- 2 hours ago
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00:00:22Good evening and welcome to the Great Indian Couple Show.
00:00:33One is from Russia, one is from New Zealand, one is from England, one is from Poland.
00:00:38And I am from the West.
00:00:45Because of you girls, people are starting to say that I am looking at Desi James Bond.
00:01:01Thank you girls.
00:01:03Thank you so much.
00:01:09And Arshanji, you will know that in the world, which country will produce films in the world?
00:01:15Absolutely.
00:01:17You will know that the entire world, 25% of the film is produced in India.
00:01:21That is when 90% of the people are not making projects.
00:01:24Yes.
00:01:25For example, these are all directors.
00:01:28Yes.
00:01:29They are not made until they are made.
00:01:35What the hell?
00:01:37If you think about them, then the world is 90% of the films that we are producing.
00:01:43Yes.
00:01:44Think about the Cannes Film Festival.
00:01:46Yes.
00:01:46It is happening in Kanpur.
00:01:48Right?
00:01:53Oh God.
00:01:54Oh God.
00:01:56Oh God.
00:01:58Oh God.
00:02:07Oh God.
00:02:18I am very proud of.
00:02:19No matter how many stars and stars are in the world, they are seeing their father's world in this way.
00:02:26For example, Dharam Paji's son.
00:02:28If you guys came to the film and the daughter, the son of Dharam ji's son, would be hurt.
00:02:32I will kill you.
00:02:34It will be a warm dialogue.
00:02:36It will not be able to say something like this.
00:02:39What do you keep in the world?
00:02:41You will be able to go to the house and you will not shoot.
00:02:45If you are a friend,
00:02:47people will listen to this.
00:02:49If you are a child,
00:02:50you will not have a blood.
00:02:52And the first time you will have a blood.
00:02:56People hope this.
00:02:59In India, you can see the hero and heroines set all the trends in India.
00:03:02You can see Dilip, Raaj, Deer, they started wearing baggy pants.
00:03:06They started wearing the baggy pants, right?
00:03:07In those days, the world started wearing the baggy pants.
00:03:09Besides, there was a reason to wear the baggy pants.
00:03:11What?
00:03:12They were wearing the baggy pants.
00:03:18Now, if they go in baggy pants, you don't know how to get out of it.
00:03:21After that, there was a V-shaped underwear underwear.
00:03:24They put them on top of the baggy pants.
00:03:26They started wearing the baggy pants and the people also started wearing the baggy pants.
00:03:32A lot of people would wear their pants due to the hero.
00:03:35They were fit, but they were fit.
00:03:36Some people were fit.
00:03:37They were fit, but they were fit.
00:03:39Like that, the fight has a promise.
00:03:43But just in the meantime, they take the wartime pant.
00:03:45Unless someone's pants are concerned,
00:03:46they call a close-down friends.
00:03:49Say, come to the back and put it inside.
00:03:50The back is not so uncomfortable.
00:03:52I'm not sure how to do it.
00:03:56People also copy the hair style of the film.
00:03:59It's like Sadhana.
00:04:00Sadhana's hair is very popular in this time.
00:04:02They keep their hair in the mouth.
00:04:04It's so beautiful.
00:04:05Some of us, girls,
00:04:07cut their hair in the back,
00:04:08and they sent their photos.
00:04:10The girl was cutting the hair cut.
00:04:13When she was taking a look at her hair,
00:04:15she saw that Sadhana was down here.
00:04:17How did she look at her?
00:04:19She was still a good job.
00:04:21You can see, the old heroism is very gracefully
00:04:24and very grateful for that, right?
00:04:27Bahida, Asha, Sharmila, Bhavita.
00:04:30There were no vanity events.
00:04:31They were sitting down at the break.
00:04:34They were tired, so they were tired.
00:04:36They were tired, so they were tired.
00:04:40And in those days, there was a lot of love and love for others.
00:04:44If Ompraakash is shooting, they thought that Ompraakash is tired,
00:04:48so Asha ji took off their shoes and gave them to them.
00:04:51So, you can relax a little.
00:04:54Oh, God.
00:04:56One time came when Sunil Dhat, Vinod Khanna, Bachchan,
00:04:58all were wearing the bell-bottom.
00:05:00They were open up and down, right?
00:05:03Big-big-big-bells, their shoulders, their shoulders,
00:05:04their shoulders, their shoulders, their shoulders,
00:05:06their shoulders, their shoulders, their shoulders,
00:05:09their shoulders, their shoulders, their shoulders.
00:05:10The hairdresser would take their hair to cut their hair,
00:05:12and they would take them from the coast road.
00:05:16It was like fashion.
00:05:17It was like fashion.
00:05:18Shirt, you can see.
00:05:19It was all in the style of pants.
00:05:22Shirt was in the collar.
00:05:23Shirt was in the collar.
00:05:23It's so big.
00:05:24If the hero was in the stomach,
00:05:26the other collar was eating soup.
00:05:34It had two buttons on the shirt.
00:05:36The left-bones were open.
00:05:38The hair was as bad as a girl.
00:05:40Photoshoot also is like you know.
00:05:42This hero is standing here and the hero is standing here and putting it here's a hand.
00:05:47What's that?
00:05:49Where did it come?
00:05:50When she was taken out of the hand, she was taking some of the hands and she was taking some
00:05:52of the hands.
00:05:54She looked down a little bit.
00:05:56The hero would go out of the hair.
00:06:03So she would go out of the hair and the hair would go out of the hair.
00:06:05In the last movie, she would go out of the hair ring.
00:06:10Lovely!
00:07:05Please welcome Mr. Sanjay Dutt and Mr. Sunil Shah.
00:07:38It's a trophy.
00:08:02Please welcome Mr. Sanjay Dutt and Mr. Sunil Shetty
00:08:24Please welcome Mr. Sanjay Dutt.
00:08:28Please welcome Mr. Sanjay Dutt.
00:08:44I know!
00:08:45Yes, Sanjay Dutt, it's been a pleasure to have you.
00:08:47First of all, I'm gonna ask you a free gift to your first time.
00:08:49Why?
00:08:50There was no technical problem.
00:08:51I know!
00:08:52Your walk and walk looks so handsome.
00:08:54That's why I was watching the walk again!
00:08:56So I didn't even watch.
00:08:59You sent me?
00:09:00Let's go over here.
00:09:00Come on, let's go from here.
00:09:04Today is going to be fun.
00:09:06Both are my favorites.
00:09:07I watched you one year ago, maybe 25 years ago.
00:09:11After that, it was different.
00:09:13But today, we watched it in our show.
00:09:15So, thank you very much for coming to our show.
00:09:17Come here, please.
00:09:23When did you remember your first two experiences?
00:09:27With my father, it was only a fan-only experience.
00:09:29Where did you go?
00:09:31In a shoot or a premiere.
00:09:34Like Jacky Da and Sanju were iconic.
00:09:38For their style and their looks.
00:09:41For us, they were the two or three heroes in that generation.
00:09:45Of course, you talked about Vinod and Achin Sahib.
00:09:49But our friendship was after Kante.
00:09:52Because we went to shoot for Kante.
00:09:55I remember that my father was one of the producers.
00:09:58So, he said, I'm making a film.
00:10:00I want to make a good film.
00:10:02So, that was the excitement.
00:10:04We went to America.
