- 2 weeks ago
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00:10¡Gracias por ver!
00:39¡Gracias por ver!
01:00¡Gracias por ver!
01:30¡Gracias por ver!
01:41¡Gracias por ver!
01:43¡Gracias por ver!
01:44¡Gracias por ver!
02:00¡Gracias por ver!
02:07¡Gracias por ver!
02:08¡Gracias por ver!
02:09¡Gracias por ver!
02:09¡Gracias por ver!
02:18¡Gracias por ver!
02:21¡Gracias por ver!
02:34¡Gracias por ver!
02:35¡Gracias por ver!
02:38¡Gracias por ver!
02:50¡Gracias por ver!
02:53¡Gracias por ver!
02:54¡BEN,ぱ no were
02:55¡Gracias por ver!
02:55¡Gracias por veries!
02:56Yo tengo a gun!
03:05Jerry...
03:12¿Es esto realmente necesario?
03:14No, probablemente no.
03:16Voy a ir a ver con el director de la deputación,
03:18ver si hay un update sobre Peter's cuáles.
03:20Y asegúrate de que no se quiera.
03:21Voy a asegurarme.
03:27Bien. ¿Podemos hablar?
03:28Hay solo una cosa que quiero escuchar de ti ahora mismo.
03:31Peter dejó para salvar ti.
03:32Cuando te vuelve, no. ¿Qué pasó?
03:34Me ha dado tiempo para escapar.
03:35¡Bullshit!
03:36He wanted you in prison.
03:38¿Where is he? ¿What did you do?
03:39Nothing. I don't know where he is.
03:41And I'm supposed to believe you?
03:42After you lied to my face all night?
03:44Did you know we were going to get attacked
03:46in the middle of our conversation?
03:47Of course not.
03:49My only priority was to keep you safe.
03:52Peter understood the importance of that.
03:55He was helping me.
03:56I have leverage against Walcott Capital
03:59that could make them call off their killer.
04:01That's what I was doing.
04:03That's who's behind all of this.
04:04The bank.
04:05Specifically, Freya Myers.
04:08On paper, she's some overpaid, C-suite nobody.
04:13But really, her job is to oversee the accounts
04:16of a certain type of very private,
04:19high-net-worth clientele.
04:27You mean criminals like you.
04:32Criminals worse than me.
04:33People who overpay her institution
04:35to keep the details of their business dealings
04:38under lock and key.
04:39So you're saying she killed Mike and the senator?
04:42Yes.
04:43Jay's boss who attacked him, Benjamin Wallace.
04:46He was on her payroll.
04:47She represents Raul Zapata's domestic banking network.
04:52Her job was to keep that hidden.
04:54The secret got out because of mistakes she made,
04:56and now she's trying to cover her tracks.
04:58Now, don't you understand?
05:00It's her neck on the line when you publish.
05:02That's why she wants you dead and anyone else
05:05that can prove what she's doing.
05:07This morning, I went to retrieve a very important book,
05:10a very rare misprint of Grimm's fairy tale.
05:14You've seen it before.
05:15This copy, and this copy alone,
05:18is the key to accessing a cloud database
05:20with a cache of documents
05:22that could be used to stop Freya.
05:25How?
05:25By exposing her complicity in my operation.
05:30And through Peter,
05:31I was going to turn it all over to the FBI.
05:34But the only way it would work
05:36is if I got out of there alive,
05:37and Peter understood the value in that.
05:39So he did everything he could to help me.
05:42I was turning myself in.
05:44But without the book, everything was for nothing.
05:47Everything was for you.
05:49All I ever wanted was a father.
05:50But you've made that impossible.
05:52Isabel, I'm sick.
05:55Bad people get sick, too.
05:57It doesn't change who they are.
06:03Any luck?
06:05No sign of Peter.
06:06FBI has units looking.
06:09NYPD's assisting so far.
06:11Nothing.
06:11So what do we do now?
06:13Well, the deputy director wants me focused
06:14on figuring out whatever we can
06:16about the next LFS attack.
06:17But Jay is still in surgery.
06:19Without his lead, we have nothing.
06:20Get me in front of David Hudson.
