- 7 hours ago
Αλ Τσαντίρι Νιούζ 2-4-26 (part2)
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00:13:31And we didn't know the fish! We didn't know the fish, but we didn't know the fish!
00:13:41And that's why it's a book!
00:13:45It's a fish!
00:13:48It's a fish!
00:13:49It's a tea tree!
00:13:51It's a butter!
00:13:52We did it!
00:13:54We did it!
00:13:55We did it!
00:13:57We did it!
00:13:58I was, you know, a fish!
00:13:59I asked, you know, you're a fish!
00:14:02Yes!
00:14:02Yes!
00:14:03What did you put into the fish?
00:14:08You're that?
00:14:09You'll burn it!
00:14:10Yes!
00:14:11You're a fish!
00:14:13I'll do this!
00:14:14You can't put it on the fish!
00:14:16Then you put it on the fish!
00:14:19You put it on the fish!
00:14:21You must have to put it on the fish!
00:14:23You don't know how the country will be in the future.
00:14:31Do you understand what I'm saying?
00:14:33Yes.
00:14:35But I would like to ask you a question.
00:14:38And I would like to hear you.
00:14:40You took Trump the Peloponnesian?
00:14:43Yes!
00:14:44I'm talking!
00:14:45I'm talking to you now!
00:14:48I'm talking to you and I'm talking to you!
00:14:51I'm talking to you and I'm talking to you and I'm talking to you.
00:15:00What?
00:15:02Where did our papegala go?
00:15:07Where did our papegala go?
00:15:10He left alone.
00:15:12He left alone?
00:15:14Yes.
00:15:16He left alone.
00:15:18And I know why you did it.
00:15:20Because you don't want to have any food here.
00:15:28And that's it.
00:15:30It's a lie.
00:15:31It's a lie.
00:15:32It's a lie.
00:15:33It's a lie.
00:15:34It's a lie.
00:15:34It's a lie.
00:15:35Oh yeah.
00:15:37And these words will persisted again.
00:15:39It's like the Legendary of the left.
00:15:41That's what we said.
00:15:42What's the joke?
00:15:43I'll tell you I'll insist.
00:15:43We should have done.
00:15:45It's the same way.
00:15:45Your papegala going.
00:15:48True?
00:15:50They said anything?
00:15:50Metal of the right!
00:15:51I knew it was the same guy going to die on the right now.
00:15:53The same guy was the one.
00:15:57On the right now on the right now!
00:16:01No!
00:16:07How many times do you think about this?
00:16:10How are you saying to me?
00:16:12What do you in the world do you think about this?
00:16:13Are you on the way to sleep?
00:16:16Who will do it?
00:16:18They will do nothing.
00:16:19That if you guys want, take us this, do us a lot.
00:16:23Do you think about it in the record?
00:16:23What do you think about the record?
00:16:25No, I don't do it!
00:16:29I have to do the control.
00:16:30Why do they do it?
00:16:31I tell you that this girl came from the job of the Ferrari, from the Mercedes-Benzidou.
00:16:36I saw it and they came from the car.
00:16:39They came from the car.
00:16:41And of course, they came from the car.
00:16:47They came from the Ferrari and they came from the Porsche.
00:16:50It was a chef, who was a man.
00:16:54I remember now.
00:16:55She had bought it from the 70's.
00:16:58Yes, and how did she cut off the woman?
00:17:03And she took the money from the 70s to bring her a Porsche in the year 2025.
00:17:12She didn't have a car, she didn't have a car.
00:17:14She took a man to get a car.
00:17:16No!
00:17:29No, no, no!
00:17:32That's how the boy got the borsche.
00:17:34Borsche!
00:17:36Borsche!
00:17:37When you eat a little food, you eat a little food.
00:17:40If you eat a little food, you eat a little food.
00:17:43Yes, you eat a little food.
00:17:46You eat a little food.
00:17:47You eat a little food!
00:17:49That's right.
00:17:50The girl who eat this little food...
00:17:53Do you have to pay for it?
00:17:56Yes, I do!
00:17:58I'm going to pay for it!
00:18:01You, that Borsche, didn't have 7 million people in Crete,
00:18:06do you see it?
00:18:08Yes!
00:18:10Yes!
00:18:12Yes!