00:10:05And that day, I think,
00:10:07when we arrived at night,
00:10:09we arrived at night.
00:10:09And it was 9-11.
00:10:10And I also started TV.
00:10:13And I saw a plane building in a plane building.
00:10:17So, I thought,
00:10:17there will be a film's visual.
00:10:19There will be a trailer.
00:10:21And Mana said,
00:10:24you know what's happening?
00:10:25I said, no.
00:10:26He said,
00:10:26it was like this.
00:10:27And we were living in LAX airport.
00:10:31So, I think,
00:10:31there was a very difficult time.
00:10:34We made a film.
00:10:35How did we make a film?
00:10:36We all know.
00:10:37There were tough times.
00:10:38But we stood together.
00:10:39Actually,
00:10:40what was the film?
00:10:41It was a great film.
00:10:44It was a great film.
00:10:47It was a great film.
00:10:47I don't know why I think,
00:10:48Sanju sir,
00:10:48the song is called
00:10:49a cigarette and a cigarette.
00:10:50They were playing.
00:10:51They were playing.
00:10:52They were playing.
00:10:52You can see it.
00:10:55It's a great personality.
00:10:57So, the song is great.
00:10:59And when you're playing.
00:11:01It was a great film.
00:11:02We had a great film.
00:11:03We had a lot of boys parties.
00:11:05All of you, Bachchan-Sahab, Kumar Goraz-Sahab, Mahesh.
00:11:08We had a lot of people.
00:11:10I mean,
00:11:11shooting at the time
00:11:12and after shooting,
00:11:14we stayed together.
00:11:15I think,
00:11:16there was a lot of time.
00:11:17There was a lot of time.
00:11:18But it was a good casting.
00:11:20And it was so much contrast.
00:11:21Bachchan-Sahab,
00:11:23Anna, Sanju sir, Mahesh sir.
00:11:26Okay,
00:11:27absolutely.
00:11:28There was a great film.
00:11:29There was a great film.
00:11:30There was a great film.
00:11:31I don't think I can do anything at that time.
00:11:36I was shooting in the morning.
00:11:39I was shooting at 9 or 10.
00:11:43Then I was shooting at the other day.
00:11:45And my dad was shooting at 4.
00:11:46So I was shooting at 6.
00:11:484.
00:11:49We were dubbing.
00:11:52I was in dubbing studio.
00:11:53I went to the dubbing studio.
00:11:55There was a lot of people in sleep.
00:11:58What happened?
00:11:59What happened?
00:12:00But I said,
00:12:01I don't have to dubbing in the morning.
00:12:03I said,
00:12:04What happened?
00:12:05I said,
00:12:05I said,
00:12:06It's at 4.
00:12:09So it's at 3.
00:12:12Why do you dubbing at 3 o'clock and 4 o'clock in the morning?
00:12:15Because my dad doesn't sound.
00:12:18It's not my bass.
00:12:19In the morning,
00:12:20there's a bass sound.
00:12:24But why are the technicians killing me?
00:12:27No.
00:12:28No.
00:12:28No.
00:12:28No.
00:12:28No.
00:12:28No.
00:12:29No.
00:12:31No.
00:12:35No.
00:12:38No.
00:12:38No.
00:12:39No.
00:12:42No.
00:12:48No.
00:12:54No.
00:12:56No.
00:12:56No.
00:12:57No.
00:12:57No.
00:12:57No.
00:13:08No.
00:13:09No.
00:13:12No.
00:13:21No.
00:13:23So I would close the door from outside, because there was a wall in the back,
00:13:27where I would go out of the door.
00:13:30So I would leave the night at night,
00:13:32and leave the door at 8am at 8am, and leave the door at 8am.
00:13:35I would come and eat the door at 8am, and I would come and eat the door at 8am.
00:13:38I'm inside.
00:13:40I'm inside.
00:13:42I had a door in Hyderabad, for the Taj.
00:13:45I was thinking, what happened?
00:13:46Why are you still there at 8am?
00:13:53And literally, literally, the door has fallen.
00:13:57Oh, God!
00:13:59It's been released with hinges.
00:14:00My God!
00:14:02I'm not doing anything.
00:14:03You can give them a film.
00:14:05And if you have targeted them...
00:14:08What is the target?
00:14:09It's the love of our people.
00:14:11It's not so much love.
00:14:15Who does this love?
00:14:19Like you said, the door broke.
00:14:21It's a friction of a second.
00:14:23What happens in your mind?
00:14:24The person calls the door from the housekeeper.
00:14:28You don't have to wait.
00:14:29Impatient people, you'll see it later.
00:14:31Oh!
00:14:32Suddenly, we're eating.
00:14:34What happened to you?
00:14:35What happened to you?
00:14:36What happened to you?
00:14:39No sound, no sound.
00:14:42No sound, no sound, no sound.
00:14:44So, just break it, right?
00:14:52And then...
00:14:54How the hell you entered like this?
00:14:56Anna, you're sleeping hot now.
00:14:59Sleeping hot now, 3.00 pm.
00:15:00What's up?
00:15:01What's up?
00:15:01Where are you talking about?
00:15:02It was 2.33 at night.
00:15:04I know, Anna.
00:15:05But I was walking.
00:15:06I know.
00:15:07I'm sitting at 8am.
00:15:13You can't get up and break.
00:15:17Break or break is the best.
00:15:22Every actor who comes, I'm not saying that.
00:15:25But when I started Sanju and Anna,
00:15:28they come to a unique concept.
00:15:30Some have been bigger in dance, some have been bigger in action.
00:15:33In Mumbai, you've heard the concept of a bar and restaurant.
00:15:39And you also have a bar and restaurant.
00:15:42This is the concept of Sanju.
00:15:44It's a gym.
00:15:47They love each other.
00:15:49How can this be possible, Sanju?
00:15:52You said that the bar and restaurant is Anna.
00:15:55I started another concept.
00:15:57Bar and gym.
00:16:00Then, you'll have to eat some more night.
00:16:01And all of the day will be burning.
00:16:03What's the bar?
00:16:05What's the concept of sugar?
00:16:06And burn out in the day.
00:16:07Burn out in the day.
00:16:09Perfect.
00:16:09Yeah.
00:16:10It's like that.
00:16:11It's like that.
00:16:12It's like that.
00:16:12It's like that.
00:16:12It's like that.
00:16:13It's like that.
00:16:26But now, you both are so fit.
00:16:29So, today, for so many years,
00:16:30I don't think that,
00:16:31you're fit to Sanju too.
00:16:34Right?
00:16:34I've been doing this for so many years,
00:16:36I've been doing something.
00:16:37You've never come to mind?
00:16:39No, who will do shooting?
00:16:43Don't put them on their minds.
00:16:44After 2 hours, it starts.
00:16:45If it starts, I'll get stuck.
00:16:47I'll get stuck.
00:16:50So, Sanju sir,
00:16:51you have so much of a child in the childhood?
00:16:53In the childhood?
00:16:54Huh?
00:16:54Your childhood is not in the childhood?
00:16:56Yes, childhood is the right thing.
00:16:57That's a good thing.
00:16:58You should have to stay in the childhood, Sanju.
00:16:59If you have to stay in the childhood,
00:17:00then what will you do?
00:17:01There's a lot of a child in the childhood.
00:17:02I will say that.
00:17:04It's dangerous.
00:17:05I won't say that.
