- 15 minutes ago
Young Sherlock S01E04 (2026)
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00:09Mr. Oaks!
00:18Brother, stand back from the door.
00:22Shut up, you're in trouble, Daddy.
00:28Oh.
00:30What a good idea.
00:31Sit down.
00:35The man with the bird's claw.
00:37Did you say those words to anyone else?
00:39No.
00:39You didn't tell anyone apart from me and Mycroft.
00:42I tried to tell you.
00:43He's coming back for me.
00:46Who's he?
00:47They're listening.
00:50The whirring.
00:51Always the whirring.
00:55I couldn't understand why you wouldn't believe me.
01:08Can you hear it now?
01:19Can you hear it now?
01:28Shut up!
01:32What in God's name?
01:36Oh, what fun?
01:50What is it?
01:54Some sort of listening device.
02:00You were right, Brother.
02:04Someone has been recording you.
02:09Open the door!
02:10Oh, time to move.
02:12Open up!
02:17It's the hoax!
02:19Wait!
02:27Shut up!
02:29Shut up!
02:41Shall we take the floor?
02:47No.
02:48I never was very good at this.
02:50You did try to teach me.
02:52You always had two left feet.
02:54Still do?
02:55One, two, three.
02:57One, two, three.
02:58One, two, three.
02:59One, two, three.
03:01Look at me, Mother.
03:02Just us.
03:03You, me, and the music.
03:06Your government.
03:07Whoa!
03:08Whoa!
03:09Oh, God!
03:10Oh, God!
03:13Oh, God, God.
03:15Oh, God!
03:27It's so much fun!
03:29Why, God!
03:29You, God!
03:29Oh, God!
03:32Oh, God!
03:35I'll kind of power go over you.
03:41See how you like it.
03:44I think he likes it.
03:54Are we making an escape?
03:58Yes.
04:07You've got an appointment, Princess.
04:30Two vessels.
04:31What?
04:32Your weight. Just approximate.
04:35To the drop.
04:36Because if the rope's too short, then your neck won't snap,
04:39and then you'll be left slowly choking.
04:41It's a rather undignified way to shuffle off this mortal coil,
04:44wouldn't you agree?
04:45Einstein, I'd guess. Seven-foot-ten-inch drop.
04:49Did you know that the first account of execution by hangings
04:52in Homer's Odyssey?
04:53No, I did not know that, sir. Fascinating.
04:56Is this supposed to intimidate me?
04:57I was supposed to kill you.
04:59I know about British justice.
05:01You're not allowed to play both judge and executioner.
05:04Here we go.
05:10In five.
05:13In four.
05:13Are you counting down?
05:15Why are you killing my scientists?
05:18In three.
05:20Handler!
05:21I've worked for a handler.
05:24Who he works for?
05:25Not my place to ask.
05:26Only my place to light defuser.
05:28Walk away.
05:29In two.
05:31I receive instructions.
05:33I'm a hired gun.
05:34That is all.
05:35Then you're of no further use to me.
05:37In one.
05:37What the hell are you doing?
05:39I think you'll find I don't answer to you, Mycroft.
05:42We don't torture prisoners, sir.
05:44There are rules, protocol.
05:46This woman is trying to destroy me, and I will have my satisfaction.
05:51And you have every right, sir.
05:53Every right.
05:54But consider this if you would.
05:56You're out of favor with the foreign secretary, are you not?
05:59Do you really wish to alienate him further by not consulting with him on such a delicate matter as this?
06:04May I remind you, she is our only link to whoever is killing your scientists, sir.
06:12I was merely endeavouring to loosen her lips.
06:15But we are Englishmen.
06:17It has to mean something.
06:18And in a changing world, how much do you think you're going to achieve with the Queensbury rules?
06:22Your absurd sense of fair play.
06:29Yes, sir.
06:30Listen, Rose.
07:04Alas, poor Yorick.
07:08I only made Horatio.
07:37I'm afraid there's going to have to be some changes around here.
07:42I'm needed abroad, on an expedition, Mycroft.
07:46I've arranged a government clerkship for you in London.
07:50Thank you, Father.
07:53Sherlock.
07:55I know you're not going to want to hear this, but your mother and I think it's best if you
08:00went to boarding school.
