Adivi Sesh, Vennela Kishore & Rahul Ravindran Hilarious Interview about #Dacoit Movie

Mana entertainment

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Transcript

00:00First of all, let's talk about this.

00:02First of all, let's talk about this.

00:03First of all, let's talk about this.

00:06It's going to be a release.

00:08Why?

00:09Why?

00:09Why did you say this?

00:10Why did you say this?

00:12He put a Sunrises t-shirt on Sunday.

00:14There is an LSG match.

00:15SRH-LSG.

00:16So, there is an ADS watch party here.

00:19I see.

00:20I'm looking at your tweets.

00:22I'm looking at Sunrises.

00:24There are many tweets.

00:25There are many fans.

00:27There are many fans tweets.

00:27There is a normal person.

00:29There are many fans.

00:31You can tweet a coach.

00:33There is a picture drive.

00:35There are grains.

00:37There is a topic in this data.

00:38Another topic in this data.

00:40There is a detail in detail.

00:41So, basically, you have to do SRS t-shirt.

00:43In this interview, you have to do SRS t-shirt.

00:48Basically, it's a sales t-shirt.

00:50By default, it's oversized.

00:52It's a topic.

00:53It's a youth topic.

00:54It's oversized.

00:55You have to do SRS t-shirt.

00:56That's right.

00:56I'm happy.

00:58In this interview, the main thing is that I'm talking about.

01:01What is it?

01:02I'm talking about two.

01:03Then, I'm talking about the first step.

01:06I'm talking about the first step.

01:07I'm talking about Instagram.

01:08There is one step.

01:09Oh no.

01:10I don't know.

01:11I don't know.

01:12I don't know.

01:13I don't know.

01:15There is a dance show.

01:16There is a lot.

01:17There is a dance show.

01:25I don't know.

01:26There is no space.

01:27We are taking it.

01:28It's a real step.

01:30No.

01:32No.

01:33I don't know.

01:38I don't know.

01:38You have to eat some day in the day.

01:40You don't have to roast me.

01:42You are roasting.

01:44You are roasting.

01:44What is it?

01:45Last month, I'm talking about the last month.

01:47I was talking about the last month.

01:49That's why it's like Jitu Rawal, he's got a health bar and he's got a job.

01:55That's right, Jitu.

01:56The four of us meeting, I think, is happening if Jitu had come, it would have happened after almost one

02:01and a half years.

02:02I was like, you know, we have a favorite restaurant.

02:06That restaurant is pretty good, sir.

02:08That's right.

02:10If you don't like that, you can call me.

02:12We have a phone, we have two hours, we have a phone.

02:19We have a phone, we have a shooting, we have a song, we dance.

02:24We have a dance, we have a dance, we have a dance, we have a real estate.

02:32That's why I gave you that exclusive interview.

02:35Let's do it.

02:37Let's do it.

02:38That's why you have to pay better.

02:39Hashtag RR4.

02:42That's why Manod is a star.

02:44A star?

02:45Pan-India star.

02:46But after girlfriend, you are different.

02:48Girlfriend, you are different.

02:49Oh, I think that's why Manod is decoyed.

02:52That's why I wanted to say, from national award-winning director.

02:57That's right.

02:58That's why we went to two years later.

02:59That's why I didn't help you.

03:01Okay.

03:01Two years later, Goudach had two IPNs later.

03:04That's right.

03:07Goudach had two IPNs later.

03:09That's right.

03:10I've got time for you.

03:11I've got time for you.

03:14I've got time for you.

03:15After you have the time for your film, we can check it.

03:18That's right.

03:19Now we have time to take our time and we can show that our girl friend.

03:23You are very careful.

03:24Sorry, man.

03:25What am I looking for?

03:26You don't know.

03:27You're in Delhi.

03:28You're in Delhi.

03:28You're in Sri Ramam.

03:30You're busy.

03:32You're busy.

03:32No, I don't think you're going to be able to play the game.

03:35I'm going to play the game today.

03:39Hopefully, the year-end and the beginning of the next year will start.

03:43G2 will finish as soon as it will be done.

03:45But, yeah.

03:46So, there will be some details.

03:47Why don't you tell me about the title and the title?

03:49I'm going to tell you, I'm going to register.

03:51But, yeah.

03:53The script is wrong.

03:53Cinema title is Dekot.

