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00:01Ever since you began to build your empire, you've had a crutch to lean on.
00:07I swear in the name of all, why's he gone?
00:09I will take revenge on Tommy Shelby.
00:11That, my friend, is the finest opium in the world.
00:14Perhaps we can meet after you've spoken to your wife's uncle, Jack Nelson.
00:18Tommy Shelby wants to do business with Jack Nelson?
00:20So speak to your uncle and get me out of here.
00:22If he doesn't want to buy my opium, I will sell to the East Boston Jews.
00:26It's true of you, but she's not fair.
00:28How come enough?
00:35There will be a war in this family, and one of you will die.
00:41You've been too busy to punish the people who killed her.
00:44I was the family.
00:57Daddy!
00:57Daddy!
01:02Hello, Ruby.
01:05Come here.
01:07I can see you.
01:08I missed you.
01:10I missed you.
01:12There's a black Madonna.
01:14What present did you get us, Dad?
01:16My son.
01:18Which is all better, Tommy.
01:20Paying back for nothing.
01:25I'm glad you're back.
01:28Right.
01:29Before we do anything else, we're gonna go for a drive.
01:32Okay?
01:33What about me?
01:34Yeah, you come too.
01:35Come on.
01:36Drive where?
01:38That's the driver takes to see Dr. Robert.
01:41Let's have a look at Ruby.
01:42Fine.
01:43The appointment is in one hour.
01:44Stay here.
01:45You can call.
01:47Right.
01:50Let's go.
01:58Go!
02:12Hello, jeez!
02:41Tommy?
02:42Tommy?
02:43Yeah.
02:46It was all good. Everything was clear.
02:50That is a relief.
02:53That's a relief.
02:54Yeah.
02:56Drivers, bring the car round.
02:58Dad!
03:00Hiya.
03:04Come here.
03:12When did you last sleep?
03:16Not much, since we last bought my phone.
03:19Now you know Ruby is all clear, you can sleep.
03:22Yeah.
03:26I'm very happy that Ruby's results are clear.
03:29But still you won't sleep.
03:33I will speak to Johnny and I will speak to Esmeralda.
03:41We could be on holiday.
03:44We could be up a mountain in America.
03:47That wouldn't have been possible.
03:50The man I'm dealing with is coming to London.
03:53I need to be there.
03:54No escape.
03:57We will escape, Lizzie.
04:00One last deal to be done.
04:02It'll be difficult.
04:03Difficulties aren't to be expected.
04:04This is why I must move from item to item.
04:13Do you feel that?
04:15Do you feel anything?
04:18You know, you talk as if you're watching everything on a screen.
04:25When we go home, when we go home,
04:27we'll give the kids to Francis
04:29and then you and me will go to bed.
04:32And I will be the next item.
04:35That's how it feels now to me.
04:37Everything on a list.
04:45Hey, baby.
04:46When are we going home?
04:47I'm going to miss you.
05:07Tommy.
05:08Tommy!
05:23Tommy!
05:24Tommy!
05:25No, no, no, no!
05:26No, no, no!
05:28Come here, come here!
05:33What's happening?
05:35Come here!
05:37Tommy!
06:01It is four years, one month and six days since I had a drink.
06:09My head is clear.
06:12I am myself.
06:15Is this the first time?
06:20Once on the ship back, not as bad.
06:27Tommy, you need to see a doctor.
06:31I've work to do.
06:35It's the work that's to blame.
06:37The people you meet, the lies that you tell.
06:42We've got to keep going until this Boston business is done.
06:46Then we rest.
06:49Then we big blinders fucking rest.
06:57Comrades, before we end this planning meeting and send you out into the rain, we have a surprise.
07:04He just arrived back from a trade mission to America.
07:07He came back early and he has insisted on addressing you volunteers in person.
07:14Comrades, your Labour representative for South Birmingham, Mr. Thomas Shelby, MP.
07:22The
07:22The
07:22The
07:27CHOIR SINGS
07:27CHOIR SINGS
07:27CHOIR SINGS
07:27CHOIR SINGS
07:29CHOIR SINGS
07:30CHOIR SINGS
07:44I bring with me, on the train from London,
07:50a message from Westminster.
07:54No, no, no, no, not a message.
07:57Not a message.
08:00An instruction, in fact.
08:04You must be silent.
08:11You must say nothing.
08:14Say nothing about the present situation in this city.
