A turning point… where everything changes.
56 Days Episode 5 with English Subtitles
The investigation begins to connect the dots, revealing pieces of a much darker story. Meanwhile, Oliver and Ciara’s bond faces its most difficult challenge yet.
The truth is closer than ever.
Watch 56 Days Episode 5 in HD with English Subtitles.
#56Days #Episode5 #CrimeThriller #EnglishSubtitles #Streaming #HD
56 Days Episode 5 with English Subtitles
The investigation begins to connect the dots, revealing pieces of a much darker story. Meanwhile, Oliver and Ciara’s bond faces its most difficult challenge yet.
The truth is closer than ever.
Watch 56 Days Episode 5 in HD with English Subtitles.
#56Days #Episode5 #CrimeThriller #EnglishSubtitles #Streaming #HD
Category
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TVTranscript
00:11I don't know who he is.
00:14He's looking for me.
00:16He's looking for me.
00:17He's looking for me.
00:17I don't know who he is.
00:17He's looking for me.
00:17He's looking for me.
00:18He's looking for me.
00:18The crime team thinks that the victim is a woman.
00:21That means that Jane Miller is our Miss Anameka.
00:25I know who you are and what you have done.
00:27Whatever this Oliver St. Leger has done, it seems that it's very bad.
00:32I hope that they won't come until now.
00:33Police Department. Jane Miller?
00:35This place seems to be familiar with me.
00:37Who is this? Elliot Burrain, who is the boss of Oliver.
00:40Hello Elliot.
00:41Elliot, why do you remember me very much.
00:43Don't forget who he is.
00:44Why are you putting on his hands on him?
00:47Don't forget.
00:48Mr. Burrain's wife has gone through an accident.
00:51Yes, but it's definitely an accident.
00:52What do you want to do?
00:53Try this.
00:54Your anxiety will reduce your anxiety.
00:56Dan, I know.
00:57Because you give me money.
00:59And you don't tell me anything.
01:01You know, when we take care of ourselves,
01:04we take a risk.
01:05And we share our own ways.
01:07And this is what you are eating inside.
01:11You're invested by an infant.
01:13No где-
01:23After eric painting is the victim.
01:25And this is what comes to life.
01:30And that's really expensive.
01:31But we exist in different ways!
01:37I don't want you to stay.
01:48Have you slept well?
01:50Yes, but you are not so good.
01:54Yes, good.
01:56What have you seen in your dream?
01:58Oh, no.
02:00Are you?
02:01No, you're enjoying it.
02:04I don't remember.
02:11I don't remember.
02:13You were just asleep.
02:19I don't remember.
02:20We just stopped full.
02:21So I did not remember.
02:22I did not remember.
02:24No, no.
02:26I'm sleeping.
02:29I'm sleeping.
02:30I'm sleeping.
02:32Y'all are.
03:01Oh
03:03Oh
03:18So that's why I didn't get to get it.
03:19I had to collect it from your drawer.
03:22I thought I stayed in the special location but then I thought, why don't I try today?
03:27St. Patrick's Day. Today we make a decision.
03:33Organic Panic is a psychedelic chocolate that will blow your mind.
03:38Your mind will relax with one bite.
03:40Your mind will be unconscious.
03:42Your mind will go into a deep thought.
03:43Your mind will open up the fourth.
03:48I think, four bites will have to eat.
03:53Have you ever eaten before?
03:56Something like this?
03:58Oh, I've eaten one or two times.
04:00I feel like eating, my mind becomes a little.
04:04And...
04:06I'm scared.
04:09So let's become psychonauts.
04:13And take a rocket into your mind and find something.
04:19I'll take only one bite.
04:21Yes, but if we're eating together,
04:23we'll teach everything better.
04:25Right?
04:28Come on.
04:29You won't do anything exciting with me.
04:32This is an accident.
04:36You won't believe.
04:37Okay.
04:38Yes!
04:40Cheers.
04:42Cheers.
04:52Where are you, Gene Miller?
04:56Why don't you ask Elliot Burhan?
04:57Why don't you ask Elliot Burhan?
04:58He's the owner of this place.
05:00Oh, because Mr. Elliot Burhan is not talking about police.
05:03I'm not talking about police.
05:04I'm not talking about police.
05:06So, tell me about it.
05:07I'm going to help you.
