- 18 hours ago
Patience S02E04 (2026) [Full Movie] [Vertical Drama]Full EP - Full
Category
🎥
Short filmTranscript
00:01Welcome.
00:04That seems to be good.
00:06There you go. Thank you so much.
00:08Bye, Lola. Have fun.
00:20Here we are.
00:26Ready? Three, two, one.
00:30I'll just get Lola settled.
00:32Sure.
00:51All right, Chicken.
00:54I'll just go find you, Dad.
01:03922, York.
01:05933, Church Fenton.
01:07942, Garforth.
01:09959, Leeds.
01:111008, New Pudsey.
01:131018, Bradford Interchange.
01:141029, Halifax.
01:161041, Hebdenbridge.
01:181102, Burnley, Manchester Road.
01:201112, Akrington.
01:221120, Blackburn.
01:241140, Preston.
01:261149, Kirkham, Wesson.
01:281157, Pudson, Lafayette.
01:301224, North.
01:38109, Halifax.
01:401114, должна be,
01:40129, Halifax.
01:42129,cap.
01:46129, Hotman.
01:467BB, loss app.
01:47129,7 cab.
01:487101,875,
01:51888,5!
01:51942, farther down to her master.
01:58888, km2, 385, 3 compensation.
01:59Hi. We should do a gig here.
02:02Oh, we should. Absolutely.
02:03It's epic.
02:06So beautiful.
02:08So beautiful.
02:09If you'll follow me, I'll take you to the very spot
02:12where a local squire was accused of devilry,
02:15then bricked into the abbey wall.
02:17You can still hear his muffled screams today.
02:21It's me. I'm the squire.
02:22No.
02:24Um, you don't mind it if these guys join, do you?
02:30No.
02:33Sorry, everyone.
02:34I had to get that out of the system.
02:36You all right? Yeah, just about.
02:38All right, OK. This way now.
02:59No.
03:00No.
03:00No.
03:00No.
03:15No.
03:18No.
03:19No.
03:20No.
03:21No.
03:21No.
03:22No.
03:23No.
03:23No.
03:27No.
03:27No.
03:30No.
03:40No.
03:43No.
03:44No.
04:17I'm Philip Braxton. He's a specialist engineer.
04:22Hi. Can we help you?
04:24I'm Martin. I'm a colleague of Phil's.
04:27I hope the officer said you would want to speak with me.
04:30Yeah. Dear Santa.
04:32I'll see you in a minute.
04:34So, tell me, how long have you worked?
04:35So what do we think?
04:37Well, looks like he sustained a traumatic brain injury
04:42from a blow to the head. He would have died within a minute.
04:46Is this the murder weapon?
04:47Yeah, I say so. From its dimensions.
04:50Blood's a bit of a giveaway.
05:01He was a good bloke. He's great with his kids.
05:05Have you found her? The daughter.
05:07Daughter?
05:08The mother drops her off every Wednesday.
05:10She would have been here.
05:12She's, um... She's autistic.
05:17Right, well, here we are. Thanks very much.
05:19Hope you had fun.
05:20And either way, thanks for getting me out of the house.
05:23Up here.
05:24Oh, thank you very much.
05:27Oh, that's a really cool picture with the lights behind you.
05:30Can I have your phone?
05:31Yeah, yeah, yeah.
05:32Oh, nice of you. I look great.
05:43Nothing a filter won't affect.
05:44Right, come on.
05:45I'm freezing.
05:47This place is definitely haunted.
05:48Oh, yeah.
05:49Later as you do.
05:50See ya.
05:51See ya, losers.
05:52Thought you were a loser.
05:53Yes.
05:56I like your friends.
05:58Yeah.
05:59Yeah.
06:00Idiots.
06:02Wish I hang out where you are sometime.
06:04My friends?
06:05Yeah.
06:07I want to meet them.
06:10Okay.
06:11Oh.
06:30Yeah, um, sorry to ruin the evening.
06:34Why don't you do then?
06:38Give me a call later, yeah?
06:40Yeah.
06:41Bye.
06:42Bye.
06:44All right, headphones.
06:45Love a boy not staying?
06:47No.
06:47It's his night off.
06:49Come on.
06:50We need you.
06:58Hey, boss.
