#BithiriSathi #Rajasekhar #TeluguComedy #FunnyInterview #Tollywood #ComedyShow #NonStopComedy #TeluguEntertainment #AsianetNewsTelugu #entertainment
Stay tuned for the latest Telugu News updates, Celebrity news, and political happenings from Andhra Pradesh, Telangana, and across India.
Stay updated with the latest news at 🌐 https://telugu.asianetnews.com🗞️
Download the Asianet News App now! Available on Android & iOS
👉 Android:
https://play.google.com/store/apps/details?id=com.vserv.asianet&hl=en_IN
👉 iOS:
https://apps.apple.com/in/app/asianet-news-official/id1093450032
Like and Subscribe:
WhatsApp ► https://whatsapp.com/channel/0029Va5bM8l2v1IpqGwjv30T
Website ► https://telugu.asianetnews.com/
YouTube ► https://www.youtube.com/@AsianetNewsTelugu
Facebook ► https://www.facebook.com/AsianetNewsTelugu/
Twitter ► https://x.com/asianetnewstl
Instagram ► https://www.instagram.com/asianetnews.telugu/
Stay tuned for the latest Telugu News updates, Celebrity news, and political happenings from Andhra Pradesh, Telangana, and across India.
Stay updated with the latest news at 🌐 https://telugu.asianetnews.com🗞️
Download the Asianet News App now! Available on Android & iOS
👉 Android:
https://play.google.com/store/apps/details?id=com.vserv.asianet&hl=en_IN
👉 iOS:
https://apps.apple.com/in/app/asianet-news-official/id1093450032
Like and Subscribe:
WhatsApp ► https://whatsapp.com/channel/0029Va5bM8l2v1IpqGwjv30T
Website ► https://telugu.asianetnews.com/
YouTube ► https://www.youtube.com/@AsianetNewsTelugu
Facebook ► https://www.facebook.com/AsianetNewsTelugu/
Twitter ► https://x.com/asianetnewstl
Instagram ► https://www.instagram.com/asianetnews.telugu/
Category
🗞
NewsTranscript
00:00Does this sound like that?
00:01While we always ask you guys about the offer,
00:04I am very excited to offer my four-time Hoosren,
00:07and you also have to talk to me as well.
00:09Therefore, my friend already told me a lot.
00:12Hello everyone.
00:13Hello!
00:14You are very young!
00:16La la la la la la la la la la la la la la la la la la.
00:25pelo the same way.
00:26You don't have to do anything like that.
00:29That's great.
00:30That's great.
00:31I'll tell you about that.
00:33That's great.
00:33When you're watching a biker movie,
00:35you can't hear it,
00:37you can't hear it,
00:38you can't hear it.
00:40That's great.
00:43I wish I could do it.
00:44I wish I could do it.
00:45It's not about the film.
00:49You can't hear it when you're watching it.
00:51What's your favorite part?
00:52That's right.
00:53Every day, every day, every day, every day, every day.
01:00Every day, every day, every day, take me right.
01:04I'll take me in now and give you a great kannst.
01:08That was my chance, vole now, that really hurts me.
01:15The first time I watched film, I watched it.
01:19That's why you just look at the Raja Seekers and you say I will talk.
01:22You can't even buy a ticket, so you're looking at the ticket.
01:25You're looking at the front and you're looking at the front.
01:29You're looking at the front.
01:30I'm not sure of you, but I'm not sure of you.
01:34Can you give me photos on this bike?
01:38That's a lot of producers.
01:40Do you have to make a place like that or not?
01:44I'm just looking at the racing cinema.
01:45Yes, you know that you feel like you have a feeling. So, what are you, producers?
01:51What do you mean by the country sentiment? What do you mean by the country?
01:54I don't know, I don't know. I don't know, I don't know, I don't know. So, I'll do it.
02:04Mr. Rajashekar, Sir, we can't afford it. We can't afford it. So, everyone is in the first hand. Second hand
02:13is in the custom.
02:15Mr. I don't know, sir.
