#Romanchakam #SandeepReddyVanga #SumanthPrabhas #Ananthika #VenuGopalReddy #entertainment
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NewsTranscript
00:00Come on, Bashi.
00:02You've been starting to start.
00:04You've been starting to start.
00:06That's what you've done.
00:08You've been in Josh.
00:09That's why you're playing.
00:11I'm playing.
00:12I'm playing.
00:12How did you start?
00:13I'm starting to start.
00:17You've got a five star chocolate.
00:19I don't know, okay?
00:20I don't know.
00:22How's Sandeep?
00:24I'm playing.
00:28You don't want to be part of the audience.
00:30No.
00:33No.
00:42No.
00:44No.
00:45No.
00:45No.
00:47No.
00:47No.
00:47No.
00:47No.
00:48No.
00:48No.
00:50No.
00:50No.
00:52Let's start.
00:54Ready?
00:55One, two, three.
00:57I'm going to be a band.
00:59Let's go.
01:00Let's go.
01:12Let's go.
01:30Let's go.
01:56I love you.
02:01Then when you rejoice you uma fagged come to me
02:05Port a place on you
02:09TempsIC저
02:10When I come, it's great and get to me
02:16Selfish strength
02:18What's his death of you
02:21Don't worry hand Confidence
02:22Don't worry hand Confidence
02:38That's it!
02:40That's it!
02:42That's it!
02:42Now, what's up?
02:43What's up?
02:44I'm not sure.
02:47I'm not sure.
02:49This is proof.
02:50I'm not sure.
02:52Let's talk about it.
02:53I'm not sure.
02:54I'm not sure.
02:54I think it's about it in the past.
02:56I'm not sure.
03:00That's it.
03:03That's it for a few days.
03:07That's it for a few days.
03:12But it's been a long time.
03:15That means
03:15The most important period in my life.
03:22That's it.
03:24That's it.
03:24That's it.
03:25That's it.
03:30That's it.
03:31That's it.
03:35That's it.
03:35I'm sure.
03:37I have to know what else you're living.
03:38I'm sure.
03:40I'm not sure the reality check.
03:42You have to have pressure.
03:45Parents, society, friends.
03:47I'm sure you should do it.
03:48What might happen to you,
03:50I'm sure you had a maturity.
03:54That's your life.
03:56I'd like to know what a very typical period is.
03:59What was it?
04:01I started in 23 years.
04:02I had one year or two years.
04:03I started in two years, the reality check started.
04:06I've always knew it.
04:08I was dead.
04:09I became a decennial.
04:11I became a decennial.
04:15That's why I was worried about you.
04:18You're even 20 years old.
04:20But it started working.
04:21No, no, no. See, guys, I don't have any dreams like this anymore.
04:29I assume that you and I, she is so mature, but I don't know anything else.
04:35But she says, no, sir, I don't know.
04:37I don't know, I don't know. She's a mature performer.
04:42I don't know how much I am, I don't know how much I am.
04:49I don't know how much I am. I don't know how much I am.
04:54You are fully prepared, right?
04:55No, no.
04:59I don't know how much I am.
05:02I don't know how much I am.
05:07But I don't know how much I am.
05:09I am well prepared.
05:11I am not a mantra.
05:12If I am not a mantra, I will do this.
05:15You are doing the workshop.
05:16I am not doing that.
05:18But coming back to the point, I will mention that you are a quiet period of college.
05:23Things are great people as well.
05:27I won't be able to do this, namely your own video of the camera.
05:32I am the only person who is talking to the camera now.
05:33I am as a kid telling you everything that you are talking to the camera.
05:34So, what am I talking to the camera if you are talking to the camera?
05:35I will talk to you in four years.
05:40Don't you?
05:41Maybe, we all want to play nonsense with ourselves.
05:45We don't want to play as something.
05:47Whether we want to play nonsense with ourselves, Buggsy?
05:51Well, do we pretend that we were all into nonsense?
05:56That's what I told him.
05:58Early twenties...
05:59I had no surprise to have such an answer
06:00instead discussed the problem
06:00or this pourrait say yes or no
06:01fact, but I told you really liked it.
06:04But I shall approach public Having a camera.
06:07Which scene is passing for us?
06:08Opening scene.
06:09Starting.
06:10In the software, there is a scene in the office.
06:13We also have a position blocking.
06:16You also have to relax.
06:19We have to relax.
06:21We have to relax.
06:21We have to relax.
06:21We have to relax.
06:22We have to relax.
06:23That's the answer.
06:24We have to relax.
06:26If you have to relax and start the stage, we will have to relax.
06:30We will have to relax.
06:32That's a great setup.
06:35Super.
06:36What do you want to talk first about?
06:38Who will you want to talk?
06:39Who will you want?
06:40I want to talk because of you, the book is called another director.