06:22I'll get the details out of him.
06:24That's his name, right?
06:25The LFS financier you arrested yesterday.
06:28Let me talk to him.
06:29The FBI won't go for it.
06:31Well, then go around the FBI.
06:33Isn't that what night action does?
06:36If Peter's alive, he's being held to protect Zapata's interest.
06:40If there's going to be another attack, Hudson moved that money on Zapata's orders.
06:46Hudson can get us Zapata.
06:49Stop him.
06:50You stop the LFS.
06:53And you get your partner back.
06:55Why do you even care?
06:58Because Raul Zapata is responsible for what happened to Isabel's mother.
07:03He took Sofia away from me.
07:05Don't you dare use my mother's name to justify your actions.
07:08And what makes you so sure he'll talk?
07:21Because I can be very persuasive when I need to be.
07:26Listen, I'm going to give you some cash for dinner.
07:29You can order in pizza, burgers, whatever you want.
07:33But water, not soda.
07:36You're going to be late again?
07:39I thought we were going to continue our campaign.
07:42I'm sorry.
07:42We will this weekend.
07:43But it is still a school night, so I want you to go through your workbook before video games.
07:48Okay?
07:49Okay.
07:52Hey.
07:54You all right?
07:56You're going off on some cool spy mission, and I'm stuck here doing homework.
08:01Being a spy isn't some fantasy game or a work of fiction.
08:06It's a hard job, and it takes a lot of patience.
08:09And most of the time, it's really boring.
08:11Well, maybe if you told me what the mission was, I could help.
08:17One more night, okay?
08:20And then we'll go sightseeing.
08:23No, just me and you.
08:25Fine.
08:49What's this?
08:51It's your secret identity.
08:53You wanted one, right?
08:55Well, here it is.
08:58Orion?
08:59Orion is your new codename.
09:01What do you think?
09:02I love it.
09:04So cool.
09:06Thanks, Dad.
09:07You earned it.
09:12Hey, Dad.
09:13Yeah?
09:14Can I go get my backpack out of the car before you go?
09:17I'll be quick.
09:19Sure thing.
09:25Hello?
09:26We have Jacob Monroe.
09:28What do you mean, have him?
09:29I mean, I have him handcuffed to a radiator in Peter Sutherland's apartment.
09:32He is in my custody, and he's cooperative so far.
09:35What's he saying?
09:36He wants to sit down with David Hudson.
09:39Says he's got nothing to do with the LFS, but he has information that can help us stop their next
09:42attack.
09:43And you believe him?
09:45I'm not sure yet.
09:46Let me make sure I understand this correctly.
09:48On Peter Sutherland's word alone, we're to believe that this Jacob Monroe character is his elusive menace,
09:55who's killed federal officers, compromised our intelligence agency, single-handedly leaked sensitive documents from the U.N.,
10:01and may have financed the Pima 12 attack for reasons unknown.
10:05Now, Deputy Director Mosley tells me that Sutherland's MIA, possibly dead, and you're saying Monroe's telling a different story.
10:11Only about Pima 12.
10:13He claims he's not back in the LFS, but he admitted everything else that Peter said about him is true.
10:18He's willing to come in, turn over evidence of all of it.
10:21All of what?
10:22Everything he's got his hands in.
10:24Just like that? What's the catch?
10:26That's unclear.
10:27But he says he can use Hudson to stop the LFS and maybe even get a location on Raul Zapata
10:33himself he just needs to meet.
10:35All right.
10:36I'll make it happen.
10:37But the second that he's exhausted his usefulness, I want him delivered here to FBI custody in D.C.
10:42And bring him here yourself.
10:44Adam, I don't trust anyone else.
10:46Consider it done.
10:50Jacob Moreau's going to turn himself in.
10:53I was right to keep our distance.
10:55Sounds like he's got all kinds of skeletons in his closet.
10:59This is good thinking.
11:01Let's just hope this is the end of it.
11:14Oh.
11:16You're up.
11:20Me what?
11:22The location of Jacob Moreau, Isabel de Leon, and the FinCEN agent, Jay Botfer.
11:28You give me those and we can skip a few steps.
