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We provide carefully selected series full of romance, drama, suspense, and emotional storytelling. Whether you enjoy Turkish dramas, Chinese historical series, Korean romantic dramas, Thai lakorn, or Filipino teleserye, PrimeSeries delivers high-quality episodes with accurate English subtitles for global audiences.
Watch full episodes in HD, discover trending Asian series, and enjoy daily updates from the most popular international shows.
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TVTranscript
00:04You
00:31Let's go.
01:00Let's go.
01:31Let's go.
02:16Let's go.
02:18Let's go.
03:10Let's go.
03:14So now we are going to see the famous relic of St. Tuta. Let's go.
03:20Her femur is here.
03:23Follow me.
03:24There's the altarpiece, too.
03:26And because I don't want this visit to only be about looking at tile, right?
03:29No.
03:29I've organized, with the museum, our own private workshop that not everyone is lucky enough
03:34to do.
03:34I had them prepare a room for us so we can decorate our own tiles.
03:38I mean, you obviously won't be able to tile your bathroom with them, but it'll be a great
03:42souvenir to take home.
03:43Let's go, little group.
03:44So tiles, that's like poor people's stuff, right?
03:46You need to see this.
03:51It's called Panoramic View of Lisbon.
03:54And it's attributed to the Spanish painter Gabriel del Barco.
03:58These 75 feet of tile represent 8.5 miles of coastline.
04:03It's the best existing representation of the city before the 1755 earthquake.
04:08So somewhere in this city, there's a lost treasure someone wants to keep hidden.
04:12It's like we're in an Indiana Jones movie.
04:14But not the fourth one.
04:15The monkey one.
04:16Any of the first three.
04:17Those are the good ones.
04:39Oh shit.
04:40Mama!
04:41Another one!
04:42Kike!
04:43Kote!
04:43I can't.
04:44I'm creating.
04:52Why a cross?
04:54This is the Portuguese cross.
04:56Many noblemen used to wear it around their necks, like the Marquis of Pombal.
05:01Do you mind holding it?
05:03I need to get a copy for my notebook, and I can't seem to get the light just right.
05:07But why does this interest you?
05:09Because of Fernando Paredes.
05:11It seems he might have been...
05:14I'm so sorry.
05:14I really shouldn't share details about the investigation with you.
05:17Are you still investigating?
05:19So is that why they arrested Alicia?
05:21No, she got caught stealing.
05:23That's what my mom said.
05:25No, she was just following a clue.
05:26Yeah, right.
05:27In a carriage museum.
05:40Fabio, where are you going?
05:42Okay, maybe Nicolau isn't our killer after all.
05:45But he knew something about Fernando, therefore about the treasure.
05:48But you don't even know where he lives.
05:49Well, let's just say I'm resourceful.
05:52No.
05:54No, you can't go.
05:55Hang on.
05:56Since when are you in charge?
05:57Ever since I realized you'd take off the second you find the next clue.
06:02Okay, I get it.
06:03We spent four days together, and you think you know me?
06:06On the contrary.
06:08I don't know you.
06:10So I don't trust you.
06:13Well, I don't know you either, Alicia.
06:15Now that you mention it, I don't know Sherlock Holmes or Miss Marple either.
06:19Very well.
06:20Arsene Lupin.
06:22What do you want to know?
06:27Well, why did you really come to Lisbon?
06:28And why have you been following me since we got here?
06:34I find you attractive.
06:36Like all women do.
06:50Listen, little group.
06:51In one hour, we'll be heading off to the Aguas Libidas Aqueduct.
06:54Oh, great.
06:54So today, in addition to eating bad food, we'll be eating bad food in a rush.
06:57This is truly unbelievable.
06:59If anyone's claustrophobic, tell me now, okay?
07:01Because there are underground galleries, of course.
07:03Okay, see you in an hour.
07:04An hour?
07:04Yes.
07:05Okay.
07:07Goodbye.
07:13The kid's easy to keep an eye on, because he's always with his parents.
07:16But the other three slip away more often.
07:18I never know who to follow.
07:21You don't have to follow anyone.
07:24Just keep me informed, that's all.
