[EngSub] Fated to My Cruel CEO
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Short filmTranscript
00:00:24Hey, I want to take you to my place, baby doll.
00:00:27Sorry, I don't do party dances.
00:00:29She'll strip her money, but you won't fuck a guy?
00:00:31I'm not a hooker.
00:00:33Show some respect.
00:00:36Fucking bitch, I'll show you respect.
00:00:38Mr. Morgan, I am so sorry she's new here.
00:00:41I've got to trade her better.
00:00:43Just have a seat.
00:00:44We'll be with you.
00:00:45Sorry about that.
00:00:51You one great bitch.
00:00:53Remember who saved your ass when you were knee-deep in debt?
00:00:57Knee!
00:01:01How are we doing with the search?
00:01:03Not good, boss.
00:01:04It's still going.
00:01:06Find her.
00:01:07I don't care what it takes.
00:01:12I found the perfect one for you.
00:01:14It's about time you settle down and get married.
00:01:16Her name is Carla.
00:01:17She's a daughter of a friend of mine.
00:01:19Dad, we've been over this.
00:01:21I don't need you to find me the perfect woman.
00:01:23Of course I do.
00:01:25You're an Ardoin.
00:01:26I have to make sure my son marries the perfect woman.
00:01:28So now all of a sudden you give a shit about me?
00:01:30You never care when you drove mom away.
00:01:32Or when you sent me to that orphanage all by myself.
00:01:34Silence.
00:01:35How dare you?
00:01:37It's for the Ardoin family business.
00:01:39Your American count of Jennings.
00:01:41End of discussion.
00:01:42Dad.
00:01:44Dad.
00:01:48I paid your 500 grand debt.
00:01:50And I gave you a job.
00:01:52Now if you want to quit so bad, pay me back.
00:01:55Get the fuck out of my club.
00:01:57Please, you know, I don't have $500,000.
00:02:00Just give me another chance.
00:02:01Get the fuck back in there.
00:02:03Apologize to that nice gentleman.
00:02:05And do whatever the fuck he tells you to do.
00:02:07Now if I get any more complaints from our clients,
00:02:10you will be sorry.
00:02:12Got it?
00:02:13Is there a problem here?
00:02:16No, sir.
00:02:17Everything's fine.
00:02:20She looks just like her.
00:02:29Will you marry me?
00:02:35Will you marry me?
00:02:40Let's tell my father I've chosen a wife for myself.
00:02:42Are you sure, boss?
00:02:44She's a stripper.
00:02:46How about we make a deal?
00:02:48Name any price you want.
00:02:49Will we get married?
00:02:51I owe my boss $500,000.
00:02:53He's not going to let me go until I pay him.
00:02:58Anything else?
00:03:08This is your house?
00:03:10It's our house now.
00:03:12Welcome.
00:03:19All right.
00:03:21Sign this agreement.
00:03:22We'll be contractually married for a year.
00:03:25After that,
00:03:26we'll file for divorce.
00:03:27Until then,
00:03:29part of the richest family in the country.
00:03:43My heart belongs to somebody else, though.
00:03:45I don't want you to know that I'm...
00:03:46not attracted to you.
00:03:48We're just going to be married on paper.
00:03:51Is that so?
00:03:53Well,
00:03:54don't worry.
00:03:55I'm not attracted to you either.
00:03:57I just wanted the money.
00:04:10Hey,
00:04:11where am I staying,
00:04:12by the way?
00:04:12In the guest room.
00:04:20Total jerk.
00:04:21This is bad.
00:04:29It's been over 10 years.
00:04:33I miss you so much.
00:05:04Doss,
00:05:05I need you to find out everything you can
00:05:07about the woman I just married.
00:05:08To see if she grew up in the same orphanage.
00:05:26I'm sorry I didn't mean to.
00:05:28This is my bathroom.
00:05:30What do you think you're doing?
00:05:32I'm just trying to use your little tricks
00:05:34to get my attention.
00:05:35It's not going to work, though.
00:05:36Sorry.
00:05:38I wasn't trying to get your attention.
