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01:08موسيقى
01:12موسيقى
02:42ترجمة نانسي قنقر
02:43ترجمة نانسي قنقر
02:45ترجمة نانسي قنقر
02:51أردت المشكل
02:52لا ترجمة نانسي قنقر
02:54و لا تتحدث بأسنا
02:56ولم يتحدث بأنها
02:57إنها حقًا
02:58من المحال لتتعالي
02:59ومعنا تحصل على شخص
03:00وفي ذلك هي مجملة
03:02هذا المشكل؟
03:05أردت
03:09أردت
04:27شكرا
04:37شكرا
05:18ترجمة ترجمة نانسي قنقر
05:48ترجمة نانسي قنقر
06:27ترجمة نانسي قنقر
06:32وأنني لا تحبك لك في كل شيء
06:36ولكن هؤلاء صحيحة صحيحة صحيح
06:39بسيطة؟
06:40أنا لدي العمل لك
06:43حسنًا
06:44ولكن في الوقت أنت سألت نفسي
06:50لا سألت
07:15التي تجد فحتي
07:18هؤلاء شخص يمكنني أن أخذ عالي خادر أخير
07:21لكن الآن يقول يريد أن يعمل بأس جديد
07:23بسيلي وضع حمرت عاليين
07:25أستطيع أن يساعد هذا ما
07:27سأستطيع أن تفعله لا
07:29تجد فالctive لا
07:29تجد فريق ل тонه
07:29لا أعطيه أفضل
07:30لا أعطيه أفضل
07:33هذا هو لذلك يجب أن تجربة
07:35تجربة لن تجربة
07:37ما؟
07:38تجربة لن تجربة لن تجربة
07:40لا تجربة لن تجربة لن تجربة
07:41احيانا
07:41احيانا
07:43أسفل
07:47لكن هذا أهم شيء
07:49ومن ثم كل ما لديك
07:52فقد رأيك أن تجربة
07:58تجربة
07:59كما انت سأرستخده
08:28التي سأرمته
08:31ماذا؟
08:31ماذا؟
08:31ماذا؟
08:32ماذا يريد أن تقول لك؟
08:50أنا أعرف 20 عندما أصدق إلى الألعاب
08:54وقد كنت أعرف أن أكون في المنزل
08:58and the closest I got was a diner
09:00across the street from её
09:03you were waitress?
09:05for six years
09:07and I could never make ends meet
09:10and then one day this man walks in
09:12and he seems so nice
09:15I got to talking and this
09:18nice man tells me
09:20he has a lot of lonely rich friends
09:24and then he asks me if I'd like to make some easy money.
09:28Isn't it funny how our lives can turn on just one simple question?
09:33And one stupid answer.
09:38God, if Olivia starts telling people the truth, I'm going to go humiliated.
09:42Then you should tell him soon.
09:44Will you be there when I do?
09:47Please, I don't know how he'll react.
09:51Sure, I'll be there.
09:53Thank you.
09:55And thanks for not judging me.
09:59Oscar Wilde said,
10:01every saint has a past and every sinner has a future.
10:07Which am I?
10:08Oh, honey.
10:10You're both.
10:11Just like the rest of us.
10:18So we're at dinner.
10:19and Sheila looks up and says,
10:21I'm tired of listening to you talk.
10:23That is how my wife decided to end 20 years of marriage.
10:26It is her loss, my darling.
10:28No one ever thought she deserved you.
10:30Thank you, Evelyn.
10:31The good news is, you're single again.
10:33In the prime of life.
10:34This is your time for adventure.
10:36Meaning what?
10:38Nightclubs?
10:39Singles bars?
10:40After all these years, I'd feel a little lost in that world.
10:42You just need someone to guide you, that's all.
10:47Perhaps.
10:49I'm a little tired.
10:50If you don't mind,
10:51I've been up since 4 a.m. Eastern time.
10:53Go on, take a little nap.
10:54Thank you again for holding my hand
10:56during this depressing time.
10:59We'll find a way to lift your spirits.
11:01Don't you worry.
11:06No.
11:08Excuse me?
11:09I know what you're planning, and I said no.