07:25Oh, well, it would have been easier if I could have kicked them out.
07:27But I guess, it's a good excuse, at least, for us to talk in person.
07:35Bruno, we seem to have a problem.
07:36If you're having stomach cramps, I promise there's no way on earth it could have been the mushrooms.
07:39No, there's a leak in the bathroom and water's everywhere.
07:41Isn't it allowed here?
07:42Okay, understood.
07:43The plumbing in this hotel belongs in a museum.
07:45Julio Iglesias wanted to buy the ones in his room last year.
07:48His offer was dizzying, but I said no.
07:50Oh, I'll do it myself.
07:51Thank you, but you should really hurry.
07:53Danny, Danny, come here.
07:56Come on, hurry.
08:00Be the lookout, okay?
08:01I need to get something important.
08:02What is it?
08:03Just guard the door.
08:05Oh, no.
08:07The adventure of the Glowyer Scott.
08:08The adventure of the Musgrave Ritual.
08:09The study in Scarlet.
08:10The adventure of the Speckled Band.
08:11The man with the Twisted Lip.
08:12The adventure of...
08:33Don't you want to sit down to eat?
08:34No, I'm being a lookout.
08:35A lookout?
08:37A lookout for what?
08:40Hmm.
08:44Hello.
08:49Is something wrong?
08:52My father had something in his eye.
09:16Do you like flamingos?
09:18Why do you ask?
09:23Oh, yeah.
09:24I don't even realize I'm doing it.
09:25They're really fascinating animals.
09:27Flamingo feces help increase the amount of soluble phosphorus in wetlands.
09:30It's incredible what we could achieve if we only recycled...
09:34I'm sorry.
09:39That has to be the worst pickup line I've ever heard anyone use on a woman in my life.
09:45I was just trying to entertain her with light conversation.
09:48Am I talking about her feces?
09:50No, not hers.
09:52It was flamingo feces.
09:53Ah, well that makes all the difference.
09:55Huh.
10:08Mr. Torres?
10:09Hmm?
10:10There's some things we need to discuss.
10:11Oh, okay.
10:12What about?
10:13Not here.
10:14Okay.
10:15Where?
10:16At the station.
10:17Come on.
10:19Okay.
10:37Has he been arrested?
10:39Well, I don't believe so.
10:41It's just protocol.
10:43Either way, Fabio has been lying to us ever since we got to Lisbon.
10:46I think it might be time for him to explain himself.
10:48It's funny how you police officers are the same.
10:51You never trust anyone.
10:51I'm sorry, what?
10:52Honestly, you'd have to be blind not to notice it.
10:54You're very organized.
10:55You know about protocol.
10:57You're so serious.
11:01What I don't understand is why you didn't tell us, unless, of course, you're here incognito investigating something else.
11:12Is that why you're here?
11:14So then you are undercover.
11:16Well, you know you can trust me.
11:18I'll take your secret to my grave.
11:21Yes.
11:22I'm with the police.
11:25Are you here to investigate a case?
11:28Is it about Fernando?
11:29Shh, it's about Fabio.
11:32And if he finds out about me, I'm going to know it was you.
11:40So what do we do about the message?
11:42Nothing.
11:42We do absolutely nothing.
11:44What do you mean we do nothing?
11:46We need to talk to Nicholas.
11:48Nicolau?
11:49You're right, Nicolau.
11:50And find out what he knows.
11:52Fabio sent you the address so we could go there.
11:55Yeah, but Fabio's not the boss of this group, and Nicolau's secondary right now.
11:58But God, Fernando, if Nicolau knows something, we have to talk to him.
12:02And if you don't want to, well, then I'll talk to him.
12:04Pura, you know I'll do it no matter what.
12:07What will she do?
12:08Nothing, Daniel.
12:09Could you leave us, please?
12:11You're going to leave me out of it again, aren't you?
12:14You never take me into account.
12:16And I'm the only one who can lead this investigation.
12:19We won't be leaving you out because we won't be doing anything.
12:21And that's it.
12:23We're going to have lunch.
12:24Then we'll do the excursion.
12:26And just wait.
12:36My assistant found many people named Fabio Torres Lozano in Spain.
