- 3 hours ago
[EngSub] His Muse
Category
🎥
Short filmTranscript
00:07¡Suscríbete al canal!
00:30Wow, you're even cuter in person.
00:32I can't believe you're...
00:33This is actually...
00:34Hey, hey.
00:34Deep breaths, yeah?
00:36You two must be the contest winners.
00:38Nice to meet you.
00:40Hi.
00:41Tell you what.
00:42The star in your heart was actually my producer's idea.
00:45And maybe we go see him now, huh?
00:48Yeah.
00:51You knew we were the contest winners.
00:53So that whole stripper thing was, what, just to mess with me?
00:57It was a joke.
00:58Cheer up.
00:59Now you get to tell everyone you sat in Miles Mayne's lab.
01:02Right.
01:03This may come as a shock to your massive ego,
01:05but I don't actually care enough about you to talk about you.
01:08I'm here for my sister,
01:09and you're going to show her a wonderful time
01:11with a nice, normal human being.
01:14Or what?
01:16Bad press goes a long way.
01:31Oh, my God.
01:33That's Lance Carter.
01:34Producer, prodigy.
01:36Faisy.
01:38And you're Judd Jones.
01:39Grandpa Jed.
01:41Head of security.
01:43Grandpa.
01:43You know I'm like five years older than these guys, right?
01:47Anyways, ground rules.
01:49So as contest winners, you will be spending the day with Miles,
01:51getting an inside look at the songwriting process.
01:54Lucky us.
01:55What?
01:56You don't want to get it up close and personal?
01:58I thought we were building so much couch.
02:00What were you saying?
02:01There will be no recordings, no pictures, and no touching.
02:07New protocol.
02:08I have a stalker, one of the crazy ones.
02:10Lucky me.
02:11All right.
02:12So, everything understood?
02:14Yes?
02:15Great.
02:15I'll leave you to it.
02:17So that last rule, is that a part of the boys as well?
02:20You know what they say?
02:22Rules are meant to be broken.
02:25Is that broken enough for you?
02:29Funny.
02:30This house doesn't really give pop star mansion.
02:33I was expecting Miles Mayne's writing retreat would take place on a yacht or something.
02:37Not in a house in the middle of nowhere.
02:40Well, it's my granddad's place.
02:42I grew up coming here.
02:43I wanted to get back to my roots for the second album.
02:46Oh.
02:47Could we hear some?
02:48Please?
02:52Funny, we...
02:53Miles, have actually been going through a little bit of a writer's block recently.
02:57How about you play something from the first album?
02:58No, I already told you I'm not playing that crap.
03:00No more poppy commercial bullshit.
03:02And I've already told you for the past 10 years of working with you, commercial does not equal bad.
03:07The label won't...
03:08Screw the label.
03:09I'm an artist.
03:10I'm not a product.
03:29Like, I died at the harmony stack in the chorus of Honey Love Forever.
03:33Maybe you could show us how you did that.
03:36That was me, actually.
03:38Seriously?
03:40Well, you're literally a genius.
03:41I mean, the hyperproduction of the backing vocals is...
03:44Chef's kiss.
03:45Nice to have someone who actually appreciates what I do.
03:49Alexis?
03:50Come on.
03:50I want to show you something.
03:52Really?
03:53Let's go.
03:55Look at that.
03:57Whoa, whoa, whoa.
03:59Don't you want a free lesson after you came all this way?
04:01The ingratitude.
04:02You're right.
04:03My mistake.
04:04I am so grateful to be in the presence of the genius writer who wrote the song,
04:08My Heart Beats Deep for You, Girl.
04:11See?
04:11I knew you were a fan.
04:13Come here.
04:14Make a new lesson.
04:18Come here.
04:19Come here.
04:25I'm not a fan.
04:26You're just an egotistical psychopath who sings empty love songs to indoctrinate young women.
04:33You don't think I know your type?
04:35I go to Juilliard.
04:37Juilliard, huh?
04:38Oh.
04:40Must be an expert.
04:41What do you do, maestro?
04:43I am a dancer.
04:45Ballet.
04:46I am actually auditioning to be Prima in my company on Friday.
04:50Hmm.
04:51Yeah, well, um, I can show you my art if you show me yours.
05:02Like that?
05:02Yeah.
05:08You can show me anything you want.
05:19Pass.
