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Watch Detective Hole Season 1 Episode 9 online in HD on Dailymotion (2026).
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00:27You
00:38You
01:03You
01:03Why don't you just go knock on the door and why aren't there more officers here it's summer vacation I
01:11Suppose you need a search warrant first. No, I have probable cause so I don't need one. Thanks
01:24What's he doing how the fuck should I know
01:30Oh
02:07Oh
02:24Oh
02:26Oh
02:31Oh
02:32Oh
02:32Oh
02:32Oh
02:32Oh
02:43Oh
02:44Oh
02:44Oh
02:47Oh
02:47Oh
02:48Oh
02:48Oh
02:49Oh
02:51Oh
03:05Oh
03:06I don't know.
03:38Uli.
03:39Uli.
03:40Keep quiet.
03:41Listen to me.
03:43If your mom wakes up right now,
03:45I'll be forced to kill her.
03:49You understand?
03:49So we have to help each other.
03:52We're gonna take a little trip together.
04:05Grab your jacket.
04:20Come on.
04:21Hurry up.
04:26Shh.
04:27Shh.
04:28Shh.
04:28Shh.
04:29Shh.
04:31Shh.
04:32Shh.
04:39Shh.
04:42Shh.
04:45Shh.
04:48Shh.
04:49Shh.
04:49Shh.
04:49Shh.
04:50Shh.
04:51Shh.
04:51Shh.
04:52Shh.
04:55Shh.
04:56Shh.
04:56Shh.
04:57Shh.
04:59Shh.
05:00Shh.
05:00Shh.
05:01Shh.
05:01Shh.
05:13I don't know.
05:32Oleg?
05:36Oleg?
05:42Oleg?
05:47Oleg?
05:53Oleg?
06:07Oleg?
06:09Oleg?
06:11Oleg?
06:14Oleg?
06:17Oleg?
06:22Oleg?
06:31Oleg?
06:32Oleg?
06:33Oleg?
06:33Oleg?
06:34Oleg?
06:36Oleg?
06:39Oleg?
06:40Oleg?
06:43Oleg?
06:44Oleg?
06:47Oleg?
06:58Willie?
07:03Harry?
07:05How did you get in here?
07:06Balcony door was open.
07:09What do you want? What's going on?
07:11I think you already know that.
07:14I don't get it.
07:16We've come to take you in.
07:20Who's we? Looks like you're here alone.
07:25Are you fucking drunk?
07:27Marius Veyland, Camilla Lone, Lisbeth Barley, Barbara Swenson.
07:35What are you going on about?
07:47My name is Raquel Falk.
07:49My son's been kidnapped.
07:50All right.
07:51Why do you think he's been kidnapped, ma'am?
07:53There was someone in my bed.
07:54And my son's not here.
07:56Someone took him.
07:56That's why he put on his Rosenberg jersey. He hates that jersey.
07:59I see.
08:00He would never put it on on us.
08:01He was trying to let me know something was really wrong.
08:04Just try to calm down.
08:05A missing jersey doesn't necessarily mean that he's gone missing.
08:07Listen, I've worked with the police.
08:08I know when it makes sense to report a missing person.
08:10And I know, I know someone took him.
08:13Okay, but the jersey alone isn't about this.
08:14I swear, he did it to tell me that something was wrong.
08:18Sending us Lisbeth's finger was a bad idea.
08:23The human excrement under her nails, we found seeds in it.
08:27Fennel seeds, Willie, from Theater Café.
08:31The exact place you had lunch, the dailies but disappeared.
08:34The problem is, human digestion would take 12 hours for that seed to reach the end of your colon as
08:40fecal matter.
08:41So I don't care how often she finger-fucked you, those seeds must have gotten under her nail after she
08:46disappeared.
08:48Which means what?
08:50That you murdered her.
08:51Cut off her finger and put it up your ass before we got here.
08:58That's what we call technical evidence, Willie.
09:00Hmm, technical evidence.
09:03So that's concrete and irrefutable, huh?
09:08Okay.
09:15I knew you guys would probably show up here with a dog, right?
09:19So I realized it was the best spot to hide it.
09:22Her finger, I mean.
09:24Smart.
09:25Hmm.
09:26And there was a degree of sentimentality.
09:33That picture, I didn't know the picture out there was from the Stardomach Square.
