- 3 hours ago
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00:00What's your name?
00:30And you?
00:32You are going to take the advantage of your daughter.
00:38No sir, I am not.
00:41I am not?
00:42By the way, you have your daughter's daughter.
00:47Your daughter has no more.
00:51What do you think?
00:53I am not aware.
00:54I am not aware.
00:57But...
00:58Look at this point...
01:02You have a life here.
01:06But if you have a feeling that you have to exploit your daughter...
01:14...and you are not aware of it...
01:17...then you are not aware of it.
01:25You are not aware of it.
01:29You are not aware of it.
01:33You are not aware of it.
01:37You are not aware of it.
01:48Sir, I am sorry.
01:53Sir...
02:01I am sorry.
02:02I am sorry.
02:06You are not aware of it.
02:07You are not aware of it.
02:08You are crying?
02:09Just...
02:09He has a feeling of crying because he is crying.
02:12Why are you crying?
02:13Yes.
02:14Why are you crying?
02:16I am not crying.
02:17I am saying you are crying.
02:18Yes.
02:18чи ڈڈہ
02:19اب اگر آپ جا کے بات کروں گے تو
02:21وہ ہی سمجھے گئے کہ میں نے شہد چکایت ہے
02:24میں نے انہی نہیں بتاؤں گا
02:24میں نے کہوں گا میں نے سن لیا ہے
02:28جنڈہ وہ غلط تو وکچھ نہیں کہہ رہے نا
02:31ابھی تو اس گھر کی باقی ملازموں کی طرح ایک ملازمی ہوں
02:34اور مجھے میرے کام کی ہتھی
02:35آپ ملازم نہیں ہیں میرے
02:39آپ میرے لئی امپورٹنس رکھتی ہیں
02:43مجھے اپنی طریقی سے بات کر لیتی ہے
02:49Lala doesn't do anything to do
02:51But with Suhil's words, he doesn't like it
02:56That's why I don't know Lala
03:02Sir, it's good to see Baba
03:15Baba, I have to talk about this
03:16You can't see it
03:18You can't see it in my love
03:24You can't see it with me
03:26You can't see it with me
03:27You can't see it
03:31I don't have the emotional drama
03:34You can't see it
03:37Emotions are where you are
03:41So I don't have time for these things
03:44I don't have time for this
03:46Actually, I don't have time for me
03:47I don't have time for this
03:51I don't have time for this
04:26I don't have time for this
04:31I don't have time for this
04:50Life standard
04:50I don't have time for this
04:52I just have time for my head
04:52I have a fall
04:55You can't see it
04:58You didn't have time for this
04:59But though they were
05:06You have never gotten
05:11How many times were you with me?
05:13My Sahara?
05:18...
05:19...
05:20...
05:22...
05:22...
05:23...
05:24...
05:24...
05:25...
05:25...
05:26...
05:31...
05:31...
05:31...
05:31...
05:31It's true that you've been thinking about the things that you've been given to me,
05:36which is why you're upset and upset.
05:42You have to pay for it.
05:46It's true that you have to pay for it.
05:51It's true that you have to pay for it.
05:54You have to pay for it.
05:56It's true that you have to pay for it.
05:59But I have to pay for it.
06:01I have to pay for it.
06:07I have to pay for it as much as my mother is.
06:16She's also together with my mother.
06:18She's together with my mother.
06:22Please,
06:25After this, you won't come to me and my mother.
06:29I have to pay for it.
06:52I have to pay for it.
06:52But what was the problem for Salim?
06:54Why was he late?
06:55He had to pay for the route?
06:58I have to pay for it.
07:00I have to pay for it.
07:02Let's pay for it.
07:17I have to pay for it.
07:20Let's pay for it.
07:25It's a good answer to him.
07:32Lala, that's someone who killed Hashim.
07:37Really?
07:39Yes, Lala.
07:41We have a lot of pressure from above.
07:45What do we do?
07:48We need to push our hands on our hands.
07:51We need to push our hands on our hands.
07:55You know that when we push our hands on our hands,
07:59we will also push our hands on our hands.
08:04That's it.
08:30Now, that's it.
08:33child, you have to do something with us.
08:41Who is this video?
08:43I can understand.
