- 6 hours ago
Beyond Paradise S04E02 (2026)
Category
📺
TVTranscript
00:28Satsang with Mooji
00:36Let's go.
01:04Let's go.
01:36Um, what's your name?
01:38Adam Walsh.
01:39What were you doing in that man's shed?
01:42I came to save a mate last night, but we fell out.
01:44Just needed to get my head down, but then I woke up and that old crank had locked me in.
01:48Am I going to get done or what?
01:51I don't think they hand out custodial sentences for stealing biscuits.
01:57Custodial.
01:58As in custard creams.
02:00Forget it.
02:01Where do you live?
02:02Exeter.
02:03Okay, straight on the train.
02:04Go on home.
02:05Don't want to see you around here again.
02:06I just want to get home.
02:07I have a shower and some food.
02:08I'm starving.
02:10Oh.
02:12Mums, cheese and homemade pickle sandwiches.
02:15Take it for the journey if you like.
02:16Oh, cheers.
02:17Okay.
02:18Go on.
02:21Oi!
02:22Is that it?
02:23You won't be having any more trouble from here, Mr. Franklin.
02:26I'll hold you personally responsible if I do.
02:29Just so you know, Mr. Franklin, both imprisonment is also a criminal offence.
02:38Humphrey.
02:48Oh, Humphrey and I appreciate that.
02:51Thanks.
02:52Bye.
02:53That was Hannah.
02:55Checking on us after our meeting the other day.
02:58Pausing fostering still feels like the right thing to do.
03:01Yeah, it's probably for the best.
03:02Especially now we're back living with your mum.
03:04Exactly.
03:06Green or blue?
03:07What do you think?
03:09It was a bit formal for a Tuesday morning.
03:11The WI ladies are taking me out tomorrow evening.
03:13Again?
03:14Oh.
03:15Between us.
03:16They've become slightly suffocating since I've become councillor.
03:21Oh, they're both nice.
03:23Uh, the green one then.
03:25You're just saying that to shut me up.
03:27Humphrey.
03:28Green to match your eyes.
03:30My eyes are brown.
03:32So are they all.
03:36Sorry.
03:40Hello.
03:43Right.
03:44I'm away.
03:45Saved by the bell.
03:57Hiding from the paparazzi.
04:00Pardon?
04:02Well, don't get me wrong.
04:03They're very stylish.
04:05Not a criticism.
04:07Is it an image revamp?
04:10No.
04:11It's a tension headache from a cricked neck and no sleep.
04:15But thanks for the compliment.
04:19Rosewood Cottage.
04:20Where are you?
04:23Are you the police?
04:26Hello?
04:28Mrs Harris?
04:32I've been hiding in case they came back.
04:39Oh, darling.
04:39Oh, darling.
04:40I am so sorry.
04:42I was with a client.
04:43My phone was off.
04:45Clyde Harrison, June's husband.
04:47D.I. Goodman.
04:47This is D.S.
04:48Williams.
04:48I'm sorry we weren't here earlier, too.
04:50It's slightly tricky to find.
04:52We are tucked away here.
04:54It was much easier to find when the woodwork was pink, albeit slightly garish.
04:57Uh, shall we go inside, Mrs Harris?
05:08Look at it.
05:09They've wrecked the place.
05:20Sorry, Mrs Harris.
05:21What exactly did you notice was wrong?
05:28The whole place was upside down.
05:31They turned the drawers out.
05:33This chair was on its side.
05:35It was all a mess.
05:39It was all a mess.
06:00How are you so good at it?
06:02A what?
06:03Adulting.
06:04I mean, you make it look so easy doing ten different things at once and you're not even stressed.
06:09I'm just good at hiding it.
06:11Besides, stress isn't always a bad thing.
06:13We wouldn't get what we wanted without it.
06:15But what if you don't know what you want?
06:17Like, I really like what I do here, but I'm just worried that it's not what I want to do
06:22long term.
06:23I should hope not.
06:24I don't want to see you go, Zoe, but you've got a whole life to live.
06:27Doing what, though?
06:29You're 18.
06:30You've got bags of time.
06:31Takes six years to train to be a vet.
06:33Do you want to be a vet?
06:34No, I won't.
06:35I'm just making a point.
06:37How did you decide?
06:39I didn't.
06:40I went travelling.
06:42Thailand, Vietnam, Malaysia and the Caribbean.
06:45That must have been incredible.
06:47It was the best thing I could have done.
06:48I went alone and it took me more than any course ever did.
06:51Really?
06:52Weren't you frightened?
06:54Sometimes, but that's life, isn't it?
06:56My advice is to have all the experiences you can, good and bad.
07:00Take risks.
07:01Choose adventure, Zoe.
07:05Finger!
07:10I know what I saw.
07:13You're sure there's nothing missing?
07:15I've checked.
07:16Everything appears to be where it should.
07:19Understanding attachment disorders by Dr. Clive Harris.
07:22I'm a clinical psychologist.
07:24And a published one at that.
07:27I'm sorry, what happens now?