00:17:05It's dangerous.
00:17:06It's not dangerous.
00:17:06What did you do?
00:17:08One time, I was in Ladakh.
00:17:10There was no one living in the bathroom.
00:17:12There was no vanity.
00:17:13There was no vanity.
00:17:14There was no road.
00:17:14There was a road on the mountains.
00:17:15I said,
00:17:16I'm walking.
00:17:18I'm going to walk.
00:17:19No, I'm going to walk in the car.
00:17:19No, no, no.
00:17:20I just said,
00:17:21I'm going to walk in the car.
00:17:24So, I said,
00:17:25I'll put a break and take a break.
00:17:27What happened?
00:17:28I said,
00:17:30No, no.
00:17:31I'm going to walk in the bathroom.
00:17:32I said,
00:17:34I'll go to the loop.
00:17:36You have to go.
00:17:37I want to walk.
00:17:39After that,
00:17:41they didn't stop the car.
00:17:43The car didn't stop.
00:17:44I'm not just going to the floor, but I'm going to the car.
00:17:47It's so easy.
00:17:52Kapil, you have to pressure.
00:17:54Oh, pressure.
00:17:57You have to be fun if I torture you.
00:18:00I'm going to be a car in the bathroom.
00:18:02You give me the situation to yourself.
00:18:06I'm going to be a car.
00:18:09I'm going to be a car.
00:18:09Who is going to be a car?
00:18:31I love you.
00:18:45I knew that it would be a lot of cold, so I need to be prepared.
00:18:50I was shooting in Ladakh.
00:18:51I was doing acclimatizing for two or three days.
00:18:55After 15 years, they reached there for three days.
00:18:59Yeah.
00:19:06Three days.
00:19:07and
00:19:09and
00:19:10and
00:19:11and
00:19:11and
00:19:12and
00:19:12and
00:19:12and
00:19:13and
00:19:14and
00:19:16and
00:19:23and
00:19:24and
00:19:25and
00:19:26I saw the Jaja blasts and I saw it.
00:19:28I was asking JP to tell him,
00:19:31sir, telly,
00:19:33I said, yes, it's far.
00:19:34I said, I'm standing away.
00:19:35He said, yes, I'm going to cry.
00:19:37They all are in the character.
00:19:40They're all in the character.
00:19:41I'm crying.
00:19:43I'm not firing at all.
00:19:44I'm not firing at all.
00:19:46Because the breath is safe.
00:19:48Blast is being shot,
00:19:49the oxygen will get blasts.
00:19:52I've kept my attention.
00:19:54I've kept my attention.
00:19:55it will be one minute shot, cut, cut, cut!
00:19:59All are falling down and I'm standing.
00:20:02From the soul I got away.
00:20:05I was standing alone.
00:20:07I was laying down and down and I went down.
00:20:11I'm saying that I can't breathe, I can't breathe.
00:20:15I think I'm taking a tank and I'm taking it.
00:20:17It was an oxygen tank.
00:20:22Then I'm calling the girl,
00:20:24I said, this is a tank.
00:20:25I said, yes sir, I just gave it.
00:20:31But there was no oxygen in the tank.
00:20:34It's psychological that we took it.
00:20:36Yes, we were looking at it.
00:20:42Where your father lives,
00:20:44nothing can't be done.
00:20:48I had a surprise once.
00:20:51My son, Sunil Dutt,
00:20:52we came to our university.
00:20:56Our team,
00:20:57there was also a tradition.
00:20:59When I became an actor,
00:21:01all of my mother told me
00:21:03that my father and son were also an actor.
00:21:05When I was successful,
00:21:07all of the people came to the town.
00:21:09They saw that face.
00:21:11Mumbai came,
00:21:12you became a star.
00:21:14You started to say,
00:21:15I want to become an actor.
00:21:18What was the reaction?
00:21:19Chaped.
00:21:20Chaped.
00:21:21Chaped.
00:21:22Chaped.
00:21:23Why?
00:21:24He said,
00:21:25I wanted to study.
00:21:26Okay.
00:21:28He said,
00:21:28I thought,
00:21:29I thought,
00:21:29what is the most important thing?
00:21:32What is the most important thing?
00:21:33I thought,
00:21:34I thought,
00:21:36who would go to college college?
00:21:38That's why he wanted to be.
00:21:40Yes.
00:21:40You don't have to go to college.
00:21:41Yes.
00:21:41You don't have to go to college.
00:21:45You don't have to go to college.
00:21:54You don't have to go to college.
00:21:57Yes.
00:22:00Yes.
00:22:00Yes.
00:22:01Yes.
00:22:03Yes.
00:22:13Yes.
00:22:14Yes.
00:22:18Yes.
00:22:19He was standing against Datsa only.
00:22:22And he had said yes.
00:22:24And he said yes.
00:22:25And he said yes.
00:22:26He said yes.
00:22:26I forgot.
00:22:30Yes.
00:22:30He said yes.
00:22:34when he went to college,
00:22:36he was already aware of that
00:22:38He said yes.
00:22:41He said yes.
00:22:43He said yes.
00:22:44You need to go.
00:22:45Because he said yes.
00:22:47that was the same thing.
00:22:48He said yes.
00:22:49I thought that he had to go.
00:22:50Yes.
00:22:51He said yes.
00:22:52He was going to go.
00:22:53Yes.
00:22:53And I went to the Mustafa Nityan Manmohan.
00:22:53The late Natin Manmohan,
00:22:55our friends and friends,
00:22:57said that,
00:22:59I asked Dach Saab, who is Dach Saab?
00:23:02I asked Sunil Dach Saab.
00:23:04I asked Sunil Dach Saab, why did you call me?
00:23:06Why did you call me?
00:23:07You went to the campaign and went against them.
00:23:10I asked Dach Saab.
00:23:11Oh my God.
00:23:15Dach Saab asked me at home and said,
00:23:17I understand.
00:23:19This is your friend.
00:23:20But you should think about me.
00:23:24I was thinking inside.
00:23:26Your son didn't think about it.
00:23:27What did I think about it?
00:23:35My class took my class.
00:23:38And I said that.
00:23:42I saw a video about it.
00:23:44You were visiting the UPA, Bihara.
00:23:47It was a election where they got elected to a MLA.
00:23:50And they got elected to a MLA.
00:23:51They got elected to a MLA.
00:23:51And they told me they voted to get elected.
00:23:53They said, what is your name?
00:23:53I mean, the good people have given them.
00:23:54What kind of people have told them.
00:23:55What is your name?
00:23:58Oh my God, what is your name?
00:23:59Wow!
00:24:01The video was very viral.
00:24:06It was fun, Anna and Sanju sir.
00:24:08You both understand each other.
00:24:10Anna, do you know Sanju sir,
00:24:12when you call him in which mode,
00:24:13when you call him hello?
00:24:14Yes, 100%.
00:24:16He has a different Anna for me.
00:24:19So, I get to understand why.
00:24:21He has 10-12 Anna.
00:24:22Who is that?
00:24:25Is that his father?
00:24:25Kushwal?
00:24:27Anna!
00:24:33He has a warning, Anna.
00:24:37If he is angry, Anna.
00:24:42If you have to go to the bathroom,
00:24:44Anna.
00:24:49There are many, Anna.
00:24:50He has a warning.
00:24:51Anna!
00:24:53Oh!
00:25:07We love you!