00:05:46Do you mind turning that off?
00:05:50I just thought the carpet needed some cleaning.
00:05:52You're here to be my wife,
00:05:54not a maid.
00:05:57Who are you?
00:06:01Wait,
00:06:02you're that stripper.
00:06:04What are you doing in Edward's house?
00:06:07I am.
00:06:08Who are you?
00:06:09I am Edward's fiancé.
00:06:16Edward,
00:06:17you're marrying a stripper?
00:06:19I thought I was your fiancé.
00:06:21My father arranged for us to get married
00:06:23only for the sake of our families.
00:06:25We wouldn't be happy
00:06:26even if we did get married.
00:06:27But I would be happy,
00:06:29Edward.
00:06:29Carla,
00:06:30you know I have someone that I love.
00:06:33She's the one I'm waiting for.
00:06:36I don't know who the fuck you are.
00:06:38If you think you have a chance to kiss me,
00:06:41you're dumbed than I thought.
00:06:43Yes.
00:06:44Get it straight.
00:06:45I'm not competing with you.
00:06:48Stop it.
00:06:50Edward?
00:06:51Are you defending her now?
00:06:54Don't.
00:06:55Don't.
00:06:55Don't make you.
00:06:56Just a minute.
00:06:59Wow.
00:07:00Got a lot of admirers, huh?
00:07:01Any more than to watch out for?
00:07:04Look,
00:07:04if you see me in the living room,
00:07:06don't show your face.
00:07:08Same will go for me.
00:07:09Your house, your rules.
00:07:11Big deal.
00:07:12No.
00:07:18Hi, I'm Velma.
00:07:22I've worked a lot of odd jobs in the city.
00:07:28Waitressing and working in nightclubs.
00:07:33All for a chance to act.
00:07:41But I'm also looking for someone.
00:07:47And I hope that one day he sees me on screen.
00:07:55That way he knows that I'm still here.
00:08:01No.
00:08:10I hope you see me.
00:08:29That's okay, Sarah.
00:08:32Mama doesn't need to die with me.
00:08:34Bring my food to my room and I'll eat there.
00:08:36Yes.
00:08:38It's fine.
00:08:39I usually don't eat with people anyway.
00:08:42By the way,
00:08:43I'm going out for a bit today.
00:08:46Where you go is none of my concern.
00:08:49Fine.
00:08:53Is he always this big of a jerk?
00:08:55Excuse him, ma'am.
00:08:56He's just,
00:08:57she was coming in the mall.
00:08:59I'm sorry, Sarah.
00:09:00It must be difficult dealing with him every day.
00:09:03It's okay.
00:09:10Yeah.
00:09:10I'll be right there.
00:09:17I'll be right there.
00:09:25Okay.
00:09:28I heard a funny little rumor that you married the famous billionaire Edward Arduin.
00:09:33It's a true.
00:09:34I didn't know that he was a billionaire until after the war.
00:09:37You're joking.
00:09:38How did you manage that?
00:09:41I just signed a contract.
00:09:43It's fake.
00:09:44What?
00:09:45Who cares?
00:09:46What are you waiting for?
00:09:47Seal the deal.
00:09:48I know that I can't think about anyone that I'll guard.
00:09:52Gee, it's been ten years since you two escaped the orphanage.
00:09:56We know that he could be anywhere.
00:09:57He could be dead.
00:09:58He's not dead.
00:09:59Okay.
00:10:00Um, it's okay.
00:10:02Okay.
00:10:02Sorry.
00:10:03So, what's your plan?
00:10:06Keep things the way they are, I guess?
00:10:09Except now I can focus more on acting and not dance in extreme clubs.
00:10:14Hey, that's exciting, right?
00:10:16That's something you've always wanted to do since you were a kid.
00:10:18Is that audition today?
00:10:20Yeah.
00:10:28Hi.
00:10:28I'm here for the audition.
00:10:31You think you could just show up like that, you slut?
00:10:40You slut?
00:10:41Are you stalking me?
00:10:43Oh, don't flutter yourself.