06:58We found this in the bin.
07:00It's the wife's phone.
07:00Claire Braxton.
07:01We put a call out, but her car still parked in the street outside.
07:04So what are we thinking?
07:05What?
07:05She killed her husband and then fled on foot?
07:08We...
07:09Was that her with her daughter?
07:10Yeah, Lola Braxton.
07:12She's 11 years old, autistic, predominantly non-verbal.
07:15We're sweeping the area, but there's no sign of either of them.
07:17And we can't assume we're together.
07:19What do you think?
07:21Sorry?
07:22What do I...
07:23What do I think of what?
07:24Well, I thought you might have a hunch where their daughter is, because you're both,
07:27you know...
07:28We're...
07:28Both.
07:29Well, you know, you're...
07:31You're...
07:32Autistic?
07:35Well, no.
07:36I mean, we're not all the same.
07:38I don't know what she's thinking.
07:40Yeah, I don't have time for you to get all offended.
07:41I'm just...
07:43Asking for your input.
07:44Please.
07:47Okay.
07:49Erm...
07:51I guess...
07:53I guess when I was younger, I liked to find small spaces to hide in,
07:56so I could feel the walls around me, but always near my dad because it felt safer.
08:09So we're looking for an 11-year-old girl.
08:11Lola?
08:12Lola Braxton.
08:13And we think she might be hiding in a small space, so spread out and be thorough.
08:18Lola!
08:19Not in trouble.
08:20Lola?
08:22Are you in here?
08:29Lola?
08:30Lola?
08:31You hear me?
08:34Lola?
08:36Lola?
08:37Lola?
08:43Lola, are you in here, love?
08:48Lola?
09:04Lola, are you in here, love?
09:08Lola?
09:09Lola, are you okay?
09:15Lola, are you okay?
09:23She, er, may have just witnessed her father's murder.
09:27Poor thing.
09:30She seems to be chanting.
09:32Er, it's echolalia.
09:34It's a way of self-soothing.
09:36Yeah, communication is a bit of an issue.
09:39And there are no other witnesses?
09:41No. Right now, everyone who's passed through this museum in the last few hours is a suspect.
09:49The mum's phone's not given us much and nothing from the house search.
09:53Given the level of risk, I've contacted MPU.
09:55There is an older sister as well.
09:56She works near the station in a kebab shop.
09:59They're ringing her over now.
10:00Good. Get on to local hospitals, stations.
10:03Mum, I spoke to a couple of her friends. Doesn't look like a domestic.
10:06Apparently things were pretty good between them.
10:08Yeah, but, you know, you don't know what goes on behind closed doors, though.
10:12No.
10:19Jesus.
10:20Both parents gone in one afternoon.
10:32Evie, I'm Detective Inspector Monroe.
10:34Yeah, where's Lola? Where's my sister?
10:36Have you found my mum?
10:36We're doing everything we can, I promise.
10:38We've got a social worker who's gonna come and look after you and Lola at your house,
10:41until we find your mum.
10:42Wait, no, I can look after Lola. I'm 19.
10:44OK, but with Lola's needs, you still have to be assessed.
10:48Please.
10:49Sit.
10:59OK, listen.
11:00We need to move fast, so I'm gonna have to ask you some difficult questions, alright?
11:04What do you mean?
11:05How did your mum and dad get on?
11:07Did they argue?
11:08Were there tensions in the house?
11:10What?
11:10I just want you to be totally honest with us, Evie.
11:13Because I wouldn't be doing my job properly if I didn't consider all the possibilities.
11:16Oh, so you're saying that my mum killed my dad?
11:18You're joking.
11:20OK.
11:21You're just ruling things out, Evie.
11:23Can you think of any reason why your mum would disappear?
11:27Well, if you're saying that she ran off, it's probably because she couldn't handle the stress of Lola anymore.
11:31Would she say that?
11:31No.
11:34No.
11:36But you don't understand.
11:37It's so full on.
11:39She saps mum's time, energy, money, everything she takes.
11:43Everything.
11:53Yeah.
11:53Just wait here, girl.
11:55Are you OK?
11:57Hi, I'm Kirsty.
11:58I'm the social worker.
11:59Hi, Kirsty.
11:59I'm Deo Munro.
