- 1 day ago
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Short filmTranscript
00:00TARAK MEHTA KA ULTA TASHMA
00:10Namaste, Roshan Babi.
00:12I didn't disturb you.
00:14Namaste, but I didn't know you.
00:17You don't know me, but I don't know you.
00:20Actually, I'm a dancer from Daya Ben.
00:23I'm selling perfumes.
00:25And today, I got to show some perfumes to Daya Ben.
00:28Oh, how sweet.
00:30Now, Daya Babi is a Haley.
00:31Yes.
00:32Please come.
00:34Come.
00:41Actually, what is it that Daya Ben was going to come with?
00:44But, Cheta Bhai's phone came from the shop and she called the shop.
00:49But, Daya Ben told me that her friends are very good.
00:53So, I went to myself.
00:55But I'm sorry, Pammi.
00:56I can't take perfume from you.
00:58Roshan has a good perfume every month.
01:02So, my perfume collection has become much more.
01:06So, I'm extremely sorry.
01:08Roshan?
01:09Then, what is your name?
01:11Roshan.
01:12Roshan Singh Sodhi is his name.
01:14You mean Roshan and Roshan?
01:15Roshan Singh.
01:17Roshan Singh.
01:18Roshan Singh.
01:28Roshan Singh.
01:31Roshan Singh.
01:59Roshan Singh.
02:03How do you get a perfume then?
02:10Aham, Roshan Singh.
02:15Nice smell.
02:16Ah, okay.
02:19Okay.
02:22Okay, I have a little bit of anger.
02:24Sorry.
02:27Nice smell.
02:37Something's happening.
02:38Now, you're getting tired, brother.
02:41What was this spray?
02:43I said, no, baby?
02:44This is a killer perfume.
02:58Yes!
03:02Yes, Vicky.
03:03Tell me.
03:04What's going on?
03:05Oh, two wickets down.
03:07What?
03:08Two wickets down?
03:09What are you playing cricket?
03:11Oh, Duffer.
03:12Two wickets.
03:13Madhavi and Roshan.
03:15Oh, good.
03:16Did Roshan have a collection?
03:17No, no.
03:18Roshan and Bhabi have a collection.
03:20After that, the doctor will take care of it.
03:22Okay.
03:22Let's keep up.
03:23Okay, okay.
03:24Bye.
03:24Bye.
03:45Bye, Roshan.
03:46Bye.
04:15Bye, Roshan.
04:43Thank you so much.
04:48This is a very good pregnancy, let's try it.
04:51Yes.
04:51Hello, Kumail Baba.
04:56Where is this coming from?
04:58And this is Vicky.
04:59She didn't alert me.
05:01Mrs. Wagumare, come here.
05:03Dr. Hathi, I was going to take a drink of Satsuma.
05:06Oh, we are going out.
05:08Let's go, no.
05:09I will come back again.
05:11Thank God.
05:12She is going.
05:13Come on, Mrs. Wagumare.
05:15You are always going to stay early.
05:17Sit down this minute.
05:18Come on.
05:19Oh, God.
05:20I am going to take a breath of tension.
05:22I am going to take a breath of tension.
05:24Come here, come here.
05:25Let's go.
05:27Sit down.
05:28Sit down.
05:29This is Daya Baba's right.
05:30She is selling perfumes.
05:31Hello.
05:32Tell me both of you.
05:33I am going to take a drink of coffee.
05:35No, no, no.
05:36I don't have coffee.
05:37I am going to drink coffee.
05:39You know, Komal Baba makes great coffee.
05:42I am going to drink coffee.
05:43Ah, good.
05:45So, which one?
05:45Black coffee or strong coffee?
05:47Strong coffee.
05:48That's the spirit.
05:50Ahaha.
05:50Ahaha.
05:50Ahaha.
05:51Ahaha.
05:52Ahaha.
05:53Ahaha.
05:53Ahaha.
06:03Ahaha.
06:12Ahaha.
06:14Ahaha.
06:15Ahaha.
06:38Ahaha.
06:39And this perfume will remain a lifetime.
06:42Okay.
06:44This is the original jasmine.
06:45Let's try this.
06:48Give me another hand, because it will be mixed, so I don't understand.
06:51Right, right.
06:55Let's sing with your mouth.
06:57Yeah.
06:59Let's try it too.
07:00No, it's okay. It's the original jasmine.
07:03Okay.
07:04Try it?
07:06Let's try it too.
07:15Let's try it.
07:16Let's try it.
07:17Let's try it.
07:17Let's try it.
07:18Let's try it.
07:26Yes.
07:27What is this?
07:29What is this?
07:32This is not a perfume.
07:34This...
07:37This is not a perfume.
07:51This is not a perfume.
07:57This is not a perfume.
07:59You're the one who's the only one who's the one who's the one who's the one who's the one.
08:01Kumal ji.
08:11Each one, each one, each one...
08:15Chee, you're a little bit.
08:17You have so much money.
08:36Bye, Komal Ji.
08:44Hey, hello Mona.
08:46Hey, what? How are you watching?
08:48A lady was doing a doctor's hand, you couldn't inform me.
08:52Hey Mona, darling, I had a phone for you to inform you.
08:55But you didn't see her phone.
08:56What was her phone, Vicky?
08:57If you don't see her phone, then you can go alone, right?
09:00I'm going to get angry.
09:02Sorry, Mona, stop the doctor.
09:03Tell me about the work or not.
09:05Yes, yes, it's been done.
09:06I had both of them.
09:07Very good.
09:08Don't do much time pass.
09:10I'm here, my heart is going fast.
09:13I know, I know.
09:14Tell me about this, who will go to the house?
09:16Mona, you have to go to the house, but go.
09:19Okay, okay.
09:22So I'm Vicky, I'll go to Babita's house.
09:24Okay?
09:25Okay, bye.
09:26Bye.
09:40Oh, no, I think Babita is going to go out of the house.
09:43What can I do?
09:45What can I do?
09:49Hi.
09:51Good morning, Babita.
09:52Hi, good morning.
09:54Sorry, I didn't know you.
09:55Yes, actually, Daya Ben had given me your reference.
09:59Okay.
09:59I'm her friend.
10:01Okay, okay, come here, please welcome.
10:04Please, under eyes.
10:06Come, please, half seat.
10:08Hi, sit here.