03:55Yeah, it's not that.

03:56Yeah, I'm going to talk about Dekot.

03:58I'm going to talk about Dekot.

03:59I'm going to talk about Dekot, Dekot and Dekot.

04:05Yes.

04:11I'm going to talk about Dekot and Dekot and Dekot.

04:15I'm going to talk about Dekot and Dekot.

04:16They are Fijian.

04:18So, there are Indians who got taken to Fiji 300 years back.

04:21Oh, yeah.

04:22So, Bhojpuri, Hindi, and Telugu-Tamil mix.

04:26I'm going to talk about Dekot as well.

04:28So, we're in a discussion.

04:31We have two different genres of songs,

04:32we have a hard- thinkers in each other.

04:36So they are like me.

04:38I'm going to talk about Dekot during Hindi.

04:40I'm going to talk about Telugu Hero.

04:42So we were working with Telugu.

04:45So we wrote it together.

04:48and

04:49Telugu dialogue

04:50I chose to choose.

04:53Obviously, Abur Ravigaru used to write.

04:55And that's how we

04:57put the film together.

04:59First, we did a take in Hindi.

05:01Mrunnal, Anra Kashyap, Sir,

05:03Mrunnal, Vilanthar, Vilanthar,

05:04and Mrunnal, Vilanthar,

05:07we did a share in Telugu.

05:08Hindi are a lot of people.

05:10He did a lot of people.

05:13He said

05:14that he would feel a rap in Hindi.

05:17Do you know?

05:18Yes, do you know?

05:19Do you know Hindi rap?

05:21No, he did.

05:22He did a little dance.

05:26I didn't get a little dance.

05:28I didn't get a little dance.

05:29How are you dancing?

05:32He was dancing.

05:35He was dancing.

05:36He was dancing.

05:38He was dancing.

05:40It was so much fun.

05:42He was dancing.

05:44He used to do it.

05:46He was dancing.

05:47He was dancing.

05:49He was dancing.

05:52He ate an inside joke and

05:54everything.

05:56No, I had an older son.

05:59He said,

06:00I'm not saying that

06:01I am not saying that

06:01I'm not saying that

06:03Sorry, you're coming back to Decoit.

06:05Yes, you're coming back to Decoit.

06:07So, you're coming back to Decoit.

06:09I told you.

06:12I told you.

06:16Yes.

06:16Actually, tell what you felt.

06:19Kishore, first of all,

06:21we had to cut off the first time.

06:22We had to cut off the first time.

06:23After that, we had to cut off the first time.

06:27You can call us in Delhi.

06:28First of all.

06:29I'll clarify.

06:31I'm doing a lot of work in a interview.

06:34I'm doing a lot of work.

06:35You're coming back.

06:36You're coming back to me.

06:38Correct. Sorry, sir.

06:42So, I was in Delhi.

06:44You were in Delhi.

06:45I was in Delhi.

06:46I was in Delhi.

06:47We were in Delhi.

06:49We were in Delhi.

06:50We were in Delhi.

06:53I was in Delhi.

06:55I was in Delhi.

06:57I got off in Delhi.

06:58But I didn't have to put this in Delhi.

07:01I sat in a hotel.

07:03I said to me, I was in Delhi.

07:04You're、 there were no way.

07:06So, come back to me, sir.

07:08I received a photo.

07:10You were in Delhi when I got out of a scene.

07:10You're in Delhi.

07:11You got a photo on the road.

07:13You got a single band on the road.

07:15This joke is not that you drive in traffic but you don't have traffic.

07:21You don't have traffic on the short cut.

07:25What happened to you?

07:27You don't have traffic on the road.

07:29You don't have traffic on the road.

07:30It's not that you're confused.

07:34It's true-true.

07:35You don't have traffic on the road.

07:36It's not that you're caught, you don't have traffic on the road.

07:41So, you're at an empty road.

07:43You're comfortable.

07:46I think we should call this interview, Coming Back To Dacoit.

07:51So, how was working with Murunala, Anharag sir?

07:56Actually, good.

07:59You know, there was one thing I realized.

08:03When I was in a serious scene,

08:05there was a lot of emotion.

08:08If there was a little more beautiful scene,

08:11regular scene or fun scene,

08:13she would be very happy.

08:14I realized that she actually internalizes the emotions.

08:17In the first scene,

08:19she was able to internalize the emotions.