08:19Say nothing about hunger.
08:21Say nothing about jobs.
08:24Say nothing about pay.
08:26But those, in greener pastures,
08:30they may speak.
08:31They may raise their voices.
08:35But here in the smoke, you men and women,
08:38Irish and Italian and English,
08:41who support the socialist cause.
08:43And the socialist cats and dogs and canaries.
08:48You must push.
08:50Because the king,
08:53and all the king's horses and all the king's men,
08:56want you to be silent.
08:59But it is you, my friends, who must suffer the cuts in wages,
09:03and in welfare, and in dignity.
09:06And you must not complain.
09:07Because that would be unpatriotic.
09:10You soldiers who have fought in France,
09:13you are traitors if you speak up.
09:15You veterans of their wars, and their boons, and their busts.
09:20It is you who must take the blows, and carry the burdens,
09:24for the sake of those in greener pastures,
09:26who bellow at you.
09:30Silence!
09:30Never!
09:33But watch this, comrades.
09:35I will not be silent.
09:37Never!
09:38Not this Englishman.
09:39No!
09:47No silence for me!
09:49No silence for me,
09:51because I have heard your voices,
09:52when you come to me,
09:54and tell me about the cries of your hungry children.
09:57Yes!
09:59And I will gather up every single one of those cries,
10:02and I will take them with me,
10:04on the train, back to Westminster.
10:06Yes!
10:07And I will let them out of the bag in the House of Commons,
10:10and let them try and silence that, eh?
10:12Yes!
10:29Shouldn't that involve some sharing of the burden?
10:32Yes!
10:33Always taking the smallest slice of the cake, eh?
10:36Yes!
10:37After all, it's bloody us who bites the cake,
10:40and makes the cars, and melts the metal.
10:43Yes!
10:44And the King, remember him?
10:47The man who wanted all of this,
10:49shouldn't he be taking some of the cuts?
10:51Yes!
10:52Hey, someone to blow!
10:54Yes!
10:55Hey!
10:55Yes!
10:56Come on with us!
10:57Yes!
10:59Yes!
11:09Hush!
11:11Hush, you working men and women.
11:14Silence.
11:17Good.
11:18Good.
11:20Save your voices.
11:22You're gonna need them.
11:24On Saturday, when we rally together...
11:26Yes!
11:27...at the Bullring Market!
11:29And together, we'll raise the room!
11:32Break the damn silence!
11:35Yes!
11:36And bring down this broken government!
11:40Yes!
11:43Yes!
11:44Yes!
11:44Stop it!
11:46Stop it!
11:48Stop it!
11:49Stop it!
11:50Stop it!
11:51Stop it!
11:51Stop it!
11:53Stop it!
11:55Stop it!
12:00Lorna McKay.
12:02Battalion commander for Manor Iore.
12:05You missed the first and second act.
12:07Thank you for coming, Mr Shelter.
12:10So her act was enough.
12:14You both have reasons to hate me.
12:17And to want to seek revenge for the killing.
12:19Shh!
12:22Gypsy tradition.
12:24We do not mention the nine of the dead in company.
12:34Laura McKay.
12:35Laura McKay.
12:36And the Shelby family.
12:38Business comes before issues of vengeance.
12:41Our beloved departed.
12:43Would understand and approve.
12:46Let's go, boys.
12:48Our agreement was we meet in a crowded place.
12:50No need for crowds.
12:52We need you alive.
12:56I'll see you.
12:57I'll see you.
12:58I'll see you.
13:15I'll see you.
13:21You know, Mr Shelby, even though we've been doing business for a while,
13:26we've never met in person.
13:28You spoke with passion.
13:31And compassion.
13:34You understand forgiveness.
13:37And you drink water.
13:41Yet I heard from many reliable sources that you have a reputation for moral turpitude.
13:51Moral turpitude.
13:54It's a good name for a racehorse.
13:57You don't know what it means.
13:58I know what it means.
14:00It means you fuck people.
14:03Fuck people over.
14:05Don't give a fuck.
14:05It means you covet and steal and burn all principles for the sake of self-interest.
14:13Well, I'm changing.
14:15Lorna McKee.
14:16My organisation is also changing.
14:23So what happened in Boston?
14:26Jack Nelson said no.
14:28Are we accepting no as an answer?
14:32These are letters written to and by Jack Nelson over the last three months.
14:39Yes.
14:53This...
