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Peaky Blinders： The Immortal Man Movie part 1 [Full Movie] [Watch Free Online]Full EP - Full
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Short filmTranscript
00:00:23You'll ask for a meeting out in the open.
00:00:26Fresh air and the fine aroma of shit.
00:00:31Neutral ground, you see?
00:00:33This is hardly neutral on the ground.
00:00:36Well, it's what you've got.
00:00:39So, off of a boat.
00:00:43You see that?
00:00:44Where is Thomas? He got called away.
00:00:46He said he'd be here. Yeah, he's busy.
00:00:49I just told you he got called away. What do you want?
00:00:57There has been a peace between the Peaky Blinders and the Changrae
00:01:03family for two years now.
00:01:05Do you want some tea or not?
00:01:07If you can pour the Italians some English tea, go on.
00:01:11You don't want fucking tea!
00:01:18We want an explanation.
00:01:20Well, I'll have fucking tea.
00:01:22Explanation for what?
00:01:24The Little Venice restaurant in 4th Street was burnt down.
00:01:29Nah, nah.
00:01:29Couldn't have been us.
00:01:30Well, he was at a wedding.
00:01:31You burnt it down.
00:01:33To stop my son being at that same wedding.
00:01:36Er, it wasn't missed.
00:01:42You are such big boys now.
00:01:45But once you borrowed clothes from us to look like men.
00:01:49How's the tea off, is it?
00:01:53It's cold.
00:01:57Please tell Tommy that we pay him whatever he asks us to pay.
00:02:03We stay out of the city and off the tracks.
00:02:06But you tell him from me that my son will walk with any woman in this city.
00:02:15Any woman he chooses.
00:02:17Even if that woman works for the Emperor, Thomas Shelby.
00:02:21My son is in love.
00:02:25Sorry.
00:02:27Do excuse me.
00:02:29Carry on.
00:02:34And if he wishes, he will walk with the woman he loves.
00:02:39Okay.
00:02:42You know, it'd be hard for your son to walk anywhere with a bullet in each knee, wouldn't it?
00:02:57Too much.
00:03:00You said too much, my friend.
00:03:04Sabine says suck and swallow, but no.
00:03:08Too much.
00:03:10I spit.
00:03:18Oh, fuck you.
00:03:20It's strong.
00:03:27Oh, fuck you.
00:03:28Here you now.
00:03:28Isaiah, put two extra men on our pubs in Nichols.
00:03:33What are you talking about, Arthur?
00:03:35You're not scared of fucking eye ties anymore.
00:03:37Don't tell Tommy about the chair and clean this fucking shit up.
00:03:42You're not scared of fucking wops.
00:03:44All right, John.
00:03:47Arthur!
00:04:00This way, Mr. John Greta.
00:04:02Go, go, go, go.
00:04:04The stairs are...
00:04:06There.
00:04:09Go, go, go, go, go.
00:04:10Go, go, go.
00:04:17Go, go, go, go, go.
00:04:43I don't want to kill me.
00:04:44Get him fucking up.
00:04:47Stay away from Lizzie.
00:04:59By order of the P.K. fucking blinders.
00:05:20Prenderà il treno da Napoli a Parigi,
00:05:22e poi il traghetto a Londra.
00:05:30E potrà essere qui domenica, è così.
00:05:55Police!
00:05:57Police!
00:06:01Officer, there are some men, they mean us how we are in danger here, come and escort
00:06:06us to the dock.
00:06:10Please, come with me.
00:06:13Excuse me, brother.
00:06:15Have you got a light?
00:06:16Have you got a light?
00:06:17Have you got a light?
00:06:21Have you got light?
00:06:24Have you got light?
00:07:05Thank you, officer.
00:07:08John Shelby.
00:07:10Is that the lad I used to teach?
00:07:13John Shelby, I smacked your arse.
00:07:16Let him go.
00:07:18Please, please let her go.
00:07:20Arthur, how many times I looked the other way because of your sweet smile?
00:07:26I said let him go.
00:07:27No, he's coming with us.
00:07:30Not until I know my wife is safe.
00:07:33Is he safe?
00:07:35You're not going to harm her.
00:07:37Let's just get a move on.
00:07:39Look, we're disabased from his orders just by talking to you.