08:23So, she was able to understand why she was serious.

08:25She was able to understand why she was serious.

08:27She was able to understand why she was serious.

08:28This is the first scene.

08:30Full method, proper.

08:33Not like all the way.

08:34She keeps the mood the same.

08:36Yeah, she keeps her mood.

08:37She would regulate her emotions based on the scene.

08:39That's a lot of,

08:42we're making a great film and feeling kind of matter.

08:44Yeah.

08:45More rascal.

08:46Internalizing and regulating the emotions.

08:49No, but in this film,

08:51we have to say something like this.

08:52We have to say something like this.

08:53We have to say something like this.

08:55Marunal,

08:56she's a kid in the film.

08:57Yeah.

08:57She's fantastic in the film.

08:59She has this gift.

09:02Some of you,

09:02when you're on the screen,

09:04you get emotional.

09:07She's a gift.

09:09She's incredible in the film.

09:10She's the heart and soul of the movie.

09:12And,

09:12I am so proud of you

09:14because I genuinely think it's your best performance in your career.

09:17I thought you were fantastic in the film.

09:19Starting starting,

09:20there are some doubts.

09:21No, no, no.

09:22We don't have a good style issue.

09:24We don't have a candidate.

09:25We don't have to do this.

09:27We don't have to do this.

09:28We don't have to do this.

09:30We don't have to do this.

09:3010 minutes into the film,

09:31I forgot,

09:32I'm watching one of my best friends.

09:33I forgot that,

09:35Mano did not do it.

09:36And,

09:36I think it's your best performance.

09:41I loved both of you in the film.

09:43And,

09:44this is...

09:44This is open to me,

09:46I said,

09:48Entrel Point and Climax.

09:51This is the end.

09:52Typical,

09:53I enjoy the release of every cinema.

09:56Every cinema,

09:58I will say that,

09:58I will give you a picture of the intro,

10:00but I will give you a picture of the climax.

10:02I will say,

10:04I will say,

10:04Sir,

10:05I will go to the restroom.

10:06I will say,

10:07I will say,

10:08I will say,

10:14I will say,

10:15What should I say?

10:16I will say,

10:17I will say,

10:18I will say,

10:19I will say pointers.

10:20You know,

10:21we are being honest.

10:21You know,

10:23In fact,

10:23I remember,

10:24to be honest,

10:25I will say,

10:26Kishore has watched it twice.

10:27I will say,

10:28I will say,

10:29he told me,

10:31he liked,

10:32the cut that we watched together

10:33much better than the previous cut.

10:35In the previous cut,

10:35we will say,

10:36I will say,

10:37to the point,

10:41we will see the points

10:42you will see the points

10:42of work.

10:44Why?

10:44you will see the first cut.

10:47Oh!

10:48Hey,

10:49my first cut is the first cut.

10:51That's right.

10:52You are so fine?

10:53You are so fine.

10:53No,

10:54the major is different.

10:56Yes,

10:57you can see the first cut.

10:58You can see the first cut.

11:00I don't want to check it out, but

11:02You are very conscious of your Jyupis.

11:05Is it a crazy thing?

11:06You are very conscious of your Jyupis.

11:10Because the way you watch a movie, you internalize it and you regulate it.

11:17I am the easiest audience to place.

11:20I am extremely forgiving.

11:21He also knows that.

11:22I don't have a point in cinema.

11:24You are having a TV show.

11:26Tell us if it's an interview for audience, you will hear about 3 movies,

11:29then you will hear something that you are called.

11:32You know what.

11:34You're they signing.

11:36There will be a movie as a villain.

11:38They are telling you who gave you back story to your dad,

11:41so you are going to know that you are the father.

11:43Why will I tell you?

11:46That's good.

12:03It is an outstanding interval block and it's that climax, full emotions happened, full.

12:14I think it's his best performance in his career as well.

12:20And Murunal man, he's already a fan but she's so good in the film and I'm so glad that the

12:28combination is happening again.

12:30Chinnu's voice on Murunal, I'm very happy for that. After Sita Ramam and Hainana, I genuinely loved how the two

12:38go together.

12:38Actually, Chinna 96 feels, she's also a voice in Telugu Murunal.

12:45And she's also a part of Rubaru song. So, it was a Chinna 360 wholesome moment.