11:49You don't like needles, huh?
11:56Don't worry.
11:59It's saline's just to keep you hydrated.
12:05Oh.
12:07They called it Blue 88 during World War II.
12:11It used to come in these little blue tablets.
12:14But it worked extremely well.
12:17That's why they named it after the most effective artillery gun during the war.
12:21Of Flak 88.
12:23What are you talking about?
12:25Sodium amytol.
12:27They used it to get soldiers to open up about their traumatic memories from the battlefield.
12:32But the drug had flaws.
12:34But luckily, there's a more stable barbiturate.
12:39A common one that's used every day in general anesthesia or epileptic seizures or even in lethal injections.
12:52And that is sodium thiopantil.
12:56Well, it's funny, isn't it, how the only difference between a medicine and a poison is the dosage.
13:03You're wasting your time.
13:04Maybe I am.
13:05Maybe I'm not.
13:07Either way, a lot of maybes to explore in the next 30 or 40 minutes.
13:14Wouldn't you say?
13:16Hey.
13:17Careful.
13:18Those wires cut if you tug too hard.
13:21Fuck you.
13:22You got a strong constitution.
13:24I'll give you that.
13:25But that is the beauty of psychoactive chemistry.
13:28It doesn't attack your body.
13:31It attacks your mind.
13:33And you may be tough and you may be clever and that may be good outside this room.
13:37But right here, with me, with this syringe, everyone talks.
13:43Whether they want to or not.
13:46It's just a matter of time.
14:04This book must be important to him.
14:07You risked a lot to go back and get it.
14:10That wouldn't know.
14:25You're going to start feeling a little hazy as the drug travels up to your brain.
14:29It slows your cell receptors.
14:31It's not painful.
14:33It just gums up the works.
14:35Making it hard for your brain to carry out complex thought processes.
14:40Like deciding which question you want to answer or how truthful you want to be.
14:48So, your friend Isabel, the journalist, what were you doing with her?
14:54Who, uh, who's Isabel?
14:57Fine.
15:02Let's start somewhere a little more remedial.
15:07Where's your favorite color?
15:12Green.
15:14At least it was when I was a kid.
15:16Green.
15:16That's my favorite color, too.
15:19Yeah.
15:20How does it make you feel, the color green?
15:22Joyful.
15:23Sorrow.
15:24It's just a color.
15:25No, no.
15:27Color's going to reveal a lot.
15:30Did you like to play outdoors as a child?
15:34Sure.
15:35Monkey bars, right?
15:36There was a playground next to your house.
15:38No.
15:39There was a big field.
15:41It was a beach.
15:43Oh, yes.
15:45Yeah, I bet those waves were cold, right?
15:49It was warm, actually.
15:53Oh, they were.
15:54The Atlantic Ocean can have that effect, right?
15:57Is that where you're from?
15:58The East Coast?
16:00Is that where you got this?
16:06Well, because the CIA and the FBI are both in Virginia, and they have beautiful beaches,
16:13I hear.
16:14But then again, the NSA is on the coast of Maryland, so...
16:20Who are you?
16:21There's a slight burning sensation under your skin.
16:25That's who I am.
16:28Who are you?
16:31It doesn't matter.
16:32It doesn't?
16:34No.
16:34So you're just an expendable cog in the intelligence agency, a spare part?
16:39I didn't say that.
16:41Then your name is important to you.
16:44As it should be.
16:47There's a lot of pathos in a name.
16:51Not so much in a number.
16:54It's Peter.
16:57Peter.
17:00That's a good name.
17:02It's strong.
17:04Like...
17:05Peter the Great.
17:07The creator of the Russian Empire.
17:11Are you Russian?
17:13Peter the Great.
17:16No.
17:16Peter Alexovich.
17:17No, it's Sutherland.
17:21It's Peter Sutherland.
17:27Well.
17:29It's nice to meet you, Peter Sutherland.
17:32So, why don't you tell me where you're from?
17:37Everywhere.
17:39I moved around a lot as a kid.
17:42Must have been tough.
17:44No, I was...
17:45I was fine.
17:47No, I mean, being a military brat, going from base to base.
