- 7 weeks ago
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00:16surprise oh what is this this is your new atelier oh it's beautiful but we can't afford it
00:26we are spending too much on attorneys already i know money's been tight so i called in a favor
00:32from an old friend this belongs to pierre cadeau and it's yours if you want it wow that's so generous
00:42i mentioned your name and he said no problem and also to send his love to zio lorenzo
00:49uncle lorenzo he worked for the company for many years he charmed the pants of everyone in the
00:55fashion industry literally oh this is scary exciting how soon can we move in how about
01:19am i doing this right i've never been a fit model before you're perfect okay
01:23pierre cadeau is ready to zoom he has news
01:25oh go go go hi sorry guy
01:33there's our fairy godfather what did you call me bonjour pierre thank you again for this gift
01:38this changed everything you said you had some news any luck on paris fashion week
01:44despise all the cloaks i wear i'm not a wizard it's impossible to get an unknown designer
01:50into paris fashion week especially when he's being sued by his own mother you said you had
01:56good news i found you a much more suitable event venice fashion week venice has a fashion week
02:04it's more for emerging designers well then that's perfect an italian newcomer making a splash in
02:10venice literally you'll sink or swim either way prepare to show in two weeks what that's not possible
02:19oh my darling boy fashion is all about making the impossible possible
02:24bonne chance mes amis
02:34cher pascal we're very excited to share our ideas with you for the launch of your absinthe
02:39le rêve vert to celebrate we'll be throwing a decadent party in the style of la belle époque
02:45there'll be conca dancers as well as waiters in period costumes and no absinthe party is complete
02:52without a visit from the green fairy herself nice touch when guests arrive we greet them with a shot of
02:59le rêve vert served on sugar cubes but just a splash we can't have anyone going mad that's
03:05just a myth right is it really a hallucinogen no it's real absinthe was banned for almost a century
03:12in france it was the molly of the belle époque what do you know about molly
03:19it's a strong drink but i assure you le rêve vert is nothing like molly it will not make you
03:25lose
03:25your mind during the belle époque regulations weren't strict we weren't there so who can say
03:31i wish i had been there la belle époque wasn't about restriction it was about experimentation about
03:38progress in art in technology in science in everything it was the birth of cinema it was the
03:44birth of la tour eiffel and the epicenter of it all was maxim's so i'm very very glad you were
03:49able to book the venue for the event we did oh yeah we did of course
04:05luc why is pascal's party at maxime's i thought you were booking laurel's club i mean it's a perfect
04:10fit for the party and he could use the business i called to reserve the space but i was told
04:15it
04:15is unavailable we even offered to change the date but they said no should we ask again no no too
04:23late
04:23anyway amelie are you free tonight i'm feeling nostalgic and i would love to show you my belle époque
04:30paris ah that sounds lovely marcello is busy working tonight so count me in an artist working late into
04:37the night it is just like the belle époque without all the syphilis and the smells do you know about
04:44the
04:44great stink of 1880 what ew no the city was unbearable and oh yeah i can't wait to tell you
04:52all about
04:53it hello have fun yes i can have a marketing plan ready by tomorrow but if they get two weeks
05:03for the
05:03line can i please just at least get two days to prep the rollout okay thank you
05:13oh sounded intense who was that nico he's pretty freaked out can you maybe try to cut him like a
05:20little slack money's really tight right now he's worried about money really yeah oh do you not know
05:28that when he left jvma it violated his trust so he's locked out of that he cashed in some stocks
05:33that his
05:34grandfather gave him so he's basically betting his whole inheritance on marcello's business wow i had
05:40no idea it's gonna be fine he knows what he's doing but i feel like i need to start contributing
05:45more
05:46you know i mean if i nail this audition tomorrow i can cover his rent do you have an audition
05:50for what
05:52did i not tell you so these movie producers saw me at crazy horse and they want me to read
05:58for
05:58sateen in an animated moulin rouge oh my god i love that movie it would be an amazing sateen oh
06:04thanks
06:05okay how do i say break a leg in french the french version is married okay well then
06:12married i'll take it i need all the marriage i can get
06:31look at the date
06:32you're very happy to be released
06:34It seems that you are very busy.
06:37I can't imagine.
06:39I'm sorry for your absence.
06:41We are reserved for weeks.
06:43It's not a problem.
06:45Are you good news?
06:46Yes.
06:52You were missing me.
06:55You asked me, I gave you the air.
06:58I was very happy to call you.
07:02Me too.
07:04I'm happy to be here.
07:08You were where all these times?
07:10In the south, especially.
07:13Paris works very well, but it's nothing to Saint-Tropez.