12:00Um, their father was killed today.
12:03And the mother's gone missing.
12:04And the younger one's autistic and the older one really, really doesn't want you to be here.
12:07So that's a tough one.
12:08OK.
12:08Do you want to get them out of the car?
12:10Yeah.
12:14Hi, Lola.
12:15I'm Kirsty.
12:16I'm the social worker.
12:16Come on, let's get you inside.
12:20Hi.
12:21What's going on?
12:21I'm Deo Munro.
12:22And you are?
12:23A lot of family friend.
12:24Is everything all right?
12:26Er, the girl's father was killed earlier today.
12:30Oh, my God.
12:31Come on, Evie.
12:32Thank you, girl.
12:34Oh, Evie.
12:35I am so sorry, love.
12:37Oh.
12:40Poor thing.
12:40I've got to go check on Lola.
12:42Yeah.
12:42Do you live nearby?
12:45Er, yeah.
12:46I'm a neighbour.
12:47Oh, right.
12:47When was the last time you saw the girl's mother?
12:49Claire?
12:50Not for a few days, I think.
12:52Well, if you hear anything, let me know.
12:53Yeah.
13:06So this should be around the time they arrived.
13:10You still don't know where the mum is?
13:15No.
13:16And I'm not sure she's coming back.
13:21You think she's dead?
13:25Just doesn't want to be found.
13:30Oh, look.
13:31There.
13:32It's them.
13:34Well done.
13:42Billy, can you go back, please?
13:44Er...
13:45Yeah.
13:46Just...
13:47Two seconds.
13:51There.
13:53She's wearing a rucksack.
13:55What?
13:56What?
13:57Lola.
13:58The girl, she...
13:59She's wearing a backpack.
14:00But when we found her, there wasn't one.
14:03So where's it gone?
14:15So you think the rucksack is still in the museum?
14:17Er...
14:18Yes.
14:18The CCTV footage showed Lola entering with it,
14:21but when we found her, it wasn't there.
14:23Okay, so what's it look like?
14:24Er...
14:25Well, it's orange with black straps,
14:27two side pockets both empty,
14:28front pocket also empty,
14:29and it's got a black hat on the front of it.
14:31Okay.
14:32Good work.
14:32Right.
14:33We're looking for an orange rucksack
14:35with black straps.
14:36Spread out, everybody.
14:38All right, boys, check down there.
14:40They're still the carriage left, let's see.
14:46Any luck?
14:47No.
14:48D'Arm and Rose are still checking the workshop, though.
14:50Okay.
14:50Er...
14:51Let's head down there.
14:52Walk the grid, so to speak.
14:54Yeah.
14:55Er...
14:55Sorry.
14:56Actually, DS Winter...
14:59Er...
14:59If you ever date someone properly,
15:02would you introduce them to your friends?
15:05I think so.
15:06Yeah, why?
15:07Well, it's just that Elliot wants to meet...
15:10them.
15:11Well, that's a good thing, isn't it?
15:13But...
15:14I don't know.
15:15I mean, why would he...
15:16Why would he need to meet my friends?
15:19Well, maybe he just wants to get to know you a bit better.
15:25Yeah.
15:26Yeah.
15:27Yeah, I guess so.
15:30Thanks.
15:33Wait a minute.
15:34What do you mean if I ever was to date someone properly?
16:15There you are.
16:20There's about 300 in there.
16:23And they found traces of marijuana in the rucksack.
16:26The little girl has been used as a drug mule.
16:29Seems like it, yeah.
16:31And have we identified where the bank's from?
16:35Well, as you can see, there's not much to go on.
16:43So, what are you thinking?
16:44Father runs into debt, trying to care for his daughter.
16:47So, starts selling drugs and then runs into trouble with a rival dealer.
16:52And how's the mother involved?
16:54We just don't know, sir.
16:55And at this point, you know, she could be a victim.
16:58Or a suspect.
17:01All right.
17:07Yeah.
17:08I should be with you now.
17:09Let me know if you hear anything.
17:11All right.
17:12All right.
17:14Hi.
17:15Erm, I double checked the archive.
17:16There's...
17:17There's nothing on Philip or Claire Braxton.
17:20All right, well, it was a long shot.
17:22Yeah.