11:13Our agreement doesn't give you veto power.
11:17Then I'll ask nicely.
11:19This man is my friend.
11:21Please leave him alone.
11:22Oh, my God.
11:25You have feelings for him.
11:26Oh, don't be stupid.
11:27Yes, you do.
11:28I can see it.
11:29You have a little crush.
11:32And you're fat.
11:32So what?
11:33Oh, this is delicious.
11:35Her heart beats.
11:36Tell me more.
11:37I'm serious.
11:38Adrian, if you have any regard for me whatsoever,
11:39you will not involve him in your disgusting little hobby.
11:43So the question is,
11:44do I have any regard for you?
11:46Damn it, Adrian.
11:47Adrian, don't corrupt him just to hurt me.
11:52I'm going to introduce Maxwell Rose
11:54to wanton carnality for his own middle-aged good.
11:58The fact that it will hurt you
12:00is just a bonus.
12:15The car's loaded.
12:17If there's anything else,
12:18you'll probably have to come back for it.
12:20Nah, I'm good.
12:21This is just trash anyway.
12:22Just let me throw it away,
12:24and we can get going.
12:25Wait, wait.
12:27Why are you throwing that away?
12:29It's ruined.
12:31It got ripped.
12:32See?
12:33Only along the seam.
12:35That's nothing.
12:36I can fix that in two seconds.
12:39You carry a sewing kit?
12:43I like to be prepared.
12:50Wow.
12:51That is amazing.
12:53Not really.
12:54Seriously, I wouldn't know how to do that.
12:56Well, you don't have to.
12:57You have money.
12:58Most people can't afford to throw a shirt away
13:00because of a little rib.
13:03Right.
13:04You must think I'm spoiled rotten.
13:06I think you're spoiled.
13:09But not rotten.
13:12now take off your shirt.
13:15What?
13:16Excuse me?
13:17I'm going to want to see this on you.
13:18I'll be done in a minute.
13:27Maybe two minutes.
13:34Hey there.
13:35You got a sec?
13:39I'm so sorry about what happened.
13:41You know, it's one thing for a pair to yell at me,
13:43but for her to raise her voice to you,
13:44that's inexcusable.
13:46Don't worry about it.
13:47I do.
13:47I see how hard you work.
13:48You're the one that makes this house a home.
13:50And I'm beyond grateful.
13:52Thank you.
13:56I understand you need some money
13:58to bring your son to America.
14:02Yes.
14:04I hope this helps.
14:09Oh.
14:11Mr. Spence.
14:12This is a gift.
14:13From me to you.
14:15Perry doesn't need to know.
14:18Thank you so, so much.
14:21You're such a good man.
14:26You were an amazing woman.
14:32He had an erection?
14:34Yes.
14:35A boner.
14:36Un saltichon de cemento.
14:38What did you say?
14:39What could I say?
14:40Congratulations.
14:41I got out of there.
14:42Congratulations.
14:44Oh.
14:44He's very big.
14:47How big?
14:51Like this?
14:53More like this.
14:56You love?
14:56I swear.
14:57Can we put the produce away?
14:59The gardener's staring.
15:01So this money, he just gave it to you?
15:03Yes.
15:03He said it was a gift.
15:06Are you sure his intentions were honorable?
15:09honorable?
15:10What do you mean?
15:12When rich men give poor women that kind of money, they usually expect something in return.
15:16No.
15:17Mr. Spence is not like that.
15:18Are you sure?
15:19I mean, he did have his cucumber jammed into your thigh.
15:23Maybe you shouldn't take the money.
15:25No.
15:26I need it for Miguel.
15:27Just make it clear that he's not getting anything in return.
15:30We're maids.
15:31The only thing we polish is their silver.
15:33What am I going to say to him?
15:36I don't know.
15:37Tell him you have a boyfriend.
15:39Where am I supposed to get a boyfriend?
15:54Sam!
15:55Guess who just called me?
15:57Who?
15:57Benny Soto.
16:00Do you like Gloria Estefan?
16:02Enrique Iglesias?
16:03Yeah.
16:04He's their producer.
16:05And he wants to meet with me.
16:07Well, it's huge.
16:08You have no idea.