06:44I do not want to talk about the director now.
06:48I do not like that very happy.
06:52We want to talk about the vibe.
06:54I want to talk about character.
06:56But what do you want to talk with?
06:58It's not meant that character is a line.
07:01We want to talk about character.
07:07She said, she is very intelligent. She thinks, but she is not.
07:15She is not.
07:21She started talking.
07:27You have to be emotionally naked with the artist.
07:31When you are talking, she is a kind of a person.
07:34She is an an instructor.
07:36You are a person.
07:38I am a teacher.
07:38So the person who is a person who is a person.
07:39So I am going to pass.
07:41Yes, I am very good.
07:45But it is an adventure I am going to pass.
07:47Yes,会 is adventurous.
07:49I was asked for a police station for my last night.
07:54Do you have to remember the police station?
07:54What is Kalchana?
07:56Shalchana, that is one of them from one hand of the air.
08:03I want that.
08:05Okay, he doesn't.
08:07That's why it's not easy.
08:13What do you do with Xiaojumda?
08:16Do you want the Xiaojumda?
08:18He's doing it now.
08:20Yeah.
08:21You're already muscled.
08:24That's part two.
08:27Romance is part two.
08:28That's it.
08:29When you come to One End of Fear,
08:30you're going to be a Jushna.
08:33You're going to be saying,
08:34that's a good thing for Ganesh and Durga Mada permission.
08:39I'm going to be great.
08:42I'm not a good person.
08:43I'm not a good person.
08:45You're going to be a manierial.
08:47You're going to be a main famous animation.
08:48...and I called the whole thing after that.
08:54Shua, you're still still the same film or the same film?
08:57It's been still the same film.
08:59It's been for 4 months in the film.
09:00Do you have been famous for that film?
09:04I didn't know that film.
09:06It's been a long time ago.
09:09Don't you know how I've been doing a long time ago?
09:11No.
09:12I'm correct.
09:15I've been right.
09:16I've been doing a long time ago.
09:17I think he's going to watch it.
09:20He's not going to have that.
09:21He's going to be angry with B.P.
09:27He's going to be aggressive.
09:28I'm not going to be angry with B.P.
09:31I don't know if I don't know what he's calling me to.
09:34If you want to go to B.P. and you don't know why I was angry with B.P.
09:39That's not me.
09:40First of all, it depends on what I feel.
09:42Most of you are not a fan of Narendra.
09:46What a fan of Narendra.
09:49That's not Narendra.
09:50Narendra.
09:51In six years, I do a fan of Basha on the next season.
09:54Who has been?
09:55As you cast the name of Basha.
09:57That's why Basha is a fan of?
09:59Manu can't become a fan of Narendra.
10:00Basha is a fan of Basha.
10:01Now I'm going to say that I'm a fan of Narendra as a fan of Narendra.
10:06That's why I'm still alive.
10:09How does it feel like you're releasing an Atlanta show?
10:12I'm sorry.
10:14But it's exciting. It's a calm day.
10:18It's a good night.
10:19It's a good night.
10:19It's a good night.
10:20We've got a good night.
10:25But it's okay.
10:26I'm not sure how to go.
10:29I'm not sure how to go.
10:31I'm not sure how to go.
10:33I'm not sure how to go.
10:35I'm not sure how to go.
10:36I'm not sure how to go.
10:37I'm not sure how to go.
10:41I'm actually going to lean on the net.
10:43I'm not sure how to go.
10:45I'm not sure how to go.
10:46I'm not sure how to go.
10:47It's nice.
10:50It's a very important feeling.
10:52What are you doing?
10:54I'm not sure.
10:55I'm sure I'm sure the release rap is
10:58given to me.
10:59I'm sure you're going to buy the tickets.
11:01He was like, I don't know what he was doing.
11:04He'd be like, I don't know what to do.
11:07I was watching this film,
11:08I was like, I'm not sure what I was doing.
11:12It was all chaos.
11:14He was like a guy, a guy like that.
11:17He's like, I don't know.
11:18So, there's a feeling.
11:18There's a feeling.
11:20You see, you know, this moment from this day,
11:24he started the first show.
11:26The third, the first show.
11:27So, I think it's a big zone.
11:29It's exciting and it's a great tension.
11:32You're the one who started it.
11:33I'm also full of exciting and waiting actually.
11:36I'm waiting for the audience.
11:39I'm waiting for the premiere.
11:41What about you, sir?
11:42Narendra?
11:46I'm full of excitement, Mama.
11:49It's all right, it's all right.
11:53It's all right, obviously, man.
11:54I'm looking for a cut point, I'm feeling that.
11:57You're ready to cut the cut point.
12:00I'm just going to the presentation.
12:02I'm not sure how I'm going to go.
12:03I'm not sure how to do it.