08:07I don't want to leave!
08:11Be strong, my boy.
08:24Mother?
08:26Mother?
08:27We're here.
08:29Oh.
08:37Oh, you brought me home!
08:45You're safe now.
08:58Yes, let's get you sat down and I'll light the fire.
09:01Oh, who's that?
09:01Mother, mother.
09:02This is James.
09:03James Moriarty.
09:04He's a friend of mine.
09:05Hello.
09:06Oh, I'm so glad.
09:08Darling, Sherlock never had any friends.
09:11Oh, really?
09:14Well, it's a pleasure to meet you, Mrs. Holmes.
09:17Darling, can you hear that music?
09:21Oh, that sound.
09:25That's you!
09:36You!
09:37Bea?
09:38Oh, Beatrice.
09:41Oh, my darling.
09:46Bea?
09:53That's so beautiful.
09:55That's so beautiful.
09:59Why are you running away from me?
10:03Bea?
10:05Where are you running off to?
10:08I want to crown you.
10:11Bea?
10:11I want to crown you.
10:12Come!
10:17Good luck with me, Mummy.
10:19Beatrice!
10:21Bea?
10:22Beatrice?
10:25Perhaps...
10:26Perhaps we should sit down for a moment, Mother.
10:30All right.
10:31Let's take a seat.
10:43She is absolutely exhausted.
10:45Will you like to fire?
10:46She needs warmth, rest, and food.
10:48Yes, Sherlock.
10:49Where is your father in all of this?
10:51This shouldn't all be on your shoulders.
10:53He's in Vienna.
10:54He's a busy man.
10:55It's all right.
10:56I'm here.
10:58And I'm dealing with this.
10:59What?
11:00We're breaking her over to the asylum.
11:03They were recording her in there, James.
11:05They were listening to every single word she said.
11:07I had no choice.
11:08And Shuan knew about it.
11:09There's a man with a bird's claw.
11:10He's coming back for me.
11:13How did she know?
11:17Sherlock.
11:21Mother!
11:28Mother!
11:44Mother!
11:45Mother!
11:46Mother!
11:46Mother!
11:46Mother!
11:48Mother!
11:48Mother!
11:49Mother!
11:49Mother!
11:50Mother!
11:51Mother!
11:52No, no, no, no, no, no, no, no, no, no, no, darling.
11:53I have to find her.
11:55No, no, no, no, no, she must.
11:56She's not him.
11:57She's not him.
11:57She's got him.
11:58No, she's not.
11:59No, no, no.
12:14Let's get you warm and dry.
12:20Stop right there. You are not taking her.
12:22Buster Holmes.
12:24Crowell.
12:26I do apologise.
12:27I heard the commotion.
12:28Yes.
12:29Mrs. Holmes.
12:31Mr. Crowell, it's so delightful to see you.
12:34You too, Mrs. Holmes.
12:35We weren't expecting you.
12:36We would have had the house ready.
12:38Tell me, does Dr. Maltby still live in the village?
12:41He does, yes.
12:42Would you fetch him, please?
12:43How is Mrs. Crowell?
12:44Oh, she's well, thank you.
12:45Right away, please, Crowell. I rather need his help.
12:47Of course.
12:54For your head.
13:01What?
13:02What trouble is she's worth?
13:04Electric shock has clearly fried your faculties, Philbot.
13:08No Cordelia Holmes.
13:10No money.
13:11I rather like money.
13:13Do you follow her?
13:20Find her.
13:22And quickly.
13:25As you wish.
13:29Sir.
13:30Sir.
13:35Razor talons.
13:38Sharp as knives.
13:40So vivid.
13:43Sweetheart, there is nothing you can do.
13:46He is coming back for me.
13:47The man with the bird's claw.
13:49Who is it you're talking about, Mrs. Holmes?
13:53Right, stand by, please.
13:54Let's, um, not grab a patient.
13:58Ah, hello, Cordelia.
14:01I'll tell you how pleased I am to see you again, even in such circumstances.
14:05But don't you worry, we're going to get you writer's reign.
14:08Do you know what she was prescribed at the asylum?
14:12Alkaloids, I believe.
14:13Ah, right, yes.