12:41Unfortunately, no one fits your description.
12:44I guess that makes me hard to describe.
12:47Cristina says you're the only one in a group that hasn't provided her with a copy of their photo ID.
12:53Are you saying I'm here only because of a missing photo ID?
12:56I'm not trying to take out a mortgage in a bank, you know?
13:00Do you have your ID with you?
13:03No, I left home in a hurry and I stupidly forgot it in my other wallet.
13:10Good thing you gave your ID number to Cristina.
13:13Can you give it to me?
13:18That's a difficult question.
13:19It's like a game of trivial pursuit.
13:26It's 54009203Y as in Yugoslavia.
13:30My turn to choose a category.
13:32Hmm, how about science?
13:41I knew you would never let me go all alone.
13:45We're inseparable.
13:46Like Cagney and Lacey.
13:48Do you know who they are?
13:48I really love that old TV show.
13:52I've been into crime stuff for all my life.
13:54Did you know that?
13:54It's because of my grandpa.
13:55The poor guy had cataracts and couldn't see.
13:57So when I was little, I would read him the crime section of the newspaper.
14:01Why'd you become a police officer?
14:02What happened?
14:03Was it because of a friend, maybe?
14:06So why'd you join the force?
14:07Was your father in the police?
14:09Huh?
14:09Was your father in the police?
14:11It's around here.
14:14There he is.
14:19So now what do we do?
14:20We wait and then we follow.
14:26You see, my friend, I told you this place was going to be very special.
14:34Hey, isn't this super fun, Grandma?
14:36So your mom finally asked you to suck up to me.
14:38What?
14:39Took long enough.
14:40Hey, Grandma.
14:41Grandpa and you could have gotten married in Spain, right?
14:44So why get married here?
14:45We came here on vacation.
14:47You decided to propose, and of course I said yes.
14:50So we found a church.
14:52You don't have a photo of that day.
14:53At least I haven't seen one.
14:55Right?
14:55You two went on vacation without a camera?
14:57Your father didn't like it when we took photos.
14:59Either that or he wasn't excited about getting married.
15:04Okay, let's try, but be careful.
15:05Grab the back of the chair.
15:07Ready, Mama?
15:08Okay, lean back.
15:09Let's do this.
15:10Okay, pull it back towards you, Mama.
15:19Now we do what they do in the movies, right?
15:21We have to follow him from a safe distance.
15:24Then call the police for backup.
15:26What are you doing?
15:26He's going to see us.
15:43What are you doing?
15:44It's a weird time of day to be taking out the trash.
15:52It's the clue from the carriage.
15:53So then, Niccolò knocked you out yesterday.
15:57Therefore, he's the killer.
15:59He's not secondary anymore, is he?
16:03What does the riddle say then?
16:05I can't read it.
16:07He scratched it out.
16:08Is there anything else?
16:09What is this?
16:10What is it?
16:12The Count of Marcelo.
16:14This is from the riddle.
16:17We need a photo.
16:19Look, there's one here, too.
16:21And this?
16:22The Count.
16:25The Count.
16:26Let me see.
16:27Wait, hang on.
16:30Animals, birds, crew.
16:33What are you doing?
16:34Daniel.
16:36His phone's off.
16:44Hey, tell me you went after Niccolò.
16:46Only if you tell me you're with Daniel.
16:47What?
16:48Okay, yeah, just hang on a second.
16:53Marcelo, se eu morro que o Fernando Paredes foi de causa natural,
16:56podes me explicar por que estás a investigar?
16:57As a junta não foi de causa natural,
16:59acha que é um assassino entre eles.
17:00E tu?
17:01O que é que tu achas?
17:02Acho que sim.
17:02Acho que o assassino pode ser um deles.
17:10Marcelo, parece-se um caso importante.
17:14Podia ser este?
17:15Merece-se um caso importante.
17:17Mas ainda é cedo.
17:20Passa algum tempo com a tua mulher, com as tuas filhas?
17:23Tu não tinhas uma peça de teatro hoje da tua filha.
17:27É aí onde deves estar.
17:28E não a fazer perguntas sobre crimes que nunca aconteceram.
17:48Não, não, não.
