- 2 days ago
How To Get To Heaven From Belfast S01E07 [Full Movie] [Vertical Drama]Full EP - Full
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Short filmTranscript
00:00I don't know.
00:36Ah, there you are.
00:41It looks so beautiful today.
00:44You look so beautiful today.
00:47Yes, please, stop it.
00:50They told Mum you'd pick her up from the station today.
00:52Daddy said I can stay over at Claire's.
00:54Check with your mother is what I actually said.
00:58Time to get in there?
00:59Mum, yes, fine.
01:01One o'clock, I think.
01:02I'll be there.
01:04See ya.
01:05Love you.
01:18See ya.
01:44You should always keep your front door closed.
01:48You never know what might get in.
01:56I wanted to have this conversation in Portugal.
02:00But you left in such a hurry.
02:03My family, my husband and my daughter, they don't know.
02:11You mentioned that in your letter.
02:13And what did you tell them about why you were cutting your holidays short?
02:17I lied.
02:19I've got very good at that.
02:21I expect you have too.
02:24Hmm.
02:26Hasn't been easy.
02:28Tracking you down.
02:32I even found myself back there.
02:37Heavensvale.
02:39It's a ghost town now.
02:43No.
02:44Afterwards, everyone left.
02:46Well, not everyone.
02:50Your mother's still there.
02:52What?
02:54Well, thereabouts.
02:56She's very ill now.
02:58There's this place on the outskirts.
03:01I thought you might...
03:02What?
03:03Visit her?
03:04Yeah.
03:06Maybe not.
03:10We were just two little broken dolls, weren't we?
03:20I want you to have something.
03:23I've got one, too.
03:25It's a...
03:26It's a friendship bracelet.
03:30We were friends once.
03:34You didn't come all this way to give me a friendship bracelet.
03:40I have the most wonderful news.
03:45When I saw you in Portugal after all this time, I knew it was a message.
03:50I knew it was him.
03:52I knew he'd brought you back to me.
03:56Who?
03:57Please tell me you're not talking about God.
03:59After everything that happened.
04:02The signs, they were strange at first.
04:07Especially the photographs.
04:08And not just photographs.
04:11He comes to me in my dreams, appears in the faces of strangers.
04:14Who?
04:16Charles Sampson.
04:21You look frightened.
04:24This is fucking terrifying.
04:25It's beautiful.
04:27It's God's will.
04:28What is...
04:29What does he want?
04:31For Charles to be at peace.
04:33For us to seek redemption.
04:36And for his son to have the answers he deserves.
04:39He had a son.
04:41Did you know that?
04:44I shut it out completely.
04:46The idea that Charles was a person with a past.
04:50And when the vision started, I got curious.
04:53He's studying journalism.
04:56The son, Andrew.
04:59His name's Andrea.
05:03We need to tell him what happened.
05:13I'd like you to leave.
05:29We're being given an opportunity here.
05:32A gift.
05:33Great.
05:34You take it.
05:35Keep me out of it.
05:37But I don't know what happened to him afterwards.
05:39His body, I mean.
05:41Because I dealt with it.
05:43For you.
05:44Yeah?
05:45To protect you.
05:46You felt guilty.
05:49Because you were clever.
05:51And interesting.
05:52You were worth saving.
05:54And I wasn't.
05:56But it's okay.
05:58It's all okay.
05:59Now.
05:59Get out.
06:02I'm not going anywhere.
06:06I'm calling my husband.
06:09It's too late.
06:11I rang his son.
06:12I told him to come here.
06:16I'll deny it.
06:19I'll deny everything.
06:20I still have the tape.
06:24What?
06:25I kept it.
06:27Locked it away in a little box.
06:29Are you blackmailing me?
06:30I'm guiding you.
06:32Guiding you into the light as God wants me to.
06:36You need help.
06:37For everyone practicing evil hates the light.
06:39Lest his deeds should be exposed.
06:41But he becomes into the light.
06:44His deeds may be clearly seen.
06:46And may have been done.
06:48In God's name.
06:49Fuck.
06:51I'm on the phone.
06:52I'm not there.
06:54I'm not there.
06:55I'm somebody else.
06:56No.
06:58Oh.
07:02Oh.
07:04Oh.
07:05Oh.
07:06Oh.
07:07Oh.
07:11Oh.
07:19Oh.
07:22Oh.
07:22Oh.
07:23Oh.
07:24Oh.
07:26Oh.
07:27Oh.
07:28Oh.
07:29Oh.
07:29Oh.
07:30Oh.