00:10:44I'm the lead of this production.
00:10:47She's not auditioning.
00:10:48Sorry.
00:10:50You can't do this.
00:10:51I worked so hard for this opportunity.
00:10:54Oh, like stripping for men and fucking them in strip clubs?
00:10:58God, I was dancing.
00:10:59That's it.
00:11:00What's the fucking difference?
00:11:03I eat girls like you for breakfast.
00:11:06Let's go drink.
00:11:10No.
00:11:11Please.
00:11:12Wait.
00:11:13Wait.
00:11:19Be quiet.
00:11:20Quiet.
00:11:24Quiet.
00:11:26Quiet.
00:11:30Quiet.
00:11:31Quiet.
00:11:32Quiet.
00:11:33Quiet.
00:11:34Quiet.
00:11:34Quiet.
00:11:35Quiet.
00:11:36Quiet.
00:11:36Quiet.
00:11:38Quiet.
00:12:00Boss, let's get the details, I'm Thelma, she went to high school not far from here,
00:12:06she dropped out and has an audition for films, she worked at nightclubs to make a living, bad relationship with
00:12:13her parents, but not an orphan, no need changes, I've definitely never been to an orphanage,
00:12:36I wanted it to be her so bad, of course it can't be her, you've been looking for this girl
00:12:42for 10 years, who is she, someone more important to me than life itself,
00:13:00it is her,
00:13:08find me the location where this photo was sent, got it, the photo's been sent, good, where is she, oh,
00:13:17out like a lame, I guess marrying Edward won't solve everything,
00:13:21how about you about it, do whatever you want, clean it up and you're done,
00:13:44I've been searching for you for so long and you were right here,
00:14:07Boss, he's gone, find him, keep this between us,
00:14:11Boss, I got it,
00:14:12Boss, you're safe,
00:14:14Boss, come on, I got you,
00:14:16Boss, I'm sorry,
00:14:33Boss, I can't tell you who I am, not yet,
00:14:37Boss, I can't tell you who I am, not yet,
00:14:54We'll need your names once we're out of here, right?
00:14:58Yeah, we're starting a new life,
00:15:00I'll be Thelma, what about you?
00:15:05Algar, Helen, where are you?
00:15:09You have to run quick,
00:15:10Trying to escape again?
00:15:12I warned you, it's not gonna work,
00:15:15Looks like I gotta give you some real punishment.
00:15:18You go first, at least one of us needs to escape.
00:15:21No, you go.
00:15:23She's gonna kill you.
00:15:24I won't ever catch me, just go, I'll find you.
00:15:28Let's meet the amusement park.
00:15:33I'll wait for you, Algar.
00:16:03What happened?
00:16:05Nothing to worry about, just some issues with the film crewman.
00:16:08Why are you being so nice to me?
00:16:11No reason.
00:16:13Here, take this card.
00:16:16It's unlimited.
00:16:17Spend it however you want.
00:16:18Why are you doing this?
00:16:20I don't want your money.
00:16:23Well, if you need money, just let me know,
00:16:25And you can stop looking for odd jobs.
00:16:32Odd jobs?
00:16:34Acting is my dream.
00:16:36I danced in strip clubs for a living, but...
00:16:40People like you, born from a silver spoon, wouldn't understand that.
00:16:44Then stop doing it.
00:16:46We're in a contract marriage, right?
00:16:49I won't interfere with your life, and you can't meddle in mine.
00:16:54Acting is something that I've always wanted.
00:16:58Besides, I'm not going to take your money besides the number that we agreed on.
00:17:04I need to rest now.
00:17:09Do you mind?
00:17:30Look at this mess.
00:17:32Clean it up if you even think about going to bed.
00:17:50Get up.
00:17:51He must be starving.
00:17:54Um, they probably worked hard for this.
00:17:57Come on, take it.
00:18:03I can't believe she locked you out for three days and made you do all of this.
00:18:07Did she even feed you at all?
00:18:09You made it easier for me.
00:18:11No, get back before she sees you.