05:21Uh, why don't we just try to get through this godforsaken day and then I can go back to never
05:27having to see your face ever again.
05:31Whatever you say, sweetheart.
05:42Hey!
05:43Woo!
05:44Take that.
05:45Lex?
05:45Beer pong?
05:46Seriously?
05:47You're not even 21?
05:48I will be.
05:49In two months.
05:50You better be pinch drinking for her.
05:51Wanna play?
05:52Not with you, no.
05:55Boys will be boys.
05:56Judd always pretends like he's our babysitter.
06:00So does the gig come with bath time and bedtime stories as well, or?
06:04Uh, no.
06:04Why are you offering, though?
06:08So you, uh, flirting with my producer now?
06:10No, I just...
06:11Because if you want my attention, all you have to do is ask.
06:13What I want has nothing to do with you, so why don't you just mind your own business and let
06:16the adults talk?
06:17I don't look like an adult to you?
06:21When are you going to stop trying to mess with me?
06:25You know, it's really not that cute.
06:27I think I made you laugh.
06:31I think you like it.
06:32I don't.
06:33Liar.
06:38Are you okay?
06:39Yeah.
06:41What was that?
06:44Is everyone okay?
06:45Yeah.
06:48All right, well, I got some bad news.
06:50We got a storm rolling in.
06:52What about our flights?
06:53No one's going anywhere.
06:54Not tonight.
06:56Oh.
06:57Guess we're stuck together?
06:58Winter.
06:59Oh my god, are we, like, in danger?
07:01Is this a killer storm kind of thing?
07:03I have to leave.
07:04I have a really important audition on Friday that I cannot miss.
07:06Save it for the pilots, sweetheart.
07:08I'm sure a rescue plane's going to come by and save the ballerina.
07:12I really got to leave or else I'll go into jail for attempted murder.
07:15Hannah!
07:17Look, I don't have any details, all right?
07:19But as soon as I find out something, you'll be the first to know.
07:22In the meantime, seeing as there are no hotels within a 50-mile radius, you two get comfortable.
07:35So now that we've got some time to kill, does anyone want to see this guitar synth hybrid I've been
07:40working on?
07:41Love.
07:43Okay.
07:45Oh, wait.
07:47If you get scared of the storm, when doors open.
07:51Hmm, no.
07:53How many times do I have to turn you down?
07:56I think I'd rather sleep outside.
08:11This is like a dream come true.
08:13More like a nightmare.
08:15Okay, listen up, sister.
08:17Over the course of the next however many days we're stuck here, Miles and I are going to fall madly
08:22in love.
08:22Got it?
08:24Sure, I can, you know, barely talk to him without feeling like I'm going to puke butterflies, but it'll just
08:30make for good stories to tell the grandkids.
08:32Your job is to play nice with your future brother-in-law.
08:37I don't want to have to choose sides, but if it comes out to it, I might have to.
08:42What about Lance?
08:43He seems nice, and you guys both know the same techno mumbo-jumbo.
08:48Yeah, I mean, he's like a producing wizard, but I mean, it's Miles Mayes.
08:54Lex, I just, I don't want you to get hurt.
08:58Guys like Miles, they're all take and no give.
09:01I know, but Han, Miles isn't your loser wannabe ex-boyfriend.
09:06For one thing, he's not wannabe.
09:09Please, let me just try.
09:11For me, please, please.
09:14Fine.
09:15Yes, thank you, thank you, thank you.
09:18Hmm.
09:20Alexis Mayes.
09:23Got a nice ring to it, don't you think?
09:25I think I'm scared.
09:44Can I help you?
09:46Uh, I, uh, couldn't sleep, storm.
09:51I thought I'd make some hot cocoa or something, but only it was bird food.
09:55Well, it takes a lot of work to look this good.
10:01Uh-huh.
10:03Hey.
10:05What?
10:05Bitch.
10:07Huh.
10:10What?
10:11What do we say when we want to share?
10:13Give it.
10:15No.
10:28You gonna make enough for two?
10:30What do we say when we want someone to share?
10:36Please.
10:46I know you're doing it wrong.
10:49You gotta heat it on the stove.
10:51Yeah, but sure.
10:52Let me show you how it's done.
10:58Well, you're not used to girls who don't swoon over you.
11:03Get used to it.
11:06Maybe I will.
