يمكنكم مشـــــــــاهدة الحلقة كـــــــاملة على الرابط التالى :
"كيف استطاع مسلسل 'رمضان كريم' أن يصبح طقساً سنوياً للمصريين؟ رحلة في عقل مؤلفه أحمد عبد الله."
"من الكوميديا الصارخة في 'اللي بالي بالك' إلى تراجيديا 'ساعة ونص'.. كيف تنقل أحمد عبد الله بين هذه العوالم؟"
#أحمد_عبد_الله #سيناريست #بحر_النجوم #الدراما_المصرية #سينما_الواقع
#فيلم_الفرح #فيلم_كباريه #فيلم_ساعة_ونص #اللي_بالي_بالك #فيلم_الليلة_الكبيرة.
#مسلسل_رمضان_كريم #بين_السرايات #حارة_اليهود #مسلسل_الأدهم.
#الحارة_المصرية #كتابة_السيناريو #دراما_رمضان #محمود_الجندي #سيد_رجب.
"من قلب الزقاق المصري، ومن صخب الأسواق الشعبية، استطاع الكاتب أحمد عبد الله أن ينسج قصصاً تشبهنا.. في هذه الحلقة من برنامج (بحر النجوم)، نغوص في عالم السيناريست الذي أعاد تعريف 'الدراما الشعبية'.
نتأمل كيف استطاع ببراعة أن يوثق أحلام وبطولات ومواجع الإنسان البسيط، بعيداً عن الكليشيهات. من نجاحات 'الفرح' و'كباريه' في السينما، إلى روائعه التلفزيونية مثل 'بين السرايات' و'رمضان كريم'. انضموا إلينا لنكتشف سر الخلطة التي جعلت حواراته تجري على ألسنة الناس، وكيف أصبح مرآة صادقة للحارة المصرية في الألفية الجديدة."
ونزداد إحتراما بالتعليق و كذلك المشاركة .....
برنامج "بحر النجوم" هو برنامج تلفزيوني متنوع يُعرض على قناة القاهرة، ويُعد من البرامج المميزة في الفضائيات المصرية. يتميز البرنامج بتسليط الضوء على السيرة الفنية للفنانين الذين تركوا بصمة واضحة في الثقافة العربية والمصرية، مقدمًا للمشاهدين نظرة عميقة على مسيرتهم الفنية وإسهاماتهم التي أثرت في حياة الكثيرين. منذ انطلاقته الأولى في عام 2014، استطاع البرنامج أن يجذب جمهورًا واسعًا بفضل المحتوى الغني والتقديم الجذاب الذي يحتفي بالفن الرفيع ويحيي الذكريات الجميلة التي تعيش في الوجدان. يُبث البرنامج عبر القمر الصناعي نايل سات على التردد 11178/V، مما يسهل الوصول إليه لمشاهدين من مختلف أنحاء العالم العربي، مما يعكس الدور الهام الذي تلعبه الفضائيات في توحيد الثقافة وتعزيز التواصل بين الشعوب. يُعد "بحر النجوم" مثالًا رائعًا على كيفية استخدام الإعلام للاحتفاء بالإنجازات الفنية وتقدير الفنانين الذين أغنوا الساحة الفنية بأعمالهم الخالدة.
سيناريو وحوار أحمد عبد الله، مؤلف مسلسل رمضان كريم، كاتب فيلم الفرح وكباريه، تحليل أعمال أحمد عبد الله، لقاء السيناريست أحمد عبد الله، دراما الحارة الشعبية، أفضل مسلسلات مصرية، برنامج بحر النجوم الحلقة الجديدة
"كيف استطاع مسلسل 'رمضان كريم' أن يصبح طقساً سنوياً للمصريين؟ رحلة في عقل مؤلفه أحمد عبد الله."
"من الكوميديا الصارخة في 'اللي بالي بالك' إلى تراجيديا 'ساعة ونص'.. كيف تنقل أحمد عبد الله بين هذه العوالم؟"
#أحمد_عبد_الله #سيناريست #بحر_النجوم #الدراما_المصرية #سينما_الواقع
#فيلم_الفرح #فيلم_كباريه #فيلم_ساعة_ونص #اللي_بالي_بالك #فيلم_الليلة_الكبيرة.
#مسلسل_رمضان_كريم #بين_السرايات #حارة_اليهود #مسلسل_الأدهم.