12:50It was her voice in the film totally.

12:51Yeah, it's her soul in the whole film.

12:53Yeah, I loved it man. Both of you killed it man. Anurag sir is fantastic, Prakashrath sir is fantastic.

12:59I don't know. But main, one person I felt very bad about was that,

13:04And then, I don't want to ask for reals with a promise between the world and being a film.

13:10If you're not writing an interview, I have a movie.

13:12You're still not a film.

13:14When I lost my own time, I'm not a film.

13:17If you're not a film, I will always say that.

13:24It's easy to refuse.

13:27I'm not sure how much I was at...

13:28Look, why should I just play this role?

13:30I just watched it that it's very intense.

13:34They've played on her.

13:35What?

13:36I played on her.

13:39They've said that.

13:40I played on her and I was just like,

13:42did I say,

13:42and I did it and asked her.

13:46We were like,

13:47that's a nice sentiment.

13:49We talked about the same thing.

13:52Did you say to me right now?

13:53No, we didn't come out of the movie.

13:55It was so much fun.

13:55It was fun to be a manchie role,

13:58I thought you were just a good idea

14:02And I was looking back to the show

14:03and I was looking up with him.

14:03I thought you were a manchie role.

14:04If you were a manchie role,

14:09I would like to talk to him.

14:10I thought you were playing in play jail,

14:14but I did not have the role.

14:15I genuinely believe he was a manchie role.

14:17That was the right time, the actor asked him to stop the camera.

14:22He said, he decided to stop the camera.

14:24He's always on the left, he's working on the laptop,

14:28he's working on the right hand and he's working on the right hand.

14:32He's like, you're doing a lot of your friends.

14:34He's working on the right hand, and he's working on them.

14:37What is this?

14:38He's working on the laptop.

14:40As you can see, there's a lot more good acting range,

14:44What's the point?

14:45Let's talk about this.

14:47Actually, Kishore's right, what is the point?

14:51Thank you, thank you, thank you.

14:52When Kishore's climax, his character gets killed.

14:58So, let's talk about that.

14:59No, I'm not saying that.

15:01You can't say that.

15:02You can't say that.

15:04I'm not saying that.

15:05I'm not saying that.

15:08Kishore's face is not saying that.

15:09I'm not saying that.

15:10You're not saying that.

15:13You're not saying that.

15:14Why are you like saying that?

15:16I'm not saying that.

15:18I'm not saying that you're saying that.

15:20No, you're saying that you're saying,

15:21that's what I'm saying.

15:24I'm telling you.

15:25That's the important thing.

15:27You're not saying that.

15:30If you're not saying that,

15:30I want to talk about your question.

15:31But if the chance of signing that you're saying,

15:34well, it's not.

15:36While they're getting used to know that,

15:41So, I can't have a career in that career, but I can't have a career in that career.

15:45That's why I'm going to go in and direct my career in the career.

15:50That career in the career really goes to my career.

15:53He's a good actor.

15:54He's a good actor.

15:55You're a good actor.

15:56But I'm a girl friend and I've been looking for a career in the career.

16:00I've seen a lot of my career in my career.

16:04I'm a good actor in the career.

16:05I think, man, there's a huge actor in my career.

16:09That's how you're doing it. Why do you think of this?

16:12I think you're going to see it.

16:14Anything.

16:15Now, you're going to get the next G2.

16:18You're going to get the G2, but you're going to get the G2.

16:21You're going to get a relief.

16:24Why are you going to get it?

16:27If you're not G2, I'm going to get a full length role in G2.

16:33You can get a deco.

16:35No, I already said that

16:37this year and next year will be a big deal.

16:40You can see the role in Ravisay Shag,

16:42in the cinema.

16:43You can see the role in Ravisay Shag?

16:44You can see the role in Ravisay Shag.

16:46He's actually his elder brother in the movie.

16:48So, he's full length.

16:50I think he's younger brother.

16:52He's fitness.

16:54I'm shooting and I'm shooting.

16:56I'm shooting and I'm shooting.

16:59I'm shooting a slinky silk shirt.

17:01You can see the slinky silk hair and the cut.

17:05I'm shooting a slinky silk shirt.

17:08you're shooting everything in your face.

17:10You're doing everything.

17:12You're doing everything.

17:14The best thing is ongoing.

17:17I'm using the video,

17:20I'll be using it.