07:16A propos Saint-Tropez,
07:20I found a little thing.
07:24It dates to the opening.
07:25It was you who made the photo?
07:27Yes.
07:28I had put it, I had put the timer,
07:30I had made the flyer, I had all done.
07:32You were incredible.
07:35You always did it.
07:38We were in fusion at the time.
07:40We couldn't separate each other.
07:42I suppose that it was our old age.
07:47Who knows?
07:48Who knows?
07:49Maybe we'll come?
07:52That's enough to let us know.
08:28So, this was my neighborhood when I first moved in Paris.
08:32I wanted to be in the world of Toulouse-Lautrec, where the artist I read about used to paint
08:38and write and drink and screw their brains out until sunrise.
08:42I fancied myself quite the painter.
08:45Well, that doesn't surprise me at all.
08:47You have an artist's soul.
08:50Come on.
08:53So, this is Le Bateau Lavoie.
08:56Matisse, Cocteau, Modigliani, they all gathered here.
09:00Oh, and Picasso too.
09:01Wow.
09:02I would have killed to be among them.
09:04But I was more like him, selling my works by day and painting new ones at night.
09:10You really were an artist.
09:11How romantic.
09:13It was a brutal existence.
09:15No money, no sleep, just me and my art.
09:22I was never happier.
09:25Oh.
09:26Do you still have any of your paintings?
09:27No.
09:29I sold a few.
09:31The rest I used as firewood when I realized I had no talent.
09:35Oh.
09:36What did you used to paint?
09:38Oh.
09:39My speciality was portraits.
09:42Oh, cool.
09:43Self-portraits.
09:45New self-portraits, to be precise.
09:48Oh.
09:50I wish you could have seen them.
09:51I got a striking figure in my youth.
09:53Oh.
09:54My loss.
10:00Okay.
10:01Final absente.
10:02Merci.
10:03Merci.
10:03Merci.
10:04This is my last one.
10:05Anymore and I'll start hallucinating.
10:09Are you feeling it too?
10:10I am feeling a little tipsy.
10:12Oh.
10:15Oh.
10:16Oh.
10:16And maybe I am hallucinating.
10:19Gabrielle.
10:20Gabrielle.
10:20No way.
10:21You have to answer.
10:23Oh.
10:24Oh.
10:25Gabrielle.
10:26Hi.
10:27Gabrielle.
10:28How are you?
10:29Where are you?
10:29Are you still on the yacht?
10:31I'm actually in Amsterdam.
10:33The yacht is in dry dock for repair.
10:35So we're moving to Edderton's summer home in Monaco.
10:38Hmm.
10:39Sounds fancy.
10:40It is.
10:41But I didn't call to brag.
10:43Listen.
10:44I live in such a rush that I forgot some of my knives.
10:48I'll be passing through Paris tomorrow.
10:50But I don't have much time in between trains.
10:52So I was wondering if you would be willing to come to the train station and bring them
10:57to me.
10:58I know it's a big ask.
11:00Uh.
11:01What time?
11:02I'll be there at one o'clock for about an hour.
11:04We could have a quick lunch if you'd like.
11:07It would be nice to see you.
11:09Um.
11:10Yeah.
11:10Yeah.
11:11I think I could do that.
11:12Thank you, Emily.
11:13Honestly, you're a lifesaver.
11:15Listen.
11:16I'll shoot you a picture so you know what to look for and make sure the Guardian knows
11:19to let you in.
11:20Okay.
11:20I'll see you tomorrow at Le Trembleu at Gare de Lyon at 1pm.
11:25Okay.
11:26Yeah.
11:26Um.
11:27Yeah, I'll see you tomorrow.
11:28Bye.
11:31Just in case you were wondering, you were not hallucinating.
11:35That call was very real.
11:37It definitely was.
11:50This is my sister.
11:58Yeah.
11:59Yeah.
12:00Nice to meet you.
12:01So you're the one behind this.
12:03This was my decision.
12:05Did Mama send you?
12:06She doesn't know I'm here.
12:08Don't agree with what she's doing, but...
12:10But?
12:11I don't know what you're doing.
12:13You never designed anything in your life,
12:15and suddenly you're doing a whole collection.
12:17If I may, your brother is very talented.
12:21Clearly, it runs in the family.
12:24Why don't you take a look at the line?
12:26We'd love to get an outside opinion.
12:28Good idea.
12:29I'd love to know what you think, hmm?
12:37Hmm.
12:38They're beautiful.
12:40Really well constructed.
12:43But, Marcello,
12:44why do we want to tear a familiar part of this?