05:09I can help you.
05:09If there's a need for help, I'll ask you.
05:11I'll take it.
05:13Then take it.
05:13Okay, bye.
05:14Okay, all right.
05:14I've understood.
05:16But if you need to ask me,
05:17then I know how I'll find out.
05:24Then, I'm going to ask you all.
05:29I'll ask you all.
05:33I can help you.
05:35Yes, this is a secondary scene.
05:37If it's primary, then...
05:40Maybe she killed her here,
05:42then took her home,
05:43then took her home,
05:44then took her home.
05:45What?
05:47There are some problems in this theory.
05:50There are problems in you.
06:05Not much.
06:31You can't call me,
06:38I don't know if you eat a bite every day.
06:41No, I don't eat every day.
06:44I just eat every day.
06:45My therapist gave me my anxiety.
06:48Yes, I can focus on these things.
06:51I understand.
06:52There's a little difference.
06:53I want to tell you something.
06:54No, I want to show you something.
06:55Okay, what do you want to show?
06:59Yes, but I want to show you.
07:02I want to show you before.
07:03Yes, but people haven't seen it.
07:05Okay.
07:05We don't want to talk about it.
07:21Who are you doing?
07:28How many people are doing?
07:30Who are you doing?
07:32You need to be kidding me.
07:34Sorry.
07:38Sorry.
07:39I'm not.
07:39You're right.
07:39I'm not.
07:46Sorry.
07:57There we go.
07:59Okay, I think you can do that.
08:01You can do that.
08:02Okay, I think you can do it.
08:03Okay.
08:03Okay.
08:04Okay.
08:04Okay.
08:04Okay.
08:05Oh my god!
08:07I'm so excited.
08:10You're so excited!
08:12Okay, I'm so excited!
08:13Okay, I'm so excited.
08:14It's so excited.
08:14Oh!
08:18Oh my god!
08:25I'm so good!
08:27I'm so good!
08:31I'm so good at all!
08:33Oh my god, I'm so good at all!
08:45All of the girls are thinking that Karsu is your place.
08:47Yes, I'm very happy.
08:49I know, everyone is running away from you.
08:57Okay, okay, okay, thank you, thank you.
09:00I'm very happy.
09:01Let's go.
09:02Let's go.
09:05Let's go.
09:07Morning.
09:12Good morning.
09:13Are you ready?
09:14We have to go to church,
09:15but we have to take eye drops.
09:17Who is driving?
09:19Liz, we are trying to pick up.
09:23Is your dad here with him?
09:26He hasn't come in so many years,
09:28so what are we going to do now?
09:30I don't know.
09:30Maybe I'm going to go.
09:32They are going to go outside.
09:34Okay?
09:35Ignore it.
09:37Okay, okay.
09:39I'm going to change it.
09:40The skirt looks cheap,
09:41and it's hot.
09:42I love you.
09:43I love you.
09:47I love you.
09:54I love you.
10:00That's not too much.
10:03I love you.
10:06I love you.
10:07Let's go inside.
10:08Stop, I'm checking.
10:10Come inside first, we'll see.
10:11Okay, I'm coming.
10:21Who are you guys?
10:25This girl is dead.
10:28I'm a freelance reporter.
10:31I'm researching Oliver St. Ledger and I want to know what she's hiding.
10:35Yes, so what's your story?
10:37Big deal, Amir Londa,
10:39he stole his money and stole his money.
10:41And now, where is she?
10:42Yes, she said something like that.
10:44In the past 16 years,
10:45Oliver never talked about the press.
10:47I was just giving him a chance.
10:49Yes.
10:50And I saw your car in the parking lot.
10:52I think he didn't interview you, right?
10:56He's a psychopath.
10:58The car didn't repair it until now.
11:01No, he didn't interview me.
11:02Why did you think that if you have written a letter to me,
11:06then you'll find it for the interview?
11:09I've written two letters to me.
11:12It's better than two.
11:13She doesn't believe it for the interview.
11:15But if it's the case that she's scared
11:18that the truth can come out of any time,
11:20then maybe she thinks that she's going to tell her story
11:22to tell her story.
11:24Look, you've got to do something like this.
11:26What a stupid idea.
11:28Did you study journalism in the truth?
11:29Yes.
11:30You both are one of them.
