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Peaky Blinders: The Immortal Man Movie part 1 [Full Movie] [Free Online HD]Full EP - Full
Transcript
00:00:23You'll ask for a meeting out in the open.
00:00:26Fresh air and the fine aroma of shit.
00:00:31Neutral ground, you see?
00:00:33This is hardly neutral on the ground.
00:00:36Well, it's what you've got.
00:00:39So, off of a boat.
00:00:43You see that?
00:00:44Where is Thomas? He got called away.
00:00:46He said he'd be here. Yeah, he's busy.
00:00:49I just told you he got called away. What do you want?
00:00:57There has been a peace between the Peaky Blinders and the Changrae
00:01:03family for two years now.
00:01:05Do you want some tea or not?
00:01:07If you can pour the Italians some English tea, go on.
00:01:11You don't want fucking tea!
00:01:18We want an explanation.
00:01:20Well, I'll have fucking tea.
00:01:22Explanation for what?
00:01:24The Little Venice restaurant in 4th Street was burnt down.
00:01:29Nah, nah.
00:01:29Couldn't have been us.
00:01:30Well, he was at a wedding.
00:01:31You burnt it down.
00:01:33To stop my son being at that same wedding.
00:01:36Er, it wasn't missed.
00:01:42You are such big boys now.
00:01:45But once you borrowed clothes from us to look like men.
00:01:49How's the tea off, is it?
00:01:53It's cold.
00:01:57Please tell Tommy that we pay him whatever he asks us to pay.
00:02:03We stay out of the city and off the tracks.
00:02:06But you tell him from me that my son will walk with any woman in this city.
00:02:15Any woman he chooses.
00:02:17Even if that woman works for the Emperor, Thomas Shelby.
00:02:21My son is in love.
00:02:25Sorry.
00:02:27Do excuse me.
00:02:29Carry on.
00:02:34And if he wishes, he will walk with the woman he loves.
00:02:39Okay.
00:02:42You know, it'd be hard for your son to walk anywhere with a bullet in each knee, wouldn't it?
00:02:57Too much.
00:03:00You said too much, my friend.
00:03:04Sabine says suck and swallow, but no.
00:03:08Too much.
00:03:10I spit.
00:03:18Oh, fuck you.
00:03:20It's strong.
00:03:27Oh, fuck you.
00:03:28Here you now.
00:03:28Isaiah, put two extra men on our pubs in Nichols.
00:03:33What are you talking about, Arthur?
00:03:35You're not scared of fucking eye ties anymore.
00:03:37Don't tell Tommy about the chair and clean this fucking shit up.
00:03:42You're not scared of fucking wops.
00:03:44All right, John.
00:03:47Arthur!
00:04:00This way, Mr. John Greta.
00:04:02Go, go, go, go.
00:04:04The stairs are...
00:04:06There.
00:04:09Go, go, go, go, go.
00:04:10Go, go, go.
00:04:17Go, go, go.
00:04:20Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh.
00:04:43I don't want to kill me.
00:04:44Please.
00:04:45You fucking fuck.
00:04:47Stay away from Lizzy!
00:04:59By order of the PK-fucking-blindness!
00:05:20Prenderà il treno da Napoli a Parigi, e poi il traghetto a Londra.
00:05:29E potrà essere qui domenica, così.
00:05:55Poli!
00:05:57Poli!
00:06:01Officer, ci sono alcuni dei miei, noi siamo in danger.
00:06:05Can you escort us to the dock?
00:06:07D'accordo!
00:06:09Please, come with me!
00:06:13Excuse me, brother!
00:06:15Have you got a light?
00:07:05Thank you, officer.
00:07:07That'll be all.
00:07:08John Shelby.
00:07:10Is that the lad I used to teach?
00:07:13John Shelby, I smacked your arse.
00:07:16Let him go.
00:07:18Please, please let her go.
00:07:20Arthur, how many times I looked the other way because of your sweet smile?
00:07:26I said let him go. He's coming with us.
00:07:30Not until I know my wife is safe.
00:07:33She's safe.
00:07:35You're not going to harm her.