12:47It's not even that different from our own brand.
12:50You just put a colorful horse on it.
12:52You're not seeing the whole picture.
12:54Neither are you.
12:56Please stop this
12:57before it's too late.
13:01Excuse me.
13:10Aw, hey you. What's up?
13:12Emily.
13:12I need you to cancel Venice.
13:14What?
13:15What do you mean?
13:16We have to shut everything down.
13:18What's going on?
13:19It was a huge mistake.
13:21I'm not a designer.
13:23Of course you are.
13:24Just because you keep saying it doesn't mean it's true.
13:27We've wasted so much money.
13:28I can't show this collection.
13:30I never should have listened.
13:32Wait.
13:34What happened?
13:35Where is this coming from?
13:36My sister came here to see the line,
13:38and she said it's not good enough.
13:40And she's right.
13:42She's right.
13:43I'm going to humiliate myself.
13:45That's not true.
13:46Okay?
13:46Don't let her get into your head.
13:48The line is great.
13:49Emily, stop.
13:50She's right.
13:51It's boring crap.
13:53No, it's not.
13:54Maybe we can add some accessories to liven it up.
13:57I said stop.
13:59You always want to fix everything,
14:02but there are some things you can't fix.
14:07Just stop.
14:09Please.
14:12Okay.
14:13Um, let me see what I can do.
14:33Emily.
14:44Sri Lanka was so beautiful.
14:46Like nothing I've ever seen before,
14:48but I think my favorite place was Thailand.
14:50The people are so friendly,
14:51and the food, ah.
14:54Your episode of Chef's Table is going to be incredible.
14:58I still can't believe you just packed up and left.
15:01It was a crazy thing to do,
15:03but I had to do it.
15:06I had gotten everything I thought I wanted,
15:08and I was miserable.
15:11So I decided to do the exact opposite.
15:13Instead of stability and routine,
15:14I ran for the unknown.
15:18It just woke me up.
15:21I don't know.
15:23I'm talking too much.
15:25How have you been?
15:26Oh, um, I'm fine.
15:29Yeah, the usual.
15:32Marcello and I are back together.
15:34How are you guys doing?
15:35We don't have to talk about it if...
15:37No, no, no.
15:37It's okay.
15:38Um, we're good.
15:40Well, he's starting a fashion company.
15:42He's actually designing the line himself.
15:44I didn't know he was a designer.
15:46Well, he wasn't.
15:47But then we lost the one that we had,
15:49and I saw his sketches, which were incredible.
15:51So I insisted that he take over.
15:54Mm-hmm.
15:55And we're supposed to show at Fashion Week,
15:57but now he wants to trash the entire collection.
16:00So...
16:00Well, I missed so much.
16:03It all happened so fast.
16:05You know, maybe a little too fast.
16:07Maybe I shouldn't have pushed him to do it.
16:14Can I ask you something?
16:15Of course.
16:16Did I push you for the Michelin star?
16:21The Michelin star was my dream.
16:23But you were miserable.
16:25And you ran halfway across the world to escape from it.
16:28And...
16:30I don't know.
16:32Maybe from me.
16:36Emily, all I can tell you is that you supported me.
16:39You had faith in me.
16:41Probably more than I ever deserved.
16:43And that's a good thing.
16:45I just don't think that's how Marcello feels.
16:48He's so upset, and I feel like it's my fault.
16:54Although...
16:54Maybe that could be because of the lawsuit.
16:57Because on top of everything else, his mom is suing him.
16:59That's terrible.
17:00And his business partner, Nico.
17:02Oh, um, Mendy's boyfriend.
17:03You remember him?
17:04The billionaire?
17:04Well, no, not anymore.
17:06It's a really long story.
17:09You know what I forgot how dramatic Paris can get?
17:17This restaurant is so gorgeous.
17:19We should have had our Belle Epoque party here.
17:21It's Art Nouveau, right?
17:23You know what?
17:24I believe it is.
17:26Look at you.
17:27You're such a cultured Parisian now.
17:29There was a time where you didn't even know which floor you were on.
17:31Oh, God, remember when that was my biggest problem?
17:36Oh, I feel like that was my Belle Epoque.
17:39Everything was so new and exciting, like a fantasy.
17:45Now it all just feels so difficult and real.
17:52We tend to romanticize the past.
17:54Things were pretty hard back then, too.
17:57You didn't know what you were doing at work.
18:00You were kissing people that had girlfriends.
18:03Which I didn't know.
18:04And they were kissing back, by the way.
18:06That's very true.
18:07But not only that.
18:08There were secrets and pacts and fake Michelin inspectors.