10:11Puli, what was your work?
10:14Yes, actually, I sell perfume.
10:16Yes.
10:16Daya Ben bought me five perfumes.
10:19And she was saying that Babita's perfume is a very good person, so let me show you.
10:24Okay.
10:25Actually, Daya Ben was coming with me.
10:27But, Jethabai's phone came with me, so she had to go to Gada Electronics.
10:32Oh, yes.
10:33How do you like these perfumes?
10:36Strong or mild?
10:38Yes.
10:39Actually, I use some particular brands of perfume.
10:43I'm so sorry.
10:44Oh, okay.
10:46But, let me try this one too.
10:49This is also very good.
10:50Yeah, I know.
10:51But, what is it that I use particular brands of particular brands?
10:55Otherwise, I'm so sorry.
10:57I'm so sorry.
10:58I hope you understand that.
11:00Yeah, I understood.
11:01That's true.
11:02Ah.
11:03Well, Daya Ben was saying the truth.
11:05What?
11:06It's true that Babita Ji is so beautiful,
11:10and the heart is so clean.
11:11I mean, what is in your heart, that is in the sky.
11:16What is saying is the truth.
11:18I appreciate your attitude.
11:21Thank you so much.
11:23Ah.
11:24Well, Babita Ji, I'll tell you something.
11:25Mm-hmm.
11:26You have beauty with brain.
11:29Why don't you try modeling?
11:32Okay.
11:33Ah.
11:34Thank you for your compliments.
11:36Actually, I don't know where to go now.
11:38I'm in a little bit.
11:39Okay?
11:40Okay, okay.
11:40No problem.
11:41Ah.
11:42I'll take one minute.
11:44Ah.
11:45What is it that you always use branded perfume?
11:48And I sell homemade perfume, right?
11:51Yes.
11:52So, you try this perfume and tell me
11:55what can be a betterment.
11:58If you have enough knowledge,
12:00it will be helpful for me.
12:02Okay.
12:03Yeah, why not?
12:04Let me try it.
12:05Thank you so much.
12:07Should I?
12:08Yeah.
12:08Uh, yes.
12:33It's amazing.
12:36What else do you need to do?
12:37What else do you use whilst you have to do?
12:38Oh, yes.
12:38What else do you have to do?
12:38Oh, yes.
12:55Bye, beautiful.
13:07Well done, Mona.
13:09Listen, it's enough time to complete the mission, okay?
13:13Yes, yes, Vicky.
13:14Okay, I'm going to go to Anjali Mehta.
13:15Yes.
13:16No, no, no.
13:18You first go to Daya's house.
13:19Why?
13:20I'm not going to go to Anjali Mehta.
13:21I'm going to go there.
13:23I'm going to go to Anjali Mehta.
13:24Go to Anjali Mehta.
13:24His house is in compound.
13:26If there's anything wrong, it won't be easy to run.
13:28Yes, yes, yes.
13:29So, okay.
13:30I'm going to Daya's house.
13:32But Vicky, it's a lot of money.
13:34It's a great house.
13:35It's a great deal.
13:36Right?
13:36Yes.
13:37But take care of yourself.
13:39Okay?
13:39And the mission is to complete the mission.
13:41Because no one can come here.
13:43Yes, yes.
13:43It's a lot of time.
13:44Okay, I'm going to go.
13:46All the best.
13:47Okay?
13:47And yes.
13:48The Daya, as much as you speak,
13:49I'm not going to go to Anjali Mehta.
13:52I'm going to go to Anjali Mehta.
13:53I'm going to go to Anjali Mehta.
13:54Yes, I'm going to go to Anjali Mehta.
13:55Okay, come on.
14:06Hello.
14:08Hello.
14:09You are Daya Ben Gada?
14:11Yes.
14:12Do you know me?
14:14Yes.
14:15I'm from Anjali Mehta.
14:16I'm from Anjali Mehta.
14:17And I bought a paper in his house.
14:19Okay.
14:19It's an Anjali Mehta.
14:21Yes.
14:22Come on.
14:23We'll talk about it.
14:24Come on first.
14:25Yes.
14:29Come on.
14:30Sit here.
14:33I'll help you.
14:35Sit here.
14:38What's your name?
14:40Yes.
14:40My name is Naina.
14:41And I'm selling perfumes.
14:43Oh.
14:44You're the same as the Anjali Mehta.
14:47What do you mean?
14:48I mean?
14:49I mean, Anjali Mehta, Aachar, Papa, and they all sell.
14:51And you sell perfume.
14:53I mean, you both do business.
14:55Right.
14:56Right.
14:57Actually, I went to Madhavi's house.
14:58I gave her perfume.
15:00So, she told me that Daya Ben also show me the best perfume.
15:03No.
15:05Look, Anjali Mehta,
15:06I've never told you about it.
15:09Oh.
15:11Oh.
15:12Oh, how are you?
15:12How are you?
15:13You all tell me a lot about it.
15:15Daya Ben Vesey,
15:16Roshan Bhavi,
15:17Anjali Ji,
15:17Babita Ji.
15:18Oh, wow.
15:19I'm calling you now.
15:21Who are you calling?
15:22Your sister.
15:23Oh, no.
15:24Don't call her.
15:25Why?
15:25Oh, she went out for the delivery of Puppets.
15:28Oh.
15:29Okay.
15:31No, I'll call her with her.
15:33And I'll call her.
15:34Why?
15:35Oh, she told me about it.
15:38Now, if it happens,
15:39how will my perfume look like you?
15:41That's right.
15:42Okay.
15:44Let's see.
15:44I'll show you the perfumes.
15:46No.
15:47Huh?
15:48What's going on?
15:48Oh, she's a baby man.
15:51She's a baby man.
15:51She's a baby man.
15:52She's a baby man.
15:52She's a baby man.
15:53She's a baby man.
15:54She's a baby man.
15:55She's a baby man.
15:57Oh, honey.
15:57No,хЗ║ven.
15:58Now, we have a lot of tea,
15:59some tea here.
16:01What did your tea tea tea tea tea tea?
16:04No.
16:04No, I don't know about to exist here.
16:06On the top of your tea tea tea tea tea tea tea tea,
16:09you put tea tea tea tea tea tea tea tea.
16:10Draven, please!
16:11because i'll keep it
16:12you can just beчРЖшзг of it.