07:31Oh.
07:32Oh.
07:32Oh.
07:32Oh.
07:32Oh.
07:33Oh.
07:33Oh.
07:34Oh.
07:34Oh.
07:35Oh.
07:35Oh.
08:24We know who killed him. We can describe her.
08:26Yeah, and they'll ask why she killed him.
08:28Well, to get to us. Because we had something she wanted.
08:31Well, that's my concern. The whole how we came to be in possession of that something question.
08:36Nothing any like being thrown in the general fuckery we've involved ourselves in lately.
08:39We haven't actually done anything wrong. Anything that wrong.
08:43Oh, I just want to get out of Donegal. Weird things happen in Donegal. Donegal is weird.
08:52No offence.
08:55We need to get to Belfast.
08:57But we can't pay you.
08:58Well, aren't you a trio of charmers?
09:00For some Duggar cards or phones.
09:02But you can have my jewellery.
09:03Why the hell would I want your jewellery?
09:05I'm a bus driver.
09:06Not a thick and highway man.
09:10On you get.
09:13Are you sure we should do this?
09:15We'll have to do this.
09:17For Liam.
09:20Nora O'Hara gave a child a daughter up for adoption in 1997.
09:24Greta.
09:24Has to be.
09:25Though the child's name doesn't appear on any of the paperwork, which means something really messed up happened.
09:30And it would explain why Nora wasn't allowed any contact.
09:33Whatever it was, it was big enough, insane enough, to make any information about Greta's life with Nora just disappear.
09:41Perhaps that's what your father was circling.
09:43And maybe he got too close to something.
09:45We know he was meeting someone on the school grounds that night.
09:48Then there's the symbol you saw in the caretaker's cottage, the one from the notebook.
09:52Liam, is this really the way to go about it?
09:55It feels quite risky.
09:57For you, I mean.
10:00Well, I was shot in the chest yesterday, so...
10:03No, fuck it.
10:08Welcome to South Belfast.
10:10Very important police station.
10:12No more inquiries, please report to the front desk.
10:28Christ.
10:32Surprise!
10:36Yeah, babes.
10:38This finally happened.
10:40We lost one.
10:41Ah, fuck.
10:42It's quite the conundrum.
10:43Ross has called a meeting.
10:44Fuck!
10:45In Derry?
10:46In Derry?
10:47It's very much a headquarters situation, I'm afraid, babes.
10:50Fuck!
10:51Fuck!
10:54There's PhDs that are more straightforward.
10:56That's the same with any cross-border request.
10:58They make it so complicated.
11:00Yeah, but you're happy to use our lads.
11:02That makes it easier.
11:04Guards poking around up here at, um...
11:06They can get some people's backs up.
11:07I bet.
11:08And if anything kicks off, you guys don't even carry guns.
11:11Which is weird.
11:13Or is it weird that you guys do?
11:14Do you have the pencil?
11:16Sorry?
11:17Do you have the iPad pencil, sir?
11:18God, I must have left it at the, uh...
11:20I'll go get it.
11:21If you wouldn't mind, sir.
11:25Oh, my God.
11:31Hey.
11:34You forgot this?
11:36Yeah.
11:38You remember Andrew?
11:40I think we need to talk.
11:43Don't you?
11:45We thought you were dead.
11:48We thought she killed you.
11:50And we couldn't do anything, because that mad bitch locked us in a tower.
11:54Like Rapunzel.
11:56Why are you guys here?
11:57In Belfast.
11:58We'll get to that.
11:59Who is she?
12:01I don't know.
12:02Honestly, we don't.
12:03She just started following us.
12:04Did you have a vest on?
12:06What?
12:06Like a bulletproof vest.
12:07No.
12:08The box stopped it.
12:10That's insane.
12:11How lucky was that?
12:12Would have been luckier just to, you know, not have got shot.
12:15We think that's what she wanted, the tape.
12:17That makes sense.
12:18Someone took her from the hospital.
12:19It was being treated.
12:20Did you listen to it?
12:23No.
12:26Did you?
12:27It wasn't time.
12:29How did she come to have it?
12:31We found it.
12:33In Portugal.
12:35In Jodie Pryor's place.
12:36She wasn't there.
12:38But it was with her stuff.
12:39The box.
12:40We thought it might have been a clue.
12:43That it might have been worth holding on to.
12:45Big fucking mistake.
12:50We were just so desperate to find out what really happened to Greta.
12:54Did you know she was adopted?
12:58No.
13:00Do you recognize this woman?
13:09Nora O'Hara.