09:38But then I saw a photo today with the same two towers in it.
09:42Martin Amino used to pick up women there.
09:45Women who could support him financially.
09:47Women like your wife.
09:49That's when I understood your motive.
09:52You discovered that Lisbeth had started an affair with Amino on your honeymoon together in Prague.
09:57Sound about right?
10:01You wanted revenge.
10:03You wanted to make them pay, didn't you?
10:08I knew that Lisbeth had a short thing with that man.
10:14But I didn't realize it was an affair until we were renovating the apartment.
10:20That's when I found the two letters.
10:22My darling, you light my whole body on fire.
10:25You're the only one I think about.
10:27I'll get us a penthouse and make love to you in a king-sized bed next time.
10:31Not an alley.
10:32You deserve so much more than what you wrote.
10:34A marriage shouldn't be all about convenience.
10:37That's the road to a life without love.
10:42Like I mentioned before, I got scammed by a close friend.
10:45I need to borrow some money just to get back on my feet.
10:49As soon as it's all taken care of, I'll come get you.
10:52My account number is on the back of the photo.
10:55Yeah, I remember him from Prague four years ago.
10:58He came over to our table to sell us some necklaces with star-shaped diamonds.
11:01And of course he gave us a card with an address, just in case we wanted to order something.
11:06Call me anytime.
11:09Do you know what it feels like to realize that the person you love
11:13has not only betrayed you, but never loved you to begin with?
11:19What about the other one?
11:22That one Lisbeth wrote.
11:24It was postmarked in the Czech Republic, but it was returned because the mailing address couldn't be found.
11:30Dear Martin, it's been so long since I've heard from you.
11:33I hope the money I sent helped get you back on your feet.
11:36No matter how hard I try, I can't get you out of my head.
11:39When I make love to my husband, I imagine that he's you.
11:44Where are you?
11:45But that wasn't the worst part.
11:46The worst part was seeing the date it was postmarked.
11:50Because she must have sent it.
11:53In February.
11:56This year.
12:01What else could I do?
12:05So you decided to stage a murder because of that.
12:09And then pin it on him.
12:12You're a good director, Barley.
12:15Right.
12:16But first I had to find him.
12:18Never met him.
12:20Okay.
12:20So I said that I was in the market for star-shaped diamonds,
12:23and I made it clear which hotel I was staying at.
12:27All I could do then was sit and wait.
12:35When he finally called, I told him I needed someone
12:37who could get me the diamonds discreetly,
12:40along with some weapons.
12:41No middlemen.
12:43And then we made a deal that he would come to Oslo
12:46and drop off the stuff in a garbage can in Frogner Park
12:48every five days.
12:50So you knew that he was there
12:52and that he wouldn't have an alibi
12:53for all the murders you committed.
12:55And he repeated that four times.
12:58You used an accent to record messages
13:00and cassettes that you left at the crime scenes.
13:02The five-pointed devil's cross.
13:05It will show you the way.
13:08Then you sent us your wife's finger.
13:13Why'd you make it so complicated?
13:16Because I needed a scapegoat.
13:19If the case went unsolved
13:20and Lisbeth was just missing,
13:22everyone would have thought it was me.
13:24Right?
13:25Because it's always the husband.
13:28Where is she?
13:29You should know that.
13:31All right.
13:34Drop it.
13:35Drop it.
13:35And move away.
13:36I said drop it!
13:38Drop it!
13:40Good.
13:41Hey, sit down!
13:44She had the exact same look in her eye.
13:59Deep down,
14:00I'm just a simple man
14:01who followed his heart.
14:03But maybe you can tell me
14:05which heart is more damaged, Detective.
14:07Is it the heart that's uncontrollable,
14:09that can never stop loving no matter what,
14:11or a heart that's incapable
14:12of loving anyone back?
14:25Where is she?
14:27She's here.
14:31She's always here.
14:33That's what you don't understand.
14:34I've put her somewhere
14:35only I could ever find her.
14:38Somewhere that's reserved for me
14:39and her.
14:41And I want her here forever.
14:45I preserved her in alcohol, Hari.
14:48My problem is I keep trying to do it again.
14:51But she just didn't understand.
14:55What are you talking about?
14:56Okay, now get up.
14:59What are you talking about?
14:59I said get up!
15:03Turn around.
15:05That's right.
15:07That's right.
