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  • 37 minutes ago
My Sexy Mentor Seduced Me - FULL MOVIES ENGLISH SUB
Transcript
00:00:10I
00:00:10Shouldn't be here. I'm birdie Edwards. I can be anywhere. I want to be. I don't want you here birdie
00:00:18look
00:00:20I came to apologize
00:00:23You're right
00:00:25You mean that?
00:00:28I do
00:00:38Prove it
00:00:39Well, the student is now the teacher. Stop talking on your knees
00:00:49Call to me
00:01:00Now show me how sorry you really are
00:01:31Yeah, there you are
00:01:33Come on
00:01:33Yeah, there you are come on
00:01:33Break over
00:01:34Sorry I got distracted
00:01:43That girl
00:01:44Who is she?
00:01:54God, she is insanely beautiful
00:02:01A toast
00:02:02To my wife
00:02:05The birdie Edwards my finest creation
00:02:08Cheers to your finale sweetheart
00:02:12What's next birdie
00:02:13What's next birdie?
00:02:14Sleep
00:02:17Actually
00:02:17Mason and I have some thoughts about producing a new play
00:02:21Together
00:02:22Isn't that right my love?
00:02:24Well, actually I have a better idea
00:02:25Well, actually I have a better idea
00:02:26You know
00:02:26The fans are demanding a revival of Stone's fantasy
00:02:30And we're gonna give it to them
00:02:32Will birdie Edwards play Greta Stone once again?
00:02:35Well better yet
00:02:37We are on the search for a new Greta Stone
00:02:40And birdie will mentor her new protege as I did for her
00:02:4420 years ago
00:02:47It's time for birdie to pass the torch
00:03:01Excuse me
00:03:03Yes, you
00:03:04Do you have a light?
00:03:06Just matches
00:03:07Sure, that'll do
00:03:27You're filthy
00:03:31We were understaffed
00:03:33It's a busy night
00:03:35Closing night for you
00:03:37Which you were amazing
00:03:39By the way, I've been such a huge fan for like
00:03:41Do you work here?
00:03:42Yeah
00:03:43I'm new
00:03:45Just moved here actually
00:03:46Mm
00:03:47Another transplant
00:03:50Excuse me?
00:04:06You're too pretty to take out the trash
00:04:11Don't you dare
00:04:13Don't you fucking dare Carl
00:04:15You know what this means to me
00:04:18How could you?
00:04:20Next!
00:04:22Over 200 auditions and not one single Greta
00:04:26I guess it's not that easy finding my replacement, huh?
00:04:32Um...
00:04:34I...
00:04:34Could give it a try
00:04:37All right
00:04:38All right
00:04:38Show us what you've got
00:04:40Matches girl
00:04:45I hate your face
00:04:48Your eyes
00:04:49Worst color of brown
00:04:51Mud
00:04:52Dirt
00:04:53Broken clay
00:04:54And your big nose just
00:04:57Always pointing you north of nowhere
00:04:59Where
00:05:01But it's your mouth that I hate the most
00:05:04Lips I cannot taste
00:05:05A laugh I cannot forget
00:05:08And a smile
00:05:11And for someone that's not me
00:05:17Uh...
00:05:17Thank you
00:05:20Wow
00:05:20That face
00:05:22The cheekbones of Meryl
00:05:24The eyes of Hepburn
00:05:25That body
00:05:26Stop thinking with your dick for once Mason
00:05:30Although...
00:05:30She is better than anyone else we've seen
00:05:32But...
00:05:33Can she carry a whole show by herself?
00:05:36Vera?
00:05:39Are you ready to be the next Greta Stone?
00:05:44It was the craziest thing
00:05:45I mean...
00:05:46One minute I'm sweeping Raisinets
00:05:48And the next...
00:05:49I'm auditioning for Birdie and Mason Edwards
00:05:53I didn't know you wanted to act
00:05:56Yeah, since I was a kid
00:05:57But I never thought it would happen
00:06:00Well...
00:06:01You're definitely beautiful enough
00:06:02To be an actress
00:06:05Kyle...
00:06:05I don't really think we should
00:06:07Thought you wanted to thank me
00:06:08For letting you stay here?
00:06:09I do, but...
00:06:10Just relax
00:06:33Is that on my face?
00:06:35What?
00:06:41What?
00:06:43Well, it would really show me
00:06:44How grateful you are to me
00:06:46For...
00:06:47Getting you the job
00:06:49I was just kidding
00:06:50Hey, but...
00:06:52I mean, if you want to
00:06:52Okay, you...
00:06:55Had nothing to do with me getting that role
00:06:57Well...
00:06:58I got you the job at the theater
00:06:59So without me
00:07:00You wouldn't have gotten the audition
00:07:02Are you being serious right now?
00:07:03Ah, come on...
00:07:04You talk way too much
00:07:05Okay, I said no!
00:07:18And...
00:07:18And not like a little girl
00:07:20Like...
00:07:21Like...
00:07:21A woman...
00:07:22That wants to be touched
00:07:24Alright, stop
00:07:26This is an Edwards show, okay?
00:07:29Not community theater
00:07:30We have less than three months
00:07:32And it's like I'm watching a middle school dance
00:07:35Why don't you two take five?
00:07:43She's far more green than I thought
00:07:46Maybe we recast
00:07:47It's too late for that
00:07:49It's all over the press
00:07:50The city's buzzing about this play
00:07:53What if the girl stays with us?
00:07:55Right?
