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#Daredevil 👿#Born #Again S01E06 [Full Movie] [Free Online HD]Full EP - Full
Transcript
00:17If you've seen new street art, you're not alone.
00:19The provocative murals have been popping up all around the city.
00:23Sometimes, peace needs to be broken.
00:25I want to see my D.O.P.
00:27Chaos must reign.
00:28Hands in the fucking arms!
00:31Just for a moment, to build a stronger order.
00:35This port is a black eye on the face of the city.
00:38I think we can do better.
00:40I sent Buck to Luka to tell him to pay Victor 1.8 restitution for the hijacking.
00:46I thought we might spend some time on something we need to get out into the open.
00:49Adam.
00:50Wilson, did you confront this man?
00:52Yes.
00:53I did tell him how I felt about you.
00:55And I couldn't fathom a life meaning without her.
01:00Forgiveness isn't just the highest act of love.
01:03It is the only way forward.
01:05Please!
01:07And where is Adam now?
01:08Let me out!
01:16As graffiti artists, we get this bad rap that we're hurting the city.
01:20But there's dangerous people out there that are actually hurting the civilians of New York City.
01:25And people like the vigilantes are helping them.
01:28Is there law and order in New York?
01:30My friend sent me this video.
01:32Yeah, yeah, yeah, check this out.
01:35Bro, look how crazy that is.
01:36Like, where do you learn that?
01:38Kind of looks like a swordsman.
01:39Swordsman?
01:39If you're watching this, keep doing the good work because our cops here, uh...
01:43They don't really do much, so...
02:06They don't really do much, so...
02:42Thou did establish St. Ives as a judge in the midst of his people.
02:45Brethren, making him a friend, an advocate of the poor.
02:54Do thou makest by his intercession steadfast in the pursuit of justice,
03:00confident in that merciful goodness?
03:10Through Christ, O Lord.
03:12Could you help me?
03:13Just stay awake, don't you?
03:18Lives and reigns with you in the unity of the Holy Spirit.
03:20Come here.
03:42Come here!
03:43Get out!
03:45Get out!
03:46Get out!
03:48Get out!
03:49Get out!
03:50Get out!
03:51Get out!
03:51Get out!
03:54Get out!
03:54Fuck it!
03:55Help!
03:57Help!
03:59Hannah.
04:06What are you doing?
04:08You know, just checking in.
04:11You pray?
04:12Still?
04:13Yeah, I've stopped a few times over the years,
04:15but as long as they end up coming back to it.
04:18So you'll volunteer at the Bowery Mission until 4,
04:21then back to Gracie Mansion,
04:22and then the Children's Art Fund benefits at 7?
04:25That sounds nice.
04:26You go, then.
04:27I'm tired of these black tie events.
04:29You have very much doubt that's an option.
04:31Just so you know,
04:32you have an unscheduled visitor in your office.
04:39There he is.
04:42Mr. Mayor.
04:44What are you doing here?
04:46Any way to greet an old friend?
04:51I've got this.
04:55You alright?
04:56Yeah, sure. Why?
04:58Um, you go to a bank and get taken hostage.
05:01Oh, right. Yeah, that. Sure.
05:03Yeah, that.
05:04That worked out.
05:07Matt, you were a victim of a crime.
05:09Sure. I understand. I'm just saying that I...
05:11I...
05:12I knew I was gonna be okay.
05:14I...
05:14I can't really explain it.
05:15Just like...
05:16Faith.
05:16Something like that.
05:17Thank you, Bill.
05:18You've got five minutes.
05:20Look at all these books.
05:21You haven't read a single one of them, have you?
05:22Is this about the 1.8?
05:24Oh, the show.
05:24The whole thing, right?
05:26Might as well be Halloween in here.
05:28Four minutes and 30 seconds.
05:29Oh, come on.
05:29Is that how we're gonna do this?
05:31No foreplay?
05:33Ugh, I'm late.
05:33Early patient this morning?
05:35I'm meeting with my editor, remember?
05:36Oh, that's right.
05:37The, uh, congratulatory breakfast.
05:39She's already putting the screws on me about my next book.
05:41Wow, that's quick.