00:07:43Don't push it.
00:07:45Please.
00:07:47Come with us.
00:07:48Let him go.
00:07:48Let him go, too.
00:07:50Say it's Tom.
00:07:52Say he's in the harbour.
00:07:53He can do you no harm from New York.
00:07:55I can't do that, Miss Jane Greta.
00:07:58I can't do that.
00:07:59Sorry.
00:07:59Okay.
00:08:00It's okay.
00:08:01Okay, listen.
00:08:01No!
00:08:02Listen to me!
00:08:04Go to the cafe in Mont Street.
00:08:06Bonito will take care of you.
00:08:08Let him go, too.
00:08:10He's an old man.
00:08:11I gave you sweets and cakes.
00:08:14Jane Greta, there are rules.
00:08:16Your husband knows the rules.
00:08:19Come on, old man.
00:08:20No.
00:08:22Sorry.
00:08:25We're disabiding orders here.
00:08:28Let him fucking go!
00:08:32You have ten seconds or Tommy's order to stand.
00:08:36I stand.
00:08:38One.
00:08:39Two.
00:08:40Please!
00:08:43Ray.
00:08:48I love you forever.
00:08:50Four.
00:08:51Four.
00:08:55Four.
00:08:57Four.
00:09:02No.
00:09:03No.
00:09:03No.
00:09:04No.
00:09:04No.
00:09:05America.
00:09:05No.
00:09:06No.
00:09:06No.
00:09:07No.
00:09:07A new life.
00:09:08No.
00:09:09No.
00:09:09No.
00:09:11A new life.
00:09:20A big black cloud.
00:09:22Come, a big black cloud, come
00:09:27Yeah, come to Tupelo
00:09:29Come to Tupelo
00:09:34Yonder on the horizon
00:09:36Yonder on the horizon
00:09:38Stop the mighty river
00:09:40And set the dancing dry
00:09:43Distant thunder rumble
00:09:45Distant thunder rumble
00:09:47Rumble hungry like the beast
00:09:50Beast it cometh, cometh down
00:09:52The beast it cometh, cometh down
00:09:54The beast it cometh, cometh down
00:09:56Tupelo bound
00:10:02Yeah, the black rain come down
00:10:04The black rain come down
00:10:06Water, water everywhere
00:10:09When a bird can't fly
00:10:10No fish can't swim, no fish can't swim
00:10:13Until the king is born
00:10:15Until the king is born
00:10:17Until the king is born
00:10:32Yeah I gotta eat
00:10:34You know what time it is?
00:10:47One man, they'll tell you, it's after seven in the evening, and I'm going to keep you alive until it
00:11:06gets light.
00:11:12I'll not deliver the final cuts until we can both hear the blackbirds singing outside.
00:11:25It's a beautiful sound, which my wife will never hear again.
00:11:47Now, of course, I'm going to have to choose carefully.
00:11:53Which part of you I cut away first.
00:12:00Open your eyes.
00:12:02Open your eyes, or I will cut away your fucking eyelids!
00:12:11Now look at me.
00:12:14Look at me.
00:12:18This is the end.
00:12:21This is the end.
00:12:29It was your tongue that gave the order.
00:12:35I'll take your tongue first.
00:12:40And I'll take your ears.
00:12:45And I'll take your fingers.
00:12:48And your fucking toes.
00:12:51You see, I'll take your balls first.
00:12:54You drain too fast like you fuckers do.
00:12:59I think tongue first.
00:13:01You've got the wrong foot.
00:13:02I won't know it.
00:13:04I won't know it.
00:13:07I won't know it.
00:13:18I won't know it.
00:13:19And I want you to explain.
00:13:22I want you to fucking explain.
00:13:41Oh, my God.
00:13:56Come on tell me, I forgets who I am, I forgets who I am, I'm a blind and I'll take
00:14:07your fucking eyes first!
00:14:15I heard the blackbird sing.
00:14:31And we let his wife board the immigrant ship to New York.
00:14:35We didn't kill Mrs. Cangretta.
00:14:39That's alright.
00:14:44We're not those kind of men.
00:14:56Oh, and this one is for bravery.
00:15:04And this one is for me.
00:15:10And everything's a dollar in this box.
00:15:16You get rid of the body, John.
