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00:05It is Friday, it's 5.52pm, and it is the end of the first week with my new clients, Alistair
00:13and Margot Hartnell.
00:14They say they're coming here as the last roll of the dice for them. They had been on the cusp
00:19of getting a divorce.
00:21Walk forward. Turn right. Turn right! Turn left. No, no, wait. No, sorry. That's my right.
00:27For God's sake, Alistair! Love has been replaced by hostility. You're useless at this! That's enough!
00:35Sorry, darling. All trust has gone. For sake! Sorry. Sorry!
00:39It's okay. It's okay. Compounded by the fact that they seem unable to communicate in a meaningful and a reciprocal
00:46way.
00:46I feel unheard when I talk to you about how I'm feeling.
00:53Well, often, when you do want to talk, I've got work on my mind, and that's important, too.
01:03So it's just a case of bad timing, that's all.
01:06Their marriage doesn't make sense to them anymore.
01:09Over the course of the coming weeks, I'd like to see if we can retrace the steps that led to
01:14this situation,
01:15and see if we can work out how they got here.
01:18Next, we have Luke and Stacey Warber.
01:22I believe the fault lines don't run as deep with them.
01:25I'm grateful for how patient you are,
01:28and that you're here with me now, doing this,
01:33because I know I'm not giving you what you need.
01:36That's so sweet, babe.
01:38On the surface, they have a loving marriage,
01:41but now can we try taking each other's hands, please,
01:46and maintaining that same eye contact?
01:49By their own admission, there are significant intimacy issues.
01:52Why can't you do this?
01:56I'm sorry.
01:58I'm sorry, sorry. Could I take five?
02:00It's okay. Of course.
02:02It's okay, Luke.
02:05Take your time.
02:06I mean...
02:07It's okay.
02:08It's all part of the process.
02:11It's Friday.
02:12It's the beginning of the weekend now,
02:14but Monday will be a big day.
02:16I have exciting plans.
02:18I think that there could be a real breakthrough.
02:23Hello.
02:24Darling.
02:27Mine's good.
02:29This looks nice, doesn't it?
02:31Yeah.
02:31Hi, everyone.
02:33Hi.
02:33I just wanted to say thank you very much
02:36for all your hard work
02:37and your commitment this week.
02:39You should be very proud of yourselves.
02:42There's more for us to do next week,
02:45but for now, enjoy your evening.
02:50Right, bon appetit.
02:52Cheers, everyone.
02:53Cheers.
02:56Cheers.
03:20I just feel like every single thing I say is wrong.
03:24Every word, every utterance.
03:26She pounces on it like a wild animal.
03:29Yeah.
03:30She certainly has a way with her words, your missus.
03:36I thought you'd never ask.
03:37It's only duty-free.
03:41It's Kira's stuff.
03:43Can't still be swimming, can she?
05:06Crime scene.
05:09Inspector, I don't think you should wear that to the crime scene.
05:12Why not?
05:12Because it's got I Heart St. Marie on the front of it.
05:19Hmm?
05:21Still haven't gotten your clothes back then.
05:23I must have left 50 messages for Solomon.
05:26This is the only shirt he didn't take.
05:27But I've got a mate from the Met to call in a favour,
05:30and I've got him to triangulate his phone for me.
05:32Yeah, that's a very good use of their resources.
05:35Hey, listen.
05:36He stole from me, and that is a crime.
05:41Inspector, I just think you should take the hat off.
05:44Yeah, all right.
05:53The victim is Kira Mayhew.
05:5642 years old, fully qualified clinical therapist.
06:00Ran a couple's retreat here.
06:02Cars of death looks like a drowning.
06:04Went for a swim at 7 o'clock yesterday evening,
06:07and at 9 o'clock, two fishermen came across a body
06:10about 100 metres out, directly opposite this spot.
06:13They watched over the body until the paramedics arrived.
06:16Who else was here last night?
06:19About six people in total, four residents, two staff,
06:22the chef and the waitress.
06:23There's some bruising around her neck and shoulders.
06:26Looks like finger marks.
06:27Paramedics say they're recent,
06:29more likely from someone forcing her down under the water.
06:32They reckon it's murder.
06:34That's why they called us.
06:35So what?
06:36She swam out to sea, and somebody was with her and did this.
06:39Or maybe somebody was waiting for her out there on a boat.
06:43Inspector, what would you say if I told you
06:45I just found a bingo ball at a crime scene?
06:48I'd say, have you actually found a bingo ball at the crime scene?
06:51And I would say yes.
06:53Yes, I did find a bingo ball at the crime scene.
06:56Thirteen.
06:58Unlocking for some.
07:01I mean, it probably doesn't have much to do
07:04with Kira Mayhew's murder, though, right?
07:06We don't know yet.
07:07Let's bag it.
07:08Oh, OK.
07:09The bingo ball's officially evidenced now.
07:11Bag in the bingo ball.
07:13All right.
07:14Sergeant Fletcher, you talk to the staff.
07:16Officer Rose, see if there's any security cameras in the place.
07:20And DS Thomas, let's talk to the guests.
07:23Oh.
07:24I'll keep on with that.
07:29I'm sorry, did you just say murder?
07:31I thought it was an accident.
07:32Well, it wasn't.
07:34So we need to ask you where you all were
07:35between the hours of seven and nine last night.
07:37Are you saying we're suspects?