16:10I sent out like a hundred demos.
16:12This is my first year.
16:13It is very freaking Soto.
16:15He wants to meet with me tomorrow at noon.
16:18Congratulations.
16:21So, I was thinking maybe you can drive me there.
16:24What?
16:26You know, in the car.
16:28First of all, this is not a car.
16:31It's a Rolls Royce.
16:32And second of all, no.
16:34It's all the way across town.
16:35Come on, Sam.
16:36I can't take a bus.
16:38Sure.
16:38And on the way home, we get up to the unemployment office.
16:41Because when Odessa finds out, she's going to fire my ass.
16:45Ah!
16:52Sam?
16:55What if I did go to dinner with you?
17:00Didn't you just tell me you'd never go on a date with me because it would ruin your life?
17:04Well, in my defense, when I said that, I didn't need anything from you.
17:08So, you admit you're just using me?
17:12Yes.
17:16We should leave by 11 to beat the traffic.
17:18Ah!
17:19Thank you!
17:25So, we don't know how she found out or if she's told anyone else.
17:30All we can be sure of is that Olivia is now aware of your wife's former profession.
17:38We're going to move.
17:42What?
17:43My law firm has an office in New York.
17:45They will make room for me.
17:46But we don't know anyone in New York.
17:50Exactly.
17:51I don't want to leave L.A.
17:53All my friends are here.
17:54Friends?
17:55What friends?
17:57You know, everyone at the country club.
17:59They're really not our friends.
18:00You're only nice to us because I'm a successful lawyer and you're my glamorous wife.
18:04Once they found out the truth, that is all going to change.
18:08Honey, I'm not trying to hurt you.
18:09I'm trying to protect you.
18:14Mr. Stafford, you have every right to be upset, but she can't pack up and leave the state because a
18:19few people might gossip.
18:21Oh, so I should wait to make sure they're gossiping?
18:23I don't think so.
18:25Marisol isn't nice to me because you're successful.
18:27She's my friend.
18:29I need her.
18:32Fine.
18:33We'll take her with us.
18:35Wait, hold on.
18:36What's the problem?
18:37You told us you don't have any family here.
18:39Yeah, but I, I, I...
18:40Well, I'll make it worth your while.
18:42Don't you worry.
18:42Now, I want both of you to start packing tomorrow morning.
18:46We are leaving Beverly Hills.
18:58Hey, Zoila, does Valentina have a really good sewing machine?
19:02Why?
19:03Well, I wanted to get her something.
19:04You know, for helping me pack up and everything.
19:10You don't need to buy her anything.
19:12No, I want to.
19:13And I know she likes to make her own clothes.
19:15It's her job to help you.
19:17Yeah, but I...
19:18Remy, I really need to finish the floors.
19:20Okay?
19:24Sure.
19:26Sorry.
19:27Sorry.
19:32Did you send Valentina to USC?
19:35Maybe.
19:37Why would you do that?
19:41Valentina came to me.
19:43She told me how she feels about Remy.
19:46Oh, she's loved him all these years from afar.
19:50It's so romantic.
19:51So the two of you went behind my back.
19:53Isn't that just great?
19:57But she really loves him, I can tell.
20:00I don't care.
20:02Why are you being this way?
20:04Because I don't want to see my daughter's heart get broken.
20:07You know Remy.
20:08He would never do that.
20:10What I know is that boys with money don't end up with the maid.
20:14And you know that too.
20:18You can't still be holding on to that.
20:20After all these years, he made promises to me.
20:24And yes, I remember every single one.
20:28He met someone else.
20:30You know that sort of thing happened.
20:33Well, it's not going to happen to my daughter.
20:36Please tell Remy he is not to go near Valentina.
20:38He's starting to really like her.
20:40How can I say that to him?
20:45Valentina and I will not be coming to work for the next few days.
20:49That should give you plenty of time to think of something.
21:01Do you have a moment?
21:05Uh, sure.
21:06What's on your mind?
21:11I can't move to New York.
21:13Why not?
21:14Personal reasons.
21:15Well, what are they?
21:16Perhaps I can help.
21:17I'm sorry, but like I said, they're personal.