12:06I'm not sure how to do it.
12:11So, I'm going to go to the translator,
12:13go to the background, go to the background,
12:15go to the background.
12:17Usually, I'm going to cut 2 hours 35 minutes.
12:19It's cut. Now it is 2 hours 18 minutes.
12:252 hours 18 minutes. Super.
12:27You have to cut. What is your feeling? Because this feeling is very important.
12:33What is the feeling? What is the feeling?
12:35I don't know how much I feel. I'm excited. I'm excited.
12:42I have a feeling. Same as the reaction of the feeling.
12:46I'm curious about that. I felt this clear.
12:50But definitely, it's just a feeling of your feeling.
12:54I was very curious about it.
12:57When we talk about the dubbing, we say that we're completely mean.
13:02We know that the dubbing is not enough.
13:04We all feel everything. You wouldn't want to say it.
13:09You got to say it.
13:10You have to say it's normal if you know something.
13:15Where is she?
13:16She's a smileer, she's a beautiful girl.
13:19They're one – a few years old.
13:22I don't know if you've been a girl.
13:25We're just different from reading and expression.
13:29There is no more confidence.
13:35Meeko?
13:35We're the grandparents of you.
13:38We're the grandparents, basically.
13:40It's a big deal.
13:40You've got a nut.
13:42The nut is cut.
13:44We've got it cut.
13:45You're a big deal.
13:47Is that bread?
13:48Barla.
13:49Barla.
13:51What does it mean?
13:54I've got a short ecotasy of bread.
13:57I've got mustard.
13:59I've got a bread and juice.
14:02You've got it.
14:05You've got it.
14:06You've got it.
14:08I'm doing my extension.
14:10He's been talking about his fun.
14:12He's been talking about his own.
14:14What about you?
14:15I'm confident.
14:17I've been doing my job in shooting and I've been doing my job.
14:22So, I've been working on this job.
14:24I've been doing my job in the job, so I've been doing my job.
14:26I've been doing my job in a good job, and I've been doing my job.
14:28I'm excited and confident.
14:35Are you a good job?
14:36Commodore?
14:37First movie?
14:38Independent film.
14:39First movie?
14:41First movie, Theatre?
14:42No.
14:43Could I have already told you?
14:46Vijay Saleside.
14:48Vijayanda.
14:49Vijayanda.
14:50Vijayanda.
14:51Show a video.
14:53When you play the interview, I play the video and you play it.
14:57You play the sales...
14:58We are going to ask about the show.
15:00Who would we do?
15:01With the sales character, you have to be a sales character?
15:03You don't want to change.
15:05Don't you think I have a bad idea?
15:08Sir, you are just doing the best thing.
15:09I'm just doing everything.
15:12You can get your idea.
15:15They change your character and get your character.
15:17Perhaps you can change your character.
15:19When you make the last video,
15:21I told you you want to build that up.
15:24Vestrut, I think I was about 30 seconds so I am about short.
15:29You can use that character to create.
15:31But it isn't good.
15:32It's impossible to watch.
15:33So, when I saw my friend, the character,
15:38he got a lot of pain, and he was like,
15:41he got a lot of pain.
15:43This is a good outline in the subcancel.
15:45I saw a short video,
15:48and he thought she'd recommend it.
15:51And I was like,
15:51I am like,
15:54I was the same feeling,
15:56I was surprised by all the people I had.
15:59I was surprised by casting.
16:02That's the expression. But it's weird.
16:04But I thought it came true.
16:08I thought it came true.
16:08In my life, I got a double R.
16:13After that, I got a double R.
16:15I thought it came true.
16:19I thought it came true.
16:21I thought it came true.
16:23I thought it came true.
16:27Very cool, so I thought it came true.
16:28And we will do it and find it.
16:31Yes, it is.
16:36Then I'm here to teach too an nishang.
16:39Oh, that's amazing.
16:39I did also teach me.
16:42You are a nishang.
16:44I am a nishang.
16:46So, what is the nishang?
16:48Yes, is it.
16:49It's a great story.
16:51Okay.
16:52Did you teach me?
16:53That's me.
16:53It's like a chiller, right?
16:56It's a chiller, right?
16:59It's a classic chiller, right?
17:00Yes, it's a mass.
17:02What do you mean by a chiller?
17:04It's time to order the restaurant to order the restaurant.
17:09It's time to order the potlum biryani to order the restaurant.
17:11It's time to order the potlum biryani.
17:11It's time to order whatever it is.
17:13If you ask one question, please answer it.
17:17If you ask the answer, you can answer it.
17:20It's amazing.
17:20Yes, that's the answer.
17:22I told you the interview with him.
17:24Please answer him again.
17:27I will answer the question.
17:28So why did you ask the answer?
17:31What would you ask for the show with me?
17:33Take the answer, please.