00:18:14Yes!
00:18:157 million people!
00:18:17They were born.
00:18:19They were born.
00:18:19They were born.
00:18:22They were born in the life.
00:18:24They were born in the life.
00:18:25They were born again.
00:18:27They thought, guys, you were born again!
00:18:29They were born again!
00:18:30They were born!
00:18:30But you were born again...
00:18:31..PASOKA.
00:18:33That was Jungle Hub?
00:18:34Not there?
00:18:36No.
00:18:36That was me.
00:18:38Whatever, UHembo!
00:18:43You fiar a time!
00:18:48Not a house ever built?
00:18:49I said later that I had to go.
00:18:51Do I't stand now?
00:18:52What happened?
00:18:55You are saying something about that?
00:18:56Are you saving money like this?
00:18:58Yes, a little one.
00:19:00Why don't you leave that money to make a, stop?
00:19:05That's when it was to be made right.
00:19:06What's that, though?
00:19:07Even if this was for us.
00:19:10Yes.
00:19:13He came and said, let him be more.
00:19:16Did he have any... didn't have any fun.
00:19:19Yes.
00:19:19I said, some people should come.
00:19:22You should say, you will tell me, who is it?
00:19:25Yes, I will tell you, who is it?
00:19:27Who is it? No one is.
00:19:31No one is.
00:19:34No one is.
00:19:35Yes, all are.
00:19:37All are.
00:19:38All are, my man, all are. We'll take a hand and take a hand.
00:19:42Don't let me just take it.
00:19:43You have to!
00:19:44It's a pseudestation!
00:19:47It's a pseudestation!
00:19:49Your head has a pseudestation!
00:19:55What is it?
00:19:57It's a pseudestation!
00:19:58From a stage to a stage!
00:20:0220 people, 50 people!
00:20:05It's a pseudestation!
00:20:08It's a pseudestation!
00:20:09Who knows how to govern?
00:20:10Who is the pseudestation on earth?
00:20:13Who knows how to govern?
00:20:14Who is the VP of the history of the works of the Gesture?
00:20:21What is this?
00:20:22What's this...
00:20:24What's this?
00:20:24What's this...
00:20:25That's a big 아니고...
00:20:27What's this is?
00:20:31What types of pseudestation delhiative of the Gioorgakis?
00:20:34The chodestation...
00:20:35Excuse me, Giorgio, forgive me. I have to give you some more money than you, I'll let you do it!
00:20:43That's it!
00:20:46Yes, but now it's the Passover of the Passover of the Passover, if you want to know.
00:20:56What would you say? What would you say? What would you say?
00:20:58What would you say? What would you say?
00:21:00What would you say to the Passover of the Passover?
00:21:06Yes, look at you, the temple.
00:21:13This is my past.
00:21:16Where are you from? What would you say?
00:21:18Average.
00:21:21Where are the Passover of the Passover? Average.
00:21:24Three years later, they could have tried a provision of elderly people and meels.
00:21:327.000.000 people were in Crete, 650 people, and they couldn't go to a village.
00:21:48And you want to go to another 4th century.
00:21:52You don't come to the 57th century? You want to go to another one?
00:21:57You want to go to another one.
00:22:02I don't want to go there.
00:22:04I'll take you a bit further, and I'll be able to go!
00:22:09I'll be able to go.
00:22:11What are you doing?
00:22:12I just have to go to another one.
00:22:16We're all going to a few hours.
00:22:19If you need to go to another one, you'll be able to go there.
00:22:24What are you waiting for?
00:22:27I'm waiting for you.
00:22:29The security of the government, where they were elected.
00:22:34You are a friend, take a million dollars.
00:22:37If you don't talk about it, take a message.
00:22:40Are you a sattir a chidre?
00:22:42You are a sattir a chidre?
00:22:44You are a sattir a chidre.
00:22:47I will pay you.
00:22:49Do you have anything for any of this?
00:23:00You are a chidre.
00:23:10If I tell you, it was not a chidre.
00:23:12Yes.
00:23:14If I tell you, I believe.
00:23:29Why does it have a chidre?
00:23:31I'm afraid you are a chidre.
00:23:33Yes.
00:23:34I want to go and find a chidre.
00:23:39It's a chidre.
00:23:41Do you want me to be a chidre?