00:25:11Kapil!
00:25:12Kapil!
00:25:13Yeah!
00:25:15We love you Kapil!
00:25:16We love you Kapil!
00:25:18We love you!
00:25:19Kapil, can I come and hug you?
00:25:21Yeah, yeah, please come.
00:25:22Come on, come on, come on, come on.
00:25:24Come on, come on, come on, come on.
00:25:25How did he sit with me?
00:25:29Come on, come on, come on.
00:25:30Come on, come on, come on.
00:25:31I will be here too.
00:25:32Hello, hello, hello.
00:25:34They are cool.
00:25:35Wow!
00:25:37Hi!
00:25:40Hello, hello, sir.
00:25:41Hello, hello, hello.
00:25:42Hello, hello, sir, hello.
00:25:44Hi, it's Ajayi Papa.
00:25:45How are you, sir?
00:25:46How are you, sir?
00:25:48Hi.
00:25:49Hi.
00:25:49How are you?
00:25:50Good.
00:25:50Oh, oh.
00:25:59Love you, Aanda.
00:26:00Hey, you've seen my name before.
00:26:01No, no, no, you have to say, I love you Kapil, but I don't give you a name.
00:26:08My name is Asha.
00:26:09My name is Parik.
00:26:11Oh?
00:26:13Asha Parik.
00:26:14Asha Parik.
00:26:15You know how you will know?
00:26:16How will you know?
00:26:17We will know the background answers.
00:26:20We have two upper things.
00:26:21We'll, have two Pharaohs come here.
00:26:25How kind of it came when he reached something of the stomach.
00:26:29How great hew body hanged is that the stomach...
00:26:30Sorry.
00:26:31Wait, you've never done that?
00:26:32Maaduri Dikshin Ji did that.
00:26:33Steenas andreath, put me in a Eventually office...
00:26:35I tell him that mình will get inflammation...
00:26:37But I was not thinking of the stomach and algunos...
00:26:39Why did you do it now?
00:26:40Then with me, I just put itЙ HOW-
00:26:42I want to put familial stomach like i am brainw Birdy
00:26:42And then what will you do with stomach like i am brainwild in one of your body?
00:26:45I don't know about T visionary.
00:26:46Is it that your singing's singing?
00:26:47I, Uku, I, Uku, I, I, I.
00:26:49Karishma Kapoor ji, she was going to do it first.
00:26:51She was going to do it in the song.
00:26:52What did she do then?
00:26:53What happened in the news?
00:26:54When the song started,
00:26:56my hook of my bed fell into the land.
00:26:58So, everyone was doing,
00:26:59I, Uku, I, Uku, I, I.
00:27:01I was going to do it,
00:27:02I, Uku, I, Uku, I, Uku, I, I.
00:27:10You will not be from Uku.
00:27:11You will not be from Uku.
00:27:12You will also be from Uku.
00:27:13Do you say it with confidence?
00:27:18I will not be from Uku.
00:27:19One minute, please.
00:27:19Sir, I will complain to you.
00:27:21We have a background dancer association.
00:27:23So, you guys have a little request.
00:27:25We have a little problem.
00:27:26Sir, there is a shooting shooting.
00:27:28There is a lot of soda.
00:27:33What is the food?
00:27:34You have to close the soda?
00:27:35No, you keep the soda.
00:27:36But you put some water on it.
00:27:40If you only have soda,
00:27:42it will become our people.
00:27:44If you only have soda,
00:27:45a soda like this,
00:27:46it will be a little bit of a bone.
00:27:48If you look at it,
00:27:50this is a soda.
00:27:52Okay.
00:27:53Yes.
00:27:54This is a soda.
00:27:54This is a soda.
00:27:56Look at it.
00:27:56Look at it.
00:28:01Yes.
00:28:01Listen to me.
00:28:02You are scared of the move.
00:28:03What are you doing here?
00:28:05What are you doing here?
00:28:05We have to sign here.
00:28:08Sign?
00:28:08Sign?
00:28:09It will be good.
00:28:11Here.
00:28:11You are a little bit more.
00:28:13In the picture,
00:28:14you will dance.
00:28:16Why?
00:28:16You are doing it.
00:28:18Now,
00:28:21they do dance more.
00:28:22They do dance.
00:28:22Here you go.
00:28:23They will lift the hand from here.
00:28:24You put your hand on that,
00:28:25when you put your hand on it.
00:28:26you put your hand on it.
00:28:27I didn't know where to put it.
00:28:28I was thinking about that.
00:28:29I was dancing behind Tiger Shroff and he was dancing and he was dancing.
00:28:33And he got knocked down.
00:28:34For 3,000 people, I got to dance for 35 rupees,
00:28:37and I got to open the song for 35 rupees.
00:28:40That's why I was like this.
00:28:45If you're dancing, what will you do?
00:28:48We dance behind you,
00:28:50and we are easy to keep it.
00:28:52If you're like easy, easy to step,
00:28:54then we'll...
00:28:55I'll tell you what's best, sir.
00:28:57that you raise the body part of your body that is raised.
00:29:06No, sir, I'm telling you,
00:29:08that when they are young girls,
00:29:10they don't know if there is something like dance.
00:29:12There is such a tree that goes inside,
00:29:14and then in the body...
00:29:21There is such a tree that is raised inside the body,
00:29:23and then there is such a tree that takes off the tree.
00:29:28You guys are talking about yourself,
00:29:29and you guys are talking about it,
00:29:31so you guys are talking about it.
00:29:32Why are you talking about it, sir?
00:29:34There is only one thing to talk about here.
00:29:36We can't talk about it.
00:29:39We are also a background dancer, sir.
00:29:40Listen, listen, listen.
00:29:41We are old boys.
00:29:43Let's watch the industry.
00:29:45Let's watch the comedy work.
00:29:47What is the comedy work?
00:29:48We are also a background dancer, right?
00:29:49Well, he will go away.
00:29:50So he will go away?
00:29:52So there is no respect for us?
00:29:54Why are we here to listen?
00:29:56To learn to listen and said,
00:29:56Why do you pray for teaching?
00:29:57Why are we supposed to listen to it here?
00:30:00Do we not see sound from his tongue,
00:30:02and because of my dog's coke?
00:30:07Do you know?
00:30:08He is talking....
00:30:08Samara?
00:30:09why is that comedy is still so important...
00:30:09So that there is also the place of background dancer and so on ?
00:30:12but then his reputation is going towards us, right?
00:30:16Yes, so yes,
00:30:17we are certainly giving us attention to the beginning.
00:30:21If you will rise so,
00:30:21then we are going to listen to him so that doesn't exist.
00:30:23But we will develop an
00:30:24ofETH like how do we am doing this?
00:30:25We are also a background dancer.
00:30:27It's going to be his pride.
00:30:28If we are not our pride,
00:30:30why are we born for listening?
00:30:34Why are we born for listening?
00:30:38We are not born,
00:30:39we are born with a coke.
00:30:41I am not born with a coke.
00:30:43Why do you feel like you both are born with a coke?
00:30:47I was told to you,
00:30:49it's a comedy work.
00:30:51It's a comedy work,
00:30:52but we are also a background dancer.
00:30:53But we are born for listening.
00:30:58We are born with a beer.
00:31:00You're born with a cup of coffee.
00:31:01And you are born with a mother.
00:31:02What's our country?