16:18I will not let you go to the bathroom.
16:20Madam, let me see the perfume.
16:23Then I will not let you go to the house.
16:25I will not let you go to the mangal sutra, kangan, chumke.
16:28I will not let you go to the bathroom.
16:30What happened?
16:31What are you thinking?
16:33No, let me see the perfume.
16:36Who is this?
16:40Hello?
16:41Yes, I am going to the bathroom.
16:44What?
16:45Are you at home?
16:45What?
16:47But why?
16:49Huh?
16:50Oh, oh.
16:51I am very excited to see a new house.
16:53You will always be like a child.
16:58Come on, come on.
16:59Come on, come on.
17:00Huh?
17:02Huh?
17:03Society has reached the company.
17:06Look, the company has reached the company.
17:09Come on, come on, come on.
17:12Huh?
17:12Oh.
17:13Tappu-ki-papa is here, right?
17:14They don't come to the house at home.
17:16I don't know why.
17:19Why?
17:19Society, you are coming.
17:21Why are you coming?
17:22Why are you coming?
17:23Oh, you are coming from the bathroom.
17:25Society hasn't been sent to them here.
17:27And what is Tappu-ki-papa?
17:29If they like the bathroom once again,
17:32they will buy all of you.
17:36Why are you coming from the bathroom?
17:40Why are you coming from the bathroom?
17:41One minute.
17:41I will see you in the balcony.
17:43Yes.
17:52Come on.
17:53Hello, Vicky.
17:54Where are you from?
17:55Where are you from?
17:56Where are you from?
17:56I know Jeta Lal is coming to the company.
17:59What?
18:00Jeta Lal?
18:01Jeta Lal is coming to the company?
18:03How are you from the company?
18:04Come on, I'll see you.
18:06Yes.
18:11Let's go.
18:29Let's go.
18:35That's it.
18:38Where are you, Papa?
18:42No one can't see anything in society.
18:44What? It's not in the comfort zone?
18:48In the comfort zone, there is one,
18:50a dilly pantol,
18:52which is always up and down.
18:55Brother!
18:57Brother!
18:58Listen to me!
19:00Have you seen Tappu's dad?
19:02I'm also looking at him.
19:04Why are you looking at Tappu's dad?
19:07Who is Tappu's dad?
19:12I was looking at the knowledge of Nandan Man Society.
19:18I think I'm coming to the wrong society.
19:22This is the Gopalheim Society.
19:24The Nandan Man Society is coming.
19:25Oh!
19:26Oh!
19:28Thank you!
19:36Hello!
19:37Tappu's dad!
19:38Where are you from?
19:40Where are you from?
19:41I'm not showing you.
19:42I'm a man.
19:43I'm not a man.
19:45I'll show you two or three places.
19:48What do you mean?
19:49What do you mean?
19:56Where are you from?
19:57Where are you from?
19:58Keep your attention.
19:59Yes!
20:00Yes!
20:01Oh!
20:02Tappu's dad is in Godown.
20:06Oh!
20:07Why did you say that you are in the society compound?
20:09Oh!
20:10Oh my god!
20:11I was joking with you.
20:13Oh!
20:14But you said that you are in the society compound.
20:17I'm very happy.
20:17It was just a lie.
20:18No one does this.
20:19No one does that.
20:20Oh god!
20:21They are in our knowledge to our knowledge.
20:24Do it, Mazaak.
20:25You will be a little while later.
20:28Hello.
20:29Don't be a tension.
20:31Yes.
20:32Do it with attention.
20:34Okay.
20:35What happened?
20:37Who is taking attention?
20:39Look at my son.
20:45Oh!
20:47Is it a boy?
20:49Yes.
20:50Wow!
20:51You don't see me.
20:55Hello?
20:55Daya?
20:56Yes.
20:57Yes.
20:57Yes.
20:57Hello.
20:58Yes.
20:59Yes.
21:00I'm so sorry girl.
21:02Youjust them.
21:07Yes!
21:07Where are you, Frau?
21:09It's my daughter.
21:10Did I go like a man?
21:13Yes, Ms.
21:14Come here.
21:18Yes, listen.
21:18You can go to a child...
21:20And...
21:20There's nothing to do...
21:22Oh!
21:24Tell me...
21:25I'll do nothing but you...
21:29Don't worry...
21:30He was talking to us about pop-hum, so he was talking to us with him.
21:35Yes, I know.
21:37How did you know that Nana Ben came to pop-hum here?
21:41God, I didn't know anything about that.
21:44I was talking to him now.
21:47I realized that Gokul Dhamki has come to us.
21:50No, no, no.
21:51No, no.
21:51No, no.
21:53But Gokul Dhamki has come to us.
21:58That's why Nana Ben came to pop-hum.
22:02This husband is giving such a shock.
22:04He doesn't have heart attack.
22:06Don't let me take them two days.
22:12Our room will become romantic.
22:16Just do it.
22:18How do you want to pop-hum?
22:19You will understand the Nana Ben.
22:21I will give them a phone.
22:23No, no, no.
22:24Don't call them.
22:26Don't call them.
22:27I won't call them.
22:28I was talking to you.
22:32My Luchi Lal Gulab,
22:35is hiding in my mouth.
22:38Oh, what's the matter?
22:40Papa,
22:41you're calling me a new name with a new name.
22:45I was thinking about you.
22:48I was thinking about it.
22:49I was thinking about it.
22:51So, I thought,
22:52I'll call you and tell me.
22:55Okay, you're buying a perfume.
22:57He'll be late for her.
22:59Yes.
22:59Come on.
23:00Come on.
23:01Come on, my full-dumni.
23:04Come on, brother.
23:06Come on, brother.
23:08Sorry.
23:09I'm sorry.
23:10I'm sorry.
23:10I'm talking about the phone.
23:11I'm talking about the phone.
23:12No, I'm not.
23:13Okay, I'll show you my perfume.
23:15Hmm.
23:16Phone is coming.
23:17Today, Papa is a lot of phone.
23:21Say, Papa,
23:23Mom!
23:25Mom!
23:27Mom!
23:29Mom!
23:31Mom!
23:32Mom!
23:33That'll help me!
23:36Want an awesome drink in these 1911 and 1936?
23:39Why!
23:40May he will this!
23:42No, we have to add an watermelon sauce!