00:23:47What?
00:23:48A chidre.
00:23:49I asked her to ask her.
00:23:52She was a better situation.
00:23:53She was a chidre.
00:23:55She was a chidre.
00:23:56She said, please do something you want to do.
00:23:59And she did nothing?
00:24:00I gave my credit to you.
00:24:05It was a chidre.
00:24:05You should get your credit.
00:24:09How did you get it?
00:24:11I gave four chidre.
00:24:19Why did you get it?
00:24:21I paid it.
00:24:21I'll pay you!
00:24:23I'll pay you for it!
00:24:26He says it?
00:24:27Yes.
00:24:29So, tomorrow I'll come with your hand.
00:24:32And there will be no way to give you a question.
00:24:35I'll tell you now, a little bit of a TV.
00:24:38I'll give you another TV.
00:24:40We saw a house...
00:24:43I'll show you the house for the show.
00:24:47I'll show you the house for the show.
00:24:49Let's show you something.
00:24:51I'll tell you.
00:24:52...the building that is located behind us...
00:24:55...which is the residence of a ethereal...
00:24:59...and one of the first walls.
00:25:01One building that we don't know...
00:25:04...is a building of the city.
00:25:06And we went to this building...
00:25:09...and we went to this building.
00:25:10I found it in our door.
00:25:12Ah! Ah! Ah!
00:25:14Ah, hi Marie, ma'am Marie!
00:25:20Do you have any idea?
00:25:25Look at that.
00:25:26What are you saying?
00:25:27What are you saying?
00:25:29They say, ''Ropitsa'', ''Ropitsa'', ''Ropitsa'', ''Ropitsa'', ''Ropitsa'', ''Ropitsa'', ''Ropitsa'', ''Ropitsa''.
00:25:44I'm sorry.
00:25:46You asked me a little bit of a little bit and I didn't know what you were saying.
00:25:55Now we got back.
00:25:57I'm going to say, ''Ropitsa'', ''Ropitsa'', ''Ropitsa''.
00:26:03Père, Père, Père, Père...
00:26:05Père, Père, Père, Père, Père!
00:26:07You're welcome.
00:26:08You've come to the second record of the OPECPE,
00:26:11and now you're in the government.
00:26:12Père, Père, Père.
00:26:17OPECPE...
00:26:18OPECPE...
00:26:20OPECPE...
00:26:21OPECPE...
00:26:22OPECPE...
00:26:24HRYSOULA'', Ropa, forever!
00:26:43I have a lot of time to do the track track.
00:26:56This track is a great song. I love it very much, Chantiri.
00:27:07From 2004.
00:27:15Can you hear it, Shadiri, Chris Europa?
00:27:22Hello, Shadiri!
00:27:24Hello!
00:27:24My dear, my dear, my dear!
00:27:26All Shadiri!
00:27:2813 May, the hour 9!
00:27:45No one put us down!
00:27:48Shadiri,
00:27:49we are here today,
00:27:54one of the most famous artists of the world.
00:27:57One beautiful designer,
00:27:59a beautiful musician,
00:28:00a very beautiful musician,
00:28:01a very beautiful musician,
00:28:02a very beautiful musician,
00:28:03a very beautiful musician,
00:28:05a very beautiful musician.
00:28:06We learned from the Melissi.
00:28:12He's the Christ Master.
00:28:20He's the Christ Master.
00:28:26He's the Christ Master.
00:28:27Thank you very much.
00:28:28We'll hear anything.
00:28:29I'll hear you.
00:28:31I'll hear you.
00:28:31I'll hear you.
00:28:33The song is the opening.
00:28:37It's a opening,
00:28:38a opening song,
00:28:40which is the opening song.
00:28:43The song is the first April.
00:28:46The song is the first April.
00:28:48But we'll hear you.
00:28:49I took it.
00:28:52It was a fundamentally,
00:28:57a lovely one.