08:48Where you have to do something about Ashim,
08:51you have to stay with us.
08:55What has happened to Ashim,
08:56you don't have to do something with us.
09:00If you have to do something with Ashim,
09:01you have to do something with us.
09:04Maybe you don't have to do something with us.
09:08Take a look, Lala.
09:10My meaning is that you have to do something with us.
09:15Lala, just understand that
09:18the video is deleted
09:20and the pressure is also finished.
09:23I am proud of you.
09:40You have to go through something with us.
09:43You have to buy us for it.
09:47We have to die.
09:49You have to do something wrong with us.
09:51You are the truth,
09:53I mean you have to say nothing.
09:53You have to do it with your own apartment.
09:55You have to say this.
09:57that I've never done anything for you.
10:02That's what you mean, right?
10:12Did you fight with Baba?
10:21How do you feel about it?
10:27I'm fighting with Baba.
10:28That's why when you have conflicted outside,
10:35there's a deep excitement in your face.
10:37You've caused a great fight.
10:39But when it comes to your father,
10:42you know that something is wrong.
10:49What happened?
10:52What happened to Baba?
10:55What happened to Baba?
11:01What happened to Baba?
11:12What happened to Baba?
11:14There are a lot of variety of things.
11:17For people, for people, for sorrow, for happiness.
11:25But the shoulders are different.
11:27They also feel worse than they get the sacrifice of the animals.
11:32They eat with some people, they eat meat,
11:37they eat with imported biscuits,
11:39and the municipality gets a lot of food.
11:47Godệnte so much to me,
11:49I cry as a person and I'll feel better.
11:54That's the spirit!
11:55No.
11:57No.
11:58Listen.
12:00Where you're talking about your father, everyone is different.
12:06Everybody is different.
12:09No.
12:11I don't know.
12:14I don't have to understand my father's feelings.
12:16I don't have to understand my father's feelings.
12:21Yes, there are some relationships that can't change or leave.
12:25I can't read it.
12:25I can't read it.
12:29I can't read it.
12:30And if I understand this,
12:32it's probably my life.
12:36I'm not going to read it.
12:37I'm not going to read it.
12:45Sir, all the properties we bought are only one property.
12:49It's only one property.
12:52What is that?
12:55It's a restaurant.
12:57It's very popular.
12:58It's very popular.
12:59It's very popular.
13:00So talk about it.
13:02It's the owner.
13:04It's the owner.
13:05It's the owner.
13:09It's the gender of our business.
13:11Give it a good offer.
13:15And if it's the owner,
13:19I don't want to get into that.
13:22I don't know.
13:25If you wanna get into that.
13:28Don't forget what happens.
13:29You don't want to get into it.
13:39If it works right here.
13:40If it works right here,
13:41if it works right now.
13:44You don't want to get into it.
13:46And yes, if there is a special thing about it, it will be a special thing to do with the
13:54rest of your mind.
13:56At the moment, there is a lot of philanthropy.
14:04Okay, sir. It will be like this.
14:09Let me tell you, you can go back to Turkey.
14:14Why didn't you go?
14:15I can't reduce the damage of the children.
14:21Sometimes, you don't have a compulsory subject.
14:26You don't have to worry about it.
14:33You are my best friend.
14:35I don't want to be the best friend of mine.
14:41Do you know why I made you a friend?
14:44Because I think you are the best friend.
14:48Yes, but I can share everything with you with your heart.
14:53Open your heart.
14:57My heart is a little light when I talk to you.
15:00My heart is a little light, but I don't trust you.
15:04Which one?
15:05How many times have I told you to renovate this place?
15:08Change things.
15:09It's the old place.
15:10There is no change.
15:12I can repair it, but I can't do any change.
15:17Why?
15:19Because I have so many memories here.
15:22I started here from zero.
15:22I started here from zero.
15:25It's like this place.
15:27It's a place where I am.
15:29Can you understand that?
15:30My heart is now open.
15:42My plan is coming.
15:47I am so busy.
15:48My heart is going to be a place in my house.
15:55My heart is coming.
15:58My heart is coming.
15:59My heart is coming.
16:06I was going to go.
16:11But every time there was a strange way to me.
16:17Then I left my way.
16:20No, I should go.
