Fated to My Cruel CEO - Full English Sub
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Short filmTranscript
00:00:24Hey, I want to take you to my place, baby doll.
00:00:27Sorry, I don't do party dances.
00:00:29She'll strip her money, but you won't fuck a guy?
00:00:31I'm not a hooker.
00:00:33Show some respect.
00:00:36Fucking bitch, I'll show you respect.
00:00:38Mr. Morgan, I am so sorry she's new here.
00:00:41I've got to trade her better.
00:00:43Just have a seat.
00:00:44We'll be with you.
00:00:45Sorry about that.
00:00:51You one great bitch.
00:00:53Remember who saved your ass when you were knee-deep in debt?
00:00:57Knee!
00:01:01How are we doing with the search?
00:01:03Not good, boss.
00:01:04It's still going.
00:01:06Find her.
00:01:07I don't care what it takes.
00:01:12I found the perfect one for you.
00:01:14It's about time you settle down and get married.
00:01:16Her name is Carla.
00:01:17She's a daughter of a friend of mine.
00:01:19Dad, we've been over this.
00:01:21I don't need you to find me the perfect woman.
00:01:23Of course I do.
00:01:25You're an Ardoin.
00:01:26I have to make sure my son marries the perfect woman.
00:01:28So now all of a sudden you give a shit about me?
00:01:30You never care when you drove mom away.
00:01:32Or when you sent me to that orphanage all by myself.
00:01:34Silence.
00:01:35How dare you?
00:01:37It's for the Ardoin family business.
00:01:39Your American count of Jennings.
00:01:41End of discussion.
00:01:42Dad.
00:01:44Dad.
00:01:48I paid your 500 grand debt.
00:01:50And I gave you a job.
00:01:52Now if you want to quit so bad, pay me back.
00:01:55Get the fuck out of my club.
00:01:57Please, you know, I don't have $500,000.
00:02:00Just give me another chance.
00:02:01Get the fuck back in there.
00:02:03Apologize to that nice gentleman.
00:02:05And do whatever the fuck he tells you to do.
00:02:07Now if I get any more complaints from our clients,
00:02:10you will be sorry.
00:02:12Got it?
00:02:13Is there a problem here?
00:02:16No, sir.
00:02:17Everything's fine.
00:02:20She looks just like her.
00:02:29Will you marry me?
00:02:35Will you marry me?
00:02:40Let's tell my father I've chosen a wife for myself.
00:02:42Are you sure, boss?
00:02:44She's a stripper.
00:02:46How about we make a deal?
00:02:48Name any price you want.
00:02:49Will we get married?
00:02:51I owe my boss $500,000.
00:02:53He's not going to let me go until I pay him.
00:02:58Anything else?
00:03:08This is your house?
00:03:10It's our house now.
00:03:12Welcome.
00:03:19All right.
00:03:21Sign this agreement.
00:03:22We'll be contractually married for a year.
00:03:25After that,
00:03:26we'll file for divorce.
00:03:27Until then,
00:03:29part of the richest family in the country.
00:03:43My heart belongs to somebody else, though.
00:03:45I don't want you to know that I'm...
00:03:46not attracted to you.
00:03:48We're just going to be married on paper.
00:03:51Is that so?
00:03:53Well,
00:03:54don't worry.
00:03:55I'm not attracted to you either.
00:03:57I just wanted the money.
00:04:10Hey,
00:04:11where am I staying,
00:04:12by the way?
00:04:12In the guest room.
00:04:20Total jerk.
00:04:21This is bad.
00:04:29It's been over 10 years.
00:04:33I miss you so much.
00:05:04Doss,
00:05:05I need you to find out everything you can
00:05:07about the woman I just married.
00:05:08To see if she grew up in the same orphanage.
00:05:26I'm sorry I didn't mean to.
00:05:28This is my bathroom.
00:05:30What do you think you're doing?
00:05:32I'm just trying to use your little tricks
00:05:34to get my attention.
00:05:35It's not going to work, though.
00:05:36Sorry.
00:05:38I wasn't trying to get your attention.
00:05:46Do you mind turning that off?
00:05:50I just thought the carpet needed some cleaning.
00:05:52You're here to be my wife,
00:05:54not a maid.
00:05:57Who are you?
00:06:01Wait,
00:06:02you're that stripper.
00:06:04What are you doing in Edward's house?
00:06:07I am.
00:06:08Who are you?
00:06:09I am Edward's fiancé.
00:06:16Edward,
00:06:17you're marrying a stripper?
00:06:19I thought I was your fiancé.
00:06:21My father arranged for us to get married
00:06:23only for the sake of our families.
00:06:25We wouldn't be happy
00:06:26even if we did get married.
00:06:27But I would be happy,
00:06:29Edward.
00:06:29Carla,
00:06:30you know I have someone that I love.
00:06:33She's the one I'm waiting for.
00:06:36I don't know who the fuck you are.
00:06:38If you think you have a chance to kiss me,
00:06:41you're dumbed than I thought.
00:06:43Yes.
00:06:44Get it straight.
00:06:45I'm not competing with you.
00:06:49Stop it.
00:06:50Edward?