17:24What if, erm...
17:26What if Clyde didn't want to be found?
17:29Well, what do you mean?
17:33Erm...
17:34Well...
17:35Evie said that she...
17:37...couldn't handle the stress of raising Lola,
17:39and so maybe...
17:40...maybe that made her want to disappear.
17:42Yeah.
17:46Well, I think it's much more likely that her disappearance is connected to her husband's murder.
17:53Yeah, it feels like the only one with any answers is Lola.
18:17Hi.
18:17Hi.
18:19Erm...
18:19Sorry.
18:20We're looking for Lola.
18:22We've...
18:22We've got something for her.
18:25Yeah.
18:26Go.
18:31Look at that.
18:34Look at the gold.
18:35That's good.
18:37That's one for the collection, yeah?
18:40Yeah.
18:45Thanks.
18:46That was nice of you.
18:48Yeah, my brother loves chains too.
18:50That's actually one from his collection.
18:53Oh, don't worry.
18:54She can keep it.
18:55Billy also collects loyalty cards.
18:57Yeah.
18:58Why?
19:00I guess it's a way of finding order in the chaos sometimes.
19:04You know, it's just my head is...
19:09922 York.
19:10933 Church Fenton.
19:12942 Garforth.
19:14947 New Timbergate.
19:16959 Leeds.
19:181018 New Pudsey.
19:191018 New Pudsey.
19:211029 Haricots.
19:221014 Neckton Bridge.
19:241014 Neckton Bridge.
19:26Oh, Lola.
19:27It's okay.
19:28Just try and breathe.
19:30Try and breathe.
19:35There's nothing there.
19:45Every Wednesday at 4 they come.
19:46Like clockwork.
19:48Less same.
19:50Same outfit.
19:50Same rucksack.
19:52A load of routine, Phil will call it.
19:54And then where did they go?
19:56Um, the maintenance yard.
19:58She'd get in one of the trains and look out the window like it was a real journey.
20:03Very sweet.
20:04And your door's security, are you?
20:06What does that entail?
20:07Bag checks, mostly.
20:08Staff?
20:09Visitors?
20:10Everyone.
20:11So you'd have checked inside Lola's work, sir?
20:14Well, no.
20:16She was a little one and she didn't like to be touched, so...
20:22Okay, right.
20:25God, well.
20:26Bloody air defenders.
20:27God.
20:28Mum would know what to do.
20:30Um, Evie, can I just try something?
20:33No, it's fine.
20:34It's fine.
20:34Can I just try?
20:35No, no.
20:36I'm okay.
20:36I've got it.
20:37It's fine.
20:38Evie.
20:38Best if we step outside.
20:40Yeah?
20:45It's okay.
20:45I promise.
20:47Okay.
20:51Okay.
20:53Okay.
21:00Do you want to join me in here, Lola?
21:02Lola?
21:03Lola.
21:05Lola.
21:06Lola.
21:06Lola.
21:27Lola.
21:43I like it in here.
21:48You know, when I was younger, I used to hide under my bed.
21:55I still do sometimes.
21:57I still do sometimes.
21:57I still do sometimes.
22:31What are you doing with the phone box?
22:34Um, Lola gave it to me.
22:38She's never given it to anyone before.
22:43Um, it's like a security blanket.
22:47It was, um, it was her mum's idea.
22:53Well, my mum gave me a special box too.
23:16Thank you, Lola.
23:23We know Lola brought the backpack every Wednesday.
23:25Saw her dad for two hours.
23:27Just enough time for him, we assume, to swap the cash for cannabis.
23:32So Philip uses Lola as a drug mule.
23:35Only this time something goes wrong, I'm going to kill him.
23:40Yeah, but why leave a bag of money behind?
23:42Yeah, and how does a missing mum tie into all of this?
23:46Chuck us a kebab.
23:51What do you think?
23:52What do we get?
23:54Christ.
23:55Look.
23:59That's the same.
24:00So the bag used to hold the money came from Diablos.
24:03And who do we know who works there?
24:10So we found the rucksack, Evie.
24:12How long have you been dealing?
24:14No comment.
24:17Did your parents know that you were using your sister to transport drugs?
24:21No comment.
24:25Evie, your father has been killed and your mother is missing.