14:54This is a private letter from the President of the United States.
14:59Where the fuck did you get this?
15:02My racehorse, moral turpitude.
15:04It's just one of many in my stables.
15:07Sometimes, even now, I'll take it out for a run.
15:10If there is a good cause that requires our services.
15:18Jack Nelson's coming to London?
15:21Officially.
15:22He's coming to buy liquor import licences.
15:25Unofficially, he's on a fact-finding mission.
15:29He's coming to measure the strength of support for fascism in Britain.
15:32He'll report back to the President.
15:37And how does that help us?
15:41In this letter to his son, Jack Nelson, expresses strong support for fascism.
15:47In this letter, to a friend in Berlin, he says some interesting things about Jews.
15:58He's not coming to Europe to find facts.
16:00He's coming to find proof that fascism will prevail.
16:04And you and I...
16:07We're going to help him in that task.
16:13I thought you were a socialist.
16:19Well...
16:20Since I've entered politics, I've learned that the line doesn't go out from the middle to the left and the
16:25right.
16:26It goes in a circle.
16:28I'll show you.
16:33You go far enough left, eventually you'll meet someone who's gone far enough right to get to the same place.
16:43Working-class socialists like me, working-class nationalists like you.
16:47The result?
16:49National socialism.
16:50National socialism.
16:52And that's me.
16:55In the middle.
16:58Just a man trying to make an honest living.
17:01In a very dark world.
17:06You were friends in Dublin, Laura McKay.
17:09Who were actively fighting for a fascist island.
17:13And you were acting on their behalf.
17:15Ain't you?
17:18When Jack Nelson comes to London, I can give him access to Oswald Moseley and to fascist sympathisers.
17:27In the House of Commons and the House of Lords.
17:29Both sides of the divide.
17:32Fascism is quite the thing.
17:36Among the very best people.
17:39And with your help, I could also offer him Dublin.
17:47And you think this will allow us to ship our merchandise to Boston?
17:51Perhaps.
17:53There may be other benefits for your cause.
17:58All you have to do is sit with Jack Nelson and talk to him about a new golden age.
18:05And let him put a pin in the map of Ireland for the President of the United States.
18:20I came to collect Arthur and put him to bed.
18:23Found him in Garrison Lane with a syringe in his hand.
18:32A friend loves it all time.
18:35A brother is born for adversity.
18:39A brother of 1717.
18:44Well, I have two brothers in need.
18:46But yours is the more urgent, Tommy. Will you come with me?
18:52I saw Laura McKee.
18:54Are you gonna help me change the world?
18:59I should have told me this meeting is not what I expected.
19:03It never is.
19:05Is that a yes or a no?
19:09My answer's yes.
19:12The answer's always yes.
19:16Back door is unlocked.
19:18You can let yourself out.
19:20And tell your friends back home.
19:23Tommy Shelby has changed.
19:31What is he?
19:33I found him the syringe was empty.
19:35Sleeping it off on the cobbles.
19:36Shit, Tommy.
19:37Shit.
19:39It's all under control, Ada.
19:40Well, I am not under fucking control.
19:43I'm not you, Tommy.
19:45And I'm not Polly either.
19:47Even though I'm trying to be.
19:49She would have stopped this.
19:51We will pull Arthur through this.
19:52I'm not talking about Arthur. I'm talking about you.
19:55I heard everything you were saying in there.
19:57Ada, this will be the end of it.
20:00Hear me?
20:00This is the way out for all of us.
20:02And along the way, I will be doing good.
20:04No, along the way, you're going to make yourself a lot of fucking money.
20:06All right, fair enough.
20:08Any incidental rewards for my good work will be welcome, but you will get your fair share, sister.
20:13And by being among the fascists, by being among them, I can undermine them.
20:18Polly would approve.
20:20But ain't all the gold and diamonds and fucking, fucking mink and lice.
20:24She was a solid socialist.
20:32Look, I know it's too late for this, Tom, but...
20:37This doorway.
20:38This same fucking doorway.
20:42We used to come here for Dad's beer.
20:44And we were so little it took two of us to carry one bucket.
20:51I'll remember.
20:56Look at us now, eh?
20:58Yeah.
20:59Fucking look at us.
21:01Take a good look, Tom, because one of us isn't going to be here for long.
21:06Fuck! Opium and presidents!
21:15I know.
21:17If you don't want to help me, carry the bucket.