11:32But,
11:33I've done a master's from BU.
11:35Do you teach journalism in the university?
11:38No.
11:39No.
11:39No.
11:39No.
11:41No.
11:43No.
11:43No.
11:43No.
11:44No.
11:44Okay, no.
11:45You don't have to be surprised.
11:47No.
11:50No.
11:52His name is Ciara.
11:54What is Ciara?
11:55I don't know.
11:58She is very beautiful.
12:01Her hair is very beautiful.
12:02Her hair and her eyes are very different.
12:05She looks like she is very beautiful.
12:07But she was very beautiful.
12:08She was beautiful.
12:11She was beautiful.
12:15Why do you think that?
12:16She was just with her money.
12:18She was beautiful.
12:19So she doesn't date Oliver.
12:21She can do it.
12:22If she is handsome.
12:26She is smart.
12:28She is good.
12:29What is the reason for dating?
12:31It was not the reason.
12:32She knew who she was with her.
12:37But Oliver didn't know this.
12:40They were both living in a small world.
12:43They were both small.
12:44They were both.
12:45A woman.
12:47A woman.
12:48A woman.
12:49And her love story.
12:52I was both psycho.
12:54She was the one who was looking for.
12:58She was the one who was looking for.
12:58It's a call.
13:00Two minutes.
13:04Connelly.
13:05Connelly.
13:06Yes.
13:06I'm watching Sophie on my house.
13:08I've seen the TV as you said.
13:10The news will be our job.
13:11I don't want you to pay the time.
13:13But Linus Finch?
13:14She talked about her.
13:16Yes.
13:17Yes.
13:18Yes.
13:18She told me everything.
13:20Do you remember that?
13:21It was two months ago.
13:23The Albanian girl.
13:25It was about 50 gallon drum.
13:27Yes.
13:28Yes.
13:28I remember it.
13:29The fact is that Finch is the witness of her case.
13:33She didn't want to talk about it in the station.
13:36She was in the room.
13:38She was in the room.
13:39She told me everything.
13:41She told me everything.
13:41What did she tell me?
13:42She thought it would be better.
13:45But if it's the case, it's the case.
13:46That's right.
13:48For you, this is a good news.
13:50The woman who stole your phone,
13:52she didn't get the parking tickets for 36 times.
13:54She didn't get the jury duty.
13:55So I issued a warrant.
14:02Are you listening?
14:04Yes.
14:05Yes, Sergeant.
14:07I'm listening.
14:10Can you tell Oliver's secret to Ciara?
14:15And she killed her?
14:17Yes.
14:19That's right.
14:20No matter what to kill her,
14:22there's no new thing to kill her.
14:23And she's listening to her boss's wife's wife's wife.
14:29Allison Meadows,
14:30she was a few weeks ago.
14:31She was a post-mortem.
14:32She said she was an accident.
14:33She was not an accident.
14:36Oliver would not kill her.
14:47We're going here.
14:48What?
14:49Yes, we can go.
14:51If you tell us, we can drink.
14:53I don't know.
14:55I don't know if I can enjoy my special moments in this bar or not.
14:59Do you understand?
15:00You haven't gone until now?
15:01No.
15:02I don't think it's a little gone.
15:04Okay.
15:05So what can we do?
15:06We can go and walk on the mountain.
15:09We can go and walk on the mountain.
15:10Or we can go and walk in another world.
15:12Or we can look at the sun's eyes and see.
15:16I'm telling you, these are bad ideas.
15:19Hey!
15:20You both are here.
15:23Hey, Elliot.
15:25Look at me.
15:25Look at me, you didn't have the mood of people, right?
15:28Huh?
15:30No.
15:30I mean, no.
15:31What do you mean, Sierra?
15:32Oh, you know Sierra?
15:33I know too.
15:34Your hat is very cute.
15:36Oh, thank you.
15:37Hey!
15:38Did you get one drink?
15:39No.
15:40No, no, no, no.
15:41There's a lot of people here.
15:42No, nothing.
15:42Just one drink.
15:43And the table is booked.
15:45I'll go home and go home.
15:46Let's go.
15:46Sorry.
15:47I don't know.
15:48I'm going home.
15:50I think the chocolate has affected me.
15:57Yes, I do.
15:58I don't know.
15:59They won't know why they have a lot of people.