00:07:37Just get a move on.
00:07:38Look, witness abounds from his orders just by talking to you.
00:07:43Don't push it.
00:07:45Please.
00:07:47Come with us. Let him go.
00:07:48Let him go, too.
00:07:50Say it's Tom.
00:07:52Say he's in the harbour.
00:07:53He can do you no harm from New York.
00:07:55I can't do that, Miss Jenkins.
00:07:58I can't do that. Sorry.
00:07:59Okay. Okay.
00:08:01Okay, listen.
00:08:01No!
00:08:02Listen to me!
00:08:03Go to the cafe in Mont Street.
00:08:06Benito will take care of you.
00:08:08Let him go, too.
00:08:10He's an old man.
00:08:11I gave you sweets and cakes.
00:08:14You can't get it.
00:08:14There are rules.
00:08:16Your husband knows the rules.
00:08:19Come on, old man.
00:08:20No!
00:08:22Sorry.
00:08:23Sorry.
00:08:25We're disobeying orders here.
00:08:27Let him fucking go!
00:08:32You have ten seconds or Tommy's order to stand.
00:08:36I stand.
00:08:38One.
00:08:39Two.
00:08:40Please!
00:08:43Ray.
00:08:48I love you forever.
00:08:50War!
00:08:51War!
00:09:11Black cloud car?
00:09:12A big black cloud car.
00:09:24A big black cloud car.
00:09:27Yeah, come to Tupelo, come to Tupelo
00:09:34Yonder under horizon, yonder under horizon
00:09:38Stop the mighty river and set the dancing dry
00:09:43Distant thunder rumble, distant thunder rumble
00:09:47Rumble hungry like the beast
00:09:50The beast it cometh, cometh down
00:09:52The beast it cometh, cometh down
00:09:54The beast it cometh, cometh down
00:09:56Tupelo bow
00:10:02Yeah, the green come down
00:10:04The black green come down
00:10:06Water, water everywhere
00:10:09But no bird can't fly
00:10:10No fish can't swim, no fish can't swim
00:10:13Until the king is born
00:10:15Until the king is born
00:10:45Do you know what time it is?
00:10:47Home man
00:10:51I'll tell you
00:10:57It's after seven in the evening
00:11:02And I'm going to keep you alive
00:11:05Until it gets light
00:11:12I'll not deliver the final cuts
00:11:15Until we can both hear the blackbirds singing outside
00:11:25It's a beautiful sound
00:11:30It's a beautiful sound
00:11:30Which my wife will never hear again
00:11:48Now, of course, I'm going to have to choose carefully
00:11:52Which part of you
00:11:54I cut away first
00:12:00Open your eyes
00:12:01Open your eyes
00:12:04Or I will cut away your fucking eyelids
00:12:11Now look at me
00:12:14Look at me
00:12:18This is the end
00:12:21This is the end
00:12:23This is the end
00:12:29It was your tongue that gave the order
00:12:35I'll take your tongue first
00:12:41Then I'll take your ears
00:12:45And I'll take your fingers
00:12:48And your fucking toes
00:12:51See, I'll take your balls first
00:12:53You drain too fast like you fuckers do
00:12:56I think tongue first
00:13:01You've got the wrong foot
00:13:02I won't know it
00:13:03It will fall
00:13:06It will fall
00:13:15I'll take your tongue
00:13:16I'll take your tongue
00:13:16You won't be able to explain
00:13:19And I want you to explain
00:13:22I want you to fucking explain
00:13:43I want you to explain
00:13:56Come on, tell me
00:14:00I forget who I am
00:14:03I forget who I am
00:14:06I'm a blind
00:14:07And I'll take your fucking eyes first
00:14:15I heard the blackbird sing
00:14:31And we let his wife
00:14:32Bought the immigrant
00:14:33And shipped to New York
00:14:35We didn't kill Mrs. Cangretta
00:14:39It's all right
00:14:44We're not those kind of men
00:14:56Oh, and this one is for bravery
00:15:02When this one is for me
00:15:10And everything's a dollar
00:15:15In this box
00:15:16You get rid of the body, John
00:15:20Get rid of the house
00:15:23For good
00:15:24Cuff links and hubcaps
00:15:27And trophies and paperbacks
00:15:42Come
00:15:51I'm really sorry to bother you again, sir
00:15:54But Chef insists on knowing
00:15:56What time the guests will arrive
00:15:59Francis
00:15:59For the last time
00:16:02It's Johnny Dogs
00:16:04They're gypsies
00:16:05They're camped down by the river
00:16:06When they're ready
00:16:07When they're ready
00:16:07They'll walk up
00:16:08All right?