21:21And I wouldn't blame you.
21:25But this is my mission.
21:28And I will have no limitations.
21:34Where are you, Tom?
21:37Hmm?
21:38My big brother?
21:41You know you used to stop sometimes and laugh.
21:46Do you even remember this place?
21:49You walk into the garrison like a stranger and you sip fucking water.
21:58I'm alive, Adam.
22:02Yeah.
22:04And you're still looking for trouble big enough to kill you?
22:11Well...
22:12I think you might have found it.
22:18I have children, Tommy.
22:21You have to carry this bucket on your own.
22:27One brother half dead in the rain in Garrison Alley.
22:30And the other has no limitations.
22:32No!
22:35No but not.
22:53No!
22:53No!
22:55No, no!
23:01I don't know if we actually have to carry it around all in my heart.
23:06I'm expected.
23:26Oh, and Mr. Solomon's no longer tolerates a smoking of tobacco in his presence.
23:32Oh, and Mr. Solomon's no longer tolerates a smoking of tobacco.
23:44Oh, and Mr. Solomon's no longer tolerates a smoking of tobacco.
24:02Oh, and Mr. Solomon's no longer a smoking of tobacco.
24:15I always thought that opera was just fat people fucking shouting.
24:20Yeah?
24:21What do you think now?
24:27I think the sound of a tenor in full passion reminds me of crying out with Italian soldiers
24:33when they had my bayonet inside of them.
24:36Ever since my own death, I have been somewhat haunted by it.
24:45Yeah, they...
24:47Instead of fighting these voices, I decided to write their songs down, you know,
24:52and turn them into an opera of my own.
24:54Do not like that.
24:55No, no.
24:57Were you not told that I have a condition?
25:00What I was told, Alfie,
25:05is that you have withdrawn,
25:08and that you spend your days alone
25:14obsessing about opera singers.
25:16Opera is not fucking singing, is it?
25:18It...
25:20It's not singing, it is the sound that people make.
25:24Before word.
25:26And I do not allow smoking because I do need to see fucking clearly.
25:31Alright?
25:39What, do you sense weakness in Israelite?
25:41Not a sense of weakness, no, Alfie.
25:44What?
25:44A certain knowledge of it.
25:47Since you've been sat here...
25:50...writing an opera...
25:54...a member of your family...
25:56...has died.
25:59...Charles Solomons, your uncle.
26:01He ran all the narcotics.
26:03Boot-legging, prostitution, gambling syndicates out of East Boston.
26:07But last January, poor old Charlie.
26:09Well...
26:11...he was shot.
26:13In the cotton club.
26:15In the lavatory.
26:16By men that you know.
26:18And yet you did nothing, Alfie.
26:20BOOM!
26:27Now my opera is called America!
26:30America is my fucking masterpiece!
26:33The truth is...
26:36...your uncle is dead.
26:38Boston is gone.
26:41And you...
26:43...once the big man who ran Camden Town.
26:47Now...
26:48...can't even extinguish another man's cigarettes.
26:53Let alone his fucking life.
26:56You need favours, Alfie?
26:58I need a fucking final act, right?
27:01Just a final fucking act.
27:03For my opera.
27:05Yeah.
27:08Alfie...
27:10...I think I may have written your final act.
27:15Why don't you sit down and have a listen, eh?
27:41I have five tons...
27:43...of pure...
27:46...refined opium.
27:46...refined opium.
27:48sitting in one of my warehouses in Liverpool.
27:51I have safe storage off the coast of Canada.
27:56I have men willing to distribute it
28:00in Toronto, Quebec, New York and Boston.
28:05The income would be immediate
28:07and would shift the balance of power in Boston
28:10back in favour of the Solomons family.
28:20In the final act that I'm giving you, Alfie,
28:24it is you who takes the revenge.
28:29What would you sell?
28:32The Irish.
28:33They're being difficult.
28:34The Italians are not an option.
28:36Also, Alfie, you are my friend.
28:39You give me credit.
28:40No.
28:42I will take property.
28:44You aren't half the warehouses in Camden.
28:47I'll take you and knock them down.
28:49Build houses for the needy and the deserving.
28:59Yeah, well, the Irish have always been difficult, Tommy,
29:04haven't they?
29:05About fucking 700 years.
29:09You know, I once saw an Irishman arguing
29:12with the statue of Oliver Cromwell in Parliament Square.