00:31:04What we are born with a coke?
00:31:06Let's see.
00:31:08Come,
00:31:08it's a comedy work.
00:31:10When we are also a background dancer.
00:31:15We are born with an상을ager.
00:31:17Our kids are born with a Raw market.
00:31:19We are born with a beer.
00:31:20What are you doing?
00:31:21Huh?
00:31:29Anna, you've got to know in Hindustan, Paji.
00:31:31If you want to put any photo on social media,
00:31:33you'll be able to comment a little bit.
00:31:35But there are great creative comments,
00:31:37which we've released your pictures.
00:31:39Let's show you.
00:31:48Sanju sir has put a photo.
00:31:49Happy birthday, dear brother, Paria.
00:31:51Where are the photos, Sanju sir?
00:31:53Africa.
00:31:53What are you showing?
00:31:55I don't know.
00:31:58Come down, let's see the comments.
00:32:01The tourist guide is saying,
00:32:03my eyes have been operation.
00:32:04You see, tell me,
00:32:06is it open or not?
00:32:11Let's show you.
00:32:13In the jungle safari,
00:32:15there are so many hirans in the jungle.
00:32:16There are so many hirans in the jungle.
00:32:17There are so many hirans in the jungle to see it.
00:32:28Very good advice.
00:32:29and see
00:32:32Oh
00:32:34Anna
00:32:35and
00:32:37the caption is also written
00:32:39washing away the myth of age
00:32:41what is the story?
00:32:42Let us see the comments
00:32:44we thought that we were not in the bathroom
00:32:48and see
00:32:50I will not be able to stop
00:32:53I will not be able to stop
00:32:53and no one will be able to stop
00:32:55I will not be able to stop
00:33:00Oh, lovely
00:33:01Dear Shahru and Nikra, wishing you a happy birthday
00:33:04and may God bless you
00:33:05What a sweet picture
00:33:07Where is the photo?
00:33:08Agra
00:33:09It was taken on the shoot
00:33:10It was taken on the Bhoomi shooting
00:33:12Okay
00:33:13It's a very good photo
00:33:14Now it's grown up
00:33:16How many years ago?
00:33:1815 years ago
00:33:19Oh, wow
00:33:19Let's see in the comments below
00:33:21B.V. has said
00:33:22let me leave the mic
00:33:23and leave the watchman's scooter
00:33:27Let's see
00:33:42Oh, wow
00:33:46Oh, wow
00:33:48Because every picture tells a story
00:33:50Ahan and
00:33:51Wow, what a story is
00:33:52Let's see in the comments below
00:33:52It seems
00:33:53It seems
00:33:54His beauty and beauty
00:33:55is a gift
00:33:58It's a gift
00:33:59It's a gift
00:34:00My son
00:34:00was like
00:34:00Choke
00:34:03I had a gift
00:34:04I had a gift for him
00:34:04for 5 years
00:34:05It's not a time
00:34:07You can also
00:34:10Let's see
00:34:12Oh, wow
00:34:13Look
00:34:13Oh, wow
00:34:14Royal in Field motorcycle India
00:34:16Is this shooting
00:34:17is or something
00:34:17No, no
00:34:18Someone made a bike
00:34:19Oh
00:34:20I have a gift
00:34:22What a story
00:34:23Look at the comment below
00:34:27I have given it
00:34:28There are 41 lights in it.
00:34:31There are 40 lights.
00:34:32One of them is their mouth.
00:34:37If you put a light on the lights,
00:34:40if you put a little console and mic on it,
00:34:43then you can also be a DJ.
00:34:47Let's see.
00:34:54There are some times,
00:34:57as you have done so many multi-star films,
00:34:59for example, we talked about the Blasties,
00:35:00or the Borderlands,
00:35:01or you have done so many films.
00:35:03When we were like Sidhu Paji and Arshana,
00:35:06we were closed on a day on the vanity.
00:35:08There were so many rivalries.
00:35:10We were not even doing multi-star films.
00:35:12We were a single hero.
00:35:13If there were more than two heroes,
00:35:16they would get a little bit of a look.
00:35:18What do you think behind this?
00:35:19What reason is Sanjeev?
00:35:20I think that there is a lot of insecurity.
00:35:22Absolutely.
00:35:23100%.
00:35:23It was a matter of my life.
00:35:25It was an insecurity.
00:35:26Insecurity.
00:35:26I mean,
00:35:28at the time,
00:35:29I also worked with Dilip.
00:35:31I worked with Sanjeev Kumar.
00:35:33In a picture,
00:35:35I worked with Shambi uncle.
00:35:37There was no insecurity.
00:35:38He got to learn from me.
00:35:40If my lines were told,
00:35:43if I could tell him,
00:35:44then there was no insecurity.
00:35:46The picture was good.
00:35:49There was a lot of appreciation.
00:35:51There was a lot of appreciation for me.
00:35:52Like when I was in my career,
00:35:54then I said,
00:35:56I wouldn't have said that
00:35:57I was an actor.
00:35:59I wanted to go to Udpi.
00:36:00I wanted to work in my restaurant.
00:36:02I wanted to work in my restaurant.
00:36:03It was a lot of bad.
00:36:04And then,
00:36:05when I thought,
00:36:05I never learned acting.
00:36:08I got the opportunity,
00:36:09I got the action,
00:36:10I got the opportunity.
00:36:11Every child understands that
00:36:12that I will become a new child.
00:36:13So,
00:36:14you go forward.
00:36:15But,
00:36:15I didn't have that.
00:36:16After success,
00:36:17I was stressed that
00:36:19I didn't get acting.
00:36:20What will I do in the next film?
00:36:21But,
00:36:22I definitely thought,
00:36:24look at Sanju.
00:36:25Look at his walk.
00:36:26Look at his personality.
00:36:28Look at Jackie Dada.
00:36:29Look at Chichi Bhaiya.
00:36:30Look at Sunny Paji.
00:36:32Look at me.
00:36:33They were my heroes.
00:36:35So,
00:36:36that's why I was secure.
00:36:39And,
00:36:40I learned from them.
00:36:41I learned from them.
00:36:42I learned from them.
00:36:42I learned from them.
00:36:42I learned from them.
00:36:43So,
00:36:43I don't think,
00:36:43that mindset is in today's children.
00:36:46Because,
00:36:46this virtual world has everything.
00:36:48We are in our people.
00:36:51His picture will flop.
00:36:53His picture will not work.
00:36:55His picture will not work.
00:36:55His picture will not work.
00:36:56His picture will not work.
00:36:56His picture will work.
00:36:57And,
00:36:58I say,
00:36:58The old condition is so happy.
00:37:01How close your picture will be.
00:37:01If you become a kid,
00:37:03you are angry now.
00:37:06They are now.
00:37:06these new actors are now.
00:37:07But,
00:37:08you are 40 years old.
00:37:09See the industry.uno
00:37:15-paying innovator heads. If
00:37:17you reverse the angle, you
00:37:18want to go back or push them? Yes,
00:37:20you should
00:37:20never take this. You should
00:37:22My life,
00:37:23I regret.
00:37:25My life.
00:37:26I will always
00:37:26take this kind of time. I've done
00:37:27it before.
00:37:27One thing I regret is that
00:37:31mommy and daddy are going to go quickly.
00:37:34That's the same thing.
00:37:35And I miss them.