13:13You're sure?
13:15That book there.
13:16Where'd you get that book?
13:18I left you a message about this.
13:20Yeah.
13:20Yeah, my phone got...
13:22Look, we only came here to report the fact that you'd been killed.
13:25It feels sort of redundant now.
13:27So, are we free to go or what's the crack here?
13:29You've nothing to hide, have you?
13:30I don't like your tone.
13:31I don't like getting shot.
13:33Would you ever fucking give over your grand, aren't you?
13:35Pardon, please.
13:35No.
13:36What right does he have to question us anyway?
13:38Like this here?
13:39We're in a PSNI station.
13:41He's a guard.
13:42You've no authority here.
13:43This is Northern Ireland.
13:44It's an entirely different country.
13:46Well, that was a swift abandonment of your nationalist ideology.
13:49Fuck, you know, sack this.
13:50Sit down.
13:51Ain't the will not, you fucking fetus.
13:53Let's go.
13:54Please don't.
13:55Please.
13:56I'm just trying to find out what happened to my father.
13:58Well, you'd have to ask Greta.
14:00I can't, can I?
14:00She's dead.
14:01Okay, fine.
14:03You want to hear something wild, Andrew?
14:05I need a cigarette.
14:09Do you have a cigarette?
14:12I'm sure I could find you one.
14:15Why don't you just grab some coffees?
14:34Why don't you lose the car?
14:37What's wrong with the car?
14:38It's fucking ridiculous.
14:40There's nothing wrong with the car.
14:42The car's class.
14:43You blame me, don't you?
14:44Of course I blame you.
14:45It's your fault.
14:48She syringed me, babes.
14:51She syringed the both of us.
14:53What could I have done?
14:54Not left your syringes lying about.
14:56You don't expect the threat to come from inside the house.
14:59Expect anything and everything?
15:01I thought I taught you that.
15:02Left the landline connected, for Christ's sake.
15:05I didn't know what it was, though.
15:06I thought it was some kind of Portuguese ornament.
15:08There was no need to get annoyed.
15:10Christ, you get hoist by your own syringe one time.
15:13Let's drop it.
15:14I don't understand why she did it.
15:15It's not like her problem's going anywhere.
15:18It doesn't make sense.
15:19People don't make sense.
15:21She's got her new ID, her new bank cards, and I was setting up a phone for her.
15:28She's easily traceable.
15:30She's not stupid.
15:30But she won't use them.
15:38The window's closing, and Rossa decides to call us to dairy.
15:42Well, there's no precedent.
15:44Yeah, this is the first, babe.
15:45It's not an achievement.
15:46Rossa's priority should be getting that gear back and shutting this down quickly.
15:50She's the boss.
15:51I'm aware.
15:51Christ, just such bad timing on the back of that hole while they're hollow blue.
15:59What are you on about?
16:00One of the delivery guys disappeared.
16:02Who, Jackson?
16:03Yeah, that's right.
16:04I blew Jackson up.
16:07Okay.
16:08Maybe you should have, like, told someone that, babes.
16:11He back-chatted me.
16:12You blew him up because he back-chatted you.
16:14I blew him up because I didn't trust him.
16:16The back-chatting just fast-tracked things.
16:18Why didn't you trust him?
16:19Remember that client we had?
16:21That young heir?
16:22She was trying to get away from that older guy.
16:24Real nasty prick.
16:25Do I remember?
16:27I was the one that had to wipe him out.
16:30I always wondered how he found her.
16:33Everything led back to Jackson.
16:36Why would he do that?
16:37Money.
16:38We should never have started working with men.
16:40We needed to.
16:41The operation's growing, babes.
16:43When it started, we were all volunteers.
16:46You remember?
16:47Well, those days are gone.
16:50Soon we'll all have to wear work uniforms.
16:53What?
16:54Rosa is talking about introducing a dress code.
16:58Apparently, some of our operators are...
17:02like, drawing attention to themselves.
17:05I can't think who she means.
17:07My ether, babes.
17:24Hello?
17:28Hello?
17:31Hello?
17:32Where is this?
17:34Hello?
17:36Hello?
17:37Hello?
17:37Hello?
17:38Hello?
17:44Mom, I love you.
17:51Mommy?
18:10Cold?
18:12No, I'm fine.
18:14Oh, no, please, don't do that.
18:16It's fine.
18:17Fine.
18:18It's fine.
18:25Why didn't you tell me about Andrew?
18:30I don't know.
18:31I didn't give it much thought or it didn't seem relevant.
18:34Which?
18:35I don't know.