14:14Well, she's obviously suffering from withdrawals.
14:16Perhaps I could give you something else, something to clear the fog a little.
14:19It's all right, Mother.
14:20He's not like the others.
14:21He's here to help you.
14:22Right, Cordelia.
14:24I want you to take two of these with some water, please.
14:30Here we go.
14:31Down the hatch.
14:37Your mother's in trouble, Sherlock.
14:39She'll get better.
14:40Yes, I believe that she will, but that's not what I'm referring to.
14:43Joanne knows about those recordings.
14:45Now, we don't know whether she's responsible for them,
14:47but either way, this does connect your mother to the murders in Oxford.
14:51So how can we say that she's safe here?
14:54We can't.
14:55The man with the bird's claw.
14:56You have no idea what she means.
15:01My mind is blank.
15:04Well, then maybe it's not a person.
15:06Bird's claw, it's a phrase or a place or a thing.
15:17Perhaps it's some sort of crest.
15:19The bird's claw.
15:20Good, good.
15:21So whose crest?
15:23Someone at the assignment.
15:25Or someone at Oxford.
15:30Sherlock.
15:33I've got nothing.
15:36Perhaps I was wrong.
15:38Words I never thought I'd hear you say.
15:39No, perhaps I was wrong about the crest.
15:41Perhaps it's some other sort of symbol.
15:44The answers to many of life's problems
15:45lie at the bottom of the glass.
15:51The best thing in nature
15:55For drowning your sorrows
16:00Or arisen your joy
16:12God knows I wonder
16:14If lightning and thunder
16:17Were made from the mother love
16:20Whiskey
16:31I've seen it somewhere.
16:33Where am I seeing it?
16:34Where am I seeing it now?
16:37Oh, Lord.
16:45It's Professor Malik.
16:46Well, go on.
16:47Professor Malik has a cane.
16:50Yes.
16:50And his cane
16:51Yes.
16:52Has a bird's claw.
16:55All right.
16:57Bravo.
16:58So if I am correct
16:59If it is Malik
17:01What's his business with my mother?
17:02What's his why?
17:03What's his incentive?
17:04Well, she well knows about those recordings.
17:07So perhaps she can answer that.
17:09So perhaps you need to ask her.
17:12I took the liberty of rustling a little something up, Master Holmes.
17:16I thought you'd be hungry after the night you've had.
17:19Yes, thank you, Mrs. Crow.
17:21That's very, very thoughtful.
17:22But we need to pop into town for a few hours
17:24So I'll need you to look after my mother.
17:25She'll want for nothing, Master Holmes.
17:29There's ammunition in my father's study.
17:31Don't let anyone into this house.
17:34Understood.
17:36And if you need to send a word
17:37You can reach us at Oxford Police Station.
17:40James?
17:42A man can't think on an empty stomach.
17:45Thank you, Mrs. Crow.
17:46Thank you, Malcolm.
17:47Thank you, Mrs. Crow.
17:49Stolen.
17:51Poor road.
17:53Lovely.
17:54Lovely asylum.
17:56I'm starting to appreciate your thieving ways, Sherlock.
17:59Get on!
18:00It's a fire of clay from a pocket watch.
18:09Would you stop creeping up on me?
18:13Well, what is it?
18:17You did what?
18:18She is at home and she is safe.
18:20Mrs. Crow is looking after her.
18:22They were recording her, Mycroft.
18:23I don't know what you expected me to do.
18:25How about not breaking her out of the asylum, for starters?
18:28How about going one single day without breaking the law?
18:31Sounds a very disappointing life.
18:33Can't imagine what father's going to say.
18:34I would imagine he'd be pleased.
18:36At one of us showing some initiative.
18:37We should wire him.
18:38He could sort this out.
18:40Are you quite well?
18:40Have you fallen down and bumped your head on something hard?
18:43Professor Malick was at the asylum.
18:45He must have been the one recording her.
18:47Mother gave me a description.
18:48Of him?
18:49Of his cane.
18:50The man with the bird's claw.
18:51You were there, Mycroft.
18:51Sherlock, she rambles.
18:53There's always an outside chance she's going to accidentally say something half plausible.
18:57Apis melephora.
18:58No, no, no, no.
18:58The honeybees.