07:39When did you last see Kira Mayhew?
07:41Before dinner, we were having some aperitifs
07:43and she came and told us to have a nice night.
07:45Enjoy your evening.
07:49What time was that?
07:51Just before seven.
07:52She went for a swim
07:53and didn't see her again until she was...
07:56was, um...
07:57Dead.
07:58Dead.
08:00Just say it.
08:03And was that a regular thing,
08:05her going for a swim at that time?
08:07Seemed to be, like, most evenings.
08:09Kira said it was her own therapy.
08:11Getting into the sea after a long day,
08:13she found it, uh, restorative.
08:15And during the two hours between you seeing her
08:18and her body being found, you, uh...
08:21we were all together having dinner.
08:26Look, it wasn't one of us, OK?
08:29Nobody told us that we were going to be grilled like this.
08:31None of us have even been to bed.
08:33And I took a sleeping pill.
08:38Don't apologise for me, Alistair.
08:40You know I hate it when you do that.
08:41Sorry, dear.
08:42And don't call me dear, either.
08:44No, of course not. Sorry. For God.
08:47OK.
08:49Well, if you think of anything,
08:51let us know.
08:55God help us.
09:02I spoke with the staff
09:03who can alibi each other
09:04for the time of the murder.
09:06They were preparing dinner
09:07between seven and nine.
09:10You think you're listening?
09:11I'm listening.
09:12Just checking, sir.
09:13What did they say about the victim?
09:15Well, that she was a decent boss.
09:16Always paid them on time.
09:18Was friendly.
09:19Any idea you'd want to harm her?
09:20No.
09:21They reckon she didn't really know anyone here.
09:23Never saw her go out much.
09:25Kept herself to herself.
09:26I checked her phone.
09:28All her texts and all her emails
09:30weren't related.
09:31Apart from her mum back in England.
09:33How's she doing?
09:34Not great.
09:36We said we'd speak tomorrow
09:37when she might be a little bit calmer.
09:39I found this.
09:42Date and time is yesterday.
09:465.52 in the afternoon.
09:49That's just over an hour before her swim.
09:59It's the weekend now, but Monday will be a big day.
10:03I have exciting plans, and I think that there could be a real breakthrough.
10:12My instinct on this is that a lie is being told.
10:17If I can draw out the truth,
10:21the fallout would be truly devastating.
10:27And only a couple of hours later, she's been murdered.
10:29You're thinking one of the guests here did it?
10:33I'm thinking maybe one of them did.
10:37On one hand,
10:39all the four guests were having dinner together
10:41at the time of Kira Mayhew's murder.
10:44Oh, look.
10:45There are only two cameras in the resort.
10:47Just before 7 o'clock,
10:48Kira Mayhew goes for a swim.
10:50But on the other hand,
10:52all the guests leave the table once during the evening.
10:55So, in theory,
10:56it could have been any one of them.
10:58All right.
10:59Now, here.
11:01At 18 minutes past 7,
11:03Mr. Hartnell go to his bedroom
11:04to get his glasses.
11:06And then here,
11:087.46,
11:09Stacey Wava goes to the bathroom
11:10to check her makeup.
11:12And at 8.03,
11:14Mrs. Hartnell goes to grab her shawl.
11:16And after that,
11:17at 8.30,
11:18Luke Wava goes to his bedroom
11:19to get a bottle of rum.
11:22So,
11:23each of them had opportunity
11:24to kill the victim
11:26during the dinner?
11:27Except,
11:29on the other hand,
11:31no one leaves the table
11:32for more than two to three minutes.
11:33And they all returned
11:35dry as a bone.
11:36Okay,
11:37so how did one of them
11:38manage to leave the dinner table,
11:40run down to the beach,
11:41get themselves
11:43somehow out to see 100 meters,
11:45drown Kira Mayhew,
11:46then come all the way back,
11:48dry off,
11:49before returning to the table
11:51in less than a few minutes.
11:54Well,
11:56that's just not possible.
12:08All right,
12:09Sebastian,
12:09I'll read the victim's notebook.
12:11You make us start listening
12:12to these tapes.
12:14Focus on the ones recorded
12:15since the four suspects arrived.
12:17Yeah,
12:18these tapes are teeny tiny.
12:21Look,
12:21they make me look like a giant.
12:23Says the giants.
12:24Hmm.
12:26So,
12:27printed the victim's schedule
12:28the day of her murder.
12:29Trust exercises in the morning.
12:31Sounds fun.
12:32Lunch,
12:33followed by
12:34one-to-one sessions
12:35in the afternoon
12:36with Stacy Warbur,
12:37then Alistair Hartnell.
12:39Inspector,
12:40I came to check in
12:42on the murder case.
12:43The minister gets nervous
12:45when one of our resorts
12:46is hit by a crime.
12:47I'd like to reassure her
12:49it's in hand.
12:51Yes,
12:52sir.
12:53We're currently working
12:53on the basis
12:54that one of the four residents
12:56did it.
12:57We just need to work out
12:58which one it was
12:59and how they did it
13:00and why.
13:02So,
13:03pretty much everything.
13:07You look smart,
13:09sir.
13:10Going somewhere nice?
13:11Yacht Club.
13:12Lobster night.
13:14Hmm?
13:17Lobster night,
13:18eh?
13:19That's why you're looking
13:20so snappy.
13:23You know,
13:24it's snappy.
13:25Like,
13:26claws.