#الحارة_المصرية #كتابة_السيناريو #دراما_رمضان #محمود_الجندي #سيد_رجب.
"من قلب الزقاق المصري، ومن صخب الأسواق الشعبية، استطاع الكاتب أحمد عبد الله أن ينسج قصصاً تشبهنا.. في هذه الحلقة من برنامج (بحر النجوم)، نغوص في عالم السيناريست الذي أعاد تعريف 'الدراما الشعبية'.
نتأمل كيف استطاع ببراعة أن يوثق أحلام وبطولات ومواجع الإنسان البسيط، بعيداً عن الكليشيهات. من نجاحات 'الفرح' و'كباريه' في السينما، إلى روائعه التلفزيونية مثل 'بين السرايات' و'رمضان كريم'. انضموا إلينا لنكتشف سر الخلطة التي جعلت حواراته تجري على ألسنة الناس، وكيف أصبح مرآة صادقة للحارة المصرية في الألفية الجديدة."
ونزداد إحتراما بالتعليق و كذلك المشاركة .....
برنامج "بحر النجوم" هو برنامج تلفزيوني متنوع يُعرض على قناة القاهرة، ويُعد من البرامج المميزة في الفضائيات المصرية. يتميز البرنامج بتسليط الضوء على السيرة الفنية للفنانين الذين تركوا بصمة واضحة في الثقافة العربية والمصرية، مقدمًا للمشاهدين نظرة عميقة على مسيرتهم الفنية وإسهاماتهم التي أثرت في حياة الكثيرين. منذ انطلاقته الأولى في عام 2014، استطاع البرنامج أن يجذب جمهورًا واسعًا بفضل المحتوى الغني والتقديم الجذاب الذي يحتفي بالفن الرفيع ويحيي الذكريات الجميلة التي تعيش في الوجدان. يُبث البرنامج عبر القمر الصناعي نايل سات على التردد 11178/V، مما يسهل الوصول إليه لمشاهدين من مختلف أنحاء العالم العربي، مما يعكس الدور الهام الذي تلعبه الفضائيات في توحيد الثقافة وتعزيز التواصل بين الشعوب. يُعد "بحر النجوم" مثالًا رائعًا على كيفية استخدام الإعلام للاحتفاء بالإنجازات الفنية وتقدير الفنانين الذين أغنوا الساحة الفنية بأعمالهم الخالدة.
سيناريو وحوار أحمد عبد الله، مؤلف مسلسل رمضان كريم، كاتب فيلم الفرح وكباريه، تحليل أعمال أحمد عبد الله، لقاء السيناريست أحمد عبد الله، دراما الحارة الشعبية، أفضل مسلسلات مصرية، برنامج بحر النجوم الحلقة الجديدة
Category
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Short filmTranscript
00:02foreign
00:12foreign
00:14.
00:44What do you want to go to the street?
00:45You have to go to the street.
00:46You don't have to go to the street.
00:48I'm a man.
00:50I'm a man.
01:04What do you want to go to the street?
01:10The street.
01:14The street.
01:17The street.
01:21He said in the film, he said in the film of his son,
01:24about Israel. This was a time ago.
01:28But, as he said, the world was the art of the art,
01:32which was the one who saw it,
01:33which was a culture of the art, like Khalid Saliha, Khalid Al-Sawi,
01:38Talab Al-Aziz, Mحمd Heneidi, Mحمd Sajd,
01:41before he entered the cinema, Khalid Al-Hajar, Mamedouh Madaah,
01:46Heaniyashar, and a lot of them talked about their relationship with Ahmed Abdullah, who was not here, but he was
01:55able to do a separate analysis or
01:56a separate analysis, but even if he wrote an article, he was able to stay on the projector, the projector
02:02of the projector,
02:03in the decoration, in the decoration, in the decoration.
02:10No, no, no, no, no.
02:12This is my husband.
02:13It's my husband.
02:14It's my husband.
02:15It's my husband.
02:20It's my husband.
02:23I'm a gift from God.
02:24I'm sure he's happy right now.
02:27Do you eat anything?
02:28I'm sure you eat anything.
02:32The only film that is from my parents, from my parents, who would like to be written by him
02:41This is an innocent idea for me.
02:42I'm saying that this is very interesting.
02:44I mean, what does it mean?