17:34I asked him, what's the answer?
17:40Why did you ask the answer?
17:41Why did you ask the answer?
17:42What's the answer?
17:42Why did you ask the answer?
17:44Why did you ask the answer?
17:45They asked him questions.
17:47The only thing I've ever thought about was I've never thought about the video.
17:49And then I'll stop.
17:51I'm sorry. I'm sorry.
17:54I love that.
17:54That was the point that I had already started.
17:59That's all.
18:00I can't wait to see any questions.
18:03But, in that time, I could say something to myself.
18:07What is it? How can I go?
18:10I've been telling you to take a look at me.
18:12I've tried to do a film with the mass film.
18:13It's not a mass film. It's not a mass film.
18:16It's not a mass film. It's a proper, interesting mass film.
18:22You're acting or direction.
18:23I don't have experience, but I'm also a person.
18:27You're acting or acting or direction.
18:30Direction? Direction.
18:31I think it's an explanation.
18:33What do you think about your thoughts?
18:35You're wrong.
18:37You're wrong.
18:38You're wrong.
18:39You're not an actor.
18:41You're not an inspiration.
18:43I'm not an inspiration.
18:47I'm a film.
18:48I have a director's title.
18:51Written and directed.
18:54I'm a film.
18:55I'm a film.
19:00I have a lot of thoughts.
19:01I have a lot of thoughts on you.
19:04I have a lot of thoughts on you.
19:06I have a lot of thoughts on you.
19:09I saw a scene on the beach.
19:11I saw a cute love story.
19:15I saw a cute love story.
19:17I saw it.
19:19I saw a scene.
19:21I saw it.
19:23I saw it.
19:24I saw it.
19:24I saw it.
19:25I saw it.
19:26I saw it.
19:27I saw it.
19:35I saw it.
19:35I knew it.
19:37I was doing it.
19:37I saw it.
19:38I saw it.
19:39You?
19:43What are you doing?
19:46I saw it.
19:48I saw it.
19:51You're wrong.
19:52I saw it.
19:58I saw it.
20:03He did it. He did it.
20:06But we were able to shoot a shot.
20:10You did it. You didn't have to shoot a shot.
20:11You didn't have to shoot a shot.
20:13So, he did it.
20:14He did it again and was able to shoot a camera.
20:28But he was telling us,
20:29Hey, we have the reels.
20:31We didn't tell you we got to go back on that.
20:32I think we would have picked a famous scene.
20:36Yes.
20:38Why do we call it that?
20:40No, we are.
20:41Don't do that.
20:42He's there.
20:43He's there.
20:44You have to come back.
20:47Give us a comment.
20:53I know, help us.
20:55Since we had seen the photo I have seen what my photo was, we could have seen that it would
21:00have seen the scene, and it was seen in the scene, and we could have seen it.
21:05What is the photo that we had that was? Isn't that it?
21:10Everybody sees us?
21:12What the hell?
21:14He's not the scene!
21:16He's like, what is it?
21:16He's like, you don't have to.
21:17And he told me, he said, I'm going to go out and show you a little bit.
21:21After you shoot it, you took a photo of the video.
21:25He told me to shoot it.
21:26He said, my brother is here.
21:27He said, where did he come from?
21:28Where did he come from?
21:29He said, I'm going to say hello.
21:32Unknown people to talk about it, it's a lot of fun.
21:35Why do you have fun?
21:37It's a lot of fun.
21:38I'm just kidding.
21:39I was like, I was like, a few years back, a film made a prank.
21:43A YouTube prank made a prank, a few people to talk about it.
21:46A YouTube prank made a prank?
21:47No, there are full pranks.
21:48Yes?
21:49There are many people.
21:51Healthy pranks.
21:52No, yesterday.
21:53I was a ghost.
21:54I was walking to the beach and when I was at the beach,
21:57some people were not in Hindi or Telugu,
22:00I was talking about the girl who was sitting in the background.
22:03They were talking about a small reporter,
22:05and I was talking about a little bit of language.
22:08But I was talking about the camera.
22:11I was talking about the camera.
22:11I was talking about the camera,
22:12I was talking about the camera,
22:13I was talking about the camera,
22:14Enjoy Goa? Yes? No?
22:20Enjoy Goa? Vote? Yes? No?
22:23You say, enjoy Goa? Yes? Yes?
22:26Yes, yes. That's why I didn't say that.
22:28I didn't say Goa.
22:30This is the same thing.
22:34Goa is the government. Yes? No?
22:37Yes. Yes? No?
22:40Live? Yes? No?
22:41Yes. Yes?
22:43Yes? Goa government? Yes?
22:45Yes.
22:46No, no, no.
22:48You said, you're a 10-minute man.
22:50You're a 10-minute man.
22:52You're a 10-minute man.
22:53Where are you on YouTube?