11:08Maybe I will.
11:20Here.
11:28Nice and slow.
11:32Stop flirting with me.
11:34You first.
11:35You're such a child.
11:37Teen idol.
11:38Arrested development.
11:40I mean, what can you do?
11:48Sure you don't want to bung with me?
11:50What did I literally just say?
11:52You're so pretty, yet so dumb.
11:56You think I'm pretty?
11:59I'm going to bed now.
12:01I bet you had a poster of me on your wall, didn't you?
12:05Good night, Miles.
12:14It doesn't even make sense, but I think about you.
12:20It was only one night, only that time, and it's not my style to be caught up.
12:24Morning, sunshine.
12:25What's up?
12:28Pretty impressive, huh?
12:29Uh-huh.
12:31Really?
12:31You call that choreo?
12:33You think you can do better, ballerina?
12:35Oh, I know I can do better.
12:37I'll see you.
12:48It's not my style to be caught up in the middle of this.
12:53Because now I dream about you.
12:57I was probably too drunk.
12:59It's blurry, but I've got the image of you running circles in my mind right now.
13:03And it could fade away.
13:06But it probably won't.
13:08And I should let it be.
13:11But I'm going to dive.
13:13Dive into you.
13:16Maybe I'll drown.
13:18What can I do?
13:20And it would be alright to let me down.
13:24Rather we try to let these feelings slide.
13:28So I'm going to dive.
13:30Dive into you.
13:39Dude.
13:43Yes.
13:44Yes, that is exactly what you need.
13:48I'm a singer, not a dancer.
13:50No one cares about my choreo.
13:52No, you wanted to be the front man.
13:53So suck it up and front, man.
13:55That is amazing.
13:56Can you teach him some moves?
13:57What's in it for me?
14:00Backstage passes to your stop on the next door.
14:02She'll do it.
14:07Meanwhile, I'd love to hear those new samples you were talking about yesterday.
14:12Pretty please.
14:13Yeah, yeah.
14:16Yeah.
14:18How do you want me, coach?
14:20Okay.
14:21It doesn't even make sense.
14:22Start with your right hand.
14:23I'll try to fight it.
14:31I did not just pick a sink.
14:33Just a little bit.
14:34Then a little bit of a move.
14:36I don't want to see the marks.
14:39Loose it.
14:40I'm just going to get set.
14:41I'm going to go back.
14:42We're going to have to go back.
14:43Hips.
14:44Hey, not bad.
14:46Okay, that's good.
14:48Hips.
14:49Back.
14:49But i'm going to die.
14:53Over to you.
14:54Hopefully I already do the properly.
14:55Not too much.
14:57No.
14:58No.
15:03No.
15:05No.
15:06No.
15:07No.
15:08No.
15:09No.
15:10No.
15:12No.
15:13No.
15:17No.
15:17Sí, perfecto.
15:26¿Te enseñó eso en la escuela de ballet?
15:28No exactamente.
15:35I actually started en hip-hop,
15:37pero mi parents dijo que era un waste de talento,
15:40así que era un clássico.
15:41¿Tienes que ser una prima o una prima o algo?
15:45No, no, no, no, no, no.
15:46Es prima.
15:47I mean, yeah, sure,
15:50es un loto work.
15:51Es death to your joints
15:53y las otras chicas son un montón de flimsy,
15:56pero...
15:56I want a dance,
15:58so...
15:59¿Qué más voy a hacer, strip?
16:02Yeah.
16:03Ok.
16:05Round 2.
16:09Judd got an update from the Coast Guard.
16:11¿Para hacer?
16:14No.
16:15No, no, no, no.
16:22No entiendo.
16:26Es literalmente el sol y el sol y el sol.
16:29No, no, no.
16:31No, no, no, no.
16:3272 horas de lockdown, kill me now.
16:35Hey, en la bright side,
16:36we get three whole days
16:37of uninterrupted album inspo
16:39with a couple of our Vegas fans.
16:42Hey, Lex,
16:43Let's tell them about your song.
16:44Really?
16:45Yeah.
16:47Okay, I think Harry Styles' lyricism
16:51meets Sabrina Carpenter Hooks,
16:52so like fun and catchy,
16:54but also emotional and metaphorical.
16:58Miles, you gotta hear it.
16:59I think it's got real commercial potential.