05:44Well, if you need help spitballing ideas,
05:46you know where to find me.
05:48Interesting you should ask.
05:50I've told you the premise, right?
05:51Uh, maybe, huh?
05:54Vigilantes.
05:55Why we revere the mask.
05:58Yeah, cool. Yeah, interesting.
06:00Yeah, I think so.
06:01You need to give Victor the 1.8.
06:05And I'll give you until the end of the week.
06:11Respectfully, Mr. Mayor.
06:13You can shove that 1.8 up your ass.
06:28Make it 2.8.
06:311.8 to Victor and the balance to me, of course.
06:35I think it's a fascinating question.
06:37What about a mask?
06:38Does it hide us and give us permission to do things that are legally and socially taboo, like violence?
06:43I mean, does a mask allow us to be our true selves?
06:47Or does it strip away our identity and allow us to act like animals?
06:51Hmm, yeah.
06:53I don't know. Maybe, yeah.
06:55Maybe both.
06:55Maybe, right?
06:57You have experience with those people, don't you?
07:01With animals?
07:03Vigilantes.
07:04Oh, jeez.
07:06You've represented a few, right?
07:08What are you researching mean?
07:09Yeah.
07:11You're out of the game, old man.
07:15Stay out of it.
07:17Well, I've been thinking.
07:19Maybe you would consider setting me up with someone like, I don't know, Frank Castle?
07:27The Punisher. You want to, you want to interview the Punisher?
07:31Bad idea?
07:33No, it's like, that's a solid, solid idea.
07:39You've got to the end of the week. Your time's up.
07:47I see you, Fisk. Give your wife my regards.
07:49Please show him out.
07:52Okay, um, how about Daredevil? You've worked with them, right?
07:57Shit, that's my Uber.
07:59Alright. Don't be weird. I'm not gonna stalk your clients.
08:03But, maybe we can talk about it after?
08:05Sure. Of course.
08:23Yeah.
08:46Okay, I'm going to take this.
08:49Okay, I'm gonna go.
10:19I work at the Sanitation, 35 years.
10:22Happy to have you, Johnny.
10:24I just want to let you know.
10:25I voted for you.
10:26I can't tell you what a pleasure it is to actually be here.
10:28Mr. Santini, if you would tell the mayor why you're here today.
10:30Oh, right, right.
10:32The mural.
10:32I got bad news and worse news, Mr. Mayor.
10:35I thought that we took care of this.
10:37Yeah, turns out it's going to be a lot tougher to get that down than we thought.
10:41Why's that?
10:42Well, look, I made a real good run at that wall.
10:44I got the biggest power washer because I didn't want to ruin the facade.
10:47Didn't do squat.
10:48So I made a switch.
10:49I switched to a 50-50 sand glass like a concentration.
10:53It's the only way to go.
10:54You should get to the point.
10:55Oh, no, you don't understand.
10:56See, the mural, it's made with this epoxy.
10:58So I had to do a chemical analysis.
11:00So then I had to get this special solvent for my guy in...
11:03Johnny, just tell him what you told me.
11:05The worst news.
11:06Oh, right.
11:06It's blood.
11:07It's the mural.
11:08It's made out of human blood.
11:15Got Gallo in here now.
11:17Your strategy?
11:18Well, essentially, poison counsel.
11:20Really?
11:21Yeah.
11:22You heard it here first, you know.
11:23Madison hired Creedy, Gofflin, and McKagan to guide him through a complicated yet sophisticated
11:27accounting of his new and uncharted business model.
11:31And while they may be the city's preeminent tax law firm, they were in over their heads.
11:37Wow, so you're literally pointing the finger at his attorneys.
11:40Have you met the fine gentleman in Creedy, Gofflin, and McKagan?
11:43Oh, I have.
11:45And I approve.
11:47What is she doing here?
11:48Who?
11:49The Ayala girl.
11:52Hey!
11:53It's good to see you.
11:54Is everything all right?
11:55Yeah.
11:56I was hoping to talk to Mr. Murdoch.
11:58Of course.
11:58Yeah, come in.
11:59Come in.
12:00Um, do you mind?
12:02Uh, okay.
12:04I'll just be in my office.