18:13And also good memories, like sex on the roof.
18:17Now who's romanticizing the vibe?
18:21You know, when I left for the yacht, I thought my best days were behind me.
18:29But no, I'm excited for the future.
18:31Wherever it brings me, I...
18:35I think you should be, too.
18:40Never knew I could feel like this.
18:47Like I've never seen the sky before.
18:54I wanna vanish inside your kiss.
19:01Every day I love you more and more.
19:07Listen to my heart.
19:12Can you hear it sing?
19:16Telling me to give you everything.
19:23Seasons may change.
19:26Winter to spring.
19:29Thank you for meeting me.
19:31It was good to see you.
19:34Give Marcello some time.
19:36You two are good together.
19:39What makes you say that?
19:42Because I saw the two of you in Rome.
19:45When were you in Rome?
19:49After you decided to leave Paris, I had this crazy idea to follow you.
19:55And...
19:56I saw you with them.
19:58Why didn't you ever tell me?
19:59Because you looked...
20:01Because you looked...
20:02Happy.
20:06And that's all I ever wanted for you.
20:10It's all I ever wanted for you, too.
20:15For both of us.
20:20You know they didn't start calling it La Belly Puck until after it had passed.
20:25Nobody knows if they're living their golden age.
20:27Maybe we're living ours now.
20:34Just send me a postcard, okay?
20:37A real one.
20:39With a stamp.
20:39And there's no mountain too high.
20:45No river too high.
20:50Sing out this song and I'll be there by your side.
20:57No more.
21:03Oh!
21:04Oh my God!
21:05You...
21:06Gabrielle, you're knives!
21:07Wait!
21:10Oh...
21:11Come through my...
21:12until the end.
21:13Bye!
21:15Ugh!
21:22Hi...
21:23She's a good friend.
21:27I...
21:32I will love you
21:42Suddenly the world seems such a perfect place
21:50Hey, where is everyone?
21:52I sent them home.
21:55Did you cancel the show in Venice?
21:58Not yet.
21:59Are you sure that's what you want to do?
22:02It's what needs to be done.
22:06You know, sometimes when things don't work out,
22:08it helps to look at it from a different perspective.
22:11Do the opposite.
22:13Like if I'm thinking black, I run towards white.
22:16What?
22:17Black is white, up is down.
22:20Something like that, yeah.
22:23All I can think of is how I'm disappointing everyone.
22:27Well then think of the opposite.
22:30Listen, I don't need you to be a designer
22:34or a titan of industry.
22:37or anything other than
22:39the wonderful man that you are.
22:47Whenever you decide, I'm with you.
22:56I'm with you.
22:56Finally, finally, I've called you, just one hour ago.
23:01But I told you that it was urgent.
23:05I'm happy to see you too. What is this urgent?
23:08Have you seen your husband last time?
23:11Yes, I saw him last night. He took a little distance, but we reconnected.
23:17Oh, wonderful! Can you tell me to connect with me too,
23:20to explain why his clientele is taking care of me?
23:23Pardon?
23:24He is in charge of payment, especially. His alcohol license, his offer,
23:29even some of his employees.
23:30No, I don't understand. He told me that his business works well.
23:34He told me that he had paid 2 millions in the apartment.
23:38My lawyer took care of him.
23:39Are you sure of what you're saying?
23:41Of course, I'm sure. He has no money, so let me take care of him.
23:46I would never admit to this guy, and you neither.
24:00I wouldn't let him take care of him too.
24:06Hey, without him.
24:18How are you doing?
24:27Bravo, bravo.
24:29Thank you all so much.
24:31It's perfect.
24:32It's exactly how I pictured Maxime's during the Belle Époque.
24:35Merci.
24:36It's been our pleasure.
24:37Now, if you'll excuse me, I have a date with the green fairy.
24:41She's in love with me.
24:48Are we sure this doesn't make you hallucinate?
24:51Mm-hmm.
24:54Is everything okay?
24:57I thought you'd have the time of your life here.
25:00No, c'est magnifique, but being here made all this beauty.
25:04I wish I hadn't given up on my art.
25:08Luke, I think you're romanticizing the past.
25:11Do you remember how hard it was?
25:13And look at you, okay?
25:14You have a great life.
25:16You have great friends and a great job.
25:19And, well, you live on a boat.
25:24Yes, it's true.
25:26But I wasn't talented enough anyway.
25:30Just another dream that dying.
25:34Luke, there is something you have to see.
25:48Oh, my God, is that...
25:50It's me.
25:52Oh.
25:53All of these years I've been hanging in Maxime's.