16:02Hey, baby.
16:02Let's see who I am.
16:07Hi.
16:08Hi, Allison.
16:10Hi.
16:10This is our friend, Jane.
16:12And this is Sierra.
16:16Hi.
16:18It's good to meet you.
16:19We also.
16:20Elliot has told me about you.
16:23Sierra.
16:24That's the name of your name, right?
16:25Yes.
16:26Sierra.
16:27Where did you see it?
16:28I know.
16:29I was just saying that you saw it.
16:32Maybe I saw you in your building.
16:34Yes.
16:35Crossings.
16:36Okay.
16:37So you live in the crossings.
16:38Yes.
16:38For some time, I've come from some work.
16:41And Elliot is so sweet that he gave me his flat.
16:44That's the other flat.
16:48You all know one another?
16:49How do you know one another?
16:50We've met a big museum scandal a few years ago.
16:55He gave me a lot of money to buy my staff.
17:00Ah.
17:01Oh.
17:02What a matter.
17:03So you work in the museum?
17:05This is a reporter.
17:09Okay.
17:10Okay, uh, Ollie, uh, can you take it again?
17:14Elliot, baby, you're not your boss here. Go and help.
17:18No, no, it's okay. We're going. We had to go somewhere, right?
17:21We're talking a little bit.
17:25Will you take something to drink?
17:29Yes.
17:43You're okay.
17:46Huh?
17:47Why are you asking?
17:48Your boyfriend isn't the same as you understand.
17:51Oliver Kennedy doesn't have his own name.
17:53He's very dangerous.
17:55And I know that it's not the right time to do these things, but...
18:02He's called someone.
18:04I know.
18:07What?
18:10Why do you understand me?
18:11I don't understand.
18:13It's not the right time to understand.
18:20Allison said that Jane should just stop the place.
18:23She's doing research.
18:25Yes, she's doing.
18:26Elliot, she's doing research.
18:28No, no, no, come on.
18:29She's doing my job.
18:30In my building, in my shoes, in my gym.
18:38He's talking with a robot now.
18:40I think she's making a job.
18:41I'm talking with a robot now.
18:43You're talking with a robot now, and I know it's like you're talking about.
18:43Fuck.
18:47Allison said no.
18:48Oh, if you're saying he's talking with a robot now...
18:51I'm talking to him.
18:53I know, he's talking to him now.
18:58You're talking with an idiot.
19:02I know it's like how he's doing this.
19:03and he came back to the murder of Naregansett's murder.
19:05And yes, his family's family.
19:08Because he's not a family,
19:10but he's still a problem.
19:11He's still running for years.
19:14I'd like to give him a chance
19:16to tell his story and tell his story
19:17and his life.
19:20But he doesn't understand.
19:23I think you can find him.
19:26You want to die?
19:28I know you're not the first girl in his life.
19:31She's a serious girlfriend in London.
19:34Lucy Harbrove.
19:36She's been dating for a year.
19:38I was able to talk to her in Wales.
19:40I tried to talk to her.
19:41But she convinced her.
19:43Yes, because she was hurt.
19:45Oliver said to Elliot
19:46that she's going to propose.
19:49And she wants to tell her truth.
19:51So she told her all the truth.
19:54And she was very scared.
19:56She left her and left her.
19:58She broke her heart.
19:59She broke her heart.
20:01But it was just this.
20:02Did she tell her everything?
20:04Yes, about murder.
20:06She killed her classmate.
20:10Balls Pauling.
20:13Why?
20:14What did she tell you?
20:28I was just trying to say,
20:30the only two years ago.
20:32I was trying to tell her.
20:40I'm not sure she was a man.
20:44I was trying to tell her.
20:45I know that Alison has already done you before, but this time he has already done it.
20:50I'll talk to Jane myself and talk about it.
20:54All of this is closed.
20:55If she has done it, I'll leave it flat.
21:00I told you Boston,
21:03because I told you about your father.
21:06I told you that I will protect you.
21:09I told you that I will protect you.
21:13So when I tell you that I am with you,
21:16I mean I am.
21:22I just want to say that you are happy.
21:28I'm sorry.
21:29I'm sorry.
21:30No, no.
21:31It's okay.
21:32Hey, it's okay.
21:33Elliot.
21:56I'm sorry.
21:57I'll leave it.