00:16:10He says it's about preparation, sir
00:16:11What is?
00:16:13He's asked specifically
00:16:15Will they arrive before the king's speech
00:16:16Or after?
00:16:22He said he was new there, Chef
00:16:26When did he join us?
00:16:28October
00:16:33October
00:16:36And he's fallen?
00:16:38He's Italian, sir
00:16:39Oh
00:16:42He's the best chef we've ever had in the house
00:16:45No shouting or swearing or blaspheming
00:16:48Do we owe his references?
00:16:50Yes
00:16:53The only problem has been his assistant
00:16:56What assistant?
00:16:57He brought an assistant with him
00:16:59He calls him his sous-chef
00:17:05Are they still working, Francis?
00:17:08They'll be there till midnight, sir
00:17:14All right, thank you
00:17:15Good night
00:17:16You can go to bed
00:17:18Merry Christmas, sir
00:17:22And I thought about your offer
00:17:25I'd be happy to sit at your table
00:17:29All right, thank you
00:17:32Oof
00:17:33Oof
00:17:33Oof
00:17:34Oof
00:17:35Oof
00:17:54Oof
00:17:58NED
00:18:00Mr Shelby.
00:18:10What's your name?
00:18:11Max, Mr Shelby.
00:18:12Max.
00:18:16It's all right, don't get up.
00:18:18Oh.
00:18:20Sorry.
00:18:21Sorry, sorry.
00:18:25You're new on Mr Shelby.
00:18:27Hello, sir.
00:18:29I haven't taken time to introduce myself.
00:18:33Antonio.
00:18:38What have you done that's so wrong, eh?
00:18:41Excuse me?
00:18:43See you, Chef.
00:18:45Getting potatoes.
00:18:47It's an emergency.
00:18:49Late notice.
00:18:51Oh.
00:18:52Late notice.
00:18:54Right.
00:18:56All right, carry on.
00:19:07Antonio.
00:19:09To your ten pound.
00:19:12For the late notice.
00:19:15Take, take, take, take.
00:19:18Take, take take.
00:19:34The Federalist.
00:19:34To your ten pound.
00:19:42You're going to take a lot of steam.
00:19:43Move off.
00:19:43Move off.
00:19:53You wanted to know if my guests would arrive before or after the King's speech?
00:20:00Eh?
00:20:01Yeah.
00:20:04It'll be after.
00:20:15How are you?
00:20:17Oh, Mr. Worried about tomorrow.
00:20:22Yeah, I'm worried about Antonio.
00:20:29You've been here two months, and we've not met before. It's my fault.
00:20:34I've been busy.
00:20:36Tell me, Shelby.
00:20:41My hand has blood.
00:20:42Oh, mine too.
00:20:48How much do you pay, Antonio?
00:20:53I forget.
00:20:55Must be a lot.
00:20:58I was just getting 10 pounds.
00:21:00Didn't mean a fucking thing to him.
00:21:06Maybe it isn't you that pays him.
00:21:20I've been reading up on you, Berzarelli, Claridge's.
00:21:25You used to work in a place called San Marco's.
00:21:31On, uh...
00:21:32On Fleet Street.
00:21:36I used to know the man that owned San Marco's.
00:21:40A man called Darby Sabini.
00:21:43I've never met him.
00:21:44No.
00:21:47Maybe your, um, assistant, Antonio, maybe. He's met him.
00:21:54Here's how it is.
00:21:56Antonio was sent from New York.
00:21:57No, no, no, no, please.
00:21:59Darby Sabini facilitated.