07:29Without any evidence of a break-in, then I'm afraid there's nothing much we can do.
07:33I am not mad!
07:35No one's suggesting that, Mrs. Harris.
07:37You don't need to.
07:38Clive is diagnosing me as we speak.
07:40June, that's not true.
07:46Yeah, thank you both for your time.
07:48I'm sorry if I've wasted it.
07:49Of course not.
07:50You're very welcome.
07:52Nothing to apologise for.
07:54Have there been any causes for concern with June recently, psychologically?
07:59Nothing.
08:00I'm as perplexed as you are.
08:02Yes, well, you know where we are.
08:04Yes, Sergeant.
08:10Might be the start of something to do with our mental health?
08:13Yes.
08:15Well, there's a buck coming.
08:17I believe her.
08:19You think someone trashed the place, then immediately put everything back exactly as it was?
08:25Not exactly as it was.
08:27Dr. Harris' book was upside down.
08:28It's odd.
08:29Don't you think?
08:30And the rest of the shelves were so neat.
08:40I've got a profile here on the eminent Dr. Clive Harris in the Times last month.
08:45I became a psychologist because I care.
08:48Oh, the burglary on Millstone Lane.
08:51I give my right arm for a burglary at the minute.
08:54Honestly, if I get one more call out about kids doing wheelies in the high street or eating people's custard
09:01creams, I'm going to scream.
09:02Well, it wasn't actually a burglary, so you didn't miss out on anything.
09:07But I took the call.
09:08Poor woman was hysterical.
09:10House was immaculate.
09:11What's going on, then?
09:13Not sure yet, but she certainly seemed convincing.
09:16Maybe it's like that old film where the husband gaslights the wife into thinking she's gone doolally.
09:23Oh, what's it called now?
09:25Um, gaslight?
09:28That's the one.
09:30Oh, I just hear they fostered, too.
09:33Dr. Harris's interest in attachment theory inspired him and his wife to foster children from troubled backgrounds.
09:40Doesn't sound like a manipulative gaslighter.
09:42Mum, I did an online quiz about this.
09:45Apparently, I've got an anxious attachment style.
09:50Oh, I don't buy into all that nonsense.
09:54That's because you're an avoidant.
09:57The only thing I'm avoiding is cod psychology.
10:00And this headache, if I can.
10:03See?
10:04You're masking the pain with pills when you should be pinpointing the root causes.
10:09I can pinpoint one of them right now, actually, Margot.
10:12Stress.
10:13That's what's going on here.
10:15Cortisol flooding the nervous system.
10:18I bet I know what started it and all.
10:21Or should I say, who started it?
10:24Yeah, all right, Margot.
10:24Thanks for the insight.
10:25But I slept badly, that's all.
10:27You should both try positive affirmations.
10:30Now, every morning, I look in the mirror and I say,
10:34I am enough.
10:36Out loud.
10:37Here.
10:39You try it.
10:41I am enough?
10:42No, no, no, no.
10:43It's a statement, not a question.
10:45Say it like you mean it.
10:48I'm enough.
10:49Less mumbly.
10:51Punctuate each word.
10:53I am enough.
10:56I am enough?
10:58All right.
10:58Don't blow me ears off.
11:00Now, you do that every morning and feel the difference it makes.
11:07Good.
11:15Yeah.
11:18Oh.
11:23Shipped and have a police station.
11:25Hold the line for me, please, Mr. Smith.
11:30Apologies, Mr. Smith.
11:32He's just popped out.
11:35Would you care to leave him a message and I'll get him to call you back?
11:41Will do.
11:42Goodbye.
11:46Didn't have the good grace to say goodbye.
11:49He wants you to call him back, ACP.
11:51He says he's keen to know your decision.
12:06Dr. Harris, sorry to bother you.
12:09Can I just check?
12:10Our next session is Tuesday, isn't it?
12:12Ten o'clock, yes.
12:13See you then, Amy.
12:51There's another liar before someone's tried to remove it.
12:55That tumour's right then.
12:57It's odd, but I feel rather relieved.
13:00Have you had any run-ins with anybody recently, Dr. Harris?
13:04No.
13:05There's nobody you know who might be inclined to call you a liar?
13:09Not at all.
13:10See, I did a bit of research after I left you earlier, and I found this.
13:18A fellow psychologist, Roger Franklin, accused you of plagiarising one of his research papers last year.
13:25How he was allowed to stay in the profession all those years is beyond me.
13:31That's the paper in question.
13:34Breaking the cycle of insecure attachment.
13:36Roger's under the impression that he invented Bowlby's theory of attachment.
13:40It's ridiculous.
13:42It's jealousy.
13:43Plain and simple.
13:44Good idea to start with him, then.
13:46Maybe, but I'd be amazed if he had the gumption to pull this off.
13:51Anything else?
13:53Unusual interactions?
13:55Who was the last patient you saw?
13:57Well, I bumped into one of them just before I arrived earlier.
14:01Amy Riley.
14:02She was outside the office.
