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2007 The Haunting of Marsten Manor FEATURE MOVIE Julie Sapp [Full Movie] [Full Storyline]Full EP - Full
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00:32:45How's that working out for you?
00:32:50I believe you can get through this.
00:32:53But no one can rush that step for you.
00:32:55It's up to you.
00:33:01Step?
00:33:05What step?
00:33:08Have you got me labeled in categories
00:33:10on how to get over being blind 12-step programs?
00:33:13No, don't.
00:33:14I know it's got to be tough to accept the loss as great as this.
00:33:19All I'm saying is,
00:33:21I don't know how you feel,
00:33:23and I can't tell you what to do.
00:33:27But I'm on your side.
00:33:29I'll do whatever you need me to do.
00:33:38I'm sorry.
00:33:42Do you believe me about seeing that lady?
00:33:48I believe that you thought you saw her.
00:33:50I did see her.
00:33:52I think she's the one from my dreams.
00:33:55I've been hearing things, too.
00:34:01Maybe I'm just going crazy.
00:34:13Not showered.
00:34:13Not showered.
00:34:19Rob?
00:34:22Jill?
00:34:23Jill?
00:34:30Jill?
00:34:35Hello?
00:34:41Hello?
00:35:13Good boy!
00:35:15Mmm, it smells so good I'm starving.
00:35:17Wait, no, that's Jill's.
00:35:19That one's yours.
00:35:21What's the difference?
00:35:27Cheers, Jill.
00:35:33Mmm, is it yummy?
00:35:36He says, yeah, but Rob is much better.
00:35:39He's an excellent chef,
00:35:42mainly homemaker,
00:35:42and a hunk-a-hunk of burning love.
00:35:46Wow, that's impressive, Rob.
00:35:48Yeah, you should be a ventriloquist.
00:35:54What was that?
00:35:58Go check it out.
00:36:01Read that.
00:36:20Good girl.
00:36:23Beep.
00:36:29Good girl.
00:36:36Yeah, I've got to go to the table.
00:36:37Good girl.
00:36:40I'll be right back with you.
00:36:41Last one, you're the first one.
00:36:57Where is that toilet drawer?
00:37:05It wasn't stuck yesterday.
00:37:17I'm okay, just doing some manly things around the house.
00:37:21Don't nail yourself shut in a room or anything.
00:37:24Ha ha, funny.
00:37:44Guess we're not using this room anymore.
00:38:13What was the problem?
00:38:15Oh, the door had settled in so the door wouldn't stay shut.
00:38:18But I nailed it down so you wouldn't bump your head.
00:38:24Jill!
00:38:26You okay?
00:38:27Yeah.
00:38:32Jill, you are not going to believe what I just found.
00:38:38I think this is your family's Bible.
00:38:41Whoa, it looks ancient.
00:38:42Cute.
00:38:44Oh, wow.
00:38:45It actually has some of your ancestors written in here from the 1800s.
00:38:49Really?
00:38:50Yeah.
00:38:50First it has a Silas Marston born 1810 and then a Lillian Marston born 1814.
00:39:00Does that sound familiar?
00:39:02No.
00:39:03Okay.
00:39:05Well, down here it says built Marston Manor in 1830.
00:39:10Oh, so this was his house.
00:39:12Huh.
00:39:13Oh, and it also says that he had a daughter named Kate.
00:39:17I wonder who wrote this.
00:39:19Oh.
00:39:20Lillian Marston.
00:39:22What are these bookmarks for?
00:39:23Well, I don't know.
00:39:25Let's see.
00:39:27Fear and dread shall fall upon them.
00:39:31Ah.
00:39:31Hmm.
00:39:33Be not afraid of sudden fear, neither of the desolation of the wicked when it cometh.
00:39:40Be not afraid.
00:39:42Okay.
00:39:44Within were fears.
00:39:47Um, speak the word without fear.
00:39:50I guess that Lillian was all fire and brimstone about fear.