23:45I'll spend a dozen Chanel.
23:49But one?
23:51Well?
23:59I'm the goddess.
24:02Yes, Multimalsi.
24:04Yes.
24:05No, no.
24:06What is that?
24:08That's my dad's sister.
24:11Okay.
24:12My sister is also like this.
24:15Same?
24:15Yes, one more.
24:17Don't do it.
24:19Yes, Multimalsi.
24:21Yes.
24:22Yes.
24:33No control.
24:34If you have a problem,
24:35then stay quiet.
24:38Yes, we will go.
24:39We will go.
24:40Yes, a little bit.
24:44How long have you been to my mother?
24:48Okay.
24:48I've been to my mother.
24:49I've been to my mother.
24:51Yes, I've been to my mother.
24:52Yes, I've been to my mother.
24:53Yes.
24:57Sorry, I'm sorry.
24:58I've been to my mother.
25:01I've been to my mother.
25:02No, no, no.
25:04Okay.
25:05Now, I'll show you the perfume.
25:07Yes.
25:09Look at this.
25:10It's very good.
25:13It's very good.
25:14No, no, no.
25:16What happened in the perfume?
25:18What happened?
25:19It's because my hair is filled with the perfume.
25:24I don't know.
25:26You mean, allergy?
25:27Yes, allergy.
25:27Yes, allergy.
25:30Okay.
25:31No.
25:32I'll keep it.
25:33Yes, I'm sorry.
25:39What do I do?
25:40What do I do?
25:41What do I do?
25:41What do I do?
25:43What do I do?
25:44What do I do?
25:45What do I do?
25:49What do I do?
25:50What do I do?
25:50What do I do?
25:51What are you thinking about?
25:52Yes.
25:53I'm saying that
25:54all these perfumes are good.
25:57I'm sorry.
25:58Just listen to me and let me tell you...
26:00You won't have any any situation.
26:01I promise.
26:02No, no, no.
26:03Forgive me.
26:04What's the cheat for her?
26:05She keeps the perfume from two or three days.
26:11She will have no perfume.
26:13Okay, okay.
26:17Oh my god, don't be afraid of you.
26:20Just do one job.
26:21I'll give you three puffs.
26:24I'm going to buy it.
26:26Oh my god.
26:28How do you smell this perfume?
26:31What happened? Why are you in tension?
26:33No, no, Revan.
26:34There's no tension.
26:35I'm just thinking,
26:37look, how many people are saying.
26:38Without a doubt, you're going to take me perfume.
26:40Oh, it's like a girl's style.
26:43So, we'll take a reasonable perfume.
26:47So, there's no tension.
26:49Yes, that's right.
26:51Oh my god.
26:52How many are you going to buy three puffs?
26:54Oh my god.
26:55What do you want to buy 1,200 rupees?
26:57Don't worry.
26:58I'll take the money.
26:59I'll take the money.
27:01No, no, no.
27:02Where are you going to run away?
27:03You're going to leave.
27:04Don't worry.
27:05Okay.
27:05So, until then,
27:06let's do a little while.
27:08That's right.
27:10Yes, yes.
27:12So, where are you going to be?
27:15Yes, Bori Vili.
27:16Oh, where are you going to be in Bori Vili?
27:17Where are you going to be in Bori Vili?
27:19Yes.
27:20Where are you going to be in Bori Vili?
27:20It's on Nagaradas Road.
27:21That's right.
27:23The Nagaradas Road,
27:25there's an adhiri, right?
27:28Yes.
27:29Yes.
27:29There's an adhiri.
27:30What is it?
27:32It's in my mother's adhiri
27:33and in Sassural Bori Vili.
27:34Okay.
27:36Okay.
27:37Okay.
27:38So, what does your husband do?
27:41Yes.
27:42He's in the Share Bazaar.
27:43Oh!
27:45Is there a share?
27:47No.
27:48No.
27:49Share is not.
27:49Share.
27:50Bazaar.
27:52I don't know.
27:53I don't know.
27:54I don't know.
27:55I don't know.
27:55I don't know.
27:56I don't know.
27:57I don't know.
27:57Okay.
27:58He keeps paying for money.
28:00Okay.
28:01What do you like?
28:03Gahni.
28:05I also like gahni.
28:07Same.
28:08Same.
28:08Yes.
28:09And?
28:10I also like making food.
28:12Oh!
28:14I also like making food.
28:15What the hell?
28:17Oh!
28:17What happened?
28:20What happened?
28:21You told me,
28:22after a while,
28:23you had to give it a little.
28:24It was a little while ago.
28:26I took it.
28:27I took it.
28:28I took it.
28:29I took it.
28:30I took it.
28:30I took it.
28:32Okay.
28:33We're doing one thing.
28:35We've been doing this new house.
28:36You can take it in the mood.
28:39You can take it.
28:39Just a little.
28:40You will have to eat.
28:41I'll take it.
28:42But...
28:42Take it.
28:44Take it.
28:45Take it.
28:46Take it.
28:49This is a big bag.
28:50I'm not getting dirty.
28:52What can I do?
29:00He's like...
29:00I'ma...
29:01He's like...
29:02The Man...
29:02What's going on?
29:03Oh...
29:04Oh, is that a lot of time?
29:06Oh...
29:07Oh...
29:08I'm not getting dirty.
29:11I'm not getting dirty...
29:12No, Mum.
29:13I'm getting dirty.
29:13I'm getting dirty.
29:14But what are you doing?
29:14Oh, Tup!
29:16I'm getting dirty.
29:17Oh, thedt girl's esse.
29:18I'm getting huge.
29:18Do you believe this man's dream, Mona?
29:19Yes, I know.
29:21What are you doing?
29:21Yes, I think something.
29:23Keep the phone.
29:23Bye-bye.
29:24Bye, all the best.
29:25Yes, thank you.
29:27How do I see this girl?
29:36Nana, take it.
29:37Take it.
29:39Take it.
29:40Take it.
29:45Oh, it looks like a mint.
29:49I found it.
29:51To avoid the same thing.
29:53It's a good thing.
29:56Devon.
29:57Can I get a glass of water?
29:59Please.
30:00Yes.
30:01I'm going to put water in the back.
30:02Take it.
30:10Devon.
30:11Yes.
30:11Can I get a glass of water?
30:14Yes.