14:03I wouldn't call it unusual, though.
14:05So she didn't have an appointment?
14:06No, not today, but I have a good rapport with all of my patients, Detective.
14:12Amy has a complex diagnosis, but she deals with it admirably.
14:17I've never had any cause to be concerned.
14:24Thank you, Doctor.
14:26Hi.
14:27I'm brief.
14:29Esther.
14:29Hi.
14:30Hi.
14:30Hello, Archie.
14:32You're here to see Doctor...
14:33About some wine.
14:35Dr. Harris wanted some advice.
14:38I'm so sorry to keep you.
14:40Unfortunately, I'm going to have to postpone our session.
14:52Good to see you, Archie.
14:59So, someone trashes the house, then puts everything back and cleans up after themselves,
15:04then goes and does the same thing to Doctor Harris' office.
15:07Any thoughts?
15:09Huh?
15:10Why would somebody commit a crime, then try to undo it twice within a couple of hours?
15:22Esther?
15:24Sorry, um...
15:25What was that?
15:26Are you okay?
15:28I'm fine.
15:30Yes.
15:31It's odd.
15:32Some sort of psychological game, maybe?
15:34Well, yes.
15:35It's a move.
15:36In any case, I'm pretty sure it'll happen again.
15:37So, uh...
15:38We should submit an urgent request for access to his patient files.
15:41And, uh...
15:42Let's pay a visit to Roger Franklin.
15:55Hi, Margot.
15:56Got a call from the manager at the train station.
15:58Fight's broken out there on Platform 1 between a couple of, uh...
16:02Don't tell me.
16:04Kids.
16:05Now, don't scream.
16:07Remember, you are enough.
16:11I've definitely had enough.
16:13Know that much.
16:18Kids.
16:31When the grief is gone,
16:35When the grief is gone,
16:40When the grief is gone,
16:55Oh, I'm so sorry. I was miles away.
16:58In Dolphin Cove?
17:00Have you been?
17:02Oh, I wish. I just said there. Sorry, I wasn't snooping. It just caught my eye.
17:07It's like paradise.
17:09Doesn't it?
17:10You planning a holiday?
17:12Thinking about going travelling? Seeing a bit of the world?
17:15That sounds amazing. Who are you going with?
17:18Not sure yet. Probably by myself.
17:21Well, that's brave.
17:23That's what life's about, isn't it? Having those different experiences, taking those risks.
17:28Well, good for you. As long as you take care of yourself.
17:33Kelby, I haven't told my mum yet, so please don't say anything for you.
17:49Mr. Franklin?
17:50Yes?
17:52I'm D.I. Goodman. This is my colleague, Detective Sergeant Williams.
17:55Well, glad to see it's been passed up the ranks.
17:58Trust you'll be throwing the book at that little tow rag who's been squatting in my shed.
18:02They sent a young lad this morning, barely out of his teens by the looks of it.
18:07If you're referring to PC Hartford, then he's a highly competent police officer and a fully grown adult.
18:13Yes, we're actually here to talk to you about Dr. Clive Harris, Mr. Franklin.
18:17What about him? And his Dr. Franklin?
18:21Dr. Franklin, my apologies. Can we have a quick chat?
18:24Now?
18:25Yes. Is there somewhere a little more private we could go?
18:30Yeah, but that is what Dr. Harris said.
18:36Absolutely preposterous.
18:37But you have called Dr. Harris a liar in the past.
18:39Because he is one. He stole my work and got away with it scot-free.
18:43Oh, and you wanted revenge?
18:45Don't try and trick me, Detective.
18:47For a start, I can't be in two places at one time, can I?
18:50And if one of your own officers isn't enough of an alibi, then I don't know what it is.
18:55I suppose that depends on what time you arrived at the allotment.
18:57Oh, here we go.
18:59Okay.
19:00I got here about eight o'clock, unlocked the shed, and saw some layabout sleeping on the floor.
19:07End of story.
19:08If it's padlocked from the outside, how did he get in?
19:11Well, I was here late last night, too.
19:13About 1am?
19:17I'm an insomniac, late in my life.
19:19I hadn't locked up when I left earlier that day, so he must have gone in then.
19:24I put the padlock on, and then came back this morning and found him.
19:29Happy?
19:30And where were you at about 10am?
19:33Still here.
19:35Obviously.
19:36And there'll be other people who can vouch for you?
19:38The other allotment holders?
19:40Well, they've not long arrived.
19:42I mean, I was alone for much of the time, as it happens.
19:49Right.
19:50Well, thanks very much for your time, Mr. Franklin.
19:52Beg your pardon, doctor.
19:54Watch out, share the seats.
19:55Okay.
19:56Yes, I noticed.
19:57Take a little heads up.
19:59I don't mind that.
20:00I just skipped that coat of varnish.
20:04So you have.
20:08Technically, Roger Franklin could have broken into the Harris's, trashed it, regretted it,
20:13tidied up, and come straight here.
20:15Er, technically, yes.