17:53My dad wasn't in the military.
17:54Oh.
17:56Then...
17:56I'm confused.
17:58How did you end up in the FBI?
18:00I was recruited.
18:02Yeah.
18:03Right.
18:05So you are from Virginia.
18:08Huh.
18:11Tell me about your job, Peter.
18:13No, I didn't.
18:14You find it rewarding?
18:17Yeah, I do.
18:18Why is that?
18:21I get to protect the people that I care about.
18:26Yeah, my job is, uh...
18:30My job's all that I have.
18:33Really?
18:34So, who do you care about?
18:38You care about your journalist friend, the...
18:40The FinCEN agent?
18:42They seem to be pretty important to you.
18:44They are.
18:45Why?
18:46Because I made a promise to them.
18:49Yeah.
18:50And hero complex types like you, you like to keep your promises, don't you?
18:57Come on.
18:58Why are you doing this to me?
19:01Does this conversation frighten you, Peter?
19:06Yeah.
19:07Hey, it's okay.
19:09It's okay, buddy.
19:11Hey, let's change it up.
19:12Talk about something else.
19:14Yeah, please.
19:14Okay.
19:15Okay.
19:17Okay.
19:17Tell me what it's like to be a special agent.
19:21Not a special agent.
19:22Oh.
19:22What are you, then?
19:24A night agent.
19:27Right.
19:38Director Patterson.
19:39Arrington.
19:40We need to talk.
19:43I was just on my way to see you.
19:46Everything all right?
19:49Do you have Brian Mott's personal cell phone in your possession?
19:54Where did you hear that?
19:55Do you or do you not have the phone?
20:06Chelsea.
20:07You don't understand.
20:08I found it last night after hours.
20:10You violated SOP.
20:12You destroyed evidentiary chain of custody.
20:14I was literally on my way to bring it to you just now.
20:16Well, that's convenient.
20:17I wanted to see if I could get it unlocked first.
20:19I'm not lying.
20:21Who told you that I had this?
20:23The First Lady asked me for an update on the investigation.
20:26She wanted to know if we'd found anything on the phone.
20:29I asked her what phone.
20:30She told me the one she saw you pick up the night of the shooting
20:34after it fell out of Mott's hand.
20:35She'd assumed you'd turned it in.
20:38The First Lady is lying to you.
20:40Excuse me?
20:41She and Mott have been having secret meetings for months.
20:44And on that phone are photographs of recent presidential intelligence briefings.
20:49The First Lady hid the phone after the shooting.
20:52I found it in their study last night.
20:53You broke into the President's bedroom?
20:55No.
20:56I went in.
20:57I knew Flotus was lying about her relationship with Mott.
21:00There's surveillance footage of it.
21:01Check the cameras.
21:02Don't you see what she's doing?
21:04She's trying to make it look like I'm the one who's sabotaging this investigation
21:07because she knows I'm onto her.
21:09Onto what?
21:10Whatever she's trying to cover up.
21:13I don't know.
21:13Leaking classified documents, I guess.
21:18Chelsea, I want to be on your side on this, but this is bad.
21:22This obsession is unhealthy.
21:24Jenny Hagen is...
21:25Jenny Hagen is not the only person concerned about your behavior.
21:29Just this morning, your fiancé said the same thing.
21:35What did he say to you?
21:37He's worried about all the extra stress this shooting is putting on you.
21:44I'm putting you on disciplinary leave, pending a further investigation into your actions.
21:48I suggest you do not leave town.
21:51Don't let her do this.
21:52It's my decision, and it's done.
22:01Password to Mott's phone.
22:02His brother unlocked it for us because I'm not the only one who thinks what's going on here is bullshit.
22:17Chelsea, there you are.
22:20I wanted to see how you were doing.
22:22You know you can talk to me, right?
22:25I mean, if there's anything on your mind or anything you want to get off your chest, I'm here.
22:29You don't want to hold all that stuff inside.
22:31Those stories will start to drive you crazy.
22:35Great.
22:37Let's talk.
22:40I know there was top secret intel on his phone.
22:43I know you kept that phone so the Secret Service wouldn't find it.
