00:50:26so that I can see your beautiful face.
00:50:30Oh, I know this nice Vietnamese restaurant in Deptford.
00:50:33They also do karaoke.
00:50:35I like karaoke.
00:50:38Same.
00:50:40Then I will make you something very special.
00:50:45At home.
00:50:50What will our home be like?
00:50:55No white walls.
00:50:57I hate white walls.
00:51:05We will make it ours.
00:51:15And we wouldn't have to hide our love.
00:51:44Barra.
00:51:46today is my birthday what we could have done something no i won't make you close about it
00:51:55happy birthday thank you happy birthday
00:51:59you have a letter
00:52:11it's okay
00:52:13open it
00:52:38can't do this anymore
00:52:40don't give up
00:52:42is what they want
00:52:44you have another chance to appeal
00:53:11you did what you thought was right
00:53:14no no they're being sentimental shut up i'm surprised you haven't said i told you soon
00:53:19i would be we've all been where you are now you get through it
00:53:31i don't know if i have the strength to appeal again so come with us where we can't try again
00:53:35where will i borrow they've denied your final appeal you're being deported amelia i'm afraid
00:53:42i don't know if you want to have the forcefully remove you so please go up around here yeah
00:53:44no james i love you step out of my way don't have to step out of my way
00:53:53stop
00:53:57stop
00:53:59Hey, hey, hey!
00:54:01No, no, no, no.
00:54:02Just stay with us!
00:54:09All right, stop the arrow.
00:54:34Oh, my God.
00:55:11Oh, my God.
00:55:35Oh, my God.
00:56:07Oh, my God.
00:56:25Oh, my God.
00:56:34Oh, my God.
00:56:59Anything we can do for you?
00:57:02I'm okay.
00:57:03Oh, my God.
00:57:32Oh, my God's talking about putting you on suicide watch.
00:57:35Is this another letter?
00:57:47I'm sure Farah is trying to find a way back to you.
00:57:50In the meantime, in the meantime, you still have a choice.
00:57:59Use it.
00:58:05How else will you find each other?
00:58:07Oh, my God.
00:58:15Oh, my God.
00:58:31Oh, my God.
00:58:36Hey! I see you've emerged from your cave. Smile. Thank you.
00:58:46How do you feel?
00:58:50Better. You know, we thought we were going to have to drag you out.
00:58:55Excuse me, Nunu. Not we, you. Me, I understand that grieving takes time.
00:59:01Which kind grieving? Charlie, did Farah die?
00:59:07Is it just not to get out of here and find her?
00:59:12Anyway, we missed you.
00:59:14She missed you. Oh, Nana missed you.
00:59:18Don't touch me.
00:59:41When we are both out, I will take you on a proper date.
01:00:04If there was another way out of here, would you take it?
01:00:18Whatever you are scared of, it does not have to own you.
01:00:30Freedom begins in the night.
01:00:44It's your room and roommate, ICO, Nesma.
01:00:47Keep to yourself. Don't cause no trouble.
01:00:49And if you've got a problem with anyone or anything, let me know. We're here to help.
01:01:03She's not here to help, by the way.
01:01:07Helping is how they gather information.
01:01:14The first two days are the hardest. It's okay. You're okay, you see it.
01:01:23I didn't think I would end up here.
01:01:25Who does?
01:01:38Can I ask you something?
01:01:46Just ask.
01:01:50Why are you sleeping with James?
01:02:07I thought he could help.
01:02:11He said he could ensure my stay in the country.
01:02:17By the time I realized he couldn't,
01:02:21he pressured me.
01:02:25If I didn't give him what he wanted,
01:02:27he would make sure I got sent home for seducing a god.
01:02:36I don't know if it's true, but I don't want to find out.
01:02:47I know you want to play by the rules and wait for your final appeal.
01:02:54But what will you do if you don't succeed?
01:03:18Oh, sorry.
01:03:19I'm sorry.
01:03:20I'm sorry.
01:03:20I'm sorry.
01:03:21I know you live in the wrong place.
01:03:44I can't get us out.
01:03:49Come.
01:03:50I can't get us out.
01:04:10What do you mean?
01:04:18Listen, I sat in that room and watched as a new girl came in and took Farah's place.
01:04:24And all I could think of was how naive I was when they first brought me here.
01:04:28You're not the only one.
01:04:30No, but I should have listened to the both of you before.
01:04:34I need to know that Farah is okay.
01:04:45What do you have in mind?
01:04:50So, it might sound a little crazy, but let me land.
01:04:56We need the electrician to be called out.
01:05:00So that we can get his wire cutters.