20:18Although, judging by the state of his shed, he doesn't strike me as being a particularly
20:22fastidious cleaner.
20:23Yeah.
20:24So, what now?
20:26Any ideas?
20:26Yep.
20:27Piece of cake.
20:28You know who did it?
20:29No idea.
20:30I mean, I want a piece of cake.
20:33Hmm.
20:35This stuff is ridiculous.
20:39Two lemon drizzles, two Americanos, a large milk, and a double espresso.
20:44For Lady Gaga.
20:46Hardly surprising I'm stressed, considering the amount of stick I have to put up with.
20:51Oh, no, I can't take any more or I'll be rattling.
20:55They're useless anyway.
20:56Sounds like you need a massage.
20:58You should try this new place.
21:00Apparently, the masseuse is incredible.
21:02No, thanks.
21:03Can't bear anybody touching me.
21:04Let alone when it's accompanied by bare feet and pan pipes.
21:08Mum, you should take some risks.
21:10Get out of your comfort zone.
21:11Hardly class a neck massage is risk-taking.
21:15Great.
21:19Uh, what are you doing?
21:23Hi.
21:24Uh, I was wondering if you had any availability for a massage lately today.
21:29Zoe?
21:30No.
21:32You okay?
21:34Yeah.
21:36No.
21:41Mr. Smith from Hub.
21:43You know, he's chasing me for a decision on who I'm letting go of.
21:47There must be another way to deal with these cuts, surely.
21:51Show them how well you can operate on a strict budget.
21:54Yeah, possibly.
21:57Can I get a refund on the lemon drizzle?
22:00I'm not sure that equates to someone's yearly wage.
22:03It's a start.
22:08Oh.
22:11I knew it.
22:13The lad fighting at the train station before is the same one from the allotment this morning.
22:17Some angry old man found him kipping in his shed.
22:21Roger Franklin.
22:22How do you know that?
22:24Because we interviewed him earlier about the breaking of the Harrises.
22:26He's an odd fish, that man.
22:28I know his wife.
22:30She's a sony short of a picnic hamper and all, truth be told.
22:33Kicked him out a few weeks ago.
22:36Well, that explains why he spent so much time at the allotment.
22:39Apparently, they had a huge row because he got suspended from his work.
22:43Oh.
22:44What happened here, then?
22:45Well, it was all over by the time I arrived.
22:48But the station manager thinks it was something to do with drugs.
22:51Er, he heard the other lad shouting, we've got a deal you can't pull out.
22:57Very good.
22:59So, two crimes, two attempts to undo those crimes.
23:05What would an eminent psychologist have to say about that?
23:09Oh, that reminds me.
23:11Email from Dr Harris' receptionist arrived with his patient records attached.
23:15I've just sent it to you.
23:17Excellent.
23:26I've just discovered something else very interesting.
23:30About Roger Franklin?
23:31No, Amy Riley.
23:32The patient Clive mentioned this morning.
23:35The one he saw just before he discovered his office had been broken into.
23:39He was right about her complex diagnosis.
23:44Dissociative identity disorder.
23:47Yeah, it's a psychological condition where a person switches between different identities.
23:52Each identity or altar has their own name, age and history.
23:57It might explain the attempts to undo each crime.
24:01Because it was two different altars belonging to the same individual?
24:08Possibly.
24:13Shall we go and talk to her?
24:15No, sorry, Sergeant.
24:16As your senior officer, I'm asking, no, ordering you, to please stand down and go and have the massage your
24:23daughter booked for you.
24:24Oh, no, honestly.
24:25It's for purely selfish reasons, believe you me.
24:28Because I'm honestly not sure how many more of those strange noises I can listen to you make.
24:31Okay?
24:32So please, off you go.
24:36Enjoy.
24:39Right, Kelby, you're with me.
24:57Have a lovely day.
24:59Hello.
25:00Hiya, can I help you?
25:01Amy Riley.
25:03Can you have a quick chat, please?
25:07I was a kid when it started.
25:10Seven, maybe.
25:11Nobody took any notice, really.
25:14My parents just thought I had imaginary friends.
25:16It's not unusual when you're little, is it?
25:20But they weren't friends.
25:22They were me.
25:24Or part of me, anyway.
25:27Would you mind telling us a little bit about the other identities?
25:31Past couple of years, it's been mainly Becky.
25:34Right.
25:35Sixteen.
25:35Always acting out.
25:37Can't stand authority.
25:39Authority meaning Dr. Harris?
25:42Apparently she gives me a bit of a hard time.
25:44What, apparently?
25:46I can't really tell you what my alters are like.
25:49You're best off asking other people.
25:51Dr. Harris says that Becky is always taking the mick.
25:56Calls him Clive, which is embarrassing.
25:59He doesn't mind, but I do.
26:02What does Amy think about him?
26:05I think that he is a brilliant, kind man.
26:10I just can't believe I did this.
26:14Wait, so you're admitting it was you?
26:17Not me as such.
26:19It sounds like just the sort of stunt Becky had pulled.