00:18:32Excuse me.
00:18:33Excuse me.
00:18:33Uh, I'm calling to ask about my audition.
00:18:35I'm sorry.
00:18:36Your name has been blacklisted for reproduction.
00:18:40What?
00:18:40You got your hands.
00:18:45This is the dude we're talking about.
00:18:47I'm sending it to this issue.
00:18:58How about a drink?
00:19:00There are two glasses of scotch there.
00:19:03Pick one.
00:19:04I'm sorry, Mr. Barney.
00:19:05It's just a friendly gesture from the bar.
00:19:11One more thing.
00:19:12Only one of those glasses is poison-free.
00:19:16You should have known better.
00:19:18That would happen.
00:19:19You could have them out.
00:19:21Here.
00:19:22I'll do it for you.
00:19:23All right.
00:19:27Go.
00:19:30Go.
00:19:38Take him away.
00:19:45This is what I've become, Thelma.
00:19:48I hope you've never seen me like this.
00:19:52Ruthless.
00:19:53Merciless.
00:19:56Both glasses.
00:19:57I would have silenced the man.
00:20:00I simply can't forgive him for what he did.
00:20:06Thelma, will you forgive me?
00:20:16What the fuck happened to you?
00:20:18How did he find you?
00:20:19What happened?
00:20:21Oh, you can't even talk now?
00:20:24God, you fucking useless.
00:20:28Inform every production you can reach.
00:20:31Thelma will never be an actress.
00:20:35Make sure of it.
00:20:38Go!
00:20:50Are you okay?
00:20:53I've been blacklisted by every production company.
00:20:56Even the Actors Guild.
00:20:58What am I going to do?
00:20:59Hey, don't lose heart, okay?
00:21:01I happen to know of an audition going on today, if you're interested.
00:21:04Since we're good.
00:21:05Good friend of mine tipping off.
00:21:07Now, come on.
00:21:08Let's go.
00:21:08All right?
00:21:09It's better than moping around here.
00:21:10Come on.
00:21:14Here it is.
00:21:16So I can just go in there?
00:21:17Just like this?
00:21:19Yes.
00:21:19I got everything set up, okay?
00:21:20Just go ahead.
00:21:21Go in.
00:21:22And do you think?
00:21:23You got this.
00:21:25Bring it away.
00:21:28Bring it away.
00:21:29Bring it away.
00:21:29Bring it away.
00:21:30Bring it away.
00:21:38Who is she?
00:21:46Who is she?
00:21:48Nobody.
00:21:49She's not here for the audition, too, is she?
00:21:52Well, that can't.
00:21:54It's boring for a treat.
00:22:18I can't believe it.
00:22:20It was too hard.
00:22:24That's right.
00:22:25I never thought you'd find me.
00:22:27But it must come to an end.
00:22:30Oh, no!
00:22:34Oh!
00:22:44Cut!
00:22:47I'm sorry.
00:22:48Were you shot, or did someone just step on your toe?
00:22:52Can't you just try again?
00:22:54I was just a bit nervous.
00:22:56Miss Jennings, we are making a thriller with a tragic ending.
00:23:01What you just did was borderline comedy.
00:23:04Excuse me?
00:23:05Do you know how close I am with your mister?
00:23:09Sir, she was indeed recommended for the role.
00:23:13May we give her another chance?
00:23:21No!
00:23:23No, no, no, no, no.
00:23:24We are creating art that appeals to our audience, and she is clearly not right for the role.
00:23:30Next!
00:23:32I'm sorry, Miss Jennings.
00:23:33That was great.
00:23:35Maybe another project, or another...
00:23:39What are you still doing here?
00:23:41I thought you were a blacklist.
00:23:42So it was you.
00:23:44You know, if that's the best you got, then I'm not that worried.
00:23:47I think you could do better than me.
00:23:50Him.
00:23:51You.
00:23:52Everything.
00:23:53Here we go!
00:23:55Show us what you got!
00:23:57Selma?
00:24:00Hi.
00:24:12See, who was you?
00:24:14All this time?