02:46What does it mean?
02:47It's just not a Ε Mario Abdullah.
02:49It's a specular, not a scholar.
02:51It's a fan of execution.
02:55It's a fan of the
03:09with the relationship between the sick and the sick and the sick.
03:13After the sick and the sick and the sick and the sick.
03:18I'm going to put my hands on my face.
03:24What did you do?
03:26How did you do?
03:29What did you do?
03:31What did you do?
03:34Oh
04:02I said no one would ever talk.
04:05What do you mean?
04:07You got me back and he died from 13 years old.
04:09All of us!
04:10He gave me a badge.
04:12I got you an asshole.
04:14I stopped.
04:16I was gonna give you a badge.
04:16I got you mad.
04:20What's your name?
04:21Come on.
04:22Good boy.
04:23Ba-bye.
04:28My favorite film is from
04:30from the family of my family.
04:33There is a great job in the last part
04:37and the past one.
04:40I was going to get rid of it.
04:42The job of Ahmed Abdullah was
04:44a place for me to be able to
04:47and to be able to achieve.
04:50Of course there is a job
04:53I don't have to do it.
04:56I don't know how to do this work, but I understand what's going on.
05:04Because every person has these things, especially in the books,
05:10when the writer has a successful success,
05:16they can't afford the movies to them.
05:21And people can't afford the movies to them.
05:24It's also a part of the work of the writer.
05:26And it's also a part of the work of the writer.
05:33In the end, it's a success for everyone.
05:39It's a thousand years ago.
05:43and the end of the day of the day
06:11I'm a soldier!
06:13I'm a soldier!
06:29What are you doing?
06:31What are you doing?
06:32Oster of the army!
06:32I didn't know what the problem is
06:34Your mother died
06:36No, it's not the same
06:37Monfeek..
06:37Not me.
06:38Let's come to your house.
06:39You're a quickie.
06:40Okay.
06:42Her?
06:43Are you?
06:44Yes, no.
06:44You're a good friend your class.
06:49Yes.
06:49You're your family.
06:50I'm a good friend.
06:51You see?
06:51I'm a good friend.
06:53But I'm a good friend.
06:55You're the one you're having.
06:58You're having me, you're having me.
07:01You're having me done.
07:02You're having me.
07:02Don't you say that's cool.
07:03Why you're having me?
07:04Do you even?
07:04You're staying.
07:06Obviously?
07:08Yeah.
07:08Yes, I am.
07:12I am a thief!
07:12I am a thief!
07:13You lovin am I in here!
07:13You are thief!
07:14You lovin am I?
07:15You are islamic!
07:19I want you to be蔭!
07:20What do you say?
07:22You are not saying that I want you to belamic!
07:25I am a thief!
07:27You look at your life, you're a thief!
07:29You can be forgiven?
07:29He is a calm person and despite the circumstances of his work and the life of his work, he is
07:39a person that if you compare him with a phone call that you will be able to contact him after
07:46talking about his work and talking about his work or his work.
07:53If you are not friends of the world, you can't imagine that there is something that you can see.
08:02There is a place where I think that I have seen it many times with the people of the world
08:08of religion.
08:13If there are 3-4 people, or 5 people that I have not connected with them,
08:20you can find that there is no way to see it, and there is no way to see it.
08:34God!
08:36What is your father?
08:37Who is your father?
08:39God bless you, God bless you.
08:40What?
08:43Don't worry about you, because you have entered the world.
08:45Who is your father?
08:47Who is your father?
08:48You are coming to your father.
08:50I have done it with you.
08:52I have done it with you.
08:53What is your father?
08:55I have done it with you.
08:56I have done it with you.
08:57Wait, wait, wait.
08:58I will not move on you.
09:11How do you know?
09:13How did you tell me?
09:13Not from one of your father.
09:16How did you tell me?
09:23No.
09:26What did you tell me?
09:28I have done with you.
09:28I have done it with your father.
09:28The one who was here, will you know when you see it?
09:32You will know it in the dark!
09:33No, look at it here, it's a good thing!
09:35Ahmed Abdullah was a very similar to what he was the compound,
09:40or the compound that was in the street and the street,
09:45and then the Bilya played with it.
09:47Of course, it's not a problem with any of it.
09:51He went back and went back to the other side.