00:07:56That way you can really train her
00:07:58You're the only one that can do it, Bertie
00:07:59No
00:08:01Put up in the hotel for goodness sake
00:08:03We need to keep her close
00:08:04So she can learn from you
00:08:06Okay? Come on, you're the best in the biz
00:08:08You just want her close so you can sleep with her
00:08:11Would you stop with that?
00:08:12You want the show to be a success or not?
00:08:16Fine
00:08:18But I want 15% of the revenue
00:08:2110
00:08:22Deal
00:08:39Vera, come here
00:08:44Sit
00:08:45I'm sorry, I was just looking around the house
00:08:48It's massive
00:08:52You want to watch me?
00:08:57Then watch me
00:09:22Say it
00:09:25What do you want from me?
00:09:27I...
00:09:31I can't give you anything until you ask
00:09:35I want you
00:09:43Say it
00:09:44What do you want from me?
00:09:44Whatever
00:09:53How do you want from?
00:09:54I want you
00:09:55You SchrΓΆ homage
00:09:56Do not have anything
00:10:01You'll see
00:10:01You know I want some others
00:10:05But they don't
00:10:05My feelings
00:10:05Or they have peace
00:10:06Yes
00:10:06Vera!
00:10:12Vera!
00:10:13Oh, Mr. Edwards, hi.
00:10:16Please, call me Mason.
00:10:18Sorry.
00:10:19I don't apologize.
00:10:20So make sure that you're comfortable here and everything you need.
00:10:26Guest bedroom is the opposite way.
00:10:28Oh.
00:10:29Oh, can you have the maid steam this for a man?
00:10:33Sure.
00:10:47Sit here.
00:10:54One scoop of yogurt, a half a cup of berries, and a cup of green tea is what you'll have.
00:10:59What?
00:11:00From now on, you will eat what I tell you to eat, sleep when I tell you to sleep, and
00:11:05do exactly as I say for the next three months.
00:11:09Is that understood?
00:11:10Do I have a choice?
00:11:11Do you want to be a star?
00:11:14Yes, of course.
00:11:15Good.
00:11:15Eat your breakfast and then meet me in the living room for your first lesson.
00:11:24Don't disappoint me, Vera.
00:11:34I was rereading the script.
00:11:36I love the monologue in Act 2.
00:11:38Take off your clothes.
00:11:41Excuse me?
00:11:42Strip.
00:11:44Why?
00:11:45Our deal is that you do everything I say.
00:11:48Remember?
00:11:50If you're a man, I wouldn't.
00:11:51But I'm not a man.
00:11:52So what are you afraid of?
00:12:00You know what? No.
00:12:01I'm not gonna let you humiliate me.
00:12:04You think your body is humiliating?
00:12:06Well, now I really have to see what's going on under there.
00:12:09You wouldn't get it.
00:12:11Try me.
00:12:13Because I can't stand to be looked at.
00:12:15I was teased a lot as a kid.
00:12:20An actor's job is to shed every ounce of inhibition in order to become a canvas for the character.
00:12:28Strike him.
00:12:42Tell me what you see.
00:12:44I don't know. I can't.
00:12:49Your long limbs and determined jaw show your strength.
00:12:55But your shy eyes believe an innocence you haven't yet lost.
00:12:59Your healing chest and flushed cheeks say...
00:13:04You're enjoying me looking at you.
00:13:06I am.
00:13:08Are you?
00:13:11That's enough.
00:13:13Wait.
00:13:14Don't stop.
00:13:17What about the rest of my body?
00:13:33You're fine and soft in all the right places.
00:13:39But your posture needs work.
00:13:41Strength comes from your core.
00:13:42Not only on the outside.
00:13:45Not only on the outside.
00:13:47But deep.
00:13:49Down.
00:13:51Inside.
00:13:56Do you like it when I touch you there?
00:14:02Do you like it when I touch you there?
00:14:10hello what is going on here it's a disinhibition exercise and it was working perfectly until you
00:14:18came stomping in darling don't stop on my account please proceed can we help you with something
00:14:25yes you can i just want the two of you to know that the whole town is buzzing about the
00:14:30revival
00:14:31in your mentorship with vera look out la wants to do a cover story on the two of you
00:14:42not without a little makeover first
00:14:47shall we
00:15:14now you're ready say goodbye to vera gibson say hello to vera grace
00:15:26vera grace
00:15:27something the matter
00:15:29nope speak up sorry it's just it's all happening really fast you need to choose now do you want
00:15:38to be a star or not i do
00:15:44fair grace
00:15:45good
00:15:47yes do you have a say
00:15:49i had no say in my name
00:15:52birdie edwards
00:15:53it's kind of an iconic name
00:15:56not to me
00:15:58i don't want to take mason's name
00:16:00did you really have to
00:16:02it's not really a thing anymore
00:16:05it was to him
00:16:06and the edwards family
00:16:08even in our prenup
00:16:10i never wanted to get married
00:16:13mason practically forced me
00:16:15he controlled everything
00:16:17my name
00:16:18my image
00:16:19my career
00:16:20my diet
00:16:22sounds familiar
00:16:24it was different
00:16:26believe me
00:16:28i lost control
00:16:31fame came overnight
00:16:32i didn't have time to choose
00:16:35i just
00:16:36went along with it
00:16:37and now fast forward
00:16:4015 years later
00:16:41i'm
00:16:42really coming to grips with it
00:16:44birdie
00:16:45anyways
00:16:48we should go rehearse
00:16:52okay vera
00:16:53try a sexy pout
00:16:56so much for the
00:16:57next big starlet huh
00:17:00maybe you just
00:17:01aren't good
00:17:02at your job
00:17:05close your eyes
00:17:18now stay focused on me
00:17:26archer back