13:27No, no, no.
13:27Lobster claws.
13:28I get the joke,
13:29inspector.
13:30I just
13:31didn't find it
13:32very funny.
13:35Enjoy your evenings?
13:37You too, sir.
13:38Snappy.
13:38Like claws,
13:39you know.
13:43Nope.
13:44I need to get this.
13:46Hello, mate.
13:49Excuse me,
13:51commissioner.
13:53Anton
13:54Mousset.
13:56How long has it been
13:57since we last...
13:58Crossed paths?
13:59Or were you going
14:00to say
14:01crossed swords?
14:02I hadn't decided
14:03before you got me off.
14:07How can I help you,
14:08Mr. Mousset?
14:09Anton,
14:10please.
14:11We're going to publish
14:12an article about you,
14:14commissioner,
14:14and I want to give you
14:15the right to respond.
14:18Here is a draft copy
14:19of the piece.
14:23Let me know
14:24when you're
14:25ready to talk.
14:30Inspector,
14:31that was your contact
14:32at the Met,
14:32wasn't it?
14:33You know where
14:34Solomon is?
14:35Palm Beach Hotel.
14:36I'm coming with you.
14:55It's something I could
14:56easily live without.
14:58But once you have
14:59your own private jet,
15:00it's hard to give that up,
15:01you know?
15:02I love it.
15:04Ladies,
15:05here's what fun night,
15:06right?
15:11Solomon!
15:13Mervin!
15:14Oh!
15:15I'm just seeing you here,
15:16man!
15:17I was just talking
15:17about you.
15:18Come, come, come, come,
15:19come, come.
15:20Meet Tashel
15:22and Tashana.
15:23This is my brother,
15:25would you believe?
15:25Mervin!
15:26We're half-brothers.
15:27Where's my stuff?
15:28You stole from me
15:29and I want my things back.
15:30I never stole anything.
15:32He gets confused sometimes.
15:34Had a bump to his head
15:35a few years back.
15:35Solomon!
15:37I'm not joking around.
15:38You get me my things now
15:40or I arrest you.
15:41It's your choice.
15:43Okay, man.
15:44I understand.
15:46Let me just...
15:53Oh!
15:54Oh!
15:55Oh!
15:55Are you okay?
15:56I'm fine!
15:57Come and get him!
15:58Oh!
15:59Oh!
16:00Oh!
16:01Oh!
16:02Oh!
16:03Oh!
16:06Oh!
16:08Oh!
16:09Oh!
16:13Oh!
16:14Oh!
16:17Oh!
16:17Oh!
16:18Oh!
16:19Oh!
16:21Oh!
16:21Oh!
16:21Oh!
16:22Oh!
16:24Oh!
16:25Oh!
16:25Oh!
16:26Oh!
16:27Oh!
16:30Oh!
16:31I just, I really needed the money.
16:34I'm in debt.
16:35And it's to the kind of person
16:37you don't much want to be in debt to.
16:41I'm sorry I let you down, I just,
16:45I didn't know what else to do.
16:47I just need my stuff back, Sol.
16:5024 hours.
16:52Otherwise, I'm pressing charges.
16:54Do you understand?
16:56Appreciate it, man.
17:12So, we dusted the bingo ball for prints, sir,
17:16like you requested, but got nothing from it.
17:18Oh, oh well, worth a try, eh?
17:22Right, what else we got?
17:24We've done background on both couples.
17:27The Hartnells live in Islington in London.
17:31He's a barrister.
17:32She runs a luxury interior design business.
17:35Ah, very Islington.
17:36They did a brief spell of grief counselling
17:39with another therapist shortly after their daughter died.
17:42She was only 17.
17:45Seems their marriage has been struggling ever since.
17:48What about the Warbers?
17:50Also live in London.
17:52Luke works in finance, earns well,
17:54has been married to Stacey for three years.
17:56I've been reading the victim's notes on both couples.
18:00She records a lot after her sessions with them,
18:03especially on the dictaphone.
18:04But it's okay.
18:06Officer Rose is working on it.
18:08Yes.
18:09Yes, I am.
18:10I am totally on top of it.
18:12So don't you worry, inspector.
18:15It seems the Warbers came out here
18:17because they've been having intimacy issues.
18:21It's been 18 months since they were last intimate with each other.
18:26When you say intimate, you mean intimate?
18:29Yes.
18:30And according to the notes,
18:32the issue is entirely on Luke's side.
18:34And in one of their last sessions,
18:36Miss Mayhew got him to admit why he was like this.
18:40Go on.
18:4218 months ago, Luke was unfaithful.
18:45He had a one-night thing.
18:46Naughty, naughty boy.
18:48Mm-hmm.
18:49With him wife's sister.
18:51Cha-cha.
18:52Oh, sorry, what?
18:54Mm-hmm.
18:55And ever since, he's been wracked with guilt and shame.
18:57Why?
18:58He's been a busy, busy man.
19:00I mean, that explains why he can't do the business.
19:03Mm-hmm.
19:04Now, Kira told him that he needs to confront it.
19:09That he can't ignore it anymore.
19:12She was suggesting he tell Stacey.
19:14I think she knew their marriage couldn't move forward
19:16based on a betrayal like that.
19:18Is that what Kira Mayhew was referring to when she said...
19:23My instinct on this is that a lie is being told.
19:27So Luke killed her to silence her?
