- 2 hours ago
The Comeback S03E02 (2026)
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TVTranscript
00:01you've arrived at your destination yes we have still don't know why she took me on the freeway
00:07hello valerie cherish id please sure to see brandon wallach to see brandon wallach yeah
00:14thanks yeah okay patience in five four ready going in to see brandon wallach the new head
00:21of the studio about a possible new multi-cam more than possible val it's a definite offer
00:27did you get me on camera patience yeah okay billy nothing's definite yet okay because still not
00:35comfortable with the whole ai writing thing not entirely sure it's even legal okay please do not
00:41bring up the legality of ai so not sexy don't be a lawyer vow yes okay yeah you're gonna have
00:48to
00:48address it okay because much as i'd like to star in a sitcom again have to be okay with my
00:55union
00:59hello hello hello oh no one's here no no no no i'm here i'm here hello brandon hello valerie
01:06cherish we all know who you are valerie thank you so much we were all just so thrilled to have
01:11you in
01:11here last oh well this is my manager a producing partner billy stanton tom brown right no billy
01:18stanton no uh pal tom brown is the designer i'm wearing oh that cute skirt uh well first of all
01:24apologies for the zoom uh we're just scattered all over the world and we just think this would be an
01:29easier way for the whole team to focus in this way right oh sure yeah so there's a whole team
01:34oh yeah
01:35yeah they're all here guys just just pin yourselves pin pin pin pin yourselves for valerie okay don't say i
01:39didn't
01:40know you valerie hello everyone absolutely everyone question is there anyone not on this zoom
01:47that's great that's great okay guys just don't pin yourselves and come back as you're needed all right
01:52valerie hi ridley mcintosh head of marketing and sales really is my my right hand woman person when
01:58brandon left youtube to become the president of new net his very first call was to marketing and he
02:03was passionate how can we make free programming people have bought enough apps couldn't agree more
02:09ridley yeah you know i was on that wonderful show mrs hat you know mrs hat a few seasons ago
02:17you know
02:17part-time gardener solved crimes her husband was an ex-police chief
02:23yeah anyway it was on epics right of course people had enough apps yes you know so yeah um ridler
02:31i hear
02:31yeah okay what's exciting is we have come up with a way to mitigate the cost of content
02:36with breaks in the programming to advertise product commercials exactly valerie everything old is new
02:43again and here at new net we're we're just we're totally embracing that hey i am arbor elliot head of
02:49programming and content and i love sitcoms well then i love you arbor valerie egypt o'connor new net
02:57research and development hello egypt our latest research has shown us that viewers want to
03:01break from the complicated confusing storylines of all these dark streaming shows yeah it's like
03:06wait a minute the doctor is a spy and a zombie like what that's so arbor and when people want
03:11to laugh
03:12a moody single camera comedy isn't much of a fun break we want to make affordable comfortable
03:17wonderful television with a trusted comedy star named valerie cherish who me you have a unique
03:25recognizability across three different television platforms you do sitcom having starred in i'm it
03:30and room and board reality tv two seasons of the comeback and premium prestige cable your emmy
03:36winning best supporting actress turn is mallory in seeing red wow and mrs hat the traitors come on
03:45yeah well great to be picked for a traitor and terrible to be sent home second episode so yeah
03:52really disappointing but the meme trust me he's a faithful i know that for a fact
03:57how well i just i i feel like he's a faithful as am i you know don't you wish you
04:05knew who the
04:05traitors were i do stressful stressful stressful and it was stressful from 90s tv right up to the hot
04:18meme of today valerie cherish and we decided we want to make a show around her and that's what we've
04:25done
04:25around not so not the wife of the lead it is all about this funny complicated single woman of a
04:32certain age funny check complicated check single uh don't tell my husband wow okay um and uh woman
04:42of a certain age so what what's the age you're certain of 60 well that's a tv 60 which is
04:48really 50
04:4850 50 well if i could turn back time that's my share
04:56anyway yeah this all just is thrilling okay um my manager and i producing partner uh yeah and i
05:05just have one concern sure anything anything yeah
05:15okay um just one concern and that is um well look it would be great if we could talk about
05:23the ai of
05:23it all now everybody uh say thank you to to valerie thank you and we'll recoup on this later thank
05:29you
05:31what it's over what happened why did you bring up ai because you didn't yeah so not sexy
05:40hey hey just to finish what um you okay yeah i thought you were in new york yeah no no
05:48no just
05:49on the hall of my office um that's okay um uh right about why i just ended the zoom yeah
05:59shouldn't
05:59have mentioned the ai it's not not sexy yeah just i'm worried about the no writers of course we have
06:07writers. We have to have writers. You have writers. There are writers. Okay. There are writers.