29:17The argument went on for quite a while, actually,
29:19well into the night,
29:20as his little voice echoed all around the Houses of Parliament
29:23as he got more and more angered.
29:26Oliver Cromwell was reluctant somewhat to answer his legitimate questions.
29:32So angered, in fact, that eventually he punched the statue on the nose
29:38and broke his fucking hand.
29:43And there it is, you know, the Irish question.
29:47How come you can remember so much about what happened 200 years ago
29:52that you just can't remember what fucking happened last night?
30:03How much is it time?
30:07Johnny?
30:11Only me today.
30:16Jack says a few more weeks.
30:22And you'll be free.
30:23When do you travel to London?
30:32Tomorrow.
30:34I came to say goodbye.
30:48When you go to London,
30:51stay away from the devil.
30:53Block your fucking ears if you have to.
30:56I'll be with you, Michael.
31:00I've been thinking about you.
31:06Only you.
31:11And don't worry about Tommy Shelby.
31:17I have no interest in a dead man.
31:23Jack says he has to die.
31:25Well, you tell Jack to wait.
31:28If anyone's going to kill Tommy Shelby...
31:30It will be you.
31:32I know.
31:34I told Jack.
31:36And Jack said, okay.
31:39Let the kid do it.
31:42And in return, he can collect the cash that Tommy won't.
31:49Five million dollars.
31:54The devil will be dead.
31:57The future belongs to us.
32:01Oh, and, uh, Michael.
32:06Every night.
32:09Midnight in Boston, 5 a.m. in London.
32:13I'll be wide awake in my big, wide bed.
32:17And you'll be wide awake in this prison cell.
32:22And our souls will come together.
32:24And we'll fuck.
32:28I won't need an alarm clock.
32:32And you won't sleep until I'm done.
32:35Midnight, folks.
32:365 a.m.
32:42Every day.
32:42Every day.
32:47Because we trust each other.
32:50Hmm.
32:59careful.
33:09We've got nocyon to get knocked on the ground.
33:13Whirlurgurgurgurgurgurg.
33:13We've got that.
33:14No.
33:15No.
33:16No.
33:17No.
33:18No.
33:27You're the fucking stranger, Sylvie!
33:29You're the fucking fucker!
33:31You're the fucking fucker!
33:46Doc up.
33:48Fluor.
33:51Sharper.
33:53What do you say from below?
33:56Darling, how's that?
33:58You look absolutely terrifying, my love.
34:13Fuck lipstick.
34:17Fun?
34:22To launch the ship.
34:33Long and terrible journey, Diana.
34:38Don't fucking let me down.
34:47Mr. Shelby!
34:49Mr. Shelby!
34:50Mr. Shelby!
34:50Thank you, Mayor!
34:52Sir, you're off.
34:53May I ask why a socialist MP would attend a fascist rally, sir?
34:56Let him in.
34:57Let me answer the question.
35:00Mr. Moseley's constituency borders me own.
35:02We've worked together in the past.
35:04He was once a socialist himself.
35:05My role here tonight is to act as a bridge between ideologies.
35:12I'm in the middle.
35:13Mr. Shelby!
35:15You want to share the platform with Mr. Moseley?
35:17Will he be sharing the stage with him tonight?
35:19No.
35:20I'm simply here to remind my friend Mr. Moseley that the way the British people is compromise.
35:26You'll print that, pal.
35:29Fucking rag.
35:38Mr. Moseley, you should know that Moseley's wife died six months ago.
35:42So give them your condolences, will you?
35:45Tonight, he'll be here with his mistress, who is apparently a lady in some standing.
35:52He's given him great comfort in his time of grief.
35:57Four o'clock, you dozing bastard!
36:00Move out my fucking mouth!
36:02What is Arthur doing here?
36:04How's he invited him?
36:05I agreed.
36:07Arthur made me a promise.
36:08That you peers who were broken.
36:15I've tried my best.
36:18He's hid some junk in the sock.
36:20Okay.
36:20Move out!
36:24Hey!
36:25Oi!
36:25Send him in!
36:26Come on, Tommy!
36:27You're in.
36:27You're in.
36:28Come on, you're in.
36:29My brother, Tommy, Johnny Dogs, Moseley invited me.
36:34He said, wear a black fucking shirt.
36:37He, huh?
36:38I said, I look like every other bastard.
36:41Lizzie!
36:41Come on, Tommy!