15:14The new Lisbeth
15:18panicked.
15:23She was threatening
15:24to ruin everything
15:25just like you.
15:32Isn't she beautiful?
15:34Huh?
15:36Look at her.
15:40Look down.
15:41All the way down.
15:42Hey, listen.
15:43Listen.
15:45I think our little show
15:46deserves a satisfying ending.
15:49Right, Hari?
15:50The audience would never believe it
15:51if I just went along quietly
15:52to the police station.
15:54They need a happy ending.
15:56So if there's no happy ending here,
15:58I'll just make one.
16:01That's my life's motto.
16:05Although in this case,
16:07it's a death motto.
16:10Now let's count it down.
16:13Five.
16:19You're so broken, Hari.
16:24Four.
16:25Four.
16:25Four.
16:29What the fuck you're looking at, boy?
16:32We both know your job
16:34isn't the problem.
16:35Two.
16:36Three.
16:39You remember our conversation?
16:42Two.
16:46Two.
16:47That's me.
16:48I'm sorry.
16:53One.
17:09Two.
17:12Two.
17:13Two.
17:14Two.
17:16Three.
17:42Oh my god, someone, please help me!
17:46Tori, somebody, help me!
18:07Good god, what did he do?
18:13He wanted his Tori to have a happy ending.
18:40Yeah?
18:41Have you heard from him?
18:42Harry? No.
18:44Okay.
18:44What the hell are you doing, Tom?
18:46Let me know if he contacts you.
18:48I'm...
18:55I want to go home.
18:58I can't believe me.
19:12It's a hard time.
19:13I've got fun at that.
19:18You can get a lot of fun at all.
19:18Come on, come on.
19:18I'm going to move.
19:19I want to move.
19:20I want to move.
19:22I want to move.
19:24Hello, Tom.
19:26I want to move.
19:26I want to move!
19:36Fuck, yeah, fuck.
19:42Hello?
19:43Hi, it's Ari.
19:44I've been calling you all night.
19:46Yeah, sorry, I don't have my cell phone.
19:48Is Oleg with you right now?
19:49I don't know where he is.
19:50I'm at the station right now.
19:52They're telling me to wait it out as long as there's no suspicion of foul play.
19:55But I know someone took him.
19:56I know it.
19:57I'll find Oleg, okay?
19:58What?
19:59Where are you?
20:01Please go home.
20:03Wait, but, Ari, I can't just leave.
20:04Go home and lock the door now.
20:06You won't be safe at the station.
20:08You have to, you just have to trust me, okay?
20:10Leave right now.
20:12Trust me.
20:17Ready to go home, ma'am?
20:26Hey, Ari.
20:28You know, Luke's wondering where you are.
20:32Listen, if you put a hand on him, you're dead.
20:34Where are you?
20:35I asked you first.
20:38What do you want?
20:39I'm gonna make things right, that's all.
20:42Right?
20:43It's not too late for that.
20:44Tom, listen to me.
20:46Come on, just give me the address.
20:47Tom, please, don't do it.
20:48Please.
20:51Ari, I made you a life-changing offer,
20:53but instead you do this to me.
20:55This is your fault.
20:57Take it through, Tom.
20:58The sound when someone gets the throat slit,
21:01and a knife cuts in through the cartilage,
21:03opening the neck,
21:04and this is the wheezing sound.
21:08Tom.
21:09It sounds like when you're at the dentist,
21:11you know, the air escaping when you sever the trache.
21:13The campus housing, room 406.
21:16Student housing.
21:18All right.
21:19Okay, Oleg, now we're on our way.
21:21Give me 80 minutes.
21:23Just leave the door open,
21:24sit on the floor with your hands above your head,
21:26so I can see you.
21:27Tom.
21:28Tom!
21:34Fuck.
21:35Fuck.
21:49Fuck.
21:51Fuck.
21:57Fuck.
21:58Fuck.
21:59Fuck.
22:05Fuck.
22:06Fuck.
22:08Fuck.
22:09Fuck.
22:10Fuck.
22:12Fuck.
22:14Fuck.
22:14Fuck.
22:15Fuck.
22:36Stop fucking crying.
22:45I need your pop song starting with C.
22:47You first.
22:49No, cut it out.
22:52China, girl.
22:54Not now.
22:55It helps.
22:57Candy.
23:00Candy.