00:39:54Geez.
00:39:55Oh.
00:39:55Hey, it has a picture in it too.
00:39:58Who is it?
00:40:00It says Lillian and Kate.
00:40:04Hmm.
00:40:04Oh.
00:40:05Add this scripture to Bible study with Kate.
00:40:08So she drilled these scriptures into her daughter.
00:40:10What's up?
00:40:12Sounds kind of obsessive.
00:40:16Well, the genealogy part was nice.
00:40:24Erica, give me a logical explanation for that.
00:40:28Okay.
00:40:30I just thought of something.
00:40:33I remember reading a theory that talks about the imprint of images.
00:40:38Like, like sounds and stuff like that.
00:40:41The imprint of activities.
00:40:43What?
00:40:44I'm serious.
00:40:44Like this house.
00:40:47You know, this house has so much history in it that I bet it's just replaying those images
00:40:52for us.
00:40:54You know, that would actually explain that woman that you thought you saw in the kitchen.
00:40:58I mean, I'm sure there's been plenty of women there.
00:41:01And you know what?
00:41:02It actually makes sense with all the weird noises we've been hearing.
00:41:06I love that you're a science geek.
00:41:08Yeah.
00:41:09I'm even buying that one.
00:41:11Let's go see what it is.
00:41:15Maybe you can join in on the piano and make it a duet.
00:41:20I don't know how to play anymore.
00:41:22Well, how about I play?
00:41:24I could pound out of mean chopsticks.
00:41:29Dundundundundundundundundundundundundundundundundundundundundundundundundundund-
00:41:30Shhhhhany!
00:41:30Quickly, quickly do it!
00:41:32Come in.
00:41:33Good.
00:41:34All right.
00:42:16No, it's okay. It's just me. It's a music box.
00:42:56Oh my gosh.
00:43:00No way. A hidden room?
00:43:04Jill, how'd you find this?
00:43:08I don't know.
00:43:09There must be something really cool in here.
00:43:12Yeah, like maybe there's a hidden treasure or something.
00:43:14Yeah, you never know.
00:43:16Come on, Jill.
00:43:18I don't want to go in there.
00:43:21Okay. Stay right here.
00:43:28It's just a closet.
00:43:30What's the point of having a hidden closet?
00:43:32Maybe it's to hide people in here.
00:43:36There's nothing in here.
00:43:37It's too dark. I can't see anything.
00:43:40What's that?
00:43:43Come on.
00:43:53I'm gonna go check it out.
00:43:56No, don't go out there.
00:43:58It's probably just a car backfiring or something.
00:44:01A car doesn't backfire like that.
00:44:03I'm gonna go take a look outside. Stay in here.
00:44:07Oh, wait.
00:44:09Wait.
00:44:12Here, take this with you.
00:44:13You want me to bust the Mary Poppins and the bad guys?
00:44:16Do you think there's bad guys out there?
00:44:18No.
00:44:19It's probably just a neighbor shooting at a skunk or something.
00:44:22But you can use that to fight it off.
00:44:24I'll take my chances with Piccoli Pugh.
00:44:41What are you doing here?
00:44:57I've been trying to reach you for at least a week.
00:45:00Okay, but you shouldn't come out here and talk to me.
00:45:02Yeah.
00:45:02Now you wouldn't want that pretty little lady to know what kind of person you really are.
00:45:18What have you done?
00:45:19Okay, come on, let's go.
00:45:29Three?
00:45:30Mhmm.
00:45:31We have five here.
00:45:34We had it.
00:45:36One.
00:46:06What are you doing?
00:46:09Nothing.
00:46:17Did you say something?
00:46:20Rob?
00:46:23Rob, is that you?
00:46:26Rob.
00:46:28Okay, stay here. I'll be right back. I'm going to go check your room.
00:46:31No, stop leaving me.
00:46:33Well, I'm coming with you.
00:46:34No, no, no.
