- 15 minutes ago
Can You Feel the Beat The Lisa Lisa Story [Full Movie] [Hot 2026]Full EP - Full
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Short filmTranscript
00:00:21And you don't stop, and you don't quit.
00:00:27Now I'm a man with a plan in the b-boy stance, and all the ladies in the jam know
00:00:31who I am, but the power to make it move when I write a groove, I don't snooze, I kick
00:00:36it off nice and smooth, and when the beat goes down, feet hit the ground, the breakers start spinning all
00:00:41round and round, and if the body don't stop, cause we don't stop, we just rock, you feel it, we
00:00:46don't need those drops.
00:00:56Are you ready?
00:01:05Yes!
00:01:07Yes!
00:01:08Ah!
00:01:08I'm poop!
00:01:09What?
00:01:09No, no!
00:01:10Leave her alone, sorry that we're alone.
00:01:19Don't touch her!
00:01:21Your fault!
00:01:22I'm going to kill you!
00:01:24Stop!
00:01:26Stop!
00:01:28Stop!
00:01:29He's hurting your mommy!
00:01:31No!
00:01:31Call the cops!
00:01:32No!
00:01:33I won't do that to your father!
00:01:52No!
00:01:59Man, I hate moving.
00:02:01Daddy's going to be pissed that we're gone.
00:02:02Hey, grab those boxes and put them in the living room.
00:02:04We've got to get the truck back in an hour, so hurry up.
00:02:08Take those damn headphones off.
00:02:10Didn't you learn your lesson about having those things on?
00:02:11You're not my father. You weren't even there.
00:02:13Why do you think we're moving now? And I was working.
00:02:15Yeah, you're always working, Eladio.
00:02:17Because I've got to.
00:02:18Maybe I wouldn't have to if our pops was worth a damn, huh?
00:02:21Who's going to take care of this family if not me?
00:02:23You?
00:02:25I do what I got to to help mommy.
00:02:27And the best way you can help is to stop daydreaming
00:02:30and think about how you can pitch in around here.
00:02:32I'm not going to have mommy working three jobs
00:02:33while you're in La La Land.
00:02:45What the hell has to do?
00:02:49Who's going to stop?
00:02:50Why die?
00:02:51How do you think we're going?
00:02:53Oh yeah, one by one...
00:02:56Ooh, did you decide to eat?
00:03:02What's happening?
00:03:04Oh, wait.
00:03:04Why...
00:03:04You do went wrong with daddy.
00:03:04What if you thought you did?
00:03:12I don't want it, I don't want nothing at all.
00:03:36Ooh, Nikki gon' get you.
00:03:44Have a good one.
00:03:49Sorry, I'm here now.
00:03:56Ay, que calor, they need some air conditioning back here.
00:03:59How many of these are we gonna dress?
00:04:06Damn!
00:04:07I need a favor.
00:04:09No.
00:04:09Please, Lisa.
00:04:11Mm-mm.
00:04:12Last time I got into trouble because of you.
00:04:14Please, I-I know a place where we can make double what we were making before.
00:04:18I need the money.
00:04:20I know you do, too.
00:04:25One hour.
00:04:26But that's it, okay?
00:04:28Okay, okay.
00:04:29I know we're getting 20.
00:04:30Yes.
00:04:32Feet on the ground.
00:04:34Heads to the sky.
00:04:38Oh, do you wanna dance with me tonight?
00:04:43The DJ is playing that song.
00:04:45The mood is right.
00:04:47Oh, do you wanna dance with me tonight?
00:04:51Follow me until the floor under flashing lights.
00:04:59Thank you, thank you.
00:05:00We'll be here all night.
00:05:02I gotta go.
00:05:03My brother told me to pick up stuff for dinner, and he's gonna kill me.
00:05:06Okay.
00:05:07All right.
00:05:08Wait.
00:05:09Oh, my gosh.
00:05:20Use you.
00:05:29Mira, voy a cocinar hoy a un arroz con habichuelas.
00:05:32Tú piensas comer.
00:05:35TÃrate la carne a la olla.
00:05:57Thank you, mommy.
00:06:09You don't worry about this. You hear me?
00:06:13We came here to start fresh.
00:06:16Okay?
00:06:20One day I'll be so rich, mommy.
00:06:22I'm gonna take care of you. I'm gonna buy you a new car.
00:06:27Mamita, the only thing I want you to do is to take care of yourself.
00:06:32Don't ever count on anybody taking care of you, okay?
00:06:37Yeah.
00:06:39But if you just so happen to be rich...
00:06:41Why?
00:06:42I wanna convert.
00:06:43Vite.
00:06:46I gotta go.
00:06:47You come straight home after work, okay?
00:06:50I love you, mommy.
00:06:52I love you.
00:07:01I hear your boys are jelly beans.
00:07:03Yeah, we can wave that.
00:07:06What was jelly bean?
00:07:06It's the main DJ at the boombox basement.
00:07:09Where it has it, you just got Madonna.
00:07:11Oh.
00:07:12Where this one?
00:07:13Can you introduce me?
00:07:14To jelly?
00:07:15No, Deron Reagan.
00:07:16Yeah.
00:07:17It's her thing, but you know in this city nothing's free.
00:07:20Especially when it comes to jelly bean.
00:07:22What do you want?
00:07:30Hell no.
00:07:31Jelly bean's always got a funny talent.
00:07:33Besides, guy won't go home unless you come with us.
00:07:35Shit, I don't even like him like that.
00:07:36Girl, who said you're gonna be into him?
00:07:38Just pretend it's an extra long trip in the stock room.
00:07:41Is your brother even gonna let you go?
00:07:42Of course he will.
00:07:43Why wouldn't he?
00:07:44Girl, I run the show at home.
00:07:47Hell no.
00:07:48Why?
00:07:50Heladio, please.
00:07:51No.
00:07:52You know how many pervs and weirdos go to places like that to pick up on young girls?
00:07:55You're gonna be with me.
00:07:57It's a bar.
00:07:58You're 15.
00:07:59It's seen that there won't be any alcohol.
00:08:01Heladio, stop and listen to me.
00:08:05I ain't gonna live and die in this neighborhood and never be nothing.
00:08:09I want to take care of mommy one day.
00:08:12What's that got to do with this club?
00:08:13There are gonna be people there who can help me.
00:08:16Give me a shot at singing.
00:08:17There you go.
00:08:18Head in the sky again.
00:08:20I'll take out the trash for a month.
00:08:52Let's go.
00:08:54Sahem, can you introduce me?
00:08:57I don't know him like that.
00:09:01I thought you said he wasn't home.
00:09:02I know who he is.
00:09:04After the sex.
00:09:05Try to get us into the green room.
00:09:07Gone.
00:09:10Figure out myself.
00:09:12I'm going home.
00:09:13I got homework to do.
00:09:19Damn, my bad.
00:09:26Jelly bean.
00:09:27Jelly bean.
00:09:28Tell me what I'm saying.
00:09:29I come first in the order of the picking.
00:09:31DJ replay.
00:09:32We stay calm.
00:09:33Drop beats like bars.
00:09:34When I'm playing my song.
00:09:35Sonny, my man.
00:09:36What's up?
00:09:36We don't mind talking.
00:09:37Parlay all day.
00:09:38I went offense.
00:09:39We played offense.
00:09:40Y'all on defense.
00:09:41False and you pretend.
00:09:42I'm getting evil.
00:09:43We got rocket.
00:09:44Beat the boys in the place.
00:09:45Getting down to the road.
00:09:46Get another group space.
00:09:48Get rocket.
00:09:48One time a song.
00:09:50Going from the Bay Bay to the urban farm.
00:09:52Get rocket.
00:09:53Not the time for the chat.
00:10:02You're gonna sneak backstage.
00:10:03Take the tray.
00:10:04What?
00:10:05Take the tray.
00:10:12Don't mention it.
00:10:17How much?
00:10:18Duh.
00:10:20Duh.
00:10:20Come on.
00:10:21Those are the prices.
00:10:23Inflation, my man.
00:10:24You got better options.
00:10:25I suggest you get to it.
00:10:26But I got business going on here.
00:10:40I hear you help singers.
00:10:43Singers?
00:10:45Nah.
00:10:46I help artists.
00:10:48If they're worth it.
00:10:50Well, I'm worth it.
00:10:52The best damn pipes, you're here all night.
00:10:55Okay.
00:10:55Okay, shawty.
00:10:56Heh.
00:11:00I'd say you blow.
00:11:02I got sunshine, light in my way.
00:11:06You're trying to be the clown but just float away.
00:11:10Don't matter about the sticks and the stones you say.
00:11:13Cause your world's about to flood and you're in my way.
00:11:17Cause I'm rolling.
00:11:19Rolling.
00:11:20Sounds good.
00:11:20Try to stop us, we just keep going.
00:11:24Ooh, ooh, ooh, ooh.
00:11:31Alright.
00:11:33Fresh.
00:11:34I see ya.
00:11:36What's your name?