00:15:20And get rid of the house.
00:15:23For good.
00:15:29Come.
00:15:51I'm really sorry to bother you again, sir.
00:15:54But Chef insists on knowing what time the guests will arrive.
00:15:59Francis, for the last time.
00:16:02It's Johnny Dogs.
00:16:03They're gypsies.
00:16:05They're camped down by the river.
00:16:06When they're ready, they'll walk up.
00:16:08Alright?
00:16:09He says it's about preparation, sir.
00:16:12What is?
00:16:13He's us specifically.
00:16:14Will they arrive before the King's speech or after?
00:16:22He said he was new there, Chef.
00:16:26When did he join us?
00:16:28October.
00:16:33October.
00:16:36And he's fallen?
00:16:38He's Italian, sir.
00:16:40Oh.
00:16:42He's the best chef we've ever had in the house.
00:16:45No shouting or swearing or blaspheming.
00:16:48Do we owe his references?
00:16:50Yes.
00:16:53The only problem has been his assistant.
00:16:56What assistant?
00:16:57He brought an assistant with him.
00:16:59He calls him his sous chef.
00:17:05Are they still working, Francis?
00:17:07They'll be there till midnight, sir.
00:17:15All right, thank you.
00:17:16Good night.
00:17:16You can go to bed.
00:17:18Merry Christmas, sir.
00:17:22And I thought about your offer.
00:17:25I'd be happy to sit at your table.
00:17:29All right, thank you.
00:17:40Come on.
00:17:48Come on, what is focused on her sentence?
00:17:50I don't know.
00:17:50Come on.
00:17:50Come onto the table.
00:17:51I want to act on this race.
00:17:52When did I make up this...
00:18:10What's your name?
00:18:11Max, Mr. Shelburne.
00:18:12Max.
00:18:16It's all right.
00:18:17Don't get up.
00:18:18Oh.
00:18:20Sorry.
00:18:21Sorry.
00:18:24You're new on Mr. Shelby.
00:18:27Hello, sir.
00:18:29I haven't taken time to introduce myself.
00:18:33Antonio.
00:18:38What have you done that's so wrong, gay?
00:18:41Excuse me?
00:18:43See you, chef.
00:18:45Billing potatoes.
00:18:47It's an emergency.
00:18:49Late notice.
00:18:51Oh.
00:18:51Late notice.
00:18:54Right.
00:18:56Right, carry on.
00:19:07Antonio.
00:19:09You need a ten pound.
00:19:12The late notice.
00:19:14Oh, yes.
00:19:14Yes.
00:19:24Oh.
00:19:33Yes.
00:19:53You wanted to know if my guests would arrive before or after the King's speech?
00:20:00Eh?
00:20:01Yeah.
00:20:05It'll be after.
00:20:15How are you?
00:20:17Oh, Mr. Worried about tomorrow.
00:20:22Yeah, I'm worried about Antonio.
00:20:29You've been here two months and we've not met before.
00:20:32Oh, it's my fault. I've been busy.
00:20:36Tell Michelle Bay.
00:20:41My hand has blood.
00:20:42Oh, mine too.
00:20:47Hey.
00:20:48How much do you pay, Antonio?
00:20:53I forget.
00:20:55Must be a lot.
00:20:57I just kept him turned bound.
00:21:00Didn't mean a fucking thing to him.
00:21:06Maybe it isn't you that pays him.
00:21:20I've been reading up on you.
00:21:23Burzarelli, Claridge's.
00:21:25You used to work in a place called San Marco's.
00:21:30On, uh, on Fleet Street.
00:21:36I used to know the man that owned San Marco's.
00:21:40A man called Darby Sabini.
00:21:43I've never met him.
00:21:44No.
00:21:46Maybe your, um, assistant Antonio, maybe he's met him.
00:21:54Here's how it is.
00:21:56Antonio was sent from New York.
00:21:57I don't, no, please.
00:21:59Darby Sabini facilitated.
00:22:01He passed him on to you.
00:22:02He told you to bring him into my house.
00:22:04Threatened to kill you if he didn't do it.
00:22:07You want me to dress you like a dress that fucking stag.
00:22:09Please.
00:22:10Don't.
00:22:14You know about me.
00:22:16Right?
00:22:17You know what I do.