18:37Before I found you in Dublin, I went to the set of your show.
18:41Spoke to Seb.
18:42You spoke to Seb?
18:43Such a big machine.
18:46But it all starts in your head, doesn't it?
18:49I suppose.
18:50I was thinking about what you told me the first time I was there.
18:53About how you take bits and pieces from real life.
18:57Well, shaders do.
18:58You never worry, the lines might get blurred.
19:00The line?
19:00Between reality and story.
19:04Not really, no.
19:07If there's anything else you haven't told me, I'll do it now, Saoirse.
19:20I see it in there.
19:36hello gara sorry oh no i'm not actually is inspector o'neill about
19:42he borrowed the lighter and we need it back merman's birthday how you made inspector so
19:47young with own memory inspector o'neill did you say owen tell him the uh proposals with the
19:52superintendent now what the excavation proposal for the school grounds it's with the boss now
19:59it'll take him a while to go through it though so we shouldn't hang about try to give him a
20:02call
20:10what's keeping them
20:10i don't know
20:40why would he pretend to be on it's the only way you get permission to do it did he what
20:46excavate the school grounds keep moving how does he know maybe those notebooks andrew had
20:53his father's notebooks maybe there was something in there we're gonna find the body yes that is now
20:57quite a real possibility we're we didn't kill him it doesn't matter we were there we we moved him
21:03we buried him our dna is probably all over him oh but it's been so long it's been 20 years
21:08well dna
21:09doesn't wash off it's like catholicism yeah but we didn't do it granted they're not gonna believe
21:14us they're gonna think we're trying to blame it on a dead woman she's not dead though i was just
21:18about to tell them that we can't tell them that not now don't you see if we tell them that
21:22now it's
21:22going to make us sound cornered and desperate and taxi we can't tell them we didn't do it we have
21:27to prove
21:28it i'll be back soon meet you by the bridge in an hour jesus christ where's she gone
21:54oh sweetheart mom's alive
22:04what happened dad who died what did you do your mother has secrets
22:20i didn't want this person i was to infect the people i love what do we do now margo i
22:27know someone
22:27who can help us i represent an organization that helps women that have nowhere else to turn
22:38allow me to explain the process
22:43we're just trying to protect you you think i didn't know something was wrong
22:49i was going insane i knew you were all lying to me
22:56i thought you did something to her daddy
23:00i didn't know who i could trust
23:05that's why i traced those friends first that's why i sent that message
23:17you sent the email
23:20i'm sorry hey
23:37can you wait here
23:38i need the top step me too cal won't play ball at all it's been a fucking awesome
23:54excellent
23:55you're back
23:58where the hell have you been
24:07What are you two doing here?
24:08We're looking for you.
24:10Well, we're worried, sick.
24:11Yeah, you seem beside yourself.
24:12Like nobody could get a hold of you.
24:13We lost our phones.
24:15You lost your phones? How?
24:16What's going on, girls?
24:17Nothing's going on.
24:18Something's going on.
24:19The disappearing acts, the secrecy.
24:21I'm going to ask you a question, girls.
24:23And I want an honest answer.
24:25Yeah?
24:26Have you joined the IRA?
24:27Nobody does the IRA anymore, mammy.
24:30Your cousin Mary did only last month.
24:32Mary joined ISIS, mammy.
24:33What?
24:34Oh, no, sorry. Not ISIS.
24:36Bupa.
24:36How can Mary afford that?
24:38Look, I had Saoirse's parents on the phone.
24:40They're going to ring the police.
24:41Saoirse is fine.
24:42We'll call them.
24:42We'll tell them she's fine.
24:44And we will make some tea.
24:45We have tea.
24:46We'll make more.
24:49What is going on, Robin?
24:50What is the plan exactly?
24:52Saoirse gave her that number.
24:53The number from the lighthouse, didn't she?
24:55She'll meet.
24:56I'm going to find out who Greta was calling.
25:02Lockshee nursing home.
25:03Oh, hello.
25:05It's a nursing home.
25:06I'm a nursing home.
25:07Hello, are you still there?
25:08What should I ask?
25:10I think there's a problem.
25:11The mother's name.
25:12What was it?
25:14Nora O'Hara.
25:15As for Nora O'Hara.
25:17Hello?
25:17I'm very sorry.
25:19I don't know what happened there.
25:20Could you put me through to Nora O'Hara, please?
25:23Oh, I'm afraid Mrs. O'Hara's done terribly well at the moment.
25:26Can I help with anything?
25:27I'm just trying to get in touch with her daughter.