00:46:38Hey, Rob?
00:46:42Hey.
00:46:44What are you doing in here?
00:46:45I, uh, I thought I heard you two up here.
00:46:47Did you not hear me just calling for you?
00:46:49Did you call my name? I didn't hear you.
00:46:51Sure.
00:46:52Well, everything's clear outside, so...
00:46:55Let's go relax by the fire.
00:47:16I'm going to take a chill for a second.
00:47:20What's that?
00:47:22I wonder what this old key goes to.
00:47:24Is this the same key ring that the lawyer gave you?
00:47:28Mm-hmm.
00:47:29That's weird.
00:47:30It's not like any of the other keys.
00:47:32Maybe it goes to something in here.
00:47:35Okay, let's find out.
00:47:47Do you see anything?
00:47:49No.
00:47:51What is that?
00:47:52Oh.
00:47:54What is that?
00:48:17I heard someone say my name, and then they were pulling out a key.
00:48:20No, honey, it's okay.
00:48:22What's going on?
00:48:26Why don't you tell me, Rob?
00:48:29What?
00:48:31What took you so long to come back to the house?
00:48:35I was checking everything out.
00:48:37Oh.
00:48:37Oh, that's all you were doing?
00:48:39What are you accusing me of?
00:48:43Okay.
00:48:44I think we need to go home right now.
00:48:46What?
00:48:46It's getting dark outside.
00:48:48No, actually, my boss called.
00:48:51And I have to go to work tomorrow.
00:48:55So I think if we leave right now, then we can probably make it.
00:48:59Come on.
00:49:01It's okay.
00:49:02Are you kidding me?
00:49:03You gotta be kidding me.
00:49:04Erica.
00:49:06Erica.
00:49:09Erica.
00:49:21You're scaring me.
00:49:25I'm sorry.
00:49:28I just really need to get home.
00:49:47So now what do you want to do, Erica?
00:49:50Pop the hood.
00:49:53I'm not popping the hood.
00:49:54Pop the hood.
00:50:07Get started again.
00:50:19I can't tell that anything's wrong.
00:50:21Rob, you're gonna have to go up the highway to get some help.
00:50:23What?
00:50:24I am not walking ten miles.
00:50:26Besides, no one hardly uses that highway.
00:50:28Rob, somebody has to come help us.
00:50:30Are you nuts?
00:50:32Don't make this into a big deal.
00:50:34Let's have a good night's sleep and leave tomorrow like we planned.
00:50:36Your boss can find someone else that fell in for you.
00:50:40Is that okay with you, Erica?
00:50:44Yeah, that's fine.
00:51:14It's a good thing we came back.
00:51:15We almost forgot your computer.
00:51:18I guess so.
00:51:21Playback.
00:51:22Webcam.
00:51:22Last ten minutes.
00:51:25Don't go.
00:51:27What was that?
00:51:31I...
00:51:32I don't know.
00:51:34Make it playback again.
00:51:36Playback.
00:51:38Webcam.
00:51:39Last ten minutes.
00:51:41I love you.
00:51:48Okay.
00:51:49I know what this is, and I'm gonna take care of it.
00:51:52Okay?
00:51:53Believe me, I'll handle it.
00:51:56Right now, I'm just gonna sit here with you, okay?
00:52:04Okay.
00:52:08And then tomorrow morning, we're gonna go home.
00:52:23Is this house haunted?
00:52:24No.
00:52:27But someone's definitely going through a lot of trouble to make us think that it is.
00:52:32Wow.
00:52:34It's working.
00:52:35Don't let it work.
00:52:37Uhm...
00:52:38...
00:52:51Yeah.
00:52:53Yeah.
00:52:55Yeah.
00:52:56Yeah.
00:52:57Yeah.
00:52:58Yeah.
00:52:58Yeah.
00:53:00Yeah.
00:53:02Yeah.
00:53:55Dorothy Marston.
00:54:07September 9th.