09:53Ahmed Abdullah was a son of the city,
09:57He was living in the civil society, the religious, the loyal to the street of Muhammad Ali Saad.
10:05He was born from 9 years until he got out of the world.
10:11He wrote the first story, the first story, the first scenario, and the first story.
10:16And when he got out of it, after he improved the views and changed it,
10:22he got out of it and lived in it.
10:25And this shows you that you see your thoughts, you don't need anyone to tell you that your thoughts are
10:33affected on people before social media, you can see that your thoughts are affected by the people who live with
10:41them.
10:41And this can be done by the works that I love for you too.
10:45And this is a series between the works that I love for you too.
10:48God bless you too.
10:49And this is my friend.
11:13Thank you very much.
11:20The time that you're tired of getting angry, you've been angry!
11:25Why are you?
11:25I'm going to be angry, I'm not afraid!
11:29The time is over...
11:30I think we did in a different way between the terrorists, which I can see is very important.
11:36And anyone...
11:37I don't just...
11:38I mean, from the majority of the terrorists, these terrorists took me from the terrorists.
11:43There are pictures, and the people who are taking a lot of research, and the world is going to have
11:54a great job.
11:54And the world is going to have a gathering, and the world is going to make sure that it is
11:57going to be a part of the development of the government.
12:00With the society with a great idea and a great idea.
12:04And it's a great idea for people who are talking about it.
12:08And after that, why did you say that I came to you alone?
12:11My brother will be able to see you.
12:16I don't know who you are.
12:18Why?
12:21I'm not sure what you are saying.
12:23Why?
12:25What do you say?
12:26I don't know why it's not a bad thing.
12:27It's a lot easier.
12:29It's a lot easier.
12:29I'm not afraid of it.
12:31It's a lot easier.
12:33But I'll tell you something.
12:34I'll try it.
12:35It's a lot easier.
12:36What are you doing?
12:38What do you think?
12:38Is it just a lot easier?
12:40Listen to me, Hussain.
12:42At the moment, I have to get married with Nusa.
12:43I did not understand you.
12:46I don't understand you.
12:47What do you mean, Nusa?
12:50At the moment, she got married with Nusa.
12:53What?
12:55She got married with Nusa.
12:59And did you know Nusa about this time?
13:01You didn't want to get married?
13:03No, Nusa.
13:05You said that person is the son of Mani.
13:08He was the son of Mani.
13:10How did I admit your friends,
13:10was the son of Mani?
13:12You are sure that you are aware of
13:16that there is a really important approach to the house and the human community.
13:24The three the three,
13:26the house and the community.
13:27Of course, with the time that the question changes and changes, but you will see that the idea of the
13:35construction of the building, which is the idea of the construction of the place and the time.
13:40With the idea of the construction of the place and the time and time, you will find the idea of
13:48the construction of the construction of Ahmed Abdullah from the first film.
13:55The reason is the idea of the construction of the construction and implementing the construction of the construction of the
14:01landisation, including a whole world's construction for the construction of the construction of Canada.
14:08سامير العصفوري ده بقى سامير العصفوري لا يعني انت اسم سامير
14:16العصفوري ده تقف تعظيم سلام للاهمية ما قدمه زي كده الدور اللي
14:25اللعبه كرم مطاوع في جيل اه سابق او يعني سامير خفاجة او غير
14:32لا سامير العصفوري لعب دور اه كبير مهم. خلي بالك من الماكنة
15:06ها؟
15:07خلي بالك
15:08برس بقى
15:10جرية ولا في ايه؟
15:11ما تسكوتي او احنا مش هلنا سكوتي وبعدين هو انت كده بتتزوائي لمين عالصبت
15:17اه وانا حصواء لمين يا حاصرة
15:20بيقولوا لي توبي، توبي، توبي، توبي توب
15:32you
15:33anything
15:33are you
15:33what people have been doing
15:34are you
15:34for you
15:35I do not try and glory
15:48because I'm under your skin
15:51you Hydra
15:52you
15:52look at reicht
15:53delhi
15:54you
15:54WILL
15:56wait
16:25You can see it and you can see it. The
16:26What do you think? I think I'm in a house that I'm looking for you. You're the church and people.
16:32You're the owner and the owner. You're the sun that you're looking for every day.
16:37I mean, it doesn't need a clear understanding and a clear understanding of what you're looking for. You're looking for
16:48the world as well.