17:49Just got on that tram.
18:00Well, what do you know?
18:01There's another one.
18:03Should we take that one?
18:04Okay, let's go.
18:09Have you seen Daniel?
18:10No.
18:15Carolina, have you seen Daniel by any chance?
18:19Are you guys still playing games?
18:21You're gonna get everyone in trouble.
18:22You know that.
18:23Yeah, thanks for telling me.
18:24Where's Daniel?
18:25I saw him go that way over there with his parents.
18:27That way there with Red Sinus.
18:29Thanks.
18:30Oh, one more thing.
18:31Why didn't you tell Patricia you two didn't sleep together?
18:34I did tell her.
18:35But much later.
18:36She went crazy all day because you lied to her.
18:39What do you mean, lied?
18:40You know.
18:41I know you're the one who spent the whole trip trying to get her into my bed.
18:43And there are two reasons for that.
18:45Either you feel extremely guilty for screwing her fiancé,
18:48where you want to keep screwing her fiancé.
18:50Sorry, what?
18:51He's a physical therapist or osteopath, right?
18:53And you have a back problem he's helping you with.
18:55But maybe he's just that good.
18:57But don't you worry, okay?
18:58We liars need to stick together, right?
19:15Danny, come here.
19:20Come on.
19:23You don't have service?
19:24No.
19:25Do you?
19:25Nothing.
19:26Not in here.
19:27Hang on.
19:29Here, I got bars.
19:31Yes.
19:32I got the photos.
19:46Fabio.
19:48Hey, what's up?
19:48Tell me you're with Nicolau.
19:49We're following him.
19:50He's on the tram right in front of ours.
19:52We're on a tram line.
19:53It's number 18E.
19:55And were you able to look at the words?
19:56Yes.
19:56Yes.
19:57Count and king appear before me.
19:58Once again, the king has to be Joseph I.
20:00As for the count...
20:01The count didn't count in the first riddle.
20:03So maybe he doesn't count here either.
20:05No, he cannot not count.
20:07It has to mean something.
20:08Otherwise, they wouldn't have included it in the riddle.
20:10Sure.
20:11Of course, yeah.
20:12Okay, let's focus on the new words then.
20:14Madera, Miedo, and Barcelos.
20:16Barcelos?
20:16That's the rooster thing that I painted on my tile, okay?
20:19It's also the mascot of Portugal, you know?
20:21And it's also a city that's close to, uh, Tabraga.
20:24But that's 400 kilometers away.
20:26The end of the line of this tramway is Ajuda.
20:29Madera means wood or wooden.
20:31Wooden?
20:32After the earthquake, Joseph I had his new palace built on the hill of Ajuda.
20:36But it was a cabin to start with.
20:37A wooden one?
20:38Yes.
20:38Because after the earthquake, he was terrified of close quarters.
20:41So he swore to himself he'd never stay in a construction made of stone.
20:43That's the word Miedo meaning fear.
20:46What about Barcelos?
20:47What does that mean?
20:48Should we look for a rooster when we get there?
20:50No, don't worry about that.
20:51I'll go there myself.
20:52See you later.
20:52Bye.
20:55Good.
20:56You stay here, okay?
20:56Hang on, wait.
20:58I'm going with you.
20:59No, you can't.
21:00I'm sure your parents are looking for you.
21:01Good job, kid.
21:08Daniel.
21:09Daniel, come down here.
21:38Oh, excuse me, excuse me.
21:40Can I get some excuse?
21:41Excuse me, please.
21:41Excuse me, please.
21:42Excuse me.
21:56Sweetheart, where did you go?
21:58Please try not to get sidetracked again, okay?
22:00Come on.
22:03Bathroom.
22:04What did you say?
22:05What?
22:06I have to go to the bathroom.
22:07I need to pee.
22:08Okay.
22:09Or maybe something else that'll take more time than that.
22:12Okay, fine.
22:13Go ahead.
22:13We'll wait here for you.
22:14Go on.
22:15Go.
22:15Hurry up.
22:26Okay.
22:27Fabio!
22:28Wait.
22:28No, what are you doing here?
22:29Go back to your parents.
22:30No.