24:29I think the time for no comment has passed.
24:32This is a total joke.
24:34Why are you wasting your time talking to me when you should be out there looking for my mum?
24:37Yeah, we are.
24:38And we need you to help us.
24:41This is a murder investigation.
24:43I'm not with a drug squad.
24:46Talk to me.
24:48How did it work?
24:49So you put the money in the rucksack.
24:51Someone at the museum exchanged it for drugs.
24:53Who was it?
24:57I was just a guy I knew from school.
25:00And why did you do it?
25:01Diablo's not paying you enough.
25:04I didn't even need that money.
25:05I gave it to my dad.
25:10Okay, so...
25:12You and your dad did this together?
25:16Not at first.
25:19He caught me and I said I'd stop.
25:24We were just in so much debt at the time and I...
25:28I just said I could help.
25:33Exactly how was he involved?
25:40He arranged for us to use the museum as a drop-off point.
25:44Said it was safer that way.
25:47It was only going to be for a bit, just till we got back on our feet.
25:50And where were you selling the drugs?
25:57Evie, your father's been murdered.
25:58I think you need to cooperate.
26:02Just, like...
26:02Kids at college, kids at class.
26:04It wasn't a big deal.
26:08Okay.
26:10I'm going to hold you for further questioning and then, uh...
26:13You'll be allowed home pending a court hearing.
26:15Not at a court hearing.
26:18The law's the law, Evie.
26:20You'll be all right.
26:21You're a survivor.
26:23No, no, because you don't understand.
26:25I didn't have a choice.
26:26My mum had to give up a job.
26:27I had to give up my uni place because we couldn't afford it.
26:29This isn't my fault.
26:30It's because of the roller.
26:32No, you can't just walk away.
26:33Where are you going?
26:35You don't understand.
26:36It's not my fault.
27:01Patience, right?
27:03Yep.
27:04Zinzi.
27:04I work with DCI Baxter.
27:06Yes, I know.
27:08I was hoping to catch you for a chat, actually.
27:10Really?
27:11I would love to include you in some of the work we're doing on the rebrand.
27:14Oh, no.
27:15Well, that's not really my thing.
27:17Don't be silly.
27:19DCI Baxter told me about your autism, which I think is fantastic.
27:23And I think your truth is really valid
27:25and will resonate with so many people who think that maybe the police isn't for them.
27:28Okay, well, I'm not actually part of the police.
27:30I work in criminal records.
27:32And I love that.
27:33That is exactly what we're looking for.
27:35Your authenticity, your diversity,
27:37and I hope I'm not making you feel uncomfortable here,
27:41but you're fantastic.
27:43Oh, DCI Baxter.
27:46Hi.
27:46Sorry, Emilys.
27:47I got stuck in a meeting and the train was delayed.
27:50I sat at Garforth station for 20 minutes.
27:52Couldn't even find a snack.
27:53Garforth?
27:54Sorry, where did you say the train started from?
27:57Er, Blackpool North.
27:58That's why.
28:03Er, sorry.
28:04You're going to have to wait a while longer.
28:06Wait.
28:09We've pulled in Evie's school friend.
28:11We're doing a background on him,
28:12but so far it's looking like our story's checking out.
28:14And all our punters are a bunch of college stoners,
28:16all pretty small time.
28:16And the money wasn't taken.
28:18You know, I think we can forget the link
28:20between the dealer and the murder.
28:22Hi.
28:22Er, Lola's been trying to tell us something,
28:24and that's what this is.
28:26Just give me a sec.
28:32Here we go.
28:33York to Blackpool North.
28:34I mean, if there's an answer,
28:36it's got to be in this route.
28:42What?
28:43No, no, no.
28:44There's a station missing.
28:46Er, Lola always says,
28:48York, Churchventon, Garforth, New Temple Gate.
28:52York, Churchventon, New Temple Gate leads.
28:56There's no New Temple Gate.
28:59Well, maybe it's a disused station.
29:01Yeah.
29:02New Temple Gate.
29:06No, there's no station there.
29:08But if it's a school...
29:13Right.
29:15It's a specialist school.
29:18Go to the gallery?
29:19Mm-hmm.
29:22That's Lola.
29:27Scroll back.
29:28Hmm?