17:01I'm sure it's a hit, but I'm not your guy.
17:05I already told you I don't wanna do commercial.
17:08Dude, just because millions of people hear something
17:10doesn't mean it's not art, okay?
17:12When did you become such a snob?
17:13Since when did you become the label's little bitch, huh?
17:16I said no.
17:42I didn't be the label's.
17:48T-T-T-T-T-T-T.
18:11Homecoming Mission
18:15No, no, no, no.
18:42Good, huh? I had a Xanax prescription when I was 14. Lance and Judd, they're the only people I trust.
18:48Yeah, I had to work four jobs just to get through college. I ate ramen for an entire year just
18:53to afford new pointe shoes.
18:54Oh, yeah? My stalker sends me vials of her blood.
19:01Seriously?
19:03Seriously.
19:06Okay, you win.
19:09You mean lose.
19:13I'm sorry, that's really not funny.
19:15I think girls sending me their bodily fluids is hilarious.
19:20So I guess we're both not doing what we really want to be doing, huh?
19:26Maybe we should do what we want to do.
19:37You first.
19:40Play it again.
19:52Thank you for coming.
19:53Oh, yeah.
19:53Thanks for having me.
19:54Still corrupting my sister, I see.
19:57Okay, like you never drank underage before.
20:00I didn't, actually.
20:02Hey, come on. It's just a game.
20:04Such a goody two-shoes.
20:05I'm not.
20:07Prove it.
20:08You're going to relax or what?
20:13Oh, okay.
20:14Drink, drink, drink, drink, drink, drink, drink, drink.
20:16There she is like, ooh.
20:17Yeah, go ahead.
20:18All right, I'll play.
20:19Let's go.
20:20Let's go.
20:22Okay, so I'm pretty sure everyone is a p***h.
20:25Woo!
20:27Woo!
20:30Woo!
20:31Woo!
20:31Woo!
20:31Woo!
20:37Woo!
20:40Woo!
20:41Woo!
20:44Woo!
20:44You!
20:47Woo!
20:47Woo!
20:47Woo!
20:48Woo!
20:48Woo!
20:48Woo!
20:49Woo!
20:49Wait, come on.
20:51I know, I'm.
20:52.
20:52Come on.
20:53Can't get enough of the weekend.
20:56All right, drive.
20:59Drive!
21:00I got to make the car.
21:01Yay, yay, yay, yay, yay, yay!
21:03Yay, yay, yay, yay, yay, yay, yay, yay, yay!
21:04¡Suscríbete al canal!
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24:34¿Te da cuenta si me mueve o algo?
24:39Sí, nada más.
24:42Miles, he conocido desde que era 12 años.
24:43He nunca visto a alguien como lo que ha visto.
24:48Sí, bueno, no he conocido a alguien como ella.
24:51¿Es eso lo que quieres decir?
24:55No importa.
24:56Si me gusta, ella me gusta.
24:59Ella me gusta.
25:01Ella me parece que yo soy un hombre,
25:02un hombre, un hombre, un hombre.
25:05Miles May is doubting himself.
25:10No pensaba que hoy se ve algo especial.
25:19Yo diría que lo voy a hacer.
25:23¿Te da un favor y déjame que alguien deflazca ese ego?
25:31Si es la persona de mi,
25:31¿Me voy a ser la persona de ayer?
25:35Sí.
26:01¿Por qué me gustó Miles?
26:03I didn't I mean not really you don't like him do you what no it's just for the
26:10game I don't want to make things weird right Lex please don't be there I'm not
26:17mad I'm just surprised I don't know like you guys have been fighting all week and
26:22I never thought I'd say this but he's actually been such a dick to you and it's
26:26not even don't worry I will not include that in your maid of honor speech promise
26:34right okay this is dumb we don't even need candles I'm just gonna grab my phone
26:39give me a sec
26:57Miles Miles is that you get his name out of your mouth look it off me we are bound together
27:07by blood I gave him a
27:09mine and now I'm here for his but first I saw you kiss him and I won't let you get
27:18in the
27:19way of our love help someone please help me you're fucking crazy only when I'm off my meds bitch
27:27hey hey get off get off get around here
27:33Miles let go of me Miles Miles it's me it's me baby you're so me
27:38are you okay are you okay oh my god hey deep breaths deep breaths deep breaths deep breaths
27:45right there right there right there right there right there
27:51Hannah? Hannah? Hannah? Oh my god that was so scary are you okay?
