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Watch How to Get to Heaven from Belfast ... Season 1 Episode 7 (2026) full episode online in HD quality. Stream the latest episode of How to Get to Heaven from Belfast ... on Dailymotion now.
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09:19Greta.
09:19Il doit être.
09:20C'est ce qui s'appelle.
09:22C'est ce qui s'appelait quelque chose qui s'est passé.
09:25Et ça explique pourquoi Nora n'a pas vouloir d'un contact.
09:28C'est quoi ça ?
09:28C'était énorme.
09:30C'est énorme.
09:31C'est de faire toute information sur la vie de Greta avec Nora.
09:33C'est de disparaître.
09:36Peut-être que c'est ce que c'est votre père.
09:38Et peut-être qu'il a trop près de quelque chose.
09:40Nous savons qu'il y avait quelqu'un sur la salle de l'école.
09:42C'est ce symbole que vous avez vu dans le quartier.
09:45C'est celui de la note-book.
09:47Léaim, est-ce vraiment la façon à faire ça ?
09:50C'est assez risqué.
09:52Pour toi.
09:53Je veux dire.
09:55Je suis venu à l'arrivée de l'arrivée.
09:58Donc...
09:58Non, c'est ça.
10:20Je suis venu à l'arrivée de l'embaire.
10:33C'est fini. Nous avons perdu une fois.
10:36Ah, fuck.
10:37C'est assez le conundrum. Ross a callé un meeting.
10:39Fuck!
10:40En Derry?
10:41En Derry?
10:42C'est vraiment une situation de headquarters, j'ai peur, babes.
10:45Fuck!
10:49Il y a des PhDs qui sont plus de l'extérieur.
10:51C'est la même chose à la request du cross-border.
10:53Ils ne sont pas trop compliqués.
10:55Mais vous êtes heureux d'utiliser les lats.
10:57Ça fait plus facile.
10:58Les gardes sont poussées à l'intérieur.
11:00Ils peuvent avoir des backs de gens.
11:02Ils sont pas.
11:03Et si quelque chose de se déroule, vous n'avez pas à l'intérieur.
11:06C'est bizarre.
11:08Ou c'est bizarre que vous faites?
11:09Tu avez le penil ?
11:11S'il vous y a l'air ?
11:13Tu as l'air ?
11:13J'ai l'air de l'air, sir ?
11:13Je devrais avoir l'air.
11:15Je vais prendre ça.
11:16Si vous ne m'en croire.
11:20Oh, mon Dieu.
11:27Hey.
11:29Vous avez compris.
11:31Vous avez l'air.
11:33Tu me souviens, Andrew ?
11:36Je pense qu'on a besoin de parler, non ?
11:41Nous pensons que tu étais dead.
11:43Nous pensons qu'elle a tué.
11:45Et nous ne pouvons pas faire quelque chose,
11:47parce qu'elle n'aimait nous dans une tower,
11:49comme Rapunzel.
11:51Pourquoi vous êtes-vous ici ?
11:52En Belfast ?
11:53Nous allons voir.
11:54Qui est-ce ?
11:56Je ne sais pas.
11:57Honnêtement, nous n'avons pas.
11:59Tu as un vest en ?
12:00Ca a bulletproof vest ?
12:03Non, la boxe.
12:04Stopped'it.
12:05C'est malheureusement,
12:06c'est malheureusement ?
12:07Ça aurait été malheureusement,
12:08pour ne pas que je ne veux pas.
12:10Nous pensons que c'est ce qu'elle voulait,
12:11la tape.
12:12Ça fait semblant.
12:13Il est passant du l'avion du l'hôpital ?
12:14Tu as l'entendé ?
12:18Non.
12:21Tu as l'entendé ?
12:22Il n'aimait pas.
12:24Comment est-ce que tu as l'envié ?
12:26Nous avons l'envem.
12:28en Portugal
12:29en Jodie Pryor's place
12:31she wasn't there
12:33but it was with her stuff
12:34the box
12:35we thought it might have been a clue
12:38that it might have been worth holding on to
12:40big fucking mistake
12:45we were just so desperate
12:46to find out what really happened with Greta
12:49did you know she was adopted?
12:53no
12:55she recognised this woman
13:04Nora O'Hara
13:09you're sure?
13:10that book there
13:11where'd you get that book?