00:06:51Are you defending her now?
00:06:54No, no, no, no, no, no, no.
00:06:56She's the one.
00:06:56She's the one.
00:06:59Wow.
00:07:00Got a lot of admirers, huh?
00:07:01Any more than to watch out for?
00:07:04Look,
00:07:04if you see me in the living room,
00:07:06don't show your face.
00:07:08Same will go for me.
00:07:09Your house, your rules.
00:07:11Big deal.
00:07:18Hi, I'm Velma.
00:07:22I've worked a lot of odd jobs in the city.
00:07:28Waitressing and working in nightclubs.
00:07:33All for a chance to act.
00:07:41I'm also looking for someone.
00:07:47And I hope that one day he sees me on screen.
00:07:55That way he knows that I'm still here.
00:08:13Walker, I hope you see me.
00:08:21I hope you see me.
00:08:29That's okay, Sarah.
00:08:32Mama doesn't need to die with me.
00:08:34Bring my food to my room and I'll eat there.
00:08:36Yes.
00:08:38It's fine.
00:08:39I usually don't eat with people anyway.
00:08:42By the way, I'm going out for a bit today.
00:08:46Where you go is none of my concern.
00:08:49Fine.
00:08:53Is he always this big of a jerk?
00:08:55Excuse him, ma'am.
00:08:56He's just used to me than a mom.
00:08:59I'm sorry, Sarah.
00:09:00It must be difficult dealing with him every day.
00:09:03It's okay.
00:09:10Yeah.
00:09:10I'll be right there.
00:09:11I'll be right there.
00:09:25Okay.
00:09:26Sit.
00:09:27So, I heard a funny little rumor that you married the famous billionaire Edward Arduin.
00:09:33It's a truth.
00:09:34I didn't know that he was a billionaire until after the war.
00:09:37You're joking.
00:09:39How did you manage that?
00:09:40Shh.
00:09:41I just signed a contract.
00:09:43It's fake.
00:09:44What?
00:09:45Who cares?
00:09:46What are you waiting for?
00:09:47Seal the deal.
00:09:48I know that I can't think about anyone that I'll go.
00:09:52Gee, it's been ten years since you two escaped the orphanage.
00:09:56We never could be anywhere.
00:09:57He could be dead.
00:09:58He's not dead.
00:09:59Okay.
00:10:00Um.
00:10:01It's okay.
00:10:02Okay.
00:10:02Sorry.
00:10:03So, what's your plan?
00:10:06Keep things the way they are, I guess?
00:10:09Except now I can focus more on acting and not dance in extreme clubs.
00:10:14Hey!
00:10:15That's exciting, right?
00:10:16That's something you've always wanted to do since you were a kid.
00:10:18Is that audition today?
00:10:20Yeah.
00:10:28Hi.
00:10:28I'm here for the audition.
00:10:31You think you could just show up like that, you slut?
00:10:40You slut?
00:10:41Are you stalking me?
00:10:43Oh, don't flutter yourself.
00:10:44I'm the lead of this production.
00:10:47She's not auditioning.
00:10:48Sorry.
00:10:50You can't do this.
00:10:51I worked so hard for this opportunity.
00:10:54Oh, like stripping for men and fucking them in strip clubs?
00:10:58God, I was dancing.
00:10:59That's it.
00:11:00What's the fucking difference?
00:11:03I eat girls like you for breakfast.
00:11:06Let's go drink.
00:11:10No.
00:11:11Please.
00:11:12Wait.
00:11:13Wait.
00:11:19Quiet.
00:11:24Quiet.
00:11:25Quiet.
00:11:27Quiet.
00:11:31Quiet.
00:11:32Quiet.
00:11:32Quiet.
00:11:33Quiet.
00:11:34Quiet.
00:11:34Quiet.
00:11:35Quiet.
00:11:36Quiet.
00:11:36Quiet.
00:11:36Quiet.
00:11:37Quiet.
00:11:38Quiet.
00:12:00Boss, I need to get the details from Thelma, she went to high school not far from here to
00:12:06school, but I doubt that has been auditioning for films, she worked at nightclubs to make
00:12:11a living, bad relationship with her parents, but not an orphan, no need changes, I've definitely
00:12:26never been to an orphanage, I wanted it to be her so bad, of course it can't be Ellen, you've
00:12:41been looking for this girl for 10 years, who is she? Someone more important to me than life
00:12:47and so, it is her, finding the location where this photo was sent, got it, the photo's been
00:13:12sent, good, where is she? Oh, out like a lame, I guess marrying Edward won't solve everything,
00:13:22how about you about it, do whatever you want, clean it up and you're done.
00:13:44I've been searching for you for so long and you were right here.
00:14:07Boss, he's gone. Find him, keep this between us. Got it. Come on, I got you.
00:14:29I'm sorry. I can't tell you who I am. Not yet.
00:14:54We'll need your names once we're out of here, right? Yeah, we're starting a new life.
00:15:00I'll be Telma. What about you? Algar. Helen! Where are you? You have to run quick. Trying to escape again?