00:17:26yes
00:17:28beautiful
00:17:29let's get you up there
00:17:31with her
00:17:31come on
00:17:43you two have an intense connection
00:17:45it's almost like watching a proud mother
00:17:48with her daughter
00:17:53what
00:17:59i just want to be alone
00:18:01just ignore him
00:18:02he's an idiot
00:18:03that's easy for you to say
00:18:05you're 23
00:18:06yeah and you're one of those beautiful women in the world
00:18:10don't
00:18:10patronize me pharaoh
00:18:13i think
00:18:15you're the sexiest woman i've ever laid eyes on
00:18:23what are you doing
00:18:24i
00:18:25i thought
00:18:26you thought what
00:18:27i'm married
00:18:28but
00:18:29you've been flirting with me since the day we met
00:18:32oh i haven't
00:18:33it's called acting
00:18:35so
00:18:37you've just been stringing me along
00:18:39i'm mentoring you
00:18:41this is what it takes to become a star
00:19:04i have to admit
00:19:07i've seen those photos of you over here today
00:19:10very
00:19:12very hot
00:19:26ow you're stubble
00:19:28you like it
00:19:29i don't actually
00:19:32besides you're reek of cheap perfume
00:19:34come on barry
00:19:35you know i have eyes for you
00:19:37my wife
00:19:43i said i'm tired
00:19:50wow she's really making progress
00:19:52great work birdie
00:19:53okay vera put your arms around adam's neck
00:19:56adam hands on her waist
00:20:06kendrick's sick you wanna step in
00:20:08sure
00:20:14vera put your arms around birdie
00:20:17the torment of that woman's kiss
00:20:19who makes us her footstool
00:20:21her plaything
00:20:22her toy
00:20:24sorry this just
00:20:25isn't working without kendrick
00:20:27you should be able to work with any scene partner
00:20:30including a chair
00:20:31i'd take the chair over you any day
00:20:34all right let's take five
00:20:35we got back two after the break
00:20:40you can't talk to me like that
00:20:47i'm sorry i hurt your feelings at the photo shoot
00:20:51i overreacted
00:20:52it was just misunderstanding
00:20:54yeah it's all in my head
00:20:55let's keep it professional
00:20:58okay
00:20:58you're making great progress
00:21:00i know you don't want to sabotage that
00:21:03i thought i told you water or green tea only
00:21:10you're acting like a child
00:21:14put that soda down or
00:21:16or what
00:21:17i'll spank you
00:21:20put that soda down
00:21:24or there'll be consequences for breaking the rules
00:21:28prove it
00:21:43is this what you want
00:21:46answer me
00:21:48yes
00:21:56be quiet or i'll stop
00:22:10i think that's enough for today
00:22:13give me the soda
00:22:18good girl
00:22:22no
00:22:24that isn't how this is going to work
00:22:26you will follow my rules
00:22:29do you understand
00:22:32yes i understand
00:23:00thanks
00:23:08thirty-three
00:23:11thirty-three what
00:23:12thirty-three blueberries make half a cup
00:23:15okay
00:23:17you get off on having all the control i see
00:23:21i'm doing this for you
00:23:23whatever you say
00:23:27without restraint
00:23:28this industry will eat you alive
00:23:30trust me
00:23:31learn to submit here
00:23:34to me
00:23:35in a safe space
00:23:36rather than submitting to the pariahs out there
00:23:41submission is the only chance to understand true dominance of the stage
00:23:45and of yourself
00:23:47so
00:23:49are you asking me to be your sub
00:23:54this arrangement is for business
00:23:57not pleasure
00:23:58what if someone catches feelings
00:24:01as long as we follow the rules
00:24:03everything will be fine
00:24:04the rules
00:24:06just do as i say
00:24:07it's that easy
00:24:11first rule
00:24:13no matter how edgy it gets
00:24:15you can always say no
00:24:17and two
00:24:18no kissing
00:24:20no sleepovers
00:24:22and no sex
00:24:25my purpose is to make a star
00:24:27not a plaything
00:24:29are you sure
00:24:30you kind of seem to be enjoying this
00:24:33i enjoy doing my job
00:24:35just business
00:24:39fine
00:24:45no okay that makes sense
00:24:47all right i'm off
00:24:49oh
00:24:49see you at dinner
00:24:50i i forgot i have a um late night meeting with a potential investor so can we reincheck it
00:24:55sure
00:24:56okay
00:24:56have a good day
00:24:57two
00:25:02shall we
00:25:12i want you to look at me
00:25:14like really look at me
00:25:16all of me
00:25:17not like a little girl
00:25:19like a woman that wants to be touched
00:25:21stop
00:25:24breathe
00:25:25take your time
00:25:49what does this have to do with the scene
00:25:51acting is all about submission
00:25:53in order to embody the character
00:25:55you must submit to their every fear
00:25:58every pain
00:25:59and every desire
00:26:01submission is when you fully trust
00:26:05do you trust me
00:26:06yes mistress
00:26:09good girl
00:26:23i want you to use that on me
00:26:36are you okay
00:26:38yeah
00:26:39do you want more
00:26:41yes please
00:26:42yes
00:26:44yes
00:26:58yes
00:26:58yes
00:27:09yes
00:27:11yes
00:27:12yes
00:27:12yes
00:27:12yes
00:27:12yes
00:27:12yes
00:27:21Don't listen to that, it's not true
00:27:24Session's over
00:27:31And if I know one thing to be true, it's this
00:27:34As the moon is my witness, I vow to never stop looking for you
00:27:38The memory of your eyes, your lips, your touch will never fade
00:27:43Let's pause for a minute
00:27:49What is Greta's objective in this scene?