22:46And I know you didn't expect me to come to your door that night, but when I did, you panicked.
22:51And now Brian Mott is dead.
22:53But I also know the two of you were meeting for months every time he received a payment from an
22:58unknown source.
22:59The only thing I don't know yet is why.
23:02But that phone is in evidence now, unlocked, in Patterson's possession.
23:06So whatever you're doing, I sure hope it's worth it.
23:18It must be nice having someone to talk to after everything you've gone through.
23:25You like talking to Isabel.
23:28You trust her?
23:29Yeah.
23:30Yeah, she's stubborn, but I, uh, I do.
23:33I trust her.
23:36So this story she's working on, it's not exactly common knowledge, is it?
23:42No, but it will be.
23:47It will be when she publishes.
23:49Everybody's going to know her.
23:54You're an interesting man, Peter.
23:58I fear that modern sensibilities don't share our sense of moral outrage.
24:04You and I were like relics from a different age, where dirty deeds were done in secret, under the cover
24:11of darkness, with a level of shame involved.
24:16And now they're all just like weeds in the garden growing out in the open.
24:22For every one you uproot, ten more take their place, you know what I mean?
24:25Yeah, maybe, but I have to try, do you?
24:29Why put yourself through it?
24:31Isn't there someone that you want to spend your time with, that you care about?
24:34Yeah, there was.
24:38Yeah, but, uh, I couldn't, uh, I couldn't make it work.
24:43So, that's what it's like to be a night agent?
24:46There's no connections.
24:47They told me it was too dangerous.
24:50It's awful.
24:52Why don't you quit?
24:53I can't quit.
24:54I can't quit.
24:56I'm, I'm responsible.
24:58You're responsible?
25:00Yeah.
25:01Responsible for what?
25:03For all of it.
25:05For everything.
25:06Hey, hey, it's okay.
25:08What are you scared of?
25:11This.
25:12You don't like to share much, do you?
25:14No, I don't.
25:16I feel like a raw nerve.
25:18I hate it.
25:20It's being exposed, right?
25:22Yeah.
25:23That's what you're most scared of, is it.
25:25Exposed is what?
25:26You're being a fraud, a fluke, a failure.
25:32Yeah.
25:34That's what it is, right?
25:38That's what you see when you look in the mirror, right?
25:42Someone who, no matter how hard they try, they just can't cut it.
25:47It, it must be exhausting.
25:49It's like holding a flexed muscle for hours on end.
25:54Yeah, it is.
25:55It's a tremendous burden to put on yourself, Peter.
25:58Yeah.
26:00You deserve that?
26:06Yes.
26:07Wow.
26:08Someone really hurt you, didn't they?
26:09No.
26:10They broke their promise to you.
26:12No, I, I broke my promise to them.
26:18Who let you down?
26:20Was it a partner in the field?
26:23A girlfriend?
26:26A father?
26:28Stop.
26:29Please.
26:30Okay.
26:31Do you love your father, Peter?
26:36Yeah.
26:39Don't tell me about him.
26:41I can't.
26:42My dad's dead.
26:48Complicated man, was he?
26:50I don't know anything.
26:51He died with the, uh, his secrets.
26:56He had all these lies and, I don't know.
26:59I don't know my dad.
27:02Stop, please.
27:04I can't, I can't do this.
27:06Jacob.
27:06Okay.
27:06It's okay.
27:07It's good.
27:09Let's talk about your friends.
27:11Okay.
27:12Jacob and Isabel and Jay.
27:15Okay.
27:16Where are they, Peter?
27:19Let's start with Jay.
27:37What's going on?
27:38Why are we stopping?
27:41Oh, shit.
27:43Hey, I didn't talk.
27:45Hey!
27:46Tell him I didn't talk!
27:47Hey!
28:03I didn't say a word.
28:05I'll do my time.
28:08He has nothing to worry about.
28:13That's not why I'm here.
28:15Then what do you want?
28:17What you need to understand right now
28:19is that you're here conversing with me
28:21instead of sitting in your cell
28:23because this is what I wanted.
28:26That we're not being watched
28:27and not being recorded
28:29is because that's what I wanted.
28:33You following?