22:31What do you mean no?
22:31Now's not a good time.
22:32We'll call you later.
22:33You're not going to leave me out again.
22:35What?
22:36Hang on a second.
22:37What can we do?
22:39Fine, you're in.
22:40Get in.
22:41Let's go.
22:45What's wrong?
22:46Huh?
22:52Continue on.
23:03Are we supposed to find a rooster here?
23:06This will take us forever.
23:33Do you think maybe we should call the police now?
23:35They should look for the rooster?
23:46The rooster isn't here.
23:49Torredo galo.
23:50Galo means rooster.
23:52Let's go.
23:55Let's go.
23:56Let's go.
24:16No, the seat covers are too rough.
24:18No, the seat covers are too rough.
24:20The seat covers are too smooth.
24:21The chauffeur's too young.
24:22The chauffeur's too old.
24:24We're in the middle of a chase to catch a killer to find a treasure.
24:27Technically, we haven't started the chase yet.
24:36Are trams okay?
24:37No, there are too many germs.
24:38How about a bus?
24:39You were on one recently.
24:40But it was the agencies.
24:42The local buses are cleaned way less efficiently and way less frequently than the tramways are.
24:46No, I was a bus driver in 2011 and they cleaned them every day.
24:49So if none of these are good, what do you suggest?
24:56You've got to be kidding me.
25:15That's for yesterday.
25:17What on earth are you doing?
25:18Have you gone crazy?
25:24Got it.
25:25Let's go.
25:25Come on.
25:26He won't stay unconscious for long.
25:27Bate, bate, bate, coração.
25:32Boco, loco, devoção.
25:35A imagem é assim, não se dá em favor.
25:41Triste vai dar tempo para aprender.
25:45Vai dar jeito para viver.
25:49O teu primeiro amor.
25:52O teu primeiro amor.
25:55O teu primeiro amor.
25:57O teu primeiro amor.
25:57Gonzalo?
25:58Quintas?
25:58Hello.
25:59How are you?
26:00This is Pura.
26:01Pura?
26:02I'm the tourist from Spain.
26:03With the murderer.
26:04How did you get this cell number?
26:08I'm sorry.
26:09Please excuse me.
26:10Sorry.
26:11Excuse me.
26:12I'm sorry.
26:13I'm sorry.
26:14Daniel!
26:16Daniel!
26:21Daniel!
26:22Daniel!
26:24Daniel!
26:25What are you doing?
26:26Getting him a pillow?
26:27He doesn't need one.
26:29He's already awake.
26:30Hurry up.
26:33Quick.
26:33Come on.
26:34Here.
26:35Put this on.
26:35Wait, what?
26:36How do you...
26:36Once you're on, you have to lean forward to accelerate.
26:38And you lean back to slow down or stop.
26:40You use your elbows when you turn.
26:41It's easy.
26:42You'll see.
26:42What are you doing?
26:42Hurry.
26:43Put your helmet on, Pura.
26:44Put it on.
26:44We have to go now.
26:45Are you sure?
26:45Come on.
26:46Get on.
26:46Yes.
26:46Trust me.
26:47Okay?
26:47Quick.
26:47He's coming.
26:48Come on.
26:49We have to move now.
26:50Ah!
27:09I need to go.
27:10I need to go.
27:11I need to go.
27:17Please let me hire you, Jim.
27:19Javio?
27:19Yeah?
27:20We have the next clue.
27:21And Nicolau?
27:23Well, he's hot on our trail.
27:25Why are you yelling?
27:25Where are you?
27:26Trying to escape on a Segway.
27:28This is going to be the most ridiculous chase in history.
27:30Get out of here.
27:31No, no, no, no.
27:31No.
27:33We have to go now.
27:34We have to go to the police.
27:35Who is this?
27:35Pura's right.
27:36We need to get him to go to the police station.
27:38Yeah, but what are we going to tell them?
27:39That we think he's the killer because he fixed a light in the same way in two places?
27:42We don't have any proof that he did it.
27:44Pesa, where should we go?
27:46Go to the hotel, okay?
27:50I've been pretty so far.
27:51Where are we going?
27:52To the hotel.
27:54Yeah, we're on our way.