26:22Why might Becky call Dr. Harris a liar?
26:25Well, she doesn't reckon there's anything wrong with her.
26:27She tells him that he's talking rubbish.
26:28So if Becky is responsible for both break-ins,
26:31and then you, Amy, put things right,
26:35then, well, wouldn't you remember doing that?
26:40Not all the time, no.
26:42Especially if I go back to Amy in the middle of doing some silly Becky stuff.
26:47Sometimes I remember.
26:49Sometimes I don't.
26:52Can you tell us where you were between 8 and 9 this morning?
26:55At home.
26:56I think my memory gets a bit fuzzy.
27:01Sorry, I'm not being very clear, I know.
27:03No, no, no, no.
27:04You've been really helpful.
27:05I mean, thank you.
27:09Dr. Harris said he saw you this morning.
27:12I was on my way to work.
27:15So is it possible that you might have switched to Becky
27:20and then back to Amy just before you saw Dr. Harris this morning?
27:26It could have happened.
27:28Could have easily happened.
27:32It all adds up.
27:35Yes, circumstantially.
27:37She pretty much confessed, though.
27:38That's more than circumstantial.
27:40Well, a lifetime of not being in control of your own actions
27:43has to take its toll, Kelby.
27:45Amy strikes me as someone ready to take the blame for anything.
27:49Unlike Roger Franklin.
28:03Have you had a hot stone massage before, Esther?
28:07Er, I've had a brick thrown at me, if that counts.
28:11Sorry?
28:12Hazard of the job.
28:14I'm a detective.
28:16A detective?
28:17Wow.
28:17Well, no wonder you're stressed.
28:20Now, it's perfectly normal to feel a little nervous the first time.
28:23I'm not nervous.
28:25Good.
28:32Okay.
28:35How's that pressure?
28:38Er, fine, thanks.
28:41Good.
28:43Oh.
28:44Oh.
28:46I don't normally enjoy this sort of thing, but...
28:50Oh.
28:51That feels amazing, actually.
28:53My boyfriend's the same.
28:54Uh-huh.
28:55It's early days, though, so perhaps I can convince him.
28:59Most people will be delighted to have free massages on tap.
29:04Not Archie Hughes, though.
29:07Ooh.
29:08You are tense, aren't you?
29:11Let's get in those shoulders.
29:16Clive!
29:18Becky.
29:19Girl on shift with Amy.
29:20Said she had a visit from the police before.
29:22Said what happened.
29:23I'm sorry, Becky, but I'm afraid...
29:26I can't have this conversation now.
29:28I'll see you at our next session.
29:31You know I never do anything like that, don't you?
29:34Clive!
29:36Clive!
29:38Clive!
29:39Clive!
29:58Clive!
30:02Clive!
30:03Clive!
30:03Clive!
30:04No shades?
30:05Can I assume that's because the massage did the trick?
30:08You can assume it's because I was so desperate to get away from Archie's new girlfriend
30:12that I left them behind.
30:15What?
30:18Clive!
30:26Clive!
30:30Clive!
30:33Clive!
30:36Clive!
30:37Clive!
30:38Clive!
30:39Clive!
30:41Clive!
30:43Clive!
30:43Clive!
30:44Clive!
30:45Clive!
30:45Clive!
30:45Clive!
30:45Clive!
30:49Oh, so, um, background search on Franklin is pretty revealing.
30:54Apparently his behaviour towards Clive Harris was erratic, bordering on unhinged.
31:00Hundreds of abusive emails and phone calls.
31:04I mean, it's a pretty solid case for a disciplinary action.
31:07No wonder his wife gave him the elbow.
31:10Even more of a motive.
31:12He accuses Clive Harris and his whole life is unravelled.
31:15It makes sense.
31:17Yes, apart from the undoing.
31:19Oh, and that Mr Smith's been on again.
31:22He's like a terrier with a bone, that man.
31:24What's he after?
31:26Oh, well, I suppose he's just new to the role.
31:29And wants to make sure he's communicating regularly with everyone.
31:33Well, he's certainly doing that.
31:35I don't speak to my next of kin as much as I speak to him at the moment.
31:39And that's for communicating.
31:41I can't understand half of what he's on about.
31:44I mean, what's a KPI when it's at home?
31:46I mean, what's a KPI when it's at home?
31:55I mean, what's a KPI when it's at home?
31:59I mean, what's a KPI when it's at home?
32:00I mean, what's a KPI when it's at home?
32:00I mean, what's a KPI when it's at home?
32:01I mean, what's a KPI when it's at home?
32:01I mean, what's a KPI when it's at home?
32:02I mean, what's a KPI when it's at home?
32:04I mean, what's a KPI when it's at home?
32:04I mean, what's a KPI when it's at home?
32:05I mean, what's a KPI when it's at home?
32:06I mean, what's a KPI when it's at home?
32:11I mean, what's a KPI when it's at home?
32:18Jyn?
32:34Jyn?
32:36Humphrey, you're asleep.
32:39Yes.
32:41Are you?