16:22I should have to relive my mother with her beautiful love.
16:26I need to relive it.
16:28I can't do it.
16:32I feel like I'm an emotional person.
16:39When I was going to the camera,
16:42I feel like my heart had taken me into my heart.
16:52Don't be afraid of my heart.
16:56This is the most important part of our body.
16:59Once again, it's broken,
17:01then it's broken,
17:02then it's broken,
17:02then it's broken,
17:03then it's broken,
17:03then it's broken,
17:03then it's broken,
17:03and it's broken.
17:09What happened with this hand?
17:13It's a small hand.
17:15It'll be fine.
17:16Are you sure?
17:32I will.
17:33Good afternoon, sir.
17:34Good afternoon, sir.
17:35Good afternoon, sir.
17:36Good afternoon, sir.
17:36Good afternoon, sir.
17:42And Zacharyah, is it great?
17:55You are very good.
17:57Oh, thank you so much.
18:00Actually, ma'am,
18:02our company wants to launch a new project.
18:06Whatever your restaurant is,
18:09it's ours.
18:11I mean, to say,
18:12GYT Group.
18:14And?
18:16So,
18:19I will also have a good offer for you.
18:22Ah.
18:25I'm sorry, Zakaria-sahab.
18:27I'm not interested in any offer.
18:30Ma'am,
18:30you should listen to me first.
18:34Look, Zakaria-sahab,
18:35I don't have to buy this property.
18:38Neither today nor tomorrow.
18:40I don't have to buy this offer for me.
18:43This is my property.
18:44This is my life.
18:45I don't want to buy this property.
18:51Look, ma'am,
18:53I don't want to buy this property.
18:55I don't want to buy this property.
18:57Alright, so,
18:59thank you so much for coming, Zakaria-sahab.
19:02You have a card.
19:04Faisal,
19:06please, in a chai or coffee,
19:07please ask me.
19:11We're going a little while.
19:12We're going.
19:20Sir,
19:20can you take something?
19:21Coffee,
19:21cold drink.
19:31No, no, please, no, please, no, no, no, please.
19:50I think she left me with it.
20:16I don't know. I don't know.
20:19Who is that? Who is that?
20:49Do you need any help?
20:51No, thanks.
20:54If you need it, you won't be with it.
20:58Are you sure?
21:07I don't know.
21:15How's it going?
21:20What's going on?
21:24How much?
21:28How much?
21:29How much?
21:30How much?
21:37How much?
21:38What a problem, man.
21:43I want to take care of her.
21:46What are you doing?
21:47What are you doing?
21:48I want to take care of her.
22:05I want to take care of her.
22:08Let's take care of her.
22:14Turtle, help me!
22:42Why did you take the throne?
23:10I'm going to take you to the next one.
23:14Your phone?
23:18Did you get snatching?
23:21Did you get snatching?
23:27What's so funny?
23:29You find it funny?
23:31Well, it is funny.
23:32No, it's not.
23:34It's good.
23:35Come first.
23:37Come and say help.
23:40After that, when I tell you,
23:42you send me a ghost.
23:44You take all your stuff.
23:46Then you go to the snatching.
23:47Then you go to the snatching.
23:49What do you mean I sent me a ghost?
23:52You sent me a ghost.
23:53I sent you a ghost.
23:54I sent you a ghost.
23:55I sent you a ghost.
23:56My phone, I sent you a ghost.
23:58You're a fool.
24:02Why would you send me a ghost?
24:04One minute.
24:05What do you think?
24:06My ghost.
24:08You're the one who you are.
24:09Okay.
24:14Actually, you're a son of a man.
24:20You are the one who comes in.
24:21If you say a ghost,
24:21it takes me to the new book.
24:24Maybe you're the one who comes in,
24:27If you have any ghost.
24:28That's where I have told you.
24:31Maybe someone has this written me.
24:31You like to the näch?
24:32Maybe I have written this to you?
24:32It was all night long.
24:33We live in a Analytics Town,
24:34we will appear in the next car.
24:35We will also come in there.
24:46Have a great night.
24:55Is it going again?
25:00What did you say to me?
25:06You have to make a house for a little bit.
25:11You don't have money, you don't have money.
25:16Oh yes.
25:18Spaces, spaces, spaces, spaces.