00:15:13I've warned you it's not gonna work. Looks like I gotta give you some real punishment. You go first. At
00:15:19least one of us needs to escape. No, you go. She's gonna kill you. I won't let her catch me.
00:15:26Just go, I'll find you. Let's meet the amusement park.
00:15:33I'll wait for you. I'll wait for you, Algar.
00:16:03What happened?
00:16:05Nothing to worry about. Just some issues with the film crew.
00:16:07What happened?
00:16:08Why are you being so nice to me?
00:16:11No reason. Here, take this card. It's unlimited. You spend it however you want.
00:16:18Why are you doing this? I don't want your money.
00:16:23Well, if you need money, just let me know and you can stop looking for odd jobs.
00:16:32Odd jobs? Acting is my dream. I danced in strip clubs for a living, but people like you, born from
00:16:42a silver spoon, wouldn't understand that.
00:16:44Then stop doing it.
00:16:46We're in a contract marriage, right? I won't interfere with your life and you can't meddle in mine. Acting is
00:16:54something that I've always wanted.
00:16:57And besides, I'm not gonna take your money besides the number that we agreed on.
00:17:04I need to rest now.
00:17:09Do you mind?
00:17:30Look at this mess. Clean it up if you even think about going to bed.
00:17:50Eat up. He must be starving.
00:17:55They probably worked hard for this.
00:17:57Come on, take it.
00:18:03I can't believe she locked you out for three days and made you do all of this.
00:18:07Did she even feed you at all?
00:18:09You made it easier for me.
00:18:11No, get back before she sees you.
00:18:32Excuse me. I'm calling to ask about my audition.
00:18:35I'm sorry. Your name has been blacklisted from a production.
00:18:40What?
00:18:58How about a drink? There are two glasses of scotch there. Pick one.
00:19:03I'm sorry, Mr. Barney, please.
00:19:07Just a friendly gesture from the boss.
00:19:11One more thing.
00:19:12Only one of those glasses is poison-free.
00:19:16You should have known better.
00:19:18That would happen if you could have them out.
00:19:21Here.
00:19:22I do it for you.
00:19:23Hold it.
00:19:27Go!
00:19:30Go!
00:19:37Take him away.
00:19:39Take him away.
00:19:45This is what I've become, Thumb.
00:19:48I hope you've never seen me like this.
00:19:52Ruthless.
00:19:53Merciless.
00:19:56Both glasses would have silenced the man.
00:20:00I simply can't forgive him for what he did.
00:20:06Thelma, will you forgive me?
00:20:15Bye.
00:20:16What the fuck happened to you?
00:20:18How did he find you?
00:20:19What happened?
00:20:21Oh, you can't even talk now?
00:20:23God, you're fucking useless.
00:20:28Inform every production you can reach.
00:20:31Thelma will never be an actress.
00:20:35Make sure of it.
00:20:38Go!
00:20:50Are you okay?
00:20:53I've been blacklisted by every production company.
00:20:56Even the Actors Guild.
00:20:58What am I gonna do?
00:20:59Hey, don't lose heart, okay?
00:21:01I happen to know of an audition going on today if you're interested.
00:21:04Since when did...
00:21:05Good friend of mine tip me off.
00:21:07Now, come on.
00:21:08Let's go.
00:21:08Right?
00:21:09It's better than moping around here.
00:21:10Come on.
00:21:14Here it is.
00:21:16So I can just go in there, just like this?
00:21:19Yes.
00:21:19I got everything set up, okay?
00:21:20Just go ahead, go in, and do your thing.
00:21:23You got this.
00:21:25Bring it away.
00:21:38Who is she?
00:21:46Who is she?
00:21:48Nobody.
00:21:49She's not here for the audition too, is she?
00:21:52Well, in that case, foreign furniture.
00:21:58What if you want to do?
00:21:59Kyla, Jenny?
00:21:59You're up next.
00:22:05Watch it.
00:22:18I can't believe it!
00:22:20It was you.
00:22:21Oh!
00:22:24That's right!
00:22:25What's that guy?
00:22:25I never thought you'd find me.
00:22:27But it must come to an end.
00:22:31Oh, no!
00:22:34Oh!
00:22:44Cut!
00:22:47I'm sorry, were you shot or did someone just step on your toe?
00:22:53Can I just try again? I was just a bit nervous.
00:22:56Ms. Jennings, we are making a thriller with a tragic ending.
00:23:01What you just did was borderline comedy.
00:23:03Excuse me?
00:23:05Do you know how close I am with your mister?
00:23:09Sir, she was indeed recommended for the role.
00:23:13May we give her another chance?
00:23:21No!
00:23:23No, no, no, no, no.
00:23:24We are creating art that appeals to our audience.
00:23:27And she is clearly not right for the role.
00:23:31Next!
00:23:32I'm sorry, Ms. Jennings.
00:23:33That was great.
00:23:35Maybe another project or another...
00:23:39What are you still doing here?
00:23:41I thought you were a blacklist.
00:23:42So it was you.
00:23:44You know, if that's the best you got, then...
00:23:46I'm not that worried.
00:23:47I don't think you could do better than me.
00:23:53Yeah!
00:23:55Oh my God, show us what you got!
00:23:57Thelma?