32:47A few days ago, Hannah told me that Rosie had something she wanted to send us.
32:52What?
32:53Nothing's arrived.
32:55I keep rushing to the door every time the post comes.
33:11Why didn't you mention it sooner?
33:13Because you've got so much on your mind.
33:17Speaking of which, talk to me about work. I know that's why you're still awake.
33:21Oh, do I have to?
33:29Mr. Smith is still hounding me for a decision on who I'm going to let go.
33:34The guys are still oblivious and I'm still desperately trying to think of a solution.
33:39I've thought of myriad ways to save money and none of it comes close to a yearly salary.
33:43I can't stave him off for much longer.
33:47PHONE RINGS
33:49Oh my...
33:54PHONE RINGS
34:11PHONE RINGS
34:13Did you hear them speak?
34:14No. I collapsed straight away. And the most thing I remember, I woke up in the ambulance.
34:23I was at my sister's. I will never forgive myself for leaving him alone in the house.
34:29Come on now, Julie. It's okay.
34:31Okay? It's not okay, Clive. This has to be dealt with once and for all.
34:39Is there something else we should know, Dr. Harris?
34:45Clive...
34:48I...
34:49bumped into Amy Riley yesterday.
34:52Or rather, her main altar, Becky.
34:57She told me you'd spoken to her.
35:00Hmm.
35:03The ambulance?
35:04Who called for it?
35:09I've no idea.
35:11No, me.
35:13The hospital phoned when he was admitted.
35:24It doesn't look like anything was damaged.
35:26Nothing obvious stolen either. Laptop's out on the desk in the office.
35:33Hmm.
35:39Woven polyester mix?
35:41From cargo pants?
35:43But this is grey.
35:45Clive Harris said the intruder was all in black.
35:47Grey could be mistaken for black in the dark, though.
35:51They've caught themselves on something when they ran out.
35:54Right.
35:55So nothing damaged this time.
35:57Nothing taken.
36:01But something left behind.
36:06Amy, does the name Edith mean anything to you?
36:11Edith?
36:13You don't have an altar by that name?
36:16No, not that.
36:19Edith, no.
36:21It's mainly Becky who is more than enough.
36:26Uh, Dr. Harris said he saw Becky yesterday.
36:30Do you remember that?
36:33Beg pardon.
36:34Can I have a quick word?
36:38The recording of the 999 call from last night just came through from emergency services.
36:42I knew you'd want to listen to it straight away.
36:44Right. Thanks, Marco.
36:46Hello. Can you send an ambulance to the house with the paint?
36:49To Rosewood Cottage on Millstone Lane.
36:52Right.
36:53So it's fair to assume it's the intruder making the call.
36:56And yet another attempt from them to reverse the damage they've done.
36:59They sound genuinely upset.
37:01And definitely male.
37:03Puts Amy Riley in the clear?
37:05Plus, the caller started to refer to it as the house with the pink woodwork.
37:09Remember, Clive mentioned it used to be pink.
37:18Hello.
37:19I just popped back to pick up a few bits for Clive.
37:23The doctors are being very positive, so that's good.
37:25Good.
37:27Um...
37:27Sorry.
37:28Mrs. Harris.
37:31Do you recognise this?
37:36I've never seen it before.
37:38It says Edith on the back.
37:41Does that name mean anything to you?
37:42Nothing.
37:45And, um, sorry.
37:47What about this?
37:50Sorry.
37:55Uh, Clive, uh, mentioned that the woodwork on the house used to be pink.
38:00That's right.
38:01Well, I don't suppose you remember how many years ago it was painted white.
38:04I do, as it happens.
38:06It was ten years ago.
38:08He'd just finished painting it when he had his first heart attack.
38:11I told him not to do it, that it would be too strenuous, but he wouldn't listen.
38:15And that's when we had to give up fostering.
38:19Yes, of course you fostered.
38:21I read it.
38:24My wife and I do.
38:26Although we've had to put it on hold for the moment.
38:28It's a wonderful thing to do.
38:30But hard not to get too attached.
38:32Yes.
38:33We actually had a placement when Clive fell ill.
38:36A gorgeous boy.
38:37He'd been with us for months, we talked about adoption.
38:40But social services were worried about Clive's health.
38:43We just didn't know what the future held and how much care Clive would need.
38:48The last thing I wanted was for Adam to feel sidelined again.
38:52He deserves so much more.
38:55It must have been hard.
38:56It was the hardest decision we ever had to make.
38:59I can't say I don't regret it.
39:04No.
39:06Sorry.
39:09How old would Adam be now?
39:12He'd be... what?
39:16He'd have just turned 18.
39:1818.
39:1918. Pink.
39:21And now they're white.
39:2318.
39:30Kelby.
39:31What was his name?
39:33Sorcerer?
39:34Your boy from the allotment, the one who was fighting at the station.
39:37What was his name?
39:38Adam. Adam Walsh.
39:43Edith.
39:44He's not a person.
39:46It's a place.
39:49Specifically, her children's home.