36:43You're an angel!
36:44I know I'll fucking let you down.
36:46I'll fucking let you down.
36:48I know I have, all right?
36:49And I fucking said sorry a million times.
36:51I'll say it again.
36:52I'm sorry, all right?
36:53Fucking sorry.
36:55Look at Johnny Dogs look fucking...
36:58Looks like a fucking weight.
37:00Oh, shut up!
37:01Get me a fucking drink!
37:03Johnny!
37:04Take your shirt off, give it.
37:05Oh, for fuck's sake.
37:06Take your fucking shirt off and give it to me now.
37:09Turn it off!
37:11Arthur, this is my fault.
37:14What?
37:15This is my fault.
37:16Yeah.
37:16Remember?
37:17We voted on getting involved in the Oak Room tribe.
37:20Yeah.
37:20You voted no.
37:21I said no.
37:22Remember?
37:23I haven't ruled you.
37:25I've not been here.
37:26I've been away.
37:26Where have you been?
37:27The idea tells me you've been hanging out with Moseley.
37:29Yeah, it's Mivic.
37:30Yeah?
37:31And he's big beautiful fucking house.
37:33And they've parties here in Belgravia.
37:36And they give me fucking respect.
37:38Yeah.
37:38What do you give them?
37:39Snow and junk from the company we have.
37:42Look at your brother.
37:43Half of you is gone.
37:45Half of you is gone.
37:46Half of you is gone.
37:47What the fuck?
37:48Rag and bone.
37:51You fucking slapped me.
37:55Slapped me.
37:57I have to remain unresolved.
37:59To understand unresolved.
38:01Unresolved in everything!
38:03I have to move between left and right.
38:05Light and shade.
38:06And maintain the trust of both.
38:07And I can't have my brother wearing a fucking black shirt.
38:10And the cover of the Daily Mirror.
38:12If anyone takes my picture of this,
38:14they'll find the fucking camera under my heel, Tom.
38:17They're throwing petrol bombs out there, Tommy.
38:19I thought Ada was taking care of him.
38:21Ada's got decisions to make about working with us.
38:24She doesn't know what she wants.
38:26I'll speak to Ada.
38:28Listen.
38:28I'm going on.
38:29All right.
38:30Ada.
38:31I have something for you.
38:33Lizzie, you go with Johnny.
38:35Johnny, take Lizzie to a seat.
38:36But I don't have an invitation, Tommy.
38:38You're wearing a fucking black shirt.
38:39You can do what you like.
38:39Go on.
38:40I'll follow you.
38:41Go on.
38:43Go on, dogs.
38:45Get me a fucking drink while you're there.
38:52I know Tom, look at me.
38:54Arthur.
38:56Before I went to America, I wrote a letter.
38:59Yeah, I'm sure.
39:01To Linda.
39:04And in that letter I wrote,
39:07Linda,
39:09as a Christian woman,
39:11do you believe in forgiveness?
39:16This is when I got back.
39:18A few days ago.
39:20Have a look.
39:30As a Christian woman, I do believe in forgiveness.
39:34You heard the word do.
39:36It was underlined.
39:41Arthur, I'm not Christian.
39:43But I also believe in forgiveness.
39:48You get yourself clean.
39:50You stay clean for two weeks.
39:52I'll write Linda another letter.
39:57Because I know where she is.
40:02First, I need your back.
40:06I need my brother.
40:09There are a lot to do.
40:11I need someone to do the real work.
40:12Yeah.
40:14Yeah, look at your smile, Tom.
40:17Look at your smile, brother.
40:18It's been so long.
40:20Come on, let's see what this bastard has to say.
40:21Come on.
40:23All right, all right.
40:25Come on.
40:25Yeah, come here.
40:27You're the bastard at all, Tom.
40:28Come on.
40:29Back to your son, James.
40:30Here we go.
40:31Really fucking right.
40:35Stay in the middle window and no nothing, Tom.
40:38But not fucking me.
40:39Come here, yo, you nasty.
40:41Come on.
40:43Go.
40:44Go.
40:46Go.
40:48Go.
40:51Go.
40:52Go.
40:52Go.
40:58Come here, man. I'll take your fucking eye.
41:01Not here. Not here.
41:05Come here. You've had your fun. Now let's go home.
41:08We have business.
41:10Joe.
41:13Jolly, you get a mum. This time, check his fucking socks.
41:24For fuck's sake.