13:13left you a message about this
13:14yeah
13:15yeah my phone got
13:17look we only came here to report the fact that you've been killed
13:20it feels sort of redundant now
13:21so are we free to go or what's a crack here?
13:24you've nothing to hide have you?
13:25I don't like your tone
13:26I don't like getting shot
13:28would you ever fucking give over your ground aren't you?
13:30pardon please
13:30no
13:30what right does he have to question us anyway?
13:33like this here?
13:34we're in a PSNI station
13:36he's a guard
13:37you've no authority here
13:38this is Northern Ireland
13:39it's an entirely different country
13:40well
13:41that was a swift abandonment of your nationalist ideology
13:44fuck you know
13:44sack this
13:45sit down
13:46beat the will not you fucking fetus
13:48let's go
13:48please don't
13:50please
13:50please
13:51just trying to find out what happened to my father
13:53well you'd have to ask Greta
13:55I can't can I?
13:56she's dead
13:56okay fine
13:57you want to hear something wild Andrew?
14:00I need a cigarette
14:04do you have a cigarette?
14:07I'm sure I could find you one
14:10why don't you just grab some coffees?
14:29we need to lose the car
14:32what's wrong with the car?
14:33it's fucking ridiculous
14:35there's nothing wrong with the car
14:36the car's class
14:37you blame me don't you?
14:39of course I blame you
14:40it's your fault
14:43she syringed me babes
14:46she syringed the both of us
14:48what could I have done?
14:49not left your syringes lying about
14:51you don't expect the threat to come from inside the house
14:54expect anything and everything?
14:56I thought I taught you that
14:57you left the landline connected for Christ's sake
14:59I didn't know what it was
15:01I thought it was some kind of Portuguese ornament
15:03there was no need to get annoyed
15:04Christ
15:05you get hoist by your own syringe one time
15:08let's drop it
15:09I don't understand why she did it
15:11it's not like her problem's going anywhere
15:13it doesn't make sense
15:14people don't make sense
15:16she's got her new ID
15:18her new bank cards
15:20and I was setting up a phone for her
15:23she's easily traceable
15:25she's not stupid
15:27she won't use them
15:33the window's closing
15:34and Rossa decides to call us to dairy
15:36well
15:38there's no precedent
15:39yeah
15:39this is the first babes
15:40not an achievement
15:41Rossa's priority
15:42should be getting that gear back
15:43and shutting this down quickly
15:45she's the boss
15:46I'm aware
15:47Christ
15:48just such bad timing
15:50on the back of that whole other hollow blue
15:53what are you on about?
15:55one of the delivery guys disappeared
15:56who? Jackson?
15:58yeah that's right
15:58I blew Jackson up
16:02okay
16:03maybe you should have like
16:04told someone that babes
16:06he backchatted me
16:07you blew him up because he backchatted you
16:09I blew him up because I didn't trust him
16:11the backchatting just fast tracked things
16:13why didn't you trust him?
16:14remember that client we had
16:15that young heir
16:17she was trying to get away from that older guy
16:19real nasty prick
16:20do I remember?
16:22I was the one that had to wipe him out
16:25I always wondered how he found her
16:28everything led back to Jackson
16:30why would he do that?
16:32money
16:33we should never have started working with men
16:35we needed to
16:36the operations growing babes
16:38when it started we were all volunteers
16:41you remember
16:42well those days are gone
16:44soon we'll all have to wear work uniforms
16:47what?
16:49Rossa is talking about
16:50introducing a dress code
16:53apparently
16:54some of our operators are
16:57like drawing attention to themselves
16:59I can't thank who she means
17:02my ether babes
17:19hello
17:23hello
17:24where is this?
17:29hello
17:37mom
17:41i love you
17:46mommy
18:04cold?
18:07no i'm fine
18:09oh no please don't do that
18:11it's fine
18:12fine
18:13it's fine
18:20why didn't you tell me about Andrew?
18:25i don't know
18:26i didn't give it much thought
18:27or it didn't seem relevant
18:28which?
18:30i don't know
18:32before i found you in Dublin
18:33i went to the set of your show
18:36spoke to Seb
18:37i spoke to Seb?
18:38such a big machine
18:41but it all starts in your head doesn't it?