19:31Stop the truth coming out?
19:37It's a cliché, isn't it?
19:39Saying something's the biggest mistake of your life.
19:41How did it happen?
19:43Oh, I don't know.
19:44I just...
19:46People flirt, you know?
19:48With Stacey, we go for a night out and the blokes swarm in.
19:53I mean, you've seen her.
19:54She's gorgeous.
19:55She could have anyone if she wanted.
19:58And what happened with me and Chelle, her sister,
20:01it felt like I was...
20:03Like I was proving myself that I've still got it too, you know?
20:07But something in you must have wanted to come clean
20:09because you admitted it to Kira Mayhew.
20:12I thought she'd help.
20:13In what way?
20:14Obsolve me of the guilt if I opened up.
20:18I think that's a priest you're after.
20:19But all she said was that the marriage couldn't survive
20:22if it was built on a betrayal like that.
20:26She's normally so calm and measured,
20:27but with that...
20:30It really bothered her.
20:32Like she wasn't going to let it go.
20:35And that's what worried you.
20:37Panicked you that she would tell Stacey herself.
20:40And then you'd lose your gorgeous wife completely.
20:42But you weren't going to let that happen.
20:44And that is why you murdered Kira Mayhew.
20:46No.
20:47No.
20:48That's why I've come to you,
20:49because I know what it looks like.
20:52But it wasn't me who killed her.
20:55I swear to you.
20:59Alright.
21:01That's all for now.
21:16What a moron.
21:17Sir?
21:22Inspector.
21:25Postmortem's in.
21:26Confirms what we thought.
21:28Water in the victim's lungs
21:29confirms she died due to droning.
21:32Finger marks on her shoulders and neck
21:34suggest she was forced under the water.
21:37But how did the killer manage to do it?
21:39To leave from the dinner table here,
21:42run down to the beach,
21:44drown Kira,
21:45then get back to the dinner table,
21:47seemingly with not a spot of water on them,
21:49and in just a few minutes.
21:52And how does this figure into all of this?
21:54Why was it at our crime scene?
21:56You do know things get washed up on beaches all the time.
22:00Yeah,
22:01but a bingo ball?
22:04Officer Rose.
22:08Officer Rose.
22:10Officer Rose.
22:13Huh?
22:14Have you made any progress with the tapes yet?
22:16No progress as such,
22:18but I assure you,
22:19when I get something,
22:20you'll be the first to know.
22:22Inspector,
22:22I just spoke with the victim's mum, Sandra.
22:25Go on.
22:25To this day,
22:26her mum doesn't know why Kira left the UK.
22:30She didn't just want a change of scene?
22:32No,
22:32it was totally out of the blue.
22:34Overnight,
22:35Kira left her fiancé,
22:37announced that she was setting up a practice abroad,
22:39never even kept in touch with any of her friends.
22:42So it got me thinking,
22:44could Kira Mayhew's murder be connected to something that happened back in the UK?
22:48Hmm.
22:52Also, sir,
22:53Kira's mum spoke with her just before that swim,
22:57while she was heading down to the beach.
23:02And she's...
23:04Officer Rose,
23:05see what's going on out there, will you?
23:11Anyway,
23:13she said Kira seemed distracted.
23:16Distant, even.
23:17Her mum said it was like she wasn't even present.
23:20Inspector,
23:21some big-headed brother in a sports car
23:24is asking for you.
23:35So,
23:36you got my stuff then?
23:37Not in a physical sense,
23:39no.
23:40What's that supposed to mean?
23:41Been a busy day.
23:42Bit of business here,
23:43bit of business there.
23:44Always somewhere I got to be in Salomon land.
23:49But,
23:50I know who has your thing,
23:51so,
23:54jump in,
23:55and let's go get there.
24:05So this is where all my stuff is.
24:07Nice.
24:08It's Myrtle Chastanet's place.
24:11You ever come across her?
24:12No,
24:13funnily enough.
24:14She's the kind of person you go to
24:15if you have some things to sell it,
24:17maybe other people,
24:18maybe less inclined to.
24:19So she fencing stolen goods?
24:20It's not for me to put a label on what...
24:22So that's a yes.
24:24We'll have you reunited
24:25with your stuff in no time.
24:27She's a very amenable woman.
24:31Who is it?
24:32Myrtle?
24:33It's Salomon Clark,
24:34remember me?
24:35Got my brother here with me.
24:37It was his stuff I sold you,
24:39and...
24:40We were wondering if we could get it back.
24:42No!
24:43No, clear up!
24:45Myrtle!
24:46Honey!
24:47Don't you honey me, monster!
24:48She's a lot more vexed
24:49than I remember her being before.
24:51Myrtle,
24:51I'm going to cut to the chase.
24:53You are currently in possession of items
24:55illegally taken from my home.
24:59Myrtle!
25:04Think she's thinking about it.
25:09What the...
25:11What's she doing that for?
25:13What is this stuff?
25:16It's in my eyes!
25:17It's burning!
25:19Hot sauce.
25:20Why she pour hot sauce over me?
25:22I don't know, man.
25:23But it got to admit,
25:25kind of funny.
25:30Myrtle, what are you playing at?
25:31How much hot sauce has she got?
25:33Why has she got so much of it?
25:34I think it's some bullet teeth she got going on.
25:35And if that's not sent you packing,
25:37then I will set Tiberius on you.
25:39Who's Tiberius?