00:22:21You wanted to know when my guests would arrive,
00:22:23because Antonio needed me alone.
00:22:25He's an assassin.
00:22:27Plan needs to kill me tomorrow.
00:22:31I don't know.
00:22:33They just said to bring him here.
00:22:40I'll bring him here.
00:22:47Antonio!
00:22:49You?
00:22:50Ericov?
00:22:51You're beнож of you.
00:22:53You?
00:22:57You?
00:23:10You?
00:23:12You?
00:23:22Oh, che cazzo succede?
00:23:26Huh?
00:23:44You're a blackhand!
00:23:46You're a blackhand!
00:23:48How many came from New York?
00:23:50Hey?
00:23:50How many fucking came from New York?
00:23:52Oh, thank God.
00:23:54What did he say?
00:23:56Is that a curse on a number?
00:23:58What did he fucking say?
00:23:59What did he fucking say?
00:24:01He said fuck you!
00:24:02Yeah?
00:24:15Blackhand means kill or be killed.
00:24:19You go back to London.
00:24:21You tell Derby to be unique.
00:24:23He picked the wrong side in this war.
00:24:26Once we dealt with the Americans,
00:24:28we're going for him.
00:24:30Go on.
00:24:30Go on.
00:24:32Go.
00:24:32Oi!
00:24:34You tell anyone else,
00:24:36I'll come and find you.
00:24:37Yes.
00:24:38Yes.
00:25:01Move!
00:25:04Move!
00:25:19Move!
00:25:20Move!
00:25:27Move!
00:25:28Oh, fuck a show.
00:25:29Got nothing better to do on Christmas morning.
00:25:31Dummy wants everybody at Charlie's yard now.
00:25:34Come on.
00:25:35Get him!
00:25:36Get him!
00:25:37What's going to happen, mate?
00:25:38It's fucking Christmas.
00:25:39Look, John, we don't have time for this.
00:25:41All right?
00:25:42Just come to the meeting.
00:25:43Have some food.
00:25:46Hey.
00:25:46Tell Tommy Shelby we can look after ourselves.
00:25:48Tommy says that they could come for us today.
00:25:50Tommy says.
00:25:50Tommy says.
00:25:51Are you his fucking parrot?
00:25:52Look, it's the Mafia, all right?
00:25:54This is the New York Mafia we're talking about.
00:25:56And we're the Peaky fucking Blinders.
00:25:58No, we're not, John.
00:25:59We're not the Peaky fucking Blinders unless we're together.
00:26:03We were together on the gallows with one man missing.
00:26:07John.
00:26:09John, come to the meeting.
00:26:10All right?
00:26:11Think about the kids.
00:26:12Come to the meeting and if you want to leave then fine.
00:26:15No.
00:26:16It's Christmas Day.
00:26:18We're the family now.
00:26:19We're staying at home.
00:26:23In the fucking house!
00:26:24That's right.
00:26:27No!
00:26:58We'll like sitting ducks here if the wop's come.
00:27:00Yeah, well, Tommy said we should do it in the open.
00:27:19This is how John wanted to go.
00:27:20On the smoke.
00:27:24The truth is, we died together.
00:27:28Once before.
00:27:31Arthur.
00:27:32Me.
00:27:35Danny Whizbang.
00:27:38Eddie Thorne.
00:27:40Jeremiah.
00:27:42And John.
00:27:44They were cut off from the retreat.
00:27:48No bullets left.
00:27:50Waiting for the Prussian cavalry to come and to finish us off.
00:27:56And while we waited, Jeremiah said we should sing in the bleak midwinter.
00:28:06But we were spared.
00:28:09The enemy never came.
00:28:11And we all agreed.
00:28:15That everything after that was extra.
00:28:20And when our time came, we'd all remember.
00:28:24You remember that God spared you?
00:28:27Well, what did you do with that extra time that he gave you, eh, Thomas?
00:28:42Come here.
00:28:43Come here.
00:28:44This is the spot.
00:28:45Watch out.
00:28:46Let's go.
00:28:47Let's go.
00:28:47Let's go.
00:29:20Let's go.
00:30:02Do not return fire.
00:30:04I repeat, do not return fire.
00:30:08Stand down.
00:30:09The men doing the firing are on our side.