23:01I have a cry for love.
23:06China, girl.
23:07You said that one?
23:10There's two versions.
23:11It's all.
23:15Um.
23:17Gold medal.
23:26Breathe.
23:28Show your hands so you can see.
23:36Oleg, are you okay?
23:38Obviously, it's okay.
23:41Are we okay?
23:43I'm sorry.
23:44No, no, no, no.
23:45Stay there.
23:45It's all right.
23:46What the fuck is this?
23:47I told you just stay in the room, didn't I?
23:49It's all right.
23:51The room key, and the cuff key.
23:55Spit it up.
23:57God.
24:02I guess you have to switch up your plan.
24:05Your fucking plan.
24:08Your plan.
24:09The one where you killed Aminov and me in there.
24:11Make it look like I shot him in there myself.
24:14You've already done it.
24:15It's how you murdered Ellen.
24:18What about the fact that you just got dumped by your girlfriend,
24:21and so you kidnapped her son on your way here?
24:24Tragically, they found his body next to yours.
24:26And you had this in your pocket.
24:28Huh?
24:34I knew you'd find us.
24:36All I had to do was make it complicated enough for you to not suspect anything.
24:40Hey, stop.
24:41Oleg.
24:42Oleg.
24:43Come back here.
24:44Come back, or else you'd hurry.
24:46Summer vacation sucks, right?
24:48Nobody's working.
24:50What are you talking about?
24:52Everything gets delayed.
24:53Like, for example, getting all the cameras out here.
24:57I called Otto.
24:59We're rolling.
25:00Say hi.
25:02You're finished.
25:08I'm gonna go, all right?
25:11All that's on that camera is me arresting a deranged cop who lost his mind
25:15and went off and kidnapped a detainee.
25:17You basically just confessed in front of a camera, Tom.
25:20Shut up.
25:20I don't know if you ever know what the fuck you're talking about.
25:22Cameras don't pick up the sound.
25:24Come here.
25:31Hey, take it easy.
25:33Shut up.
25:35Push the button.
25:42It's over, Tom.
25:44Everything's gonna be on camera now.
25:46There's no cabaret in the elevator.
25:50Get in.
25:51Go.
25:53Get in.
25:59I found your little gun there.
26:01I went down the garbage chute.
26:03Sorry.
26:11Shut the fuck up.
26:15Come on, come on, come on.
26:16Get in.
26:17Get in.
26:18Get in.
26:19Get in.
26:20Get in.
26:21Get in.
26:21Get in.
26:22Get in.
26:23Get in.
26:24Get in.
26:24Get in.
26:24Get in.
26:24Get in.
26:25Here, take this.
26:26Thank God I fucking got first.
26:42No.
26:42Stop helping.
26:43Help me.
26:44Stop helping.
26:48Help me.
26:52Help me.
26:53Help me.
26:54Harry.
26:57Harry.
26:59I'll kill them, Harry.
27:00Oleg.
27:02Come on, Harry.
27:03Don't test me.
27:04Send the elevator back up or I'll blow his fucking head off.
27:20Stop.
27:21Stop helping.
27:22I'll kill him.
27:22Let go.
27:23Harry, hurry, I'm begging you. Don't do this. Stop, stop.
27:33Come on. Come on.
27:43Are you okay?
27:44Yes.
27:47It says you swallowed that key.
27:49No, that was the storage room key.
27:55Oh, fuck. He's coming after us.
28:03Stay in jail, baby.
28:05We're battered up between the two floors.
28:07I'll be back. I promise.
28:09Okay, I'm coming back.
28:10Okay.
28:28Let's go.
28:28No, you want me to put you in jail.
28:32I'm coming through this room.
28:33Oh, yeah.
28:39I'm penalized.
28:40Oh, yeah.
28:52I'm penalized.
28:57I don't know.
29:28I don't know.
29:55I don't know.
30:17I don't know.
30:27There ain't no one ever looking out for me.
30:39Just the sun, my only shadow.
30:50Are in the wind, out among the trees.
31:07Oh, my God.
31:09Oh, my God.
31:11Sweetheart.
31:15Are you okay?
31:16Yeah, I'm fine.
31:17Are you sure, honey?
31:18Are you sure?
31:19Yeah.
31:20Oh, my God.
31:23Oh, my God.
31:24Oh, my God.