25:42Feels like we come at a bad time.
25:44Maybe we should come back and have a deal.
25:49They're threatening to publish this article.
25:54Doesn't hold back, does it?
25:57After everything I've done for this, I learn.
26:01This is the thanks I receive.
26:03And the fact that Anton Boussetty's sharpening the knives
26:07is of no surprise to me.
26:10You and he have history?
26:13Because I have no respect for his gossip-mongering rag.
26:17This isn't journalism.
26:19This is attention-rubbing rhetoric.
26:25What?
26:29This island petitioned to get you your job back.
26:34And you walked away without any explanation,
26:37like you didn't care.
26:38And now, months later,
26:40you come back as if nothing happened.
26:43I do care.
26:45You know that.
26:47But others don't.
26:50All they know is that their commissioner of police
26:54abandoned them.
26:56It's up to you to change their minds.
27:00Oh, my eyes won't stop singing, man.
27:03Tell me about it.
27:04The sun should go down into my trousers.
27:09I'm telling you, Mervyn,
27:11there's hot sauce in place.
27:12This hot sauce is not supposed to go, Mervyn, man.
27:15Oh.
27:22That's what some mighty fiery sauce
27:24my husband's been cooking up.
27:26I mean, look at us.
27:27We're covered in this stuff.
27:29Like a couple of chicken wings.
27:47You're a liability soul.
27:51You know that.
27:54My life has been turned upside down
27:55since you came into it.
27:57Yeah, I kind of have that effect.
28:02I can't live like that, man.
28:06I'm a detective inspector.
28:09Do you understand that?
28:13And I need my clothes back.
28:15And I need to not be chasing around after you.
28:21This is not how I...
28:31I'm sorry, I'm on.
28:39I don't know.
29:11Oh, hey, Sarge.
29:13Yeah, all right there. You same boat?
29:15Yeah, just, um, yeah. What are you doing here?
29:18Been having drinks with a friend from Jamaica.
29:21I was just on my way home when I see the lights are on.
29:24And I realize Officer Rose is working late.
29:27Why is Officer Rose working late? I'm asking myself.
29:30Yeah, just, um, going through these tapes.
29:36Still. Still on these tapes.
29:41And which one you on now, then?
29:44Tape number two.
29:46Two? Tape two? Is that all?
29:49I'm sorry, Sarge. It's just, every time I start listening,
29:53my mind just wanders somewhere else.
29:55Then I start thinking about other things.
29:57So then I rewind the tape to the beginning,
30:00but then the same thing happens all over again.
30:03It's...
30:07It's just...
30:09my brain, you know?
30:11Can get a bit fidgety sometimes.
30:13Like, I know what I'm meant to be doing,
30:16and I intentionally try to do it,
30:18but my mind just does its own a thing.
30:23I just want to finish this.
30:28Hmm.
30:30All right.
30:31How about...
30:33we go through this together?
30:35You and me.
30:37You sure, Sarge?
30:39I know.
30:40If it was me here needing assistance,
30:42you would do exactly the same thing.
30:45Right?
30:46Do you want to do it all night?
30:48No.
30:51I'm just joking.
30:52Of course I would.
30:52No question.
30:54So there you go then.
30:57All right.
30:58Let's do this thing.
31:03My boy.
31:06So,
31:07you have a good time with your friend?
31:08Oh, it was cool, you know.
31:10Yeah?
31:11Nice to hear all the gossip going on back in Kingston.
31:15You know, you never did tell me why you left Jamaica.
31:25I left
31:27because of a guy I was seeing.
31:31Things got complicated
31:33between us.
31:36and, um...
31:38I just realized
31:39the best thing that I could do
31:43was just to turn and walk away.
31:47Mm.
31:48Mm.
31:50Mm.
31:52Mm.
31:54Mm.
31:54Mm.
31:55Mm.
31:56Mm.
31:56Mm.
31:56Mm.
31:58Mm.
31:59Mm.
32:02Mm.
32:26Good morning, Isaac.
32:28Good morning.
32:29Good morning, Clarence.
32:31Good morning.
32:32Good morning, Clarence.
32:35Good morning.
32:36So, so, let me look.
32:37Let me look.
32:37Let me see.
32:38You could do that.
32:39OK, I, I want that one there.
32:41That big one.
32:42And this one.
32:46Good morning, Saaj.
32:47Morning.
32:48Morning.
32:49Morning.
32:51Inspector.
32:53I'm here.
32:55We got your message.
33:05So, I was doing a bit of nosing around the old place and, uh, bingo.
33:10Literally.
33:10Oh, so that's where it came from.
33:12Yeah, apparently this place used to be a resort for the over-60s.
33:15So this must have been here since then.
33:17Okay.
33:18So, how do you explain one of those bingo balls ending up on the same beach as our crime scene?
33:24Well, it didn't magic itself there, did it?
33:26Somebody must have taken it from this.
33:29So we're going to have to dust it for prints.
33:31I could do that for you, sir.
33:33Oh, nice one.
33:36How about you two? You got something?
33:38So, the tapes Cara Mayhew recorded over the last week, there was ten hours of it.
33:44And throughout it all, when she talks about Alistair and Margot Hartnell,
33:48she doesn't once mention they lost a daughter.
33:51She was only 17.
33:53Seems their marriage has been struggling ever since.
33:58Which was kind of odd, right?
34:00So we did some digging.