00:22:01He passed him on to you.
00:22:02He told you to bring him into my house.
00:22:04Threatened to kill you if he didn't do it.
00:22:07You got me to dress you like a dress that fucking stag.
00:22:09At least.
00:22:13You know about me, right?
00:22:17You know what I do?
00:22:21You wanted to know when my guests would arrive,
00:22:23because Antonio needed me alone.
00:22:25He's an assassin.
00:22:27He needs to kill me tomorrow.
00:22:31I don't know.
00:22:33They just said, please give him here.
00:22:36Oh, no, no, no.
00:22:40I'll bring him here.
00:22:47Antonio!
00:22:50Antonio!
00:22:50Vini qua!
00:22:52Ti ho bisogno!
00:23:09No!
00:23:11No!
00:23:12No!
00:23:22Oh, what the hell is going on?
00:23:27Huh?
00:23:44You're a black hand!
00:23:46You're a black hand!
00:23:48How many came from New York?
00:23:50Hey, how many fucking came from New York?
00:23:52Oh, thank God.
00:23:54What did he say?
00:23:57Is that a curse or a number?
00:23:58What did he fucking say?
00:23:59What did he fucking say?
00:24:01He said fuck you!
00:24:02Yeah!
00:24:14Black hand means kill or be killed.
00:24:19He got back to London.
00:24:21You tell Derby Sabini he picked the wrong side in this war.
00:24:26Once we dealt with the Americans, we're going for him.
00:24:29Come on.
00:24:30Go.
00:24:32Go.
00:24:33Oi!
00:24:33Go.
00:24:35Go.
00:24:37Go.
00:24:38Go.
00:25:02Go.
00:25:03Go.
00:25:03Go.
00:25:05Go.
00:25:19Go.
00:25:27Go.
00:25:29Go.
00:25:30Nothing better to do on Christmas morning.
00:25:32Tommy wants everybody at Charlie's yard now. Come on.
00:25:35Get in. Get in.
00:25:36What's going to happen, mate? It's fucking Christmas.
00:25:39Look, John, we don't have time for this.
00:25:41All right? Just come to the meeting.
00:25:43Have some food.
00:25:46Hey.
00:25:46Tell Tommy Shelby we can look after ourselves.
00:25:48Tommy says that they could come for us today, has he?
00:25:50Tommy says. Tommy says. Are you his fucking parrot?
00:25:52Look, it's the Mafia, all right?
00:25:54This is the New York Mafia we're talking about.
00:25:56And we're the perky fucking blinders.
00:25:58No, we're not, John.
00:26:00We're not the peaky fucking blinders unless we're together.
00:26:03We were together on the gallows.
00:26:04With one man missing.
00:26:07John.
00:26:09John, come to the meeting.
00:26:10All right? Think about the kids.
00:26:12Come to the meeting, and if you want to leave, then fine.
00:26:15No.
00:26:16It's Christmas Day.
00:26:18We're the family now. We're staying at home.
00:26:23Get in the fucking house!
00:26:24It's me.
00:26:27John!
00:26:28Oh, God.
00:26:28Oh, my God.
00:26:58We'll like sitting ducks here if the wop's come.
00:27:00Yeah, well, Tommy said we should do it in the open.
00:27:19This is how John wanted to go.
00:27:22On the smoke.
00:27:24The truth is,
00:27:26we died together.
00:27:28Once before,
00:27:31Arthur,
00:27:33me,
00:27:35Danny Whizbang,
00:27:38Freddie Thorne,
00:27:40Jeremiah,
00:27:42and John.
00:27:45We were cut off from the retreat.
00:27:48No bullets left,
00:27:50waiting for the Prussian cavalry to come and to finish us off.
00:27:56And while we waited,
00:28:00Jeremiah said we should sing in the bleak midwinter.
00:28:06But we were spared.
00:28:09The enemy never came.
00:28:11And we all agreed
00:28:15that everything after that was extra.
00:28:20And when our time came,
00:28:23we'd all remember.
00:28:24You remember that God spared you?
00:28:27Well, what did you do with that extra time that he gave you, eh, Thomas?