22:54There's a lot of YouTube.
22:56A lot of people.
22:58I don't know.
23:01I don't know.
23:02I don't know. I don't know.
23:03I don't know.
23:05Are you serious?
23:06No, no. I don't know.
23:07I don't know. I don't know.
23:09I don't know.
23:10I don't know.
23:11You've got some serious people.
23:15Oh, the one.
23:17You should be good.
23:18I don't know.
23:19I don't know.
23:20I don't know.
23:21You know, a little bit of a prank.
23:24I don't know.
23:25I'm going to get you on the bus.
23:25I'm going to get you on the bus.
23:26I'm going to get you on the bus.
23:29I'm going to get you on the bus.
23:30Probably if you have always Rebel, you would be there.
23:33He has a friend with Kiran Masha.
23:36I don't know if Kiran Masha is here.
23:38I want him to take pictures in a car.
23:40I want to take pictures of this officer.
23:43There's a lot coming from the car.
23:44You see, he's like the car, with a dead woman.
23:46Then he's like a dead dude.
23:49That guy is like a dead man.
23:51That guy is as crazy as he sees a dead man.
23:53I'm a dumb guy.
23:54He used his best friend to try and catch a girl.
23:59He was thinking that his misogynists won't take a girl and say,
24:00He was saying,
24:03no one would take a girl,
24:06no one would take a girl.
24:12He was like,
24:13So, because he was like the girl,
24:16he would take a girl with one million views.
24:22I am very interested in my opinion.
24:26When I was young, I was young.
24:30In a few years, I was young.
24:34I was young.
24:35I was young.
24:36I was young.
24:37I was young.
24:38I was young.
24:39I was young.
24:40I was young.
24:40I would see my wife before I was in business.
24:43I was young, as an award,
24:45I would have done this information & no doubt how much I was obtained.
24:46That might be his interest then.
24:52They would give me a deal.
24:54I gave him a deal.
24:58Anyway, this beer gives me a deal since the beer.
24:58He did that again.
25:02Why would I invite him?
25:04I know that who's and wh lessons are in the wrong形.
25:06If you can make a deal,
25:07I would say, if you have made a deal with the deal, I would say, you can't do it.
25:13I would say, I'm going to go over the next few days.
25:16You have used a video.
25:20It is not a photo-use.
25:21It is very viral.
25:23Yeah.
25:25Sanjeeb said,
25:26kites and the system.
25:27No, I don't know.
25:28I don't know.
25:30I don't know.
25:31I'm going to take a kite.
25:32My favorite sport.
25:33I'm not going to take a kite.
25:36I'm going to take a kite.
25:37We didn't see.
25:38Do you know?
25:39I know what the thing is.
25:40If you put on the cricket, you put on the football.
25:42If you put on the football, you can't play any of these.
25:44Why is it so difficult to play?
25:45It's like a cricket, football and volleyball.
25:49We have no idea.
25:50The winnings is like a chess.
25:52Well, a chess game.
25:53When you put on the cricket board and you can't play that.
25:56I don't understand.
25:58What is that, Basik?
25:59It's like a rock paper series.
26:01It's like a rock paper series.
26:03But I wanted to play it.
26:03He's got a kid. He's got a kid.
26:06That's what he's doing. He's got a kid.
26:08What he's doing?
26:10Hey, he's got a kid.
26:12He's got a kid.
26:13He's got a kid.
26:16He's got a kid.
26:19No.
26:25That's a statement.
26:27I don't want to tell him.
26:29No.
26:30Hey, I'll give you permission to present it.
26:33I'm not saying anything about this.
26:35Sorry, it's not a joke.
26:36You said it's an arrangement.
26:39It's not a arrangement.
26:41You said it's a joke.
26:42You said it's a computer.
26:43You came back and you said it's like,
26:45I'm not getting paid by the rest of the night.
26:48You said it's like a joke.
26:50It's not a joke.
26:51It's a joke.
26:52It's a joke.
26:53I'm not sure.
26:55It's a good Shakespeare.
26:55Ok, it's a computer.
26:58That's what I said about the caveats.
26:59I found the caveats in my computer science,
27:00I was talking about cultural feshla,
27:03I was talking about the proposal.
27:06I thought that's what I was talking about.
27:08You can cut this back?
27:10I'm going to cut this back.
27:12You made it a much more muscle.
27:14I think I have made it a very special cave.
27:18I don't know why it's because of Ramanam,
27:19I'm making it a way to Rome, actually.
27:21That is what I said.
27:23That is the Shakespeare in India.
27:23What about the camera?
27:24The camera, the camera, the camera...
27:27Hey, hey!
27:28I'm gonna see the camera and see it in computer sense.
27:32Hey, I'm gonna tell you about the culture fest,
27:34I'm gonna tell you about the pink sari
27:34and black boss.