34:02Their daughter Charlotte was killed in a car accident, a hit and run.
34:06But the person who did it was never found.
34:09All that was known was that it was a female driver.
34:12Only, the hit and run happened outside the family home in Islington.
34:17Kira Mayhew's practice was just over a mile away.
34:21Also, it happened on the 1st of April, 2021.
34:25And Kira Mayhew, she moved over here six weeks later.
34:28Is it possible that that's what it was?
34:33Kira was behind a car accident?
34:37That's good work.
34:38A pair of you.
34:39Well done.
34:40You go and get that dusted and we're going to talk to the Hartnells.
34:46So who's going to hold this then?
34:49We didn't come here because we suspected Kira Mayhew was a woman who killed our daughter.
34:54We came in a last ditch attempt to save our marriage.
34:57Truly, we did.
34:59Then why did you never mention to Miss Mayhew the fact that you lost your daughter?
35:03By your own admission, your relationship problem started five years ago at the same time.
35:11We didn't talk about it with her.
35:14Because we never talk about it.
35:16It's easier if we don't.
35:18Margot tries, bless her.
35:19Or used to, you know, to try to get me to open up.
35:22But I just can't bear it.
35:28I don't want to lose her.
35:29I want to fix our marriage, but I can't if I have to churn all that up again.
35:37I'm just not strong enough.
35:39It's all right, my love.
35:51If the Hartnells didn't come here for revenge, then the question still remains.
35:55Why did Kira Mayhew leave London five years ago?
35:57What happened to make her suddenly up sticks and move to the other side of the world?
36:01Please give me a call when you get this.
36:04Just, just let me know you're okay.
36:10So, it's Stacey.
36:12I think she's had a meltdown.
36:14I haven't seen her since yesterday.
36:17I think she knew.
36:18I think Kira told her about me and her sister.
36:24Mishnah, everything all right?
36:27We'll look into it.
36:42I saw she was upset, crying.
36:45So, I went over.
36:47As soon as she said she was staying at the conference retreat, I called you.
36:52Couldn't get much from her, except she didn't want me to phone her husband.
36:59Yeah.
37:00Well, that's hardly surprising.
37:04Sir, um...
37:05Maybe I should take this one?
37:21Everyone knows, don't they?
37:22Only us.
37:24May I?
37:31Can you tell me when you found out, Mrs. Warbur?
37:37Thursday night.
37:38I went to get some air on the beach and Kira was there.
37:42She'd been drinking.
37:44I'd not seen it like that.
37:45She'd always been so composed.
37:47She could hardly stand up, so...
37:49I helped her back to her bungalow.
37:52She was sort of rambling.
37:54Talking about some guy who had betrayed her back in England before she moved here.
37:59I'd been cheating on her.
38:01I got her home and put her on the couch.
38:04And she looked me in the eyes and spoke to me.
38:07Stacey.
38:08Like it really mattered.
38:09Don't be like me.
38:11Don't be, Stacey.
38:12There was just something in the way she'd said it.
38:15And I knew she'd had a one-to-one session with Luke that day and maybe whatever he'd said had,
38:20like, triggered her.
38:22It reminded her of her own betrayal.
38:24That's why she was drunk.
38:27So when she was asleep, I saw her notebook.
38:34I felt sick.
38:36Couldn't even process it.
38:39Couldn't even breathe.
38:42So I just pretended I didn't know.
38:45Stacey, you've been through a lot in the last couple of days.
38:51If you were in denial, if Kira was pressing you to confront what you'd found out...
38:58No. No, I didn't.
39:00I admit there was all this pent-up stuff inside me, but I didn't kill Kira.
39:05I swear.
39:14All right.
39:16Well, thank you for talking with me, Mr. Shaw.
39:19What did the ex-boyfriend have to say for himself?
39:21The ex-fiancé, the affair he was having had been going on for three whole years behind Kira's back when
39:29she found out.
39:29Well, that must have flawed her.
39:32I mean, her job is to provide relationship advice, and all the time she was blind to a three-year
39:36-long deception.
39:38Explains why she suddenly opt and left for another country.
39:41And why Luke's betrayal triggered her so much.
39:44And why she had one or three over the limit.
39:46But it still doesn't explain why she was murdered three nights ago.
39:52Inspector Diaz-Thomas, I think we got something.
40:01Patrick Campbell, therapist. Consultation fee, $150.
40:07He's based in Guadeloupe. Specializes in hypnotherapy.
40:11Kira called him Friday afternoon, asking for advice.
40:16He offered to share their conversation as part of our investigation.
40:20On what?
40:22She said a client of hers, Margot Hartnell, had just opened up to her and was struggling with the memory
40:27of an event of her recent past.
40:29Because she had completely blocked it out, which apparently is not uncommon for people dealing with traumatic experiences.
40:35And according to Mr. Campbell, it's a pretty unorthodox approach for Kira to resort to hypnotherapy so early on in
40:42the process.
40:43But she was convinced it was necessary.
40:45So this forgotten memory, do we know what it's to do with?
40:49The night their daughter was killed in a hit and run five years ago.
40:53Mrs. Hartnell does not remember a thing about it.
40:57But ever since, she's been growing this feeling of guilt, you know?
41:02Like, maybe she might have done something bad that night.
41:07Wait, you don't mean...
41:11All that was known was that it was a female driver.
41:15Mrs. Hartnell wanted it all off the record.