30:14Why not?
30:15I'm going to put it.
30:56I'm going to put it on.
30:58Please.
30:58To the situation just like this girl?
31:00It's a weird word.
31:02To the situation just like that girl,
31:03how I felt what I felt so was.
31:05The girl's not getting to understand me.
31:07Just a second.
31:08Watch.
31:08Look at this.
31:09How can this happen?
31:26The bus is coming, but the sweet dogs are not coming like this.
31:34Why is my head sad?
31:38Why are you leaving?
31:41No problem.
31:43I don't know.
31:47I have something to do with my head.
31:51Relax, relax.
31:53Everything will be fine.
31:57Finally.
31:59This is a quiet place.
32:30And I will run tired.
32:33You should go to the bed with your head.
32:40Yes, Mona.
32:41Hello, Vicky.
32:42Mission successful.
32:43What the hell, Mona? Good work.
32:45Yes.
32:46Okay, come on.
32:47Let's go there.
32:48I have been ready to drive the car at the gate.
32:50Oh, Vicky. But if you've been here, I'm just there.
32:54No, don't do it.
32:55Don't make a big deal. We have enough money.
32:57No, Vicky. We'll only have two minutes.
32:59But you're ready.
33:02I'm just going to kill me.
33:03I'm going to kill Anjali Mehta.
33:04Okay, be ready.
33:05Okay, fine.
33:06All the best.
33:10Hey, God.
33:12Anjali Mehta is the last house.
33:14Just success.
33:15What are you talking about, Prachit?
33:18Oh, my God.
33:20In your house, a lady
33:23made your house's auntie
33:25and stole the gun
33:27and stole the whole house.
33:30Oh, my God.
33:32What the time has come,
33:34father-in-law?
33:35Who will do it?
33:36Who will do it?
33:37Who will not do it?
33:39Right?
33:40Prachit?
33:41Prachit?
33:42I think someone has come.
33:44I'll call you later.
33:47Bye.
33:49Yes.
33:50Hello.
33:51Hello.
33:52I gave Daya Ben
33:52your reference.
33:54I'll call her.
33:55Okay.
34:04Okay.
34:08Thank you so much.
34:10Actually, I sell perfume.
34:11And Daya Ben
34:12has also bought five perfumes for me.
34:14Oh, really?
34:15Yes.
34:16And I said,
34:16let me show you too.
34:18Actually,
34:19I don't know where you are going to come.
34:22Actually,
34:22I'm going to sell perfume.
34:23No.
34:24No.
34:24I'll show you the perfume.
34:26One minute.
34:28Don't forgive me.
34:29Don't understand me wrong.
34:31But I don't know you properly.
34:33No.
34:35And without knowing and knowing,
34:37how do you trust yourself?
34:39I'm asking you to call me.
34:42Do you believe me?
34:43No.
34:44Look, I don't believe it.
34:47But it's understandable from people.
34:49It's understandable from people.
34:51But my understanding is that
34:54wherever you are,
34:55you should buy perfume there,
34:57and you should stop.
34:58One minute.
35:03Don't understand me wrong.
35:05What is it?
35:06Daya bhabhi tells me
35:07every one thing.
35:09This one doesn't tell me.
35:11That's why.
35:12If you are in my place,
35:14you will also do this.
35:16And I believe
35:17that you will be able to tell Daya bhabhi.
35:19But one time,
35:21I don't understand you.
35:22No.
35:23You don't believe me.
35:24I don't buy perfume.
35:26One minute.
35:28If you are true,
35:29why are you so hurt?
35:31Because the truth is,
35:33they are hurt, madam.
35:35Come on.
35:36Come on.
35:36Come on yourself.
35:38Come on.
35:39Come on.
35:40Come on.
35:40Daya bhabhi,
35:40there's no need to go there.
35:42I'll call me.
35:42There's no need.
35:44Because the truth is,
35:44my trust is,
35:45my trust and trust.
35:47It's not your trust.
35:49But it's not my trust.
35:51Because I'm going to buy perfume
35:53so many years ago.
35:54Someone told me
35:55I've never said that.
35:57I've never asked that.
35:59I've never asked that.
36:00I always give perfume.
36:03I'm going to go home
36:05with a lot of effort.
36:06I'll tell you.
36:08Yes,
36:08God,
36:09she's a beautiful woman.
36:11And I've humbled her
36:12her heart.
36:17Look.
36:19Now,
36:20you're dead.
36:21Please,
36:21be quiet.
36:23I'm sorry.
36:24Come here.
36:25Come here.
36:25Come here.
36:26Come here.
36:27Very good.
36:29Look.
36:30I didn't care for you.
36:32Tell me.
36:33Show me the perfume.
36:35Really?
36:35You're okay.
36:37And sorry,
36:38I was a little emotional.
36:41I'll tell you the perfume.
36:43Look.
36:44This is my best selling perfume.
36:45It's Jasmine.
36:47If you spray it and spray it,
36:49you'll feel like you've never done before.
36:52Okay.
36:53Let's see.
36:53Please, please.
36:54Try it.
36:56Hey,
36:58your packing and bottle is very beautiful.
37:01The packing is beautiful
37:02and the smell is also very good.
37:03Please, try it.
37:05Yes.
37:05Let's see.
37:07Do you like it?
37:09Yes, of course.
37:20What's strong?
37:22No.
37:23No.
37:23You're natural.
37:24Homemade.
37:25Let's try it.
37:27Let's try it.
37:28Let's try it.
37:28Let's try it.
37:29Let's try it.
37:36Let's try it.
37:47I don't know.
37:49You never felt like this.
37:51Why are you taking the time so long?
37:53You're taking the money.
37:54I'm going to get some money.
37:56I'm going to get some money.
38:09I'm going to get some money for you.
38:31Yes, Vicky, the mission was successful.
38:33Hey, calm down.
38:34Look, don't go out of the house.
38:36This is so bad.
38:43Now, what do I do, Vicky?
38:45Don't take attention.
38:47First, let's see what this is doing.
38:53Oh, Chabi is living in the house.
38:56Anjali's house is an extra Chabi.
38:58I'll take it from her.
39:00Oh, Mona, be alert.
39:02She's coming to Anjali's house.
39:03Yes, okay.
39:04But we don't know about her about our planning.
39:07I don't think Poppet is going to know something.