17:21I'm doing it.

17:22I'm using the producer for 31 crores

17:25and I'm using it to do it.

17:29I'm using it.

17:30No doubt.

17:31But it is...

17:32What is it?

17:33See,

17:34I realized the intent is that we work with many directors and crews.

17:40For example,

17:43the decoyed background score

17:44was done in the program in Sreecharan.

17:48At the same time,

17:50the trailer was done by Anand.

17:52He worked with Sreecharan.

17:54Now,

17:54he worked with Sreecharan,

17:57and he worked with his wife as well.

17:59Now, the thing is,

18:00the film is handling the film.

18:02The project logistics has a lot of man management.

18:05The delivery of time,

18:06etc.

18:08So,

18:08the talent is super.

18:10But,

18:10there is a work pattern.

18:13There is a lot of delays.

18:15And so,

18:17the talent has become

18:19and

18:19Shanil is first time directing.

18:21So, Shanil is a music guide.

18:23I don't know.

18:24I don't know.

18:27But,

18:27eventually,

18:28every time,

18:29bang on.

18:30So, eventually,

18:31that matters.

18:31So,

18:335 or 6.

18:35So,

18:356 hits in a row

18:35or 5 hits in a row.

18:37How much is it?

18:38I don't know.

18:40That's it.

18:41That's it.

18:42That's it.

18:43And I feel,

18:44I feel,

18:46Dekoyed is a little extra personal.

18:48You know,

18:49one of my best friends directing.

18:51And,

18:53you know,

18:53it was something that,

18:54you know,

18:55it was something that,

18:55you know,

18:55it was something that,

18:56you know,

18:57you know,

18:59Where,

19:00my custom,

19:01you know,

19:03but my custom,

19:04you see,

19:05why don't you give him an advance?

19:06So,

19:07there was a,

19:07there was like a sentimental reason for me wanting to make sure,

19:10you keep up the expectations.

19:11Right.

19:12And,

19:13you know,

19:14that's right now.

19:15And,

19:16that's why,

19:16you know,

19:17you're short in both.

19:20Short in both.

19:21In Canada,

19:21Junita,

19:23here,

19:24Bhojpur,

19:25she's a Pouncing superstar.

19:26She's Canadian.

19:27She lives in Canada.

19:28No, no.

19:29Bombay,

19:29but,

19:30you know,

19:30she's constantly touring,

19:31and,

19:32I don't know,

19:32it wasn't easy.

19:38Right, right.

19:38And,

19:39you know,

19:40getting Pouncinger to sing in Telugu.

19:43Right, right, right.

19:44You know,

19:45you dance in Telugu,

19:46and you dance in Hindi,

19:47you know.

19:48So, it was,

19:48you know,

19:50finally,

19:51I wanted to dance.

19:52That's right.

19:54That's right.

19:55That's right.

19:56So,

19:56how did you dance here,

19:57you know?

19:58You know,

19:58you know,

20:01there was one,

20:02auntie of mine.

20:04I was dancing,

20:05I was dancing,

20:07I was dancing,

20:08I was dancing,

20:09I was dancing,

20:11I was dancing,

20:12I was dancing,

20:15I was dancing,

20:16I was dancing,

20:19I was dancing,

20:20I was dancing,

20:21there was this sense that,

20:21he did it.

20:24And,

20:24I started,

20:25taking that in,

20:26even just in how I am approaching the film.

20:28So, I thought,

20:30let's shed all inhibitions.

20:32So,

20:33that shows,

20:34in the performance.

20:35But, it's a lovely, lovely song.

20:36In the cinema,

20:36you can't see it.

20:37If you don't have a song,

20:40you don't have a song,

20:41but you don't have a song,

20:43you don't have a song,

20:44you don't have a song,

20:45you don't have a song.

20:45Yeah, yeah, yeah.

20:46No, I'm saying,

20:46in the movie,

20:47our character,

20:47has a lot of inhibitions shed,

20:50and has a lot of conviction

20:51in the performance.

20:53I remember telling you also,

20:55when I walked out of the film,

20:55like,

20:57which is why I think,

20:57it's one of your best performances.

20:59I finally think,

21:00all, everything's been shed,

21:01and,

21:02it's just you genuinely,

21:03trying to be in the moment,

21:04and,

21:05and the intensity,

21:06landed beautifully.