27:37We're not going to be in the station.
27:39I'm going to be doing it.
27:40You're not?
27:43What do you mean by Riyasa?
27:44What are you understanding between these guys?
27:47They're not all good.
27:49He's not understanding.
27:50That's it.
27:51I like it.
27:53The only way I got it is the most understanding of the character.
27:57That's right. This is not just comedy.
28:00Something is there where you feel that it is real.
28:03You said that it is real, right? I don't know it.
28:05I don't know. You're not a real person.
28:06You're not a real person or you're a real person.
28:08You're not a real person, but we're not a real person, so you're a real person.
28:11I didn't think that was going to be in the zone, but I was in the car.
28:15When I saw the first scene, first 20-20 minutes, I would have played a new frame.
28:22I would have played the film, then I would have played the theater.
28:26I would have played the note, and I would have played a little bit.
28:31I would have played the dialogue with my character, and I would have played the dialogue.
28:34After that, Bashi, Manny, don't forget the dialogues.
28:39He told me, I told you if you were to get hurt and you want to get hurt.
28:44And I told you, that's why he told me.
28:47How little were you?
28:49How many people said that your situation was.
28:51Or did you tell something about the Sumanth?
28:52That's where she said, you know, scene essence.
28:57Someone told you how to say that you're talking about the Sumanth.
29:01Somehow the policy was saying that's where to talk the dialogue.
29:05Here what did you tell me?
29:07What about you?
29:08Do you have much more time to answer what that is??
29:10All the dialogues are really...
29:13He has disastrous exercises.
29:15He said, you don't have a dialogue as it is about writing.
29:19You can see your work being done and you can see your work as well.
29:21So you can hear that dialogue as it is about you.
29:27He said, look at the same sort..
29:28That's the same story.
29:29If you tell me the answer is in a minute, then you'll have to give me a check.
29:33Let's say we'll tell you, we'll give you a close spot.
29:37You can't say, hey, that's why you don't have a close.
29:38You're saying that, that's why I'm gonna tell you.
29:43You want to tell me, I'll tell you.
29:45You'll tell me what I'm saying, you'll tell me.
29:47Then you'll tell me what I'm saying.
29:47You'll tell me what I'm saying.
29:48To tell you, I'll tell you what I'm saying.
29:51That's right.
29:53You make a mistake.
29:54Nice! Good process.
29:56Don't worry.
29:57You will be in the first time sharing this dialogue.
30:03Don't worry about it.
30:05I'll be the third person.
30:06I'll be watching my camera and watching the camera.
30:09I'll be the same with my camera.
30:11I'll be the same.
30:13The action is going to be the same.
30:16Where is it?
30:18I don't have to ask for this episode.
30:20I don't have to ask for it.
30:21I'll tell you, this is okay.
30:23You can explain it.
30:25I'll tell you, you can explain it.
30:28You can explain it.
30:29You can explain it.
30:31If you're the only person, you'll explain it.
30:34That's what it's hard work.
30:36I'm not saying that.
30:40Everybody is almost new.
30:41But it doesn't look like a new actor's film.
30:46It looks like you're good at it.
30:50I'm not saying that.
30:51I'm not saying that.
30:54You can explain it to me like a hero.
30:58That's right.
30:58That's right.
31:00I'm not saying that.
31:02I'm not saying that.
31:03That's where I am.
31:06Throughout the world,
31:08I don't think there's a hero to me.
31:10Like one among the friends.
31:13I think I'm going to make it a better advantage.
31:16You want to make it a better?
31:17No.
31:18You can do it right.
31:20I can do it right.
31:21I can do it right.
31:22I can do it right.
31:23I can do it right.
31:24I can do it right.
31:40You have a real friend.
31:46I said, I'm going to write my name.
31:48I said, okay, I'm going to write my name for the reason.
31:54He said, I'll call it.
31:55He said, I'll call it.
31:57It's not true.
31:59I'll call it a little.
32:00I'll call it.
32:01He's okay.
32:03I was the first time shooting for the cinema.
32:10I was the first guy I met.
32:13You were in the office then?
32:17jednak one day, for two weeks,
32:20My Mominjika was in the office.
32:21Yeah, I didn't see it.
32:24I got some advice.
32:26We asked the package we had to ask.
32:29There were other people in the office.
32:33But then we asked.
32:35Yes, we've seen reactions.
32:37Yes, we've seen reactions.
32:38We've seen the same thing as we've seen the same thing.
32:41We've seen the same thing as we've seen.
32:43We've seen the past, we've seen the past.
32:45Hey, it's a great deal.
32:47We've seen a lot of the audience in the past.
32:50It's super, 6'er".
32:52That's right.
32:53The audience is quite different.
32:56It's not just the audience feeling.
32:59You're not even talking to me?