16:49It doesn't have a single way for the world. It doesn't have a clear understanding of what you're looking for.
16:58It's like there's a fan who talks about himself about the connection and the connection between people.
17:06There's a fan who talks about himself in a great way and important way.
17:15It doesn't have a clear understanding of what you're looking for.
17:20There are people who are living in their own language that write a great book.
17:26It doesn't have a clear understanding of what you're looking for.
17:31It doesn't have a clear understanding of what you're looking for.
17:33It's not the setting of our research or research.
17:35It's not something that you're looking for.
17:38The natural language is working on the right.
17:39Is it the doctor's office?
17:39Are you watching him?
17:41Don't you think, you're on the right side?
17:43He's on the right side.
17:44He doesn't have anyone from your exemplary.
17:46He'll see you.
17:47He's on the right side.
17:50He's on the right side.
17:50He's from here.
17:50He's on the right side.
17:53He's on the left side.
17:55You're on the left side.
17:58He's on the right side.
18:00I've been so close to him now, my son.
18:04Oh, my son!
18:06Why, my son?
18:07You know I'm alone, my friend?
18:09You're going to go where?
18:10I'm going to take my brother.
18:11That's right, my son.
18:13That's right, my son.
18:14That's right, my son.
18:15That's right, my son.
18:23My son, my son,
18:25the police officer will stay for a couple of days.
18:27You were doing her.
18:28Let's settle for her.
18:30Okay?
18:31You're getting married, my son.
18:32I have a pillow with my friends.
18:34You're going to get married?
18:36How do I get married?
18:38Don't you kill yourself, my son?
18:42You're coming to my brother, my son.
18:47Who are you?
18:49Who are you?
18:49I'm coming for a while.
18:53My son!
18:55You're going to get married, my son!
18:56Wow!
18:56Because my son!
18:57You're not a mess.
18:57Are you still a mess?
18:59Yeah, this is a mess.
19:00No!
19:01It's done!
19:02It's done!
19:03It's done!
19:03It's done!
19:04I'm sorry, you're not a mess.
19:09I'm telling you, why are you doing this?
19:11You're stuck with me.
19:13The film is a lot more than the only one of them.
19:18They did not see the scenario that he wrote, Ahmed Abdullah, or even in the case of Alak,
19:27that he is beyond the idea of the F-A that he is going to enter the army.
19:36Shreyf Arafah here, the big one, Shreyf Arafah, who worked with Alak
19:44and gave him a lot of work.
19:47I found him from the first time before the F-A that the F-A that he was able to
19:58find a relationship with Alak.
19:58He saw that he was able to find a relationship with Alak.
20:09He was able to find a relationship with Alak.
20:15He was able to find an unbelief in Black and so to keep an eye on him.
20:17He believed that he was afraid to proceed with the wall.
20:21He went away from the other side.
20:24He came back to me with Alak, his name is chapter 8.
20:29I was able to visit my house with Alak.
20:30You don't understand him.
20:31No.
20:34No.
20:35No.
20:42You guys don't see me, Shreyf Arafah!
20:44How do you feel?
20:45That's what it means
20:47We're going to try to make a shop
20:48Look guys, there's a lot of things I want to tell you
20:55We're not the ones we're gonna pay
20:57We're not gonna pay
20:58We're not the ones we're gonna pay
21:01We're gonna pay for the house
21:03We're gonna pay for the house
21:04That's why you're the one
21:06You're the one
21:07You're gonna pay for that
21:08You're gonna pay for it
21:10You want to see it?
21:14You don't have to see it!
21:16You're a little girl, you're a little girl!
21:18He didn't understand anything!
21:19He was a fan of the film
21:22that the first film was
21:25that the message was always
21:28done by the work of Shrey F.A.R.F.A.
21:30and the importance
21:31of the job and the job.
21:35You can tell me
21:36that you also have to tell you something
21:39that you used to the work of Shrey F.A.R.F.A.R.F.A.R.F.A.
21:44that is something that is important for you.
21:46We will have the army to stop
21:47in the village of five locals.
21:49If you don't arrive, you will find the commission?
21:50No!
21:51You're a kid!
21:52You're a kid!
21:53You're a kid!
21:54You're a kid!
21:54You're a kid!
21:59You're a kid!
27:50Yeah.
28:50Yeah.
32:42Yeah.
36:18Yeah.
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