12:05Cool.
12:05We'll pick this up.
12:07Thanks.
12:13Hi.
12:14Hi.
12:15Hi.
12:15So, uh, 11, 17 a.m.
12:17What is that?
12:18Third period?
12:19Fourth?
12:19History?
12:20Biology?
12:21English, actually.
12:22Oh.
12:23I'm giving you 99.
12:24104.
12:25104.
12:25He factored the curve.
12:29He was onto something, Matt.
12:31He was investigating something.
12:34Someone's got to protect the streets.
12:36People going missing.
12:37No one seems scared.
12:42I don't know for sure.
12:43But I think it had something to do with all those people going missing.
12:47All those kidnappings.
12:48He started tracking them.
12:49Angela, I know you're upset and you have every right to be.
12:52But this isn't safe.
12:53Don't tell me how to be Mr. Murdoch.
12:56Look, mm-mm, not now.
12:58Don't put that therapy talk that I'm processing or trying to control or whatever.
13:04But then I should be in school because that's what Hector would have wanted.
13:09This is what he would have wanted.
13:12Someone finishing his work.
13:14Someone actually doing something for once.
13:19Therapy talk.
13:21Was I doing that?
13:22Straight up.
13:23And I hate that shit.
13:24Yeah, sure.
13:26Kind of hate it, too.
13:28All those kidnappings were all close to the old Q line.
13:31The one they shut down.
13:33Track 61.
13:37Look, Angela, I'm just a lawyer, all right?
13:39I tried to help your uncle in court, but something like this, that's for the police.
13:43The police killed my uncle.
13:45I'm not going to them.
13:47All right, fair enough, fair enough.
13:48But what do you want me to do about it?
13:52Um, how about literally anything?
13:56Mr. Murdoch, attorney at law, big fancy office, here to help the little guy, right?
14:02Only on your terms.
14:04Because when the little guy put something for real in your hands, you're all, no.
14:13That's fine.
14:15That's cool.
14:17I bad for thinking you cared.
14:18It's not that simple, Angela.
14:20It's not how this works.
14:23You know what?
14:25My uncle, two days before he got shot, you know what he told me?
14:30He told me, don't rely on anyone to do what you can do for yourself.
14:36Damn.
14:38He was right.
14:55He mixes blood into the paints and then applies the epoxy on top.
15:00It makes the murals essentially impervious.
15:03How many murals in total?
15:04Twelve confirmed with 18 known IDs, but we've gathered at least five unique DNA profiles for
15:11each mural, and in five DNA profiles per mural, we estimate at least 60 victims.
15:17It's difficult to project just yet.
15:19The testing is underway on what we now suspect may be some earlier pieces in his evolution
15:24and more victims.
15:26Missing reports are up, but this can't account for all of us.
15:30We've got some evidence and been managed to avoid detection by any of the city surveillance.
15:36Bye.
16:03Sounded an alarm, and he could lay low for us.
16:06For a while, he could wait us out.
16:08Then he'll come back harder and stronger.
16:11No, not a single word leaves this room.
16:14There's no way to run a goddamn railroad.
16:17When the sanitation department figures out there's a serial killer before the NYPD does,
16:26maybe it's time to switch up the protocols.
16:30I've been waiting on my moment to blow.
16:32I'm ready to show the blow, but I wanted a ghost.
16:35Say what you want, but I know that you won't ever approach it to anything.
16:39I'm in this zone, niggas, see this more homes compared.
16:42I don't sleep on the mission, so I'm never been scared.
16:47Hey, are you Muse?
16:48Is it cool if we take a picture of you?
16:51Not as healthy, though.
16:52Just like, artist, his work, you know.
17:10Luca came to see me.
17:12It was very disrespectful, might I add.
17:16To the mayor's office?
17:17Huh.
17:20That's bold.
17:22That's what I thought as well.
17:23And as we imagined, he has no intentions of paying his debt.
17:33So, I added a million dollars tax to his bill.
17:41Victor will like that, if Luca ever pays up.
17:45I don't need Victor to like it.
17:46I need him to want it.
17:49Badly.
17:53Vanessa, you know, politics, it's a different type of problem solving.