29:29Yeah, scroll, scroll back.
29:31I know that woman.
29:33She's their neighbour.
29:38Lola was at our school until a couple of years ago.
29:41I remember Claire found it pretty tricky at first.
29:44She hoped Lola could be cured.
29:47Um...
29:48Well, some can't be cured.
29:49It's not an illness.
29:51Yeah.
29:52Claire came to recognise this
29:54and finally understood
29:57and then loved how Lola saw the world.
29:59It's not easy for parents
30:01or the children.
30:03Sometimes things break down,
30:04but it's rarely a lack of love.
30:08Do you really believe that?
30:11Absolutely.
30:16Tell me about Nadia Ward.
30:19That's quite a sad story, actually.
30:22Her daughter Kelly was in Lola's class.
30:26She had a seizure and died last year.
30:30Nadia had a breakdown.
30:31She blamed the school.
30:32She hassled staff.
30:34What do you mean?
30:35Nadia stalked Kelly's key worker.
30:37She really needed help.
30:40Wait.
30:41Er...
30:42So, I recognise that jacket.
30:47Why?
30:55She was at the museum
30:56the day of the murder.
30:58Jesus.
31:00And I think she was outside the girl's house
31:03the other day.
31:03I think that's what Lola saw.
31:05What?
31:05Well, that's what Lola has been trying to tell us.
31:08She's afraid of Nadia Ward.
31:09Crap.
31:11Sorry.
31:13Jane, we need to get hold of the girl's social worker.
31:16Nadia, their neighbour.
31:17She could be dangerous.
31:19Okay, we're going to leave in five, yeah?
31:33One.
31:59What are you doing?
32:02Where are we?
32:03Oh, I'll sleep here.
32:04Take a seat.
32:05What have you done to me?
32:06I said...
32:08Sit down.
32:12Would you like some tea?
32:15Get some tea.
32:32Oh, that's okay.
32:33Yeah, do you want to check around the back?
32:35Okay.
32:54What have you got on Nadia?
32:59Check.
33:03There's nothing out of back.
33:04Okay, go and check upstairs.
33:05All right.
33:11I'll be right back.
33:11I don't know.
33:45I don't know.
34:18I feel better.
34:23Kelly!
34:26Stop being silly!
34:31Hey, boss, we've got a problem.
34:33There's no sign of the kids and no sign of Nadia because apparently she's never lived on this street.
34:37All right, so we've got a mentally unstable woman who has a breakdown when her daughter dies, unable to grieve.
34:42She transfers her affection to another child and starts stalking her.
34:45You've got to know her fix address, ma'am, but she did inherit her mum's country house three years ago.
34:49Here's her location.
34:51All right, let's go.
34:52I don't get it. What's Nadia's plan?
34:54I thought she just wanted Lola.
34:55Yeah, and what's she going to do to Evie?
34:57Will, of course, back up.
35:17Mum!
35:18Mum!
35:20Mum!
35:21Mum!
35:22Mum!
35:23Oh, my God!
35:24Mum!
35:24Oh, thank God! Thank God! Are you OK?
35:28Are you OK? Are you OK?
35:30Oh, thank God!
35:33Oh, Kelly!
35:36There you go.
35:43Kelly!
35:46Come on! We've got to go now!
35:56Come on!
35:57Come on!
36:08Come on!
36:13Hey!
36:25There you are. How did I just leave?
36:27Let us go.
36:30Come on, Kelly.
36:31No. It's Lola.
36:34What?
36:36No, it's not. It's Kelly. Come on, Kelly.
36:38Let us go.
36:41Stay back!
36:42I said I'd come back.
36:43Stay back!
36:44Kelly!
36:45Run!
36:47Get out of here!
36:48Kelly!
36:50Kelly!
36:54Kelly!
37:12Get out!
37:14Get out!
37:15Okay, Nadia.
37:17I'm Detective Frankie Munro.
37:20Stay away!
37:21Okay.
37:22Okay?
37:22I need you to calm down, okay?
37:24I need you to calm right down.
37:25Okay?
37:26I'm stepping back.
37:26I'm stepping back, okay?
37:27I'm taking Kelly away.
37:28You can't stop me.
37:31Okay.
37:38Are you all right, Claire?
37:39Okay.