00:29:00I'm so beautiful as always, I'm so beautiful as always
00:29:09And like a cup of coffee, so I'm so happy
00:29:15My eyes were my eyes when I came out of the evening
00:29:23And I said, I'm so beautiful
00:29:32Margarita, in your hand all night
00:29:37I'll go and take your love
00:29:40I love you, I love you
00:29:50Margarita, in your hand all night
00:29:55In your hand all night
00:29:57And I'll go and take your love
00:30:00I love you, I love you
00:30:03Every night
00:30:04Every night
00:30:07Every night
00:30:09Every night
00:30:14Every night
00:30:17I saw you
00:30:18I saw you
00:30:29I saw you
00:30:32I saw you
00:30:32I saw you
00:30:36I saw you
00:30:44I saw you
00:30:46I saw you
00:30:48I saw you
00:30:48I saw you
00:30:51I saw you
00:31:29Every night
00:31:43Every night
00:31:48I saw you
00:31:50I saw you
00:31:50I saw you
00:31:52I saw you
00:31:54I saw you
00:31:55I saw you
00:31:58Every night
00:32:02Every night
00:32:03Every night
00:32:04Every night
00:32:04Every night
00:32:06Every night
00:32:09Every night
00:32:09Every night
00:32:10Every night
00:32:11Every night
00:32:18Every night
00:32:21Oh, oh, oh, oh, oh.
00:32:52Where a sénicum, a thornibus, krufos
00:32:58Annyi symvimata, zonografis e me stichos
00:33:03K e m e s a y p a r k o t a s ka l y a t
00:33:07u o d e
00:33:09S e n a y p o g eo me vèvnidia ba la s me m a
00:33:14How many men are, I don't know
00:33:21After the loss, I bring you to you
00:33:29You tell me I don't love you
00:33:35And I don't think I'll do it
00:33:39I don't know what to do with my eyes, but I don't know what to do with my eyes.
00:33:54You say to your eyes, I don't care, and I don't believe in my eyes.
00:34:06I don't know what to do with my eyes but I don't know what to do with my eyes.
00:34:14and in and in and in and in and in and in
00:34:30In the middle of the sea, there is an arbor and an arbor and an arbor
00:34:43Kallosini tu saplonis sa daviya
00:34:48Na baalakosy ni an'anakki petromeni
00:34:54S'apta ta mātia ne'n upa'rhi lōgiki
00:35:00Meso bāthiā kata kiktažo m'aqabūne
00:35:06Tis istorīas fyrbolūn di fīlaqī
00:35:13S'ta paramīthia k'e s'tērįā nā me vrūne
00:35:21Mū lēs ta mātia su nā mī t'a āgāpō
00:35:27K'e nā mī bātšo nā pistevō stādika mū
00:35:32Ma'aqtā ta mātia pūh'aqātō k'o pūpūpūpū
00:35:37Tā epitā mū lēs ta mū cādā kūpūpūpūpū Stone
00:35:57All the eyes that I have in my life and in my face, I have behind me, in my face
00:36:07and in my face.
00:36:27I would like to give you a chance, because I would like to speak to you about the Marinella.
00:36:39I keep it, I keep it, but because I don't have the voice to speak to you,
00:36:49I would like to speak to you about the voice.
00:36:54I was so close to the Marinella, I know you very well.
00:36:59I was very close to you and I was close to you.
00:37:03Why?
00:37:06Can I tell you a story?
00:37:08Can I tell you something?
00:37:10Thank you very much.
00:37:12Thank you very much.
00:37:13Thank you very much.
00:37:16What I do is not to accept the world, it's because I have been more close to you,
00:37:26you know, in the soul of the Marinella.
00:37:29I have been through the stage of the moment, the stage of the love,
00:37:33the stage of the love and, of course, even the love of the love.
00:37:40I have been through, and I have been through the place for some reason.
00:37:41All these people in the dance, when I think that I am living in a film.
00:37:45They were just simple.
00:37:50They were just simple.
00:37:52They were simply simple.
00:37:53They were simple.
00:37:54They were like to walk a walk?
00:37:56They would like to walk a walk,
00:38:00and they would like to get older.
00:38:06The girl being in the middle,
00:38:07Thank you very much.
00:38:10He chose himself to go to the sky,
00:38:15to the sky that he wanted to change
00:38:19whatever he wanted.
00:38:21Every time, that's what he wanted.
00:38:23To the sky where he could imagine
00:38:26small, small and small.
00:38:30Marinela, you love me, I think.
00:38:32I love you.
00:38:33Thank you very much.
00:38:41Any way...