00:30:33I took the trouble of getting an invitation to Aberamma Gold.
00:30:40Oh fuck, now it's begun.
00:30:48Put it out in the open on purpose.
00:30:52You used John's funeral fire as a fucking beacon.
00:30:56We were never in any danger, Polly.
00:30:58You set a trap!
00:30:59Finn!
00:31:00Finn!
00:31:01Go to the yard and light the fires.
00:31:03You set a trap with us as fucking bait!
00:31:08Who's dead?
00:31:10Our enemies.
00:31:16Who's dead?
00:31:17You wanna know, Paul?
00:31:19Two fucking local Italians heard about the Vendetta, tried to make a fucking name for themselves
00:31:24that too.
00:31:25We got word to them about the funeral, the where, the when.
00:31:30Tell them where to stand for the best shot.
00:31:33And Aberamma Gold will do the rest.
00:31:36That's the language of Vendetta.
00:31:37I take one apart.
00:31:39We take two of theirs.
00:31:42You used your own brother's funeral.
00:31:50When did we vote on this, Tommy?
00:31:55Curly?
00:31:56Get a boat ready to take the bodies to the city.
00:32:00And another boat for anyone, anyone who wants no more part of this.
00:32:05Because this is how it's gonna be!
00:32:08Polly!
00:32:11I'm not staying for this, Arthur.
00:32:13I'm going home.
00:32:15Oh, yeah?
00:32:17Home's 57 Watery Lane.
00:32:19You go there, lock the doors.
00:32:23You wait for me.
00:32:37Key to number 57.
00:32:38I'm going home to the country.
00:32:39You will stay here until it's over.
00:32:41Take the fucking key, Linda!
00:32:42Look, away from here you are a weakness to all of us.
00:32:45They will take you hostage.
00:32:47And the baby.
00:32:48They will use the baby.
00:32:51Take it.
00:32:52Put the kettle on.
00:32:54Wait for your husband.
00:33:02The only way any of you Shelbys will leave this place is on a cloud of smoke like John.
00:33:07Well, you're a Shelby now too, Linda.
00:33:14500 each, 1,000 for the brace.
00:33:16Where do you want them?
00:33:18Charlie, take them to the yard.
00:34:04You're so happy to be Pollywood!
00:34:07Okay, wait for me.
00:34:07It's gonna be a little bit more.
00:34:07Well, you're gone.
00:34:07I'll see you later.
00:34:08I'll see you later.
00:34:09But no, I'm coming back.
00:34:18Champagne, please.
00:34:19Of course.
00:34:22Madam,
00:34:24women alone
00:34:26are not allowed at the bar.
00:34:27Will someone be joining you?
00:34:30What do you think?
00:35:02What do you think?
00:35:17This is public enough, no?
00:35:20Yes.
00:35:25So?
00:35:27The boy in the hospital's out of bounds.
00:35:30And I'll ask you to spare Finn and Arthur.
00:35:35In return for what?
00:35:42Tommy Shelby.
00:35:50And why should I trust you?
00:35:55Because you know our history.
00:35:59You know what happened between us.
00:36:03You are an unlikely Cassius.
00:36:13Yeah.
00:36:14Hmm.
00:36:15My mother.
00:36:18My mother knew your mother.
00:36:22She thought how to read.
00:36:26Did she tell you that John and Arthur spared her life?
00:36:29When Tommy wanted her dead?
00:36:31Yeah.
00:36:34And now she's given me the information about you people.
00:36:38So Tommy Shelby was right.
00:36:44His, uh,
00:36:45His, uh,
00:36:46rootlessness
00:36:48was justified.
00:36:51You should have killed her when you had the chance.
00:36:57John was a good boy.
00:37:02Arthur tries.
00:37:06Tommy's different.
00:37:09You take Tommy.
00:37:11Spare the rest.
00:37:17You know,
00:37:20my mother used to say that's the margin.
00:37:24She said that Polly Gray,
00:37:28that child would never let go of the grievance.
00:37:35And she loves to dance.
00:37:41What do you say,
00:37:43hmm?
00:37:45I'll dance.
00:37:52I don't dance anymore.
00:37:56Yeah,
00:37:57that's a shame.
00:38:05Because you're dancing with me.
00:38:22What are you doing?