21:07Yeah,

21:08and,

21:08I think the film means a lot to me,

21:10man.

21:10In this cinema,

21:13a lot of battle of the elements,

21:14because,

21:16Mount and Pine,

21:17set down,

21:17for the climax.

21:19Yeah.

21:19So,

21:22you know,

21:23like,

21:23I thought that,

21:24we have to make sure,

21:25that,

21:25we have to get it right.

21:27When,

21:27so much sacrifice has been made.

21:30It doesn't matter,

21:3145 degree heat,

21:32or climax shoot.

21:33So,

21:33it didn't matter,

21:34it didn't matter,

21:35different seasons,

21:36one and a half year shoot.

21:38So, it was just like,

21:39and,

21:40the sense that,

21:40you know,

21:41you know,

21:41oh,

21:42oh,

21:43right.

21:46Accident,

21:47sorry,

21:48leg fracture is anywhere,

21:49or something.

21:50Leg fracture?

21:50Decor shoot?

21:52Decor shoot.

21:53I was playing PCL,

21:55and,

21:55I was like,

21:57okay,

21:57Rahul got next film,

21:59and,

22:00I was like,

22:01you know,

22:01you have to play PCL?

22:03I have to play,

22:04it's a ligament.

22:05You're playing cricket?

22:06Quick single.

22:07Quick single.

22:08Wait a second,

22:09cricket is a beautiful sport.

22:13My team was a G2's team.

22:14Now,

22:15you have to play a single,

22:16and,

22:16what's it?

22:17Basically,

22:18COVID,

22:18I think,

22:19COVID lockdown,

22:21and,

22:21I think,

22:22second lockdown,

22:23and third lockdown,

22:24complete inactivity.

22:26So,

22:26we have to play lockdown.

22:27We have to play,

22:28we have to play,

22:28we have to play.

22:30Even though we know,

22:31we have to play,

22:31we work with.

22:33We have to play,

22:33the lack of activity.

22:34The fitness is to maintain,

22:36so,

22:37that is,

22:37you are gifted,

22:38like,

22:40What am I doing?

22:43It's not a good...

22:43I've been there,

22:45we have to play,

22:46and,

22:46we can play together,

22:47and we're going to play together.

22:49Oh,

22:50a lot of hot hot hot hot hot.

22:53I mean,

22:54something to do with hot hot hot hot.

22:56You are good to do with hot hot hot hot hot,

22:58No one knows you don't admit it.

22:58Yeah it's always a joke when there's the exaggeration.

23:02You're like almost 16 roti's.

23:03That's the usual roti.

23:0516 roti's?

23:07You don't even have to go out to you.

23:09If I'm young then...

23:11I'm a kid, I'm 20 minimum.

23:12I'm a type of old man, so I'm like someone I thought

23:15and told him, like, hello, maaam, mama, how are you?

23:19and then went and said,

23:20so that's one more, one more,

23:22I'm 3 million roti's.

23:23So in your 20s and all, it used to be...

23:25Imagine, 17 roti's I guess...

23:2720-25, easily.

23:30I told you, there are a lot of trainers.

23:33If you have a customer's video reel,

23:35you can't do it, you can't do it.

23:38You can't do it, you can't do it, you can't do it.

23:41You can't do it, you can't do it.

23:44I need to have one quarter cup coffee, black coffee at this time.

23:47I need to have a body at this time.

23:49I need to have a little bit of a biryani, next job.

23:51Mom, I think there are a lot of disciplines, man.

23:53I don't know.

23:55You can go to elsewhere.

23:56I can imagine that a hero,

23:59because he has a lot of fit in the director,

24:01and he has a little weight gain.

24:02What did he say?

24:03No, I can totally imagine it.

24:06I can totally imagine this would have happened, yeah.

24:11And if we look at the cinema,

24:13it's better being, it's better shape.

24:15That's impossible.

24:16Why did you say that decoy juice?

24:19I said that this is a beautiful thing.

24:23I loved it.

24:24I think it's better than it is.

24:26If it's a climax, it's better than it is.

24:28It's better than it is.

24:30I think especially not.

24:31I think it's better than it is.

24:32The previous cut,

24:34it's better than it is.

24:35The range of cinema is a lot.

24:38It's better than it is.

24:39It's better than it is.

24:41It's better than it is.

24:42It's better than it is.