18:44suppose
18:45i was thinking about what you told me the first time i was there
18:48about how you take bits and pieces from real life
18:52most others do
18:53you never worry the lines might get blurred
18:54the line?
18:55between reality
18:57if there's anything else you haven't told me i'd do it now Saoirse
19:10i see it in there
19:26hello Gaura?
19:27sorry?
19:29oh no i'm not actually
19:30is Inspector O'Neill about?
19:32he borrowed the letter and we need it back
19:34Mervyn's birthday
19:36how you made Inspector so young with own memory?
19:38Inspector O'Neill did you say?
19:40Owen
19:40tell him the proposals with the superintendent now
19:44what?
19:45the excavation proposal for the school grounds
19:47it's with the boss now
19:49it'll take him a while to go through it though
19:50so we shouldn't hang about
19:51sure i could give him a call
19:59what's keeping them?
20:03i don't know
20:27fuck
20:30why would he pretend to be old?
20:32it's the only way he'd get permission to do it
20:34did he what?
20:36excavate the school grounds
20:37what the fuck?
20:38keep moving
20:39how does he know?
20:40maybe
20:41those notebooks Andrew had
20:43his father's notebooks
20:44maybe there was something in there
20:45they could have found the body
20:46yes that is now quite a real possibility
20:48we're fucked
20:49we didn't kill him
20:50it doesn't matter
20:51we were there
20:51we moved him
20:53we buried him
20:53our DNA's probably all fucking over him
20:56oh but it's been so long
20:57it's been 20 years
20:58well DNA doesn't wash off
20:59it's like Catholicism
21:01yeah but we didn't do it granted
21:03they're not gonna believe us
21:05they're gonna think
21:05we're trying to blame it
21:06on a dead woman
21:06she's not dead though
21:08i was just about to tell them that
21:09we can't tell them that
21:10not now
21:10don't you see
21:11if we tell them that now
21:12it's gonna make us sound
21:13cornered and desperate
21:14and
21:14taxi
21:15we can't tell them
21:16we didn't do it
21:17we have to prove it
21:19i'll be back soon
21:20meet you by the bridge
21:20in an hour
21:22jesus christ
21:44oh sweetheart
21:49mum's alive
21:54what happened dad
21:57who died
21:58what did you do
22:00your mother has secrets
22:10i didn't want this person
22:12i was
22:13to infect the people
22:14i love
22:14what do i do now
22:16margo
22:16i know someone
22:17who can help us
22:19i represent an organization
22:21that helps women
22:23that have nowhere else to turn
22:27allow me to explain
22:29the process
22:33i was just trying to protect you
22:35you think i didn't know
22:36something was wrong
22:39i was going insane
22:42i knew you were all lying to me
22:46i thought you did something to her daddy
22:50i didn't know who i could trust
22:56that's why i traced those friends first
22:59that's why i sent that message
23:07you sent an email
23:10i'm sorry
23:11hey
23:14it's okay
23:27can you wait here
23:28i need to talk to sam
23:34me too
23:34cal won't play ball at all
23:36it's been a fucking asshole
23:37excellent
23:52what are you two doing here
23:53we're looking for you
23:54well we're worried sick
23:56yeah you seem beside yourself
23:57like nobody could get a hold of you
23:58we lost our phones
24:00you lost your phones
24:00how
24:01what's going on girls
24:02nothing's going on
24:03something's going on
24:04the disappearing acts
24:05the secrecy
24:06i'm going to ask you a question girls
24:08and i want an honest answer
24:10yeah
24:11have you joined the ira
24:12nobody joins the ira anymore mammy
24:14your cousin mary did only last month
24:16mary joined isis mammy
24:18what
24:18oh no sorry
24:20not isis
24:20buba
24:21how can mary afford that
24:23look
24:23i had saoirse's parents on the phone
24:24they're going to ring the police
24:25look saoirse is fine
24:26we'll call them
24:27we'll tell them she's fine
24:28and we will make some tea
24:30we have tea
24:31we'll make more
24:34what is going on
24:35what is the plan exactly
24:37so she gave him that number
24:38the number from the lighthouse didn't she
24:40shall we meet
24:41i'm going to find out who gretta was calling
24:48oh hello
24:50it's a nursing home
24:51hello are you still there
24:53what should i ask
24:54i think there's a problem
24:56the mother's name
24:57what was it
24:59nora o'hara
25:00as for nora o'hara
25:01hello
25:02i'm very sorry
25:03i don't know what happened there
25:05could you put me through to nora o'hara please
25:08oh i'm afraid mrs o'hara's in terribly well at the moment
25:11can i help with anything
25:12i'm just trying to get in touch with her daughter
25:14oh i see
25:15well i can pass on a message when she arrives if you like
25:21could a fox have dug up the body
25:23couldn't they do that
25:24is that asking too much
25:26oh god baby
25:27where have you been
25:28have you got a
25:29i don't want to talk about the fucking cow
25:30what are these guys
25:32they're the writers
25:33what
25:33i'm the writers
25:34the writer
25:35i'm the writer
25:36you asked us to hire them
25:37who didn't
25:38you sent us an email
25:39when
25:42hi there