00:30:02Do not return fire.
00:30:04I repeat, do not return fire.
00:30:07Stand down.
00:30:09The men doing the firing are on our side.
00:30:33I took the trouble of getting an invitation to Aberamma Gold.
00:30:40Oh, fuck.
00:30:42Now it's begun.
00:30:48Put it out in the open on purpose.
00:30:52You used John's funeral fire as a fucking beacon.
00:30:56We were never in any danger, Polly.
00:30:58You set a trap.
00:30:59Finn?
00:31:00Finn?
00:31:01Go to the yard and light the fires.
00:31:03You set a trap with us as fucking bait!
00:31:08Who's dead?
00:31:10Our enemies.
00:31:16Who's dead?
00:31:17You want to know, Paul?
00:31:20Two fucking local Italians heard about the vendetta.
00:31:22Tried to make a fucking name for themselves.
00:31:24That's who.
00:31:25We got word to them about the funeral.
00:31:28The where, the when.
00:31:30Tell them where to stand for the best shot.
00:31:33And Aberamma Gold will do the rest.
00:31:36That's the language of vendetta.
00:31:38I take one of ours.
00:31:39We take two of theirs.
00:31:42You used your own brother's funeral.
00:31:50When did we vote on this, Tommy?
00:31:55Curly?
00:31:56Get a boat ready to take the bodies to the city.
00:32:00And another boat.
00:32:01For anyone.
00:32:02Anyone who wants no more part of this.
00:32:05Because this is how it's going to be.
00:32:08Polly?
00:32:11I'm not staying for this, Arthur.
00:32:13I'm going home.
00:32:15Oh, yeah?
00:32:17Arms 57 Watery Lane.
00:32:19You go there.
00:32:21Lock the doors.
00:32:23You wait for me.
00:32:37Key to number 57.
00:32:38I'm going home to the country.
00:32:39You will stay here until it's over.
00:32:41Take the fucking key, Linda.
00:32:42Look, away from here,
00:32:43you are a weakness to all of us.
00:32:45They will take you hostage.
00:32:47And the baby.
00:32:48They will use the baby.
00:32:51Take it.
00:32:52Put the kettle on.
00:32:54Wait for your husband.
00:33:02The only way any of you Shelby's will leave this place is on a cloud of smoke like John.
00:33:07Well, you're a Shelby now, too, Linda.
00:33:14Five hundred each, a thousand for the brace.
00:33:16Where do you want them?
00:33:18Charlie, take them to the yard.
00:33:20Well, I want them to light.
00:33:22Let's go.
00:33:29Wow.
00:33:31Come on.
00:33:37Read the file.
00:33:43It was pretty nice.
00:33:43Behind the bike.
00:33:43Uh...
00:33:45Garh, you önemli.
00:33:47You'realet.
00:33:49Oh, you did.
00:34:18Champagne, please.
00:34:19Of course.
00:34:22Madam, women alone are not allowed at the bar.
00:34:27Will someone be joining you?
00:34:30What do you think?
00:35:17This is public enough, no?
00:35:19Yes.
00:35:25So?
00:35:27The boy in the hospital's out of bounds.
00:35:30And I'll ask you to spare Finn and Arthur.
00:35:35In return for what?
00:35:42Tommy Shelby.
00:35:50And why should I trust you?
00:35:54Because you know our history.
00:35:59You know what happened between us.
00:36:03You are an unlikely Cassius.
00:36:12You know, my mother.
00:36:18My mother knew your mother.
00:36:22She thought how to read.
00:36:26Did she tell you that John and Arthur spared her life?
00:36:29When Tommy wanted her dead?
00:36:31Yeah.
00:36:33And now she's given me the information about you people.
00:36:38So Tommy Shelby was right.
00:36:44His, uh, ruthlessness was justified.
00:36:49It's fine.
00:36:51You should have killed her when you had the chance.
00:36:57John was a good boy.
00:37:02Arthur tries.
00:37:06Tommy's different.
00:37:09You take Tommy.
00:37:11Spare the rest.
00:37:17You know, my mother used to say this about you.