00:24:17That's right.
00:24:19I never thought you would find me.
00:24:22But now it must come to an end.
00:24:26No!
00:24:28This can't be it for us!
00:24:39Well, that was amazing!
00:24:43You fully captured that role!
00:24:46You want your donations, you get the part!
00:24:49What?
00:24:55What about me?
00:24:57You promised me!
00:24:58Oh, come on, you have to admit.
00:24:59She was exceptional!
00:25:01She was perfect for the part!
00:25:03Girl, you killed it!
00:25:06You were great!
00:25:08I'm Alex.
00:25:09Looks like we're gonna be the same partners.
00:25:10Selma!
00:25:11Hey, do you want to go somewhere more private?
00:25:13We can talk about the script.
00:25:14Yeah, sure.
00:25:29What the fuck?
00:25:30I'm hitting on the wrong girl, buddy.
00:25:32Edward, what are you doing?
00:25:35I need to go talk to Selma.
00:25:37How about you shoot another day?
00:25:42What are you doing?
00:25:44Can I explain or something?
00:25:46I don't owe you any explanations.
00:25:49So you're seeing new guys?
00:25:53What?
00:25:53No!
00:25:54We were just acting out a scene!
00:25:56A scene where you two get real close?
00:25:58With a couple?
00:25:59I was just doing my job.
00:26:00There's nothing wrong with it!
00:26:02And besides, even if I was seeing someone, it would be none of your business!
00:26:13I heard you got the lead of parole.
00:26:16That's amazing!
00:26:17I knew you'd kill it!
00:26:19What is everyone doing here?
00:26:21Who?
00:26:21Come on, you know who I'm talking about.
00:26:25Um, I'm sure you still don't know, do you?
00:26:28What?
00:26:31Well, he's actually the investor of this movie.
00:26:34This is his project.
00:26:42Why did you bring me here, then?
00:26:45Well, it was actually his idea.
00:26:51Hello?
00:26:53Hi, this is Jean.
00:26:54Who is this?
00:26:55This is Edward Arduin.
00:26:57I recently invested in a film project, and I want you to take your friend Thelma.
00:27:01I think she'll be great for a meet-roll.
00:27:04Wait, wait, you're Edward Arduin?
00:27:06I wired the payment to your account.
00:27:09Wait, wait, wait!
00:27:14I still can't believe I spoke to the legendary Edward Arduin.
00:27:18I can't believe you knew all this time and you didn't tell me.
00:27:22Don't look at me!
00:27:23I'm just the middleman doing somebody else a favor, okay?
00:27:26And you still don't need me to.
00:27:28It's amazing.
00:27:31But, you know, a lot of people say that Edward's not very nice.
00:27:34It's like a stone-cold man.
00:27:36So why is he being so good to you?
00:27:39Yeah, I don't get it either.
00:27:41I mean, women must be throwing themselves at him.
00:27:45Why?
00:27:46Would he help me?
00:27:55Maybe he's falling for you.
00:27:57Fuck.
00:27:58Well, that's impossible.
00:27:59He said some pretty harsh stuff for others.
00:28:02Wow.
00:28:03Is that why you look all gloomy?
00:28:05What happened?
00:28:06Did you guys fight?
00:28:07And he saw me doing a scene with another actor.
00:28:10All right.
00:28:12God, this is what I mean.
00:28:17Why do you care what he thinks, though?
00:28:21Come on, girl.
00:28:22This does not sound like you.
00:28:24Are you sure you haven't fallen for a kid?
00:28:27No, it's just...
00:28:28There's something about him that's...
00:28:31Familiar, like...
00:28:34I've seen him before.
00:28:38Hmm.
00:28:39Hmm.
00:28:44Hmm.
00:28:58I didn't get to see you here, Helen.
00:29:00This place is depressing.
00:29:02I don't know if I could make it without you.
00:29:05You're the one protecting me.
00:29:08I can't stand watching you getting hurt.
00:29:10You're a sweet as a sugar pea.
00:29:12Can I call you sugar pea?
00:29:13Sure.