21:21Well, Taylor will be heartbroken.
21:23She's really come to depend upon you.
21:26And I've become very fond of her.
21:29More than I expected to.
21:32She is special, isn't she?
21:35She is.
21:37Well, that is why I have to get her out of here.
21:41Before she becomes the main course for the ladies who lunch.
21:47Before anyone starts packing, let me talk to Olivia.
21:52What good would that do?
21:53I could learn a few things.
21:55How she found out.
21:56If she plans on telling anyone else.
22:01And why would Olivia talk to you?
22:03She's a bitterly divorced woman.
22:06Trust me.
22:07They'll talk to anyone.
22:13I've decided to move here.
22:14To Los Angeles.
22:16Are you serious?
22:17I only moved to Savannah because of Sheila.
22:19Now that we're divorced.
22:20I'm absolutely thrilled.
22:22Think of all the decadent dinners we'll have.
22:24In fact, what are you doing tonight?
22:28Adrian's introducing me to someone.
22:31Woman?
22:32Yes.
22:33Oh.
22:35Is that insensitive of me to mention another woman?
22:37No.
22:39We're friends.
22:40We should be able to talk.
22:43Friends.
22:45There was a time when we could have been more than that, but you chose Adrian.
22:48After you chose Sheila.
22:50As you know, I came to regret my choice.
22:55Do you ever regret yours?
22:59On second thought, I don't think you should move to Los Angeles.
23:03Why not?
23:05The city changes people.
23:08And I like you.
23:11Just the way you are.
23:13I don't think you need to worry about me.
23:15For all these years, I know exactly who I am.
23:17Well, you just remember that when you meet this friend of Adrian's.
23:23He never answered my question.
23:27Do you regret choosing Adrian?
23:31What does it matter?
23:33He is what I deserve.
23:38Yeah.
23:39There you go.
23:41Hello, Mr. Spence.
23:43Hi, Rosie.
23:45Hello, uh...
23:46Raul, he's your gardener.
23:49Of course, Raul.
23:51I love your work.
23:53What's up?
23:54I gave the money to my lawyer and everything is going really good, so we wanted to take
24:00a minute and thank you proper.
24:02Oui?
24:04Yes.
24:04Raul is my boyfriend.
24:09Oh, yeah.
24:10I didn't know that.
24:12Oh, yes.
24:13For many months now.
24:15We are very happy.
24:18Well, congratulations.
24:21Thanks.
24:22So, Raul has a favor to ask you and he means no disrespect.
24:28What is it?
24:29He saw you hug me yesterday and he prefer you don't do that anymore because he makes him a...
24:35What is the English word?
24:38Jealous?
24:39Violent.
24:42I'm sorry, it won't happen again.
24:44Oh, no, you don't gotta worry.
24:47He's a teddy bear.
24:48You, underneath the violin.
24:52Let's go.
24:54Pues entonces, ¿qué dijo?
24:56Rosas y darías.
24:57Pues digo, que los sorprendas.
25:00Sigue caminando.
25:14So, I was going to try to put the hook back in at the end again if you think that's
25:17a good idea.
25:18I do.
25:19So, tell me, what part of Puerto Rico are you from?
25:23Oh, come on.
25:25The accent is distinctive.
25:28I produced an album in San Juan.
25:29You've been to the island?
25:31Many times.
25:32It's a hard bit of talent.
25:35Well, obviously.
25:37Thank you.
25:38Listen, Carmen.
25:40You definitely got some skills, but you're a little underproduced.
25:44The good thing is, I can fix that.
25:48Ay, Benny, you don't know what it means for me to hear you say that.
25:51But, can I keep it real with you?
25:53Yes, of course.
25:54If you're going to sing in English, you've got to get rid of this accent.
25:57I know it's funny for me to say that, but that's the audience.
26:01Americans, they like Latinas, as long as they're not too Latin.
26:06And then how do I do that?
26:08Practice.
26:10When you sing, when you talk, when you breathe, every chance you get.
26:16Whatever I have to do, I'm going to do it.
26:19Good to know.
26:21Well, I think we're in business.
26:23Oh, my God.
26:24Let's get some lunch.