00:27:53She goes on this journey to find love
00:27:55You sure?
00:27:57I think so
00:28:03You think so?
00:28:08How can you act if you weren't committed to your motivations?
00:28:12You must have full conviction
00:28:16Now tell me again
00:28:18What is this scene about?
00:28:21Love
00:28:21Wrong
00:28:23It's about desire
00:28:24Aren't love and desire the same thing?
00:28:29No
00:28:31Love is what you feel here
00:28:33But desire
00:28:36Is deeper
00:28:39Now let's try and exercise
00:28:42Okay
00:28:43Tell me your fantasy
00:28:45Now
00:28:48I can't
00:28:50Why not?
00:28:53Because
00:28:54Because it's about you
00:29:02For the purpose of this exercise
00:29:04You should share it with me
00:29:06Well
00:29:08In my fantasy
00:29:10We
00:29:12Go away together
00:29:15Just the two of us
00:29:18Somewhere quiet
00:29:21Excluded
00:29:23No interruptions
00:29:25No one can find us
00:29:29And then what happens?
00:29:32We'd open a bottle
00:29:36Good Italian bread
00:29:39Then we'd
00:29:40Play music
00:29:42And
00:29:43I'd cook dinner for you
00:29:45As you
00:29:45Sat across the counter
00:29:47And
00:29:48Told me about your life
00:29:50Sounds like a date
00:29:52Not a fantasy
00:29:55It's a fantasy to me
00:29:56Because I'm breaking
00:29:57All your rules
00:30:01You'd get a good day
00:30:02Buzz on
00:30:04And
00:30:04Eat
00:30:05And drink
00:30:05And
00:30:06Laugh about how weird
00:30:08I was as a kid
00:30:09And then you would
00:30:11Confess that you were
00:30:12Just as weird
00:30:17And then I'd kiss you
00:30:21Sweet
00:30:22Soft at first
00:30:25And long
00:30:27And deep
00:30:30Our mouths
00:30:31Wet and hungry
00:30:32For each other
00:30:38And then I'd want to see you naked
00:30:41So I could run my tongue
00:30:43Down every crevice of your body
00:30:48I want to know what you taste like
00:30:49I want to kiss you everywhere
00:30:54Every inch of you
00:30:55And I wouldn't stop
00:30:58That's enough
00:31:09It's just doing as you asked
00:31:10Great
00:31:12Well let's take the scene from the top
00:31:19On behalf of Edwards Productions
00:31:21Please put your hands together
00:31:23For our very own
00:31:24Greta Stone
00:31:25Vera Grace
00:31:37You're a grace huh
00:31:39Hi Kyle
00:31:40I don't even recognize you anymore
00:31:43You've changed
00:31:44It's just for the play
00:31:47Birdie's really taken me under her wing
00:31:50Oh I know
00:31:51What's that supposed to mean?
00:31:52Well seems to me that she's uh
00:31:55Taking a liking
00:31:56To you
00:31:58Well the success of the play is riding on it
00:32:00So
00:32:01It's just business
00:32:04You used to be so perfect
00:32:06Before all this
00:32:07You know
00:32:08Birdie you know
00:32:09Whatever it is you're doing with Vera
00:32:11It's working
00:32:12Yeah
00:32:15She's really blossomed
00:32:17I think she's ready
00:32:19I think so too
00:32:20You know
00:32:21For your next career move
00:32:22You should really consider testing
00:32:29That's a great idea Cass
00:32:31I'll consider it after you lose a few extra pounds
00:32:51Everyone will be looking for you soon
00:32:54I needed a break
00:32:57It's a lot
00:32:59Gotta get used to all that attention
00:33:01That'll be your life soon
00:33:03I'm not trying to replace you
00:33:07You know that right?
00:33:09I know you're not trying to
00:33:12But it's happening
00:33:15No matter what
00:33:17It's just the way it goes
00:33:20I'm sorry
00:33:23Don't apologize for things you can't control
00:33:29So
00:33:30Who's your friend in there?
00:33:33Who?
00:33:35Kyle?
00:33:38Yeah
00:33:38I wouldn't exactly call him a friend
00:33:42Oh
00:33:43Are you together?
00:33:46Why are you asking?
00:33:51Wait a minute
00:33:54Are you jealous?
00:33:59What?
00:34:00No
00:34:01Why would I be?
00:34:02Because I saw the way you were looking at me in there
00:34:05Like how?
00:34:07Like I was your property
00:34:09And
00:34:10Like
00:34:12Maybe
00:34:14You want my fantasy to come true too?
00:34:20I am
00:34:21Curious
00:34:23In your fantasy
00:34:25What are you making me for dinner?
00:34:28Pasta
00:34:30From scratch
00:34:33Masons never cooked me dinner
00:34:36Let alone
00:34:37Pasta
00:34:38Well you
00:34:40Deserve a
00:34:41Big old bowl of pasta
00:34:44That's
00:34:45Definitely
00:34:46Against the rules
00:34:48It's my fantasy
00:34:51Fuck your rules
00:34:58Birdie Edwards?
00:34:59It's so dark in here
00:35:00I could barely tell it was you two
00:35:03Sorry to interrupt
00:35:04Would you two mind doing an interview?
00:35:07Yeah
00:35:07Absolutely
00:35:09Let's start with you Miss Farrah Grace
00:35:10How has it been having the one and only Birdie Edwards training you?
00:35:15Well it's been a lot of work
00:35:17But
00:35:17I wouldn't want to learn from anyone else
00:35:21She's the best
00:35:22You two must be spending a lot of time together
00:35:24You've grown close would you say?