37:41I know you're suffering, Nadia.
37:44Hurting Claire is not going to bring your daughter back.
37:46You don't know anything about me!
37:48No.
37:49I don't know anything about you, Nadia.
37:51I don't.
37:52And I want to know.
37:52I want to talk to you nice and calmly.
37:54Okay?
37:55But first, I need you to let Claire go.
37:58Okay?
37:59Stop.
38:00Stop.
38:03No, that's not your daughter.
38:05She don't deserve her.
38:08I can look after her.
38:11I can move her.
38:13It's okay.
38:17You're all here!
38:26You're out!
38:27Patient is conscious and breathing.
38:47She was constantly hassling us.
38:51Born in time with Lola.
38:54And why didn't you report her?
38:57We felt sorry.
39:02And we thought we could handle it.
39:05But then she turned up at the museum.
39:10No!
39:12Give her to me!
39:13Where is she?
39:14Goddard, stop!
39:20What have you done?
39:22Oh, Claire, no.
39:23What have you done?
39:24No, no, no, no, Annie.
39:25Phil, turn in.
39:27No!
39:27Phil.
39:28Phil.
39:29No, no, no.
39:32They're calling an ambulance.
39:34Oh, shit.
39:37Phil.
39:37No, no, no, no.
39:38Oh, no, no, no, no.
39:41Phil.
39:42I'm sorry.
39:47I'm sorry.
39:50I'm sorry.
39:52Whoa.
39:53Okay.
39:57Come on.
40:11I'm sorry for everything I put you through.
40:15You must hate me.
40:16No, sweetheart. No.
40:20The two are you.
40:24There's nothing you could ever do
40:28that would stop me loving you.
40:35Namaste. No, no, Dad.
40:39Me too.
40:57So, er...
41:01Anyone fancy some crisps?
41:03Or, er, nuts?
41:05Oh, yeah, thank you.
41:07Er, oh.
41:09Patience likes nuts,
41:10but you're allergic to sesame.
41:12Yes.
41:13Oh.
41:15Yeah, she found out when she was seven.
41:16Eight. Eight.
41:19Yeah, she found out when she was eight.
41:21She found it out at a trampolining party.
41:23Oh, yeah.
41:24Which is when she also found out she doesn't like trampolining.
41:27Oh.
41:30Right, well, er...
41:31Let's not do that, then.
41:35So, er, Billie, Patience says you run her group.
41:38Yeah, yeah.
41:39Er, she joined in 2022.
41:42January 2022.
41:44Which is actually her favourite month.
41:47Partially because snowdrops are her favourite flower.
41:55You know a lot about her, don't you?
41:57Yeah.
41:59Yeah.
42:00Supposed to do.
42:07I'll just go to the toilet.
42:08Yeah.
42:08Okay.
42:11Great.
42:11All right.
42:25This isn't going well.
42:45Is this weird?
42:47This is weird, isn't it?
42:48Yeah.
42:48I think, er, it is a little bit weird.
42:50Oh.
42:52Yeah.
42:52I think she wants us to, you know, bummed.
42:56Yeah.
42:57Oh.
42:58Which is fair enough.
42:59Yeah.
42:59You're her best friend.
43:02And I'm...
43:03You're a boyfriend, aren't you?
43:06I mean, I've not exactly done that yet.
43:10Hmm.
43:11But I do really like her.
43:12Hmm.
43:13And she really likes you.
43:18Yeah?
43:18Yeah.
43:23Okey-dokey, folks.
43:24Start assembling your teams for the quiz.
43:27Oh, I love a quiz night.
43:29Although I can basically only do music and birds.
43:32Ooh, I can do history, art, and, like, a little bit of sports.
43:36Although, to be honest, if we've got patience, we're basically...
43:38We do not need to be here at all.
43:43Hey.
43:45Um, I've just signed ourselves up for the quiz.
43:49Oh.
43:49Oh, that's okay.
43:50Yeah.
43:51Yeah.
43:54Oh, I, um...
43:57I really like your necklace.
44:00I like it, too.
44:04Question one.
44:05Who?
44:05Where is the scarlet grind said to roam not?
44:12Ah.
44:15Ah.
44:16Ah.
44:17Ah.
44:18Ah.
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