00:29:14As long as they can call you my little rock.
00:29:17My little rock?
00:29:18Because you make me feel safe.
00:29:20Like we're all fell in our break.
00:29:23Deal.
00:29:31Elker.
00:29:33What have you done to me?
00:29:40I see your face everywhere.
00:29:52Oh, good.
00:29:53Just in time.
00:30:01Damn.
00:30:04Why are you being so nice to me?
00:30:10Look, I'm sorry about today.
00:30:13It was stupid of me to rap that way.
00:30:17No, I mean, why did you help me get the role for your film?
00:30:28Well, you won't take my money, and I can't allow the wife of Edward Ardoin to just work a regular
00:30:34job.
00:30:37Oh, okay, so that's why.
00:30:41We're all rich people as well as themselves.
00:30:43What was that?
00:30:44Nothing.
00:30:45This is great.
00:30:51You know, you can eat real sweet sometimes.
00:30:54This is delicious.
00:30:56I'm glad you like it.
00:30:59Sweet pea.
00:31:04Good morning, man.
00:31:06Edward is left on me.
00:31:09Oh, I saw you were cooking that night.
00:31:11I watched your utensils.
00:31:14Um, yeah.
00:31:15It was Edward.
00:31:17It is the cook.
00:31:19Edward.
00:31:19I gotta go.
00:31:21I'm cooking.
00:31:24I'm cooking.
00:31:28What is going on?
00:31:30What are we waiting for?
00:31:32Let's get started.
00:31:33One of our lead roles is not here yet.
00:31:35Ugh.
00:31:37The one thing I ask everyone here is to be professional.
00:31:43Woo.
00:31:43Sorry, guys.
00:31:45The traffic was a nightmare.
00:31:47All right.
00:31:48I'm ready to start.
00:31:49Wait, I thought that she didn't get the part.
00:31:52Well, how about that?
00:31:53Looks like I'm gonna be playing here, Miss Dean.
00:31:58After this, nobody's even gonna remember you.
00:32:01We'll see about that.
00:32:0542, Delta, take two.
00:32:08Ready.
00:32:09And.
00:32:10Act.
00:32:11You have to leave now.
00:32:12Not without the love of my life.
00:32:14I'll wait for him no matter what.
00:32:23Oh, God.
00:32:24God, God, God.
00:32:25What do you think you're doing?
00:32:27She's playing my role.
00:32:28I'm sorry.
00:32:29Maybe I'll just go.
00:32:31Carla.
00:32:32What the hell was that?
00:32:34That wasn't even in the script.
00:32:36I was just sad and so much to touch to her.
00:32:38You know?
00:32:38For the sake of art.
00:32:40Art?
00:32:40The slap doesn't make any sense.
00:32:43And who gave you the authority to change my script?
00:32:47It's fine.
00:32:49She can hit me.
00:32:50Oh.
00:32:52Thelma, are you sure about this?
00:32:54It's all good if it's all for the sake of the effect.
00:32:58Wow.
00:32:59I knew I was right.
00:33:00I'm choosing you as a pilot.
00:33:03Okay.
00:33:03Okay.
00:33:04Uh, back to the ones, please.
00:33:05Yes, thank you.
00:33:06Can you put it on my script?
00:33:08And.
00:33:09Action.
00:33:10You have to leave now.
00:33:12Not without the love of my life.
00:33:14I'll wait for him no matter what.
00:33:19Edward.
00:33:23Good to see you here.
00:33:25Were you watching me?
00:33:27I mean, Thelma make a perfect D noe.
00:33:31Jay, have these two switch roles.
00:33:33I want Thelma to do the slapping.
00:33:36Since it's all for the sake of art.
00:33:46But Thelma is the lead.
00:33:47Yeah, that wouldn't make any sense.
00:33:50We can't make more changes to the script, Ed.
00:33:52We're already behind.
00:33:53You better get right to him then.
00:33:56You don't have to do this for me.
00:33:58I'm not doing it for you.
00:34:00I'm doing it for my own investment.
00:34:06All right.