02:17Mr. Why did you say this?
02:18Mr. No, no, the story is there.
02:21Mr. No, no, the story is there.
02:22Mr. No.
02:23Mr. No.
02:23Mr. No, sir, no.
02:24Mr. I'll say, sir.
02:30Yes sir.
02:30That means the people who are struggling with the right size,
02:33should take a picture of the right size,
02:35and should take a picture of the right size.
02:37So, everyone is family.
02:40And they also have a family.
02:43Family, yeah.
02:44Can you show them a bike?
02:46Because they're 23 cases and the same.
02:51Thank you, sir.
02:53I don't want to show them a video.
02:55No, I don't want to show them a video.
02:58No, I don't.
02:59He's a biker.
03:01He's a biker.
03:03No, he's a race biker.
03:09He's a fit.
03:10He's a fit.
03:12In Hollywood style, he's a cinema.
03:15That's how he's a fit in the race.
03:18That's right.
03:18Now, you can go to the road and get into the road.
03:22You can go to the comfort zone.
03:25You can go to the road.
03:27You can go to the road and get into the road.
03:31You can go to the road.
03:33You can go to the road.
03:33You can go to the road.
03:37The helmet is compulsory.
03:39That's why he's a jump.
03:42Jump, mountain jump.
03:44What?
03:44Mountain jump.
03:47He's a bit scared.
03:48He's a bit scared.
03:52Why did you get into the road?
03:56Well, he's a girl.
03:58He's a bit scared.
03:59He's a bit scared.
04:00No.
04:00He's a bit scared.
04:01He's a bit scared.
04:03I mean, he has a lot of age groups.
04:07That's right.
04:08That's right.
04:08That's right.
04:10Do you think you're a loser?
04:11No, he's a loser.
04:13He's a part of a sentimental loser.
04:15There are a lot of people in the wife and husband,
04:18mother and son, father and daughter.
04:21There are a lot of people in the father and son in the loser.
04:23If you fail, you're fast.
04:26Now, if you don't play games, you don't play games.
04:31If you don't play games, you don't play games.
04:33If you don't play games, you don't play games.
04:35What are you talking about?
04:36No, I'm not, I'm not, I'm not.
04:40Why are you working with me?
04:41Why are you working with me?
04:44I'm working with you.
04:48But after that,
04:52you don't play games and you're working with me with me,
05:01I'm a actor of tears.
05:05I was going to say, I am very first with it.
05:08I am very proud of my village.
05:14I am very proud of my village.
05:16My village said, you're going to leave my village.
05:17Remember, my village is there.
05:18I don't know where my village is.
05:20But I have such a good attitude.
05:22Yes.
05:30That is sort of how I am doing.
05:32But, it's not that many people are sharing this video.
05:38I don't know where we are, we are sharing it, we are sharing it.
05:44We are sharing it in the seats.
05:47Climax.
05:48We are sharing it in the seats.
05:51But, we are sharing it in the room.
05:52You are so confused.
05:54You are also a character.
05:56You are a character.
05:57You are a character.
05:58You think you are a character?
06:03There are many conflicts in racers.
06:07There are many people.
06:08I am a hero-villain story.
06:09I am a character.
06:14If you want to see a character,
06:16you are a character,
06:18you are a character,
06:20but you are a character.
06:22But you are a character,
06:22but you also have no safety.
06:24That's because you feel a character.
06:27How do you do it?
06:29You have a career,
06:30It's a career.
06:32So, you have got a career.
06:36And that's the recognition.
06:38That is theợt Experience.
06:41When you are the instructor,
06:42you will do it too.
06:43And the character is a character.
06:46So, I don't know how much of an endurance.
06:49It's not a sport.
06:50And it's a lot of characters.
06:53Vero is one thing to talk about.
06:55Is he talking about it?
06:58Yes, he's a character.
07:00He's an emotional-driven character.
07:03So, when we go to India,
07:05we're going to go to India.
07:07If we go to India, why don't we go to India?
07:09That's not true.
07:10That's true.