41:18That's why there was nothing in her notes or recordings.
41:23Right, we need to talk to Mrs. Hartnell.
41:25And that therapist.
41:26We need him here sharpish.
41:27Come on.
41:30Well, at first it was just guilt I felt.
41:33Our grief counsellor said it was normal as a parent to feel a sense of responsibility.
41:39Look, whatever I did five years ago, I want the truth to come out.
41:42If you think I killed Kira Mayhew because I wanted to stop that happening, you're wrong.
41:47She arranged for me to have hypnotherapy today.
41:50Well, that can still happen, Mrs. Hartnell.
41:53We've arranged for a hypnotherapist to speak with you, if you feel you're able.
41:59Inspector!
42:01If you wouldn't mind going with Sergeant Fletcher.
42:04Yeah.
42:09I guess all we can do now is wait.
42:17Ah.
42:18We're back to the bingo ball.
42:20Inspector!
42:21Sarge.
42:23Just got back from dusting off the bingo ball machine for prints.
42:26Unfortunately, nothing.
42:29Nothing.
42:34What's up with the inspector?
42:36Am I right?
42:40Inspector!
42:41Everything all right, sir?
42:42You've got something?
42:45Sir, what are you doing?
42:50It's a little experiment.
42:52The bingo balls float.
43:08The bingo ball floats.
43:11Yeah.
43:13Okay.
43:13So, why take it out of the bingo ball cage thingy and bring it to the sea?
43:20To the water's edge?
43:22Was it just to see if it floats?
43:26Or, maybe it's to see where it goes?
43:33In which case...
43:35So, how did one of them manage to leave the dinner table, run down to the beach, somehow
43:39get themselves 100 metres out to sea, drown Keira Mayhew?
43:43None of them left the table for more than two to three minutes at a time.
43:47And was that a regular thing, or going for a swim at that time?
43:51Like, most evenings.
43:53She said Keira seemed distracted.
44:00Of course!
44:02That's why you were there, you little beauty!
44:09Okay, I need to speak to a fisherman, or an oceanographer, ologist type of person, basically anyone
44:14who knows the currents in this bay.
44:16Dears Thomas, I need a toxicology report done on Keira Mayhew.
44:20Officer Rose, I need you to collect some evidence from her office.
44:23But you know who did it?
44:24I do, and I know how they managed to drown Keira Mayhew 100 metres out at sea, without even
44:31stepping a foot in the water.
44:33Come on!
44:38For those wondering why Margot Hartnell isn't here with us, it's because she's currently
44:43with a hypnotherapist, doing what she was always supposed to be doing today, trying to recover
44:48a buried memory of what really happened five years ago, the night her daughter died.
44:55Why am I telling you this?
44:57Because Margot's therapy sessions were meant to be conducted by Keira Mayhew, until somebody
45:04tried to stop the truth from coming out.
45:06By murdering her, Mr. Hartnell.
45:13Me?
45:14I did no such thing.
45:16Oh, but you did.
45:17I know you did.
45:19But how?
45:19I was at dinner when it happened, on dry bloody land.
45:23Yeah, you were.
45:24Which is why it was so clever of you.
45:26But now that I've got a better understanding of what's gone on, I believe you created a small
45:31window of opportunity in which to commit murder.
45:33But not 100 metres out at sea.
45:37You drowned Keira Mayhew right outside your own bungalow.
45:43Because from the very start of this case, we've worked on the assumption that as Miss
45:48Mayhew's body was discovered 100 metres out at sea in a straight line from where she swam,
45:54that's where she was drowned.
45:56But what if actually, when Miss Mayhew went for her evening dip, she preferred to swim along
46:31the shore rather than out from it?
46:33You're not seriously suggesting I was able to physically drown a fit and healthy woman in
46:39that time without getting soaked in water?
46:41Yeah.
46:42Sounds impossible, right?
46:44But I don't think Miss Mayhew was as fit and healthy as she might normally be.
46:48Hey, I believe you sedated her.
46:53We know that your wife uses sleeping pills.
46:56None of us been to bed.
46:57I'm not a sleeping pill.
47:00And we also know that you are the last person to have a one-to-one session with Miss Mayhew
47:04that
47:05day at 5pm.
47:06One-to-one sessions in the afternoon with Stacey Warbur, then Alistair Hartnell.
47:12And while there, we believe you spiked her drink when she wasn't looking.
47:21We didn't believe Kira was drugged because the finger marks on her neck suggested she
47:25was held down by force and drowned.
47:28We're awaiting the toxicology report and results from the glass Kira drank from.
47:33And I've no doubt we'll get confirmation that there were significant traces of sleeping
47:37pills in her system.
47:39And so, while Miss Mayhew was swimming, she suddenly felt drowsy and swam ashore.
47:48When you returned to your bungalow under the pretense of getting your glasses, you ran down
47:54to the beach where Miss Mayhew was lying unconscious on the sand.
47:57And then you did two things.
48:00First, you grabbed her neck and shoulders, making sure to leave bruises so it would look
48:06like someone had strangled her and forced her under the water.
48:11Before moving her into the sea for her to be carried away, making sure that she was face
48:17down, so if they're still unconscious, her lungs would fill with water.
48:22It took less than a minute.
48:25All you had to do now was hurry back to the dinner table and leave Kira to drown and let
48:31the sea do the rest of the work for you.