25:29Oh, I see.
25:31Well, I can pass on a message when she arrives, if you like.
25:36Could a fox have dug up the body?
25:38Can they do that?
25:39Is that asking too much?
25:41Oh, God, baby.
25:42Where have you been?
25:43Have you got a...
25:44I don't want to talk about the fucking cow.
25:46Who are these guys?
25:47They're the writers.
25:48What?
25:49I'm the writers.
25:50The writer.
25:50I'm the writer.
25:51He asked us to hire them.
25:52Who didn't?
25:53You sent us an email?
25:54When?
25:58Hi there.
25:59This series is so fucking annoying.
26:01I just almost fucked my laptop out a window.
26:03I can't do it on my own anymore.
26:05Hire some fucking writers.
26:06Not shit ones.
26:07Saisha.
26:08Kiss.
26:09Hmm.
26:11Yes, I see.
26:12Well, I was obviously a few more greaters down at that point.
26:15It is such a pleasure to meet you.
26:18I have been a nice fan.
26:19You don't have to do this, I think.
26:20Yep, okay.
26:21That's just like Jesse.
26:22He can't handle praise either.
26:23Eva's just been on Jesse Armstrong's new show.
26:26Has she?
26:27He's such a genius.
26:28Yeah, so I hear.
26:29Anyway, we need to change the story strand.
26:31Like, quickly.
26:32Like, immediately.
26:33What?
26:34Which one?
26:34Uh, yes.
26:35Yes, this here.
26:36When the kids bury her body in the school crimes.
26:39We're filming this soon.
26:41We should have filmed it already, but we had to push it down the show, Jo.
26:43I know, it's getting pushed all the way out of the show.
26:45That will have a huge knock on.
26:47The entire second half of the series will need to be replotted.
26:50We put our lunch order in 45 minutes ago, but there's still no sign.
26:54What's that got to do with anything?
26:56Sorry, I thought we were talking about things that were worrying us.
26:58This is why Jesse maps everything out in such intricate detail.
27:01I hear his catering's amazing.
27:03Oh, he curates the menus himself.
27:04He's across everything.
27:05It's actually really tough to be that much of a perfectionist.
27:08Yeah, poor old Jesse fucking Armstrong.
27:10Look, we need a new idea.
27:12Okay, any new idea.
27:13We need to make this work.
27:15Otherwise...
27:23Otherwise it's never going to go away.
27:27Session.
27:29What are you doing?
27:30Borrowing the card.
27:31You're leaving?
27:32Just come up with a new idea.
27:34Me?
27:35It'll be great.
27:36I trust you.
27:42Jesse would have stayed.
27:45This isn't really my vibe.
27:46Well, obviously it's, like, fashionable.
27:48All right then.
27:49Look, you'd do well to dress a bit more like me, Dara.
27:52Lesbians love me.
27:53Hey, I'm going to have to object to that statement on behalf of my people.
27:56Remember that big gay street party thing we went to?
27:59Pride.
27:59That woman, that barrister, she proposed to me.
28:02She was quite drunk, Robin.
28:03She didn't propose to you.
28:04I am not wearing this.
28:06Fine, I'll get you something at Jim's.
28:15Dear Jodie, I am truly sorry for how things turned out.
28:19Don't look for me again.
28:21Don't contact me again.
28:23I want to move on.
28:25Please, let me.
28:26This might explain things better.
28:29Greta.
28:30Of course.
28:34Stop here.
28:35Pull over.
28:38Cheers.
28:41Oh, girl, stop.
28:45No.
28:45Come on, get in, get in, get in, get in.
28:47Quick sticks.
28:49Let's go, let's go, let's go.
28:51She's headed there now.
28:53Are you sure?
28:53That's what the woman in the nursing home said.
28:55We finally smoked the bitch out.
28:57She'll not know what's at her.
28:58I'm not taking the fall for something she did.
29:00No, sir fucking Ray.
29:02I'm not going down for no one.
29:03Time to face the music.
29:04Asshole.
29:04Well, she's had about 17 coffees.
29:07I remember worse off this book in Jodie's apartment.
29:11And that letter we find with the box, the one Greta sent Jodie, it says, this might explain
29:15things better.
29:16Okay, so you think Greta sent it?
29:18Shit, Jim.
29:20Where the hell have you gone now?
29:22Fuck, calm down, Jim.
29:23You took my iPhone.
29:25How do you know that?
29:26Because I'm calling you on it.
29:27Oh, and thanks for ringing Saoirse's parents.