18:59Yes, I know about the honeybees.
19:00The honeybees.
19:01Yes, I know about the honeybees.
19:01I don't.
19:09When we were little, we had a hive.
19:11Apis melephora.
19:12I watched the bees and I told Mycroft that I'd seen them dancing.
19:16And you called me foolish.
19:17Witless was the word I used.
19:19I then went and checked with father.
19:20And he said that honeybees do a little circling dance to communicate with each other.
19:24It's called the tarantella.
19:25And you called me a half-wit.
19:27Witless was the word he used.
19:30Well, I wasn't witless because I was right.
19:32Glad to see you're not holding on to a grudge there, Sherlock.
19:34This is the honeybees all over again, Mycroft.
19:37Just because something appears to be random, it doesn't mean that it is.
19:40Mother said that they were listening to her.
19:42They were.
19:43She's mentioned the man with the bird's claw.
19:45Professor Malik has a cane with a bird's claw.
19:48Yes, but it's not exactly case closed, is it?
19:51Tell me.
19:54Where is Professor Malik now?
19:58Well, we are not exactly sure.
20:00He seems to have vanished after last night's events.
20:03Why would he vanish?
20:05If Shuan is in a cell, if the threat is gone, then why would he vanish?
20:17Yeah.
20:21Ten minutes with Shuan.
20:25No.
20:26Nine minutes.
20:33Sherlock!
20:34Mr. Patton!
20:35What are you in for this time?
20:37I'm just visiting today.
20:38Remember, prison is in here.
20:41He's very...
20:43I don't know, Mycroft, what's the word?
20:45Bothersome.
20:48Vexatious.
20:51Unbarren.
20:52I could empty the dictionary.
20:53Oh, no, no, no.
20:54I was thinking he's very...
20:57Intense.
20:58Hmm.
21:00What was he like?
21:01He was a small boy.
21:04Well...
21:05Growing up in the same house.
21:09Yes, I can only imagine.
21:15No, actually, I can't.
21:18Tell me.
21:20Put it this way.
21:21I took a job in the Foreign Office in pursuit of an easier life.
21:26Wars.
21:26Famine.
21:27That sort of thing.
21:32I wondered when you and I would be seeing each other again.
21:34I must admit.
21:36Life has become somewhat tepid without you.
21:40You mind if I sit?
21:41Please.
21:41Take the royal throne.
21:45Thank you, princess.
21:52What game are we playing today?
21:54What game would you like to play?
21:55I'll let you decide.
21:56How very kind.
21:57Why don't we start by you telling me how my mother is involved?
22:00Ah.
22:01English boys and their mothers.
22:03Very touching.
22:04How did you know what she said to me in the asylum?
22:07First principles.
22:08The likeliest explanation is always the simplest.
22:10The likeliest explanation would be that you heard her say it.
22:16The recordings.
22:18You had access to them.
22:20Oh, lightning fast.
22:23Professor Malik.
22:25Is there a question there?
22:26Why did he visit my mother?
22:28How do you know it was him?
22:29The man with the bird's claw, clearly a reference to his walking cane.
22:34That was Malik.
22:38There's a place where I met my handler.
22:40A safe house.
22:42And his people are wearing all the time.
22:45There's a man with the bird's claw.
22:47Oh, he's coming back.
22:49It is safe, huh?
22:51Do you think it's possible Malik is still there?
22:53Imagine if we combined our talents.
22:57You want Malik?
22:59I want him too.
23:01For very different reasons.
23:03I want to find out why he was recording my mother.
23:07You, on the other hand,
23:09want to kill him.
23:11Then let's help each other.
23:14The final act we can debate later.
23:20Where is this safe house?
23:24You are going to have to give up something.
23:27I very much doubt
23:28Hodge is going to let you out of here
23:30until you do.
23:32But that is preposterous.
23:34Slanderous.
23:34Professor Malik works for me.
23:35Why on earth would he be at this...
23:37Safe house, sir.
23:38Safe house.
23:39There is nothing in Malik's file
23:41to suggest any nefarious activity.
23:43All I know is what I saw.
23:44Should have hanged you this morning.
23:45Get her out of here.
23:46Hold on.
23:49I didn't see him at the gala.