39:10If there's something in the house,
39:11we'll take the Poppet.
39:13And yes, I have a car ready.
39:16Okay, okay, okay.
39:17Look out.
39:18Look out.
39:20Vicky, Poppet, the doorbell is ringing.
39:22What do I do?
39:24Whatever happens, don't open the door.
39:26And yes, don't cut the phone.
39:27Yes, don't cut the phone.
39:28Yes, don't cut the phone.
39:29Yes, don't cut the phone.
39:29Baba, you focus on the outside.
39:32The door is not open.
39:34We'll probably be busy.
39:42Oh, God.
39:43My Anjali,
39:43Myrta's phone switched off.
39:45How many stupid rooms are.
39:50I should get back with the phone.
39:51I think I'm very busy.
39:54What do I do now?
39:57I'm going to go to Diya's house.
39:58I'm going to go to Diya's house.
39:59And if the Santa didn't come back home,
40:00then I'll drink
40:02I'm going to drink tea with Daya Babi's hands.
40:07Hello, Monasun.
40:09Yes.
40:09This is going to Daya's house.
40:11Thank God.
40:13Ha ha ha ha.
40:13Hurry up.
40:14The CD is coming.
40:15Yes, yes, yes.
40:16I'm going to go.
40:20Hey, hey, hey.
40:21Where are you going?
40:24Daya Babi's house.
40:27Sorry, yeah.
40:37Oh, Popre.
40:39The plan is going well.
40:41I think it's going to be a good plan.
40:44Excuse me.
40:48Hello.
40:50Popre died.
40:52You...
40:52I'm...
40:53I'm...
40:54Anjali's friend.
40:54I came to meet her.
40:55But the door is closed.
40:57Oh, but why did you open the door from outside?
41:00Why did you open the door from outside?
41:02Are you a lawyer?
41:03No.
41:03I'm a lawyer.
41:04The Golden Crow Award winner.
41:05Worries to you are a lawyer.
41:07Why are you asking yourself like a lawyer?
41:09I came to meet her with Anjali's friend.
41:11So...
41:11I don't get to meet her?
41:12I'll meet her later.
41:14Oh, okay.
41:14But you should tell her your name.
41:16Why?
41:17I'll meet Anjali Babi.
41:18So I'll tell her that you had to meet her with her.
41:21No, no.
41:21I'll tell her on the phone.
41:24That's gross.
41:25Hello, madam.
41:27One minute.
41:28One minute, madam.
41:29Excuse me.
41:29Wait, wait.
41:33Wait.
41:33Hey, you.
41:34When I came here, you were not here.
41:37You were trying to open the door from outside of Anjali Babi.
41:39Who are you?
41:42Who is your name?
41:43I mean...
41:44I mean...
41:44If you're your name, you're talking to her.
41:48You're talking to her.
41:48You're telling her.
41:50I'm a lawyer.
41:51I'm a lawyer.
41:51I'm a lawyer.
41:52I'm a lawyer.
41:52I'm a lawyer.
41:53I'm a lawyer.
41:54I'm a lawyer.
41:54I'm a lawyer.
41:54I'm not sure how to save the eyes of his friend,
41:55even if he's a lawyer,
41:56not even if he's a lawyer.
42:05Okay, okay.
42:06Nice to meet you.
42:10Hello, hello.
42:12Very nice meeting you.
42:13Hey, wait a minute.
42:15What's going on?
42:16I mean, what are you doing in our society?
42:19That's our friend Mehta's friend.
42:21You have to meet him.
42:22I mean, you're also with him.
42:24Let's go.
42:25One minute.
42:26He's a friend Mehta's friend,
42:27so I'm going to call him.
42:28Now talk to him.
42:29No, no.
42:30I'm not talking to him now.
42:31Why?
42:33Oh, boy.
42:34You're doing your job.
42:35I'm doing my job.
42:37Hey, wait a minute.
42:38Wait a minute.
42:39Wait a minute.
42:41Wait a minute.
42:42Wait a minute.
42:51Hold on!
42:56GoOO.
42:57Go!
42:58GoOO.
43:00GON gender.
43:02Make a move back.
43:03Look up.
43:04Look up.
43:04Look up.
43:04Look up.
43:05Look up.
43:06Look up.
43:06Look up.
43:06Look up.
43:07Go though.
43:11Hey!
43:24Ruk! Ruk! Ruk! Ruk! Ruk!
43:28Ruk! Stop! Stop! Stop!
43:33Time blitz.
43:43Ruk! Ruk!
43:46Ruk-ja! Ruk-ja!
43:47Ruk! Ruk-ja!
43:50Ruk-ja!
43:50Ruk-ja!
43:51Ruk-ja!
43:54Ruk! Ruk!
43:57Ruk-ja!
43:58Ruk-ja!
43:58Able polis call the police.
43:59My old lady says that.
44:01Able polis call the police.
44:02I don't want to get my mobile!
44:05Stop!
44:06Stop!
44:07You are my new mobile!
44:08I'm going to leave you!
44:16My...
44:16Stop!
44:23Stop!
44:24Where are you going?
44:25Stop!
44:27I'm not going to leave you!
44:28I'll give you people!
44:30Stop!
44:31Stop!
44:31Stop!
44:39I'm not going to move.
44:43Angelica, baby!
44:45Angelica, baby!
44:56Angelica, baby!
44:59Angelica, baby!
44:59Angelica, baby!
45:02Angelica, baby!
45:04You're closed from inside!
45:06You're closed behind!
45:07What?
45:08Angelica, baby!
45:09Why are they open the door?
45:11I'm not going to leave you.
45:15I can't do that.
45:16I can't do that.
45:17I'll go to the house of the baby.
45:19I'll have him home to the baby.
45:26Angelica, baby!
45:27KOMMAL BABY!
45:34Hathi bhai!
45:36KOMMAL BABY!
45:40Hathi bhai!
45:42KOMMAL BABY!
45:45Oh!
45:46It's not even here!
45:50Madhvi bhai!
45:53Roshan bhai!
45:55KOMMAL BABY!
45:56Daya bhai!
46:00Bapita ji!
46:03Madhvi bhai!
46:05Roshan bhai!
46:13Where are you going?
46:15You're not coming from outside.
46:17Oh, God, what's happening?
46:21Where are you going from?