31:51Okay.
31:55Sweetie, were you scared?
31:58I wasn't afraid when Tari got there.
32:05I'm sorry, I'm sorry, but I have to go.
32:09What are you saying?
32:15You're better off without me.
32:21You can't decide that for us.
32:34Please.
32:50Please come back when you're done.
32:55Okay.
32:56Yeah, I'm gonna...
32:58Um...
32:59I'll give you a call.
33:13Yeah, forensics wants it to stay locked down for now.
33:16The apartment's been scoured, and they called it in.
33:18The body's been ID'd.
33:19It's a Toya Harang.
33:22Mm-hmm.
33:28Muller.
33:29Evening, Chief.
33:31Well, hell's about to break loose for you now.
33:33You know that, right?
33:35Everyone in the media's gonna want a piece of you, even overseas.
33:38They've already heard about the Bikurier killer in the States.
33:41Yeah, I'll survive.
33:44Anyway, Martin Amonoff is back in his holding cell.
33:47We thought it was safest to keep him there until we clear things up tomorrow.
33:51Oh, one last thing, uh...
33:53Character.
33:54Tell that to Harry, will you?
33:57Uh, right.
33:58Yeah, it's an Iggy Pop song, too.
34:00Yeah, sure, whatever you say.
34:02Oh, by the way, your buddy Eichlin was in custody, too,
34:05but you'll be glad to know that we just released him.
34:07He's a free man again.
34:10Listen, don't tell anyone.
34:12There's a chance I was slightly intoxicated when you busted me.
34:15So...
34:17I've spoken to Eternal Affairs.
34:19They feel confident that the security footage from the student dorms,
34:23as well as Amonoff's and Oleg's statements,
34:26will be more than enough to support your side of this.
34:33You won't be prosecuted for Waller's death.
34:39But as for you taking Amonoff out of custody
34:42and breaking into Willie Barley's apartment,
34:44I'm afraid I can't promise anything.
34:47Yeah, I gotta go, Chief.
34:58This is Maya.
34:59Hi, this is Harvey Holder.
35:01Hang on.
35:02Don't tell me where you are.
35:04My phone could be bugged.
35:05Yeah, I'm sure it is.
35:08I'm sorry.
35:09I didn't know what to do.
35:11They told me they'd take my little brother.
35:13Yeah, I thought it would be something like that.
35:17But now you have a chance to make it right.
35:20I'm gonna give you a story that you can publish in Oftenposten.
35:25But here's the catch.
35:27You can only run it if something happens to me or my loved ones.
35:31Okay.
35:33Okay.
35:36If your phone is bugged, then everybody knows about this now.
35:44Well, the cause of death is clear,
35:46but what I don't understand is the stab wounds.
35:49Must have been from the chisel.
35:51Maybe.
35:52But the more I look at them,
35:54it seems like the wounds were inflicted post-mortem.
35:57It looks like the knife was being twisted around, too.
36:02Look, Hari, I need an explanation.
36:05All right.
36:07For why I took Aminova out of custody
36:09or why I broke into Barley's apartment?
36:11No, no, don't worry.
36:13We'll take care of that.
36:15I meant more...
36:18the approach.
36:19You found out that our serial killer wasn't textbook.
36:26Uh...
36:27Yeah, thank you.
36:29I'm not talking about the evidence.
36:31Tell me the origin of...
36:33the idea.
36:38Did you know that Duke Ellington used to
36:40ask his piano tuners to adjust the strings
36:43because he didn't want his piano to be perfectly in tune?
36:47I didn't.
36:51The bi-career killer was too fine-tuned somehow.
36:58Our theory felt right, but not genuine.
37:05I was wrong, Hari.
37:08I'm sorry about that.
37:10Yeah.
37:10And the reason I wanted to meet
37:12was to tell you that
37:14I'm not going to sign your dismissal paperwork.
37:18All right.
37:20I have to say, you don't seem overly excited.
37:23Have you gotten any other offers?
37:26Two.
37:27What kind of work?
37:30Einstein Aiklon wants me to drive
37:33his cab on night shift.
37:36The other offer?
37:41That didn't work out.
37:47The truth is that we need you.
37:50I need you, Hari.
37:52Okay.
37:54It would be completely naive to think that
37:56Waller is just a single rotten apple
37:58in the department.
37:59There are others.