39:56Edith House in Exeter is for young people aged 16 to 18 on the cusp of leaving care.
40:02Yep.
40:03I just spoke to the unit manager.
40:04This key ring is included in a leavers pack.
40:07She also sent me over a photograph of the most recent residence.
40:12Look.
40:13Adam.
40:14Yep.
40:15He left there a few days ago.
40:16The manager said that once they turn 18 then there's little support from social services.
40:20What's his connection to Clive and June Harris?
40:22He was their last foster placement ten years ago.
40:25They wanted to adopt him.
40:27But Clive had his first heart attack and then the social services removed Adam because they became concerned about the
40:32Harris' ability to care for him long term.
40:34So he went back into the system until he left last week and came straight back to Shipton Abbott.
40:40Why target them if they were so close?
40:42For that exact reason.
40:44Imagine thinking you'd found a family at last and they'd send you away.
40:47They couldn't help that.
40:49I'm not sure a vulnerable eight year old would say it that way.
40:52But Adam was locked in Roger Franklin's shed when the first break-in happened.
40:57It couldn't have been him.
41:01Hold on, look.
41:03There's that lad he was fighting with at the train station.
41:07It's a deal.
41:09The deal!
41:11The station manager heard the other boy say,
41:13we've got a deal you can't pull out.
41:16Is that right, Kelby?
41:17Yeah.
41:17I don't think it was a drug deal.
41:19So what if the other boy targeted the Harris' in return for Adam doing something for him?
41:24But Adam got cold feet.
41:26Exactly, and tried to reverse the damage each time.
41:29The other boy broke into the Harris' first and trashed the living room.
41:39This is what June saw when she came back from her power walk that morning.
41:54After June left to go and get help, Adam entered the house at around 9.15.
42:00Straight from the allotment where Kelby had just seen him?
42:02Exactly.
42:04He then placed everything back as it should be.
42:09Apart from one book.
42:10Which he put back on the shelf upside down.
42:17The same thing happened in Clive's office.
42:20Adam tried to put it right again.
42:22But before he could finish the job, he heard Clive opening the door.
42:28And escaped through the window.
42:32Adam then tried to leave Shifton Abbot.
42:33But the other boy stopped him and a fight broke out.
42:36What are you doing?
42:37Get off me, man!
42:39We are still!
42:40Are you joking?
42:41What's wrong with you?
42:42Oh!
42:43Oh!
42:44Oh!
42:45Oh!
42:47So during the last break-in, the other boy framed him.
42:50A piece of cloth torn from Adam's cargo pants during the fight was left there deliberately along with the Kiwi.
42:57I don't think it was his intention to harm Clive.
43:01June?
43:05But the other boy certainly didn't want the risk of being accused of possible murder.
43:13Adam went back to the house to put things right again.
43:16But this time it was far worse than he could have imagined.
43:25Hello?
43:27Can you send an ambulance to the house with the pink...
43:30To Rosewood Cottage on Millstone Lane?
43:33When we first went to the Harris's, we were looking for Rosewood Cottage but couldn't find it.
43:37Clive said it used to be easier to find when it was painted pink.
43:40So whoever made that call must have had a history with the house.
43:45I do.
43:46Yes.
43:47And I think I know where to find it.
44:03Adam, can you tell us who this is?
44:07Sam.
44:08We met in care and became mates.
44:10Same boat.
44:11Nobody wanted us.
44:13A few days after we left Edith House, Sam showed me this thing you found online.
44:17Clive.
44:17In a newspaper.
44:19A profile piece in the Times?
44:23Talking about how much he cared about helping people.
44:26Didn't seem like he cared much about me when I went back into care.
44:28It must have stunned reading that.
44:32I know it was stupid, but I wanted to hurt them like they hurt me.
44:37Not properly, just shake them up.
44:40So that's when you and Sam made the deal.
44:45He would go after the Harris's for you.
44:47And what did he want you to do for him in exchange?
44:51Set up his mum's dealer boyfriend.
44:54Get him arrested.
44:55A revenge swap?
44:56I told Sam I changed my mind, but he wasn't having it.
44:59So you tried to stop it.
45:00Yeah, but that stupid bloke locked me in his shed and by the time I got to the house, it
45:06was too late.
45:07Then Sam started blackmailing you?
45:09If he didn't keep your side of the deal, he'd frame you.
45:14It all got so out of hand.
45:19I never meant them any harm, but nobody told me anything.
45:25One day I'm living with Clive and June thinking I've got a family again and the next I'm back in
45:30care.
45:31You understand?
45:34No, you don't.
45:36No, you're right.
45:39I don't understand what it was like for you.
45:43But I do have experience from the other side.
45:50My wife and I fostered a little girl, Rosie, not so long ago.
45:57I thought we might have a future together as a family.
46:02But we had to say goodbye to her.
46:05It was hard.
46:08It still is.
46:12Clive and June didn't reject you, Adam.
46:16They loved you.
46:18Letting you go wasn't their choice.
46:26Adam.