28:01who was my crazy bitch? I'm sorry I forgot I'm okay I don't know what I would have done if
28:06it's okay like I'm right here
28:08come here I'm around
28:49I...
28:50couldn't sleep.
28:53Me neither.
28:56I, uh...
28:57made you some hot cocoa.
29:00Not that it makes up for the fact
29:01that I almost got you killed.
29:06But I just felt
29:07I feel
29:10horrible that I dragged you
29:11into this
29:12mess of my life.
29:14And
29:15you obviously
29:16are well within your rights
29:18to ruin my reputation
29:19since
29:20I've completely failed
29:22at being a nice
29:23normal human being.
29:42You know he's
29:48I'm
29:49dead
29:50filled it out.
29:57No, no, no, no.
30:24No, no, no, no.
30:53This is about me almost getting you killed, and that's some sort of you only live once thing.
30:56It is.
30:58Shut up.
31:38So this is what being run out on feels like.
31:41Look, I've only been on the other side.
31:45I'm sorry, last night was a mistake.
31:48Because of your sister?
31:50Look, I've been thinking, what if Alexis just gets over me?
31:56I know, it's hard to imagine.
31:59But Lance seems to like her a lot, and they just get to know each other a little longer.
32:05It's not about that.
32:06Give me until the storm passes, and I swear to you, I'll play Cupid, and she'll forget
32:14my name.
32:15Good luck.
32:17Even if that were to happen, it's more than that.
32:20I have an audition I have to get back to.
32:23You're going on tour.
32:26This isn't real life, Miles.
32:29We're living in a fantasy.
32:33Yeah, well, all I know is, I can't let you go.
32:51I should go before she wakes up.
33:10Round two?
33:17Uh, great news, boss.
33:18Storm's cleared, we're ready to go.
33:20Stock has been evacuated, placed into custody, and I've got a plane for the Taylor sisters.
33:24You know, what if they didn't leave?
33:28What do you mean?
33:29I think, let's keep this between us two.
33:33I think a few more days would be good.
33:35I'm feeling inspired again, finally.
33:38And I could use Alexis's insight and Hannah's dancing, or, you know, her coaching.
33:45Listen, I don't know, after the incident last night, it's...
33:48It's a security risk?
33:49No, the alarm system was only down because of the power, but...
33:52Great, that's great.
33:53Yeah, it'll just be two or three days.
33:55I'm sure she won't mind.
33:58Want to bet?
34:02I'm just gonna...
34:03Yeah.
34:06Came back.
34:07What is wrong with you?
34:09I can explain.
34:10What, you were just gonna make me miss my entire audition and ruin everything?
34:15Hannah, you don't even want to be a ballerina.
34:16You said so yourself.
34:17So what?
34:18You can't abduct me just because you think you know what's best.
34:20I just needed more time for Lance and Alexis, like I said.
34:24You are so selfish.
34:25All you care about is what you want.
34:29How could I have been so stupid?
34:31Why did I let this happen?
34:32What, you're just toying with me?
34:33I wasn't toying with you.
34:34I was falling in love with you.
34:43What the hell?
34:46Lex, I...
34:47Wait.
34:48No.
34:49You stay here.
34:50You've done enough.
34:56Alexis, I'm so sorry.
34:57I never wanted you to find out like this.
34:59Yeah, I'm guessing you didn't want me to find out at all.
35:03How did it start?
35:06Last night, after the stalker, he was comforting me and he made me feel safe.
35:12And then later I couldn't sleep and...
35:18You had sex with him?
35:20Alexis, it just happened.
35:22I never meant to hurt you.
35:23How could you?
35:26He's an asshole.
35:28What?
35:30I thought you loved him.
35:32I mean, I did.
35:34Or at least I thought I did.
35:36And then I saw what a jerk he was to you.
35:39Talk about a turn-off.
35:40Like, ew.
35:41Not like Lance.
35:44Seriously, Han.
35:45I mean, what do you even see in that guy?
35:46I thought you swore off guys like him.
35:48I thought you hated him.
35:51He's like competitive and selfish and full of himself.
36:02But he's also creative and talented and funny and surprisingly sweet.
36:10Oh my god.
36:12You love him.