38:01And I would really like you to keep
38:02helping us find out who else is in his network.
38:04Sorry, I don't think that I'm your guy.
38:07No, I know that nobody wants to, um,
38:09snitch on their colleagues.
38:11I get it.
38:12But you would be reporting to me
38:14and me alone, all right?
38:17Just us.
38:18But that would also mean
38:19that when you write your reports
38:20or when you talk to the press
38:22that you'd have to keep quiet
38:24about Waller's weapon smuggling.
38:28I know that's a lot to ask of anyone,
38:30so of course it's totally up to you.
38:35Understood.
38:38Now, in case you decide to drive a taxi,
38:40instead I have to ask,
38:41is there anything we don't know about?
38:43Did Waller say who else
38:45could be implicated in the smuggling ring?
38:48Did he mention any names?
38:51Anything at all we can work with?
38:53No.
39:00Good work with Barley.
39:02Always the husband.
39:28Because I needed a scapegoat.
39:30If the case went unsolved
39:31and Lisbeth was just missing,
39:33everyone would have thought
39:33it was me.
39:35Well, my guess is
39:36the robber's threatening her
39:37with a gun
39:38saying he'll shoot her
39:39and she's in shock.
39:40It's me.
39:43Right.
39:44At least it's always the husband.
39:58Hi.
39:59Hi.
40:00It's me.
40:01So, um,
40:03there's something
40:03I have to take care of.
40:04Can we,
40:04can we do dinner instead?
40:06Yeah, no problem.
40:09Love you.
40:11And you love me.
40:13Yeah.
40:14Yeah, I do.
40:23So, Bieta is 100% certain
40:25that the husband
40:26was never on the list
40:27of suspects.
40:28It was the first time
40:29Biotta had ever seen him,
40:30but yeah, she's sure.
40:32Yeah?
40:34What's going on?
40:39You murdered your wife.
40:42Five years ago,
40:43you walked into the bank
40:44where she worked
40:45and you shot her in the head.
40:51He robbed a bank
40:53just to shoot his wife?
40:54He staged the whole thing
40:55as his one big diversion,
40:57just like Willy Barley.
40:59Both of them knew
41:00that the husband
41:01is always the first suspect,
41:02whether it's a serial killer
41:04or a bank robber.
41:22The number you're calling
41:23is no longer in service.
41:35USUAL
41:35The number you ever
41:37saw
41:41is
41:41the number you ever
41:41saw
41:41and
41:41you
41:41the number you
41:41in the contest as well.
41:42So,
41:42you
41:54are
42:05PIANO PLAYS
42:45What do we do now?
42:50It's simple. We regroup and lay look after that.
42:53We'll come back stronger.
44:04Yeah, that's Tom Waller.
44:06He grew up down the street.
44:10How'd you know each other?
44:12I just remember he had it bad.
44:14I heard stories about his dad beating him at home.
44:18There were rumors that it got a lot darker than that.
44:21And, um, his dad worked as a bricklayer.
44:26He didn't work a lot, so he was a heavy drinker.
44:32I don't remember much else. Sorry.
44:35He called you Solo, and, uh, well, he said you were buddies.
44:40Yeah, Solo's a nickname I got working in the shop, but the other part...
44:44Tom Waller and I weren't buddies.
44:47He didn't really have any friends.
44:49None?
44:51No.
44:53I don't really know why.
44:54I always remember him being pretty nice.
44:57He was the type to help old ladies across the street, a boy scout, super harmless.
45:03Tom was reclusive.
45:06A little weird, too.
45:09And then there was his dad's death.
45:13It was pretty bizarre.
45:14A mishap at home, like, that's one in a million.
45:18Oh, yeah?
45:21Well, yeah.
45:22I mean, it's one thing to stumble over drunk, but...
45:25to stumble onto the point of the knife you're holding.
45:30Yeah.
45:33Thanks a lot.
45:42What they want, I don't know.
45:45They're all ripped up and ready to go.
45:48They're falling in a straight line.
45:50They're going through a tight one.
45:53They keep the listen of my teeth.
45:55They're screaming, but...
45:58They're fighting in the backseat.
46:01They're generating...
46:16They're firing in the backseat.
46:16They're fighting.
46:36They're firing and arrests.
46:36They're firing and arrests.
46:36They're shooting.
46:39They're firing and dependencies.
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