17:59Most of it is new to me, but some things, they remain unchanged.
18:06Find what a person wants.
18:10And either withhold it.
18:12Or provide it.
18:15And they'll do anything.
18:18Not tonight.
18:31You're asking New York's elite for money.
18:37I hope that everything works out for you.
18:39Mr. Mayor.
18:44Michael, it's great to see you.
18:47Sure, they want influence, but they don't need it.
18:50It's like selling a Basquiat to a billionaire.
18:54It's all just ego and vanity.
18:58It is a curious first endeavor you've identified, Wilson.
19:01This port project, it's not just a first endeavor.
19:04Well, tell us then.
19:05What is it again?
19:06It's an engine of industry is what it is.
19:09It moves growth quickly.
19:11It's got a lot of horsepower, if you understand.
19:13Wilson would say I'm the determining factor in that sector.
19:17By simply being there and asking them for money,
19:20you're giving them all they care about.
19:29Reassurance of their supremacy.
19:32These changes you're making with the police,
19:34this obsession you have with vigilantes,
19:37it's just not going to work.
19:39Whether you can do it or not isn't the issue here, Wilson.
19:42I'm surprised you'd even raise that specter.
19:44What we're talking about here is buy-in.
19:48This project simply doesn't align with our interests.
19:52I've been told.
19:54And it's Mr. Mayor to you.
19:56Why don't we be honest with each other here?
19:57I didn't realize that was on the table.
19:59I'd like nothing more.
20:00You've made a substantial amount of your fortune around the port, haven't you?
20:03I've had many business interests in my career.
20:08And many associates along the way.
20:12What are you suggesting?
20:13I'm saying your port expansion project is a self-serving con, Mr. Mayor.
20:17You're using taxpayer dollars to further enrich yourself.
20:19And your colleagues, so to speak.
20:23I always put the city before myself.
20:28And if you're suggesting anything different,
20:30well, that's just nonsense.
20:34You may have a seat at the table right now.
20:37For a couple of years anyway.
20:39But the people in this room still decide who gets to eat.
20:43I suggest you don't lose sight of that.
20:50Tell your wife the flowers are exquisite tonight, if you would.
20:57The people that actually make it happen,
21:00they don't sit around and wait.
21:01People in this room, they...
21:05They know nothing about that.
21:07Underestimate the people in this room at your own peril.
21:10They may not use garotts or cemented shoes.
21:15One phone call to the right person and, well,
21:19bye-bye, Gracie Mansion.
21:21That's a threat.
21:22No.
21:24No.
21:24No, no, no, no.
21:25It's, uh...
21:26It's a warning.
21:32Oh.
21:35Oh.
21:36Yeah.
21:37But it seems my suits aren't fitting like they were.
21:43I guess we have to get you in a wardrobe, then.
21:54Working late.
21:56Presently, crack 61 is used as a store...
21:58I hope that's not for you.
22:04Oh, boy.
22:16Jerry, what is it?
22:17You can hear about it anyway,
22:18but I'd rather you hear it from me.
22:21Okay.
22:22I got a call from a guy at the precinct.
22:24Said there's a serial killer out there.
22:25They're going to a DEFCON scenario.
22:27How many victims?
22:30Jerry.
22:32Well, how many?
22:34Upwards of 60, so they say.
22:36They've identified a suspect, though.
22:39Who is it?
22:39Graffiti artist.
22:40Painting walls all around town.
22:42Goes by the name Muse.
22:47Apparently.
22:48Apparently what?
22:51He paints with his victim's blood.
22:57Whew.
22:58Huh.
23:02Man.
23:04You gotta be straight with me, buddy.
23:07You gotta let this one go.
23:09Just let the police do their jobs.
23:14Huh.
23:30These people are like parasites.
23:33Can't they see how important this poor project is?
23:35Is that...
23:38There's something you need to see.
23:44Vanessa.
23:46I'm sorry, but there's pressing business.
23:48Can you make more apologies for me?
23:51Yes, of course.
23:59These came straight from the forensic team, sir.
24:15The man's obviously mocking the police.
24:23We can use this.
24:26Do you feel safe on the streets?