00:38:27Oh, shit.
00:38:53Well, I'm from
00:38:54the head on the bends.
00:38:57I'm lucky.
00:39:02My family.
00:39:05You say it brings death.
00:39:10Maybe,
00:39:12maybe that's what happened.
00:39:14Last time my man was sent to you,
00:39:17you got lucky.
00:39:30You look smudged out.
00:39:40You look smudged out.
00:40:06And tell your mother, we have a deal.
00:40:18There's a devil inside of me, he's holding on, and I don't know if he's staying for how long.
00:40:45Parties, you know, is that what it is?
00:40:48What's this a party?
00:40:50I've got out of it!
00:40:52Grouch!
00:40:58So, I wasn't going to hit you, but that wasn't fucking nice.
00:41:14Lara! Mrs. Shelvin, please! Please!
00:41:17Don't fucking move!
00:41:19My heart is going!
00:41:21Then get the shotgun out!
00:41:25Fuck your fucking revolution!
00:41:37I don't fucking miss.
00:42:24Then get your gun out!
00:42:26I can't believe it!
00:42:27Shit!
00:42:43Let's go.
00:43:05Let's go.
00:43:47Let's go.
00:43:50Let's go.
00:44:24Let's go.
00:44:27Let's go.
00:44:27Let's go.
00:44:40Let's go.
00:44:41Let's go.
00:44:41Let's go.
00:44:42Let's go.
00:45:10Let's go.
00:45:12Let's go.
00:45:24Let's go.
00:45:33Let's go.
00:45:52Let's go.
00:45:58Let's go.
00:46:25Let's go.
00:46:27Let's go.
00:46:33Let's go.
00:46:38Let's go.
00:46:42Let's go.
00:46:42Let's go.
00:46:43Let's go.
00:46:46Let's go.
00:46:47Let's go.
00:46:52Let's go.
00:47:01Let's go.
00:47:13put the guns down, put the guns down.
00:47:18Put the guns down.
00:47:19Ah!
00:47:20Ah!
00:47:50Stay inside, man.
00:48:20Come on!
00:48:35Come, come, come.
00:48:39I'm here!
00:48:41Don't do it!
00:48:44I'm here!
00:48:50Come on.
00:48:52Come on.
00:49:05It's all right, love. It's all right. Come inside.
00:49:08Come inside. Come inside.
00:49:09Stay inside.
00:49:11Now come out.
00:49:19No way.
00:49:31Stay inside.
00:49:33Come inside.
00:49:36I'm here.
00:49:38I'm here.
00:49:40I'm here.
00:49:43Come inside.
00:49:49Come on.
00:49:56Let's go.
00:50:20Get away from the window.
00:50:22Right, stay inside, stay down.
00:50:37Everyone stay indoors!
00:50:39Stay down!
00:50:40Find all of the pinky blinders!
00:50:49Let's go.
00:51:00Let's go.
00:51:01Let's go.
00:51:04Let's go.
00:51:15Let's go.
00:51:20Let's go.
00:51:23Let's go.
00:51:24Let's go.
00:51:31Let's go.
00:51:34Come here.
00:51:43Let's go.
00:51:45Let's go.
00:51:46Let's go.
00:51:46Which way?
00:51:46Which way did he go?
00:51:51You sure?
00:51:52Oh.
00:52:22Oh, God.
00:52:23Oh, God.
00:52:24Oh, God.
00:52:25Oh, God.
00:52:26Oh, God!
00:52:48Sono io!
00:52:54Oh, God.
00:53:25Oh, God!
00:53:31Luka.
00:53:32Luka.
00:53:33Ammonen.
00:53:33No.
00:53:34Che dogano asci l'astrana?
00:53:36Nuoagin no.
00:53:38C'è l'ammonio.
00:53:40Appleghiamo!
00:53:53We're going to kill you, we're going to kill you, we're going to kill you!
00:54:13But what? I'm going to kill you!
00:54:16Hey!
00:54:19Hey!
00:54:21I know you own the cops in this dirty fucking town,
00:54:25but you're going to be dead before they get here.
00:54:29Come on, me and you, Tommy.
00:54:33Come on.
00:54:44Yeah.
00:54:51I'm going to kill you.