25:43this series is so fucking annoying
26:14i did not shit once
26:16here when they when the kids bury her body in the school crimes
26:19we're filming this soon
26:20we should have filmed it already but we had to push it down the schedule
26:23i don't know it's getting pushed all the way out of the show
26:25that will have a huge knock on the entire second half of the series will need to be
26:29replotted
26:30we put our lunch order in 45 minutes ago but there's still no sign
26:34what's that got to do with anything
26:35sorry i thought we were talking about things that were worrying us
26:38this is why jesse maps everything out in such intricate detail
26:41i hear his catering's amazing
26:43oh he curates the menus himself
26:44he's across everything
26:45it's actually really tough
26:46to be that much of a perfectionist
26:48yeah poor old jesse fucking armstrong
26:50look we need a new idea
26:51okay any new idea
26:53we need to make this work
26:54otherwise
26:58what what is it
27:03otherwise it's never gonna go away
27:07session
27:09what are you doing
27:10borrowing the card
27:10you're leaving
27:12just come up with a new idea
27:14me
27:14it'll be great
27:15i trust you
27:22jesse would have stayed
27:24this isn't really my vibe
27:26well obviously it's like fashionable
27:28all right then
27:29look you do well to dress a bit more like me dar
27:32lesbians love me
27:33i'm gonna have to object to that statement
27:34on behalf of my people
27:36remember that big gay street party thing we went to
27:39pride
27:39that woman that barrister she proposed to me
27:42she was quite drunk robin
27:43she didn't propose to you
27:44i am not wearing this
27:45fine i'll get you something of gems
27:55dear jody
27:56i am truly sorry for how things turned out
27:59don't look for me again
28:00don't contact me again
28:02i want to move on
28:04please let me
28:06this might explain things better
28:08you think better
28:08greta
28:09of course
28:14stop here
28:15pull over
28:17cheers
28:20oh
28:21girl stop
28:24hello
28:25come on
28:25get in
28:26get in
28:27get in
28:27quick sticks
28:28let's go
28:29let's go
28:29let's go
28:31she's headed there now
28:32are you sure
28:33that's what the woman in the nursing home said
28:35we finally smoked the bitch out
28:37she'll not know what's hit her
28:38i'm not taking the fall for something she did
28:40no sir fucking ray
28:41i'm not going down for no one
28:43time to face the music
28:44asshole
28:44she's had about 17 coffees
28:47i remember where i saw this book
28:48in jody's apartment
28:50and that letter we found with the box
28:52the one gretta sent jody
28:53it says
28:54this might explain things better
28:56okay so you think gretta sent it
28:58shit
28:59jim
29:00where the hell have you gone now
29:02ah calm down jim
29:03you took my iphone
29:05why do you know that
29:05because i'm calling you on it
29:07oh
29:08and thanks for ringing to irish's parents
29:09oh no wait
29:10you didn't
29:11you're right
29:11no daddy
29:13because they're here
29:15my parents are there
29:16ah it's the woman herself
29:18hi sirsia love
29:19i hear you and the girls have joined the ira
29:22so we didn't even know they were still in action
29:25listen robin
29:26i don't know if you're having some sort of breakdown
29:28i'm not having a fucking breakdown
29:30jesus i take a few days away at my friends
29:32aren't you always sailing off to london
29:34to make the money
29:35we need to keep our family
29:37who's looked after the kids for the best part of a decade
29:39guys in the road robin
29:40i keep our fucking family
29:41run run run
29:43look i know that love
29:45and i appreciate that
29:47all i'm asking is for one more day
29:49the nursing home's near cork
29:50two more days
29:51do you think you could mind your own children for two days james
29:54of course
29:56all i'm asking
29:57i will be taking no further questions at this time
30:00ball bag
30:06the excavation request is being processed for
30:08even if we do get permission and nobody up here found out one
30:11what but you're not actually inspector o'neill
30:14right the area we're looking at well it's vast
30:16the skill grounds
30:17well we're thinking the caretaker's cottage though
30:19it's surrounded by woodland andrew
30:21we might
30:23might get one shot at doing this
30:25we need to be more specific
30:28i've so little liam
30:33i spent my whole life
30:34trying to shape what little i have
30:38to try and understand who he was
30:40i mean that's the only reason i'm studying journalism for christ's sake
30:44i don't even know if i'm any good at it
30:47it feels like he's a character in a story
30:50everything about him is just so vague and fragile
30:55i always thought that if i could just find him
31:01i don't know then i could make him real
31:06but that sounds so mad right
31:09we're all trying to make sense of something
31:12to find light
31:14in the dark
31:18hoping a right might balance out a wrong
31:22just that way you're helping me liam
31:25just a good deed that might undo a bad one
31:32what made you move to nocturra?