00:11:37Lisa.
00:11:38Lisa Velez.
00:11:39Alright.
00:11:40Lisa.
00:11:40Lisa Velez.
00:11:42How old are ya?
00:11:4418.
00:11:46Who's buggin'?
00:11:48Come on now.
00:11:4915.
00:11:5115.
00:11:53Hmm.
00:11:55Alright, Lisa.
00:11:56Yeah.
00:11:58Leave me your digits.
00:12:00Let's get back to the blues.
00:12:07Come on, man.
00:12:12I just need a couple of intros.
00:12:13That's all.
00:12:16I told you, Mamita.
00:12:18Ain't no one looking for a singer with your...
00:12:22look.
00:12:23What you mean?
00:12:24What's wrong with my look?
00:12:25Look.
00:12:26I love you the way you are.
00:12:28But these record executives, they start buggin' about silly things like looks and image.
00:12:34But you know I can sing my ass off.
00:12:37I know it.
00:12:38But they don't.
00:12:40And you don't get past a record label without them thinking about your image.
00:12:44Or theirs.
00:12:46And besides, these record labels, they're full of whack-ass scam artists.
00:12:51Just waiting to take advantage of a young buck like you.
00:12:54I ain't exactly no young buck.
00:12:57You still working with your pops?
00:12:59Sampling the product?
00:13:01Tony.
00:13:03Jalen only leads down one path.
00:13:05So help me get another path.
00:13:17Yo, Shorty.
00:13:19I heard you singing over there.
00:13:21It was fresh.
00:13:23You from around here?
00:13:24We're on the way.
00:13:25Tell's Kitchen.
00:13:26Word.
00:13:27Well, look.
00:13:27I got this joint that I've been working on for a minute.
00:13:29And I think that you're talking about.
00:13:30Don't be pushed over.
00:13:31Whoa.
00:13:32I'm trying to talk to her.
00:13:33You know what I'm saying?
00:13:34She ain't even trying to holler at you.
00:13:35Look, bro.
00:13:36Homie.
00:13:37I got a band.
00:13:38And we need a lead singer.
00:13:40Jelly Bean told me that she was looking.
00:13:42Got a few producers that are interested, you know if you want to audition.
00:13:45My name's Mike Hughes.
00:13:47Here's my number and address to the recording studio.
00:13:50Play drums.
00:13:51Maybe we can make some music together.
00:13:54Just music, man.
00:13:55Time to go.
00:13:58You ain't going to know I listened to that guy.
00:14:00No, of course not.
00:14:02I know that.
00:14:09Robert, come over to the opportunity to tell me this is really dope.
00:14:12I got this guitarist.
00:14:13He's really amazing.
00:14:14I got this girl.
00:14:14She's walking me.
00:14:15She's going to be amazing, too.
00:14:17Hold up.
00:14:17This is her.
00:14:20Hey.
00:14:20There's someone I want you to meet.
00:14:22Come over here.
00:14:24This is Rocco.
00:14:25He's the manager.
00:14:26Hi.
00:14:27Rocco.
00:14:27We just need five minutes.
00:14:31You got three, Mike.
00:14:33Okay.
00:14:34Lisa, come on.
00:14:35There's someone I want you to meet.
00:14:36This is Spanador.
00:14:37Nice to meet you, Spanador.
00:14:38I heard you can sing.
00:14:39I heard you can play.
00:14:40Yeah, yeah.
00:14:41Let's go.
00:14:42Did you practice a song?
00:14:43Mike wrote it.
00:14:44Yeah, I wrote you last night.
00:14:45Ready?
00:14:46Let's go.
00:14:48So, where do you think you're going?
00:14:50Record the song.
00:14:52Ah.
00:14:53No booth.
00:14:54One mic.
00:14:55See what you got.
00:14:57The booth.
00:14:58Come on, man.
00:15:01Guys.
00:15:02Hey.
00:15:02Just listen to them.
00:15:04Come on.
00:15:12Hope and the baby is your show, so call and take your throats.
00:15:16Love.
00:15:18Are you down with me?
00:15:22All I need is your love, baby.
00:15:30Can't shoot.
00:15:32We'll let you know.
00:15:33All right.
00:15:33Come on, man.
00:15:34Let's get one other chance.
00:15:35That's my time, right?
00:15:36We gotta go.
00:15:36We gotta talk to you.
00:15:39Hey.
00:15:41Why don't you play a song you know?
00:15:43Something you're comfortable with.
00:15:45Hey, guys.
00:15:46Back her up.
00:15:47Whatever she wants.
00:15:48Yeah, of course.
00:15:51So what you wanna see?
00:15:52Hey, guys.
00:15:53Let's do another shot.
00:15:54Something she know.
00:15:55Hey, Tony.
00:15:56Bye.
00:15:56Hey, guys.
00:16:15Hey, by the wayã‚· theories.
00:16:24It should have set the mood When we're alone in your mind
00:16:34Only a fool will ever try to hide Let your hold a stroke again
00:16:41Leave me in the air feeling high
00:16:48Ha ha ha! Yeah!
00:16:52What about Hell's Kitchen's trio?
00:16:53Wow!
00:16:54No, that sounds like my abuelo's band or something like that
00:16:57I didn't think you could get any worse than your last suggestion, but hey, what?
00:17:01It's gotta be slick. It's gotta be, you know, something that screams we're all about culture, hip-hop, and music
00:17:07And that we can jam
00:17:08Yeah
00:17:11Cult jam?
00:17:12That's fly
00:17:14I got it
00:17:16Lisa and cult jam
00:17:18Okay
00:17:19I'm feeling it
00:17:20Alright, but it needs that extra flavor, you know?
00:17:22Because Lisa ain't your everyday girl
00:17:25That's what I'm saying
00:17:26Mm-hmm
00:17:27No, she's not
00:17:29Oh, okay
00:17:31No, Lisa, ain't your everyday girl
00:17:33She's uniquely blessed
00:17:34How about
00:17:37Lisa
00:17:38Lisa
00:17:40And cult jam
00:17:41Yo, that's fresh?
00:17:44Right?
00:17:45What you think, Lisa?
00:17:47Yeah, it's a joint
00:17:48I'm down
00:17:49We got a name
00:17:51Lisa, Lisa and cult jam
00:17:54I wonder if I take you home
00:17:56Would you still be your home, baby
00:17:59Because I need you tonight
00:18:01I like the bass and that progression
00:18:03If I take you home
00:18:04Welcome
00:18:05Would you still be your home, baby
00:18:07Because I need you tonight
00:18:10Oh-oh
00:18:15Brothers are some of the best producers in town
00:18:17This is Redberry, thank you so much
00:18:19Lisa
00:18:22Lisa
00:18:22Sweetheart
00:18:24You're incredible
00:18:26With that sound
00:18:27It's amazing
00:18:28The men
00:18:30The men
00:18:31Are going to go gaga
00:18:33For you
00:18:34I told you
00:18:35Yeah, you did
00:18:36So what's next?
00:18:37Tour?
00:18:39Let's not get ahead of ourselves
00:18:41Typically, we test the song
00:18:43See how it lands in different markets
00:18:46Before we actually sign an artist
00:18:49How do you do that?
00:18:51We send a record to a few friendly DJs in the UK
00:18:54And we'll be right back with Radio FM UK
00:19:03The label better not have sent me rubbish like the last time
00:19:06That was pure yank nonsense
00:19:10I mean, if it hits, we start talking contracts
00:19:13If not, you know, the music world is littered with one-hit wonders
00:19:19Who is this again, mate?
00:19:23A lot of them crash and burn
00:19:25Don't worry
00:19:26Rocco here is going to make sure everything runs smoothly
00:19:30Isn't that right, Rocco?
00:19:31Yep
00:19:31So it's my job to book your gigs
00:19:33Find the producers
00:19:34And work on promotions
00:19:36Hey, mommy
00:19:37Did you find it all right?
00:19:39Yeah
00:19:40Hello, man
00:19:43Hello, mom
00:19:44Pleasure to meet you
00:19:46Me too
00:19:46Barry Connor
00:19:47I just have a few papers that need your signature
00:19:51Let's step out for a second
00:19:53Okay
00:19:55I'll catch right up to you
00:19:58Okay, turn it back on, bro?
00:19:59Maybe, uh...
00:20:01You know that we can't proceed unless she signs, right?
00:20:05I mean, it's just too much risk with an underage artist
00:20:08So, walk her through it, okay?
00:20:11Oh, yeah
00:20:13Do we need a lawyer or anything?
00:20:15No, the contracts are standard
00:20:17New artist usually signed as is
00:20:19Oh, cool
00:20:23Let's run this
00:20:24I love a beat
00:20:30Please, mommy
00:20:32No
00:20:33I don't know him
00:20:35I don't know what I'm signing
00:20:36What if something happens?
00:20:38Nothing is gonna happen
00:20:39I do, nana
00:20:40I see how they look at you
00:20:42I know what these men want
00:20:44And it's not just your voice
00:20:46No, you don't know what they want, mommy
00:20:47Mira
00:20:48Lisa
00:20:50Everything okay?