23:51Who?
23:52Professor Malik.
23:53When I came through the wall
23:55at the gala,
23:55I didn't see him.
23:56All of the other professors
23:57were there at the table
23:58except him.
23:59We have to...
24:02He left.
24:10For Her Majesty's Empire.
24:12Don't take the Empire
24:13for granted.
24:15We may live to regret it.
24:17Sharing your speech, sir.
24:19I thought it hard at the time.
24:20Why would anyone leave my speech?
24:23It seemed the poor fellow
24:24had bladder issues.
24:25Were you given an exact time
24:26to carry out the explosion?
24:28Eight o'clock.
24:29My instructions were quite explicit
24:31on that point.
24:32Unless Malik had a conveniently
24:34life-saving desire to urinate,
24:36I think it fair to say
24:37he knew the bomb would go off at it.
24:38If he is in this safe house, sir,
24:40and if he is indeed working
24:42against your interests,
24:43wouldn't you rather know?
24:46Let's go, Councillor.
24:48Front and back doors are sealed
24:49with plate metal.
24:50Baths on the windows
24:51half an inch thick.
24:52Basement has a code to lock.
24:54I want an officer
24:55by her side at all times.
24:56I'll take Sherlock.
24:57You think she gets to choose
24:58who babysits her?
25:00No, sir.
25:01No, sir.
25:02Sherlock or no one?
25:05Or send me back to my cell.
25:06And you can find Malik yourself.
25:24Why are you doing this?
25:26Because there's a chance
25:27he keeps me alive.
25:29No, why are you after Malik?
25:30Why are you killing professors?
25:32It's what I'm paid to do.
25:35I don't believe that.
25:37Do you trust me?
25:38Of course I don't trust you.
25:39You know I don't trust you.
25:42And nor I you.
25:47The code is Hydras.
25:50Seventeen stars in the southern sky.
25:52Get ready.
26:03Let's go.
26:11Oh, my God.
26:34You'll force my hand.
26:38Right. Come on.
26:43No, thank you.
26:46Malik.
26:56No!
26:58No!
26:58Oh, my God, my God!
27:01Oh, my God.
27:08Don't be afraid!
27:09Don't be afraid to be afraid!
27:11Your Highness.
27:14May I present to you the real Princess Shua?
27:19Your Highness Sir Beucephalus Hodge,
27:21I only wish that our first meeting had been under more salubrious circumstances.
27:25Trust me when I tell you that I have spent no expense in my search for you.
27:29Roche, send a wire immediately to the Foreign Secretary.
27:33Roche, be sure to tell him I found her.
27:36Yes, sir.
27:38This is where I saw Professor Malik listening.
27:45Sherlock?
27:47Your mother.
27:49All of her recordings.
28:02I had a little pony.
28:04His name was Dampelgrey.
28:06I lent him to a lady to ride a mile away.
28:09She whipped him and she splashed him.
28:11I'm shooting him.
28:13I'm so sorry.
28:30Why would anybody want to do this?
28:32While you were detained by these nefarious individuals, did you by any chance happen to see you?
28:41This man?
28:43No.
28:44You see, I knew he would never have been embroiled in this unsavory business, Mycroft.
28:49You see, unlike you, Professor Malik understands the meaning of loyalty.
28:53You recognize his name?
28:54Yes, they mentioned him.
28:55Perhaps you misheard.
28:56I did not.
28:57Only yesterday they talked of visiting him.
29:00Your Highness.
29:01Did they say where?
29:03At Abton.
29:04Behind the locks.
29:07That's all I heard.
29:12Sherlock, all of these are transcripts of the recordings.
29:17Her entire life is laid out in here.
29:20This is a record of her visitors.
29:22Myself.
29:23My brother.
29:24My father.
29:27There's a Lawson Jaggers.
29:29A lawyer.
29:30Is that someone you know?
29:31No.
29:32When did Jaggers' last visit?
29:34Friday, August 11th.
29:3610 o'clock.
29:37That page has been torn out of the transcriptions.
29:41August 11th.
29:4210 o'clock?
29:43Yes.
29:51Mr. Jaggers here to see you.
29:55Yes, sir.
29:57It's been charming to see you again.
29:59I'll leave you to talk.