00:38:43...from the sky...
00:38:53...I'm changing the world...
00:38:58But there is no way
00:39:07And another time I think about how I love you
00:39:19And I ask you, and I ask you, and I ask you
00:39:31Now we are not kids
00:39:36We have a fire in my heart
00:39:39To get out of here
00:39:44I love you
00:39:47To have said, and you're like a Christmas
00:39:51Me takes care of
00:39:55Every year
00:40:06Now I want to change the sky
00:40:11But there is no way
00:40:16But there is no way
00:40:19But there is no way
00:40:21To get out of here
00:40:29And there is no way
00:40:34And there is no way
00:40:40To get out of here
00:40:46And there is no way
00:40:48To get out of here
00:40:59And there is no way
00:40:59To get out of here
00:41:01And here is no way
00:41:03To get out of here
00:41:10And there is no way
00:41:11To get out of here
00:41:27To get out of here
00:41:37And there is no way
00:41:41To get out of here
00:41:42And there is no way
00:41:45To get out of here
00:41:53To get out of here
00:41:54And there is no way
00:41:58To get out of here
00:42:03To get out of here
00:42:10To get out of here
00:42:17To get out of here
00:42:19To get out of here
00:42:23On your feet, on your feet, on your feet
00:42:29I'm going to see you in the sky, I'm going to see you in the sky
00:42:38I'm going to travel with my hair, with my hair
00:42:5116
00:42:5518
00:42:5618
00:42:5619
00:42:5619
00:42:5620
00:42:5620
00:42:5622
00:42:5725
00:42:5723
00:43:05I'm waiting for you to come together, all the way that you have come together
00:43:12Only with you I want everything that has been left, only with you for all we have been together
00:43:34And we always have stories about the wind and the wind and the wind and the wind
00:43:56The way it is, the way it is, the way it is, the way it is.
00:44:27Oh
00:44:55The first time I saw you in the beginning, I saw you in the beginning
00:45:02and I saw you in the beginning, and I saw you in the beginning
00:45:14But I saw you in the beginning, and I saw you in the beginning
00:45:19and I saw you in the beginning, and you saw me in the beginning
00:45:46I'm Pure Land Statue of You
00:45:48I'm Housing Amplified
00:45:50Should it be organized?
00:45:57Yes!
00:45:57What's this?
00:45:59Thatenez Holboxa
00:46:02I love you, I love you, I love you
00:46:08I love you, I love you
00:46:11Oh yes I do
00:46:14Oh yes I do
00:46:34Oh yes I do
00:46:36You are crazy
00:46:36You wouldn't have to look at me
00:46:38Somebody's violin. You know?
00:46:41You're the only one I'm the one I can't see
00:46:44You're the only one you can't see
00:46:52You're the only one you can't see
00:46:53Yeah, as many of me
00:46:57You're the only one you can see
00:46:57Could I see
00:46:59I live in a street
00:47:00I'm a loneșnиной
00:47:01My eyes will leave you two eyes, two eyes, two eyes
00:47:05I'm a girl in my mind, my friend's son
00:47:09and he's a man who's asking me
00:47:12I've been here with you
00:47:16I'm a man who's a man who's going to go
00:47:19I'm a man who's going to be, I'm a man who's going to be
00:47:23The truth is, I've been here with you
00:47:28I didn't give any sense to him.
00:47:34You understand that I always have to do it.
00:47:39But I always have to do it.
00:47:42My friend, I always have to do it.
00:47:49I always have to do it.
00:47:52Did I ever say that the idea of a dream
00:47:54in the world?
00:47:56And it's been a long time
00:47:57It's been a long time
00:47:59I was thinking of and I thought
00:48:02it was a long time
00:48:04But it looked like that
00:48:06I was looking for the great love
00:48:08The great love
00:48:22There's another one.
00:48:35There's another one.
00:48:37For a Christian I will not hurt the arose,
00:48:41I'm a man of trouble and he will never know.
00:48:45It's my strength in my hand.
00:48:47It's your breath.
00:48:49You're a strong man.
00:48:55I am a Christian, I am a son of a girl,
00:48:59I am not a child and I want to be a child.
00:49:07I am not a child and I am a child.
00:49:07I am a child and I am a child.