00:20:51Yeah
00:20:52We're almost done
00:20:55I mean, I'm a singer
00:20:57I need to be singing
00:21:00I can move us to a better neighborhood
00:21:03And you won't even have to work anymore
00:21:05Lisa, that's not your job
00:21:08You once told me
00:21:10To never count on someone to take care of me
00:21:13Hmm?
00:21:15You said to do it yourself
00:21:17So this is me
00:21:19Doing it myself
00:21:43All right
00:21:44We need to get you guys back in the studio right away
00:21:48Contracts are signed
00:21:51Go home
00:21:53Celebrate
00:21:54Tomorrow
00:21:54We get to work
00:21:56Come on
00:21:56Go, mom
00:21:57I gotta say the podcast
00:21:58That's what I'm talking about
00:22:00Come on
00:22:00Hey, sweetheart
00:22:02Sweetheart
00:22:02Lisa
00:22:03Can I talk to you a second?
00:22:05Yeah
00:22:06There's a lot of work, time, and money
00:22:08That goes into making you a star
00:22:10I need to make sure I'm not wasting any of that
00:22:12So
00:22:13You're not
00:22:14Pregnant or nothing, right?
00:22:16Pregnant?
00:22:18I'm 15
00:22:19Like I said
00:22:20There's a lot that goes into young stars
00:22:22I need to make sure I'm not wasting it
00:22:24I don't need a pregnant teenager on the road
00:22:27You got me?
00:22:28Well, you don't have to worry about me, Miss Akana
00:22:30I'm locked in
00:22:31Good answer
00:22:35And call me Barry
00:22:37Yes, sir
00:22:40Barry
00:22:42I gotta go
00:22:43My mom's waiting for me
00:22:44Okay
00:22:50Yo, Lisa, you ready?
00:22:52We gotta go
00:22:57Yo, Lisa
00:22:58We gotta go
00:22:59Yeah, yeah
00:22:59I'll be right there
00:23:03Hi
00:23:04Hurry up
00:23:05We gotta get going
00:23:06It's a set now
00:23:07Wow
00:23:08I ain't know
00:23:12Huh?
00:23:14Oh, that's what was taking you so long, huh?
00:23:18Wow
00:23:19Yo, Lisa
00:23:20In a month
00:23:22Every girl's gonna be covering her eye
00:23:24Trying to look just like you
00:23:28Baby
00:23:28I know you're wondering
00:23:31Why I won't go over to your place
00:23:34In California, Governor Jerry Brown won the Democratic nomination on the 160th day of 1982 in case you're coming
00:23:41It's a time that some people were reminded that actors are people
00:23:45So what does this mean for AIDS patients in this country?
00:23:49Pittsburgh beat the New York Mets
00:23:50Hello, Pittsburgh, it's 6-2
00:23:53And the Los Angeles Lakers won their second national basketball championship
00:23:57Three in six years
00:23:59L.A. comes to Boston and wins the world title
00:24:04Wow
00:24:05Hoosh, hoosh
00:24:06What did you know about that step, man?
00:24:08You know the slider, though
00:24:09I know
00:24:11Yo, ain't that the bad old TV?
00:24:16Oh, uh, what's up?
00:24:17Hi
00:24:18Oh, thank you so much
00:24:19Thank you
00:24:20Yeah
00:24:29What's up, baby?
00:24:31What's your name?
00:24:32What's up?
00:24:32I'm looking mad good
00:24:34My name's Javi
00:24:35Take my number
00:24:46Huh?
00:24:47Yeah
00:24:48Yeah
00:24:53We got a problem with it?
00:24:54What?
00:24:56With lines wrapped around the block, Lisa Lisa in a cult jam, a catapult and freestyle
00:25:02From New York's underground clubs into mainstream fame and they are about to go natural, baby
00:25:07On Top American Countdown
00:25:09A show that has taken some of the hottest stars of today and catapulted them into the stratosphere
00:25:14And today is Lisa Lisa's turn
00:25:16This is that lover
00:25:17You already know what it is
00:25:18Back to you
00:25:19Come on, make some noise right there
00:25:21Come on
00:25:22Come on
00:25:23To Lisa Lisa, baby
00:25:25Every home in America watches the bands on this show
00:25:28And Chuck Ryder is a titan of the industry here
00:25:31If you don't screw up tonight, America will love you by tomorrow
00:25:34Yes
00:25:36Yes
00:25:37Come on, let's go
00:25:38Hey, where's Crafty at?
00:25:41All right, Starlings
00:25:43It's showtime
00:25:47It feels like someone died in here
00:25:51I'm just nervous, that's all
00:25:54Are you ready?
00:25:58Yeah
00:25:58Yeah
00:25:59Yeah, we're right here
00:26:00Oh, we got it
00:26:01Yeah, come on
00:26:02Okay, I meant just you
00:26:04Chuck likes a little personal touch, a little pre-show interview
00:26:09I'm sorry, fellas, but don't worry, you can watch her right here on the live feed
00:26:14No, but we're a band
00:26:16And you'll play as one
00:26:18Just a quick chat before, with you
00:26:22Let's go
00:26:26Let's go
00:26:29Ladies and gentlemen, from Lisa Lisa and Cult Jam, please welcome Lisa Lisa
00:26:34I love you too
00:26:42I love you too
00:26:46Welcome to the show
00:26:48So, how are you doing today, Lisa?
00:26:50Well, I'm great, very excited to be here
00:26:52And how does it feel to be in this position?
00:26:54Well, it's a dream come true
00:27:08Tony, I thought you weren't dealing
00:27:10Look, I'm not, man
00:27:11Or I'm networking
00:27:12You never know where the next gig's gonna come from
00:27:14Besides, I think this dude right here knows some record execs
00:27:17Right, heh, sure
00:27:22Got a line on a gig
00:27:24Word, an audition
00:27:26New band looking for backup singers
00:27:29But I'm not backup?
00:27:30Tony, no
00:27:31But look where you are
00:27:34It's gotta be this game
00:27:37Hey
00:27:38You wanna spend your whole life looking over your shoulder?
00:27:40Just cause it didn't work out last time doesn't mean you quit
00:27:44Doesn't mean you stop trusting people
00:27:47It's show business
00:27:49It's the music game
00:27:50And the music game
00:27:53Takes time
00:27:56Think about it?
00:27:57Think about it
00:27:59Got it?
00:28:01Peace
00:28:02Peace
00:28:07You ain't backup
00:28:08I ain't backup
00:28:09Not for long
00:28:13Mike, listen, I got this
00:28:15Thank you
00:28:15Figure it out
00:28:16All right
00:28:16Spot it off
00:28:17We're just gonna go with number two
00:28:18No, number two is not gonna work, bro
00:28:20We need another audition
00:28:22But she looks the best
00:28:23It doesn't matter if she looks the best, bro
00:28:24We need another audition
00:28:25We don't have time for another audition
00:28:27Well, I don't know what you want me to say
00:28:28But not one of them blend with our sound
00:28:30Word
00:28:31What do we do, Alex?
00:28:32We're going tour in a month
00:28:33Well, we keep searching
00:28:34We already behind on schedule
00:28:37We either pick a team today
00:28:38Or we push
00:28:40The label not waiting on us
00:28:43We got bands lined up right now
00:28:45That's ready to go
00:28:46All right, Rocco, just give me another hour
00:28:47I can find some ladies
00:28:48I'll go out to fit that Baptist
00:28:49I'll find you a whole lot of girls
00:28:51Here we go again
00:28:51Who can sing best you
00:28:52Make an executive decision
00:28:53We're going with number two
00:28:54No, we're not going with number two
00:28:55No, we're not going with number two
00:28:56Are we going with number two?
00:29:31Hey, pack your bags, folks
00:29:33Cause we going on tour
00:29:37Cigarettes don't affect your voice?
00:29:39No
00:29:39I mean, they actually give it a little raspy bass
00:29:42I don't mind having
00:29:43Those things will kill you, you know
00:29:44Well, whenever the government comes out with a study
00:29:46Saying these are bad for you, I'll stop
00:29:50I'm Lisa
00:29:52Tony
00:29:53How long you been singing for?
00:29:55I grew up singing on street corners
00:29:58Yeah, me too
00:30:00Listen, you know
00:30:02It's not going to be what you think it is, right?
00:30:05What's that?
00:30:06I mean, this music industry
00:30:08You know, it's just like the streets
00:30:10Use it or it'll use you
00:30:11So you got to watch yourself
00:30:13Everybody's going to try to take a piece of you
00:30:14And you can't let them
00:30:16And where are you going?
00:30:18Look, I mean
00:30:20Most of these dudes want a backup singer
00:30:21That's something to look at
00:30:22And I'm not that
00:30:25Then why'd you come?