30:04What rooms I see.
30:06Very nice.
30:08Now, you might continue with our previous matters.
30:11Yes.
30:21It's been scratched.
30:23The cylinder.
30:23It's sabotaged.
30:24Someone must have been rather keen to make sure we don't find out what's on there.
30:28Ah, Sherlock.
30:29What's all this?
30:37There are recordings.
30:39Of our mother.
30:41All of them.
30:46Well, why would someone do this to us, Sherlock?
30:49We are working on that.
30:50We have a lead on the potential whereabouts of Professor Malick.
30:54Um, obviously, Hodge wants to pursue it himself, but...
30:58No, you find Professor Malick.
30:59Right.
31:00You find out why he's been doing this, Mycroft.
31:01You have my word.
31:02And we will pay a visit to this Lawson Jaggers fellow and see what business he's had with
31:06our mother.
31:07Wait, who's...
31:07Where is she?
31:09Suano.
31:10Not the hell her real name is, was she?
31:16She...
31:16She was here just a moment ago.
31:18Tell me, Holmes.
31:19If she's escaped, you'll be held personally responsible.
31:21When I have men and all my doors, there's no way she will get out.
31:24How could she possibly slip away?
31:27O'Shea, consider yourself my hunting hand.
31:31Don't bring her back.
31:47This is why she grew this hair.
31:49You're an idiot, Holmes.
31:50She took you.
31:52Get out of the way!
31:53Come on!
31:55Wait!
31:56Stop!
31:59Move!
32:00Out of the way!
32:03Come on!
32:04Come on!
32:05Come on!
32:07Come on!
32:07Come on!
32:08Come on!
32:12Stop right there!
32:41There is no Abden on the map.
32:43She said behind the locks.
32:44Now could it be somewhere on the canal?
32:47Could Abden be the name of the boat?
32:49We keep a register of boats and vessels somewhere.
32:51But where is O'Shea?
32:52He hasn't reported back yet, sir.
32:53This is becoming a bloody fiasco!
32:56Find Professor Malick!
32:57Damn it, man!
32:58Think he can betray me or rip his bloody head off?
33:00Might I ask exactly what the princess said, sir?
33:02She said they were meeting Professor Malick at Abden, behind the locks.
33:08Abden and Senen.
33:10They're ancient Catholic martyrs.
33:13If I may.
33:15There's a ruined medieval abbey not far from Oxford.
33:17It was once dedicated to them.
33:18Behind the locks?
33:20The locks of Marian.
33:23An old relic believed to have been kept at the abbey.
33:26According to legend, it was the hair of Mary, mother of Jesus.
33:30Well, I know very dear.
33:31How did you know this?
33:32My father encouraged me to breathe, sir.
33:36Why don't you know this, Michael?
33:38A little scratchy on my esoteric Christian martyrs, sir.
33:44Where is this ruined abbey?
33:47There, sir.
33:48Shuan's making a good habit of beating you.
33:50Nonsense.
33:52As a matter of fact, I think you'll find I helped her to regain her liberty.
33:56Oh, I see.
33:57So you knew about the passenger?
33:58You knew she was going to escape?
33:59I simply decided the world was a more interesting place with her in it.
34:04Mm-hmm.
34:06What a lot of shite.
34:13Ah.
34:14Last of Jagras, I swear.
34:23Ah.
34:25Smells interesting.
34:37Are you all ready?
34:43There's more than one way to skin a cat, James.
34:46Well, this is how I like to skin my cats.
35:07Oh, dear lord.
35:10It's the last of Jagras, Esquire.
35:12This is her, her charming suit.
35:15Oh, dear lord.
35:19Mr. Larson Jagras, Esquire.
35:19What's up, Vlad?
35:23Sign of a struggle.
35:25He got in the scrap.
35:31So someone erases his conversations with my mother.
35:34And then he finds himself unceremoniously erased.
35:37A rather convenient suicide, don't you think?
35:41Diaries.
35:42I tell you what business he had with your mother.
35:45I am going to report this.
35:46To the police?
35:47Yes.
35:48And do their jobs for them.
35:49Because I have been suspected of murder before, and I would rather it didn't happen again.
35:53Syndicate says the problem with this life is not that it's short.