24:43Almost always film,

24:44I can watch films,

24:45I'm still a first audience.

24:46Yes, my films also mostly you guys end up watching.

24:49Why would you get a girlfriend?

24:49A girlfriend is at the same time?

24:51Well, you are busy.

24:51I showed him.

24:52A girlfriend is released,

24:53and someone would give you a ticket.

24:54I showed him?

24:55You didn't show him to the cinema?

24:57You were just bullshit?

24:58Choo, sir.

24:58Choo, sir?

24:59Yes, I heard.

25:00I think it's better than it.

25:00A girlfriend is a choo, sir.

25:01Can you tell me?

25:01I don't want to say anything.

25:04I can't tell you.

25:06You're bound to that professor role.

25:08What?

25:09You're bound to that professor role.

25:10See?

25:12You can't even see him in the movie.

25:15I showed him. I showed him the movie but yeah, your films, I think, without fail, I'll see him in

25:20the movie.

25:21It's also because you're like my temperature barometer.

25:24That's why...

25:25What's the temperature?

25:27Do you have any subtitles in this interview?

25:28Do you have any subtitles in this interview?

25:30No.

25:31Too many technical terms.

25:33Do you have a PCL tear?

25:35Do you have ACL?

25:36Do you have ACL here?

25:37Do you have PCL?

25:38Anterior, posterior.

25:40Anterior cruciate ligament and posterior cruciate ligament.

25:44I think.

25:45I'm not sure.

25:46I'm not sure.

25:47I'm not sure.

25:49Hamstring grade to 10.

25:51So, I was just very nervous about showing you guys the movie.

25:55I'm not sure.

25:56I'm not sure the movie is coming back first.

25:57I can't do anything.

25:59I feel like it's like that.

26:00So he's not sure how he's coming back.

26:00I was like, okay.

26:02I'm sure.

26:03Shis, at least, there's some better people.

26:05I'm sorry.

26:06Luckily, so far, every film he showed us we've liked.

26:09This cinema is not only a Christian.

26:12Did you see him?

26:13I didn't see him.

26:13He was showing Prats cinema.

26:14I think, in the early days we haven't shot the film.

26:17I am.

26:17I saw it separately and I saw it separately.

26:19I saw it separately.

26:21I don't think he was there. Major Goudachary.

26:23Kishore saw Night of Release.

26:26Oh.

26:26In fact, it was previously.

26:28Oh shit.

26:29I saw a lot of early versions in this edit.

26:32I remember.

26:33When I saw Goudachary 2, I saw it.

26:36But next day, I went to Austin,

26:38I didn't know what to do.

26:40I saw Goudachary 2.

26:41I saw Goudachary 2.

26:43I saw Goudachary 2.

26:45I saw the master's will.

26:47So, I saw it.

26:50I saw it.

26:52I saw it.

26:53I watched it.

26:54I saw it.

26:56I saw it.

26:59I saw it.

27:07What is the feeling?

27:09What is the feeling?

27:11I saw it.

27:13I saw it.

27:15I saw it.

27:17I saw it.

27:18I saw it.

27:19I knew it.

27:20I saw it.

27:22But I thought it couldn't write ok.

27:23But that the manifestation made me feel for уверgetable to me.

27:25And if I was in some Bloom's Health

27:26I would say,

27:28I saw it.

27:31And then I saw it.

27:31So, we saw it as a person.

27:33That is useless in me.

27:36And so the people who had the feeling.

27:38That mindset said that if they were in you

27:40humane,

27:41even if we knew we were genuinely probiotic,

27:41this is really hard.

27:42I think it's important to be our target audience.

27:44And to say, there is ability to get the ability to get the ability to get the ability.

27:51I'll give you an example.

27:53I'm going to narrate downstairs to the neighbor.

27:56I'm going to tell you,

27:58but I don't know.

27:59We're going to be a hero.

28:01We're going to be afraid of what we're going to do.

28:03I'm going to narrate downstairs to the neighbor.

28:05He's going to be in Dubai.

28:06So he came for vacation and he's going to be like,

28:09saying,

28:12I don't know what's happening here.

28:13I'm going to be a b yer.

28:17I'm not that you're a bier.

28:19I'm not even that.

28:20A lot of tension in this film.

28:23I say, what's happening or what's happening?

28:26I should respect it.