00:30:27Because I promised a friend
00:30:29But I know the game
00:30:33Don't smoke these menthols on the road
00:30:35They'll mess up with your voice
00:30:37And I can't have that
00:30:41Whatever
00:30:42I was trying to quit anyway
00:30:45Hey
00:30:46Go home
00:30:47Pack a bag
00:30:48Because it's going to be a ride
00:30:57Come on, baby
00:30:58We're done soon
00:31:00Yeah, baby
00:31:00A little longer, okay?
00:31:01You got to go
00:31:03Come on
00:31:06I mean, what's this about?
00:31:08Come on, you got
00:31:09Baby
00:31:09No, no, no
00:31:11They're going to have to, you know
00:31:13Check my makeup again
00:31:14Stop
00:31:15I thought we had dinner plans tonight
00:31:17Yo, this city's so crazy sometimes
00:31:20I almost had to scrap with a bunch of teenagers
00:31:22Excuse me
00:31:23Okay?
00:31:24Signatures
00:31:24Okay
00:31:25More promotional tours means more papers to sign
00:31:30Again?
00:31:31Hey, that's the life of a big star
00:31:33Jesus Christ
00:31:34Wow, a commercial?
00:31:36Yeah
00:31:38We rearranged a few things
00:31:40So, you know, you could sneak it in
00:31:43I was supposed to go home after this set
00:31:47I haven't seen my family in a year
00:31:49This is a national commercial
00:31:52It's a lot of money
00:31:54I just
00:31:55It's been concert after concert
00:31:57You said you wanted to be a star, right?
00:32:00This is the pace you have to work at
00:32:02So, give her creative control
00:32:05Yeah, that's not the way we do things around here, but thanks
00:32:08Do it anyway
00:32:10Yeah
00:32:11I want creative control
00:32:13Lisa
00:32:14I want to start putting my stamp on this
00:32:16I want to get involved in the creative
00:32:18I want to help with the set design and the choreography
00:32:21And to pick up the dancers, right?
00:32:24Yeah, she does it anyway
00:32:33Of course
00:32:34You'll be involved
00:32:37Let's go!
00:32:38Let's get to work!
00:32:39Yo, sweetheart, are you ready or what?
00:32:40In a minute, baby
00:32:41The weapon label needs you, alright?
00:32:43This is not the other way around
00:32:44I want you
00:32:44Alright, perfect
00:32:45You know what?
00:32:46I wanna go
00:32:47Hurry up
00:32:48Hold on, man
00:32:48Lisa, come on
00:32:49Here's your hand right here
00:32:51Photography, you ready?
00:32:52Let's go
00:32:52Look at the camera
00:32:53Three, two, one
00:32:58Perfect, perfect
00:32:58Hold on, Lisa, Lisa, Lisa
00:32:59Alright, hold on
00:33:00Hold on
00:33:01Can I get her idea, please?
00:33:02No
00:33:03My idea, son?
00:33:04Tell us the kitchen trio, bro
00:33:05Are you for her?
00:33:06Y'all, let me...
00:33:07No
00:33:08You know she's not part of this group, right?
00:33:10What do you mean?
00:33:11Yo, I'm right here
00:33:12You can say it to my face
00:33:13I'm talking to Lisa
00:33:14What's your problem?
00:33:16The problem is we don't need any more voices
00:33:17Offering their opinions on music, fashion, and photo shoots
00:33:21Fellas, let's take a little break
00:33:23What do you mean, break?
00:33:24Yeah, I had some flash spandex I wanted to flash, man
00:33:27Nobody wanna see you in no spandex
00:33:30You know, we're just gonna focus on a few shots of Lisa alone
00:33:33Why don't you guys go to craft service, grab a coffee?
00:33:39Hey, yo
00:33:40This was your band, Mike
00:33:42You got two little girls telling you what to do
00:33:44One is just the background, Sammy
00:33:55Come on, hold on a second, hold on a second
00:33:57Hey, you're all good, man
00:33:59Hey, you're good, you're good?
00:34:00You're good
00:34:08Yo, Rick, let me talk to you for a second
00:34:12Of course
00:34:14I just wanna make sure you know that we're a band
00:34:17I know Lisa gonna get all the attention since she's the lead singer
00:34:21But anything that we should be doing, we should be doing together
00:34:26Interviews, photo shoots, everything
00:34:31All right
00:34:34Is that all?
00:34:40Yeah
00:34:41Good to hear
00:34:43Catch up with you on tour
00:34:45Keep up the great work, fellas
00:34:49Fantastic shoot today
00:34:51Fantastic
00:34:54Hit the beat now
00:34:58That's dope, why does she have to redo it?
00:35:00Yeah, I mean, it still needs a final mix, but we close, Tony
00:35:02We close
00:35:03Nah, we got it, we got it
00:35:09Sounding good, sounding good
00:35:12What's going on?
00:35:14Hey, Lisa
00:35:15You're crushing that track
00:35:17Thank you
00:35:18Come join us
00:35:19Okay
00:35:22Guys
00:35:24The label's happy
00:35:25So I'm happy
00:35:26That's good
00:35:27I know I don't have to tell you things are different now
00:35:29Let's keep chilling
00:35:30We're playing in bigger venues
00:35:32You guys gonna be on the road longer
00:35:34That means more money
00:35:35More money
00:35:37Hey
00:35:38So you have to stay focused
00:35:40You're not stars yet
00:35:42Speak for yourself
00:35:43Ha, I'm a star
00:35:44I don't speak a star
00:35:46All right guys, hey
00:35:47Great job today
00:35:48Get out of here, see you tomorrow
00:35:50Wait
00:35:52Hey, I'm gonna go to the camera
00:35:53I'll be there
00:35:53Hey, uh, Lisa
00:35:54Do you have a moment?
00:35:56Yeah, sure
00:35:58It's business
00:36:02Baby, I'll see you in a car in a second, yeah?
00:36:06I'll get the car
00:36:07Thank you
00:36:10Don't be long
00:36:10Baby
00:36:14So Rocco, I think
00:36:15So I picked up some papers
00:36:17I just need you to
00:36:18Go over some of it
00:36:20If you need help
00:36:22I can go over with you
00:36:24Yeah, I can, um, take a look at it later
00:36:27Should probably get over
00:36:28Hey
00:36:30I don't want to say what I asked you
00:36:33Wait, Rocco, stop
00:36:35That's looking good
00:36:36Come here
00:36:37Hey, what the hell are you doing, Rocco? Stop
00:36:40No, stop, Rocco
00:36:42You're playing too much
00:36:44Hey, Rocco!
00:36:45Wait, stop!
00:36:47What are you doing?
00:36:48What's that all about?
00:36:50What?
00:36:51Stop playing
00:36:51You stop playing
00:36:53Rocco, stop
00:36:56Stop! Rocco!
00:36:59You played too much
00:37:02See you later
00:37:10Sorry
00:37:18You good?
00:37:19Yeah
00:37:21You sure?
00:37:22I said I'm good, just leave me alone, okay?
00:37:24All right
00:37:25Whatever, jeez
00:37:40Follow me
00:37:41You ready to go spend some money?
00:37:42Hell yeah!
00:37:43Yeah!
00:37:44Woo!
00:37:46Okay
00:37:47Wow
00:37:49No, this is it
00:37:51Right?
00:37:52Oh, I love this car
00:37:54What?
00:37:57I know
00:37:58Do you take cash or check?
00:38:00Yeah, which one is it?
00:38:03It doesn't matter
00:38:04It doesn't matter
00:38:05I love this
00:38:07Woo!
00:38:09Oh, yeah!
00:38:10Yeah!
00:38:12Hi!
00:38:13But you had something in mind for us
00:38:18When I look into your eyes
00:38:21I can't stop the rhythm
00:38:23Should've known it only was a daydream
00:38:28What did I expect?
00:38:31Giving you my heart
00:38:33And just play it up to the baby side
00:38:37Hey!
00:38:38Lisa, let's get out of here, let's go
00:38:39Come on
00:38:41Yo, this is flop
00:38:42Right?
00:38:43What?
00:38:43Nikki, can you find me this in a medium, please?
00:38:46Thank you
00:38:46Thank you
00:38:47You look amazing
00:38:49Oh, my God
00:38:50Thank you
00:38:51Where's the guy? How's it how you been?
00:38:53We gotta go
00:38:53Oh, I'm sorry
00:38:54I love you
00:38:55Love you, too
00:38:56I'm sorry
00:38:57Hope you see everyone on my tour
00:38:58Get back, get back, get back
00:38:59Get back, get back
00:38:59Chill, chill, chill, chill
00:39:00Watch out, come on, come on
00:39:02Sorry, guys, so nice to meet you, so
00:39:03Bye
00:39:03Get back, get back
00:39:07Wow
00:39:10Please, I love you
00:39:11It's the first time mommy will come see me
00:39:13No, just get on the train and come on
00:39:19Mommy
00:39:23Mommy
00:39:23Mommy
00:39:24Hi, mom
00:39:25I'm so glad you're here
00:39:27You're beautiful
00:39:28Oh, my God
00:39:29You lost weight
00:39:29I've got a surprise for you
00:39:31Yeah, I'll show you after the show
00:39:33Come on
00:39:33Okay
00:39:39This is for you
00:39:41What do you mean?