29:29Oh, no, wait, you didn't.
29:31You're here.
29:31No, Daddy.
29:33Because they're here.
29:35My parents are there?
29:37Ah, it's the woman herself.
29:38Hi, Saoirse, love.
29:40I hear you and the girls have joined the IRA.
29:42So we didn't even know they were still in action?
29:45Listen, Robin, I don't know if you're having some sort of breakdown.
29:48I'm not having a fucking breakdown.
29:50Jesus, I take a few days away at my friends.
29:52Aren't you always sailing off to London?
29:54To make the money, we need to keep our family.
29:57She's looked after the kids for the best part of a decade.
29:59Nice and the rules, Robin.
30:00I keep her fucking family.
30:02Run, run, run.
30:03Look, I know that, love.
30:06And I appreciate that.
30:07All I'm asking is for one more day.
30:09The nursing home's near Cork.
30:11Two more days.
30:12Do you think you could mind your own children for two days, James?
30:15Of course.
30:16All I'm asking.
30:17I will be taking no further questions at this time.
30:20Ball bag.
30:26The excavation request is being processed, but
30:28even if we do get permission and nobody up here found out on...
30:32What, you're not actually Inspector O'Neill?
30:34Right.
30:34The area we're looking at, well, it's vast.
30:36The skill grounds.
30:37Well, we're thinking of the Caretaker's Cottage, though.
30:39It's surrounded by woodland, Andrew.
30:42We might, might get one shot at doing this.
30:45We need to be more specific.
30:49I've so little, Liam.
30:53I've spent my whole life trying to shape what little I have.
30:59To try and understand who he was.
31:01I mean, that's the only reason I'm studying journalism, for Christ's sake.
31:04I don't even know if I'm any good at it.
31:07It feels like he's a character in a story.
31:10Everything about him is just so vague and fragile.
31:15I always thought that if I could just find him...
31:21I don't know, then I could make him real.
31:26But that sounds so mad, right?
31:30We're all trying to make sense of something.
31:32To find light in the dark.
31:38Hoping to write my balance out or wrong.
31:42Just that way you're helping me, Liam.
31:45Or just a good deed that might undo a bad one.
31:52What made you move to knock Dora?
31:55Something happened when you were working in Dublin.
32:00You know what, Andrew?
32:01I think you'll make an excellent journalist.
32:11I've got a cousin called Kevin
32:13He's sure to go to heaven
32:17All race up is clean and neat
32:20The truth is you'll get him
32:22He's got a first...
32:25Welcome to Metamorphosis.
32:28If yous need a message since just ring the wee princess bell.
32:32No, we won't be doing that.
32:34We have an appointment.
32:37Matt Names, please.
32:38No, sorry.
32:39We're in the other book.
32:40The other book?
32:42The other book.
32:43The other book, of course.
32:44Right.
32:47I am so, so sorry.
32:49I'll sign this out.
32:50Of course.
32:54It's such an honor to meet you.
33:04Come on, we've been driving for ages.
33:06I'm starving.
33:08This story is fascinating.
33:09So it's this young girl
33:10and she's trying to move on
33:12from this very traumatic event
33:13that's, well, it's just referred to as
33:16The Big Bad.
33:17Where the hell are we?
33:19The Big Bad.
33:20No signal, no road signs.
33:22Are we lost?
33:22I'm not even sure what county we're in anymore.
33:25Perfect.
33:26Let's ask here.
33:41Excuse me.
33:42You were wondering if there was a hotel
33:45or a B&B nearby that you might recommend.
33:48Do I look like the tourist boat?
33:50I'm sorry?
33:51Do I look like a fucking tourist boat?
33:54Well, no.
33:56You buy something
33:58and then we talk.
34:01We were going to buy something.
34:06Cheeky wee she.
34:07Yeah.
34:08Anyway.
34:09She, the writer,
34:11she doesn't ever reveal what happened.
34:14What The Big Bad actually was.
34:18The argument that she seems to be making is
34:22it's not relevant.
34:24which is sort of the opposite
34:25of what you'd expect
34:26the thinking around trauma to be.
34:28This seems to be
34:28about making it
34:29distant,
34:31dreamlike,
34:33disassociating from it.
34:46Look, a motel down the road from here.
34:49I didn't even know we had motels.
34:51Cars.
34:52Oh, card.
34:53Oh, card.
34:54Please.
34:59Ah, no, shit.
35:00Wrong one.
35:18Hey, it's us.
35:20That's all I have.
35:36Go on.
35:38Go on!
35:42Go on.