06:12We have a husband and wife team, Josh and Mary Abrams. They're going to be our
06:16head writers alongside Alice's, our AI program. And yeah, Josh and Mary got a deal with Noonet,
06:23so you'll love them. And they have a deal, so they're good. They're great. That's great. Okay,
06:27yeah. And one's a woman, which is really great because the show's about a woman.
06:31They did fetch four women in a dog park, so they know women. And dogs. And the Writers Guild is
06:38fine
06:39with this? We are within the Writers Guild agreement, yeah. So are we in the Valerie Cherish business?
06:45Well, let me think about it. How quick can I say yes? Yes. Well, great. Right. But we have to
06:52go
06:52over to the deal points. Valerie and I will need to be executive producers. So that's a yes?
06:58Yes. Oh, my God. Oh, my God. Oh, before I go, we've been kind of off the record about the
07:03whole
07:03AI thing. You know, just keep people, you know, on a need-to-know basis. So I'm curious. How did
07:09you
07:09hear about it, Valerie? Oh, oh, well, I heard. How did I? I don't, yeah, I don't know. I just
07:19heard.
07:20I don't know how. That's all right. That's okay. It's good. Just, just, okay. Here's the thing.
07:24In our business, AI, well, it has bad branding, right? Yeah. Yeah. And so we're looking at these
07:31first six episodes as a proof of concept. And when we see that the show works, we're going
07:35to go wide with the, with the whole AI information, along with the likely pickup of a few more
07:41episodes. But, but till then, it's, it's a secret, you know? Secret. Yeah. Good. Smart. Not
07:46that I'm concerned about any of this. AI is, is really extraordinary. After all, it picked you.
07:53It picked me. It did. Oh, well, I feel like I'm in good hands. You think? Sure. That's
07:59great. Okay. And thank you so much for coming all the way in from your office. Just down the
08:04hall. Right. Means a lot, so. Thank you. Thank you. Executive producers. Finally. This
08:13is so exciting. It is exciting. Yeah. You could have told me there were writers, though, Billy.
08:18Then I could have had the meeting last week. You know, that's why I was so worried. Now, I look
08:22difficult. I didn't know about the writers, okay? Well, then how'd you know about the
08:25secret? I'm sleeping with one of the execs. Yeah. The one on the top left. I don't remember
08:31who that was. Do you think the Zoom is still on? Time to go. Yeah.
08:38I'm home. I know. I was tracking you. Oh. How was your meeting? Oh, it was great. They've
08:46got writers. Writers Guild is good with it, so I'm not a traitor. Great. I have exciting
08:50news as well. You found your Rolex? I knew it wasn't the movers. No, it was the movers.
08:55Okay. Well, I just wish we had these cameras sooner. Okay. What's your exciting news? Oh,
09:00my Soilus membership card came. I got the app. Let's go across the street for dinner.
09:06What? Tonight? Yeah. Aren't you already eating? Yeah, but who cares? Look, they have an opening
09:11at 7 or 9.30. 9.30. Come on. Are we in Spain? What's that? That's right. I'm going to
09:18take
09:19a shower and then change. I'm going to wear my new glasses. This is a hip crowd. Kind of
09:29young. Yeah. Young is cool. It's a good vibe. Look at that view. Well, that's the same view
09:38we have from our place. No, it's a little different. We can't see Century City. Well,
09:43it's the same view with a membership fee. That's good. I'm going to have one more of
09:49these crackers. All right. Because you know I love a cracker with a view. It's really good.
09:57I know. You like those flatbreads, yeah. Used to get them at Trader Joe's in Brentwood.
10:02You don't get these anymore. Well, where is there at Trader Joe's here?