00:24:12So who was you?
00:24:15All this time?
00:24:17That's right.
00:24:19I never thought you would find me.
00:24:22But now it must come to an end.
00:24:26In a home?
00:24:28This can't be it for us.
00:24:36Cut!
00:24:39Well, that was amazing.
00:24:43You fully captured that wall.
00:24:46You're on your dishes.
00:24:47You get the part.
00:24:49What?
00:24:55What about me?
00:24:57You promised me.
00:24:58Oh, come on.
00:24:59You have to admit.
00:25:00She was exceptional.
00:25:01She's perfect for the part.
00:25:03Girl, you killed it.
00:25:06You were great.
00:25:08I'm Alex.
00:25:09Looks like we're going to be the same partners.
00:25:10Mama.
00:25:11Hey, do you want to go somewhere more private?
00:25:13We can talk about the script.
00:25:14Yeah, sure.
00:25:29What the fuck?
00:25:30I'm hitting on the wrong girl, buddy.
00:25:32Edward, what are you doing?
00:25:35I need to go talk to Thelma.
00:25:37How about you shoot another day?
00:25:42What are you doing?
00:25:44Can I explain or something?
00:25:45I don't owe you any explanations.
00:25:49So you're seeing new guys?
00:25:53What?
00:25:53No, we were just acting out a scene.
00:25:56A scene where you two get real close?
00:25:58A couple?
00:25:59I was just doing my job.
00:26:00There's nothing wrong with it.
00:26:02And besides, even if I was seeing someone,
00:26:04it would be none of your business.
00:26:12Hey!
00:26:14I heard you got the lead parole.
00:26:16That's amazing.
00:26:17I knew you'd kill it.
00:26:19What is everyone doing here?
00:26:21Who?
00:26:21Come on, you know who I'm talking about.
00:26:24I don't know.
00:26:25Um, I wish you still don't know, do you?
00:26:28I don't know.
00:26:30Well, he's actually the investor of this movie.
00:26:34This is his project.
00:26:42Why did you bring me here then?
00:26:45Well, it was actually his idea.
00:26:51Hello?
00:26:53Hi, this is Gene.
00:26:54Who is this?
00:26:55This is Edward Ardoin.
00:26:57I recently invested in a film project,
00:26:59and I want you to take her friend, Thelma.
00:27:01I think she'll be great for a meet-roll.
00:27:04Wait, wait.
00:27:05You're Edward Ardoin?
00:27:06I wired the payment to your account.
00:27:09Wait, wait, wait.
00:27:14I still can't believe I spoke to the legendary Edward Ardoin.
00:27:18I can't believe you knew all this time,
00:27:21and you didn't tell me.
00:27:22Don't look at me.
00:27:23I'm just the middleman doing somebody else a favor, okay?
00:27:26And you still don't need me to.
00:27:28It's amazing.
00:27:31But, you know,
00:27:32a lot of people say that Edward's not very nice.
00:27:34It's like a stone-cold man.
00:27:36So why is he being so good to you?
00:27:39I mean, yeah, I don't get it, either.
00:27:41I mean, women must be throwing themselves at him.
00:27:45Why?
00:27:46Would he help me?
00:27:55Maybe he's falling for you.
00:27:57Oh, come on.
00:27:58That's impossible.
00:27:59Why?
00:28:00He said some pretty harsh stuff for others.
00:28:02Oh.
00:28:03Is that why you look all gloomy?
00:28:05What happened?
00:28:06Did you guys fight?
00:28:07He saw me doing a scene with another actor.
00:28:17Why do you care what he thinks, though?
00:28:21Come on, girl.
00:28:22This does not sound like you.
00:28:24Are you sure you haven't fallen for a kid?
00:28:27No, it's just...
00:28:29There's something about him that's...
00:28:32familiar, like...
00:28:36I've seen him before.
00:28:38Hmm.
00:28:58I couldn't see you here, Helen.
00:29:00This place is depressing.
00:29:02I don't know if I could make it without you.
00:29:05You're the one protecting me.
00:29:08I can't stand watching you getting hurt.
00:29:10Yes, we had to sugar pee.
00:29:12Can I call you sugar pee?
00:29:13Sure.
00:29:14As long as they can call you my little rock.
00:29:17Why little rock?
00:29:18Because you make me feel safe.
00:29:20Like a rock fell in our break.
00:29:23Deal.
00:29:23I know.
00:29:29I know.
00:29:31Okay.
00:29:33What have you done to me?
00:29:40I see your face everywhere.
00:29:51Oh, good. Just in time.
00:30:01Damn.
00:30:04Why are you being so nice to me?
00:30:10Welcome.
00:30:10Welcome. Sorry about today. It was stupid of me to rap that way.
00:30:17No, I mean, why did you help me get the role for your film?
00:30:28Well, you won't take my money, and I can't allow the wife of Edward Ardoin to just work a regular
00:30:34job.
00:30:37Oh, okay, so that's why.
00:30:39Okay. We're all rich people as well as themselves.
00:30:43What was that?
00:30:44Nothing. This is great.
00:30:51You know, you can eat real sweet sometimes. This is delicious.