00:39:44It's yours
00:39:47It's yours
00:39:47No, I can't believe this
00:39:50Did you see what Lisa bought me?
00:39:52Oh, my God
00:39:52Why did you do this?
00:39:53You know we were all saving up the bitch in and buy her car
00:39:56I know, I know
00:39:56I just wanted to do this for you
00:39:57No, no, that's not the point
00:39:59This is for you
00:39:59Ay, Eladio
00:40:00Why can't you just be proud of me?
00:40:01For once in your life
00:40:03Didn't you just say, I'm proud of you, Lisa?
00:40:05Why can't you do that?
00:40:07It kills you to think that I can leave and do something more and you're just stuck here
00:40:10You don't know what you're talking about
00:40:12Oh, my
00:40:14Look at her
00:40:15Just let her have this
00:40:20Mommy, look at this
00:40:22The power's here
00:40:24Oh, and check the glove company
00:40:26Yeah
00:40:34What is that?
00:40:35This
00:40:37This isn't
00:40:38What is it?
00:40:41Well, thank you, God
00:40:43Thank you, God
00:40:46Glory to God
00:40:48Thank you
00:40:49I bought the house
00:40:52It's yours, Mommy
00:40:53Oh, my God
00:40:54Forever
00:40:56No one can take it away from you
00:40:59You don't gotta worry about anything ever again
00:41:03Oh, my God
00:41:04My Mommy
00:41:05Well, everything's just perfect now, isn't it?
00:41:07Eladio
00:41:10Eladio
00:41:26Eladio
00:41:28I love you
00:41:29And I need to work, okay?
00:41:31And I've been trying to be supportive
00:41:34Let me tell you something
00:41:36When you're gone, I feel like my only job is to wait on the phone
00:41:40Holly
00:41:41And I mean what? That's the only thing I've been doing these past few months
00:41:45I'm surprised you remember it was my damn birthday
00:41:49Yeah
00:41:49Yeah
00:41:49I told you
00:41:51I'm working
00:41:52I don't know how many times we have to have the same argument over and over again
00:41:56Does working include letting a bunch of guys all up in your grill?
00:41:59What the hell are you talking about?
00:42:01Let them touch you, feel all over you, hmm? Is that what you like?
00:42:05Okay, I don't know where this is coming from, but you bugging me
00:42:07Oh, yeah? I'm bugging?
00:42:11Stop, Javi, wait, wait!
00:42:14What?
00:42:15What do you want? What do you want?
00:42:16What do you want from me?
00:42:18You wanna be with me?
00:42:19Of course
00:42:22Marry me
00:42:25I love you, okay? I do
00:42:29But I don't want to sit here wondering if you're mine
00:42:37Maybe I'm yours
00:42:38Yeah, then marry me
00:42:41Marry me or I'll go home, pack my things and leave
00:42:44Cause as is, this isn't gonna work
00:42:51It's a choice
00:42:54Okay
00:42:58Okay
00:43:00Really?
00:43:01Let's get married
00:43:03It's okay
00:43:06We're getting married?
00:43:08You out of your mind?
00:43:09What is your problem?
00:43:10Lisa, you guys are 20 years old
00:43:13How do either of you know what a commitment is?
00:43:16You guys are just two kids playing house
00:43:18Don't do this
00:43:19Wait until you're older and out of this game
00:43:22You don't understand, Eladio
00:43:24No, no, no, no, I understand plenty
00:43:26You trust people when you shouldn't
00:43:28Mami, say something, por favor
00:43:31Mamita, please
00:43:33Why? Why do you want to get married so young?
00:43:37I love him, Mami
00:43:39I love him, Mami
00:43:39Oh, you know it's love
00:43:41Nana
00:43:43You will find someone who will love you
00:43:48You will
00:43:50I saw it in my dreams
00:43:52A man who will love you
00:43:54Who you will have children with
00:43:58But it's not a hobby
00:44:00But it's not a hobby
00:44:26I love you
00:44:28Got it
00:44:28Woo
00:44:36Some guys will promise you a marriage made in heaven
00:44:40But I'm gonna stick to my guns
00:44:44Lisa, Lisa of Lisa, Lisa & The Cult Jam began simply as Lisa
00:44:49A young Puerto Rican girl who dreamed of being a singing sensation
00:44:53That dream started to come true in 1985
00:44:56When the music producer group were looking for a female lead
00:44:59And stumbled across the 16-year-old singer
00:45:02In that same year, they renamed the band Lisa, Lisa & Cult Jam
00:45:07Producing three top-selling hits which brought the band to platinum status
00:45:13Both Lisa and the band attribute their success to their street-wide sound
00:45:20Lisa, Lisa has been compared with other top-selling artists such as Debbie Gibson, Paula Abdul, and even Madonna
00:45:27Their most recently released album is purposefully called Straight to the Top
00:45:32A place where Lisa, Lisa and Cult Jam hope to be for a very long time
00:45:38Man, I'm glad I ain't got no sisters
00:45:41Wake up
00:45:44There they are
00:45:52Okay, listen, shaving is like farming
00:45:56You better start with little strokes and go up each side
00:46:00Like that
00:46:01Can't believe you never did this before
00:46:03Don't you have sisters?
00:46:07No
00:46:09You got me now
00:46:13Hello?
00:46:14Oh, hey babe
00:46:16Of course, I'm in my hotel room, where else would I be?
00:46:21Oh
00:46:28Alright
00:46:31I'll be home in two weeks
00:46:35Okay
00:46:37I love you
00:46:47He's going out with his boys again, huh?
00:46:50Yeah
00:46:54It's the third time this week
00:46:55I think it's funny how he always wants to know where you're at
00:46:57But you never ask him where he's going
00:46:59No need
00:47:00No need
00:47:01I trust him
00:47:03Javi!
00:47:05I'm home!
00:47:16Baby!
00:47:31Baby!
00:47:33Baby!
00:47:36Baby!
00:47:50You know, if Barry finds out...
00:47:52I know.
00:47:56Are you sure it was positive?
00:47:58Like, does your mom know?
00:48:01What'd she say?
00:48:08She said not to have his child.
00:48:14She said that he reminded her of my dad,
00:48:18and reminded me what a mistake it was to marry him.
00:48:22I don't know.
00:48:27Maybe I loved him because I wanted a man to love me.
00:48:31My father didn't do it.
00:48:41Why don't you ever talk about your family?
00:48:47Ain't nothing to talk about.
00:48:52What do you do when you go back home?
00:48:54Where do you go?
00:48:54I got places.
00:48:58Look, I mean, most kids...
00:49:02Most kids have memories of being a kid.
00:49:05Like, happy memories of love and their parents and family,
00:49:09and...
00:49:10I just don't got that.
00:49:13And I'm okay with it.
00:49:16That's why I enjoy moments like this.
00:49:18Making new memories.
00:49:20Time with you.
00:49:22One of my best friends.
00:49:26One of your best friends.
00:49:27I better be at the top of that very short list, Miss Tony.
00:49:32That's why I should have never said nothing.
00:49:35Aw, you call me your best friend.
00:49:37You're so cheesy.
00:49:38That's why I don't open up to people, okay?
00:49:42Seriously, though.
00:49:44What are you gonna do?
00:49:48I can't have a baby.
00:49:51They'll lose everything, Tony.
00:49:53I'm gonna help you.
00:50:04Can you just...
00:50:05Can you just leave me all up for a bit?
00:50:08Yeah.
00:50:34Hey, but you see Shorty over there?
00:50:36You think I'll get her a little drink?
00:50:37I mean, she look good, but I mean, it's up to you, really.
00:50:41Come on.
00:50:41Yo, what up, Tony?
00:50:43What's up?
00:50:43Damn.
00:50:44Girl, you look busted.
00:50:45You go get some sleep.
00:50:47Trying to, dude.
00:50:49Needed a little something.
00:50:51How's Lisa?
00:50:52I know she wasn't feeling well.
00:50:53She's good.
00:50:54You sure?
00:50:55Yeah, she's tired.
00:50:56That's all.
00:50:57So I think Javi's on the outs.
00:50:58Thank God.
00:51:00Hated that dude.
00:51:01Yo, what can I get for you?
00:51:03Bartender, let me get, um, uh...
00:51:04Let me get a, let me get a whiskey.
00:51:06Double.
00:51:07Oh, damn.
00:51:09You drink like a dude.
00:51:24You flirt like one, too.
00:51:28Excuse me, fellas.
00:51:30I've got some business to take care of.
00:51:38Oh, no.
00:51:39Come on, come on.
00:51:42Damn.
00:51:43Oh, Mike.
00:51:45Mike, man.
00:51:46She's stealing your girl.
00:51:47Again.
00:51:49I've got to use a baffle.
00:51:51Mary, snap out of it.
00:51:53Why am I paying the tab on time?