10:05Everywhere. Did we leave room for dessert? He did. I have a show. Cool glasses. Thank
10:14you. Um, I want the chocolate cake and the check, please. Wonderful. You were so right
10:23about these bigger glasses, Val. So good. Yeah. That oversized thing is what's happening
10:28now. No. No. I am what's happening now. Hey, Greg, over here. Oh, motherfucker. What
10:36happened? I just saw Greg. Greg? Yeah, from the old fern. No, I know who Greg is. Why is
10:42he here? He's not cool enough to be here. Oh, hi. Um, we can't stay. Well, I thought you
10:47wanted chocolate cake. No, I can't be here. He can't see me. Mark, you didn't do anything
10:52wrong. Do you want the cake to go? No. Yes. Yeah. Mark, I'm going to say it again. You
11:01told a joke at work at a time when jokes were illegal. No one cares now. Okay, okay. Let's
11:06go. Let's go. I don't want to be here. I get that. Get my jacket. It's okay. Go. He's
11:15looking the other way. Phil! Valerie? Hi. Hi. That's Sharon Case, casting director. She
11:23does all the sitcoms. She's with Jane Fonda. So you want to meet Jane Fonda? No. No, I
11:28want to go. Well, I can't be rude. I'll be right back. Hi. Hi, Valerie. Great to see
11:38you. Oh, you too. Do you know Jane Fonda? Hi. Hi. Valerie Cherish. Nice to meet you,
11:43Valerie. So how do you two know each other? Did Sharon cast you in something or? Um, we're
11:50walking buddies. You know, we walk around the neighborhood together. Oh, I love walking. It's
11:57my favorite exercise. My, um, husband Mark and I walked over here tonight. Yeah. Yeah,
12:03we live just right there in, um, Sierra Towers. Beautiful. Yeah. Would it be okay if, um, I
12:12got you for my socials? Sure. Great. Then don't worry. I don't do anything political. Why
12:17not? Well, where do you start? You know, is how I feel. It's overwhelming. You know, it's
12:25okay. Sure. Okay. Well, look who I just ran into. Miss Jane Fonda. Vote. Funny. Yeah.
12:38Uh, thank you. It was very nice to meet you. Really nice to finally meet you. Okay. All right.
12:45Uh, Val. Huh? Oh, oh, God. Are you okay? I just looked on my napkin. Okay. I'm okay. Um,
12:54yes. So stupid and so me. Well, uh, I heard about your new net show. Oh, already? It just
13:02happened today. Yeah. Well, it's really exciting. Yeah. Well, you know, nothing extraordinary
13:07about it. Well, you're executive producing, right? Yes. Yeah, I am. Yeah. Oh. Well, I would
13:14love it if you would consider me. I mean, sitcoms on Rhett David. Well, and you're the
13:18best. Yeah. So, uh, keep me in mind. It'd really be great to be working again. Well,
13:24you are top of mind. Yeah. And I'm sure this time it'll be different. Just because on, uh,
13:31room and board. Remember, I wanted Tom Selleck and you said not interested. And just so you
13:37know, he did call me back and he would have done it. So, yeah. I'm sorry. My bad. Sure.
13:46It'll be different this time. Val. Oh, okay. That's my husband. Oh, okay. Your knee is bleeding
13:53tall. Yeah. I was stuck talking to Greg because you had to go and see Jane Fonda. All right.
14:01Well, what did he say? Nice to see you. It's pathetic. Pathetic? Mark, it probably was
14:07nice to see you. All right. You two were friends. Yeah. Well, we're friends. Why didn't he have
14:11a conversation instead of sending that partner email, letting me go? And I'm just standing
14:16there. And then, and then the waiter comes over and hands me this fucking doggy bag. And Greg
14:20looks at me like I can't afford to waste food. Oh, Mark, it's not possible he thought that.
14:26Okay. Guy with your golden parachute. Yeah. Well, I was humiliated. Okay. Well, did you
14:34mention finance dudes? No, I didn't mention finance dudes. It hasn't sold. Not yet. Where
14:41are you going? I'm going into the kitchen to eat this fucking cake. Okay. Oh, and this
14:47is LA. Please don't ask me to walk anywhere again. Oh, I won't. Well, look, when I'm buying
14:55a Trader Joe's, it's mine and my husband's absolute favorite. Green olive fats, flats, Italian
15:02lingual crackers. Yeah. You can edit that out, right? Yeah. Okay. So I'm just a little bit
15:08confused though. Is this for Trader Joe's or is this for the Italian lingual crackers?
15:14It's potential collab for both. That's the beauty, right? Yeah. Yeah. Just going to get
15:19more of these. Okay. I'm going to go get a neti pot. Okay. I'm going to check out.
15:25I'm not buying you another neti pot.
15:32Val?
15:34What?
15:35Oh.
15:36Jane. Jane.
15:38Oh.
15:39Good to see you.