00:30:56I'm glad you like it.
00:30:59Sweet pea.
00:31:04Good morning, man.
00:31:06Edward is left on me.
00:31:09Oh, I saw you were cooking that night.
00:31:11I watched your utensils.
00:31:13Oh, yeah.
00:31:15It was Edward.
00:31:17It is the cook.
00:31:19I gotta go.
00:31:22I'm cooking.
00:31:24I'm cooking.
00:31:28What is going on?
00:31:30What are we waiting for? Let's get started.
00:31:33One of our lead roles is not here yet.
00:31:37The one thing I ask everyone here is to be professional.
00:31:44Sorry, guys.
00:31:45Traffic was a nightmare.
00:31:47All right.
00:31:48I'm ready to start.
00:31:49Wait, I thought that she didn't get the part.
00:31:52Well, how about that?
00:31:53Looks like I'm going to be playing here, Miss Dean.
00:31:57After this, nobody's ever going to remember you.
00:32:01We'll see about that.
00:32:0542, Delta, take two.
00:32:08Ready.
00:32:09And.
00:32:10Act.
00:32:11You have to leave now.
00:32:12Not without the love of my life.
00:32:14I'll wait for him no matter what.
00:32:23Oh, God, God, God, God.
00:32:25What do you think you're doing?
00:32:27She's playing my role.
00:32:28Perhaps.
00:32:29Maybe I'll just go.
00:32:31Carla.
00:32:32What the hell was that that wasn't even in the script?
00:32:36I was just adding some extra touch to her.
00:32:38You know?
00:32:38For the sake of art.
00:32:40Art?
00:32:41Just slap.
00:32:42Doesn't make any sense.
00:32:43And who gave you the authority to change my script?
00:32:47It's fine.
00:32:49She can hit me.
00:32:50Oh.
00:32:50Oh.
00:32:52Thelma, are you sure about this?
00:32:54It's all good if it's all for the sake of the effect.
00:32:58Wow.
00:32:59I knew I was right in choosing you as my life.
00:33:02Okay, okay.
00:33:04Uh, back to the ones, please.
00:33:05Yes, thank you.
00:33:06Can you pick up my script?
00:33:08And.
00:33:09Action.
00:33:10You have to leave now.
00:33:12Not without the love of my life.
00:33:14I'll wait for him no matter what.
00:33:19Edward.
00:33:23Good to see you here.
00:33:25Are you watching me?
00:33:28And Thelma make a perfect D knowing.
00:33:31Jay, have these two switch roles.
00:33:33I want Thelma to do the slapping.
00:33:36Since it's all for the sake of art.
00:33:46But Thelma is the lead.
00:33:47Yeah, that wouldn't make any sense.
00:33:50We can't make more changes to the script, Ed.
00:33:52We're already behind.
00:33:53You better get right to him then.
00:33:56You don't have to do this for me.
00:33:58I'm not doing it for you.
00:34:00I'm doing it for my own investment.
00:34:06All right.
00:34:07Uh, we have added a line to the script.
00:34:11So now, Thelma, uh, Carla's new line will be your cue for the slap.
00:34:18Got it?
00:34:19All right, and, uh, action.
00:34:23You have to leave now.
00:34:25Not without the love of my life.
00:34:27I'll wait for him no matter what.
00:34:29But what if he's dead?
00:34:30What if he finds somebody else?
00:34:32You're just gonna spend the rest of your life waiting for someone who will never come?
00:34:41Then I'll be sure to leave no room for regret.
00:34:47Cut!
00:34:49Oh, bravo, that was perfect, Thelma.
00:34:53You handled that perfectly.
00:34:56Thelma, were you not supposed to love Carla after the line?
00:34:59Uh, no need for that.
00:35:02I think that my character's above that kind of pettiness.
00:35:13I'm going to expose you, Thelma.
00:35:16Sooner or later.
00:35:28Where are you, my little rock?
00:35:32I'm doing fine.
00:35:34Don't you worry.
00:35:37You know it's bad to waste food.
00:35:40Do you think you deserve to be punished?
00:35:42Yes, headmistress, I do.
00:35:45Ma'am, Helen's sick.
00:35:47That's why she's gonna finish.
00:35:48Isn't that sweet?
00:35:50Too bad.
00:35:51She's getting more punishment because of you.
00:35:54Isn't that sweet?
00:35:56Well, if you so insist, you can take it for her.
00:35:59Oh.
00:36:00Get off.
00:36:02You're all right.
00:36:14Found the worker and leaked info to our computer.
00:36:17A manager who's worked with us for 20 years.
00:36:20Chris, what do we do with him?
00:36:24Uh, fire him.
00:36:26So, if we need to, we can have disloyalty in the company.
00:36:31And why wound him and his family?
00:36:33So be it.
00:36:35What?
00:36:36All right.
00:37:05This has been a long time since I recently found the first time I had 2017
00:37:18Oh, girl.
00:37:23Oh, girl.
00:37:52Where's mine?
00:38:02Oh, no, no, no.
00:38:21Oh, no, no, no, no, no.
00:38:37I carried you to your bed last night, and that was it.