25:21Thank God's charge.
25:24Sir.
25:26That woman, without listening to my entire voice,
25:28I have to make a house without me.
25:36You have to make a house for a little bit.
25:38I have to make a house for a little bit.
25:39It's a nice thing.
25:43Because, you have to make a house for a little bit.
25:46Sir,
25:48there is no Turkish person.
25:52She is a Turkish national woman.
25:55After talking about that woman,
25:59it was so necessary.
26:01It felt like she was,
26:03we didn't understand anything.
26:15Not the secret.
26:16So, you have to tell her...
26:19that this is Istanbul.
26:20It's not cool.
26:32It's Karachi.
26:35This is our name.
27:00What's up, madam?
27:02What's up, madam?
27:02What's up, madam?
27:03What's up, madam?
27:03What's up, madam?
27:04What's up, madam?
27:06What's up, madam?
27:06What's up, madam?
27:06Come with us, right?
27:08Where will you tell us?
27:09We'll leave you there.
27:11Thank you, but the car is okay.
27:12I need help.
27:13I don't need help.
27:18Look, madam.
27:20We're going to help you.
27:22That's what we'll do.
27:24Come with me.
27:26Come, madam.
27:27Don't complain.
27:28Look, I'm going to call my police.
27:30Let's go.
27:32Let's go.
27:33Let's go.
27:36Let's go.
27:37Let's go.
27:39Let's go.
27:45Let's go.
27:47Let's go.
27:50Now, come in.
27:57Let's go.
28:03Now, this is your slated son.
28:08What is this?
28:09This is a gun, brother.
28:10Who?
28:12Barnicle.
28:21Who are you guys?
28:24Who is this car?
28:26This car is this car.
28:30This car is my company.
28:33I'm sorry, Baba.
28:35Look.
28:36You've also sent these guns.
28:38Don't talk about it.
28:41Who is this car?
28:45Who is this car?
28:46This car is my brother's car.
28:49He works for GYT.
28:51What's his name?
28:52Zakhriya.
28:54You're the brother of Zakhriya?
28:58That's a shame.
29:00If you've got a gun,
29:02you're doing a drama for me.
29:03You're crazy.
29:06If you don't like anything,
29:07please tell me.
29:08No, no, no, madam.
29:10We're all here.
29:13We're all here.
29:14It's obvious that when you show me a gun
29:17and threaten them,
29:18they say that they don't have a gun.
29:19But I know that they have a gun.
29:21Let's talk about it.
29:22but there's no violence.
29:28What can I do?
29:30You're the people, you talk.
29:34I want to go for a while.
29:38Why am I going for a gun?
29:39Boss, a gun?
29:40What's up?
29:44Don't let me go to the back car.
29:51Now let's go to the back car.
29:55Take my hand. Take my hand.
30:02I'm not holding my hand in my hand.
30:06If you want to go with me, go with me.
30:09Hey, come on.
30:11Hey, come on.
30:12Come on.
30:12Look at some mechanic's car.
30:16Leave it to the hospital.
30:18Madam, let's go.
30:28Did you get up in the bus?
30:34Yes, get up.
30:36Get off.
30:42My six cents are never wrong.
30:45My opinion was totally fine in your life.
30:49How much money can be spent on this road?
30:55And it's completely free.
31:01How much money can be spent on this road?
31:05How much money can be spent on this road?
31:15How much money can be spent on this road?
31:38How much money can I have to forgive you?
31:40My chain,
31:42my watch,
31:43my phone,
31:44my money,
31:45my money can be spent on this road?
31:52How much money can be spent on this road?
32:11How much money can be spent on this road?
32:21How much money can be spent on this road?
32:36How much money can be spent on this road?
32:37Okay.
32:48Hello.
32:50Hello.
32:54What the matter is, where are you from?
32:58I'm coming to a rescue mission.
33:02What do you mean?
33:04It was the most easy and easy woman.
33:10That's it.
33:10You're helping me.
33:12The car was a terrible person and the people of Sohaga were the most sad, sad and sad.
33:20But, you know, it was the name of his wife, tell us something.
33:24That's the one who hit my car earlier and that's all.
33:30Honolulu..
33:31Only this is the only one that I wrote for the preparation of the world of the world.