00:37:24She said that Polly Gray.
00:37:28That child would never let go of the gray lips.
00:37:35And she loves to dance.
00:37:37Hmm.
00:37:42What do you say?
00:37:43Hmm?
00:37:45Well, dance.
00:37:52I don't dance anymore.
00:37:56Yeah.
00:37:57That's a shame.
00:38:05Because you're dancing with me.
00:38:23What are you doing?
00:38:28Oh, Ashley.
00:38:53Where I'm from.
00:38:55Head on the bends.
00:38:56Yes.
00:38:57But Lucky.
00:39:02My family.
00:39:05Who say it brings doubt.
00:39:10Maybe.
00:39:12Maybe that's what happened.
00:39:15Last time my man was sent to you, you got lucky.
00:39:25I, you know.
00:39:27I knew it was one of the best.
00:39:33Why, you look smudged out.
00:39:33You look smudged out.
00:39:34Mm.
00:39:37I guess I'd have to find you.
00:39:41I guess she does.
00:39:44You look smudged out.
00:40:06and tell your mother we have a deal.
00:40:17There's a devil inside of me, he's holding on, and I don't know if he's staying for how long.
00:40:32There's a devil inside of me, he's holding on, and I don't know if he's staying for how long.
00:40:45Parties, you know, is that what it is?
00:40:48What's this a party, eh?
00:40:50I've got a heart of it!
00:40:58You say, I wasn't going to hit you, but that wasn't fucking nice.
00:41:17Don't fucking move!
00:41:19Don't fucking move!
00:41:21Please, please, please!
00:41:21Then get yourself out!
00:41:25Fuck your fucking revolution!
00:41:37I don't fucking miss.
00:42:05Fuck!
00:42:06Fuck!
00:42:12Shit!
00:42:14Shit!
00:42:24Get up!
00:42:26Get up!
00:42:45Get up!
00:42:46Get up!
00:42:47Get up!
00:42:49Get up!
00:42:49Get up!
00:43:05What are you guys?
00:43:07Call me a fucking hit man, are you?
00:43:10No!
00:43:11You got what you are?
00:43:13Call me Shelby, aye.
00:43:16That's who you wanted.
00:43:18What about...
00:43:20What about fucking...
00:43:21John Shelby?
00:43:24What?
00:43:51John...
00:43:52John...
00:44:24Let's go.
00:44:41It seems like there's an obstacle, Mr. Giancretta.
00:44:57There's been an accident.
00:45:01Why don't you move it out of the way?
00:45:03What?
00:45:06I said, why don't you clear it so that we can get past?
00:45:10What's that accent?
00:45:13Americans.
00:45:14We have our business, so...
00:45:16Well, you're going to have to wait.
00:45:19Jesus Christ.
00:45:20We waited for you fucking yanks until 1918.
00:45:25It'll be clear in 20 minutes, all right?
00:45:27Yeah, all right.
00:45:28Thank you, officer.
00:45:30Big fucking hell.
00:45:34I'm not going to be able to make me just a dissent.
00:45:38Talk about the war.
00:45:42Everything is about the war.
00:45:57Come on, let's go move it ourselves, fucking idiots.
00:46:11What's this?
00:46:12Which wagon is that?
00:46:14They're gypsies.
00:46:16Tribe of fucking gypsies.
00:46:19Oh, we can move it, all right?
00:46:22I said it'd be clear in 20 minutes.
00:46:26Let's go.
00:46:29Hold on, another way out of here.
00:46:37Go.
00:46:39Get us the fuck out of here.
00:46:42Come on, fucking move.
00:46:46Frankie, fucking move.
00:47:13Put the guns down!
00:47:15Put the guns down!
00:47:18Ah, come on!
00:47:50Save time.
00:48:20Come on!
00:48:34Go, go, go.
00:48:39We have broken it.
00:48:41Go, go, go!
00:48:50Come on.
00:48:52Come on.
00:49:05It's all right, love. It's all right.
00:49:07Come inside. Come inside.
00:49:09This is me. Stay inside.
00:49:11Just tuck them out.
00:49:42You're dead.