00:37:37The rest of them are jailed.
00:37:38They came out and came out.
00:37:46Sanju, when you went to jail,
00:37:48you told me that I was teaching a carpentry.
00:37:51You had to work there.
00:37:54So what did you do?
00:37:56What did you do?
00:37:57I got a carpentry.
00:37:59If I made a carpentry,
00:38:00I got a carpentry.
00:38:02I got a carpentry.
00:38:04Then I started a radio station.
00:38:07Radio YCP,
00:38:09FM,
00:38:10which was in the middle.
00:38:12So I got the money.
00:38:15So did you do that program?
00:38:16I did.
00:38:17So what program did you do?
00:38:18There were topics and comedy.
00:38:21There were two things.
00:38:22We had a script for 4-5 kids.
00:38:23We had a script for 4-5 kids.
00:38:25What would you do next?
00:38:26What would you do next?
00:38:274-5 kids.
00:38:28We were kids.
00:38:31And...
00:38:32Yes.
00:38:35Then I started a natak company.
00:38:38I was director.
00:38:39So all the murderers were natak.
00:38:43One thing was good.
00:38:44My dad was big.
00:38:45And...
00:38:46Superdent said,
00:38:47I didn't feel good.
00:38:49I didn't feel good.
00:38:50I said,
00:38:51Sir...
00:38:51I said...
00:38:52I said,
00:38:52No.
00:38:52I sold it.
00:38:54It was Misra Ji.
00:38:56When I cut my dad,
00:38:59I was doing it.
00:39:00I said,
00:39:01Misra Ji,
00:39:02how many years have you been here?
00:39:04I said,
00:39:04I was 15 years old.
00:39:06And the razor came here.
00:39:09I said,
00:39:09Why?
00:39:10He said,
00:39:11Double murder.
00:39:12I said,
00:39:17Double murder?
00:39:19I said,
00:39:21I said,
00:39:23What is this?
00:39:25This is my jail.
00:39:27I said,
00:39:28My dad,
00:39:29because both of you are so honest
00:39:30and talking about it.
00:39:33I have a game that you have to give yourself a number.
00:39:36How many times you will give yourself a number?
00:39:38As a father,
00:39:40if I ask you,
00:39:40how many times you will give yourself a number?
00:39:44Nine.
00:39:45No number.
00:39:51As a husband,
00:39:52how many times you will give yourself a number?
00:39:53As a husband,
00:39:54I give 10.
00:39:55Wow.
00:39:56I give 15.
00:39:57Let's go.
00:40:00As a son,
00:40:01how many times you will give yourself a number?
00:40:0410.
00:40:07And as a producer?
00:40:09Of what?
00:40:09You are a very good producer.
00:40:11I think you are a very good producer.
00:40:12Very good.
00:40:13Very good.
00:40:13Because you are going to make it with your heart,
00:40:16I am a producer of films.
00:40:17Yes.
00:40:18I am talking about my father's children.
00:40:24I am talking about my father's children.
00:40:25I am a benchmarking producer.
00:40:27Anna,
00:40:28how many times you will give yourself a number?
00:40:32Maybe a 7 or an 8?
00:40:33Come on, Anna.
00:40:34No, you are a 10 on 10.
00:40:3510 on 10, Anna.
00:40:36If I am a husband's daughter,
00:40:38see,
00:40:38when you are at the peak of career,
00:40:40we have so many jobs that we miss out.
00:40:46And the age of that,
00:40:47when when you have to work with a husband or a man,
00:40:52that he is not able to give that kind of time to that.
00:40:56And I keep a lot of time.
00:40:58As you can understand your wife's importance
00:41:03when you get married to your daughter.
00:41:07And now I become a grandfather.
00:41:09When I see Atiya as a mother,
00:41:13I feel like how much the meaning of her.
00:41:17When I was working.
00:41:18I also give her 7.
00:41:24As a father, Anna, how many numbers do you have?
00:41:2711.
00:41:2711?
00:41:28Very good.
00:41:31As Nanu, sir?
00:41:33Nanu, 100 out of 10.
00:41:38I always love her.
00:41:41Love her.
00:41:50Love her.
00:41:51Welcome to Mirwathgan.
00:41:51You will be here for me!
00:41:55...
00:41:55yeah
00:41:56yeah
00:41:59yeah
00:42:02yeah
00:42:07yeah
00:42:08Oh, yeah, yeah, yeah, yeah, yeah
00:42:19Opa voila, watch a group, or all of us
00:42:25Doasty guys episode or mirror a reason you are
00:42:31My cell town see or anything
00:42:33Dad, Dad, Dad, Dad, listen to me.
00:42:36What did you call me?
00:42:38The episode of your rap-chandus is gone, it's gone, it's gone, it's gone.
00:42:43Yes, Kapil, my child, my father.
00:42:49Let me tell you something about me.
00:42:51Yes.
00:42:52What was this motorcycle?
00:42:53Why?
00:42:54That if you're a third person, you're going to run.
00:42:59Yeah.
00:43:01Yeah.
00:43:02My friend's episode, I'm hurt.
00:43:05What did you call me?
00:43:06He's going to come out.
00:43:07I don't want to be around you.
00:43:10I'll tell you what I'm saying.
00:43:12You're a liar.
00:43:14It's all right.
00:43:16You know what?
00:43:17Whoever is guest.
00:43:19He's talking with a little chappo.
00:43:23He's making my episode.
00:43:26It's real and viral.
00:43:53I'm sorry, I'm sorry.
00:43:55Here my video log jitter be jato. Shetty get saati jato. Yeah, take my model and be out on the
00:44:02jetty man. I said to my job
00:44:07My video log gonna be 70s or 80s. Can I share this guy soon?
00:44:13Oh, so about K up look at it a Betty my little shetty
00:44:23But in the episode, I forgot my friends, I'm upset.
00:44:31Bawa.
00:44:33Bawa, I'm upset.
00:44:35Bawa, I'm upset.
00:44:36What do you want to say?
00:44:37Tell me something.
00:44:39Yes.
00:44:39I'm going to tell everyone in front of you.
00:44:41Yes.
00:44:43How many pictures came to me?
00:44:44The animal pictures came to me.
00:44:47I said, what is Anna in the picture?
00:44:49I said, what is it?
00:44:50I'm not going to do it.
00:44:51I'm not going to do it.
00:44:53Then, I said, the Netflix feature is the same.
00:44:57I'm going to study it.
00:44:58I said, I'm not going to do it.
00:45:00I'm not going to do it.
00:45:02But, the house full five, I don't have to do it.
00:45:07I don't remember it.
00:45:09If you have five hot heroines in which film you have,
00:45:14then, you remember your friend.
00:45:15I remember her a bit.
00:45:19Yes, that's true.
00:45:21I don't have enough friends.
00:45:23I feel bad.
00:45:24I don't know anything for you.
00:45:27I'll tell you.
00:45:27Border picture.
00:45:29Border picture.
00:45:31I was standing on the floor, I didn't do it.
00:45:34I said to them, I said to them, I said to them that they are my brother, 2-3 hours
00:45:41to give them
00:45:44to them.
00:45:45Daddy, you didn't even see me one time in that scene.
00:45:49Who would you like to see my brother?
00:45:52Who would you like to see my brother?
00:45:54I have so much friends with my brother, so much friends.
00:46:00Friendship comes every year, every friendship day.