07:11You're not a Christian, right?
07:13It's a real thing.
07:15If you don't believe in India...
07:17No, I don't believe in this camera.
07:22My wife is a good friend.
07:23You are welcome.
07:24You have to say,
07:28he doesn't have a week before.
07:32I don't have a week before.
07:34Now, I don't have to talk about it.
07:35He doesn't have a son.
07:37In India, I don't have any interview. I have to say something like my mother.
07:41That's right.
07:42That's right.
07:43That's right.
07:43That's right.
07:45That's right.
07:48That's right.
07:48You're a little bit tired.
07:49A little bit tired, sir.
07:50I like Futchifulls.
07:51I like that too. How did you do that?
07:54You can do it.
07:55I like that too. I like that too.
07:56I like that.
07:57Do you want Fattal Vare at this moment?
08:03Yes, Fattal Vare at this moment.
08:04Do you have guitar?
08:04I have a guitar.
08:05I have a guitar.
08:06Do you have a Fattal Vare at this moment?
08:08Do you have a guitar?
08:09Do you have a guitar?
08:10I like that too.
08:11I like that too.
08:15Super, super.
08:17That's right.
08:17Abhilash, in this moment,
08:20the frame of the child,
08:23can you tell us about the child?
08:26Can you tell us about the child?
08:28That's right.
08:29As you can see, there are a lot of setups.
08:31There are many setups levels.
08:32First off, everyone is a Tater.
08:37Or one is a Charvanna,
08:38one is a Tater.
08:40Although, there are a Taters in the 90s,
08:42the Rashiagargaru will give you Charvanna.
08:43Never gonna get Taters.
08:45When everyone comes to the Tater,
08:48we have a Tater.
08:49So, there is a Tater.
08:49A little bit.
08:50That's a good idea. You also have bird days.
08:53You have to know that in the beginning,
08:55Rashi Garu and Sherva Garu have a bird day.
08:57It's just another day. Don't waste your time.
08:59That's right.
09:00But when you get to the manhood, you get to the manhood.
09:03You get to the manhood.
09:05That's the theater scene.
09:06There's a montage.
09:07So bird day, so greeting.
09:10There's a pay off fame.
09:12Manhood, celebrate.
09:14So that's how you get to the manhood.
09:18You get to the manhood, you get to the manhood.
09:21You get to the manhood.
09:22Let's talk about the circle.
09:24There's a lot of philosophy.
09:26I mean, there's a lot of philosophy.
09:31There's a lot of philosophy.
09:32There's a lot of mechanics.
09:36There's a lot of philosophy in Vietnam.
09:39That's the whole city.
09:40Hey, Chotu.
09:42What are you talking about?
09:43Don't you tell me?
09:44Don't you tell me?
09:46Don't you tell me?
09:48Don't you tell me?
09:49Don't you tell me?
09:51That's right.
09:52What's the matter?
09:52That's the body language.
09:53It's very aggressive.
09:54See, it's a matter of fact.
09:55Now, the racer is a lot of tough people.
09:58Physical is a lot of tough people.
10:00But the family is a lot of sensitive people.
10:03That's the story.
10:05You're a lot of tough people.
10:07But the family life is a lot of sensitive people.
10:09That's why we are trying to meet people with me.
10:12That's the way they're trying to meet people with me.
10:14But the family is a lot of tough people.
10:19But the family is trying to meet people with them.
10:19Because if we're emotional,
10:20there are many people who suffer from the character's internal conflicts.
10:22If you look at the cinema, then you have internal conflicts.
10:28If you look at the collection in the dialogue, it doesn't have quality.
10:35You also have quality. No matter how much the time.
10:43When I thought you were looking at the same show, I was looking at the same TV night.
10:46If you were looking at it, I was looking at it.
10:48That's right.
10:50That's right, he's been doing a full movie.
10:53Yes, he's been doing it for a while.
10:55He's been doing it for a while.
10:56He's been doing it for a while.
10:59He's been doing it for a while.
11:01But the family is doing it for him.