00:54:55Lord,
00:54:56I'm going to kill you.
00:54:58You're going to kill me.
00:55:01You're going to kill me.
00:55:15I'm going to kill you.
00:55:25Oh, my God!
00:55:28Oh, my God!
00:55:30Oh, my God!
00:55:34Oh, my God!
00:55:35Oh, my God!
00:55:36Oh, my God!
00:55:37Oh, my God!
00:55:38I said enough!
00:55:40Get out of me!
00:55:43Get away!
00:55:45Enough!
00:55:46I'm saving your life.
00:55:50All this.
00:55:51I'm a police officer, Tommy.
00:55:53I'm a fucking police officer, right?
00:55:56Doing my duty.
00:55:57Stopping all this!
00:56:02Three bodies.
00:56:04We're cleaning up.
00:56:05No. Enough.
00:56:07Tell the people who live in these houses
00:56:10that they are afraid to go about
00:56:13their lawful business.
00:56:15Tell them that the rule of law
00:56:17has been restored.
00:56:18Oh, my God!
00:56:20Haven't you heard, Tommy?
00:56:22Eh?
00:56:23Soldiers are coming!
00:56:34I believe it!
00:56:36Get out and watch the fight, eh?
00:56:39Come here!
00:56:40Let me do my fucking job!
00:56:43Get out and watch the fight!
00:56:46Get out and watch the fight!
00:56:47Get out and watch the fight!
00:56:47You got it!
00:56:48Get out and watch the fight!
00:57:01You got it!
00:57:10I know.
00:57:11You got it all!
00:57:13I know.
00:57:16I know.
00:57:16I know!
00:57:17I know.
00:57:35Bonnie! Bonnie! You okay?
00:57:43I give you two to one now on the cuckling!
00:57:48I give you two to one now on the cuckling!
00:57:49I give you two to one now on the cuckling!
00:57:51I give you two to one now on the cuckling!
00:57:53Oh, it's...
00:58:13That's it! One time, one time!
00:58:15That's it! One time, one time!
00:58:15One time, one time!
00:58:23Come on, buddy boy!
00:58:25Buddy, come on, kill him!
00:58:27Come on, buddy!
00:58:44Come on!
00:58:46Come on!
00:58:48Come on!
00:58:50Come on!
00:58:52Come on!
00:58:55Come on, buddy!
00:58:56Come on!
00:58:58Come on, buddy!
00:59:00Come on, buddy!
00:59:03Come on, buddy!
00:59:24Arthur!
00:59:25Arthur!
00:59:26Arthur!
00:59:36Arthur!
00:59:39Arthur!
00:59:42who died?
00:59:48Ah...
00:59:50orangeario!
00:59:50What the hell?
00:59:54You're right!
00:59:56Oh, that must...
01:00:26Ah!
01:00:56Ah!
01:01:37Ah!
01:02:02Ah!
01:02:03I declare Bonnigo, the newly welterweight champion, the mid-links, the sacks of the home 20s!
01:02:09Yes!
01:02:10Yes!
01:02:12Bonnie!
01:02:13Tell me what's happened.
01:02:16Arthur's dead.
01:02:18He's dead.
01:02:19He's dead.
01:02:20He's dead.
01:02:21He's dead.
01:02:21He's dead.
01:02:22He's dead!
01:02:22He's dead!
01:02:23He's dead!
01:02:23He's dead!
01:02:24He's dead!
01:02:25He's dead!
01:02:26He's dead!
01:02:28He's dead!
01:02:30He's dead!
01:02:32He's dead!
01:02:33He's dead!
01:02:33Tommy, we have the other wap.
01:02:35Cunt had a warrior in his pockets.
01:02:46Go on, Finn!
01:02:48Go on, Finn!
01:02:49Go on, Finn!
01:02:50Go on, Finn!
01:02:53Take his eye, Finn.
01:02:55Do it for Arthur!
01:02:58Poke his fucking eyes!
01:03:26Close the doors!
01:03:28And on fucking legs!
01:03:39My brother is dead.
01:03:44You hear me?
01:03:46My brother is dead!
01:04:05Come on!
01:04:06Come on!
01:04:07Come on!
01:04:08Come on!
01:04:30Come on!
01:04:37Come on!
01:04:53Tommy!