00:49:13La, la, la, la, la, la, la, la, la, la La, la, la, la, la, la, la, la La, la,
00:49:27la
00:49:27We沖identally at the top of the tracks
00:49:29and there's a session
00:49:30You listen to the music
00:49:35No, I mean, what's the music
00:49:38He's like this, Michael.
00:49:40You can write again!
00:49:43What about you?
00:49:44You can write it.
00:49:45What do you mean?
00:49:49Write it and I will tell you.
00:49:53If you want.
00:49:57You can write it.
00:49:58That's how I feel about it.
00:50:28Only this is my love
00:50:31And I love you
00:50:33And I love you
00:50:35My love is my love
00:50:37Only this is my love
00:50:40Except for you, I'm not alone
00:50:44I'm not alone
00:51:06How You Don't Get You
00:51:07How You Don't Get You
00:51:09How You Don't A Sense At Thelegraph
00:51:09Isn't You Don't Get You
00:51:14My love is so much for me.
00:51:17I love you, I love you, I love you.
00:51:20We are on the side of the bag.
00:51:23What we have is so much to say.
00:51:26I'm so mad, because I have a lie.
00:51:29I have a lie, my heart is my heart.
00:51:33I have a lie, my heart is my heart.
00:51:37I have a lie, I have a lie.
00:51:40I have a lie, my heart is my heart.
00:51:44I have a lie, my heart is your heart.
00:51:53My heart is my heart and my heart.
00:51:57My heart is my heart.
00:51:59My heart is your heart.
00:52:00My heart is so much for you.
00:52:04My heart is a lie, I love you.
00:52:12My heart is so happy.
00:52:45It's time to tell you how they believe they love you and how they feel.
00:53:06It's time to tell you how they believe you and how they believe it.
00:53:20It's time to tell you how they believe you and how they believe it.
00:53:51It's time to tell you how they believe you and how they believe it.
00:54:04It's time to tell you how they believe you and how they believe it.
00:54:34It's time to tell you how they believe it.
00:55:05It's time to tell you how they believe it.
00:55:09It's time to tell you how they believe it.
00:55:23It's time to tell you how they believe it.
00:55:29It's time to tell you how they believe it.
00:55:40I'd love you and how they believe it.
00:55:47I'm sorry, I'm sorry.
00:55:59I'm sorry...
00:56:02Thank you very much.
00:56:05L'Aix Lazoblos...
00:56:08Great.
00:56:10Thank you very much.
00:56:14Thank you very much.
00:56:17Thank you very much.
00:56:21Thank you very much.
00:56:37Come on, let's listen to the land of the Hellenic Choirs
00:56:41Come on, let's listen to the land of the Hellenic Choirs
00:56:47The traditional flag of the Hellenic Choirs
00:56:51Thank you very much for the power that you give to us
00:56:57The 4th of the N.S.M.E.R.I.R.I.R.I.R.
00:57:03And all of you are the great people of the Hellenic Choirs
00:57:11And I will show you my own voice
00:57:16To be here and to work as men
00:57:21To be here and to get the songs of the Hellenic Choirs
00:57:32That's all the songs of the Hellenic Choirs
00:57:34And to be here and to say...
00:57:37To be here and to be here and to be here and to be here
00:57:46All right, all of us, all of us.
00:58:02My love is so much fun
00:58:08I can see you in my voice
00:58:14My love is so much fun
00:58:15I can see you in my dream
00:58:19To play the transistor in America, and you go to the streets
00:58:29with the bus and the bus and the bus and the bus and the bus.
00:58:38To play the transistor in America, and you go to the streets
00:58:47and you go to the streets of America, and you go to the streets of America,
00:58:55and you go to the streets of America.
00:58:59What I want to say is that the Marinela will value it.
00:59:02It is one of the things you can have at the end.
00:59:09Thank you very much.
00:59:13It is one of the great girls of our time.
00:59:17When I sent my message, I started my message.
00:59:20I was like Marinela, my daughter of my life.
00:59:23My daughter of my life.
00:59:26I always felt that it was the wrong thing of the thilukes,
00:59:31and I was loving you guys,
00:59:35which was nothing to investors.
00:59:38There was much advice that it was the same thing
00:59:41that it was for the yourself,
00:59:43which was for the fact that it was not to.