11:02He's doing it for a while.
11:05So, you're a philosopher,
11:08He's been a life.
11:09I've been told by myself that I am the most of my life.
11:13One person is a man.
11:15One person is a man.
11:16Yeah, that's the fish fall.
11:17That's why we always get connected to the cinema.
11:21You also get the ball in 13, 14 years.
11:24I mean, in the theatre, if you check the audience on Instagram and Twitter,
11:29they also get the ball in that movie.
11:30There's a lot of the Shurwagar dedication to the father.
11:34They feel it.
11:36That's better, isn't it?
11:37Now the fathers also get proud of the film.
11:41That's why I get connected to the cinema.
11:43I was also a kid. I was in Kanatka, the film was the first time I was in the film.
11:48He said, I was like, I'm a kid, I'm a kid, I'm a kid.
11:51Do you know him?
11:53Yes, I do.
11:54You don't have to talk about anything.
11:57Yes.
11:57You can talk about it.
11:58I was watching 4 people.
12:01I was talking about 4 people.
12:02I didn't talk about the story.
12:06So, you're doing it.
12:07I'm doing it.
12:09That's why I think I'm a philosopher.
12:11My sentiment is that I want to look at first two.
12:14I want to look at all of you because of the details.
12:18That's why I thought I saw a lot of two or three.
12:20It's tough.
12:21That's right.
12:21You see, first of all, the title sequence,
12:24there's a mountain jump in the biker,
12:26you can jump in the mountain.
12:28You can jump in the same way.
12:30You can jump in the same way.
12:31You can jump in the same way.
12:32You can jump in the same way.
12:34So, there are a lot of setups in the same way.
12:38Can you tell me?
12:39If you want to talk about it, it's good.
12:40What do you tell me?
12:41What do you tell me about it?
12:43I want to show pearls.
12:43I want to show pearls.
12:44Is it false?
12:45Why did you show a fulsar?
12:48A fulsar and a fulsar?
12:50No, no.
12:50How do you tell me?
12:52There's an oyster in the inside of it.
12:53Pearls.
12:54That's right.
12:55Pearls and a fulsar.
12:58It's not a fulsar.
12:59Yes.
13:00That's right.
13:00There may be an outside site in the garage.
13:03Now we will start searching.
13:05I don't think about the car.
13:06As you saw in the 90's,
13:09there's a lot of happiness in the 90's,
13:13so that there were many happy life.
13:16So people have a whole little giddy for you.
13:18But there isn't the sludge,
13:19and others who have vomiting theесяp.
13:19I don't feel overwhelmed to get like them.
13:20You had all the odd little livelihood.
13:23So you had very lonely with color.
13:26There are many details.
13:27In India, there is a cinema.
13:29Where did you go to the cinema?
13:31This is an indonesia shoot.
13:33Racing is an indonesia shoot.
13:35Sumbhavani, Kader, any place.
13:38Why do we have an authenticity here?
13:43Because in the 90s, there are two-stroke bikes.
13:45That's why we have to redesign the bikes.
13:48If you look at the bikes, it's not original.
13:51Then modify the bikes.
13:52That's why we have to modify the four-stroke bikes.
13:54That's why we have to shoot in the indonesia shoot.
13:58Do you want to see the kondala?
14:01What kondala?
14:02Do you want to see the kondala?
14:04No, it's real.
14:05There is a mountain, there is a terrain.
14:08We will shoot in the indonesia shoot.
14:10If you look at the kondala, you can see the bikes.
14:13That's right.
14:15You can drive the bike.
14:16You can drive the bike in the school.
14:21That's right.
14:23You are an independent film school.
14:25I was a master.
14:26You are the master.
14:27You have to do the video?
14:28I'm a loser.
14:30I gave up his real estate.
14:33You have to do the editing and write.
14:37I've made the mood.
14:38I've made the direction and the mood.
14:39I've made the mood.
14:40I have the mood.
14:41I've made the mood.
14:42Yes, it's the mood.
14:44You have to be the editor with you.