31:35something happened when you were working in dublin
31:40you know what andrew
31:41i think you'll make an excellent journalist
31:50now i've got a cousin called kevin
31:53he's sure to go to heaven
31:56all we spot is clean and neat
32:00as smooth as you'll get him
32:02he's got a phone
32:05welcome to metamorphosis
32:08if yous need any assistance just ring the wee princess bell
32:11no we won't be doing that
32:14we have an appointment
32:17names please
32:18no sorry we're in the other book
32:20dollar book
32:21the other book
32:23of course
32:24right
32:27i am so so sorry
32:29i'll sign this in
32:30of course
32:34it's such an honor to meet you
32:44come on we've been driving for ages
32:46i'm starving
32:47this story is fascinating
32:49so it's this young girl
32:50and she's trying to move on
32:51from this very traumatic event
32:53that's well it's just referred to
32:55as the big bad
32:57where the hell are we?
32:59the big bad?
33:00no signal
33:00no road signs
33:01are we lost?
33:02i'm not even sure what kind we're in anymore
33:04perfect
33:06let's ask here
33:21excuse me
33:22you were wondering if there was a hotel or b&b nearby that you might recommend?
33:27do i look like the tourist board?
33:30i'm sorry?
33:31do i look like a fucking tourist board?
33:34well
33:34no
33:36you buy something
33:38and then
33:39we talk
33:41we were gonna buy something
33:46cheeky wee shit
33:47yeah
33:47anyway
33:48she
33:49the
33:50the writer
33:51she doesn't ever reveal what happened
33:53what the big bad actually was
33:59the argument that she seems to be making is
34:02it's not relevant
34:04which is sort of the opposite of what you'd expect the thinking around trauma to be
34:07and this seems to be about making it distant
34:11dreamlike
34:13disassociating from it
34:26there's a motel down the road from here
34:29i didn't even know we had motels
34:31cards or card?
34:33card
34:34please
34:39ah no shit
34:40wrong one
34:58he hits us
35:00he hits us
35:04he hits us
35:05he hits us
35:07no
35:07he hits us
35:22he hits us
35:25indeed
35:25he hits us
35:25and he hits us
35:26with the
35:26and the
35:31we have a fight
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41:45Non.
41:46Oh, dear. Oh. Oh, dear.
41:55There must be another way.
41:57Booker, we need to erase the line completely.
42:05Anyone who knew about the case, anyone who can identify you, anyone who knows we exist,
42:13I have to protect the society.
42:16You cannot leave the process.
42:25So, is there anyone else we need to manage?
42:29So, the psychiatrist who wrote The Doll Complex, we're saying that's Margot Heaney?
42:33Mm-hmm. Yeah, I think so. And I think that is what Liam is circling as well.
42:38Oh, that means Greta was Margot's patient. She adopted a patient.
42:42Sure isn't that lovely and healthy.
42:44So, the big bad, it happened to Greta.
42:47Well, could it be connected to the fire in the church?
42:49So, we know that Jodie and Greta grew up in Heavensville.
42:55Jodie's body had burn marks. Did they both survive the fire?