00:59:51Those have money or the benefit of these motherfuckers
00:59:54are the rightматical.
00:59:58They were very busy.
01:00:00Always beg GREATS Alright.
01:00:01We took the�幫忙 on the other kind of the vineyard.
01:00:02He put a patella and put a tzifte teli in front of the Gazazid.
01:00:07I can imagine what the man was going on from the morning of the man.
01:00:13He took the pita from the faith.
01:00:16He took the pita and took the pita for the pita.
01:00:22Because the pita is a good thing to do.
01:00:25It's a time to break the world, because we want to break the life of our lives,
01:00:31we want to break the blood of our lives, we want to break the blood of our lives.
01:00:38They brought us the garden to the inside of their house.
01:00:42When I was in the last time, I went to the house and I went to the garden.
01:00:50At the end of the show, they were all happy.
01:00:54The Antonis Oremos, the Alexios, the Giorgio Zonaldara,
01:00:58the Xanthulis who wrote it in the book.
01:01:01They were all the men.
01:01:03And, all of them, the girl, Georgina,
01:01:08her daughter, her daughter, her daughter, her daughter, Poliakis and my wife,
01:01:15and we were talking about her.
01:01:16and we talked about it and we talked about it.
01:01:21We talked about this woman who had such a nice movement in the screen.
01:01:25She did a movement,
01:01:29but she was able to meet the thereto she had in the screen
01:01:33in her everyday life.
01:01:36When she came to the portfolio,
01:01:40she was young,
01:01:43although she was new,
01:01:43The new person, the portofolio, had to have a big gap.
01:01:49Do you know what women are looking for?
01:01:58They don't open it easily.
01:02:00They don't open it easily.
01:02:03I remember the portofolio from the portofolio.
01:02:08It's the idea that this is the portofolio.
01:02:10It's like a portofolio.
01:02:14And this is the movement.
01:02:18But it's very quickly.
01:02:19It's the way you can see it.
01:02:25The Marinela didn't have that.
01:02:27But it had an open way...
01:02:29where I saw this movement.
01:02:32who was at the stage and thought that he would end up with the everyday life.
01:02:39With the money to buy something,
01:02:41it showed a woman who never had any sense of things.
01:02:47And when he closed his mouth,
01:02:50he came to the talent.
01:02:55What do you think about talent?
01:02:56What is the talent?
01:02:58The relationship with the man is the same with a gram.
01:03:06Maybe a good one is the same with a gram.
01:03:12Maybe a bad one is the same with a gram.
01:03:17The talent is the same with a gram.
01:03:25In the case of the talent, it was the same with what you saw.
01:03:31You knew that you were a martyr of a transformation that you would remember in the future.
01:03:38When I was talking to you, I always thought it was the same with how it was moving.
01:03:43And it was always like a photograph.
01:03:46Because I didn't like it as a photograph.
01:03:47I was like, I'm with you.
01:03:50I'm with you.
01:03:51But when I'm with my friends, I didn't like it.
01:03:55I felt that they were like, I'm here to be a nice friend and I remember that.
01:04:01I was with you.
01:04:02I remember that evening I was a night in the morning.
01:04:05It was a night after the night of my mother.
01:04:09She was with tears in her eyes.
01:04:11She was with her a 9 hour and there was a 3.30 am.
01:04:15It was just a night of my life.
01:04:15I was talking to myself.
01:04:18that the song of Tassoulas, which was always the song of Tassoulas,
01:04:23that was always the song of Tassoulas and that was always the song of Tassoulas.
01:04:30And after 3 hours of the night, I came out and said to him,
01:04:38and he said to him,
01:04:39and he did it all like that.
01:04:42He said to him,
01:04:45and he said to him,
01:04:49and he said to him,
01:04:51he said,
01:04:53all this song of Tassoulas,
01:04:56a song of Tassoulas,
01:04:59which all of you who are loved and young women have told him something.
01:05:13Thank you very much.
01:05:49The more beyond the world, the more beyond the world.
01:06:06I love you.
01:06:08I love you, I love you.
01:06:17I love you, I love you.
01:06:45My eyes, my eyes, my eyes
01:06:51κάποι με χορταίνουν.
01:07:02Τή μέρα με πεθαίνουνε
01:07:07κι η νύχτα μανασθένουν.