00:38:43No, seriously, what are you doing?
00:38:46Nothing, sweet pea.
00:38:47What did you just call me?
00:38:49Uh, sweet pea.
00:38:53Hey, you sat in your sleep last night.
00:38:58You see, well, don't ever do that again.
00:39:01Sure.
00:39:17Hi.
00:39:19Could you maybe explain this scene a little bit on the chair if I get it?
00:39:22I mean, it is pretty straightforward to just do what it says without improvising.
00:39:29Oh, my.
00:39:30You were so great yesterday.
00:39:33I want to go over this one part.
00:39:35Uh, now, when you say this line, um, about...
00:39:39We'll see who it is.
00:39:41Good.
00:39:42Nurse.
00:39:43What am I doing this afternoon?
00:39:45Well, it's kind of a very important meeting.
00:39:49Did you forget?
00:39:50Cancel.
00:39:52Send them my apologies.
00:39:53What?
00:39:55So, what do you normally do when you're not working?
00:39:58Uh, I do striptease.
00:40:01Oh.
00:40:02I was thinking more along the lines of going to the movies.
00:40:07There's actually a good one out right now.
00:40:09I mean, maybe if you're interested, we could try to catch it together.
00:40:12Sorry, but I really need to focus on this job right now.
00:40:16Oh, yeah.
00:40:16Sure, sure.
00:40:19You're a really interesting person to talk to.
00:40:21You know that?
00:40:24Edward.
00:40:25Are you here to see me?
00:40:28Oh, you portal bad.
00:40:30Oh.
00:40:32Edward?
00:40:33It's not for you.
00:40:34I'm sorry.
00:40:35Why is she still talking about?
00:40:38Go put this nice in the lounge.
00:40:40Okay, boss.
00:40:46Edward?
00:40:48What's your name here?
00:40:50Actually, it doesn't matter.
00:40:52What were you talking to my wife about?
00:41:03Oh.
00:41:05Thelma, I had no idea that you were married.
00:41:10Oh, don't worry about that.
00:41:11We were just talking about stuff in the script.
00:41:13Is that right?
00:41:14Hey, so you must be Edward Arwen.
00:41:18I've heard a lot about you.
00:41:19I'm Alex.
00:41:20Cool.
00:41:21Bye, Alex.
00:41:23Yeah, I'll see you later.
00:41:25Don't mind.
00:41:26No, you won't.
00:41:27Good.
00:41:28You guys are all here.
00:41:29Edward brought snacks.
00:41:31They're in the lounge if anyone wants them.
00:41:32Yes, I'll come.
00:41:36Snacks.
00:41:40Edward doesn't usually come to set this often.
00:41:43He's quite the busy man.
00:41:44I think he's here to see you.
00:41:46He's here to see Carla, not me.
00:41:48Oh, please.
00:41:49Can you not see the way he looks at you?
00:41:52Whatever.
00:41:53Oh.
00:41:54Speak of the devil.
00:41:56I will give you two some pride.
00:41:58Wait, me?
00:41:58No, don't.
00:41:59Excuse me.
00:42:06You're getting out of hand.
00:42:08Don't forget, I'm the one who hired you.
00:42:10Excuse me?
00:42:12Stay away from Alex.
00:42:13Got it?
00:42:14What are you talking about?
00:42:15There's nothing going on between us.
00:42:17Besides, you came here to see Carla.
00:42:22So you're jealous.
00:42:24What are you talking about?
00:42:25I'm not just...
00:42:36What are you doing?
00:42:38Carla and I aren't together.
00:42:40I'm here for you.
00:42:41You really expect me to believe that?
00:42:49What?
00:42:50Yeah, girl?
00:42:53What?
00:43:01Gene, are you absolutely sure?
00:43:03Yes.
00:43:04Positive.
00:43:04I used to know this guy from the streets and he and Elgar drifted around for months.
00:43:09So where is he?
00:43:11Well, they later got separated so he has no idea out of that.
00:43:15But that's gotta mean that's gotta mean that Elgar's still alive, right?
00:43:18Oh my goodness.
00:43:20Thank you so much.
00:43:21I have no idea how much this means to me.
00:43:23It's been ten years.
00:43:26I have no idea how much this means to me.
00:43:26Don't forget, you are married too.
00:43:28What are you gonna do?
00:43:30I'll divorce him once our contract is up.
00:43:34I needed the money.
00:43:36Elgar will understand.
00:43:37I don't know.
00:43:39Edward seemed really into you.
00:43:42Actually, Jane, I think I should keep my distance for a bit.
00:43:56You okay?
00:43:57Yeah.
00:44:02Want to tell me what happened?
00:44:04I just want to be alone for a bit, okay?
00:44:08Is this about Carla?
00:44:11I told you I went to see you, not her.
00:44:14Edward, I don't care who you're seeing.
00:44:16We're only married on paper, right?
00:44:21This is because we're moving too fast.
00:44:41I just think that we should keep our distance.
00:44:51Please.
00:44:58I thought she was playing hard to get her.
00:45:01Maybe she doesn't want to seem too eager.
00:45:03I mean, why would anyone reject you?
00:45:06It's impossible.