26:25Celebrate.
26:26I'd love to.
26:27You like Cuban food?
26:28Bring on the croquetas.
26:30Let me call the valet.
26:31They take forever to get the car.
26:34Relax.
26:34We'll check mine.
26:39Que bueno, me encanta.
26:42Whoa.
26:43Yeah, it belongs to a friend.
26:44Sam, I want you to meet Benny Soto, my new producer.
26:49Hey, that's great.
26:50Nice to meet you, Sam.
26:51It is on sunset, then I'll direct you.
26:56What's going on?
26:57I'm so sorry.
26:58It won't be long.
26:59Just a quick lunch.
26:59It wasn't the deal.
27:00Sam, please don't blow this for me.
27:02That's my future in there.
27:07Hi.
27:14I really want to thank you, Benny.
27:16No problem.
27:17You know, when I first started in this business,
27:20I promised myself if I ever made it to the top,
27:23I would send the elevator back down.
27:25Wow.
27:25Well, I won't disappoint you.
27:27I know.
27:29I know you won't.
27:47My man,
27:49can you turn left at the light here?
27:50You're going to stop by my place first.
27:56Carmen?
28:00You heard him.
28:02Left at the light.
28:18Where is East L.A. anyway?
28:20Well, you know when we're on the freeway
28:22and you make me speed up?
28:25That neighborhood?
28:26Oh, goodness.
28:28You sure you don't want me to go with you?
28:31This is between me and Zoila.
28:34I owe her an apology.
28:35And I've got to deliver it like a big girl.
28:38In 20 years, I never heard you guys fight like that.
28:41What'd you do?
28:43A long time ago,
28:45before you were born,
28:47Zoila had a relationship with my brother.
28:50Uncle Henri and Zoila?
28:52But when Henri met Aunt Cynthia,
28:56a woman from a similar background,
28:59Zoila had her heart broken,
29:02and apparently she's never gotten over it.
29:05So when she sees me and Valentina
29:07hanging out together...
29:09She's worried history will repeat itself.
29:15So what exactly is it
29:17you have to apologize for?
29:21I'm the one who introduced
29:22Cynthia to Henri.
29:31You're not really dating the gardener, are you?
29:34What?
29:35Raul's close to 60.
29:36He's got a wife and kids.
29:38And I'm not dumb.
29:41No.
29:42Raul and I are not dating.
29:44Rosie.
29:45Why were you lying to me?
29:48Well,
29:49the other day when you hugged me...
29:52Oh, my God.
29:53You didn't feel my...
29:54I did.
29:55Oh, I am so embarrassed.
29:57No, you have nothing to be embarrassed about.
29:59God, I was doing very good to you.
30:01I did not mean for that to happen.
30:02It's just that
30:03you're so kind and warm,
30:05and
30:06it's been so long since, Perry,
30:07and my body responded.
30:09It's okay.
30:11And I'm sorry for lying.
30:13I just needed to make sure
30:15you didn't have any,
30:16you know,
30:18expectations.
30:19No, none.
30:19I know that's not a possibility.
30:22Again, I...
30:23I apologize.
30:28It was never my intention
30:30for you to know
30:30how I feel about you.
30:38fight for survival.
30:40Every day is a tussle.
30:41So when the bell ring
30:42come out ready to rumble,
30:44every man for himself
30:45ain't nobody...
30:47Excuse me.
30:50I'm looking for my friend,
30:52Zoila Diaz.
30:54she lives on this block,
30:56but I can't remember
30:57which house.
31:00Do you know her?
31:03She's Latino?
31:09Well, no worries.
31:10I'm sure I'll find her.
31:13in the deep jungle.
31:14Enjoy your party.
31:17No slipping.
31:18Stay smooth and steady.
31:19All I'm saying is
31:21you don't walk out
31:22on your boss.
31:22Well, you weren't there.
31:23You don't know what happened.
31:24Then tell me.
31:25I don't want to talk about it.
31:28I don't want to talk about it.
31:48Soila, are you home?
31:52Soila?
31:56Soila, I know you're in there.
31:58Isn't that Ms. Genevieve?
32:06Zoila?