15:40Jane.
15:42So are you working here now?
15:45Oh, no. I just stole a tropical shirt and started scanning shit, you know, for fun.
15:48Oh.
15:49Yeah, I work here now. And I have you to thank for that.
15:52Me? Yeah. When I left you in New York that time. Oh, did you find everything you're looking
15:57for today? On your shopping list. We're supposed to ask that up top.
16:01Oh, I sure did.
16:03I felt so bad that I still owed you money back then. I just said to myself, get a fucking
16:09real job. You know?
16:11Yeah.
16:12It wasn't just you. It was everyone. I owed everyone money. Running around making my documentaries,
16:16begging people to care about the things that I cared about.
16:19Right.
16:19The inevitable dangers of big tech, or climate change impacting water resources for the Navajo
16:25nation.
16:25Right.
16:26Or, the fun of me starting a new chapter. You know? Shame nothing happened with our doc,
16:33right? Still got that great footage, you know?
16:36It just so wasn't working.
16:37Yeah.
16:39And then the fires happened, and all that craziness, and just, I thought about you guys.
16:44Oh, yeah. Well, we almost had to evacuate. So, yeah.
16:49Your house is good?
16:51No, our whole canyon burned because we didn't pay off the right fire department.
16:54Uh-huh.
16:55So, once I got the horses to safety in Montana, I just said, you know what? I'm done.
16:59I transferred to this Trader Joe's out of the fire zone. I got an apartment nearby, walked
17:04to work.
17:04Getting your steps in.
17:06And I even found a really great girlfriend that lives in my building. It's one-stop shopping.
17:12Good for you, right?
17:14And since I've paid everyone back, my life is just so simple now. Do you have bags?
17:20I do. Yeah. I didn't bring them, but so I have to buy some.
17:24Oh, no, you don't.
17:27Aw, really?
17:29Oh.
17:30Thank you. That's nice.
17:32So, how are you?
17:34Oh. Starring in a new show. A multi-cam.
17:38Oh. Oh, okay.
17:40Yeah.
17:40Okay.
17:41Oh, it's 103.61.
17:44Yeah.
17:44Okay.
17:46I'm actually really happy for you. That's, I think it's going to be a huge success.
17:49Yeah.
17:49I mean, that's really what people want, right?
17:51Uh-huh.
17:52Nothing challenging.
17:53Well.
17:54Nothing they don't want to know about.
17:56Well.
17:57Just, uh, comfort food.
17:59Nothing new.
18:01Well, this one's kind of new.
18:04So, you're telling me that it's not like the sitcoms of the 70s, 80s, 90s?
18:09Well, it's not, okay?
18:13It's written by A.I.
18:15Maybe the first show to do it.
18:18But don't tell anyone, because that's a secret.
18:21Now, wouldn't that make a good doc?
18:25Ready, Jane?
18:26Ready.
18:27Well, I'm happy to report the script is good.
18:30So funny.
18:31A.I. is funny.
18:33Well, first of all, Jane, shh, it's a secret, right?
18:38And yes, so funny, laughed out loud twice.
18:41Also, found a few typos, so you know what that says to me.
18:45Writers.
18:46How's that?
18:48That's the name of the show.
18:49How's that?
18:50Yeah.
18:51Yeah, and it's my character Beth's catchphrase.
18:53How's that?
18:55Yeah, she runs a cute, charming old New England B&B with the help of her hunk nephew, Beau.
19:01So, Beth and Beau, B&B.
19:04Cute, huh?
19:05How's that?
19:06Such a good hook, you know?
19:08You can say it's so many different ways, right?
19:11How's that?
19:12How's that?
19:14How's that?
19:15Right?
19:16Oh, so good.
19:18Oh, there's Billy.
19:19Yeah.
19:20Okay, he's got his power skirt on.
19:23Not judging.
19:24Looks good.
19:25Yeah.
19:26Aren't you hot?
19:27Yeah, but it's a whole look.
19:29Uh-huh.
19:29Yeah.
19:30Hi, Jane.
19:30So glad you're doing this.
19:31And I'm sure we'll figure out who's paying you.
19:34Okay, come on.
19:34Let's go back to this way.
19:36Yeah.
19:36Ready for our first production meeting, executive producer?
19:39Yes, I am.
19:41It's so fun to get a seat at the big kids' table, right?
19:43See how the donuts get made.
19:45Oh, Val.
19:46Yeah.