14:46No, no, no. It's custom. The editor had a lot of key role play.
14:50You know, I was a junior, I had the footage of the race in 300 TV.
14:55I had the race sequence for two months.
14:59I was a 30-year-old.
15:01It was a tough one.
15:02I was a stuntmaster, Dilip Gargani, D.O.P.
15:07I had a lot of race sequence.
15:09I had a lot of availability.
15:11So, I had a lot of fun.
15:12I had a lot of fun.
15:13Okay, the person is so happy.
15:15You did?
15:16You did.
15:17I got a lot of fun.
15:18Let's take a lot of fun.
15:22Let's take care of family and staunch everything.
15:32Let's take care of each other.
15:35Let's take care of each other.
15:39There was a set up for the character and unnecessary character.
15:43He said that the family is still dead.
15:47He didn't have a wife's photo.
15:51That's not my story.
15:53So, he didn't register to the camera.
15:55I have to say that the camera is not the camera.
15:58The camera is not the camera.
16:00It's the camera.
16:02He is the camera.
16:03I am going to do something.
16:04I am going to cut and cut and add-off.
16:08But I am going to do it as well.
16:11And we will design it as well.
16:13It is great.
16:15And then you have a fight for example.
16:19In the 90s, there is no fight for the heroism.
16:22If you look, you have to fight the Sharvagar,
16:25you can fight the Sharvagar,
16:27and you can fight the Sharvagar,
16:29and you can fight the Sharvagar,
16:29you can fight the Sharvagar,
16:33There is a connection between the heroism and the mountain jump.
16:37There is no reason for that.
16:39There is no reason for that.
16:40There is a reason for that character.
16:49Now, I've been here for a long time, sir.
16:52I've been here for a long time, sir.
16:52I haven't been here for a long time, I've been here for a long time.
16:57I have been here for a long time.
17:01I've been here for a long time and planning now.
17:04He's here for all the planning,
17:05I've been here for a long time.
17:06The house is around factory, sir.
17:08I've got an engineering plan, sir.
17:10I've been here for a long time,
17:14four days of the long time.
17:16I've got an idea for a long time.
17:18Signs, you can go with a branch, sir.
17:21He's not a branch.
17:22I've been here for a long time.
17:23I make an Akana and a local
17:26Mr. Miranja sir
17:27Mr. I'm designing
17:29Mr. I'm making an bakar there sir
17:31Mr. Uh
17:31Mr. That's the same
17:32Mr. Oh
17:34Mr. Uh
17:35Mr. That's a Tamfar goate
17:36Mr. Hmm
17:37Mr. That's not a topic in our goate
17:38Mr. Where are you sir?
17:40Mr. Shri?
17:41Mr. Sorry, there's no question
17:42Mr. Yes, you are getting there
17:43Mr. There's no problem
17:43Mr. There's no problem with the food
17:44Mr. There's no beer
17:46Mr. Thanks for the
17:51Mr. Abhilashana, you can check the other
17:52Mr. Thank you
17:53Like a girl, like a girl, like a girl, like a girl.
17:58You can see it all right.
18:01Why don't you put the camera on the camera?
18:04Biker is out in theatres next to you, so please watch our film.
18:08This is a family drama movie more than anything because all our Telugu cinema is connected and rooted to our
18:13family emotions.
18:14So please watch me, Sharva and Rajshekar sir under Abhi's brilliant direction and it will be an incredible watch.
18:20So we are going to set the theatre, family members both will show our cinema.
18:28Everyone will enjoy the cinema.
18:29When we see the enlightenment around them, our police will be on the speed of go to the cinema.
18:36They will always be on the speed of go to the cinema.
18:39They will always play other speed of go to the cinema.
18:40If you keep the cinema, it will be a big bit of so.
18:43They will keep the camera on the ground and keep the camera ordering a little quick thing.
18:43Today I talked to you every day.
18:44That you can hang the car and drive there in the summer.
18:46The human is a cool person.
18:49Take care.
18:51Take care.
18:53Take care.
18:55Take care.
Comments