28:35I have a proposition for you.
28:37I understand the position you're in
28:40could be drastically improved
28:41if you cooperate with the FBI.
28:43You're one of them?
28:46You're one of them?
28:47Fuck off.
28:50I also understand that the reason
28:52you won't cooperate has to do
28:54with one Raul Zapata.
28:58I told you all I'm not interested
28:59in witness protection.
29:01I've heard all this talk before.
29:03You have information I need.
29:06Information that's more valuable to me
29:08than it is to you.
29:10Information that can change
29:12the circumstances of your life
29:13for the better
29:15once you share it with me.
29:17Who are you?
29:18You know.
29:20Your days are numbered.
29:22So who am I?
29:24I'm the blessed answer to your prayers.
29:28I've been hunting Zapata
29:29for a long time.
29:31Before he first went underground
29:33to rebuild the LFS.
29:36And now you're going to put him
29:38back in my sights.
29:40I'll take him off the board.
29:42All you need to do
29:43is point me in the right direction.
29:45And if your intel checks out,
29:48I'll see to it that you're released.
29:51I don't believe you.
29:53Do I not strike you
29:54as a man of my word, Diego?
29:57Watch the news.
29:59If the full weight
30:00of the American military
30:01doesn't rain hellfire down
30:03on Zapata in the next 24 hours,
30:06then I suppose I'm a fraud.
30:08But make the right decision.
30:10See what happens.
30:13You're him.
30:15Aren't you?
30:17The guy who gets information.
30:20The one whose face
30:21nobody's ever seen.
30:24Unless it's important.
30:31Peter?
30:32They didn't know
30:33a thing about him.
30:34Did you even ask?
30:36The book in Peter's possession
30:38is more important
30:39than you could ever know.
30:40Believe me, I asked.
30:42Peter wasn't taken
30:43on Zapata's orders.
30:45So that just leaves the bank.
30:48All right.
30:50So what did, uh,
30:52what did Hudson know?
30:54This better buy me
30:55a comfortable cell.
30:57The crypto transaction
30:59Jay flagged
31:00was payment
31:01to a shipping company,
31:02Albertelli Maritime.
31:04LFS has used him for years
31:06to smuggle weapons
31:07internationally.
31:08As for Zapata himself,
31:10he's hiding in one
31:11of three potential locations.
31:14It's all right there.
31:16Don't let it go to waste.
31:23It's all right there.
31:42Okay,
31:43let's do it.
31:45Oh.
32:00Okay.
32:05All right.
32:20No, no, no.
32:46Could you put me through to room 2916, please?
32:50Thank you.
33:00Come on, come on, come on.
33:07Dammit.
33:14Ah, you...
33:17That way.
33:26I'll get you.
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35:59¿Por qué te quedas? ¿Crees que eres un hombre malo?
36:02No, no soy un hombre malo. ¿Por qué piensas eso?
36:04Los herramientas de mis padres.
36:06Él es un espionaje que arresta malos, así que ahora estás en problemas.
36:10Tú estás correcto en una cosa, pero no soy un hombre malo, ¿ok?
36:14Esto no es lo que se ve como.
36:15You're confined to a bolted-down chair.
36:18That's what it looks like.
36:20Confined?
36:20Not a lot of kids your age use words like that.
36:24I read a lot.
36:25That's good.
36:26There's a book on that table over there.
36:28You ever read that one?
36:36Yeah, years ago.
36:38Did you like it?
36:39It's pretty good.
36:45What's this?
36:48I can't tell you about that.
36:49It's classified.
36:51It's just a picture of you and some long number.
36:53It's not just any number.
36:55Okay, it's a very important number.
36:56A specific number.
36:58Especially assigned to every spy.
37:01Your dad actually, um...
37:04You know, never mind.
37:06I can't be telling you any of this.
37:08Telling me about what?
37:10Your dad?
37:12He's got a number just like that one.
37:14He does?
37:15Yeah, I mean, it's lower than mine
37:17because your dad has been a spy longer than me,
37:19but he has one.
37:20You want to know how I know that?
37:22Oh.
37:23Your dad and I, we're...
37:25we're partners.