00:35:26Yeah we've really bonded
00:35:28Bonded
00:35:30We've really been bonding
00:35:32Over our love of the craft
00:35:34Birdie
00:35:35Over 20 years ago
00:35:36You boldly introduced us to the imitable Greta Stone
00:35:40Which made you a star
00:35:42How would you say
00:35:43Your Greta
00:35:44Differs from Farrah's Greta?
00:35:46Well
00:35:47I think my Greta was
00:35:49Curious
00:35:51But scared
00:35:52Scared of what?
00:35:54To come out of her fantasy world
00:35:57Because of fear
00:35:58She missed out on true happiness
00:36:00But I think
00:36:03Farrah's interpretation
00:36:04Is
00:36:06Definitely teaching the character
00:36:08To go after what she desires
00:36:11I think this new Greta Stone 2.0
00:36:14Wants more than to give in to her desires
00:36:18She needs love
00:36:23Chris Stone doesn't need anything
00:36:33Ah shit
00:36:34What?
00:36:36I am so sorry
00:36:38I didn't forget
00:36:39But you forgot about our anniversary trip
00:36:42I had this big investor meeting that got added to my schedule last minute
00:36:46Is this investor another one of your young blondes?
00:36:50Birdie why do you do that?
00:36:52Am I wrong to assume?
00:36:55You know what?
00:36:55It doesn't matter
00:36:56Forget the cabin
00:36:57No, no
00:36:57Hey, hey, hey
00:36:58You love the cabin
00:36:59Why don't you and Vera go
00:37:01Get a little R&R before opening night?
00:37:03You two have been working so hard lately
00:37:06Actually
00:37:08I would like to blow off a little steam
00:37:10Yeah
00:37:11You could make it a rehearsal immersion
00:37:14I'd love it
00:37:24Pack your bags
00:37:25We're going on a trip
00:37:27Wait, really?
00:37:29It's a work trip
00:37:30Don't get too excited
00:37:45My house staff must have gone to the wrong vacation home
00:37:48You have more than one?
00:37:49Let me call them
00:37:50Someone is getting fired today
00:37:52No, no
00:37:52Don't
00:37:53Don't do that
00:37:54Let's go
00:37:55I can book us a hotel in town
00:37:56We've been driving all day
00:37:58Can we just stay?
00:37:59Here?
00:38:00Maybe I can hire someone
00:38:02I
00:38:03Need to relax
00:38:05I got this
00:38:06Alright
00:38:07Let's see what we're working with
00:38:15Yeah
00:38:16We're going to need to go get groceries
00:38:18And get more wine
00:38:21Stats
00:38:27Thermostat's not working
00:38:31I can call someone
00:38:34No need
00:38:35We can build a fire
00:38:38It's not gas, though
00:38:40Ooh, even better
00:38:41You know how to build a fire
00:38:44I can do a lot of things
00:38:53I don't know how to do laundry
00:38:58Well, it seems like I'll be teaching you a few things this weekend
00:39:04Thank you
00:39:13Nothing tastes better than fresh pasta
00:39:15Here, come
00:39:16No
00:39:18It's fun
00:39:18It's fun
00:39:19And it's easy
00:39:19I promise
00:39:21You can't eat it unless you help
00:39:25You're just going to hold your hand here
00:39:26Like
00:39:27Hold it out like this
00:39:29Keep pulling
00:39:30So that
00:39:31There are no wrinkles
00:39:34Perfect
00:39:46All over my face
00:39:52So from that day on
00:39:55I was known as Pie Face
00:40:00Wow
00:40:00I can't unsee it now
00:40:06You know, I think this is the first time I've heard you laugh
00:40:09I laugh
00:40:10I laugh all the time
00:40:11You don't
00:40:14You're right
00:40:16I don't
00:40:17Hmm
00:40:20I like it
00:40:23It suits you
00:40:27I think I've had too much wine
00:40:29There, I should go to bed
00:40:35Great
00:40:38Um
00:40:45Thanks
00:40:52Well, are you just going to stand there?
00:40:53Are you going to help me?
00:40:56Actually, yes
00:40:58I'm going to stand here and watch you
00:41:06The sheets are all crooked there
00:41:14Anything else, Your Highness?
00:41:16Yes
00:41:17Bend over
00:41:18And do it again
00:41:19Until I say it's perfect
00:41:22Remember
00:41:23I'm in charge
00:41:38Take off your clothes
00:41:39Do it now
00:42:00You need to be punished for talking back to me
00:42:02Lay on the bed
00:42:04Now
00:42:26Stop laughing
00:42:52Wait, where are you going?
00:42:54You made the bed?
00:42:56You should have it
00:42:57Stay with me
00:42:59Please
00:43:03That's against the rules
00:43:05Fuck your rules
00:43:09You know you don't want to stop
00:43:18Rules are rules
00:43:20It won't happen again
00:43:28You know you don't want to stop
00:43:39You know you don't want to stop
00:43:58You're not paying attention
00:44:01Did you just hear what I said?
00:44:03Sorry
00:44:03Guess I'm still reeling from the mindfuck of yesterday
00:44:06We're actors
00:44:08It's what we do
00:44:09That definitely wasn't acting
00:44:16Suddenly you're an expert?
00:44:17I am on you
00:44:24Your heart's pounding
00:44:26Your hands are sweating
00:44:31Your cheeks are flushed
00:44:33You can lie
00:44:35But your body tells the truth
00:44:49I shouldn't have done that
00:44:50Why not?