48:35We checked with a local oceanologist at the university and the current in this bay moves in a northwesterly direction,
48:44which means it would have carried Miss Mayhew's body diagonally,
48:48taking her from your bungalow here to where her body was discovered here.
48:54And with her clothes being left on the beach here, we'd all assume she swam in a straight line.
49:02Now, you had no idea where the currents would take Kira's body.
49:06So, you had to test it first, didn't you?
49:11You went and found this.
49:14And you threw it into the sea to observe which route it took, which was conveniently in a northwesterly direction,
49:20from your bungalow directly to where Kira began her nightly swim.
49:24And that's when your plan finally came together.
49:27Kira's body was found still at sea, not long after she drowned.
49:32But this ball, left overnight, ended up washing up ashore.
49:36And that was your undoing.
49:38But, why would he do this to her?
49:41Because he didn't want Kira to help his wife remember.
49:45Or remember what?
49:46What he did.
49:54I remember, Alistair.
49:58I remember all of it.
50:02All the horror of it.
50:05You rushing in and telling me someone had hurt our little girl.
50:11And I remember the ambulance and the police and the shock and the pain.
50:20And I remember you coming in and holding me in tears, shaking.
50:29Both of us heartbroken.
50:34And I remember, in that moment, the smell of alcohol on your breath.
50:45And I remember coming back inside.
50:51And seeing you.
50:59I checked the original case file, Mr. Hartnell.
51:02And the phone call to the police, in which the hit-and-run driver was described as female,
51:08came from an anonymous caller.
51:11That was you, wasn't it?
51:13Trying to direct suspicion away from yourself.
51:23I would have lost everything.
51:33Alistair Hartnell, I'm arresting you on suspicion of the murder of Kira Mayhew.
51:38You didn't have to say anything, but it may harm your defense if you do not mention when questioned
51:43something you later rely on in court.
51:58I never want to see you ever again.
52:16Well, well, well, good evening to you both.
52:20Good evening.
52:21Catherine, we spoke at Marianne Edwards' charity barbecue, I think.
52:25I don't remember.
52:27I certainly enjoyed our little chat.
52:32Commissioner, can I get you a rum?
52:33That won't be necessary.
52:35This won't take that long.
52:36Think I'll have one, Catherine, if you wouldn't mind?
52:41I appreciate you giving me an advance copy of the article.
52:46Here is my written statement in response.
52:50Saying.
52:52I agree with every single word you've written.
53:00Sorry?
53:01After receiving some sage advice from my good friend here,
53:04As I say in my statement,
53:07it hurt to think that the bond I had forged with this island had been broken.
53:13But the circumstances were of my own making.
53:17So, I will be the one to fix it.
53:20And how will you do that?
53:22As of tomorrow, I will be commencing an initiative with my team.
53:27And with a little help from the island's mayor.
53:29An initiative to strengthen our relationship with the community.
53:36So, if you'll excuse me, I have work to do.
53:40Good evening.
53:44Well, he just killed my article, didn't he?
53:48With one single shot.
53:51I think he maybe just has.
53:57Enjoy your evening.
54:00Good evening.
54:00Good evening.
54:14Good evening.
54:17Good evening.
54:21Good evening.
54:21Good evening.
54:21Good evening.
54:32Sorry, mate. That's my hat.
54:54Hey, Sol.
54:57Look, I just got home and I saw you brought all my stuff back.
55:01Oh, you know, worth the old Solomon Clark magic.
55:05Yeah, well, I just wanted to say thank you.
55:08Did you have to give Murtle their money back?
55:10I mean, you're not in debt still, are you?
55:12Ah, don't worry yourself.
55:14Anyway, man, got to get the boat back to Antigua.
55:17Got some business over there that needs attendant.
55:20Of course you have.
55:21I mean, there's always something going on in Solomonland, right?
55:25You said it.
55:29Um, look.
55:32What about us now?
55:35I mean, what do we do next?
55:39I don't know, man.
55:40Like you said, I am troubled.
55:43A detective doesn't need that in his life.
55:45So, I didn't mean...
55:47Maybe I shouldn't have...
55:48Said, Dan, no disrespect to you, bro, but...
55:53Ain't much good to me having a police officer around.
55:56Got a reputation to keep.
55:58Yeah, yeah, no, I...
56:00Tell me I understand.
56:03Look, man.
56:05We tried this and...
56:08Maybe it just wasn't meant to be here, no?
56:10Look after yourself, brother.
56:12Yeah, you too.
56:14Look, Solomon, I...
56:15Don't get a job, bro.
56:16I'm the one guy who is a guy.
56:16Oh.
56:16Oh, boy.
56:16I guess not.
56:17Oh, boy.
56:37Oh, boy.
56:42I'm the ace-robat.
56:44You do your lawn, you do your lawn
56:46What you're doing is lawn
56:52I saw you passing by
56:57Hello, neighbor. Quiet morning.
57:00Was.
57:01Henry Ashby moved to St. Marie ten years ago.
57:04Henry was definitely mixed up in something murky.
57:06The victim's copy of this book was missing from his bookshelf.
57:09So, where is it?
57:10I need to reassure you that this island still matters to me.
57:16Why did the detective not bother showing up?
57:18Why was your moped seen outside the victim's villa up in the hills?
57:22Did you ever catch them, Inspector?
57:24I'd sleep much better knowing you did.
57:25It wasn't me!
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