00:46:03in my father's house, I had to take a friendship brand in my father's house.
00:46:08Friendship brand?
00:46:09Friendship band?
00:46:10Yeah, it's our friendship brand.
00:46:12Well, why am I talking about you too?
00:46:20You just want to say that you should.
00:46:22What did I do?
00:46:23You didn't have to say that.
00:46:24And you just want to say that you should.
00:46:27And you just want to say that you should.
00:46:29Everyone knows that you should.
00:46:34Everyone knows how bad you should.
00:46:37How much will Kapil Shiddhu Ji feel?
00:46:40Shiddhu Ji is here today, he is here.
00:46:41He is not here, he is here.
00:46:44You know, Shiddhu Ji is here.
00:46:45He is very upset.
00:46:46Please, you should call Shiddhu Ji.
00:46:49Come, Shiddhu Ji.
00:46:50Come, Shiddhu Ji.
00:46:51Come, brother.
00:46:52I don't know what...
00:46:54You're not here.
00:47:02He's not here.
00:47:04I want to avoid today.
00:47:11I want to go back.
00:47:12Avoid.
00:47:13What's the problem?
00:47:13Why do you want to avoid?
00:47:14I want to avoid.
00:47:15I want to avoid.
00:47:16I want to avoid.
00:47:17I want to avoid.
00:47:19Okay, what's the problem?
00:47:20I can't avoid.
00:47:22I can't avoid.
00:47:23It's too good.
00:47:23What's the problem?
00:47:24I don't want to tell you.
00:47:25Come on, come on.
00:47:27I don't want to do this.
00:47:28What's going on?
00:47:28Look, there's a problem.
00:47:30But I can't tell.
00:47:33What problem is it?
00:47:34I have a problem with a new show.
00:47:40I can tell.
00:47:41Who?
00:47:41Who?
00:47:42I can't tell.
00:47:43I can't tell.
00:47:44I can't tell.
00:47:45Who?
00:47:46I can't tell.
00:47:48I can't tell.
00:47:49But I can give a hint.
00:47:50Who?
00:47:51Why?
00:47:53Actually, she's not a woman.
00:47:54She's a lady.
00:47:58Can you tell her name?
00:48:00I can't tell.
00:48:02Why?
00:48:02I can't tell.
00:48:03I can't tell.
00:48:04I can't tell.
00:48:05I'll do one thing.
00:48:06Just sit here.
00:48:07Where?
00:48:08Just sit here.
00:48:08Yeah, yeah, yeah.
00:48:10Yeah.
00:48:11In a way, look.
00:48:12As I've been in the world.
00:48:15As I've been in the world,
00:48:17as I've been in the world,
00:48:17I've been in the with-
00:48:18As I'm into the lady.
00:48:22Don't you see this behind me.
00:48:25What?
00:48:25Why do you see this behind me?
00:48:26It's a call on the back!
00:48:28I don't think this is a current!
00:48:33I don't want to know it.
00:48:36I don't want to know it!
00:48:38You've got to know it.
00:48:38I have seen a show.
00:48:40You are always talking, and you don't give the opportunity to speak to them.
00:48:44I will see.
00:48:45After that, there is a reason.
00:48:47What?
00:48:48The reason is that until I speak, the camera is on me.
00:48:51And until there is a camera, it doesn't say anything.
00:48:53As the camera is on, it makes me laugh.
00:48:57What is the laugh?
00:48:59What is the laugh?
00:49:00I laugh like this, and I laugh like this.
00:49:01I laugh like this.
00:49:03Hey, Arshana Ji.
00:49:05What is it, Jagu?
00:49:05People think that you don't do anything in the show, but you do a lot of things in the show.
00:49:09You do a lot of things in the show.
00:49:10I thought that was such a problem. Why didn't you say that before?
00:49:12Let me try.
00:49:14Let me try.
00:49:15I've given you a lot of hints.
00:49:17I don't know.
00:49:17I'll throw a pillow from her.
00:49:19I'll miss it.
00:49:20I'll miss it.
00:49:21It's not a pillow.
00:49:21It's funny.
00:49:22Last time, I put this pillow.
00:49:23I said, please help me.
00:49:28I don't know.
00:49:30I don't know.
00:49:31I'll miss it.
00:49:32I'll miss it.
00:49:33I'll miss it.
00:49:34I'll miss it.
00:49:37I'll miss it.
00:49:38No, I'll miss it.
00:49:40There's no more to say.
00:49:44All the people say that there are no more.
00:49:47Why not?
00:49:49We'll be able to protect you all.
00:49:52Yes.
00:49:53You're the main men.
00:49:54Oh!
00:49:56You will be able to get a good job today.
00:49:58If you get a good job, then you will be able to get a good job.
00:50:01Come on, bro.
00:50:02You are the main main show.
00:50:04I want to say, Anna, you will be able to get a good job.
00:50:10Come on.
00:50:11Put your hand in the hand.
00:50:13Put your hand in the hand.
00:50:16You are too good, yeah.
00:50:21Put your hand in the hand.
00:50:25Put your hand in the hand.
00:50:27Pursi.
00:50:30Put it.
00:50:31Pursi.
00:50:34Oh, my God.
00:50:36Let's get the main screen.
00:50:39Another one and another one, who are the main one and the main one?
00:50:42Who are the players?
00:50:43The first priority is the one.
00:50:45I have the first priority.
00:50:47Very good.
00:50:48Second third.
00:50:49We will decide.
00:50:51I will decide.
00:50:51Second third.
00:50:52I am the same.
00:50:54I am the same.
00:50:56I am the same.
00:50:58I am the same.
00:51:01These are from us.
00:51:03And these are all the certificates.
00:51:06Okay?
00:51:07I will not stop you.
00:51:10See, I am the same person.
00:51:12I am the same person.
00:51:13I am the same person.
00:51:15It is finished.
00:51:17No matter what I am.
00:51:19I will do it in the next few months.
00:51:21Come on, come on.
00:51:23Come on, come on.
00:51:26Come on.
00:51:27Come on.
00:51:30As much as we have here,
00:51:32as I have talked about,
00:51:34we are seeing our stars.
00:51:35We are doing style.
00:51:37We have done some of our stars.
00:51:40Can you share your story?
00:51:42Or do you want to talk to Anna or Sanju?
00:51:47Yes.
00:51:50Hello, everyone.
00:51:51Hello.
00:51:52My name is Anjali.
00:51:53I am Anjali.
00:51:54Hi, Anjali.
00:51:56Yay.
00:51:57Hi, Anjali.
00:51:58I am so happy.
00:51:59My name is Anjali.
00:52:00Your picture is released.
00:52:02And how passionately you have said that dialogue for Anjali,
00:52:06I want to say that dialogue for me.
00:52:08Oh.
00:52:11Please.
00:52:12Please.
00:52:12Anjali.
00:52:14Anjali.
00:52:15Anjali.
00:52:15I will forget you.
00:52:16This will not happen.
00:52:18And you will forget me.
00:52:19I will not forget.
00:52:21Oh.
00:52:34Good.
00:52:53And you forget me.
00:52:55I want this.
00:52:59So I'll go ahead.
00:53:09And someone is our friend.
00:53:11Hello Kapit sir.
00:53:12Hello.
00:53:13I'm Naveen Gupta from Kolkata.
00:53:15I watch a lot of movies.