00:51:56I got it, I guess.
00:52:21Now, Lisa, it's important that you listen to what I have to say, okay?
00:52:27We just got your results back, and, uh, it says that you have ductal carcinoma breast cancer.
00:52:37You'll need to start treatment right away.
00:52:40I have work.
00:52:42No, I, I, I have to travel for a few concert dates.
00:52:45I'm afraid that's not possible.
00:52:47Well, if you don't treat it now, uh, the chances of it spreading rapidly increase, limiting the chances of survival.
00:52:56Survival?
00:52:56Mm-hmm.
00:53:01I can't stop touring.
00:53:04I, I lose everything.
00:53:06Is there someone we can call?
00:53:07No.
00:53:08No one.
00:53:10No, no, I, I don't want anyone to know about this.
00:53:14Doctor?
00:53:15Can we prepare a travel kit for her to do treatments?
00:53:19Yeah.
00:53:21I can coordinate with the hospitals in the city that she's traveling to, and we can monitor her that way.
00:53:26That works.
00:53:29We can start your treatment tomorrow.
00:53:33A word with you, please.
00:53:42That is my place.
00:53:43Do you understand?
00:53:46Okay, I understand.
00:53:47All right.
00:53:59Hey, mamita.
00:54:02I, I know.
00:54:05If I stop touring, it all stops.
00:54:08The music, the sponsorships.
00:54:13And I just paid off my mom's car.
00:54:17Your house.
00:54:19You know, I took advancements to, I took advancements to make that happen.
00:54:26And I can't, I can't stop.
00:54:30My mommy, my mommy's just gonna, she was so happy.
00:54:35She was so happy.
00:54:38I can't stop.
00:54:40You understand?
00:54:41I can't stop.
00:54:43We're gonna fix it.
00:54:44We're gonna fix it so that you don't have to stop, okay?
00:54:48You're gonna be okay.
00:54:51You're gonna be okay.
00:54:53You're gonna pray for you.
00:54:55Here, mama.
00:54:56Here, here, take this.
00:54:58Oh, yes.
00:55:03You're gonna be okay.
00:55:08By the way, my daughter, she loves your music.
00:55:15She does.
00:55:17She looks up to you so much.
00:55:20A lot of little Latinas look up to you.
00:55:23Oh, yes.
00:55:25Listen, mama.
00:55:27You got this, okay?
00:55:29You're gonna be okay.
00:55:33You hear me?
00:55:55Hey, come here.
00:55:57We need to have a meeting.
00:55:58I've been looking over the contracts and something seems off.
00:56:02You notice your pay?
00:56:04Uh, yeah, yeah, it's been a little life.
00:56:06I haven't thought about it.
00:56:07I'm exhausting.
00:56:08Can we talk about it later?
00:56:09Tony said that we should...
00:56:10Tony's not a part of this band.
00:56:14We need to have a conversation between us.
00:56:17And just us, Lisa.
00:56:18I gotta go, Mike.
00:56:20We need to do it soon.
00:56:24Look, I'm sick and tired of this, Alex.
00:56:26Tony.
00:56:27I'm done.
00:56:29What is this?
00:56:30It's your paycheck.
00:56:31I thought I'd hand deliver it.
00:56:33Why?
00:56:34What do you want?
00:56:35You're not one to beat around the bush.
00:56:38Maybe you are.
00:56:39I wanted to ask about your friendship with Lisa.
00:56:43My friendship?
00:56:44The reporter was prying the other day, assuming she's a lesbian.
00:56:48You know, I corrected her, of course, but having those kinds of questions, it doesn't benefit anyone.
00:56:54It doesn't.
00:56:57Back off, Lisa.
00:57:00You down?
00:57:02Yeah.
00:57:03Yeah, I think so.
00:57:04Thanks.
00:57:22Hey, you got a lighter on you?
00:57:24Yeah.
00:57:25Let's make time for a chat over the break.
00:57:29I don't want to see everything slip away over one person.
00:57:34We'll have lunch.
00:57:35Okay.
00:57:46Here for your check.
00:57:49Here for your check.
00:58:02We'll have lunch.
00:58:03Got a few bills that built up.
00:58:05Um, what upcoming jobs?
00:58:09I don't see anything.
00:58:10Oh, the commercial.
00:58:12I signed the paperwork a while back.
00:58:18Ah, here it is.
00:58:22It seems like that deal fell through.
00:58:24What?
00:58:25Yeah.
00:58:26Did they say why?
00:58:27The client pulled out?
00:58:30No.
00:58:31No, that can be.
00:58:32I just spoke to them.
00:58:34I had a whole creative conversation about the commercial and what I wanted to do with it.
00:58:39They were excited about us.
00:58:44Look, I heard Barry said he didn't agree with the creative, and that was a deal breaker for them.
00:58:49So, he turned down the commercial.
00:58:51Hmm.
00:58:53I'm so sick of this.
00:58:55I've had enough.
00:58:56Whoa, whoa, whoa.
00:58:56Get your hands off of me.
00:58:58Mr. Barry.
00:59:00How dare you?
00:59:02Uh, excuse me?
00:59:04We are the band.
00:59:06You don't turn down a job without letting all of us decide.
00:59:11Okay.
00:59:13This is how the industry works.
00:59:15You signed the contract.
00:59:17You belong to us.
00:59:20We decide what's best, or we find another band who'll accommodate us as we need them to do.
00:59:32Go home.
00:59:34Get some rest.
00:59:35You look like hell.
00:59:38Yeah.
00:59:39Hold on.
00:59:40Lisa!
00:59:43Remember, there's plenty of girls waiting in line to take your place.
00:59:50Hey.
00:59:51Hey.
00:59:51Yeah, no.
00:59:52No, I just had to give someone a little attitude adjustment.
00:59:55Uh-huh.
00:59:57Do you have a phone I can use?
00:59:59Sure, baby.
01:00:04This room right here.
01:00:07Lucas.
01:00:09We gotta talk.
01:00:10I stopped by accounting.
01:00:12I pulled up all contracts.
01:00:14And?
01:00:15Barry and Rocco turned down that commercial.
01:00:18Man, what the hell are we gonna do?
01:00:20I think we should bring in Tony.
01:00:22She's done this before.
01:00:23She's a backup singer, period.
01:00:25Okay, do you have a problem with a female schooling you?
01:00:26That's your problem.
01:00:27So, knock it off!
01:00:28Both of you!
01:00:29We need to figure out how to get out of these contracts before we tear each other apart.
01:00:34They the bad guys, not us, man.
01:00:36Yeah.
01:00:37Right.
01:00:38I know a guy who's done this before.
01:00:41I'm gonna give him a call.
01:00:42Oh, so we can't call Tony, but we can't call a stranger we barely know.
01:00:46Great!
01:00:46Lovely!
01:00:47Please!
01:00:48We need to figure out what we're gonna do first before we let him know.
01:00:51Yeah?
01:00:52What?
01:00:54There's a few execs at the label that are concerned with your friendship with Tony.
01:00:57Who cares if I'm friends with Tony?
01:01:00You just listen to her way too much.
01:01:02You don't like the fact that I'm close to her?
01:01:04Or that she's gay?
01:01:05What?
01:01:05That's ridiculous.
01:01:06You know how many gay musicians are out there?
01:01:09A lot.
01:01:10You have a lot on your plate.
01:01:12We just don't need another voice in your head giving you advice.
01:01:16Yeah.
01:01:16Come on, Lisa.
01:01:18This is our band.
01:01:19We started this together.
01:01:21Lisa, hey.
01:01:22I like Tony.
01:01:24Okay?
01:01:25And I don't care what she does for her free time, you know, but...
01:01:30This...
01:01:31This could hurt us.
01:01:34No, it won't.
01:01:36Lisa.
01:01:36She's like a sister.
01:01:38She's my best friend.
01:01:40Time is money.
01:01:42Let's do it.
01:01:44Listen.
01:01:45Stop worrying about Tony.
01:01:48And start looking into the contracts and how we keep losing money because of these guys.
01:02:00We need you, all right?
01:02:01This is not the other way we're coming from.
01:02:03I told you.
01:02:03We don't need her.
01:02:03She's wet.
01:02:04Don't stop at me like that.
01:02:05How to get out of these contracts before we tear each other apart.
01:02:08We need us to our band's best or we find another band who will accommodate us as we need them
01:02:14to do.
01:02:14I'm not a pet.
01:02:15Okay?
01:02:15I'm a man.
01:02:16There are plenty of girls waiting in line.
01:02:18We started this together.
01:02:18Yeah, there's a few execs at the label that are concerned with the first year we're talking about.
01:02:22I see how they move.
01:02:26The band's here to take a good call.
01:02:28Lisa, come on!
01:02:29Yeah, I'll be right there.
01:02:31Lisa!
01:02:32What are you doing?
01:02:33Rocco says the place is packed.
01:02:35Thank you, Mia.
01:02:37Right here.
01:02:38Nobody is waiting.