01:04:54Come on!
01:05:02Please.
01:05:04Until we're finished.
01:05:25Your note talked about making terms for peace.
01:05:29But my son says there are no terms.
01:05:34You took my husband and my son.
01:05:38We took two of your brothers.
01:05:43The vendetta is done.
01:05:45We say the vendetta is won.
01:05:48We will take everything you have.
01:05:52All your businesses signed over to us.
01:05:56You agree to this.
01:05:59Or my son will kill you all.
01:06:03One by one.
01:06:06No, the vendetta is won.
01:06:09That's it.
01:06:13No more killing.
01:06:16Who did you think you were Mr. Shelby?
01:06:28How are you?
01:06:33No.
01:06:34How are you doing?
01:06:40No.
01:06:45No, no.
01:06:47No, no.
01:06:47No...
01:06:48No, no.
01:06:48No, no.
01:06:50Okay.
01:07:16Alla, Alla, Lea.
01:07:22Alla, Alla, Alla, Alla, Alla, Alla, Alla, Alla, Alla, Alla, Alla, Alla, Alla, Alla, Alla, Alla, Alla, Alla, Alla, Alla,
01:07:27Alla, Alla, Alla, Alla, Alla, Alla, Alla, Alla, Alla, Alla, Alla, Alla, Alla, Alla, Alla, Alla, Alla, Alla, Alla, Alla,
01:07:28Alla, Alla, Alla, Alla, Alla, Alla, Alla, Alla, Alla, Alla, Alla, Alla, Alla, Alla, Alla, Alla, Alla, Alla, Alla, Alla,
01:07:38Alla, Alla, Alla, Alla, Alla, Alla, Alla, Alla, Alla, Alla, Alla, Alla, Alla, Alla, All
01:07:50up these papers, cover, uh, every enterprise in your possession, bars, restaurants, warehouses,
01:08:05every fucking thing that you have taken all these years to gather together.
01:08:14You all signed them all over to my family.
01:08:22Are you going to die right here?
01:08:35I would have buried you all.
01:08:39But my mother, she, uh, she knows you. She said,
01:08:46it'll be worse for you if I let you live
01:08:51and take away everything that you have.
01:09:01Search him.
01:09:13Especially don't trust this bitch.
01:09:15I'm sorry.
01:09:40So
01:09:44Sign
01:09:46Every fucking one of them
01:09:55You can sign them on your knees
01:09:59On the floor
01:10:11Get on your fucking knees
01:10:13And sign
01:10:19A friend of mine once said
01:10:24Big fuck small
01:10:26So I had to find someone bigger than you
01:10:30You may know there are two families in Brooklyn
01:10:33Who want to take over your monopoly
01:10:35And the import of liquor into New York
01:10:37But if they move against you in New York
01:10:40They'll start a war between the families
01:10:44But if you were to die
01:10:45In a vendetta
01:10:47With some fucking bookmaker in Birmingham
01:10:51I could take over your business without a war
01:10:56We also contacted a businessman in Chicago
01:11:03He's also interested in moving into the liquor business in New York
01:11:08His name is Alphonse Capone
01:11:13You've been talking to that fat fuck
01:11:16See all the blood relatives you brought with you from New York
01:11:20They're all dead
01:11:22Mr. Cangretta
01:11:23And these men here
01:11:24They work for money for the highest bidder
01:11:28They now have new orders
01:11:32Is that right?
01:11:38Zahray
01:11:43Thank you
01:11:44Mateo
01:11:49Hey
01:12:01Hey
01:12:02Mary
01:12:05Welcome
01:12:18Oh, my God.
01:12:41Arthur's been injured, but he's all right, Paul.
01:12:46We need to make them believe that he's dead.
01:12:51To everyone but you, me, and Linda.
01:12:56Arthur Sharpie is dead.
01:13:00I've got it all worked out.
01:13:02I can use his death to win this war.
01:13:18Tell your people in Chicago that Michael Gray
01:13:23will sign the import license to New York.
01:13:26300 barrels of English dry gin a month.
01:13:30Leave.
01:13:32All of you.
01:13:36Tell your boss what you saw here today.
01:13:39Tell him.
01:13:43You don't fuck with the Peaky Blinders.
01:13:56Take care.
01:13:56You
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