19:46I got us these hats.
19:49Thought it'd be fun to wear them in as a bit.
19:51Oh, no, no, no.
19:52Not a good bit, Billy.
19:53Executive producer?
19:54No.
19:55Don't want the showrunners to think I'm trying to run the show, right?
19:58Not good.
19:59Okay, fine.
20:00So not a bit.
20:01But patience, at least can you get a photo of us?
20:03Yeah.
20:03Yeah.
20:04Okay.
20:04Stand here.
20:05Yeah.
20:06I'll stand here.
20:06Quick pic.
20:08Okay.
20:09Got it.
20:10Oh, my God.
20:11What is this?
20:13This is good.
20:14Yeah.
20:15Those are the showrunners.
20:17Yeah.
20:17Now, this is right there.
20:18Did you see that?
20:19That's...
20:20Not a good first impression, Billy.
20:22Well...
20:22Okay.
20:27Oh, look, Valerie.
20:29Billy's named executive producer.
20:31I'm going to take a picture.
20:32Valerie!
20:32Oh, jeez.
20:33Careful.
20:34My purse.
20:35Thank you so much for this.
20:37I'm really just so grateful to be working.
20:40My psychic told me I would.
20:42I should believe them.
20:44Excuse me, doll.
20:45I got to say...
20:45Oh, yeah.
20:45Go, go, go, go, go.
20:46I'm going to send you out the casting links.
20:48I'm probably...
20:48Hi, Barry.
20:49Josh.
20:50Valerie Cherish.
20:51Hi.
20:51Here, take the doll.
20:52Yeah.
20:53Take this lady.
20:54Cute.
20:55Take her.
20:56Yeah, dog.
20:58Just to say, first episode, so wonderful.
21:01Oh, yeah.
21:01Laughed out loud twice.
21:03Right?
21:04Yeah.
21:05I just love the whole B&B world.
21:07The premise isn't ours.
21:09Okay.
21:09What?
21:10With the cameras?
21:11If they all know about the A&I, why did we have to sign an NDA?
21:15Oh, no.
21:15They signed, too.
21:17Yeah.
21:17Everyone.
21:20We are so excited to be working with Valerie.
21:24When Mary and I wrote the episode of Fetch for Delia, played so beautifully by Judith
21:29Light, when she has to put her beloved Kava Poo down, and she comes home alone to the
21:33Empty House, I was so blown away by how much online love we got from women of a certain age.
21:42You know, felt seen.
21:43You know, felt seen.
21:44Maybe for the first time.
21:45And I'm just honored to have the opportunity to be the voice of another vibrant and vital
21:52woman of a certain age, such as yourself.
21:54For all those ladies online to love, so.
21:57Yeah.
21:57Which two jokes you said you left out loud twice?
22:00Okay.
22:01Spoken like a true writer.
22:02You know, which I was so relieved, right?
22:05That you, because I could tell, because there were some typos.
22:09There should not be any typos.
22:10Well, let me get my script.
22:12Did you put jokes in?
22:13Just a couple.
22:14They're right there.
22:15Great.
22:16Keep teaching it.
22:17Coming back.
22:19Please.
22:20Okay, yeah, I'll find it, because I have it.
22:22I have the dog-eared.
22:24After our last show, please never say dog anything to us.
22:29Okay.
22:30I won't.
22:31All right.
22:32Um, oh yeah, this is it.
22:35Well, if she's moving in, the B&B will stand for Bimbo and Breakfast.
22:39That wasn't us.
22:41That was Al.
22:42Oh, Al.
22:43Is there a third writer?
22:45No, we call AI Al.
22:47Short for Al-Assist.
22:48Because ain't nobody got time for that.
22:50Oh.
22:51Cute.
22:52Yeah.
22:53That's so Al for Al-Assist.
22:55So clever, right?
22:57That's a great cover, right?
22:58There's a third writer named Al, right?
23:00Works remotely.
23:01Never comes in, which is believable, right?
23:03Because writers are weird.
23:05Not you guys, but, you know, keeps it a secret.
23:09Because you can just say, let's send it to Al for a joke, right?
23:13In front of the cast, crew.
23:15Such a great story.
23:16Is there a writer now?
23:17No.
23:18I'm just trying to be helpful.
23:20This is too much talking.
23:21I agree.
23:22Yeah.
23:23That's what's going to be so great, you know, about Jimmy Burroughs directing, right?
23:27Because he says, just enough.