00:54:10Ever since my chest started hurting, I've been having strange dreams.
00:54:16Last night I dreamt about the woman again.
00:54:20I try not to, but she seems to take over me.
00:54:23She told me to leave my house to my niece, Jill.
00:54:28I don't know what to do.
00:54:35This doesn't look like Rob's writing.
00:54:37Okay.
00:54:41Hank.
00:54:42Hank.
00:54:54Hank.
00:55:02Hank.
00:55:07Hank.
00:55:09Hank.
00:55:09Hank.
00:55:21Hank.
00:55:26You're weak.
00:55:34Shh.
00:55:40Leave me alone.
00:55:42Listen to me.
00:55:45No, no.
00:55:47What do you want from me?
00:55:55What are you afraid of?
00:55:58Who are you?
00:56:00Kate.
00:56:39I'm out of control.
00:56:42I'm out of control.
00:56:43It's not enough.
00:56:44I'm out of control.
00:56:46I am out of control.
00:56:50I'd rather be in control.
00:56:51No, I should.
00:56:51I shouldn't...
00:56:51No...
00:57:16Are you hurt?
00:57:18I've been shot.
00:57:19Let me help you.
00:57:20No.
00:57:21Get right behind me.
00:57:22Go inside quickly.
00:57:25I order you to go inside and hide yourself.
00:57:28I'm not one of your soldiers.
00:57:29You can just order around.
00:57:31You're weak.
00:57:32You need help.
00:57:48Where's Jim?
00:57:50Rob, where is she?
00:57:51Tell me right now.
00:57:51Where is she?
00:57:52I don't know.
00:57:53Why are you looking at me like that?
00:57:54Because I know about your stick little games, Rob.
00:57:56I saw you on her computer and I heard the creepy messages that you left for her.
00:57:59What are you talking about?
00:58:00I was checking her diary.
00:58:02I've been worried about her.
00:58:03I didn't say anything when you came in because I didn't want her to know I was checking up
00:58:05on her.
00:58:06Oh, just stop it.
00:58:06Stop it, Rob.
00:58:07I saw you with Hank.
00:58:08I saw you giving him money so he could rig up this house to probably try to freak her
00:58:13out.
00:58:13Why would you do that?
00:58:14Erica, you know me.
00:58:14This is crazy.
00:58:15Why would you do that?
00:58:15I loved you.
00:58:16I would never hurt her like that.
00:58:23Listen.
00:58:24We're going to walk quietly into my room, but I'm not going to say a word.
00:58:28Okay.
00:58:32Please.
00:58:34Sorry.
00:58:35Look at it.
00:58:38What?
00:58:38It's a check from your bank.
00:58:39Look at the stamp.
00:58:40It says canceled.
00:58:41I don't know.
00:58:41I went to his gas station last week when I was driving through.
00:58:43I bounced a check and he came by to grab the money.
00:58:47I didn't know what to say.
00:58:48Well, what about the mental institution that you're going to put Jill into?
00:58:51What are you talking about?
00:58:53I found this, Rob.
00:58:55I found that.
00:58:58You didn't read the back.
00:58:59What are you talking about?
00:59:00Read the back.
00:59:02The Blind Adjustment Center.
00:59:04Excellent classes, instructors, and counselors helping the blind and their loved ones.
00:59:09The cost of the course was more than I expected.
00:59:11I didn't mean to sit with Hank like that.
00:59:13Well, what about the car?
00:59:14How come the car wouldn't start?
00:59:16Yeah, I checked the car out.
00:59:17You left the reading light on.
00:59:18You drained the battery.
00:59:21I'm sorry.
00:59:24Rob, I'm sorry.
00:59:25I didn't know.
00:59:25Okay, okay.
00:59:26Is Jill really missing?
00:59:28Or did you go tell her to hide somewhere?
00:59:30I don't know where she is right now.
00:59:32What?