00:45:09Carla, let's get to the set.
00:45:15Hey, Thelma, you'll be wearing this dress for the next scene.
00:45:17Is that okay?
00:45:18That's fine.
00:45:22So you think you could just take whatever you want?
00:45:29I thought this was my personal changing room, like it's always been.
00:45:34Carla, this room is for the lead role.
00:45:37Yours is outside.
00:45:39Well, actually, I'm all done here.
00:45:42Carla loves taking things that aren't hers.
00:45:44Be my guest.
00:45:45Use it.
00:45:48Aren't you quite generous then, hmm?
00:45:51Edward's not here, so you can drop the act.
00:45:54We actually need to get back to work, if there's nothing else.
00:45:58Actually, I can finish my makeup myself.
00:46:04Go on.
00:46:05What do you want to talk about?
00:46:06Let's make a deal.
00:46:08A deal?
00:46:12Who the fuck do you think you are?
00:46:14Well, as far as I know, I'm Edward's wife.
00:46:21I'm gonna do.
00:46:23Stop picking fights with me.
00:46:24Stop giving me a hard time on set, and I won't take anything away from you.
00:46:28I'll actually help you with whatever you and Edward have going on.
00:46:34All right, deal.
00:46:37I'm done with this room, by the way.
00:46:39It's yours if you still want it.
00:46:40I don't need your pity.
00:46:55Don't you have, like, business to run?
00:46:57What are you doing here all day?
00:47:05Hey, um, actually, about what happened.
00:47:09I think that we should talk.
00:47:11Why don't you meet me in the lounge after we wrap up?
00:47:15Why can't we talk then?
00:47:17I want it to be a surprise.
00:47:19See you later.
00:47:29What does she want to talk about?
00:47:32Does she know what I see?
00:47:34Hi, Edward.
00:47:37Carla?
00:47:39Why are you here?
00:47:41Where's the one?
00:47:42Where's the one?
00:47:45Squirt.
00:47:47What are you doing?
00:47:48Are you trying to set those two up?
00:47:50Yeah, and if they're together, then they'll have nothing to do with me.
00:47:55Sounds like a terrible idea.
00:47:57Well, if you have a better idea, then let's hear it.
00:48:03Edward!
00:48:07If they're together, then they'll have nothing to do with me.
00:48:11Well, as long as you're okay with this.
00:48:15Of course I am.
00:48:16Why wouldn't I be?
00:48:18I mean, now I can just focus on what really matters, and I can try to find Algar.
00:48:25Edward!
00:48:27What the fuck are you doing?
00:48:37Whatever games you're playing, you need to stop.
00:48:39What are you talking about?
00:48:41You came here to see Carla, right?
00:48:43Dumb, come on.
00:48:45Edward, we're going to be divorced really soon.
00:48:48So?
00:48:49So if you're attracted to somebody, then go for it.
00:48:52I want you to be happy.
00:48:53The only person I love is you.
00:48:59Edward, how could you?
00:49:03Everything I do for you, Carla, I do for your father.
00:49:08He looked down for me, so this is me paying him back.
00:49:18I'm already in love with somebody else.
00:49:21It's never going to be you.
00:49:24But if that man didn't exist, would you consider me?
00:49:26Stop it, Edward.
00:49:27It's never going to happen.
00:49:34What do I do, Algar?
00:49:36I know you're out there.
00:49:38What do I do?
00:49:53Boss, you've been here for a while.
00:49:55Is everything okay?
00:49:59Why don't you tell her you're the one she's looking for?
00:50:04Do you remember what I did to return to the Ardoin family?
00:50:18About Algar.
00:50:20Are you telling me that Mr. Ardoin knows his illegitimate son is Algar?
00:50:27Yes.
00:50:27And now the old man wants him back.
00:50:32Another brat to share their inheritance.
00:50:35If I could only get rid of his mother, getting rid of him shouldn't be a problem.
00:50:41Madam, it's our fault.
00:50:43Please don't withdraw your donation to the orphanage.
00:50:47If we work together on this, I could even help you.
00:50:53Get rid of Algar for good.
00:51:01Take care of it.
00:51:03But make sure we will use it.
00:51:17I got rid of the woman who killed my mother and sent me to an orphanage.
00:51:35I did whatever it took to gain my father's approval, to secure my inheritance.
00:51:41My mother and my mother.
00:51:43My mother and my mother were ruthless.
00:51:45My conscience.
00:51:48Callous.
00:51:50You did what you had to do.
00:51:52And now I'm a different man.
00:51:54A monster she doesn't even recognize.
00:51:57eyes. If she finds out this is the man she's been looking for all these years, it'll drive
00:52:02her away. I can't lose her again. So it was true?
00:52:17Argon and I, we roamed the city for a winter. A lot of people say he made some enemies.
00:52:27One night, under the bridge where we slept, he got stabbed, and he died.
00:52:35No, you mistake it. And he always had a ring with him. It was a nice ring. I think it
00:52:43had
00:52:43the letters A and H on it. I told him he could pawn it for a few bucks, but he
00:52:51just kept it
00:52:52with him. No, he can't just be gone. He can't just be gone. It's okay. It's okay.