00:44:52Because I'm married
00:44:53To a man
00:44:54And he's not here
00:44:55But I am
00:44:56On your anniversary weekend
00:44:59This was his idea
00:45:01You know for someone that likes control
00:45:02You're a real sub when it comes to Mason
00:45:05It's complicated
00:45:06You wouldn't understand
00:45:08Mason made me what I am
00:45:09I can't just turn my back on him
00:45:13Do you even love him?
00:45:18Of course I do
00:45:20You're lying to yourself
00:45:23Again
00:45:25That's enough
00:45:26I'm done with this
00:45:26Fine
00:45:28If you don't want me
00:45:29Walk away
00:45:31Then I can be done with this too
00:45:33Just like
00:45:34Why not?
00:45:46Where are you?
00:45:47I can't just fly
00:45:50I can't
00:45:50I can't
00:45:52I can't
00:45:58You're lying
00:46:01Cause there are
00:46:33I guess you belong to me, you have been waiting to see, now you got your soul snatched, you're soul
00:46:39snatched, cause once I get a hold you'll never get your soul back, soul back, soul snatched, you're soul snatched,
00:46:48cause once I get a hold you'll never get your soul back, soul snatched, you're soul snatched, cause once I
00:46:56get a hold you'll never get your soul back, soul snatched, you're soul snatched, cause once I get a hold
00:47:03you'll never get your soul back.
00:47:03You might never get some trouble back.
00:47:06You don't got some trouble back.
00:47:15Ooh, glasses.
00:47:18So sexy.
00:47:21You know what?
00:47:25You're so sexy.
00:47:35What's so funny?
00:47:37Now that I've lived out my fantasy, I don't really know what to do next.
00:47:41Well, I'm sure you'll think of something.
00:47:45What's your fantasy?
00:47:48You'll laugh.
00:47:50I promise I won't.
00:47:54To write and direct my own plays.
00:47:56You would be amazing at that.
00:47:59Tell that to Mason.
00:48:00He thinks I should stay in my lane.
00:48:04Have you had other lovers?
00:48:07Mm-mm.
00:48:10Only you.
00:48:12Well, I hope I didn't disappoint you.
00:48:15Disappoint me?
00:48:16No.
00:48:18You set the bar, baby.
00:48:20That's all I'm going to think about.
00:48:32Bernie!
00:48:35Bernie?
00:48:38Mason!
00:48:40What are you doing here?
00:48:42Well, my meeting got pushed, and I felt so guilty about missing her anniversary.
00:48:47And I know that there's only one night left here, so I wanted to eat at us.
00:48:53It's a clipping from your very first review of Greta Stone.
00:48:58I'm raving, of course.
00:49:00I just wanted you to know that you are and always will be my little star.
00:49:09Mason, this is beautiful.
00:49:13I don't know what to say.
00:49:15I love you, Bernie.
00:49:19I love you, Bernie.
00:49:19I love you, Bernie.
00:49:20I love you, Bernie.
00:49:27Okay.
00:49:31What am I supposed to do?
00:49:33I don't know.
00:49:34How about being honest about who you are?
00:49:37Stop living a lie?
00:49:38It's not that easy.
00:49:39Well, pretending seems pretty fucking hard, too.
00:49:43I'll figure this out.
00:49:46I just need some more time.
00:49:49Okay?
00:49:49Just until the show wraps.
00:50:07Tired of being on your carousel of men, Greta?
00:50:10Don't be silly, my love.
00:50:13Tired of it, too, Greta.
00:50:14You have to choose.
00:50:15But it's impossible to choose.
00:50:19So why not have both?
00:50:22Very good, Vera.
00:50:23Kendrick, you're still a little late on your cue, buddy.
00:50:32I got to take this.
00:50:33It's the investor.
00:50:34Run the show?
00:50:35Yeah.
00:50:36Great.
00:50:42Thank you, gentlemen.
00:50:44Hey, I can't talk right now.
00:50:47I can't stop thinking about you, either.
00:50:50You got any notes for me?
00:50:52Sure do.
00:50:53You got to get a little bit closer.
00:50:54Oh, do I?
00:50:55Mm-hmm.
00:51:02You're going to get me in trouble.
00:51:04Okay.
00:51:05Bye.
00:51:09Can I help you?
00:51:10Mr. Edwards, I'm so sorry to bother you, but I need to talk to you about something.
00:51:15Yeah, I got to get back to it.
00:51:17I'm on the clock.
00:51:18It's about Birdie.
00:51:19She's having an affair.
00:51:23Excuse me?
00:51:24Birdie's having an affair with your lead actress, Vera Grace.
00:51:28Okay, I don't know who you are, but I certainly don't need a janitor to tell me about my wife.
00:51:34I'm the concessions manager, and I do know what I'm talking about.
00:51:38Oh, okay, Mr. Concessions manager.
00:51:41What proof do you have?
00:51:42I've seen them together.
00:51:45Kissing?
00:51:46In bed what?
00:51:47On stage.
00:51:49Just the looks, the touching.
00:51:51Look, if you watch them closely, you'll see it, too.
00:51:54Okay, look, I don't expect you to understand this, but my wife is an amazing actress.
00:51:59She creates chemistry on stage, so whatever you think you saw, you didn't.
00:52:05Cass, get this guy.
00:52:06He's disrespecting the theater and my wife.
00:52:09Have him fired immediately.
00:52:10You're going to regret this.
00:52:11Pretty soon, the whole world is going to see what's right underneath your nose.
00:52:22Oh, Mason.
00:52:26Birdie was just giving me her insights on Greta's promiscuity and the lack of quality male suitors in her world.
00:52:34Where are Adam and Kendrick?