01:05:09Cheers.
01:05:12When he gets here...
01:05:13This place is falling apart.
01:05:14I will distract him.
01:05:16It's not the light, it's something else.
01:05:17Honestly.
01:05:20Oh my God, I'm so sorry.
01:05:23Are you okay?
01:05:24It will give you a chance to hide them.
01:05:30Ativa, help her.
01:05:32We need to move the camera to create a blind spot in the garden.
01:05:36We will use Afia's gang and their dealings as our cloak.
01:05:41At some point, they will create a diversion to distract the guards.
01:05:46As soon as the diversion begins, we start cutting the fence.
01:05:50I'm not sure about this plan.
01:05:52Cutting wires, cameras.
01:05:55And you thought the other plan was any better?
01:05:58You really thought Lisa was just going to walk all of us out of here?
01:06:03This fence, it's not easy to cut.
01:06:05The wires are sick.
01:06:05I know.
01:06:08It will take us some time, but...
01:06:10What do we have to lose?
01:06:13Hmm?
01:06:15I'm willing to try it.
01:06:17Yes.
01:06:17Nana.
01:06:19Hmm?
01:06:24Think about Mustafa.
01:06:36Okay.
01:06:39I will try.
01:06:46Making sure we move the cameras.
01:06:50And the guards don't see us.
01:06:53We've caught what we can each day.
01:07:02Okay.
01:07:07Okay.
01:07:08Keep talking, y'all.
01:07:32Even if you escape and look for Farah,
01:07:35when you get deported, it's hard in your own country.
01:07:38Some people end up in prison.
01:07:41Some destitute.
01:07:43Some die.
01:07:46I know.
01:07:48But Farah is different.
01:07:52I feel it's taking too long.
01:07:54Maybe they will catch us.
01:07:56Don't worry, guys.
01:07:58We just have to finish.
01:08:02Come, let's go.
01:08:07Why doesn't Nana like me?
01:08:09Nana doesn't like anybody.
01:08:28I feel it's better.
01:08:31I thought you were my friends.
01:08:33Mm-mm-mm.
01:08:41To Farah, I will find you.
01:08:46Farah.
01:08:58That's great.
01:09:01I'm learning to let go, to let in.
01:09:14What do I do now?
01:09:20You fight.
01:09:21I don't know if I can.
01:09:24I can't.
01:09:25You can.
01:09:27Whatever happens,
01:09:29you cannot lose yourself in here.
01:09:42Have you guys packed?
01:09:43It needs to be light.
01:09:44Why are you directing that at me?
01:09:46I like to look good.
01:09:47We all have time to look good.
01:09:48We need to be quick.
01:09:49Don't worry, I've packed.
01:09:50Light.
01:09:51Ish.
01:09:54Who will make the diversion?
01:09:55Leave that to me.
01:09:56Are you sure?
01:09:57I just need to make a few people think their things were stolen.
01:10:23Chris!
01:10:24Chris!
01:10:25Oh, damn it!
01:10:26Take it from me.
01:10:26Get back to him.
01:10:27Get out of my face!
01:10:29Oh, no!
01:10:30I need help!
01:10:34Oh, no!
01:10:35Oh, no!
01:10:36Oh, no!
01:10:38Oh, no!
01:10:38Oh, no!
01:10:39Oh, no!
01:10:41Oh, no!
01:10:44Oh, no!
01:10:46Oh, no!
01:10:47Oh, no!
01:10:47Oh, no!
01:10:47Oh, no!
01:11:07Let's go.
01:11:08Come on.
01:11:09What is this?
01:11:18Okay, okay.
01:11:21Come on.
01:11:24Come on.
01:11:26Stop.
01:11:30Stop.
01:11:32Stop.
01:11:33Stop.
01:11:34No, Grandma.
01:11:45Why is it not done?
01:11:51Oh my goodness.
01:11:56No!
01:11:57No, I can't!
01:12:01No, I can't!
01:12:04No, I can't!
01:12:17Somewhere on the other side of this wild night,
01:12:22and the distance between us,
01:12:25I'm thinking of you.
01:12:28The room is slowly turning away from the moon.
01:12:33This is pleasurable.
01:12:36Or shall I cross that out and say,
01:12:39It is sad.
01:12:43In one of the tenses, I am singing
01:12:47an impossible song with desire you cannot hear.
01:12:52La, la, la, see?
01:12:59I close my eyes and imagine the dark hills
01:13:02I would have to cross to reach you.
01:13:09For I am in love with you.
01:13:15In a weird way.
01:13:16For me, I can't.
01:13:19Yeah!
01:13:40For me, I know.
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