37:27He never told me he had a partner.
37:29Yeah, he shouldn't.
37:30I mean, a good spy, he keeps his secrets.
37:32Then why are you telling me this?
37:35Because I'm not as good of a spy as your dad.
37:41If he's your partner,
37:44then why would he tie you up?
37:46Uh, look, think of it, um, like...
37:48like a training exercise.
37:52Your dad is...
37:54you put me in a really difficult situation
37:55to see if I could get out of it.
37:57The problem is, I'm stuck,
37:59and I need your help.
38:01You're the only way I'm gonna get out of this.
38:03I don't think I'm supposed to help you.
38:06Oh, Ryan, buddy,
38:07if I don't get out of here soon,
38:09I'm not gonna be able to finish my mission.
38:12Okay?
38:13If you don't help me,
38:15I'm gonna fail this test.
38:18Okay, and I really, really want to impress your dad.
38:22But then my dad might get angry with me.
38:25Why would he be angry?
38:26Because I helped you.
38:27Doesn't he tell you to be a good person?
38:29To help people?
38:31Yes.
38:32Yeah, exactly.
38:33So why not help me?
38:41Looks like the intel might check out,
38:43which means it's time to deliver Mr. Monroe here to D.C.
38:52Let's go.
38:59Any, uh, parting words?
39:03Now's the time.
39:05Thank you.
39:07Um,
39:09I wrote down the web address
39:11of the database
39:12in case Peter returns.
39:16We never got to finish our conversation earlier.
39:21Given the circumstances,
39:23this might be our last...
39:28Our...
39:30Our last chance to really talk.
39:32Your last chance was a long time ago.
39:36Look, I know I disa...
39:38I know I disappointed you,
39:39and-and I know I owe you answers.
39:42No.
39:43I'm not disappointed.
39:44I have all the answers I need.
39:48You broke my mother's heart.
39:51And I refuse to care enough about you
39:52to let you do that to me.
39:56Goodbye, Jacob.
40:08You hear me okay here?
40:10You hear me okay here?
40:32What's wrong?
40:33What is it?
40:33Esto se siente como mentir.
40:36No, no, no. No te preocupes.
40:38Es bien.
40:39¿Tú?
40:39Sí, sí.
40:41No quiero que te sientas como mentir.
40:43Tu dad te comprende si me pierdas el test.
40:45Lo que es conmigo, ¿verdad?
40:46Sí, es un chico.
41:03Tienes esto.
41:07Tienes lo que puedas.
41:11Perfecto.
41:12Gracias.
41:24Dad?
41:25Tienes conmigo ahora mismo.
41:27Perdón.
41:28Sabía que debería estar en el hotel, pero...
41:30Es bien, es bien.
41:32Lo que te ayudaste a la mission.
41:33¿Cierto?
41:35Sí, sí, lo que te ayudaste.
41:37La mission?
41:38La traininges.
41:41Estabas testaste, ¿verdad?
41:48Sí.
41:51Sí.
41:51Sí, lo que estaba.
41:52Donde la mission está terminado, siempre está bien, ¿no?
41:56Eso no es para mi.
42:00No, no, no, no, no.
42:28That's right, buddy.
42:34So we good?
42:39I detest unfinished business.
42:43It's unprofessional to just walk away.
42:52But I could make an exception in this case,
42:55if we are willing to do the same.
42:59Yeah.
43:01Can't provide it this is goodbye,
43:03and not see you later.
43:17Goodbye, then.
43:19All right, Hitchin.
43:23Hey, all right.
43:25Thanks for the help, buddy.
43:26Keep reading books.
43:31Wait.
43:32Don't forget your badge.
43:35Yeah, thank you.
43:37Hey, listen, buddy.
43:40You got a good dad.
43:41I know.
43:42Just appreciate him while he's here.
43:45Okay?
43:46Don't take it for granted.
43:47Yeah, I won't.
43:49Good.
43:53I'll see you later.
43:54I'll see you later.
44:09Jenny, you in here?
44:15What's wrong?
44:18Oh, um, it's nothing.
44:22You sure?
44:23Yeah.
44:24What did you need?