35:44Go on!
35:45Go on!
35:46Go on!
35:46Go on!
35:54Ladies. Ladies. I think that's all of us.
36:04So, as some of you probably already know, we've had an incident with one of our clients.
36:12They left before we'd completed the operation. There's a first for everything, I suppose.
36:21Rosa, before we get into that, there's another issue I'd like to discuss.
36:25But I'm sure it couldn't be quite as present.
36:28Oh, it is.
36:36Jackson?
36:37Yeah, Jackson.
36:39Jackson. Jackson's left the building, I'm afraid. Apologies to anyone who was searching
36:43for him. I didn't mean to waste your time. I had a lot going on. Didn't get the chance
36:50to circle back, as they say.
36:54Why?
36:56He'd been exchanging confidential information for money. Putting clients at risk.
37:02Are you sure?
37:03I'm sure.
37:04She has receipts, babes.
37:06I see.
37:07We just need to make sure that he was the only one.
37:10Well, of course.
37:11We consider it a priority.
37:14And look, our AWOL client, I just want to reassure everyone that we will find her quickly
37:19and pull her into line.
37:21Toads, babes.
37:22No, it's not a matter of pulling her into line, Booker.
37:43Oh, good evening.
37:45My name is Norman.
37:48Can I help you?
37:49Norman?
37:50You own a motel, and your name is Norman?
37:53I don't own it.
37:54My father, I don't say.
37:55What's his name?
37:57Norman.
37:58Do either of you practice taxi journey?
38:02We just need a couple of rooms for the night.
38:08Do you know Heaven's Veal?
38:10Kyle and Yao.
38:11I mean, that's a good bit further west.
38:13You made the right call stopping here.
38:15I'm starting to question that.
38:17So you've heard the story then?
38:19What story?
38:20Beautiful place, by all accounts.
38:23But sure, no one's lived there for decades.
38:25It's a ghost town.
38:26Why's that?
38:27Because they all got spooked.
38:29Spooked?
38:30A group of kids gathered in a little church one night.
38:34Then there was a fire.
38:36Most of them died.
38:39Eight of the poor little souls.
38:41Just doesn't bear thinking about.
38:44I mean, it destroyed that community.
38:46It wasn't deliberate.
38:48Oh, it was deliberate, all right, yeah.
38:51We started.
38:53They say it was the devil himself.
39:01Here we are.
39:03Now, will you be wanting the minibar stocked?
39:05I think we're okay.
39:07We're very tired.
39:16Oh, I think the fuck's not.
39:18On second thoughts, we absolutely will be needing all the alcohol.
39:52She is out in the wild.
39:52Help abusive men escape if they've enough money.
39:55Help abusive men escape justice if they have enough fucking money.
40:02Christ.
40:04The erosion.
40:07The erosion.
40:09You are so obsessed with the past.
40:15Times have changed.
40:20What fella's a fucking weirdo?
40:22I can't see anything about a fire in Heaven's Veil.
40:24No, you have to search the Irish name.
40:26What is it?
40:27Call you now.
40:28She's done that.
40:29Have you spelled it right?
40:30C-A-I.
40:32I've got the right place.
40:33It says a small Irish-speaking community lived there to the late 90s.
40:37Jesus Christ.
40:38What is it?
40:39The book.
40:42Do you want to tell us what the fuck you're talking about?
40:48May I look at this?
40:53Okay, right.
40:54So, the first one.
40:56Heaven's Veil.
40:58Look at the second half of the author's name.
41:00Can Calier.
41:01Calier, that's so similar.
41:03Callier means Veil.
41:04What does Can Calier mean?
41:09Unveiled.
41:11Greta, Unveiled.
41:14This book's by Greta, girls.
41:19I made a contract with this woman.
41:22I promised to help her.
41:25Now, you're telling me that I have to kill her?
41:29It is but harsh, babes.
41:33Who brought the case to you?
41:35No, Rosa.
41:37I can't.
41:38You can't.
41:40This person helped me in the past in a professional capacity.
41:45Are they, uh, are they one of us?
41:47Well, no.
41:51Oh, I see.
41:53Uh, the adoptive mother.
41:56It's complicated.
41:57Yeah, it always is.
41:59Was she the only family member who saw you?
42:05No.
42:06Oh, dear.
42:15There must be another way.
42:17Booker, we need to erase the line completely.
42:25Anyone who knew about the case, anyone who can identify you, anyone who knows we exist, I have to protect
42:35the society.
42:37You cannot leave the process.
42:45So, is there anyone else we need to manage?