00:59:33I thought that it was you that was messing with the house to try to freak her out.
00:59:37And if it's not you that's doing it, then who's doing it?
00:59:40I don't know.
00:59:43She's alone.
00:59:52I'm not through with Jill.
01:00:09I don't know.
01:00:11I don't know.
01:00:12I don't know.
01:00:16I don't know.
01:00:17I don't know.
01:00:19I don't know what to do with it.
01:00:26I don't know what to do with Jill.
01:00:26I don't know.
01:01:14What was that?
01:01:17Michelle.
01:01:44Hey boys look looks like we got ourselves a fresh fish how about we draft you right now make
01:01:53you part of our little regiment.
01:02:40Hey boys I found something.
01:02:44Come here honey come on.
01:02:49I want to hear you beg for the woman's life.
01:02:55Don't move.
01:03:00That's right.
01:03:02Cry like a little baby.
01:03:03Go on cry cry.
01:03:05You want your mama?
01:03:10That was good but guess what?
01:03:14I'm going to kill her anyway.
01:03:18Just for the fun of her.
01:03:22It's not real.
01:03:23It's not real.
01:03:25It's an imprint.
01:03:28How do you want to die woman?
01:03:33Hey boys I think we spotted them.
01:03:35Come on boys.
01:03:41I will be back for you.
01:03:51I can't tell what's real anymore.
01:03:53Erica.
01:03:53Erica.
01:03:54Get yourself together.
01:03:56Whoever is after Jill is real.
01:03:58We have to go find her.
01:03:59Come on just a little further.
01:04:41Hey, Dan.
01:04:48Hold still.
01:04:55Sorry.
01:05:06I need your last deal and dress this wound properly.
01:05:10Look, you can just let me be.
01:05:11I'll be fine.
01:05:13No, you are not, sir.
01:05:15If I don't dress your wound properly, you will likely die of blood poisoning from that lead
01:05:19ball.
01:05:21Can you tell me something?
01:05:24You offer help to Confederate soldiers often.
01:05:30Is that what you are?
01:05:33Surely you can see the color of my coat.
01:05:36Well, forgive me for not noticing, but I was too busy digging that ball out of your side.
01:05:52You can't see anything, can you?
01:05:57Tell you what, I won't pay any mind to a colored jacket you're wearing if you don't pay any
01:06:03mind to whether or not I can see.
01:06:06Yeah, but you just dug a bullet out of my side without even looking at it.
01:06:10Well, you should be thinking your lucky stars.
01:06:12It was barely a flesh wound.
01:06:13I don't think you'd want me to be trying to sew up your winnets.
01:06:19You're just a regular Florence Nightingale, ain't you?
01:06:22Oh, I'm just doing what I think is right.
01:06:25What is it?
01:06:27Yeah.
01:06:29Drink this.
01:06:31What is it?
01:06:33Mandrake tea, for your fever.
01:06:41Oh.
01:06:43Oh.
01:06:45Oh.
01:06:49Oh.
01:06:58How come you ain't sharing of me, huh?
01:07:03What makes you so sure that I won't do you with it?
01:07:07My friend told me.
01:07:10What friend?
01:07:13God.
01:07:24You ain't mad at him.
01:07:26For sure.
01:07:27I never could understand why folks blame God for the follies of men and the trials of
01:07:32life.
01:07:40Who takes care of you?
01:07:42Why, I do.
01:07:45You live in this house all by yourself.
01:07:48Yes, I do.
01:07:49Well, I have a little help in the kitchen, but let's keep that little secret between
01:07:54us, all right?
01:07:58You ain't afraid.
01:08:01No, sir.
01:08:03Never was afraid.
01:08:07Never.
01:08:08My mama was the one that was afraid.
01:08:11I was worried about how people were going to treat me and all.
01:08:15But I was determined to go off to regular school after I went blind.
01:08:19Just like before.
01:08:22Nearly scared my mama to death.
01:08:26She read the Bible every day.