01:07:19Stahlia, Stahlia, Gia, Fórdagas,
01:07:24Do you know what I do?
01:07:30I love you as a man,
01:07:34Do you know what I do?
01:07:38And it's a way to get your heart
01:07:44And it's a way to get your heart
01:07:50And it's a way to get your heart
01:07:52I'm like a man, I'm a man
01:07:55I'm a man, I'm a man
01:08:03You are your love.
01:08:08My friend, I have come here.
01:08:11I have a great friend.
01:08:13I have a great friend this evening.
01:08:17I want to remember the feeling of the years.
01:08:22Because the photos show you a moment
01:08:27And you forget everything else, you don't feel it, and you feel it's just what you see in the photo.
01:08:31I think I want to feel the sensation.
01:08:35I think I feel the feeling is a lot better than what I see.
01:08:40And I always want to feel the feeling.
01:08:42So, I started to say, when I leave it,
01:08:49I started to say, what are you doing?
01:08:51And you say, all of them were good.
01:08:55We hit it.
01:08:57And I had to talk about the young people, who are really passionate about the music.
01:09:01She made a lot of attention to how the musician is Marina Sati.
01:09:07She had heard her songs all over the place.
01:09:12She said, she knows music, she knows music, she knows music, she knows what she said.
01:09:16She knows what she said.
01:09:18She's been a very nice and lovely song.
01:09:21But it was a way to do it.
01:09:24She started to divide it by people.
01:09:27Because there were many people in their world.
01:09:31And there were a lot of joy.
01:09:34But it was a way to divide it.
01:09:37It was not a way to divide it.
01:09:40And two people from America had arrived.
01:09:43They had to leave it all. They had to leave it all, and they had to leave it all.
01:09:48They had to listen to the conversation.
01:09:51And some of them said...
01:09:56...and they said...
01:09:57And they said...
01:09:59And speaking about the Marinella,
01:10:05my friend of mine, because he wrote the music,
01:10:09At the end of the song, Yannis Christodoulopoulos said to me about a song that I didn't have ever heard
01:10:18of the Marinellas.
01:10:21I said to him, please, let me tell you the story of this song and to hear it all together.
01:10:31Yannis...
01:10:32Good evening, Yannis.
01:10:36Thank you very much.
01:10:38Thank you very much.
01:10:40Yannis, I would like to hear this monadical song.
01:10:44Tell me about the story of this song.
01:10:47It's a song called Monadiky.
01:10:50It was written for the movie in the palace,
01:10:53where he came to the palace in the palace,
01:10:57and I wrote it for the Marinella,
01:11:00and I wrote it about a relationship between children and children.
01:11:04When I heard it, I said, why did you write it? How did you write it?
01:11:09I wrote it and wrote it.
01:11:11I wrote it and wrote it.
01:11:12I said, when I write it, I want to be in the Guinda.
01:11:16I'll write it for my daughter.
01:11:19I'll write it for my daughter.
01:11:20I was like, oh, you're in the Guinda.
01:11:23Yes, I was in the Guinda.
01:11:24I was in the Guinda.
01:11:24I'm here, near our front.
01:11:28It's a beautiful place.
01:11:33We leave it for a moment.
01:11:36I leave it for a moment.
01:11:36And let me put it on the floor.
01:11:38Let's go to the orchestra.
01:11:54To be continued...
01:12:14To be continued...
01:12:39To be continued...
01:12:40To be continued...
01:12:46To be continued...
01:12:49To be continued...
01:12:53To be continued...
01:12:56To be continued...
01:13:30To be continued...
01:13:47To be continued...
01:13:55To be continued...
01:14:03To be continued...
01:14:14To be continued...
01:14:16To be continued...
01:14:24To be continued...
01:14:28To be continued...
01:14:31To be continued...
01:15:01To be continued...
01:15:11To be...
01:15:11Thank you...
01:15:41To be...
01:15:42To be...
01:15:43To be...
01:15:43To be...
01:15:45To be...
01:15:49To be...
01:15:52To be...
01:15:53To be...
01:15:56To be...
01:15:58To be...
01:16:01To be...
01:16:31To be...
01:17:02To be...
01:17:31To be...
01:18:01To be...
01:18:31To be...
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