01:02:39So you ready?
01:02:40Yeah, I said I'll be right there!
01:02:42I feel so much, Rocco.
01:02:47Hey.
01:02:50This is a great turnout.
01:02:57I can't do this anymore.
01:02:59What?
01:03:00I need a break.
01:03:01All right.
01:03:02You'll get a break soon.
01:03:03I promise.
01:03:03No, now!
01:03:04Girl, you better calm down.
01:03:06I said you would get a break.
01:03:08All right?
01:03:09The sooner you start, the sooner you will finish.
01:03:12Get back to work.
01:03:18Hey, I'm sorry about that.
01:03:24That should never happen, but, you know.
01:03:29That's right.
01:03:31Hi.
01:03:31Thank you so much for the patience.
01:03:36Oh, this is such a great thing, Charlotte.
01:03:38Come on, Lisa.
01:03:38I've been waiting all day.
01:03:39Hey, can I please get a kiss?
01:03:40I'm sorry.
01:03:40No, just an autograph, okay?
01:03:42Fine, come on.
01:03:43Lisa, please, fine.
01:03:43Sorry, just an autograph.
01:03:44I said no, man.
01:03:46Oh, we good?
01:03:47We good?
01:03:48Oh, sorry.
01:03:49What the hell are you doing, Tony?
01:03:51What?
01:03:51You can't be letting dudes get all grabby like that.
01:03:53These are fans.
01:03:54They're the reason why we're here.
01:03:55We can't be handling things like this.
01:03:57What the hell is that supposed to mean?
01:03:58It means how we gotta be more thoughtful.
01:04:00How you handle situations, Tony?
01:04:02Not everything is a confrontation.
01:04:04What the hell is the matter with you?
01:04:06You've never had an issue before, all right?
01:04:08You look tired, and I mean...
01:04:10Okay, you're one to talk.
01:04:12You know what?
01:04:13I don't need this, all right?
01:04:15Because all I was doing was making sure you were all right
01:04:17like I always do.
01:04:18Oh, you don't.
01:04:19Don't check on me for once.
01:04:21I already have a brother.
01:04:23I don't need another one hovering over me.
01:04:36I don't need another one hovering over me.
01:04:47You're good?
01:04:48Yeah.
01:04:49I'm good.
01:04:51I'm just tired.
01:04:54I know.
01:04:56What's going on?
01:05:05Oh, man.
01:05:08Running style.
01:05:09That's nice.
01:05:09Look at this, man.
01:05:10It was sad.
01:05:11Oh, man.
01:05:13What is lame-ass Tony riding with us to the show for?
01:05:15I don't know, man.
01:05:16Ask Lisa.
01:05:17I will.
01:05:18What you asking me for?
01:05:20Got a mind reader?
01:05:29Why aren't you listening to Rocco?
01:05:31The label doesn't want her around,
01:05:32and she's messing with our money.
01:05:33I invited her, Mike.
01:05:35Yeah, and that's the problem.
01:05:36We keep making all these decisions without consulting the group,
01:05:38and we're sick and tired of it.
01:05:40Right, Alex?
01:05:41Guys, listen.
01:05:42Like, I'm a lover, not a fighter, all right?
01:05:43Can we just talk about it later?
01:05:45Right now, we just need to focus.
01:05:46No, we can't talk about it later.
01:05:48I was gonna keep this between just us,
01:05:52but I had a lawyer look over everything.
01:05:54And those contracts that we signed,
01:05:56put Rocco in charge of everything.
01:05:58He screwed us.
01:06:00Nah.
01:06:00You screwed yourself.
01:06:02I already told you, the music game.
01:06:04You either hustle or you get hustled,
01:06:06and you got hustled.
01:06:09Yeah.
01:06:10Just like your daddy be hustling you, right?
01:06:12Who the hell are you talking to?
01:06:13I'm talking to you.
01:06:13I'm talking to you.
01:06:14I'm talking to you.
01:06:15I'm talking to you.
01:06:16Chill.
01:06:16Chill.
01:06:17Chill.
01:06:17Back your ass up.
01:06:18Dude, she need to be out of here.
01:06:20Now.
01:06:20Chill out.
01:06:21Stop.
01:06:21Mike, stop dissing her.
01:06:25This is the biggest night of our careers,
01:06:27and you guys are wild and in a damn car?
01:06:40Man, what are we gonna do about these contracts?
01:06:42Nothing.
01:06:42What do you mean, nothing?
01:06:43Those contracts are signed.
01:06:45We signed them.
01:06:48I just bought my mom a house,
01:06:49my brother a car I'm paying for my sister's college.
01:06:52That can all go away tomorrow like that.
01:06:56Let's just ride this wave until we can renegotiate.
01:06:59Cuz I ain't going back to folding sweaters in the stockroom.
01:07:02You hear me?
01:07:24I think I love you from hand to toe.
01:07:30Oh no.
01:07:33You can't fight everybody, Tony.
01:07:35You're lucky Barry wasn't there.
01:07:37Me?
01:07:37I don't care about Barry.
01:07:39All right, he's the one that started-
01:07:40Stop!
01:07:41Stop!
01:07:42I can't handle this!
01:07:43Handle what?
01:07:44The truth?
01:07:45I've been saying the same thing over and over and over.
01:07:47Now what's happening?
01:07:49Now what's the problem?
01:07:49What is up with you?
01:07:51You've been acting different for once now.
01:07:53You never acted like this.
01:07:55I always kept it real with you.
01:07:57He, in fact, has been talking to me crazy,
01:07:59and I'm not gonna keep around with it.
01:08:00Maybe you don't know what the hell you're talking about, Tony!
01:08:03Okay.
01:08:04Maybe I can stick up for myself!
01:08:07Do it.
01:08:11The rise of hip-hop and electronic dance music
01:08:13is forcing the freestyle genre to fade.
01:08:34I'll be back in a minute to check on you.
01:08:40It's Lisa.
01:08:40Lisa.
01:08:42Hi.
01:08:43I don't care.
01:09:03Yeah!
01:09:04She's killin' it, right?
01:09:05Let me see what you got.
01:09:07Time flea-la-la-la-la-la-la-la-la-la-la-la,
01:09:09Yeah, that's it.
01:09:11Nah, keep going.
01:09:16What's up?
01:09:18I stopped by to get my chick.
01:09:19I didn't know when he was rehearsing.
01:09:21Who was that?
01:09:22She's cute.
01:09:24Tony!
01:09:27Do you have a minute?
01:09:28Yeah, come on, me in a bit.
01:09:39I don't know.
01:10:25I need a job, man.
01:10:31That all you need?
01:10:37Hey!
01:10:39I told you.
01:10:43You'll be back.
01:10:46Go.
01:10:51This love we have could be real.
01:10:54Let me show you how I feel.
01:10:58Oh, boy.
01:11:01We can make it, we can make it work.
01:11:05Hey, that was good.
01:11:06I want to do it one more time, okay?
01:11:07Great job.
01:11:08Hey, look who's back.
01:11:10It's so good to see you, Lisa.
01:11:12I'll run it one more time.
01:11:14Girl, you look terrible.
01:11:16You're not pregnant, right?
01:11:17Shut up, Spanador.
01:11:19Who's that?
01:11:20Um, that is, um...
01:11:25Spanador?
01:11:27Mike.
01:11:28Mike!
01:11:30Lisa, hear me out.
01:11:32Where's Tony?
01:11:34Where's Tony?
01:11:38Lisa!
01:11:42I told you.
01:11:48Barry!
01:11:50I'm gonna have to call you back.
01:11:52What happened to Tony?
01:11:54I was gonna explain it to you.
01:11:56Who the hell stopped to let her go?
01:11:57It was a group decision.
01:11:58I'm a part of this group.
01:12:01Tony's toxic, okay?
01:12:03She's violent.
01:12:03We do not need an individual like that on the road.
01:12:07She's a liability.
01:12:08I need her.
01:12:08I need her on the road.
01:12:10I want her back.
01:12:11No.
01:12:12What?
01:12:13It was a management decision.
01:12:15I'll just go bring her back here.
01:12:16You know, if you go after her,
01:12:18I have to believe that you are not serious about your career.
01:12:22You could lose everything you have worked for.
01:12:26And for what?
01:12:28Some lesbian?
01:12:30How dare you?
01:12:32What does it matter who she sleeps with or who she is?
01:12:38You don't like Tony because she sees through your lives.
01:12:42Mm-hmm.
01:12:44You don't like her because she teaches me about snakes like you.
01:12:49I'm not gonna go on without her.
01:12:53Period.
01:12:54Whoa, whoa, whoa, whoa.
01:12:55You're from the ghetto.
01:12:57You never graduated from high school.
01:12:59You cannot make it in this business without someone like me.
01:13:11Watch me.
01:13:25Have you seen Tony?
01:13:27I'm sorry, girls.
01:13:28I can't write you.
01:13:31Lisa?
01:13:32Why are you looking for Tony?
01:13:35She using again?
01:13:36I didn't know she used.