00:53:16And with me there was a incident in real life.
00:53:20Today I'm with my girlfriend and wife.
00:53:23What?
00:53:27What do you mean?
00:53:41Come here.
00:53:42Come here.
00:53:44We want to meet you.
00:53:46Come here.
00:53:47Come here.
00:53:48Come here.
00:53:48Come here.
00:53:49Come here.
00:53:51Come here.
00:53:51Come here.
00:53:51How is it possible?
00:53:54But sir.
00:53:56You have one thing to guess.
00:53:57Who is my girlfriend and who is my wife?
00:53:59This is girlfriend and this is wife.
00:54:01And how can you say that?
00:54:03Because I spend a lot of time with Adat.
00:54:10That.
00:54:11Where am I?
00:54:13How am I?
00:54:14How are you doing this?
00:54:15We've taught you too.
00:54:19We've taught you this.
00:54:20I don't know.
00:54:20How am I going to guess your girlfriend and wife's,
00:54:21I don't know.
00:54:22How am I going to guess on my sister?
00:54:25Guess it.
00:54:26Hello ma'am?
00:54:27Guess whose girlfriend and more wife's?
00:54:31If you say my wife's you're the wife.
00:54:34You're the wife?
00:54:36No.
00:54:36You're the girlfriend?
00:54:37Yes.
00:54:38So you're the wife.
00:54:40How does this work?
00:54:44How does this work?
00:54:45She's also my friend.
00:54:47Before, I was a girlfriend.
00:54:49But now, I've become my wife.
00:54:51So now, I'm going to be my wife.
00:54:53So no problem.
00:54:54The person is sitting in the room today.
00:54:58Wow.
00:54:58We are speechless.
00:55:01We don't know what to say to this.
00:55:02It says, I trust him.
00:55:05But if this is true, it's fantastic.
00:55:10You've brought me to someone tomorrow.
00:55:12Fantastic.
00:55:13It's fantastic for people.
00:55:16You'll come to someone's husband.
00:55:18You'll come to them.
00:55:20But the pleasure is to meet you.
00:55:23And give me a mic to our friends.
00:55:27Kapil ji, I'm Dr. Anupam Sashteva.
00:55:32Thank you very much.
00:55:35Sir, we're talking about heroes.
00:55:37We have three types of heroes.
00:55:40One is sitting in front of us.
00:55:42There are some heroes in our past,
00:55:44who have won their lives in their lives.
00:55:50There are cancer warriors.
00:55:52There are children here whom I have brought from Delhi.
00:55:59And I'm...
00:56:02I mean, I have been...
00:56:04I've been working for three decades in pediatric oncology.
00:56:09Okay.
00:56:10They have conquered cancer and they have won over it.
00:56:14And we don't call them as cancer survivors, no.
00:56:18We call them as cancer warriors.
00:56:21Now, there's a third category.
00:56:25There is a third category of people who are heroes for them also.
00:56:33And that includes you.
00:56:35Right.
00:56:35Who has helped them overcome all the adversity
00:56:40or sari joon ki dukht klifohon ke time par
00:56:43aapne unke maabaap ko, unko jo hasaya hai, unki muskurahat lehk rahe hai hai hai.
00:56:51That is brilliant.
00:56:54I want to add, I'm Dr. Sangeeta Sardeva.
00:56:57He is my husband.
00:56:58And he also is a cancer patient.
00:57:00And he is fighting cancer.
00:57:02We are all fighters.
00:57:03And you all are also fighters.
00:57:05And we also get a lot of inspiration from Sanju Baba.
00:57:11I hope you could give a jadu ki jappi to these kids if possible.
00:57:17By the way, I'm a cancer warrior myself.
00:57:20I know it.
00:57:21I know it.
00:57:21Yes.
00:57:23Come, come.
00:57:26Come, come.
00:57:27Come.
00:57:28Come, come.
00:57:29Come, come, come.
00:57:30Come, come, come, come.
00:57:30You're all made yourself with your hands?
00:57:33Wow.
00:57:34How sweet.
00:57:37Hello.
00:57:38Hi, buddy.
00:57:40Thank you, son.
00:58:17Wow.
00:58:23Beautiful, ladies.
00:58:26Yes, Sri Ram.
00:58:29Shumayi, you're the only one, baby.
00:58:31Hi. What's your name?
00:58:32Alavia.
00:58:34Alavia.
00:58:35Alavia? How old are you?
00:58:37Four years.
00:58:39Four years?
00:58:39Four years.
00:58:41You're the only one.
00:58:42God bless you.
00:58:43Thank you, thank you, Rok Sab.
00:58:44Thank you, Shukriya.
00:58:45Thank you, very much.
00:58:46You guys have come.
00:58:52Friends, please come out for a while.
00:58:54For our two super stars.
00:58:58Thank you, thank you, Anna.
00:59:00Love you, Anna.
00:59:01Thank you, Sri Ram.
00:59:02Thank you, Sri Ram.
00:59:04Thank you, brother.
00:59:06So, friends.
00:59:07We'll see you next time.
00:59:09We'll see you next time.
00:59:11We'll see you next time.
00:59:11We'll see you next time.
00:59:12The Great Indian Couple Show.
00:59:13We'll see you next time.
00:59:14We'll see you next time.
00:59:14Only on Netflix.
00:59:15Good night.
00:59:15Shubratri.
00:59:16Thank you so much.
00:59:20Please welcome Mr. Jagpati Babu, Mr. Teja Sajja, Shriya Saran, and Ritika Nayak.
00:59:27Jagpati Babu, sir, you will have seen a lot of films in many films.
00:59:30And he gets fit into every role.
00:59:32He's like South Indian dish, Rassam.
00:59:34I prefer to be Sambar, because Sambar has everything in it already.
00:59:37Paisa of asool, no?
00:59:38Oh, super.
00:59:40I'll tell you about Teja.
00:59:40I'll tell you about this story.
00:59:42Let me tell you.
00:59:43Let me tell you.
00:59:43Let me tell you.
00:59:44Let me tell you today.
00:59:45Let me tell you.
00:59:47I'm a big fan of Ritika Dilli.
00:59:49She's a big fan of South.
00:59:49She's a big fan of the film.
00:59:51She's a big fan of Ashoka Wanamalo Arjuna Kalyanam.
00:59:53You think, just for a second, I'll give you one with four films?
00:59:57Wait, I'll give you a big fan of the film.
01:00:00I'll give you a like.
01:00:01What?
01:00:02You can take me to the top of my head?
01:00:04As you're wearing the big heels, they'll drink your pants and drink water.
01:00:10Jagpati Sir has made more films than 170.
01:00:13You can't tell your name of the films.
01:00:15Manchu Manchalo, Simmas Apno, Adi Labmanidhu, Kadda Rikam, Jagan Nahatakam, Shubha Kangshalo, Shubha Lagnam.
01:00:20I can say nonsense also. Nobody knows.
01:00:23Jedi Sir is a romantic king.
01:00:26I mean, Jagpati Sir is a romantic king.
01:00:28I want to make people feel in the theatre that they have to be scared.
01:00:34I saw a big sound created.
01:00:36Can I have the sound please?
01:00:49Jedi Sir, I'll also tell one thing, sir. You please repeat it.
01:00:52Jedi Yeah, yeah.
01:00:53Nen and I know is.
01:00:54I know I not, I know.
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