32:12Oh, God!
32:22Marcel.
32:22I'm sorry to bother you.
32:24This letter came to the house
32:25a few days ago.
32:26It's addressed to you.
32:28It's just some promotional thing.
32:30It's not important.
32:31I wasn't sure.
32:32You won't tell Taylor
32:34I stopped by, will you?
32:35Of course not.
32:36Some mail still
32:37comes to the house for you.
32:39I try to save it,
32:40but she makes me
32:40throw it away.
32:42If she knew I brought
32:43something for you,
32:44she would just scream at me.
32:47She ever screams at you?
32:48But she has become
32:49this crazy nightmare.
32:53To tell you the truth,
32:56I don't know how much more
32:58I could take.
33:00Would you like some tea?
33:03Yeah.
33:13How's your mom?
33:14Well, she says she's dying.
33:16Doctor says she has
33:17a sprained wrist.
33:18I wonder who we should believe.
33:21So she's okay?
33:22Good.
33:26Did you know
33:27her mom's gotten
33:27into a fight today?
33:29Mine just told me
33:30we were taking
33:31a few days off.
33:32She didn't say why.
33:33I think maybe your mom's upset
33:35that we're getting so close.
33:37Well, I'm not.
33:39I like spending time with you.
33:41Me too.
33:43You know, for a minute there,
33:44I really thought
33:45this was going somewhere.
33:48And now?
33:51Come on.
33:51You know how much
33:52my mom needs your mom.
33:54And if us hanging out
33:55all the time
33:56is causing this much
33:57tension between them,
33:59maybe we should just cool it.
34:02Oh.
34:05Okay.
34:08Still buds, though, right?
34:11Sure.
34:15Good.
34:24So why don't you just quit?
34:26I thought about it,
34:27but now it looks like
34:29I won't have to.
34:30You see,
34:31Taylor is trying
34:32to convince Michael
34:33to move to New York.
34:34New York?
34:37She thinks she's going
34:37to tell the whole town
34:38about her past
34:39and she is scared to death.
34:41Ah!
34:42She should be.
34:44Of course,
34:45she deserves
34:45what she gets,
34:47but it might be better
34:48for you
34:49if they don't leave town.
34:51How so?
34:53Mrs. Stafford,
34:54I think Michael
34:55is still in love
34:56with you.
34:57He's a funny way
34:58of showing it,
34:59leaving me
35:00for Hooker Barbie.
35:01But I watch him.
35:03He's always talking
35:04about you.
35:04He's always looking
35:05at pictures of you.
35:07Really?
35:08He's starting to realize
35:09he made a mistake.
35:11But, you know,
35:12if they leave town,
35:13move to New York,
35:14well,
35:14you know how it is.
35:16Out of sight,
35:17out of mind.
35:22I'm going to write
35:23Taylor a letter.
35:25Oh?
35:26I'll promise
35:27that I won't tell
35:28anyone what I know.
35:29I'll say it's because
35:30of my deep
35:30and continuing affection
35:32for Michael.
35:33And I'll give her
35:33the letter.
35:34Oh, no.
35:35Not her.
35:36You give it to him
35:37so he knows
35:38how I feel.
35:39That is brilliant.
35:43Unless someone else
35:45knows about Taylor's past.
35:46If word gets out,
35:48they'll still move.
35:49Nobody else knows.
35:51How did you find out?
35:52Evelyn Powell
35:53told me.
35:54How does Evelyn know?
35:57It was her husband
35:58who first hired Taylor.
36:00Adrian hired Taylor.
36:01He propositioned her
36:03while she was working
36:04in some diner.
36:04Apparently he does
36:05that sort of thing.
36:06Wait, I'm confused.
36:08Adrian Powell
36:09uses prostitutes.
36:11Oh, not for himself.
36:13He gifts them
36:14as gifts
36:15to his friends.
36:16What?
36:18Yep.
36:19Evelyn calls it
36:20his disgusting
36:21little hobby.
36:22He brings those women
36:23right into their house.
36:24That's how Evelyn
36:25first met Taylor
36:26and that girl
36:28who got murdered.
36:30Flora Hernandez.
36:31Oh, yes.