24:28Well, I mean, I ain't supposed to say nothing, but I hear two girls have gone missing.
24:31I mean, nobody really knows what happens to them, but when you go missing down here in the city, everyone
24:36knows something is up.
24:37We hear that there's one girl or a couple girls found dead, but they're drained out of their blood.
24:42We really need someone out here to, like, protect us.
24:45Because, baby, I don't feel safe out here.
24:48This is ridiculous.
24:49I've got a serial killer on the loose.
24:51You cut the force's overtime, and now I need to report to you on the Muse case?
24:55I care about this city.
24:56Put more cops on the street.
24:58That's exactly why I asked you here.
25:01I intend to.
25:06A task force.
25:09Handpicked by me.
25:14This is every bad apple in the barrel.
25:16Yes, it appears your officers have a subculture amongst them.
25:21People like to use the word gang.
25:23I prefer motivated individuals.
25:25And due to the extreme nature of these crimes, this task force will have special powers and privileges.
25:32Like overtime.
25:36And no body cameras.
25:38That sort of thing.
25:41And who the hell is going to oversee this?
25:43Like I said, I care about the city.
25:58This city is in a crisis.
26:00A serial killer is roaming our streets.
26:03He needs to be stopped.
26:09Okay, but, uh...
26:11Why us?
26:13Because some of you...
26:17You're victims of bad luck.
26:20Others, you've been a little overzealous.
26:23But all of you throughout your careers have shown initiative.
26:27Sergeant Cole North.
26:29Yes, sir.
26:30Born and raised in Chicago.
26:32Top of your class in the academy.
26:33Made detective in only three years.
26:36That's quite impressive.
26:41Yet here you are in New York.
26:44We lost it all.
26:46Tell us what happened.
26:48January 14th.
26:49I was responding to a call.
26:52Possible drug activity in the park.
26:54On my arrival, I saw a guy hand an 11-year-old's homoxid.
26:57The guy denied everything.
26:59So I encouraged him to tell the truth.
27:03Captain didn't see it that way.
27:06There's a lot of shitbags in the world, sir.
27:10Man, there's a lot less of them.
27:13Yes, that's right.
27:17Sometimes, when you need to get the job done, it requires a little, well, creative thinking.
27:25I assume Gallo has told you that we have a serial killer in our midst.
27:29I want to be clear.
27:30I brought you here because of your skills.
27:32Because of your ability to get results.
27:35Consider yourself founding members of my anti-vigilante task force.
27:40Look.
27:46This killer muse, he wears a mask.
27:49That's because he's afraid.
27:50I don't want you to be afraid.
27:52I want you to show your face.
27:53Because you are New York's finest.
27:55This city is yours.
27:58And you're not going to let some mass criminals.
28:01Take it away from you.
28:04Isn't that right?
28:07Okay.
28:09Okay.
28:34You're not going to let some mass criminals.
28:35I don't want you to let some mass criminals.
28:38I don't want you to let some mass criminals.
29:09Signs to the very VIPs to one of New York's luxury hotels.
29:14It is rumored to be an entranceway to a series of abandoned rail tunnels dating back to the 18th place.
29:21Call from Ayala, home. Answer or decline.
29:25Call from Ayala.
29:26Hello?
29:27Matt? It's Soledad. I'm sorry to call you Soledad.
29:29No, no, Soledad, it's fine. What's going on?
29:32It's Angela. She still hasn't come home. That's not like her.
29:35Has she been in touch with you?
29:36She told me she was going to see you, Matt.
29:38I'm worried. I'm so worried. She's never done this before.
29:41I didn't know who else to call. She's never...
29:42It's okay. Soledad, it's okay. Just stay where you are.
30:039-1-1, what is she? Emergency.
30:06Hello?
30:09Hello?
30:10Fuck it.
33:19I can imagine that Vanessa would like for me to let you go.
36:31Let's go.
37:01Let's go.
37:35Let's go.
38:21Let's go.
38:31Amen.
39:18Let's go.
39:24It's okay.
39:26I'm here.
39:27Yeah.
39:28I'm here.
40:15I'm here.
40:19I'm here.
40:50I'm here.
41:19I'm here.
41:49I'm here.
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