00:49:44You're dead.
00:49:47That's all right.
00:49:49Come on.
00:49:51You're dead.
00:49:52Come inside.
00:49:56Come inside.
00:49:57You're dead.
00:49:58You're dead.
00:50:00You're dead.
00:50:06You're dead.
00:50:20Get away from the window.
00:50:23Right, stay inside, stay down.
00:50:37Everyone stay indoors, stay down.
00:50:40Buy all of the Peaky Blinders.
00:51:35Come here.
00:51:45Which way?
00:51:46Which way did he go?
00:51:51You sure?
00:51:52No.
00:52:20Which way did he go?
00:52:46Which way did he go?
00:52:48I'm here!
00:52:49Which way did he go?
00:52:49Which way did he go?
00:53:31Which way did he go?
00:53:34Which way did he go?
00:53:36Which way did he go?
00:53:37Which way did he go?
00:53:39Which way did he go?
00:54:13Hey!
00:54:21I know you own the cops in this dirty fucking town.
00:54:25But you won't be dead before they get here.
00:54:29Come on, me and you, Tommy.
00:54:33Come on.
00:54:34Come on.
00:54:44Come on.
00:54:48Come on.
00:54:59Come on.
00:55:04Come on.
00:55:15You won't be dead.
00:55:17You won't be dead.
00:55:26Come on.
00:55:36Get off!
00:55:38Get off!
00:55:39Get off!
00:55:39Get off!
00:55:40Get off!
00:55:40Get off!
00:55:41Get off!
00:55:42Get out of me!
00:55:43Get away!
00:55:45Enough!
00:55:46Fuck you, don't you?
00:55:48Saving your life.
00:55:50Always.
00:55:51I'm a police officer, Tommy.
00:55:53I'm a fucking police officer, right?
00:55:56Doing my duty!
00:55:57Stopping all this!
00:56:02Three bodies.
00:56:04We're cleaning up.
00:56:05No.
00:56:06Enough.
00:56:07Tell the people who live in these houses
00:56:10that they are afraid to go about their lawful business.
00:56:15Tell them that the rule of law has been restored.
00:56:19Haven't you heard, Tommy?
00:56:22Eh?
00:56:23Soldiers are coming!
00:56:34I believe it!
00:56:36Please, you guys.
00:56:37Sit down and watch the fights, eh?
00:56:38Officer!
00:56:39Come here!
00:56:40Let me do my fucking job!
00:56:43Come here!
00:56:44Come here!
00:56:44Come here!
00:56:53Come here!
00:56:54Come here!
00:57:06Come here!
00:57:07Come here!
00:57:08Come here!
00:57:11Come here!
00:57:14I have to go!
00:57:14Come here!
00:57:14Come here!
00:57:23Some people!
00:57:23Do the people in the neighborhood?
00:57:23I don't know if you're a little real right now!
00:57:23Go back and forth!
00:57:23You're so tired.
00:57:35Bonnie! Bonnie!
00:57:37You okay?
00:57:43I give you two to one now on the cut, Leo!
00:57:54Oh, it's...
00:57:57Wow.
00:58:13That's it! One time, one time!
00:58:23Come on, buddy-boy!
00:58:25Buddy, come on, kill him!
00:58:42Oh
00:58:57Oh
00:59:24Arthur
00:59:38Arthur
00:59:38Arthur
00:59:38Arthur
00:59:38Arthur
00:59:38Arthur
00:59:38Arthur
00:59:54Oh, God.
01:00:25Oh, my God.
01:02:09Yes!
01:02:11Yes!
01:02:12Tommy!
01:02:13Tommy, what's happened?
01:02:16Arthur's dead.
01:02:18He's dead.
01:02:32Tommy, we have the other WAP.
01:02:35Couldn't have had a wire in his pockets.
01:02:46Go on, Finn!
01:02:49Go on, Finn!
01:02:53Take his eyes, Finn.
01:02:55Do it for Arthur.
01:02:58Take his fucking eyes!
01:03:03No!
01:03:06Listen.
01:03:26No!
01:03:28No!
01:03:29Come on!