01:13:37You don't want to know she used.
01:13:41Maybe not.
01:13:42Her pops, she's using again.
01:13:44She'll be with him.
01:13:44He's a drug addict pimp.
01:13:46Living somewhere in the projects.
01:13:48If you find him, you'll find her.
01:13:51Thanks.
01:13:52Hey, Lisa.
01:13:53You gotta save her.
01:13:55If she stays in the projects,
01:13:56she'll end up just like her father.
01:13:59Music's all she has.
01:14:03Can we just get an autograph?
01:14:04Get out of the way.
01:14:05Hey, Lisa.
01:14:06Be careful.
01:14:08Project's no place for a girl after sunset.
01:14:12Yo.
01:14:13I don't think she's breathing.
01:14:15She'll be all right.
01:14:18I don't know, B.
01:14:19We need to do something.
01:14:21This your daughter, man.
01:14:23It's a grown-ass woman.
01:14:25She ain't did nothing she ain't want to do.
01:14:27Tony!
01:14:28The hell is that?
01:14:29Tony!
01:14:29Are you here?
01:14:31Hey, get the piece, man.
01:14:32Hold me down.
01:14:34What the hell you doing here?
01:14:38You hear me talking to you?
01:14:40Tony.
01:14:41Tony.
01:14:41Hey!
01:14:42Tony!
01:14:43Tony!
01:14:43Tony!
01:14:44No, no.
01:14:45Get up.
01:14:46Get up.
01:14:47She's barely breathing.
01:14:49She ain't going nowhere.
01:14:54She's gonna die.
01:14:56We all gotta go sometime.
01:14:58But you?
01:14:59You ain't going nowhere, Bodequa.
01:15:09There are off-duty police officers waiting for me outside.
01:15:14If they come over here,
01:15:16and they spot that pile of cocaine you got there,
01:15:20they're gonna pick you up for the multiple warrants
01:15:23you probably have,
01:15:24and you will die in prison.
01:15:26You hear me?
01:15:35Don't get outside.
01:15:39Having babies don't make you a father.
01:15:42Caring for them does.
01:15:45You ain't no father.
01:15:48Hey, Bodequa.
01:15:50Don't ever let her come back here.
01:16:01Come here.
01:16:15What day is it?
01:16:17Tuesday.
01:16:19Tuesday.
01:16:19You've been out all night.
01:16:25Oh.
01:16:26This?
01:16:29It's the latest and accessories.
01:16:32The chemo pack.
01:16:36I've had her for a while.
01:16:40Doc told me after...
01:16:43Javi and I split up.
01:16:49But why?
01:16:50Why didn't you say anything?
01:16:53I didn't tell anyone,
01:16:55because I was...
01:16:58Because I was scared.
01:17:00Scared of what?
01:17:03Scared of losing everything.
01:17:06You know,
01:17:07when I was a kid,
01:17:09I would...
01:17:11Stand on a chair in the kitchen
01:17:12and just dream I was on a stage singing.
01:17:17You know,
01:17:17that I was the one coming out of Radio City Music Hall
01:17:20in a limo.
01:17:24That I would take care of mommy
01:17:26and that I would make
01:17:27and that I would make
01:17:28Pelagio proud.
01:17:30They'd see me all successful.
01:17:36For a while,
01:17:37it felt like
01:17:39everything we were living
01:17:42was that dream.
01:17:46And the moment
01:17:48anyone said cancer,
01:17:50I would...
01:17:52I would just lose it all.
01:17:57that everything would be gone.
01:17:59You know,
01:18:00the tour,
01:18:00the bands,
01:18:01the money.
01:18:05You?
01:18:08I was terrified of losing you.
01:18:12And I was so angry at you.
01:18:17Why did you do that?
01:18:21What's...
01:18:24I asked the junkie
01:18:28how did he start getting high?
01:18:31This guy was a track star.
01:18:33He...
01:18:34I don't know,
01:18:35he ended up
01:18:37strung out in the projects
01:18:38most nights.
01:18:40But he said,
01:18:41when you
01:18:42spend your life
01:18:44being numb,
01:18:48drugs help you
01:18:49to feel something.
01:18:51I guess I just
01:18:53wanted to feel
01:18:54something.
01:18:55I've been selling
01:18:56rock for my pops
01:18:58if it's never
01:18:58about the money.
01:19:00I just wanted
01:19:01him to love me.
01:19:05Tony.
01:19:06I guess I just...
01:19:09I gotta accept
01:19:10the fact
01:19:10that he'll never
01:19:11be able to do that.
01:19:15You can't force anyone
01:19:17to love you
01:19:17the way you want.
01:19:20I know that.
01:19:23Now.
01:19:26Do you?
01:19:36You're my best friend.
01:19:39My sister.
01:19:40My family.
01:19:43I don't ever
01:19:44want to lose you.
01:19:46Do you ever
01:19:47lose me?
01:19:48You got that?
01:19:52Then no more
01:19:53secrets.
01:19:57No more secrets.
01:20:00Because sisters
01:20:01don't keep secrets.
01:20:03Okay?
01:20:07No more secrets.
01:20:10I think there's
01:20:11one more person
01:20:12you need to tell.
01:20:16Lisa!
01:20:17Oh, my God!
01:20:18I've been so long
01:20:18to see her!
01:20:20Oh, my God!
01:20:24It's been so long
01:20:25since I've seen
01:20:26you, baby.
01:20:28What are you doing,
01:20:29Leah?
01:20:29I'm sorry, Mom.
01:20:32I've been busy.
01:20:33I have so much
01:20:35to tell you.
01:20:36But what are you
01:20:37doing Saturday night?
01:21:03We did it, Mom.
01:21:06Yes, we did.
01:21:32Hi, Mommy.
01:21:34Hi, baby.
01:21:35I got you seats in the front row.
01:21:40We'll eat after, yeah?
01:21:41Mm-hmm.
01:21:43Yeah.
01:21:46Yeah, baby.
01:21:48So beautiful.
01:21:53Yeah?
01:21:57It's time.
01:22:02I'll see you later.
01:22:03Yeah.
01:22:06Hey, I got you something.
01:22:11What?
01:22:13I thought I lost them.
01:22:15It was in some of the boxes from when you moved.
01:22:18I figured you might need it,
01:22:20since you never went anywhere without them.
01:22:34Lisa?
01:22:37Lisa, it's not that I didn't think you could take the D train alone or pay for mama's bills.
01:22:45Or do all of this.
01:22:49I just, I wanted to be the one to do that for you, so you didn't have it as tough
01:22:57as I did.
01:22:59I just, I wanted to be the one to take care of my little sister.
01:23:11And if I never told you this, I've never been more proud of anyone in my entire life.
01:23:19I love you, sis.
01:23:23Oh, yeah.
01:23:24Oh, yeah.
01:23:28Oh, yeah.
01:23:38Huh.
01:23:39Oh, yeah.
01:23:40Oh, yeah.
01:23:43Okay.
01:23:43Peace out, peace out, peace out, peace out.
01:23:48Hello, New York.
01:23:49Are you ready for this?
01:23:50Yeah.
01:23:51Can you feel the big bit in my heart?
01:23:53Can you see my love shine through the dark?
01:23:57What are you doing now?
01:23:59Can you feel the big bit in my heart?
01:24:01Can you see my love shine through the dark?
01:24:03Can you see that you must be a part of that beat in my heart?
01:24:09That beat in my heart.
01:24:20I'm Lisa.
01:24:21Tony.
01:24:26Let me hear you scream!
01:24:30Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh.
01:24:42Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh.
01:24:54We're gonna do this my way?
01:24:58Or not at all?
01:24:59My heart has overruled my mind
01:25:01I tried not to let it show
01:25:04Now I don't know what to do
01:25:07I tell myself I'm lying
01:25:09Don't you have sisters?
01:25:11No
01:25:11You got me now
01:25:12My heart has double B's for you
01:25:15Oh, now you know
01:25:19I love my broken
01:25:21Oh, this life will turn to go
01:25:28It's best for your love
01:25:31Oh, my love, my love
01:25:34Aw, you're so nervous, man
01:25:35You're so cheesy
01:25:38Can we stay in love, New York?
01:25:40Are you ready for this?
01:25:41Can you feel the beat within my heart?
01:25:43Can you see my love shine through the dark?
01:25:45Can you feel the beat within my heart?
01:25:47Can you see my love shine through the dark?
01:25:49Can you see that you must be a part
01:25:51Of that beat in my heart
01:25:52Tony, Tony, get up, get up
01:25:54That beat in my heart
01:25:59That beat
01:26:00Let's go
01:26:10You're my best friend
01:26:11I don't ever want to lose you
01:26:19You want to know about my life?
01:26:23Well, here you go
01:26:24She's my own
01:26:26You'll be back
01:26:28And you'll ever get
01:26:32Oh, yeah
01:26:35You'll be back
01:26:37Fly, fly away
01:26:43Oh, yeah, yeah
01:26:46You'll be back someday
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