23:28He passed on this.
23:30Jimmy passed?
23:31When?
23:32His agent texted me.
23:34Oh, okay.
23:35Well, yeah, I have a personal relationship with Jimmy.
23:38You know, we did my last sitcom.
23:40So, yeah, agents say no to everything, right?
23:43If it were up to his agent, Jimmy wouldn't have done cheers, right?
23:46Or Will and Grace.
23:47Or Frazier.
23:49We have to go.
23:50Yeah.
23:50We have kids.
23:51Okay.
23:52Should we get?
23:53Yeah, we should get started.
23:55What does that mean?
23:56We have kids?
23:56We have kids.
23:59Yes?
24:01Valerie Cherish to see Jimmy.
24:03I called ahead.
24:04Hold on, please.
24:05What did he say on the phone?
24:07He never spoke with him.
24:08He left a message with the housekeeper that I was on the way.
24:11Come in.
24:12He's not by the pool.
24:13Okay.
24:14Yeah.
24:14Thanks.
24:15Yeah, cool.
24:16Okay.
24:16Go, go, go.
24:17You can stay here.
24:19No, no.
24:20No, Jane.
24:21No.
24:21You've got to stay back.
24:23I said Valerie Cherish to see Jimmy.
24:25He's not Valerie Cherish in her camera caravan.
24:28Yeah.
24:28Besides, she said he was at the pool, so, you know, what if he swims naked?
24:32Right?
24:32Not nice.
24:33Can't do it.
24:34No consent.
24:35It's closing.
24:35You've got to get on the other side of that.
24:37No.
24:38Remember, I have to be at Trader Joe's F4.
24:40Those are my keys in case you have to move the car, okay?
24:54Do you guys have enough sunblock on?
24:57Oops.
24:59Jimmy.
25:01Hi, Val.
25:02Hi.
25:03I think you wore the wrong shoes for a home invasion.
25:06And if you puncture a sprinkler line, I don't know you.
25:09Okay.
25:09Well, look at you, king of the world.
25:12King of this Bel Air rental.
25:14Our new house isn't finished yet.
25:15Three years and counting.
25:17Awesome.
25:17This is a rental.
25:19This house and those kids.
25:22Hi, Valerie Cherish.
25:25Sir, sit down.
25:27Okay.
25:27Kind of hug first, maybe.
25:28Oh, yeah.
25:29Oh, yeah.
25:30Would you like some lemonade or water?
25:32Oh, no.
25:33Don't want to be a bother.
25:34Well, you came all this way to see me.
25:36I'd like to give you something besides a polite no thank you.
25:38Oh, no.
25:39Well, not that far.
25:41And, you know, I just needed to check that no, it's from your agent, you know.
25:45And maybe you didn't read it yet.
25:47Oh, no, no.
25:48I read it.
25:48I read it because you were the lead, sweetheart.
25:50Oh.
25:51You were so good in that Pauly G. heroin series.
25:54You really surprised me.
25:56Well, thank you.
25:57Yeah.
25:58But, you know, that was a dramedy, right?
25:59Dramedies are easy.
26:00This is comedy.
26:01And comedy needs Jimmy.
26:02This one doesn't.
26:03Well?
26:04Look, it's a good part for you.
26:06New heart meets faulty towers, but with a woman.
26:10Yeah.
26:10You'll be great.
26:12I've done a million of these.
26:14There's nothing new in it for me.
26:19Oh, the gate's opening.
26:20Go, go, go.
26:21Oh, she's coming.
26:22She's coming.
26:23Go, go, go, go.
26:23It's her.
26:24Go, go, go.
26:27Oh, boy.
26:29Okay.
26:30No, she's okay.
26:31I look at it.
26:31She doesn't even have grass stain.
26:36How did you get Jimmy to say yes?
26:39Oh, just talk to him.
26:42You know, first he said no, but then I told him how important this one was to me.
26:47Did you tell him it was AI?
26:48I did.
26:49Yeah.
26:49But, Jane, it's a secret.
26:51Why is it a secret?
26:52Why can't people know about it?
26:54Bad branding.
26:55You know, everybody everywhere is worrying about AI, right?
26:59I, for one, am excited to let go and see what AI is all about.
27:06Turn right now.
27:08It said turn.
27:10It, it, yeah.
27:12That's all right, Mr. Jane.
27:13Last time I didn't listen to it, and I saved five minutes, okay?
27:16I know better.
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