00:52:36Oh, we gave them a break so we could work some things out alone.
00:52:43Do you mind if I take the reins back?
00:52:45No, of course not.
00:52:47Sure.
00:52:51Why don't we show Vera the proper slow answer?
00:52:55Techniques.
00:52:57Mm-hmm.
00:52:59Do you remember our wedding night?
00:53:02Mm-hmm.
00:53:11You're not wearing your new necklace.
00:53:13Oh.
00:53:14Um.
00:53:15It was a little tight on my neck, so I took it off.
00:53:25Make sure you get used to it.
00:53:29Back to work?
00:53:32Yeah.
00:53:34Gentlemen, from the top.
00:53:52I see you got your collar on, like a good dog.
00:53:55Mason must be thrilled.
00:54:01I'd like to put you on a leash.
00:54:05I'm sorry, I know this isn't ideal.
00:54:08What?
00:54:08No, I personally love watching you be manhandled in public by your husband while I sneak around in the shadows.
00:54:15It feels like you're ashamed to be with me or something.
00:54:18What?
00:54:20No, I'm not.
00:54:22Hey, back in five.
00:54:25You okay?
00:54:25You okay?
00:54:26Yep.
00:54:27I'll be right there.
00:54:31I promise.
00:54:33When this is all over, I will leave him.
00:54:36I only want to be with you.
00:54:39Our way.
00:54:41I wish there was a way for us to be together now.
00:54:44I just want to touch you and not care who sees it.
00:54:48Maybe I know a way.
00:54:51What are you doing tonight?
00:55:03I can't do this.
00:55:04Hey.
00:55:06I'm in charge tonight.
00:55:10Come on.
00:55:18I've never been to one of these before.
00:55:20What, a masquerade party?
00:55:22A lesbian party?
00:55:25You can be yourself, dear.
00:55:35I've never felt this free before.
00:55:38That's why I love this place.
00:55:40It's not this place.
00:55:44It's you, Vera.
00:55:57Oh, my God.
00:55:59You're Buddy Edwards.
00:56:02Excuse me?
00:56:03I'm your biggest fan.
00:56:04I've seen Stone's Fantasy at least 50 times.
00:56:07I'm sorry.
00:56:08I don't know what you're talking about.
00:56:10I'm sorry.
00:56:11I thought you were the actress of Birdie Edwards.
00:56:15You look so familiar.
00:56:16Are you sure you're not famous?
00:56:17Oh, trust me.
00:56:18She's not.
00:56:19Oh.
00:56:20I feel terrible.
00:56:22Can I buy you both a drink to make up for it?
00:56:25It's fine, really.
00:56:27Have a good one.
00:56:36I have a lot of fun tonight.
00:56:37Oh, who said it was over?
00:56:44Sorry.
00:56:46Sorry I took that picture of you.
00:56:49You're fine.
00:56:50Have a good night.
00:56:53Hey.
00:56:56How would you like making 500 bucks?
00:57:04Make me want to be on martinis.
00:57:06I think we should just go to bed.
00:57:08We have a big day tomorrow.
00:57:09Oh, but I'm having fun.
00:57:12I just want to be with you.
00:57:18So, earlier was a lie?
00:57:22No.
00:57:23Of course not.
00:57:25But that was fantasy land.
00:57:27This is real life.
00:57:30So, real life means always having to hide who we are?
00:57:34Never actually being together?
00:57:36That's not fair.
00:57:38Tonight was fun.
00:57:41But we have to stay focused on the play.
00:57:43Oh, my God.
00:57:44It's always about the fucking play.
00:57:46Oh, your voice.
00:57:47Why?
00:57:48I'm not afraid to tell everyone who I love.
00:57:52Vera, what do you say?
00:57:54I love you, Birdie.
00:58:01Clearly, you don't feel the same.
00:58:03I'm such a baby.
00:58:08Don't.
00:58:10Don't touch me.
00:58:12Ever again.
00:58:25Don't touch me.
00:58:26That's great.
00:58:29Don't touch me.
00:58:29What?
00:58:34I love you.
00:58:37I love you.
00:58:41Don't touch me.
00:58:43I love you.
00:58:46Don't touch me.
00:58:56I told you I don't want to see you again.
00:58:59Why are you here?
00:59:04Because I wanted to let you know that I've been thinking.
00:59:11And...
00:59:13Vera, I'm in love with you, too.
00:59:17You mean that?
00:59:20I do.
00:59:27On your knees.
00:59:37Honey, what the hell are you doing?
00:59:48Mason, I can explain.
00:59:49No, don't bother.
00:59:50I already know about all your deviant behavior.
00:59:52She is not deviant.
00:59:55We're in love.
00:59:59You poor idiot girl.
01:00:01Do you honestly think that Bertie Edwards is in love with you?
01:00:04She only loves this spotlight.
01:00:06Oh, oh, oh, oh.
01:00:07And the 10% cut that she's making off of you.
01:00:09How dare you?
01:00:10You don't know the first thing about her.
01:00:13Mason is right.
01:00:16But that was before everything.
01:00:19So it really was just business.
01:00:21It wasn't.
01:00:23Or at least not anymore.
01:00:24How am I supposed to believe anything you say?
01:00:27Why don't I help speed this up here?
01:00:42Bertie, what is it?
01:00:48I mean, the whole world knows about the two of you.
01:00:51Well done.
01:00:52So what?
01:00:54I'm not ashamed of who I am or who I love.
01:00:57Mason, I am sincerely sorry.
01:01:00We didn't want you to find out this way.
01:01:02We never meant to hurt you.