44:24You were looking for me.
44:26Patterson said he had something he wanted to ask you about,
44:28but you know what?
44:29It's not important now.
44:30Hey, honey,
44:32you gotta talk to me.
44:34All right?
44:35You've been acting strange all day.
44:36I know when something's bothering you.
44:40Yeah.
44:42There's something.
44:50It's...
44:52Jacob and Rome.
44:57Can I ask you a question?
44:59What's the most important thing in this world to you?
45:03Brother, if I knew the answer to that,
45:04I would have stayed retired.
45:07For me, it's my daughter.
45:10Before that, it was revenge.
45:13And before that, it was her mother.
45:17I've been hunting Raul Zapata for 30 years.
45:22He's been an enemy of the U.S. for 20.
45:26And yet,
45:28it wasn't the military who got him.
45:31It wasn't the CIA.
45:35It was me.
45:38And my only regret is that he'll never know it.
45:46Life is better when you're in control.
45:49And the more I think about it,
45:52that's all that really matters.
45:56I wonder if you and I might be able to
45:59come to some type of arrangement.
46:02See, you got me confused
46:04with someone who negotiates with terrorists.
46:08Man of strong morals.
46:11I understand.
46:13I understand.
46:14Peter was similar
46:15until we determined what he valued most.
46:18Y creo que hoy, incluso él podrá admitir que se salió en la parte de ese deal.
46:26Y ahora, tengo que tomar esto.
46:34Por todo lo que sea, siga hablando.
46:41Sí.
46:59Todo bien?
47:04Tienes que decir.
47:06Bueno, te sound like a man that just heard bad news.
47:10Former military, ¿verdad?
47:12Service asks a lot of you, I bet.
47:14Y rarely does it hold up its end of the bargain.
47:18I know what it feels like to be in that position.
47:21It's not wrong to want better for yourself.
47:24It's not greed that motivates the impulse.
47:27It's survival.
47:30Don't be ashamed of it.
47:35All right, I'll bite.
47:37But, hypothetically, if I were interested in what you had to say, what would I hear?
47:49Something worth your while.
47:51Chelsea?
47:53Babe, your phone's going straight to voicemail.
47:56I thought we were going to meet for dinner at Giorgio's.
48:00What's going on?
48:01What's going on is I can't even rely on you for 24 hours.
48:05What are you talking about?
48:06What did you tell Patterson today?
48:08Just that I thought the shooting might have put a lot of stress on you.
48:12I've never seen you like this before.
48:14I'm worried the whole thing is driving you...
48:16Crazy?
48:16No.
48:18I don't think you're crazy.
48:19I just...
48:21I don't know how to help you.
48:22I told you how to help me.
48:24Just have my back.
48:26But now my boss thinks I'm having a mental breakdown because of what you said to him.
48:31I'm so sorry.
48:32I didn't...
48:34Where are you going?
48:35Apparently a mental asylum if I stay in D.C. any longer.
48:38I guess that's better than jail.
48:41Hey.
48:43Hey.
49:00Excuse me.
49:01Can I, uh, use your phone to make a call, please?
49:04Please.
49:06You'll only need to take me as far as the airstrip.
49:09I'll handle the rest.
49:11You'll get your first payment then.
49:16Second part and when I land.
49:19Affinity for African art.
49:20Yeah, what can I say?
49:22I'm a collector of rare value.
49:26You surprised me, you know?
49:27I didn't assess you as someone that I could make a deal with at first.
49:31Well, I'm told I'm full of surprises.
49:34Well, I have to ask.
49:35What changed?
49:37Mortars.
49:38Oh, my God.
50:07Adam.
50:11Peter, holy shit, man.
50:13It's good to hear your voice.
50:14Where the hell you been?
50:15It's a long story.
50:17I need you to come get me.
50:23Actually, you better come to me.
50:37It's good to hear my voice.
50:39Well, you better come.
50:46We're out.
50:46We're out.
50:55They're out.
51:23Gracias por ver el video.
51:53Gracias por ver el video.
52:23Gracias por ver el video.
52:53Gracias por ver el video.
52:56Gracias por ver el video.
53:26Gracias.
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