33:01I'm talking to you.
33:02What's wrong with you?
33:03You are very vulnerable as a video but you won't forget to buy a video.
33:07Mr. Am lanes.
33:08Mr. Am I?
33:08Mr. Am I, to learn a chance to render a question found in the right word,
33:16Mr. Am I?
33:20Mr. Am I?
33:21Mr. Am I, to do it, Mr. Am I.
33:24Mr. Am I, you only want to make a decision in your film,
33:29Mr. Am I?
33:32Mr. Am I?
33:33No, I was just sitting in front of the house, my friends, too.
33:39That was great.
33:40Even if I was in a real estate agent, if I was in a real estate agent, I'd say,
33:43I need to buy that guy's guy's guy's guy's guy's guy's guy.
33:47I'm not going to buy that guy's guy's guy.
33:50Go and see, you guys came to the meet with your son.
33:53Shunbhanu, I'm getting up with the best time.
33:55He was making the same thing,
33:56And he said, he's going to get the same guy's guy's guy's guy.
33:59That's what it is.
34:00Yeah, it's really great.
34:01But, you know, very innocent.
34:04Because, I was telling you, I don't know saying that.
34:08I'm not saying that.
34:09I'm telling you, that you're saying that.
34:11If you're like a tone, I'm like a woman.
34:15Innocence is such a high hero vibe.
34:18I feel like I'm going to be in that sense.
34:21What songs are you going to call in total? Six.
34:23Seven.
34:24Seven.
34:24Seven songs.
34:25Seven songs.
34:26One, two, three, four, five, six.
34:28There are six main songs, and then there are two backgrounds, and then there are two introductions of the music.
34:34So, I think it's a great musical concert.
34:37It's a Vahsiki vibe.
34:39Why do you like Vahsiki?
34:40I don't know if I'm going to go to Goozban.
34:43The best thing is that I'm going to go to Vahsiki.
34:46That's right.
34:47You've been single for a long time.
34:48Yeah, we've been doing a lot. We've been doing a lot.
34:51It's easy.
34:53Now, the album is very unique.
34:58We've been doing one point of the film, and we've been feeling it.
35:00If you want a comedy film, then you'll want a me-type film.
35:05No, no.
35:08Anything...
35:09Yeah, it's action films.
35:09If you don't want a drama film, you'll want a drama film.
35:12If you don't want a comedy film,
35:15I'll tell you, if you want a comedy film, then I'll tell you, okay, I'll tell you.
35:22You've got to say that.
35:22I've got to say that.
35:23I've got to say that.
35:24I've got to say that.
35:26I've got to say that.
35:30I've got to say that.
35:32I've got to say that.
35:48That's okay.
35:50This song maken that you've got to say.
35:52I can't say that.
35:53This song, right?
35:54I can't say that.
35:55Yeah, I can't say that.
35:57I have to say, oh, I've got to say that.
35:58You've got to say that, I've got to say that.
36:01That's the way to say that.
36:02Plus, he learned a lot of the background music. He created a lot of notes.
36:11He created a lot of notes. He said, it's working.
36:24He said, you are a monster.
36:33But he said, you don't have to be able to see it as a cinematic.
36:36There are many things.
36:40Not in a very true sense, there are many characters who have seen a jump.
36:48If you don't see anything in the world, you don't have to see it.
36:51For example, Hero Include.
36:52If you don't see anything, you don't have to see it.
36:56You don't know.
36:57For example, what a cinematic advantage is.
36:58You don't have to see it.
36:58For example, simply say, after six years, you don't have to see it.
37:06There are two ways of doing it.
37:08If you don't see it in six years, you don't have to see it.
37:09If you don't want to see it, you don't have to see it in two days, three days.
37:18It's about 3-4 days.
37:19That's right.
37:20The main part is about 3-4 days.
37:232 days, yeah.
37:25The main part is about 3-4 days.
37:28The main part is about 30 minutes.
37:31Present.
37:32The people used to have the idea of the base.
37:36It's about 820.
37:37It's about 820.
37:39It's about 2-3 days, sir.
37:42The scope is no longer.
37:44That's right.
37:45I've also got a track of the spirit.
37:48It's about 3-4 days.
37:50Crazy.
37:51I'm not sure how to do it.
37:54I'm not sure how to do it.
37:56I'm not sure how to do it.
37:57I'm not sure how to do it.
37:59I think he'll be busy after our film.
38:02Yeah.
38:05As a singer or a director?
38:07Ready.
38:07I feel a fresh feel.
38:10It's about the music.
38:12The music has a lot of soul ideas in the film.
38:14Definitely.
38:14Yes.
38:15I'm happy.
38:16Just to pass it out.
38:17New Zealand style design.
38:18Just to pass it out,
38:19they get up the leg,
38:20they're at arm high height,
38:21they get up the mass.