36:32In addition to being
36:34their maid,
36:35Flora
36:35was also
36:36Adrian's whore.
36:57Hello?
36:59No, I'm sorry.
37:00She's asleep right now.
37:01Who may I ask
37:02is calling?
37:05Oh, Henri.
37:08أنا لا أعرف كثيرا.
37:11إنه أنا.
37:13زويلة.
37:16لقد كان لديه كثيرا.
37:22كيف هي؟
37:29صحيح؟
37:32أنا أتكلم عنها.
37:35لقد كانت الكثيرا.
37:38أعتقد أنها كانت جيداً إذا كنت تذهبت لها.
37:44حقا؟
37:47هذا سيكون جيدا.
37:50أعلم أنها تشعرتك.
37:54لقد كانت الكثيرا.
37:55بالتأكيد.
37:58فقط إلى الموضوعات.
38:00هناك موضوعات.
38:02هناك موضوعات الأفوض.
38:05هناك موضوعات الأفوض.
38:08اليوم، غير أمضوعات الأفوض.
38:11وكمhhh
38:13وكمم Окففففوضت يأييراً.
38:15أي حالك.
38:20أنا نحن.
38:21أعرف.
38:24أريد أن أعرف شيء.،
38:26أعرف شيء. لقد
38:27أعرف ذلك. وكثيرين،
38:31وتمعكي. وكثيرين تنظرين،
38:34أنت تعرف أنزلها كثيراً.
38:37لم يتعرف أن المنبذي مثل Benny
38:39Soto… سمع، فهذا أمر بسيارة.
38:42إنيتي مرة
38:43أخرى. إذا لم تكن مرة
38:44أخرى، فأنت أفضل
38:46بها،
38:48ama think of what you're becoming
38:50all for a couple gold records
38:52will it be worth it
38:54when i get the gold records
38:56i'll let you know
38:59wow
39:02you are not the girl i thought you were
39:06i guess that means you don't want
39:07to go to dinner with me anymore
39:11no
39:13oh
39:15it's okay
39:24then for the weekend
39:25the santa anna winds start blowing
39:28and the temperatures are gonna warm up again
39:32then for the weekend
39:33the santa anna winds are blowing
39:37and the temperatures are gonna warm up again
39:41فلا ترجمة الأوان.
39:43فلا ترجمة الأوان.
39:46فلا ترجمة الأوان.
39:48وزرع الأوان.
39:51وصلت لك أصلاً على أين ماذا؟
39:54شيئًا أبداً.
39:56فالآلت أنها سنة عامة؟
39:58أعتقد أنه ليست ماذا؟
39:59أنها سيطلت فرحة لكي تفعل هذا؟
40:02فقط فرحة لكي تفعلها أنت تفعلها أنت.
40:05فلحة فعلت جيدة.
40:07سنة.
40:08إذا كنت أعطيت أن يريد أن تجعله أن يجعله أن يجعله.
40:11إذا كنت تجعله أن أخذك، أريد أن تجعله أن أجعله أن تجعله إنه سبب.
40:20قد يبدو أن يكون سبباً.
40:22لكني أريد أن تجعله أدرياني عبدنه البحرية.
40:28لذلك لا يجعله؟
40:30أني يجعله أن تجعله في عدد حانياً.
40:39أدريان رسمهم يسمى هذه المتحدة فيها
40:45والجملة لديها تبعاية سفقاية جميلة جميلة
40:50ثم تنتهي بها تدريسي مجدد من أدريان أنه لا يدعاية لتعبت منه
40:57هذا تبعاية تحديث من صفحة و سعيدة و سعيدة
41:03بعد حالة حالة سنوات سنوات
41:07ومن ثم سنوات سنوات تأخذ المنزل
41:12لأن أدريان الثاني الثاني الثاني الثاني
41:16لا يجب أن يقول لها لا
41:19أحد أحد يعرف ذلك؟
41:21أعتقد أن أذلك أذلك أذلك
41:26وليس لا يجب أن يكون ذلك
41:30ترجمة نانسي قنقر
41:58لماذا يفعل ذلك؟
42:01ماذا يفعل ذلك؟
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