41:31Tommy, we should get out now. Forget this American business. We've got enough.
41:36Not here enough. Here she comes. Let her smile. Come on.
41:41Shit.
41:51Ladies and gentlemen, tonight he has truly earned your adulation.
41:56The future prime minister of this great country, Sir Oswald Mosley.
42:39You are beautiful, Lizzie. I need to impress this woman, so I won't act as if she is beautiful as
42:44well.
42:46Mosley?
42:50Diana?
42:51This is Tony Shelby.
42:54M.P.O.B.E.
42:55Mr. Shelby, baby Diana Midford.
42:58Oswald's most recent and last ever mistress.
43:01And this is my wife, Lizzie Shelby.
43:03Beautiful earrings.
43:04Oh, I stole them from Tiffany's.
43:06Actually, he bought the earrings in Paris. We were in Paris on our honeymoon.
43:10God, I hate Paris.
43:11Hmm.
43:12I hear you prefer Berlin.
43:14Oswald and I are going to marry there, aren't we, Oswald?
43:16Oh.
43:18Honestly, I have business to discuss. Perhaps you and I can find someone a bit quieter, eh?
43:24Darling, Mr. Shelby just made the astonishing suggestion that we men go off and discuss business
43:30while you women wait around looking glamorous.
43:32Oh, goodness. What year do you think this is, Mr. Shelby? 1807?
43:37Oh, in Birmingham, the centuries grind by quite slowly. But, Mr. Shelby, if it's business,
43:44Diana is the engine of my enterprise.
43:46It's the modern way, Mr. Shelby.
43:48Yes, we know. I am company director. I will join the meeting as well.
43:53But, of course, you must come as well, Elizabeth. By the way, I really don't like Lizzie.
43:58I prefer liberated Elizabeth. She must be part of this. She's been all the way to Paris,
44:02so she is a woman of the world. Bravo. Do you know, Oswald's told me everything about it.
44:20Only three. Because I know these days, Mr. Shelby doesn't.
44:25Our friend in Berlin doesn't either. Well, they have that in common, at least.
44:29Oh, I imagine they have lots in common. Hmm.
44:35Report to me, Shelby. Officially, Jack Nelson is in London, Dubai, import licenses.
44:44And I'm officially, he's Roosevelt's envoy. As you can see from this private letter,
44:52he is far from a neutral point of view.
44:58Look at the bottom of the second paragraph.
45:01Individually, Jews are fine, but as a race, they stink.
45:07Elizabeth, do you even know why the bridge to President Roosevelt is so important?
45:15Actually, no. I don't really know much about this business at all.
45:24But I have fucked your future husband, so I know lots of things about him.
45:31Tommy, I'll be outside.
45:34Well done, Elizabeth.
45:40Do you people want to meet Nelson, I know?
45:43Mr. Shelby, from now on, can I call you Thomas?
45:47If you like.
45:49Of course we would. And we are very grateful for your efforts.
45:53But Mr. Shelby, before this enterprise goes any further,
45:58you really must do something about your wife.
46:11Break no grace
46:14To hold my body down
46:22Ooh, ooh, ooh
46:23Ooh, ooh
46:26Ooh, ooh, ooh
46:28Mr. Shelby
46:31Yes, Mr. Nelson.
46:34I came early.
46:36I wanted to come and take a look around this beautiful church.
46:42You're Catholic, Mr. Shelby.
46:45I hoped that by suggesting we meet in church, it might make us both more cautious with lies and truth.
46:53Well, your hope would be forlorn.
46:57There ain't no one listening here.
46:59You don't believe in God?
47:01No.
47:05It was the way the Catholics are treated in my country that made me angry.
47:10Made me what I became.
47:15What made you angry?
47:21Slowness.
47:22Ain't anything.
47:25I wanted to have everything already.
47:31To working-class Catholic boys.
47:37Did they mess with you when you were small?
47:41Some man in the shadows.
47:44I carried a screwdriver and a blade.
47:47And everyone believed I had the power to lay curses.
47:50And do you?
47:52Yes, I do.
47:57First man I killed was a priest.
48:01You?
48:03A Prussian boy with green eyes.
48:06He was already underground.
48:07When did you last kill a man, Mr. Shelby?
48:15Four years ago.
48:19His name was Thomas Shelby.
48:22He drank whiskey.
48:26You want me to allow you to enter my city and deal narcotics that'll kill people?