42:58Did they know what happened or who caused it?
43:00Still thinking. Probably not the devil.
43:02Okay, we need to try and lay this out chronologically.
43:07This is such a good idea.
43:09It's a screenwriting trick. It's how we plan everything out.
43:12And all writers do this, even the big ones?
43:14Big ones?
43:15You know, like your man, Jesse Armstrong.
43:18He is so classy.
43:20Okay.
43:20Can you pass me some more paper?
43:26Heavensville is our inciting incident.
43:28What the fuck is this?
43:31Oh, God.
43:32Okay.
43:33You wrote about it?
43:34What?
43:35It was burying the body in the school grounds.
43:37She used it in her stupid show.
43:38I wrote it ages ago, before any of this started.
43:41It's not even what happened.
43:43It's inspired by...
43:45Oh, my God.
43:45I've asked for it to be taken out.
43:47This is why they want to take up the grounds.
43:50Liam saw this.
43:51Seb sent those messages.
43:54About the scripts.
44:08What are you doing?
44:09Leaving.
44:10You can't.
44:11You can't leave.
44:14You stupid, selfish bitch.
44:18This is what you do.
44:20You like chaos.
44:22You surround yourself with it, but...
44:25I'm done.
44:27We're done.
44:33Oh, Dara.
44:34Dara.
44:37What did you expect, Saoirse?
44:42Oh, Dara.
44:42Oh, Dara.
44:42Oh, Dara.
44:43Oh, Dara.
44:44Oh, Dara.
44:49Shit.
44:53First the envelopes.
44:54Those letters, and now this.
44:56Fuck knows what else she's done.
44:57She's been manipulating this whole thing all along.
45:00She's like a...
45:00A puppet on a string.
45:02Well, I think that would be us.
45:03The puppets on strings.
45:04I think she's more the puppet master.
45:10Hello?
45:13Robin?
45:16Who's there?
45:24Can I come in?
45:27Sure.
45:38The guy at the garage saw my ID called the local station.
45:42Look, I know what you think.
45:43I don't even know what I think.
45:45You think we killed Charles Sampson?
45:48We didn't.
45:49Innocent people don't run.
45:51It's complicated.
45:52It'll be less complicated when we find his body.
45:55And I'm not gonna rest until we find his body.
46:00Hey, please look down a wee bit.
46:02She's fucking insane, Dara.
46:03You know, we're...
46:05We need to start protecting ourselves here.
46:07Me and you.
46:08We need to start distancing ourselves.
46:11Fuck!
46:14Oh my god.
46:17What was that?
46:19I don't know.
46:24He was dead when we got there that night.
46:26At the caretaker's cottage.
46:28Greta told us he attacked her.
46:30He'd been hanging around for weeks.
46:32He was an ex.
46:33She said he was an ex.
46:35She said his name was Jason Meadows.
46:37It was all lies.
46:40Everything she told us was a lie.
46:42And I think I sorta knew that.
46:46Wait, come here.
46:50Come here.
46:56Turn around.
46:57Turn around.
47:09I knew I'd seen it before.
47:12Charles Sampson drew that in his notebook,
47:14yet you'd never even spoken to him.
47:16We were kids when we got them.
47:18Greta convinced us too.
47:21Greta regained?
47:22Yes.
47:23She's taken a lot of responsibility for a woman who wasn't here to defend herself.
47:29Greta's alive.
47:34What did you say?
47:35I know what it sounds like.
47:36Her body was in the morgue.
47:37Judy Pryor's body was.
47:43I can't see anything.
47:44We had something Robin.
47:45We had something Robin.
47:45Well then where is it?
47:53We're trying to find her.
47:55Greta.
47:58Trying to find out who the hell she actually was and what exactly we are caught up in here.
48:04Liam, I'm so sorry I've dragged you into all this.
48:07I really am.
48:09But all I was doing was trying to find out the truth.
48:17What do I do with this?
48:29What should I do now?
48:40Do whatever you want.
49:03What should I do now?
49:04No.
49:11I don't think so.
49:15I don't think so.
49:18No.
49:25It's not too.
49:28I don't think so.
49:29It's a bit.
49:29It's a bit unsafe.
49:30I'm so sorry.
49:30It's a bit unsafe.
49:31I don't think so.
49:32It's a bit messy and scary.
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