46:21Daya bhai ke ghar jatam.
46:23Shaitan ke baas andri bhai ke ghar ke ekstra chaabiyo.
46:25Huh?
46:35Daya bhai!
46:37Daya bhai!
46:42Where are you going from?
46:44Where are you going from?
46:45It looks like a big house.
46:53Why are you going so much?
46:56Hey, brother.
46:57Let's leave the house.
46:58If the house is broken,
46:59the house will become more problems.
47:03Hathi bhai!
47:04Okay, you're coming.
47:06Anjali bhai has not opened the door.
47:07So, where are you going from?
47:09No, no, no.
47:10I saw a woman from her house.
47:12There was a big bag in her hand.
47:14I was like a big house.
47:16Okay, so you didn't have to catch her?
47:18No, they were two people.
47:19I tried, but I killed myself.
47:22Daya bhai, Madhvi bhai,
47:24but no one came out.
47:26Your door was cut out.
47:28KOMAL is on the house.
47:29Why didn't you open the door?
47:30Why didn't you open the door?
47:30I think it was a big house.
47:33Popat lal,
47:34let's go with my house.
47:35Let's go with my house.
47:36Let's go with my house.
47:37Let's go.
47:38I'll give you.
47:39But you should have to call me, Popat lal.
47:42How do I do?
47:43They broke my phone.
47:44He broke my phone.
47:44He broke my phone.
47:49KOMAL!
47:51KOMAL!
47:52KOMAL!
47:53KOMAL!
47:53KOMAL!
47:54KOMAL!
47:55KOMAL!
47:56KOMAL!
47:56KOMAL Baba!
47:57KOMAL Baba!
47:58Hopatling!
47:59Eat up pot Script!
48:01KOMAL,
48:02open your eyes, KOMAL.
48:03He has come coffee bullets.
48:05K
48:05Folks, I think they are the owner's gang Soleil.
48:13That's not even Mrs. Wagamare!
48:15Do you know her name again?
48:17Congrats.
48:17Hey S├е ь┐аmi.
48:18Oh, ьЧ░ you were an idiot.
48:19I'm sorry.
48:20Let's go cut!
48:22Komal Baba!
48:22KOMAL BAANGARA Ji.
48:23Let's go to it.
48:25COOMAL Baba!!
48:26Kumar!
48:26Kumar Baba, you're okay, right?
48:29Oh little boy.
48:31Hans, that girl.
48:33Who was the girl?
48:34She came to buy a perfume.
48:37She told me to take a shower and I'm embarrassed.
48:42That means she told you to be embarrassed by taking a shower?
48:45Oh my God!
48:48Hans!
48:50Hans!
48:51My earrings!
48:52My mangal sutra!
48:54Hey!
48:54My car!
48:55All gone!
48:56Angutia!
48:57Hans!
48:58I'm lost.
48:59If you say once again, I'll take care of the world.
49:02I'll take care of the world.
49:03My new mobile also broke.
49:07Hans!
49:08Check it out, Hans!
49:10Check it out, check it out.
49:12What?
49:13Check it out.
49:14The driver has also been opened.
49:16There's nothing in the driver.
49:19Oh God!
49:20Wait up!
49:21What drop?
49:22What drop?
49:23Check it out!
49:23Check it out!
49:24Come on, I'll take care of the car.
49:26Ah!
49:29My sister?
49:33My sister?
49:36My sister?
49:37My sister?
49:40My sister?
49:41My sister?
49:42My sister?
49:43My sister?
49:44My sister?
49:44My sister?
49:46My sister?
49:46My sister?
49:47My sister?
49:48My sister?
49:49My sister?
49:50My sister?
49:51My sister?
49:52My sister?
49:53My sister?
49:54My sister?
49:54My sister?
49:56My sister?
49:57My sister?
49:58My sister?
50:00My sister?
50:01My sister?
50:05My sister?
50:06Forgive me, it's wrong.
50:08No, no, it's okay.
50:12Komal, baby, that girl?
50:15That girl was a bitch. She went to kill her.
50:19I'm sorry, you came to our house and you also got to kill her.
50:23No, it's not.
50:24Whatever happened.
50:26What happened?
50:27What happened to you and you got to kill her?
50:30Yes, because today I'm dead, right?
50:33I mean, you didn't have to kill her?
50:35It happened?
50:36Then you're still happy?
50:37Huh?
50:39Ati bhai, I think that because of Bihoshi,
50:42her mind-sick-santulun broke.
50:44Oh, brother.
50:46My mind-sick-santulun is okay.
50:48As a matter of fact, I was wearing all the clothes.
50:52And in my purse, I had to give you all the money.
50:56Good, good, good.
50:57It's good, then it's good.
51:00Okay, let's go.
51:01I'm going to school.
51:02Huh, huh, huh, huh, huh.
51:03You should take drugs.
51:04Okay, I'll come back later.
51:06There's no such an accident.
51:07Why?
51:07I mean, it's time to come to school from school, right?
51:10I'll come back later.
51:11Okay, then you'll come back later.
51:13Okay.
51:14Sorry.
51:15No problem.
51:21Sorry.
51:22Ati bhai, go.
51:22Go, come, go.
51:23Go, take my house.
51:24Go, go.
51:26Ati bhai, move!
51:27Come, go, come.
51:28What's happening?
51:35Go, I'm going to sit on my house.
51:38Don't do it, everything will come.
51:40Ati bhai, go.
51:41Go, go, come.
51:43Get the chabu, come.
51:53Anjali Papi!
51:55Anjali Papi!
51:57Anjali Papi!
51:58Anjali Papi!
51:59Anjali Papi!
52:00Anjali Papi!
52:02Anjali Papi!
52:04Anjali Papi!
52:05Anjali Papi!
52:06Anjali Papi!
52:07Anjali Papi!
52:08Anjali Papi!
52:08Anjali Papi!
52:08Anjali Papi!
52:09Anjali Papi!
52:09Anjali Papi!
52:09Anjali Papi!
52:11Anjali Papi!
52:11Anjali Papi!
52:12Anjali Papi!
52:12Anjali Papi!
52:13Anjali Papi!
52:13Anjali Papi!
52:13Anjali Papi!
52:14Anjali Papi!
52:14Anjali Papi!
52:14I don't know what to do.
52:16Anjali baby, you're fine, right?