21:57I'm sorry.
22:00I'm sorry.
22:01I'm sorry.
22:02I'm sorry.
22:02You're a madman.
22:03What do you think of this?
22:04St. Ledger's,
22:05I'll give you a little message.
22:07There's no other message.
22:08I promise.
22:08You're a fool.
22:09You're a fool.
22:10You can't find any money from him.
22:12It has no difference from him.
22:13He has been hidden in so many years.
22:15Now his name is Oliver Kennedy.
22:18He has a new life.
22:19What is this saying?
22:20You know how you what?
22:23I am knowing him.
22:25What do you mean?
22:27Because I have met him,
22:29and I have known him very well.
22:31Okay?
22:32He's not the same you think.
22:35He's the same as I think.
22:42I am going to die. Mom, you will die.
22:44Mom, please tell me something.
22:46Mom, I will tell you because I have arranged money.
22:48You have stolen money.
22:50No, I have earned money.
22:52Really?
22:52How did you earn, Meg?
22:54With a killer?
22:56Yes, I'm sleeping.
22:59I'm living in a city,
23:01and I'm sitting with them,
23:02which is in college.
23:04I don't work in a normal restaurant
23:07like you are doing.
23:08I'm going to die.
23:10I will pray for you to die.
23:28What do you want to know?
23:30Is it right?
23:33I'm understanding everything.
23:44What do you want to know?
23:45You want to know.
23:47But what I want to know,
23:48give me.
23:50I want to know.
23:51What I want to know,
23:51give me.
23:52You want to know.
23:52For your story.
23:54If Oliver gives yourself,
23:56it's good.
23:57But he will be alive.
24:00But I will work with you too.
24:04She said that I love you.
24:06With a narrow river.
24:08I didn't know who it was,
24:10but when I got to know,
24:11it was late.
24:14You'll become famous.
24:16First, my story will come,
24:18then a book,
24:19then a podcast,
24:21then a movie.
24:23You'll get love with people.
24:26How beautiful is this.
24:28How strong is this.
24:30She told me all the truth.
24:33You'll get a good chance to change your life.
24:36You'll get something bigger.
24:38You won't get that chance again.
24:41But if you don't think about it,
24:43I'll tell the police.
24:45You'll have to go to jail
24:46in order to destroy America's biggest
24:48psycho family.
24:56You didn't know your job.
24:58You didn't know your job.
25:00Okay.
25:03But your skin is good.
25:12I'm sorry
25:15You've lost my name.
25:17You are my going to kill my mother.
25:23You have been there.
25:27He went black,
25:28my name.
25:30It's my death.
25:31The name is my middle奇te family.
25:33Like...
25:34I mean the name is my mother.
25:34I'm not gonna need that 다.
25:35But since I can't use it
25:37What happened in that day?
25:40That Balls Balling died.
25:43And when he will tell, I promise,
25:47I will never tell you.
25:53Who are you?
26:15Hey, come on, let's go home.
26:18Now?
26:20Look, I'm not winning.
26:22Let's go, please.
26:25What happened?
26:26Just stop, stop.
26:29You told Jane that Oliver is here.
26:32It's true, right?
26:33You mentioned this knowledge.
26:34You said that his career is falling.
26:37So, he wanted to do anything.
26:40You're a fool.
26:42How can you do this?
26:44You need to take a real understanding.
26:46I don't have a difference.
26:48He's my godson.
26:50Or you love him from his father.
26:54He's not a fool.
26:58You didn't have to do it with me.
26:59I know a person.
27:00But I've never heard you.
27:01I've never heard you.
27:06I've never heard you.
27:09I've never heard this guy.
27:16You have never heard me.
27:27because it was wrong with her.
27:29That was not wrong, Elliot.
27:32I've done many wrongs.
27:34I've cheated on my driving test
27:35and slept with my brother's roommate.
27:38But I've never killed anyone.
27:42And if I'm killed,
27:44I don't believe that my husband,
27:48my father's best friend,
27:50was the best friend of mine.
27:51I was the best friend of mine.
27:54I feel bad at all.
28:30Hello.
28:30Hello.
28:30Hello.
28:31What did that woman tell you?
28:36You know her.
28:39No.
28:40I don't know her.
28:41I don't know her.
28:42Please.
28:42Please tell me.
28:46Do you want to go out?