01:03:29No!
01:03:40my brother is dead
01:03:44you hear me
01:03:45my brother
01:03:47is dead
01:04:04go
01:04:05go
01:04:06go
01:04:07go
01:04:08go
01:04:08go
01:04:08go
01:04:09go
01:04:14go
01:04:23go
01:04:25go
01:04:26go
01:04:26go
01:04:27go
01:04:27go
01:04:28go
01:04:29go
01:04:29go
01:04:51It's all right, let her come.
01:05:04Please, until we're finished.
01:05:25Your note talked about making terms for peace.
01:05:28But my son says there are no terms.
01:05:34You took my husband and my son.
01:05:38We took two of your brothers.
01:05:43The vendetta is done.
01:05:45We say the vendetta is won.
01:05:48We will take everything you have.
01:05:52All your businesses signed over to us.
01:05:56You agree to this.
01:05:59Or my son will kill you all.
01:06:03One by one.
01:06:06The vendetta is won.
01:06:09That's it.
01:06:12No more killing.
01:06:16Did you think you were Mr. Shelby?
01:06:42Did you think you were truly done?
01:06:43No.
01:06:46If the king is ready, let her just go.
01:06:49You're lying on his bed.
01:06:55No, well, thanks.
01:06:57I manage thisiner.
01:06:59I can go.
01:07:21All that's left are the peaky fucking blinders.
01:07:47I've had my lawyer draw up these papers, cover every enterprise in your possession,
01:07:59bars, restaurants, warehouses, every fucking thing that you have taken all these years
01:08:09to gather together.
01:08:13You all signed them all over to my family.
01:08:22Or you're going to die right here.
01:08:34I would have buried you all, but my mother, she knows you.
01:08:43She said it'll be worse for you if I let you live and take away everything that you have.
01:09:01Search him.
01:09:12Especially don't trust this bitch.
01:09:15Search him.
01:09:24Search him.
01:09:33Search him.
01:09:36Search him.
01:09:40So?
01:09:45Sign every fucking one of them.
01:09:55You can sign them on your knees, on the floor.
01:10:11Get on your fucking knees and sign!
01:10:19A friend of mine once said,
01:10:24Big fuck small.
01:10:26So I had to find someone bigger than you.
01:10:30You may know there are two families in Brooklyn
01:10:33who want to take over your monopoly on the import of liquor into New York.
01:10:37But if they move against you in New York,
01:10:40they'll start a war between the families.
01:10:44But if you were to die in a vendetta
01:10:47with some fucking bookmaker in Birmingham,
01:10:52I could take over your business without a war.
01:10:56We also contacted a businessman in Chicago.
01:11:03He's also interested in moving into the liquor business in New York.
01:11:08His name is Alphonse Capone.
01:11:13You've been talking to that fat fuck.
01:11:17See all the blood relatives you brought with you from New York.
01:11:20They're all dead.
01:11:22Mr. Cangretta.
01:11:23And these men here, they work for money for the highest bidder.
01:11:28They now have new orders.
01:11:32Is that right?
01:11:38Is that right?
01:11:44Thank you, Mateo.
01:11:45Mr. Cangretta.
01:12:04Mary Lucas.
01:12:05Charles.
01:12:07Ahahah.
01:12:16Ah
01:12:17Ah.
01:12:19Ah.
01:12:21Ah.
01:12:22Ah.
01:12:24Ah.
01:12:41Arthur's been injured, but he's all right, Paul.
01:12:46We need to make them believe that he's dead.
01:12:51To everyone but you, me.
01:12:55And Linda, Arthur Sharpie, is dead.
01:13:01I've got it all worked out.
01:13:03I can use his death to win this war.
01:13:18Tell your people in Chicago that Michael Gray
01:13:23will sign the import license to New York.
01:13:26300 barrels of English dry gin a month.
01:13:30Leave.
01:13:32All of you.
01:13:36Tell your boss what you saw here today.
01:13:39Tell him.
01:13:43You don't fuck with the Peaky Blinders.
01:13:46Tell him how you fought.
01:13:49Come.
01:13:56Hayes.
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