33:36Do you think that a young girl is standing alone and her car is bad.
33:42She is so proud that she is not ready to go to your house.
33:47She doesn't need help.
33:48It was only a mistake.
33:50Actually, she would have to take advantage of my situation.
33:53I don't know that she would have to take advantage of her situation.
33:56She would have to take advantage of her situation.
33:59Tell me, if a girl is like this, she would have to take advantage of her situation.
34:03She would have to take advantage of her situation.
34:06She would have to take advantage of her situation.
34:06That's right.
34:07First, you're scared.
34:09You're scared.
34:09You're scared.
34:10You're scared.
34:13You're scared.
34:13It's so convenient.
34:15Hmm.
34:17You're the only one who is a good person in this situation.
34:23What a benefit, Mariam.
34:25Don't acknowledge your efforts.
34:29Okay, just relax.
34:31Now, do the same thing.
34:33Why do you do that?
34:35I don't do that.
34:36If I start that girl, I'll start that morning.
34:37I'll end up with her.
34:39Don't forget it.
34:40One girl is standing on an innocent side.
34:44She's a car who's bad.
34:45I've been to help her two times.
34:47I've never been prepared for her.
34:49I've never been prepared for her.
34:50I've never been prepared for her.
34:51I've never been prepared for her.
34:51I've never been prepared for her.
34:52What do I understand?
34:54I've never been prepared for her.
34:55But you know something, Sehan.
34:58What you've done, everyone doesn't do anything.
35:01If you look at someone's problems,
35:02people stop for one or two minutes,
35:04but don't help them further.
35:04I've never been prepared for her.
35:15Really?
35:17Really?
35:18Really.
35:19Let's go.
35:21There's someone who wants me to be good.
35:25I'm so proud of you.
35:30Bye-bye,
35:31People are talking about your family and their names,
35:33They don't know anything anymore.
35:36Look what you're thinking, Zac had.
35:41I don't think they're about them.
35:43You don't get it back.
35:44Don't you say anything,ife.
35:45You understand it.
35:47I'm talking about it.
35:48Papa, are vos'ano shots,
35:50all things are messes and everything.
35:52What do I do?
35:54I'll activate society.
35:55؟
35:56It's not.
35:57It's not that you can want to run away with us.
36:00Then it's not too much to hang out somehow.
36:02Stop fooling us.аб
36:04Fallout's name is the wrong card. Why
36:06would you understand why obviously your혀 isn't the wrong card? If
36:08anyone might have a chance to place a father to leave them, don't
36:10whoever will leave them your behind us! Let's
36:11amend our didn't want to go through this 길 You've
36:13got it. Without any
36:18interest, you can't
36:19tell your head to leave the hommon. But we all
36:22deserve this promise.
36:25I got two people in front of me and took me two people in front of me.
36:31I have never been able to do that today.
36:34I have never been able to do that.
36:37My reputation,
36:39and my dignity,
36:42I have never been damaged.
36:44Wow!
36:45You are comparing these people in the same way?
36:47If you compare your friends with your friends,
36:52you always have a transaction with your friends.
36:58Today, you are doing this.
37:08You know, every thing you have to remember,
37:14It was a lot of pain when we didn't understand my story.
37:31Now, my brother, I'll never look back at you.
37:37No, no, no, no, no.
37:39Let's go, let's go, let's go!
37:54I also told you that
37:56I didn't tell your subordinates
38:02that I'm not interested in selling this place.
38:17What is this?
38:20Plankjet.
38:21I can see that, but why are you giving me?
38:23Why don't you put it in your money
38:26and tomorrow, it will be transferred to your bank.
38:33You probably don't understand my story.
38:36It's wrong.
38:39You're not understanding my story.
38:42This land is your place.
38:47I'm going to give you this place.
38:49I'm going to give you this place.
38:49That's why you gave me this place.
38:55I'm going to give you this place.
38:57What are you saying?
38:58Let's fix this situation.
39:05All right.
39:07Let's fix this situation.
39:09Let's fix that place.
39:12What is the place that he's living in your life?
39:25I'm going to give you this place.
39:26What is the place that he's living in your life?
39:31What does he have to do to help you?
39:38Your love, you are the only one who is a man.
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