27:55But, um, it's going to take us a while to get there.
28:06No, it looks like he's moving fast.
28:08He must be...
28:09I don't know.
28:10Is he running?
28:11Oh, Christina, I think he's running away from someone.
28:13Saria takes over again.
28:14Hey, why would he be running away and where would he be going anyway?
28:17He keeps running at a steady pace.
28:18No, it doesn't look like he's running slow for a car.
28:19Look how fast he's going.
28:20I mean, can't you see he's running away from someone?
28:22It's obvious.
28:23Let me tell you, these apps don't always reflect reality.
28:25Yeah, but he's running.
28:26Christina, look at him.
28:27Just look at him.
28:28Look.
28:28I don't think so.
28:29Can you see it?
28:30Great.
28:30Now it's frozen.
28:31Okay, that's enough of that.
28:32He's running again.
28:33Oh, no.
28:33He's running again.
28:34Look how fast he's moving.
28:38Alicia!
28:40How do I stop him, please?
28:41Lean backwards!
28:46I'm okay!
28:48Quick, inside!
28:50Hello?
28:51Bruno!
28:53Anyone here?
28:58Where is everyone?
29:00No, come on.
29:01Come on, this way.
29:03This way?
29:03Oh!
29:05Oh!
29:11Oh!
29:20Oh!
29:33Be quiet.
29:34Oh, the Avengers.
29:35Stay with out.
29:36Check out your phone.
29:38Should I use my flashlight?
29:41No, no, no, no, no.
30:21No, no, no, no, no.
30:39No, no, no, no, no, no.
31:12Shit.
31:31Okay, where is he?
31:42Daniel, you okay?
31:44Just calm down, the stone.
31:45Do you have the stone?
31:45Did you take it?
31:46Good.
31:46Quick job.
31:48Stop.
31:49This is way bigger than you.
31:50I'm sorry, Victor.
31:51Stop.
32:00It would be best if we knew if your heart or lung was punctual.
32:03If we don't handle this correctly, we would probably cause more damage to you.
32:09You seem to be unusually thick-skinned.
32:12No, well...
32:17Goodbye, Pink Floor Tile.
32:19Stay here, okay?
32:20Don't go anywhere.
32:21Whew.
32:24Fuck.
32:27Jeez.
32:28Great, just what we needed.
32:30He's not answering.
32:31But I see on the app that he's here at the hotel.
32:33Oh!
32:34Sorry.
32:34Hey, does anyone know what's going on?
32:36What do you think?
32:36It's the same for us always.
32:37Hey, why are all the lights turned off in here?
32:39What's going on?
32:40Well, we don't know.
32:41Huh?
32:41Oh!
32:42Can all of you move forward a little, please?
32:44Not to worry, little group.
32:45I'm sure that it's nothing at all.
32:46Fine, if it's nothing, then you can carry my mother.
32:48Bruno!
32:49Such total incompetence.
32:51Shit.
32:51Bruno?
32:52Bruno?
32:52Daniel?
32:53Come on, Cristina, what's going on?
32:54I don't know.
32:55I have no idea.
33:04Sweetheart?
33:08He's not here.
33:09A cardboard box.
33:10The adventure of the engineer's thumb.
33:11The hound of the Baskervilles.
33:13A scandal in Bohemia.
33:14The adventure of the Naval Treaty.
33:15The adventures of the dying detective.
33:17A sign of the four.
33:17A case of identity.
33:18Oh, goddammit.
33:20Fuck that stupid chair.
33:32Bruno?
33:32Oh, goddammit.
34:01신
34:02What?
34:38I don't know.
35:13I don't know.
35:30Take it easy.
35:32I'm sure the electricity will turn back on soon.
35:34They sometimes turn ours off by mistake.
35:36Wait a second, Bruno.
35:37Where were you?
35:37I was at the Dockers because of my stomach.
35:39It has nothing to do with the muscles.
35:41Let me through.
35:42Let me see.
35:44What a nightmare.
35:51Thank you for coming.
35:53This way.
35:55Go in.
35:56Let them through, please.
35:57Let them through.
36:00Oh, no, no, no, no, no, no, no.
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