01:01:03But Bertie and I just want to be together.
01:01:07We should go to a press conference.
01:01:09Oh, I want the world to know how I feel about you.
01:01:12But do you think that's a bit much?
01:01:14I had a contact at Gwen's office.
01:01:16We're meeting her tomorrow.
01:01:17Good.
01:01:19She'll handle it.
01:01:20Wait, what is happening here?
01:01:22Who's Gwen?
01:01:23She's our publicist.
01:01:26So you're just going to have your publicist sweet this under the rug?
01:01:29This is how celebrities handle crises.
01:01:33What about starting our lives together?
01:01:36Living our truth?
01:01:40It wasn't supposed to come out that way.
01:01:42So what?
01:01:43It's out.
01:01:44I don't care how.
01:01:45I just care about being with you.
01:01:51It's complicated.
01:01:52Yeah, it's complicated.
01:01:54I'll say.
01:01:55We've got less than ten fucking minutes to open this show.
01:01:58And every single member in that audience is going to know about this scandal.
01:02:01And it's your job to fucking make them forget it.
01:02:04The show must go on, right?
01:02:06It's all you've ever cared about?
01:02:09Well, good luck finding your new greatest stuff.
01:02:12No, Vera.
01:02:12You're not thinking clearly.
01:02:13Actually, I've never felt more clear about anything in my entire life.
01:02:17I see who you are.
01:02:20A fame monster that he created.
01:02:23Always afraid to be honest.
01:02:25Show your true self.
01:02:28You're living in a gilded cage, Bertie.
01:02:31I mean, if that's what being a star is, then I don't want any part of it.
01:02:35Hey.
01:02:36Do you know how much time and money I've invested in you?
01:02:39A million girls would die to be in your place.
01:02:42You are an ungrateful brat.
01:02:45You're a joke, Mason.
01:02:47And a sham.
01:02:48The only one with any real talent is Bertie, and you've been riding her coattails for years.
01:02:53You may have convinced her that she needs you, but you'll never convince me.
01:03:00Listen, if you walk out that door, you're never coming back.
01:03:11Come with me.
01:03:16We can make our own art together, just like we talked about.
01:03:20Please.
01:03:24I love you.
01:03:35Good luck with the show.
01:03:36Good luck with the show.
01:03:53I love you.
01:03:57I love you.
01:03:58I love you.
01:03:58How about you?
01:03:58Are you?
01:04:01I love you.
01:04:02Okay.
01:04:12All right.
01:04:13All right.
01:04:13All right.
01:04:16All right.
01:04:20All right.
01:04:21all the time so no you didn't why I gave blood once or twice why are we doing this because
01:04:33if
01:04:33we don't turn this PR nightmare around and get the show back on its feet we will lose every cent
01:04:38we have birdie no I don't think it'll work trust me this is a tried-and-true strategy of many
01:04:48a
01:04:48floundering celebrity no I mean this won't fix what's wrong between us Mason
01:04:58I'll give you two a moment
01:05:03haven't you caused enough trouble already just answer me one question
01:05:10are you happy what kind of question is that a simple one because I can honestly say
01:05:18I'm not happy
01:05:22I don't know if I've ever been how dare you I have given you everything that you ever wanted
01:05:32except love
01:05:34you're not leaving me because if you do I will take everything
01:05:40I know all about the other women Mason you can have the house but I want the theater
01:05:49you owe me that much
01:05:51you'll never make it without me
01:05:55maybe
01:05:59but I'm going to try anyways
01:06:13the number you are trying to reach is no longer in service
01:06:17the number you are trying to reach is no longer in service
01:06:30the number you are trying to reach is no longer in service
01:06:32the number you are trying to reach is no longer in service
01:06:33the number you are trying to reach is no longer in service
01:06:34the number you are trying to reach is no longer in service
01:06:36the number you are trying to reach is no longer in service
01:06:36the number you are trying to reach is no longer in service
01:06:38the number you are trying to reach is no longer in service
01:06:41the number you are trying to reach is no longer in service
01:06:47I've never felt this free before.
01:07:07Bertie.
01:07:09This is phenomenal.
01:07:15I was struck by inspiration, and it just poured out of me.
01:07:20Did that inspiration take the form of a beautiful dark-eyed girl named Vera Grace?
01:07:28I love her, Cass.
01:07:31I'm no longer afraid to admit it.
01:07:35That's why I need you to tell me where she is.
01:07:38I'm sorry, I don't know, Bertie.
01:07:40She must have left a forwarding address.
01:07:43She did, but it was a P.O. box.
01:07:46I'm afraid I don't know any more than that.
01:07:48No phone number or nothing?
01:07:51I wish I could help.
01:07:59I'm going to miss seeing you every day, Bertie Edwards.
01:08:02You are a true star.
01:08:09What are you going to do now?
01:08:11The only thing I know how to do is take this broken heart and turn it into art.
01:08:26Bertie, you have a new play coming out, A Masked Love Affair.
01:08:30Yes.
01:08:31It's a much smaller production than I've been involved with in the past, but it's the one
01:08:37I'm most proud of.
01:08:38You wrote, you're directing, and you're starring in this play.
01:08:42You're quite the triple hyphenate.
01:08:44Tell us about this play.
01:08:46Well, it's about finding yourself when you didn't even realize how lost you were.
01:08:52And it was inspired by someone very special to me.
01:08:57You're the only one that knows me.
01:09:00All of me.
01:09:03There are parts of me that came alive because of you.
01:09:07I'm ready to make this fantasy a reality.
01:09:14I'm ready to make this fantasy a reality.
01:09:32Woo!
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