52:19Anjali baby.
52:20Open, baby.
52:21Over, baby.
52:23Anjali baby, what are you doing?
52:24In the perfume.
52:26In the perfume, there's something wrong.
52:29Where did that girl go?
52:33That girl ran away and ran away.
52:36What?
52:40Where did that girl go?
52:41Where did that girl go?
52:43My auntie?
52:45That girl has a perfume?
52:47And she?
52:49The perfume she got out of the perfume,
52:51and lost my arms and ran away.
52:53Anjali baby, please don't stop.
52:56Look, Anjali baby, don't panic.
52:59Please be quiet, be quiet.
53:01What happened?
53:03Oh, puttlaan.
53:04You call Mehta Sahib.
53:06Yes, yes, yes.
53:07Adi, please give me your phone.
53:08What happened?
53:08Yes.
53:10Come on.
53:11Yes.
53:12And Popat Lal,
53:13don't tell them about the situation here.
53:15Otherwise, they will come in a lot of tension.
53:17Yes, yes.
53:20Adi, brother.
53:22Yes, Adi, brother.
53:23I'm saying Popat Lal.
53:25I'm saying Popat Lal.
53:25You're from Adi, brother.
53:27Where do you call your phone?
53:28How do you call your phone?
53:29Tell me, tell me.
53:30Hey, Mehta Sahib.
53:31You don't have time for the time.
53:33You leave the whole job,
53:34go to the Gokul Dham Society.
53:36Why?
53:36I can't tell you anything now.
53:38You're just here.
53:39Tell me.
53:40What happened?
53:41What happened?
53:41Jethalala didn't do anything.
53:42Oh, Mehta Sahib.
53:44Don't ask me any questions.
53:45Where did you go?
53:47Come on.
53:49Come on.
53:50Yes, man.
53:51Where will he come?
53:52Of course, Jethalala and I will call him.
53:55I'll call him Jethalala.
53:57I'll call him Jethalala.
53:59Oh, Natu Kaka.
54:00You've kept your mobile,
54:02Sejji's mobile ringtone.
54:04Huh?
54:06Not at all.
54:08Then, Natu Kaka,
54:09why are you listening to me Jethalala's mobile ringtone?
54:13I think you're remembering Jethalala.
54:17Why is Jethalala taking the phone?
54:19I'm sure there's no problem.
54:20But,
54:22Sejji's phone ringtone is also listening to me.
54:25I'm listening to you.
54:26I'm listening to you, Natu Kaka.
54:28Natu Kaka,
54:29Sejji's mobile is just here.
54:32Yes.
54:34Hello, Jethalala.
54:35What do you think you're listening to your phone?
54:37This is Natuarlal Prabhashankar Udaiwala,
54:40speaking from Sejji's mobile.
54:42Natu Kaka,
54:43you have Jethalala's phone.
54:44Sejji's party has a payment,
54:47but he forgot his phone.
54:48He forgot his phone.
54:49Okay, okay, okay, okay.
54:52Jethalala's party has a payment.
54:54The phone is in the house.
54:55I mean, Jethalala's society isn't it?
54:57What will happen?
54:59Oh my God,
55:01all the money,
55:02all the money,
55:02all the money,
55:03all the money.
55:05Oh God,
55:07what happened?
55:07Don't take attention,
55:08don't take attention.
55:09The most important thing
55:11is that you and Kumal
55:12are the right people.
55:13Yes.
55:14Jethalala's house.
55:15Jethalala's house.
55:15Ajitabhabi,
55:15one thing,
55:16one thing you had two after.
55:17One girl and one girl.
55:19No, it was only a girl.
55:22He told me that Dayaabhabi
55:24has to send me to me
55:25to show me perfume for me.
55:28I was so happy.
55:31Komalabhabi was a doubt.
55:33I told him that
55:34I was asking for Dayaabhabi
55:36So, she started crying and said to me that I'm not sure about it.
55:43She got upset me in her own words and told me about it.
55:48What did I know? Why did I make all my words and leave me with money?
55:55Okay, now I've come to understand.
55:58The girl's name will also be gone.
56:01So, when I asked everyone, I didn't answer any questions.
56:05and there's no one out there.
56:06What?
56:07We should go to all of our houses.
56:10Anjali baby, you have my house.
56:11Yes.
56:12And Daya baby's house.
56:13We both have the house.
56:14Let's go, let's go, let's go.
56:21Come on, come on, come on, come on.
56:23Kubal baby.
56:24Okay, we got it.
56:26It's easy to get it.
56:26Get it, get it.
56:31What?
56:32I don't know anything.
56:34Chacha ji, sit, sit.
56:36Popatnal, what are you doing?
56:38You're going to get an accident.
56:39I got an emergency.
56:40Why did you get an emergency?
56:41Why did you get an emergency?
56:41Brother, you've heard me.
56:43There's a lot of emergency.
56:45Yes.
56:45The emergency was supposed to be a phone.
56:47How do I do?
56:48My new mobile is broken.
56:50Tell me.
56:51Is this emergency now?
56:52Hey!
56:54Popatnal, please, tell me.
56:56It's been in society.
56:57Hey!
56:59Chori!
56:59Chacha ji,
57:00we've all been robbed.
57:02How?
57:03And when?
57:03A girl came to sell perfume.
57:06She said that she's a liar.
57:08Hey!
57:09Yes.
57:09She came to sell perfume.
57:11We gave her perfume.
57:12She gave her perfume.
57:13She gave her perfume.
57:14She gave her everything.
57:15She gave her everything.
57:16She gave her everything.
57:17She gave her everything.
57:18Hey, Popatnal.
57:19Same.
57:19Same to same.
57:20Same to my house.
57:21Can I say that she's in society in the other house?
57:24She's gone.
57:25Huh?
57:27Bapre?
57:28I mean, Maadvi?
57:29Maadvi?
57:30Hey!
57:31Hey!
57:31Sorry, sorry, Chacha ji.
57:33Go home.
57:33Go home.
57:34Go home.
57:36Maadvi!
57:36Hey, Dipe.
57:37Babita's house.
57:38There's a house in my house.
57:40Yes.
57:40Then you and Komay there.
57:42Come on.
57:42Come on.
57:43Come on.
57:43Come on.
57:44Come on.
57:44Come on.
57:45Come on.
57:45Come on.
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