28:47Do you want to go out?
28:57Good.
28:58Good.
28:58Good.
28:59Good.
29:00Good.
29:13Good.
29:17Good.
29:17Good.
29:24Good.
29:31Good.
29:32Good.
29:32Good.
29:32Good.
29:32Good.
29:32Good.
29:32Good.
29:32Good.
29:32Good.
29:32Good.
29:32Good.
29:33Good.
29:33Good.
29:34Good.
29:36Good.
29:38Good.
29:39Good.
29:42Good.
29:42Don't stop.
29:56Are you talking with Russo?
29:57Yes, yes, that's okay. But look at this.
30:00Who is this? Who is this?
30:01Who is this? Who is this?
30:04Is this the alarm?
30:07Is this the alarm?
30:09Yes, look at this.
30:14Look at this.
30:14This is a ghost.
30:16Did you see the camera inside?
30:19Oh, good.
30:20Look at this.
30:23This is a crime scene.
30:25Yes.
30:26She took photos of the dead body.
30:27What kind of women are they?
30:30That's why I was taking my phone.
30:33She wants to tell this story.
30:36Oh, absolutely.
30:37I don't know why people like these stories.
30:39Okay.
30:40She saved a false alarm.
30:42She didn't report to Mono.
30:44I'm at home.
30:44I'm going to ask the case of the jury.
30:46Yes, the jury.
30:47It's a big idea.
30:49Okay.
30:50I'll call the crime team here.
30:51I'll call the crime team.
30:54It's true.
30:55It's true.
30:55It's true.
30:56It's true.
30:56It's true.
30:57It's true.
30:58It's true.
30:58It's true.
30:59It's true.
31:00It's true.
31:01It's true.
31:01Here's a song for both the blue films.
31:03Have you ever given a photo of your boobs for someone?
31:06Maybe.
31:08On a xerox machine.
31:12You were before 9 o'clock when you started 9 o'clock?
31:27What did you say?
31:28Oh, he said that Linus Finch is our witness in the last year's LBA in this case.
31:33Okay.
31:38Thanks, I don't know.
31:43Okay.
31:46I forgot the case, it was so small.
31:50Now ask me why this is your memory.
31:53You've also found some photos, right?
31:56I don't know.
32:03The earth is burning.
32:05Do you feel it?
32:07Don't see the earth in my eyes.
32:09No, I can't see anything.
32:11I can't tell you anything.
32:12I can't tell you anything.
32:14Yes, I can tell you.
32:15Why do you know?
32:16Because this is not necessary.
32:19If it's not happening with you, then I'll tell you.
32:22No, I don't hear anything.
32:23I can't hear anything.
32:23Because if you've said something, then you'll have to tell me.
32:27And I've told you.
32:28I've told you.
32:30So...
32:32What?
32:33What will happen?
32:34What will happen?
32:35What will happen?
32:36You'll never do it.
32:36I'll never do it.
32:38You'll never do it.
32:39Oh, I won't do it.
32:40Oh, I won't do it.
32:42I'll trust you.
32:45No, you will do it.
32:47You will do it and you will leave me.
32:49And this will not be rude to me.
32:51And whatever you want to say, don't say anything.
32:53Please, please, don't say anything.
32:55Everything is going on, pay for it.
32:57Because I will...
33:12Okay, let me see you.
33:15Hey, let me see you, okay?
33:19Please, give a long breath, okay?
33:27Okay.
33:29It's okay.
33:30It's okay.
33:45Okay.
33:54Okay.
33:54Okay, are you listening to me?
34:15My name is Ciara.
34:18My name is Megan.
34:29My name is Sister.
34:32My name is Sister.
34:32I was looking for you and she was looking for me.
34:43She, she, you just came out of my mind.
34:43She was looking for me.
34:43I thought that whatever happened in an incident was that you were right.
34:46But, maybe I'm wrong, Oliver.
34:50I always thought that you are one of the things that you are, but now I think that maybe you
34:57are not.
34:58I'm confused. I don't understand.
35:07But if you talk to me and tell me the truth, then maybe I will understand you.
35:21I really wanted to know your eyes. I wanted to understand all of you.
35:28I'm telling you the truth, because I don't know when I love you.
35:37I didn't understand myself.
35:48My heart tells you that you are a sinner.