48:36You're dealing whiskey, Mr. Nelson.
48:41I recently read a report by the Vatican, actually.
48:44Which said that whiskey disproportionately kills more of our Catholic brothers and sisters.
48:50Whereas opium is the sedative more often chosen by Protestants and atheists.
48:59In return, there are people in England who you think I should meet?
49:03Yes.
49:05Yes, like mine's.
49:08I'm here to buy import licenses.
49:11For booze.
49:14The booze of the blue blood elite.
49:17In America, we like labels.
49:21An aspiration.
49:23Well, I have a brand of my own vodka and gin.
49:28You know, that's your portfolio.
49:30I hear Shelby labels are favored by the working class.
49:34Indeed, a fact of which I'm very proud.
49:37They say you're a poet, too?
49:40No.
49:42Only read it.
49:44There are some people in this country who I'd like to meet.
49:53Fascists.
49:53Not the ones in boots and black shirts, the ones in tuxillos.
50:00I know men who are friends of the cause.
50:02I also know men who are enemies of the cause.
50:06For many years now, I've been working closely with Winston Churchill in many different capacities.
50:11I have his trust.
50:13He's opposed to the rise of fascism.
50:16You, I believe, see it as inevitable.
50:21Well, I can give you men of influence who support your cause.
50:25I can also offer you a full report on Churchill's strategies.
50:32All this in return for access to South Boston?
50:37Alternatively, you can take on Churchill on your own, without my intelligence.
50:43And I can sell me opium to the Jews.
50:50You're a brave man, Mr. Sheldon.
50:54A war hero, I hear.
50:58Every war hero I ever met, they're just someone who wanted to get themselves killed.
51:06Do we have a deal, Mr. Nelson?
51:13I'll think a great deal about what you've said.
51:29Ruby, have you finished your spelling, love?
51:47Ruby?
51:50Ruby?
51:57Ruby?
52:03Ruby?
52:05What are you doing, love?
52:07I can hear voices coming from up the chimney.
52:15What voices?
52:17The grey man.
52:23Gentlemen, Mr. Thomas Shelby, Birmingham South.
52:30Mr. Speaker, I was raised in a family that endured living conditions.
52:36They would test the morality of even the most virtuous.
52:40Indeed, indeed, even the best of us would have our virtues
52:43drows, drowsed and thwarted by life in the meanness and the bitterness of an overcrowded British slum.
52:50What would you know about this?
52:59Quickly, please.
53:02Therefore, Mr. Speaker, I intend to put before this house a bill which will offer radical reform in housing policy
53:10in this country, in which slums are cleared, new houses are built with new standards in health and hygiene.
53:19Mr. Speaker, I think it's the best of us to do this.
53:23Westminster 245, House of Commons.
53:30The time has come for change.
53:32The people have had enough!
53:34Let's open the windows! Let in new lights!
53:37Let's build a new Jerusalem!
53:40Brick by government owned brick!
53:47Into there, too.
53:53Doctor.
54:04Get your voice, Mr. 245.
54:10Mr. Shelby!
54:32I'll bang and bang over and over again.
54:35I was the family.
54:36I don't want to be able to die.
54:37He's staring at me, Daddy.
54:39I'm out with green arms.
54:41Can you stop the voices?
54:44There are no voices, my love.
54:47It's the grey man.
54:49He says he's coming for me.
54:53And he's coming for Daddy as well.
55:11No!
55:18No!
55:28Oh, my God.
55:53Oh, my God.
55:56Oh, my God.
56:09Mr. Shelby?
56:11Is everything all right in there?
56:16Mr. Shelby?
56:18Everything's fine.
56:21Everything's fine.
56:24Oh, my God.
56:35Hello?
56:36Tommy.
56:37Tommy, she's the temperature of 101 and nothing is working.
56:39Just get here now.
56:41Missy?
56:41Please.
56:42Missy?
57:07Where is she?
57:07She's with the doctor upstairs.
57:12This isn't Tommy.
57:14He said we shouldn't come close to her in case.
57:17In case of what?
57:19When she coughs, there's blood.
57:39We told her,
57:40I'll be through to the number I gave you.
57:42For Esme,
57:44Shelby Lee.
58:05On a gathering storm comes a tall handsome man
58:10In a dusty black coat with a red right hand
58:22His shadow is cast wherever he stands
58:26Stacks of green paper in his red right hand
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