01:08:30Trying to get rid of her fear for me.
01:08:33Sometimes folks just have a hard time seeing past their fear and just being still and listening
01:08:41to God talk to them.
01:08:45I reckon you're right.
01:08:51I suppose it won't matter that if I tell you that I'm actually a spy for the Union Army.
01:09:04And I've been working a camp, a Confederate camp, a couple miles up the road.
01:09:10And someone must have found me out.
01:09:13Because when I turned to leave, they shot me.
01:09:20Well, it doesn't change the care I'm providing, but it is nice to know that somebody out there
01:09:27is on my side.
01:09:32You better get some rest now.
01:09:34It's going to take a while for you to heal, and you need to get better so you can get
01:09:38back
01:09:38out there where you belong.
01:09:41I suppose you're right.
01:09:45I should be ashamed of myself.
01:09:49Lounging around with a beautiful woman waiting on me hand and foot.
01:09:54It is despicable.
01:09:57You best button your lip.
01:09:59Be on your best behavior.
01:10:01Or I might have to put some coats over your mouth.
01:10:05I reckon I'd like just about anything you'd do.
01:10:09Oh, save your strength.
01:10:12Everybody who's lying that hurt is in love.
01:10:14Hey.
01:10:20Why don't you try to look past me being your patient?
01:10:26Like I look past you being blind.
01:10:41All right.
01:10:45Oh, stop smiling.
01:10:47There'll be plenty of time for making conversation when you're better.
01:10:51Yes, ma'am.
01:10:52I'll be right back.
01:10:57No.
01:11:00Here's some rest.
01:11:16The only time indeed, it seems the Confederates have taken over my house.
01:11:24Stay there.
01:11:25Oh, just rest.
01:11:26Rest.
01:11:36There's gotta be another door here somewhere.
01:11:42I found it.
01:11:45How do we get it open?
01:11:48There's the keyhole.
01:11:52The key.
01:11:53Where's the house key?
01:11:56I think it's on Jill's nightstand.
01:11:59Did you hear that?
01:12:11Stop.
01:12:12Stop.
01:12:13Just stop it.
01:12:15Stop.
01:12:16Stop.
01:12:17Stop it.
01:12:17Stop.
01:12:19Our darling Kate.
01:12:21Kate.
01:12:22Rob.
01:12:23Rob, it's Kate.
01:12:25It's that little girl from the picture.
01:12:27Do you remember the Bible?
01:12:30And the scriptures?
01:12:33She had it drilled into her head not to be afraid and not to be weak.
01:12:37She must have snapped.
01:12:39She snapped.
01:12:41That's why she's after Jill.
01:12:46I've got to find the keys.
01:12:47Stay here.
01:12:48I'll be right back.
01:13:03Miss Kate.
01:13:08Hey, Miss Kate.
01:13:17Kate.
01:13:18Kate.
01:13:21You all right?
01:13:28Kate.
01:13:33You all right?
01:13:39Kate.
01:13:40Oh, it's you, Julie.
01:13:49It's blood poisoning.
01:14:01It was a pleasure to know you, Kate.
01:14:39It was a pleasure to know you.
01:14:39It was a pleasure to know you.
01:15:03I couldn't find him.
01:15:04Jill must have him.
01:15:22Jill!
01:15:25I'm up here.
01:15:32Jill!
01:15:35What's that?
01:15:38It's my great aunt.
01:15:41Kate Marston.
01:15:42I'm up here.
01:15:43I'm up here.
01:15:56I'm up here.
01:16:35I guess she just wanted you to find her so you could put her to rest.
01:16:40She didn't care about that.
01:16:42She just cared about me.
01:16:46You ready to go, Jill?
01:16:50Yeah.
01:16:51We're gone.
01:16:51Thanks, Babe.
01:16:54Mood,
01:16:54I'm up here.
01:16:57I'm up, Mr.
01:17:49Transcription by CastingWords
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