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08:32Sous-titrage Société Radio-Canada
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22:24Actual journalist.
22:25So, a few times he talks about what I thought was something like sad girl or mournful woman.
22:31But then I found out that the school that Greta attended was called Our Lady of the Sorrows.
22:38You know, there are probably a hundred skills in Ireland with that name.
22:41Yes.
22:42But then there's this.
22:45What does it mean?
22:47No idea.
22:48It feels religious.
22:50It's my instinct, anyway.
22:54I went to Greta's old school for a look.
22:57And there's this whole area of the grounds that's just sort of abandoned now.
23:01And there's an old caretaker's cottage.
23:05This isn't all just a coincidence.
23:09Greta O'Neill was connected to my father.
23:14How did you find out that was Greta's old school?
23:16Oh, well, when I spoke to her friends, they mentioned it.
23:19And Greta, well, she'd have still been there the year that my father disappeared.
23:25Did you say you spoke to her friends?
23:30Hey, Saoirse.
23:31So, uh, I just had a chat with Andrew.
23:34You remember Andrew?
23:35English lad.
23:36He, uh, spoke to you about the fact that his father disappeared.
23:39About how he thinks Greta was involved.
23:40Now, here's what I'm wondering.
23:43I'm wondering why you didn't mention any of this.
23:45I want you to call me back.
23:46I want you to tell me what the hell is going on here.
23:48Here, it's okay.
23:50I'm coming to Belfast.
23:51See you at the studio.
24:17If this is how it ends,
24:20if I die today,
24:25then I want my conscience to be clear.
24:28You're not dying, Saoirse.
24:31My head is banging.
24:32I might have some painkillers in my bum bag.
24:35Okay, at some point,
24:36we need to address the fact that you've started wearing a bum bag.
24:40Now, these are mums.
24:41They're prescription only.
24:43They are really strong.
24:45Class.
24:45We need backup.
24:46I'm calling Jim.
24:47What's Jim going to do to that mad bitch?
24:49I'll have Jim for breakfast.
24:51How's it going?
24:52You've reached Jim's phone.
24:53Where the hell is he?
24:54Just a job to the beep.
24:56He's gone out.
24:57Who the hell does he think he is?
25:00Wait, you're tracking Jim.
25:01Obviously.
25:01I haven't trusted him since the whole affair thing.
25:04There was no fucking affair thing.
25:07Shit, she's tracking us.
25:11She's tagged us somehow.
25:13It could be on her clothes and her hair.
25:16You know what that means.
25:17On her hair?
25:19She's on her way here.
25:32Robin, stay beside that door.
25:34I don't want a priest walking in here and seeing my fandango.
25:37What are you fandango doing out?
25:38Can everybody just keep their fandangos under wraps, please?
25:45Shh.
25:46Listen.
26:03Grab a weapon, quick.
26:08It's here.
26:12Come on.
26:13Come on.
26:18We're ready for a fucking exorcism, maybe?
26:24Who is she, girls?
26:26Is she playing at night?
26:36Moving on to scene 32A.
26:39Let's have cast on set in five minutes, please.
26:59It must have looked like an eaten mass.
27:01It's terrible.
27:02It's so obvious.
27:03Excuse me.
27:04Yeah, I'm going to have to see the brain.
27:05Excuse me.
27:06Scene 32A.
27:08Crew show.
27:09And people, crew show.
27:10So, I'm not sure if you remember me.
27:13Cop, I remember.
27:14I'm looking for Saoirse.
27:16I bet.
27:18Why would I know where she is?
27:19Well, because you work together and also, aren't you engaged?
27:23Well, I'm sure you've seen a lot more of her than me recently.
27:26What?
27:27You think I don't know what's going on?
27:31There's nothing going on.
27:32Look, I don't mind.
27:33You don't mind?
27:34I'd just like to be involved.
27:38Involved?
27:39I think you'll find I have a lot to offer in that department.
27:42Okay.
27:43I genuinely don't know what you're talking about.
27:45And I'm kind of afraid to ask.
27:47Oh, come off her.
27:48It explains why she's been AWOL for days.
27:51What does?
27:52She's storylining season five and you're helping with research.
27:55Oh.
27:57No.
27:58Pushing me out.
27:59Again.
28:00So much for TV being collaborative.
28:01Listen, boss.
28:03Why are you in the wrong uniform?
28:04No, he's a guard.
28:05We're shooting those scenes next week.
28:06That's all location.
28:07Costume.
28:08Yeah.
28:08This idiot's in the wrong uniform.
28:09No, he's not.
28:10I'm not an actor.
28:11I'm a real person.
28:11Oh, and actors aren't real people?
28:12He's an actual guard, okay?
28:14He's helping Saoirse's storyline season five.
28:16Really?
28:17We're going to have to swap out scene 15.
28:18This friend's not stopping anytime soon.
28:20Oh, no.
28:20Could you just have her call me?
28:22Seb, darling, my car's here.
28:23Take me that god-awful tele-interview.
28:26Love you, darling.
28:27What's 15 again?
28:28Exterior school.
28:29Bearing of the body.
28:31Okay, fine.
28:34Hey, eh, sorry.
28:36Do you have a script?
28:38Thank you.
28:39Can we get a move on, people?
28:41What is she playing at?
28:43She knows we're in here.
28:47Sanctuary law.
28:49She is obeying our right to claim sanctuary.
28:52So long as we're in here, she won't touch us.
28:54So why the fuck would we leave?
29:22I don't want to hurt you.
29:23I don't want to hurt you.
29:24The boat.
29:25That was a warning.
29:27If I really wanted you dead, you would be.
29:30I just want the box.
29:33Why?
29:35What's in it?
29:36What's all this got to do with grandma?
29:39Knowing that will infect you like a disease.
29:42A fatal one.
29:44All you have to do is come out here and hand me the box.
29:53Do that, and I promise you will never see me again.
30:00After a while, you'll begin to question if any of this actually even happened.
30:06If I ever actually existed.
30:12What'll it be?
30:30Let me do it.
30:32Let me do it.
30:42Let me do it.
30:44C'est parti.
31:00C'est parti.
31:31We don't make deals with the devil.
31:44C'est parti.
31:46C'est parti.
31:47C'est parti.
31:48C'est parti.
31:48C'est parti.
31:49C'est parti.
31:50C'est parti.
31:50C'est parti.
31:51C'est parti.
31:51C'est parti.
31:52C'est parti.
31:53C'est parti.
31:53C'est parti.
32:23C'est parti.
32:25C'est parti.
32:25C'est parti.
32:25C'est parti.
32:25C'est parti.
32:28C'est parti.
32:30C'est parti.
32:31C'est parti.
32:33C'est parti.
32:33C'est parti.
32:34C'est parti.
32:34C'est parti.
32:34C'est parti.
32:36C'est parti.
32:37C'est parti.
33:08C'est parti.
33:22C'est parti.
33:34C'est parti.
33:37C'est parti.
33:40C'est parti.
33:43C'est parti.
33:47C'est parti.
33:50Sous-titrage Société Radio-Canada
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37:21Welcome to the Late Late Show
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