42:49So, the psychiatrist who wrote The Doll Complex, we're saying that's Margot Heaney?
42:53Mm-hmm.
42:54Yeah, I think so.
42:55And I think that is what Liam is circling as well.
42:58Oh, that means Greta was Margot's patient.
43:01Well, she adopted a patient.
43:02Sure, isn't that lovely and healthy?
43:04Well, it's the big man.
43:05It happened to Greta.
43:07Well, could it be connected to the fire in the church?
43:09So, we know that Jodie and Greta grew up in Heavensville.
43:15Jodie's body had burn marks.
43:16But they won't survive the fire.
43:18Did they know what happened?
43:19Or, or who caused it?
43:20Still thinking.
43:21Probably not the devil.
43:22Okay.
43:23We need to try and lay this out chronologically.
43:28This is such a good idea.
43:29It's a screenwriting trick.
43:31It's how we plan everything out.
43:32And all writers do this, even the big ones.
43:34Big ones?
43:35You know, like your man, Jesse Armstrong.
43:38Why are you so class?
43:40Okay.
43:40Can you pass me some more paper?
43:46Heavensville is our inciting incident.
43:48What the fuck is this?
43:51Oh, God.
43:52Okay.
43:53You wrote about it?
43:54What?
43:55It was burying the body in the school grounds.
43:57She used it in her stupid show.
43:58I wrote it ages ago, before any of this started.
44:01It's not even what happened.
44:03It's inspired by...
44:05Oh, my God.
44:06I've asked for it to be taken out.
44:07This is why they want to take up the grounds.
44:11Liam saw this.
44:11Seb sent those messages.
44:14About the scripts.
44:28What are you doing?
44:29Leaving?
44:30I can't.
44:31You can't leave.
44:34You stupid, selfish bitch.
44:38This is what you do.
44:39You like chaos.
44:42You surround yourself with it, but...
44:44I'm done.
44:47We're done.
44:53Darvon.
44:55Darvon.
44:57What did you expect, Searsha?
45:13First the envelopes.
45:14Those letters, and now this.
45:16Fuck knows what else she's done.
45:17She's been manipulating this whole thing all along.
45:20She's like a puppet on a string.
45:22Well, I think that would be us, the puppets on strings.
45:24I think she's more the puppet master.
45:30Hello?
45:33Robin?
45:36Who's there?
45:44Can I come in?
45:47Sure.
45:58The guy at the garage saw my ID, called the local station.
46:02Look, I know what you think.
46:03I don't even know what I think.
46:05You think we killed Charles Sampson?
46:08We didn't.
46:09Innocent people don't run.
46:11It's complicated.
46:12It'd be less complicated when we find his body.
46:15And I'm not going to rest until we find his body.
46:20Maybe you slow down a wee bit.
46:22She's a fucking insane, Darvon.
46:24You know, we need to start protecting ourselves here.
46:27Me and you.
46:28We need to start distancing ourselves.
46:32Fuck!
46:34Oh, my God.
46:37What was that?
46:39I don't know.
46:44He was dead when we got there that night.
46:46At the caretaker's cottage.
46:48Greta told us he attacked her.
46:50He'd been hanging around for weeks.
46:52She said he was an ex.
46:55She said his name was Jason Meadows.
46:57It was all lies.
47:00Everything she told us was a lie.
47:03And I think I sort of knew that.
47:06Wait, come here.
47:10Come here.
47:16Turn around.
47:29I knew I'd seen it before.
47:32Charles Samson drew that in his notebook yet.
47:34You'd never even spoken to him.
47:36We were kids when we got them.
47:38Greta convinced us to.
47:41Greta again?
47:42Yes.
47:43She's taken a lot of responsibility for a woman who wasn't here to defend herself.
47:49Greta's alive.
47:54What did you say?
47:55I know what it sounds like.
47:56Her body was in the morgue.
47:57Judy Pryor's body was.
48:03I can't see everything.
48:04We hit something, Robin.
48:05Well, then where is it?
48:13We're trying to find her.
48:15Greta.
48:18Trying to find out who the hell she actually was and what exactly we are caught up in here.
48:24Liam, I'm so sorry I've dragged you into all this.
48:27I really am.
48:30But all I was doing was trying to find out the truth.
48:37What do I do with this?
48:49What should I do now?
49:00Do whatever you want.
49:01Do whatever you want.
49:08Do whatever you want.
49:09Do whatever you want.
49:09Do whatever you want.
49:16What do you want.
49:23Do whatever you want.
49:27Do whatever you want.
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