35:51I felt that there is something special between us.
35:57I don't know when.
35:58I felt that I was close to you.
36:02I felt that there is something.
36:05But we are not.
36:06We are probably not one of them.
36:09Never.
36:09We are not one of them.
36:15I am going.
36:25I felt that I love you.
36:34I felt that I can love you.
36:35I felt that I can love you.
36:43I felt that I know you are not one of them.
36:54I felt that way.
37:16I don't think this is the same thing.
37:18I think this is the same thing.
37:21This is the same thing.
37:23It's always been seen.
37:26Oh, there's a problem, Kevin.
37:28How much do you see?
37:29Do you have a doubt about it?
37:31No, we're going to go to long drive.
37:33Put it in the middle of it.
37:35This is illegal poker.
37:37You didn't want to say anything.
37:39This is a lift from the CCTP camera.
37:41There's no difference between us.
37:42It's a lift from the CCTP camera.
37:45Let's go.
37:46Officer Kuri, go to the station.
37:48Thank you for updating it.
37:52What a great deal.
37:53If you need anything, please call me.
37:55What to do?
37:56Oh, my blood juice.
37:57Kevin, I have taken you a lot.
38:00Please, go home.
38:02Yes, thank you.
38:03Who was the call?
38:06Medical examiner.
38:07Post-mortem up to 90 minutes.
38:08What's the deal?
38:10Let's go.
38:10You'll have to show the prime team
38:11and you'll have to file charges.
38:14I'll file it.
38:15You talk with the tech team.
38:17Who knows, I'll drop it in 40 minutes.
38:19And the best thing is...
38:21It's me.
38:22I'll do the wrong thing.
38:27You can't.
38:32You can't.
38:39You can't come.
38:39I can't come.
38:50It's me.
39:04Hey, Allison.
39:05What do you want me to do?
39:06What's your fault there?
39:07I don't know.
39:08Maybe she ran away from her.
39:11And she did right.
39:12Wait a minute. Why did she run away from me?
39:14Leave me alone!
39:15Why do you do me to me?
39:17Allison, what's your car going on?
39:21You don't want to take advantage of my husband.
39:25Your father also takes advantage of my husband.
39:27And I'm afraid of him.
39:31And you, whoo-whoo,
39:34are your car-bon copy.
39:40I know that's the same way.
39:44Elliot loved me from my dad.
39:48And you're a good man.
39:49He's a bad man.
39:50Yes, you too. And you too.
39:53Yes, you too.
39:59I'm dying.
40:01I'm dying to be a bad person,
40:04who's being a bad person,
40:06because he's doing the work of dying and dying.
40:11I'm not so crazy.
40:14I'm waiting for you
40:16that the whole world,
40:19you'll get to know your true truth.
40:23And you won't get to know.
40:25I don't know,
40:26if you're going to be like that,
40:28then you won't be able to be the one who my dad was.
40:32Or who I am.
40:40Maybe you don't know.
40:43Your girlfriend,
40:44she's a little girl.
40:47Perfectly, Jodi.
41:15No, she's not.
41:20I am.
41:26Oh, my gosh.
41:29Oh my god!
41:44Oh, my God.
42:14Oh, my God.
42:44Oh, my God.
42:46Hey!
42:50Alison, stop!
42:51Oh, my God.
42:55Oh, my God.
43:00Oh, my God.
43:01Oh, my God.
43:04Oh, my God.
43:06Oh, my God.
43:39Oh, my God.
44:14Why are you going to go?
44:16Maybe.
44:51Dr. Hippolyte,
44:52look, I'm very happy that this case has come in your hands.
44:56How much time is it?
45:00It's a little less than a week.
45:01Oh!
45:02I don't have a week.
45:04Doc, please.
45:04I've never had a body in such a bad condition.
45:07I don't want to go fast.
45:08Okay, okay, okay.
45:08But what you've seen...
45:12You can tell me something, right?
45:20The skull behind the bum and the other and the other and the other and the other and the other
45:25and the other and the other and the other and the length of the length,
45:26I can tell you that the victim...
45:31Me.
45:55We are quite hungry.
45:56I see the headshot window.
45:56Bye.
46:33Bye.
47:03Bye.
47:26Bye.
48:07Bye.
48:36Bye.
49:06Bye.
49:36Bye.
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