46:29Can you take us to Sam?
46:32I can't.
46:34He's not a bad person.
46:35He's just been through all-
46:36This isn't about punishment, Adam.
46:38We want to help both of you.
46:39I promise.
46:40But we can't do that if we don't know where Sam is.
46:47The next train to Exeter will be from platform one in twelve minutes.
47:00Finally seen some sense, Sam.
47:02It's not your time.
47:03It's not your time.
47:04I'm sorry, Sam.
47:17You crashed.
47:18Look, it's okay.
47:19I never laid a finger on him, I swear.
47:20We know that.
47:21We just want to help.
47:22Yeah, whatever.
47:23Sam.
47:25It is alright.
47:37You're okay.
47:37Yeah.
48:33I'll get my stuff.
48:34Amy, I'm not here to arrest you, okay?
48:39I'm here to tell you that we have found who's responsible, and it's not Becky.
48:44Okay, so most importantly, it's not you.
48:48Really?
48:49Yeah.
48:50Oh, thank God.
48:58Amy, I hope this doesn't sound patronizing, but I think you're really brave.
49:05The way you handle your disorder, the way you're so honest and open.
49:10Everyone has their stuff, don't they?
49:12Yeah, true, but not everyone handles their stuff like you do.
49:21Take care of yourself.
49:36Come on, then.
49:38Spit it out.
49:39What's on your mind?
49:40Nothing?
49:43Okay, there is something.
49:45It's exciting, though.
49:46Don't worry.
49:46I was talking to Martha.
49:48Oh, my God, Mum.
49:49There's Archie in that one.
49:51What should we do?
49:52Hello.
49:54Esther.
49:55Zoe, hi.
49:57Sorry, this is...
49:58Amelia, I know.
49:58We met.
49:59Hi.
49:59Hi, Esther.
50:00I came in for a massage.
50:02Oh.
50:03How's the headache?
50:04Gone.
50:05I feel like a brand new woman.
50:06Oh, I'm so pleased.
50:07Well, let me know when you want to book in again.
50:09Oh, no need.
50:10I'm fixed.
50:11You're a miracle worker.
50:12Tell him that, will you?
50:13She is.
50:14It's true.
50:16See, sort yourself out, mister.
50:17Yeah, I'm trying.
50:21Well, we best be going, haven't we, Zoe?
50:24Nice to see you both.
50:25Great to see you, Esther.
50:27Yeah, well, you know where I am, if you need me.
50:29I do.
50:29Cheers.
50:31Right.
50:31Yeah.
50:32Okay.
50:36Oh, my God, Mum.
50:38You're so amazing.
50:39Well, we're all adults.
50:41Apart from you, obviously, you'll always be my little baby girl.
50:45Go on, anyway, what was it you want to talk about?
50:49Can't think, no.
50:50No, you were chatting to Martha, something exciting.
50:54Kind of forgotten already.
50:55Uh, yeah, she was just saying how much she appreciated me working at the cafe.
51:01See?
51:02None of us can do without you.
51:06I'm very proud of you.
51:08Yeah?
51:08Yeah.
51:09Thanks.
51:11Thanks, Mum.
51:19It came this morning.
51:28Aren't you going to open it?
51:30Yes.
51:31Why am I so nervous?
51:32That's...
51:35July?
51:36Yeah.
51:39To Humphrey and Martha.
51:51Do you think she knows how much we cared about her?
51:55How much we still care about her?
51:58Of course she does.
52:00Of course she does.
52:00She knows Humphrey.
52:04I wonder what she'd think about the lily bond, though.
52:07I think it was my fault.
52:09No, it wasn't.
52:11No, it wasn't.
52:12Was it?
52:16Well, we couldn't live on a boat forever.
52:19Speaking of which, I think we should put an offer in on that.
52:21Oh, it's so much work, Martha.
52:24Not too much of money.
52:25Yeah, but we take our time.
52:28Do it bit by bit.
52:31Remember what we said.
52:33It's the two of us.
52:35And whatever else happens, it will always be the two of us.
52:39This is our adventure, Humphrey.
52:41And there's nobody else I'd choose to be on it with.
52:49That's it.
52:50Come on, ladies.
52:53Let's get this side and I'll get us all in a drink.
52:55Come on, come on.
52:57Bridget, watch this.
52:59A minefield for a week out.
53:02There's the two of us.
53:11This is Dark Morris.
53:13Someone help him.
53:14Hurry.
53:15So if someone did trigger the allergy,
53:16they're just so during the dance?
53:17But we were all watching.
53:19So what did we miss?
53:20Is that the allergy?
53:21Is that Mr. Smith was talking about that on the golf course?
53:24So, not just me, you ignore, but your staff too.
53:26She doesn't know about Mr. Smith.
53:28Don't be close to that.
53:29I'm not.
53:29I'm angry at him.
53:31I'm here for one reason.
53:32And that's to say,
53:33if you were sitting at my glass.
53:34You can't help who you fall in love with.
53:36You can't decide what you do about it.
Comments