00:53:08Oh, Velma. Sweetie, what's wrong? Oh my God, baby, you haven't eaten in three days. Can
00:53:17I get you something? Anything? It's not good for you. It's okay. It's okay. It's okay.
00:53:29This is my fault. She's burning up. The doctor said it was from emotional distress and not
00:53:37eating. Go make her something light. I'll stay with her. Yes.
00:53:51You need to get some rest and let me handle this. No, it's okay. Leave it to me.
00:53:57Look, I know you care. I've never seen you do this for anyone. And if the old lady were
00:54:02here, you should be heartbroken to seem this exhausted. Don't worry about me, Sarah. You
00:54:09can go now.
00:54:19Do it. I'm not hungry.
00:54:26Please eat and get better.
00:54:56Thelma! Oh my God, are you okay? I've been trying to call you for ten times. You haven't
00:55:01done something stupid, have you? I can't find a reason to go. Stop saying that, okay? Don't
00:55:09listen to what that guy said. He doesn't know what he's talking about. They never found Algar's
00:55:14body. Maybe he's still alive. You've waited ten years, okay? You sure you're going to give
00:55:21up now? Don't you want to find out the truth for yourself? Yeah, you're right. I should keep
00:55:30going. Good. Now go get some sleep and get back to set, girl, okay? That is something
00:55:35that you've always wanted, and you're not going to screw it up, all right? Yeah. I understand.
00:55:44I'll keep going for Algar. I want that bitch, Dad. You got that thing ready? Sure, I would
00:55:55do the job. All right. Don't mess this up. Ready for first scene. Coming!
00:56:19You wanted to see me? Yes. It is about the scene where you're stabbed. We will be using
00:56:25this as a prop. So once the safety is clipped off, the blade will go back and size itself
00:56:31upon impact. So don't worry. It's not going to hurt you. See? Nice. Exactly.
00:56:43Uh, Thelma, Carla, all set? All departments ready? And action!
00:57:00Wait! Cut! Cut! Edward? Are you okay? Oh, God, how did this happen? Edward, don't
00:57:08die on me. Please. I know that my past is complicated, and I'm not worthy of your time or your
00:57:16love.
00:57:16What makes me so special? Okay, I admit. I think somewhere along the way, I became attracted to you,
00:57:27and I know that you keep this stone-cold face, but I know that that's not the real you.
00:57:37Please, show me the real you. Let me in.
00:57:44Edward!
00:57:52What are you doing? That's not funny. I was worried sick. What's the matter with you?
00:57:56How else could I get such a lovely monologue?
00:57:59Okay, you know what? I'm gonna go get a doctor.
00:58:01No, no, no. No. I'm fine. No.
00:58:05Look, not even a scratch. Just need a minute. Are you sure? It seemed pretty serious.
00:58:11Yeah, the knife didn't even get to me. Something blocked it.
00:58:16Really? Where is it?
00:58:20Nothing. I'll, uh, find out what happened today. Meanwhile, be more careful on set, yeah?
00:58:26No, don't worry about it. You're the patient. Just rest up now.
00:58:32I heard everything you were saying about it.
00:58:35Okay. You know what? I'm really getting you a doctor now. Just shut up.
00:58:50You... saved my life.
00:58:55How you doing, boss?
00:58:57Oh, not too shabby.
00:59:00So, what do you want to do with karma?
00:59:04Karma. Almost forgot.
00:59:07Let's get me back.
00:59:09Let's go.
00:59:12I'm not sure what we're gonna do after your little incident.
00:59:16I'm sorry. I wasn't thinking. It won't happen again. I promise.
00:59:20Jane, get a replacement for her role. She's done.
00:59:24I don't know.
00:59:29Edward, what are you saying?
00:59:31I told you to stop pointing these tricks behind my back.
00:59:33I didn't do anything. Don't listen to her. She's making it all up.
00:59:38Carla had someone on the prop team switch the fake knife with a real one.
00:59:41She almost killed Thelma. And myself.
00:59:44Edward, I'm sorry. I messed up. Please, please give me another chance.
00:59:50I've given you plenty of chances.
00:59:53Really, Edward, after all these years, please stop embarrassing yourself.
01:00:01Don't believe me.
01:00:03Doing all of this for a man, I hope it's worth it.
01:00:07Edward, you know everything I did is because I love you.
01:00:12If you try hurting her again, you will be sorry.
01:00:22Hand rubbed in place.
01:00:27Well, now that that's over, we should talk about what you said to me earlier.
01:00:32Which is what?
01:00:34That you were attracted to me.
01:00:39No, we're not going to talk about that.
01:00:41That's not fair. You tricked me.
01:00:44Good.
01:01:02What if the person you're looking for is me?
01:01:08Don't be ridiculous.
01:01:11Besides, you come from a rich and powerful family.
01:01:14And he's an orphan like me.
01:01:19And he's incredibly kind.
01:01:21He wouldn't even step on an ant.
01:01:25I can't say the same thing about you.
01:01:30People can change.
01:01:32And I'll never stop searching for him.
01:01:34I'm afraid that you can't stop me.
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