28:28He's going to be a bit of tension.

28:30I was like, I never thought.

28:32So, you don't know how to give or how to take it,

28:39Take this type of thing.

28:41I'll tell you one thing.

28:42Luckily, you're making good films and I'm able to tell you that I like it.

28:45Truth is, I will be biased.

28:48I will like anything you make.

28:50So, it is very difficult for me to watch a film of yours and objectively tell you that

28:54I do try to be as objective as possible.

28:56But I don't want to say that I'm not going to be able to show you the film.

29:00So, please keep making good films.

29:02I have a conviction in this situation.

29:04When I saw you, I saw you as a officer.

29:10You saw the first cut?

29:12No, he saw the cut with me.

29:15That was the third cut.

29:16So, I was dead against the JLC comedy.

29:21When Rahul got hit, it was a big deal.

29:24I didn't want to be able to shoot it as usual.

29:29It needs to be reshotted and it's urgent.

29:31I didn't want to be able to shoot it.

29:32It's okay.

29:33When he released it, he got hit, then the next one day, I'm going to shoot it.

29:38People are loving the JLC.

29:40So, he has this way of disproving us.

29:43I am not trying to disprove anybody.

29:46But eventually, I will tell you something else.

29:48What is it?

29:49If you tell me, I will tell you something else.

29:51What do you need?

29:52Bro, girl.

29:54But if you tell me about your judgment, I'll tell him why.

29:56Why?

29:58After everyone else, Rahul's judgment.

30:02Oh, you're not a-

30:03That's at all right?

30:04I also think about it.

30:06So, yeah.

30:07He was a judgement, he was a hit, he was a blockbuster,

30:12and he was a guy who was a guy.

30:14When I was playing, I didn't play any footage.

30:18I was like, you're a second draft, third draft?

30:21If you win the first draft, I think his third draft, I got a narration from him.

30:24I don't know if you've taken the narration.

30:26I'm very seriously telling you now, in front of the camera, I'm saying,

30:31that narration, even if he's able to go execute it to 80% of that narration he gave me,

30:37cinema, I think it's better for a figure.

30:40For me, as you said, the metric is never money.

30:44Correct, it shouldn't be money, I agree with you.

30:45It should be minimum, maximum money.

30:47Correct, I agree.

30:50It should be, is the producer safe?

30:53Yeah, that is important.

30:54And did the film make people feel great?

30:58Yeah.

30:59And when you and Kishore were walking down,

31:04you said the expression, that was like,

31:08you may be a national award, this gundella fillet.

31:12Yeah.

31:13I don't know.

31:14I don't know.

31:15What was the national award?

31:17Yeah.

31:19That's right.

31:20I don't know.

31:21I don't know.

31:24So overall,

31:25Stick to the topic.

31:27Coming back to Decoit.

31:28Decoit releasing on 10th.

31:29Yes.

31:30Decoit releasing on April 10th.

31:31And,

31:33Adivisesh performance again,

31:34and Ronald Haak's performance again,

31:36and so on.

31:37You can choose the cinema.

31:40Final RR and sound effects.

31:41You can't see dummy RR and sound effects.

31:43And you can choose the version.

31:45Interstellar music,

31:47Dark Knight music,

31:48and you can choose the first,

31:52Adripoyan cinema.

31:54We loved it.

31:54And I'm sure people in theatres are going to love it even more.

31:58And so,

31:59I made the narration like a decoit.

32:03So, I don't know the first cinema.

32:04The first cinema is not the only way to choose the narrative surprise.

32:10You can't see the audience as well.

32:13I don't know.

32:14I think you.

32:16Most importantly,

32:17Secondly, our favourite Supri, Marunal, Shanil, Anurag sir, Prakashrath sir, Sunil sir, yes, all of you all, the whole team,

32:28Bhims, all of you, a blockbuster film and can't wait to watch it in a theatre with the audience, so,

32:36yes.

32:36Thank you, thank you, everyone.

32:38That's it, you finished it.

32:39Yes, good.

32:40Now, can you go to lunch for lunch?

32:42Hey, how long are you going to do it?

32:43And if you go to lunch, don't you go to lunch?

32:46I was back in the entire room.

32:49Thanks, Rory.

32:50So, it's not the same thing, it's not the same thing, but I think I'll go to lunch.

32:55You can go to the next chapter, chapter 2.

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