25:56Maybe a little too well hung.
25:59Artistic license.
26:00I can't believe it.
26:02I did make it as an artist.
26:03Emily, can you take a photo of me with my masterpiece, please?
26:06Oh, of course.
26:07Yeah.
26:08Okay, let's see.
26:10Uh, oh, you know what?
26:12Here, you want to just hold this?
26:13Okay.
26:13Um, just a little higher.
26:16Tilt it to the left.
26:17Yeah, up, up, up.
26:19Perfect.
26:24Hello.
26:25May I join you?
26:27Uh, sure.
26:28But no dancing tonight.
26:30Deal.
26:31I can't do the can-can anyway.
26:33Ha.
26:37You all right?
26:39Ugh, it's so stupid.
26:41All right, try me.
26:43Well, I guess I have to tell somebody.
26:46I booked the role of Satine in Moulin Rouge.
26:48It's an animated movie musical.
26:51Well, congratulations.
26:52That's great.
26:53Isn't it?
26:54It is.
26:56I mean, I could use the cash,
26:58because I was really excited to tell Nico
26:59that I could cover the rent for a while.
27:01But?
27:02But they just sent me the script
27:04and some sketches,
27:05and the full title is Mulan Rat.
27:09I'm a rat.
27:11Hold on, hold on, hold on.
27:12That can't be the right translation.
27:14I mean, what's French for rat?
27:16It's fucking rat.
27:17What?
27:18I'm rat-teen.
27:20Who's rat-teen?
27:21A cartoon rat prostitute.
27:24See, this is why I didn't want to tell Nico.
27:25This is so humiliating.
27:27Who cares?
27:28Cash that check.
27:29That rat sex worker would.
27:32Honestly, yeah.
27:34Yeah.
27:35That's what?
27:36Oh, you're right, mate.
27:37What's so funny?
27:38I, um, I, I, I booked a job.
27:44I'm rat-teen.
27:45That's great.
27:47What?
27:48Wait, who?
27:49A rat prostitute in a top hat.
27:51Stop.
27:52No, no, no, it's, it's Moulin Rouge with rats.
27:56Ah, I get it.
27:59Funny.
27:59No, no, no, it's not that funny.
28:01But the salary's great, and rent is on me.
28:05That's amazing.
28:06Yeah.
28:13I'm going to go grab another drink.
28:17Congrats.
28:30Emily, did Laurent check-in?
28:32I didn't see him yet, but I was only at the check-in for the first hour, so.
28:35Oh, I think he just walked in.
28:49You lied to me.
28:51I know about the loan.
28:52I can explain.
28:54I need to pay off some debts in Saint-Tropez.
28:56I don't care why you did it.
28:58You took advantage of my mother.
29:01Why I'm so done with you.
29:03Sylvie, please.
29:04I want a divorce.
29:12No, it has to be ready.
29:13It has to be ready.
29:14I don't want to hear the reasons, okay?
29:16Come on.
29:16Ciao.
29:16Ciao, ciao, ciao.
29:17Hey, what's going on?
29:18Oh, Emily, I'm sorry about earlier.
29:21You've been so supportive during this.
29:22It's been so difficult, and I need to tell you something.
29:27You're canceling the line.
29:29What?
29:31No, say your thing again.
29:33I love you, Emily.
29:35I love that you believe in my crazy dream, even when I don't.
29:38I love that you won't let me give up.
29:41I love you, too.
29:43And like I told you before, none of this business stuff matters to me.
29:47I hope that's not true.
29:50Come.
29:55What is all of this?
29:57I took your advice about thinking differently, and I'm doing the opposite.
30:01The paleo is bright and loud.
30:03That's what the collection should be.
30:04Not a colorful pony on neutral fabrics, but a neutral pony on big, bold, colorful designs.
30:10But who were you on the phone to before?
30:12I thought you were so upset.
30:13Oh, there was my textile supplier, and I wasn't angry.
30:17I was excited.
30:20If we are going to make it to Venice, we don't have much time.
30:25We're going to Venice?
30:26No, no, no, no.
30:27No!
30:30We're going to Venice!
30:31We're going to Venice!
31:08We're going to Venice!
31:31We're going to Venice!
31:34We're going to Venice!
31:42Oh, oh, oh, oh, oh, oh, oh.
32:09Oh, oh, oh.
32:40Oh, oh, oh, oh, oh, oh.
33:09Oh, oh, oh, oh.
33:49Oh, oh, oh, oh, oh, oh.
33:50Oh, oh, oh, oh, oh.
34:01Oh, oh, oh, oh.
34:02Oh, oh, oh, oh, oh.
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