38:22They're even their feet at length.
38:23I've bought them through something.
38:26That's right.
38:27That's right.
38:28It's the same as it's classic style.
38:31The most important costume.
38:32It seems great.
38:34Everything.
38:35Everything.
38:35There are many different kinds of styles.
38:41Costumes are very good.
38:43It's very good.
38:44I'm going to choose costumes.
38:46If it's a new costume, then it's going to be a back story.
38:48Oh, that's it.
38:51That's good, costumes.
38:52Plus, the skin tone is perfect.
38:56The skin tone is perfect.
38:59The skin tone is perfect.
39:02The skin tone is perfect.
39:03No, it's not that you have a suit.
39:08It's a minimal amount of weight.
39:10It's just like makeup and stuff.
39:12It's natural.
39:14Oh, it's good, huh?
39:15It's very rare to hear this from actors, especially.
39:20That's it.
39:21I'm trying to try it.
39:23I'm trying to try it too.
39:25I'm trying to make up.
39:27I'm trying to make up.
39:28This is the same, but I'm trying to keep it.
39:31Oh, I'm trying to make up in my makeup.
39:33Yes, I'm trying.
39:34I'm trying to make up.
39:36Yes, it's very rare.
39:37That's not the same.
39:39It's not the same.
39:41I've had a light touch.
39:42I'm trying to make up with Asian paint.
39:47It's clear.
39:48It's natural.
39:49It's very rare.
39:50I'm trying to make up with it.
39:50I'm trying to make up with it.
39:51Yeah, your background is fine for me.
39:55Yeah, I think it's a little bit.
39:57Is that it?
39:58Is that it?
40:00It's a little bit better.
40:01It's a little bit better.
40:04If you want to shoot,
40:08Bashi, Money, Sumant, Patience is the Key.
40:14That's it.
40:16I don't know how to do this.
40:18I'm not a school anymore.
40:19I'm not a school anymore.
40:22I'm not a school anymore.
40:23I'm not a school anymore.
40:24You're a school anymore.
40:26You're a school anymore.
40:28I'm not a school anymore.
40:29It's a school anymore.
40:33But you can't visit this.
40:36That's the most beautiful thing.
40:37The first thing is,
40:41it's a beautiful thing.
40:43It's a freshness.
40:47I don't know if I can tell you.
40:49I don't know how fresh it is.
40:51I don't want to say anything.
40:53What I choose is that the translators are super.
40:56Correct.
40:56When I was a premier, I think these guys will be watching the audience faces rather than looking at the
41:00screen.
41:01I used to do that.
41:02Yeah, yeah.
41:03I used to do the screen and the audience and I used to do the video.
41:05I used to do the video.
41:07I used to react to that.
41:08I used to react to that.
41:10I used to do that.
41:11I used to do that.
41:14So, yeah.
41:15We are all up for it now, soon.
41:17Two days.
41:18What are the targets of the cinema and the super hit?
41:19How I want to get there?
41:21How did you know that?
41:22I opened up a office from my office and everything is very important.
41:30I went back and I grew up, I probably grew up.
41:33How did you know that?
41:34Good-bye.
41:35Everyone is pretty big at the production industry.
41:39Because that's also great.
41:40Like if I could do something else or go, you're going to do it.
41:43Go.
41:44Go.
41:44I was trained to be great.
41:47That's what I told you about.
41:48And in the police station scene, I thought I was going to tell you,
41:54okay, you're afraid of being scared in the scene?
41:56Correct.
41:57You're afraid of being scared in the scene?
41:58You're afraid of being scared in the scene?
41:59Stop.
42:01Yeah.
42:02I'll give you some tips and tips.
42:05What are you doing?
42:07That's right.
42:08There are tips, sir.
42:11That's right.
42:12Give me a thumbs up.
42:14You're not supposed to be separate in any of these.
42:17If you have a separate, you should be separate in any of these.
42:20Is that correct?
42:25If you want to be a person, you'll be closer to the next stage.
42:32Then you'll be closer to the next stage.
42:33We went to the anime that threes, and then we started to close the session.
42:37We went to the single take and put the set and the first step.
42:40He said, I never thought that you are taking time here.
42:50He said, I am doing a workshop, I am doing a workshop.
42:56Now, I am feeling how much time you took.
43:02He said, what are you doing? What are you doing?
43:06I am doing a workshop, I am doing a workshop, I am doing a workshop.
43:13If you are doing a workshop, you are doing a workshop.
43:18I am doing a workshop.
43:22Acting is reacting.
43:24How do you react?
43:26I am doing a workshop.
43:29Is it the key?
43:33If you like to see a workshop in the theatre,
43:34I am doing a workshop.
43:39September 3rd, 2nd premiere soon.
43:41I wish you all the luck.