35:58It's that we waste an awful lot of a dick in a boat.
36:30I'd like to report a death.
36:33Lawson Jagras, solicitor for Alba Lane.
36:38And you are?
36:40Sherlock Holmes.
36:41Holmes.
36:42We have a wire for you.
36:47Sherlock.
37:01Sherlock?
37:03Sherlock!
37:04Sherlock!
37:05Sherlock!
37:06Sherlock!
37:06Sherlock!
37:09She requires help.
37:10She needs to be somewhere she can be cared for.
37:12I'm so sorry Sherlock, I was only gone for a moment.
37:14Don't you worry Kral, they won't be taking her anyway.
37:16I believe you'll find I have jurisdiction over her.
37:19And I believe you'll find I have jurisdiction over this.
37:29Is the double barrel 12-4 hammer gone not persuasive enough for you?
37:34Let her go.
37:36We're only acting in her best interests.
37:41You knew, didn't you?
37:43You knew about the recordings about Professor Malick.
37:47Why did he do it?
37:48You'll have to ask him.
37:50You'll have to ask him.
37:50I was merely paid to look the other way.
37:54I am so sorry mother.
37:56I am so sorry.
37:58I am so sorry.
37:59Can I respectfully suggest that you'll fuck off?
38:23You're quite sure this is the place?
38:24Quite sure, sir.
38:33Mr. Strahd, I wanted on the record that I was the one who blew this case wide open.
38:37Yes, of course, sir.
38:40I think I saw movement by the church, sir.
38:50I wish to be the one to apprehend him.
38:52Very good, sir.
39:25I'll have to leave the church.
39:27I'll have to go.
39:27I can do it.
39:27No matter what.
39:28I didn't know what you did.
39:32I just told you I was.
39:32And there's a couple of other characters in this.
39:33You would see me, to be a cornerstone.
39:33For me I was.
39:34And there were a couple of others who would go right now.
39:38I was looking for a secret.
39:39I didn't know it.
39:42What do you do, Persephalus?
39:44Kishore Malik.
39:47No, it's true.
39:48My very own personal Judas.
39:50There is nothing that can't be sacrificed in the pursuit of science.
39:55Knowledge is the wing wherewith we fly to hell.
39:57Don't croak the bard at me, sir.
39:59Don't dress up your grubby greed in noble sentiment.
40:01You were going to sell my project to the highest bidder.
40:04What was it? I wasn't paying you enough?
40:07Greed.
40:08Very simple.
40:09As if you stand for anything else?
40:11I stand for queen and country, sir.
40:13To be an Englishman is to win the lottery of life,
40:15something I remind myself of each and every day.
40:17Can I help it if I stand to make the odd penny
40:19from my tireless dedication to the court?
40:21I did not betray you, sir, for money.
40:23I betrayed you because what I discovered could change the world entirely.
40:28And I couldn't bear to see you take credit for my discoveries.
40:32For history to forget me.
40:34Nobody will, sir.
40:35No, I will go down as the man who built the empire.
40:36You, on the other hand, will be forgotten even by your own mother.
40:42Oh, just one request before I bid you adieu.
40:47I mean, if you'd be so accommodating.
40:48Who did you betray me for?
40:50The Prussians?
40:52The Ottomans?
40:54Take your hand out of your pocket, man.
41:06Hodge.
41:08Hodge!
41:13Right, man out!
41:15The man can't have gone far!
41:17Hodge, man out!
41:18Man out!
41:20Is he being shot?
41:23There's no blood.
41:26There's no bullet hole, nothing.
41:28So be yourself, miss.
41:33He's not breathing.
41:38He's dead.
41:45Guns and hot toddies.
41:47Jesus, you're a woman after my own heart, Mrs. Crow.
41:51Mrs. Crow, thank you.
41:54You're welcome.
41:58It must have felt very good, that slap.
42:01Oh, James.
42:04It was such a tonic.
42:07So what now?
42:10I'm still no closer to figuring out why you were involved in any of that.
42:17The likeliest explanation is always to submit, son.
42:21He's coming back.
42:21I was merely paid to look the other way.
42:34Done.
42:40Sherlock, my boy, I heard you had a spot of bother.
42:47There's a man.
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