36:13No.
36:15I mean, I don't know.
36:17Isn't it too early for something like that?
36:21It doesn't matter.
36:23He lied to me.
36:24So it's over and we're leaving today.
36:27I don't know, Han.
36:28I've never seen anyone break through your shell like this before.
36:50Okay, I know we're compromising, but that's way too emo.
36:56Did you strike out a hand?
36:58I wish.
37:10Well, give it to me.
37:11What'd you do?
37:14Bro, it's literally my job as your best friend and producer to clean up your shit.
37:17So what did you do?
37:20I was going to abduct her.
37:24What?
37:26I mean, not really.
37:27Obviously, I just...
37:30I may have tried to omit some information on when she was allowed to leave.
37:35Okay, that's bad, man.
37:37Oh no.
37:37That's bad.
37:38I know.
37:39She's got every right to be pissed at me.
37:42Just the idea of her leaving me behind.
37:45Her going back to her real life and thinking of me as this, like, dumb fantasy.
37:52I wanted more.
37:54I want to be more.
37:57I still do.
38:00I missed something miserable about it and let's do something.
38:03What do you mean?
38:05We got some ideas.
38:15Our car will be here in 10.
38:19Hey, Lex.
38:21Could I steal you for a second?
38:22I'm trying to figure out this bridge and I need your genius on.
38:25Sorry, but the car is...
38:26Of course.
38:28I'll be two seconds, I swear.
38:31If you are not back by the time the car gets here, I'm leaving without you.
38:50So, you tell the press that I'm an egotistical chauvinist asshole yet?
38:54I don't want to see you right now, Miles.
38:57You know what?
38:57I don't think I ever want to see you again.
39:03Okay.
39:05Don't look at me.
39:08Just listen.
39:11Just listen.
39:30You're standing in the doorway like caught in your hair, cocoa warming both your hands like the whole world led
39:40you there.
39:40You cross the room in silence, weightless on the floor, every step, a held breath, I've never felt before.
39:51You turn without an audience, you land without a sound, like gravity's a promise that's gentler when you're around.
40:02Oh, if the music stopped on the floor, every step, a held breath, I'd still be standing breathless, watching you.
40:24Oh, if the music stopped on the floor, every step, a held breathless on the floor, every step, a held
40:42breathless on the floor.
40:44I'm sorry I lied.
40:47I messed up.
40:48I know I did.
40:49I did.
40:50It was selfish, like you said.
40:52And okay, maybe I'm an egotistical psychopath, but I can't imagine losing you.
41:01I need you.
41:02I need you, Hannah.
41:03I need you to push me and to put me back into place, to call me out and to stand
41:08up to me, and occasionally steal my hot cocoa.
41:17I never wanted to do this stupid competition in the first place.
41:20I begged the label to cancel, but then it turns out, meeting you, I'm the real big winner.
41:35And you're free to go, but you need to know that I want you to stay.
41:47Hi.
41:51My host, I don't...
41:52Wait, before you say anything, I have one more thing for you.
41:56Job offer.
41:59I want you as the lead dancer in my upcoming tour, and as a choreographer if you're interested.
42:07You don't have to do that.
42:09You don't have to feel bad for making me miss my audition.
42:14You're right.
42:15I didn't really want it anyways.
42:22Well, I don't feel guilty about that.
42:27Because thinking of you dance to that boring classical stuff with a bunch of flimsy bitches, that's the real waste
42:34of talent.
42:38I'm asking you because you're an incredible artist, Hannah, and I want you on my team.
42:45And I can keep it professional.
42:48I mean, I don't want to, but if you want to, it's...
42:56So what do you say?
43:01I say yes.
43:03To the job or to me?
43:06To both.
43:09It worked.
43:10It worked.
43:10Your stupid love song indoctrinated me.
43:13To both!
43:30Yeah!
43:31Do you love birds?
43:33She said yes
43:35You know, I really wanted you to be my husband
43:38But I think brother-in-law is much better
43:42Okay, we got a toast
43:43Welcome to the new members of the team
43:44No way
43:45Han, come on, I can have one drink
43:47You can't have one either
43:48Because dance rehearsal starts today, Mr. Popstar
43:51What?
43:52How do you want me, coach?
44:08He's coming
44:09Dios is here, run
44:18Where is
44:19The daughter?
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