00:34:07Uh, we have added a line to the script.
00:34:11So now, Thelma, uh, Carla's new line will be your cue for the slap.
00:34:18Got it?
00:34:19All right, and, uh, action.
00:34:23You have to leave now.
00:34:25Not without the love of my life.
00:34:27I'll wait for him no matter what.
00:34:29But what if he's dead?
00:34:30What if he finds somebody else?
00:34:32You're just gonna spend the rest of your life waiting for someone who will never come?
00:34:41Then I'll be sure to leave no room for regret.
00:34:47Cut!
00:34:49Oh, bravo!
00:34:51That was perfect, Thelma!
00:34:53You handled that perfectly!
00:34:56Thelma, were you not supposed to love Carla after the line?
00:34:59Uh, no need for that.
00:35:01I think that my character's above that kind of pettiness.
00:35:07Bye.
00:35:13I'm going to expose you, Thelma.
00:35:16Sooner or later.
00:35:28Where are you, my little rock?
00:35:32I'm doing fine.
00:35:34Don't you worry.
00:35:37You know it's bad to waste food.
00:35:40Do you think you deserve to be punished?
00:35:42Yes, headmistress, I do.
00:35:45Ma'am, Helen's sick.
00:35:47That's why she's gonna finish.
00:35:48Isn't that sweet?
00:35:50Too bad.
00:35:51She's getting more punishment because of you.
00:35:54Isn't that sweet?
00:35:56Well, if you so insist,
00:35:57you can take it for her.
00:35:59Oh, get off.
00:36:01You're all right.
00:36:14Found the worker leaked info to our computer.
00:36:17A manager who's worked with us for 20 years.
00:36:21What do we do with him?
00:36:23Uh, fire him.
00:36:26So, if we need to,
00:36:29can have disloyalty in the company.
00:36:31And why won't him and his family?
00:36:33So be it.
00:36:36Fine.
00:36:36So be it.
00:36:50So be it.
00:37:18Oh, girl.
00:37:23Oh, girl.
00:37:52Where's mine?
00:38:03Oh, no, no, no.
00:38:04Oh, no, no, no, no.
00:38:32Nothing.
00:38:37I carried you to your bed last night and that was it.
00:38:43No, seriously, what are you doing?
00:38:46Nothing, sweet pea.
00:38:47What did you just call me?
00:38:48Uh, my sweet pea.
00:38:53You sat in your sleep last night.
00:38:58I see. Well, don't ever do that again.
00:39:01Sure.
00:39:17Hi.
00:39:19Could you maybe explain this scene one out of it?
00:39:21I'm not sure if I get it.
00:39:23I mean, it is pretty straightforward.
00:39:24You just do what it says without improvising.
00:39:29Thelma, you were so great yesterday.
00:39:33I want to go over this one part.
00:39:35Now, when you say this line, I'm about...
00:39:39We'll see who wins.
00:39:42Lois, what am I doing this afternoon?
00:39:45Well, it's kind of a very important meeting.
00:39:48Did you forget?
00:39:50Canceled.
00:39:52Send them my apologies.
00:39:53What?
00:39:56So, what do you normally do when you're not working?
00:39:58Uh, I do striptease.
00:40:01Oh.
00:40:02I was thinking more along the lines of going to the movies.
00:40:07There's actually a good one out right now.
00:40:09I mean, maybe if you're interested, we could try to catch it together.
00:40:12I'm sorry, but I really need to focus on this job right now.
00:40:16Oh, yeah.
00:40:16Sure, sure.
00:40:19You're a really interesting person to talk to.
00:40:21You know that?
00:40:24Edward?
00:40:25Are you here to see me?
00:40:28Oh, you poor old dad.
00:40:30Oh.
00:40:32Edward?
00:40:33It's not for you.
00:40:34I'm sorry.
00:40:35Why is she still talking to me?
00:40:38Go put this nice in the lounge.
00:40:40Okay, boss.
00:40:46Edward?
00:40:48What's your name again?
00:40:50Actually, it doesn't matter.
00:40:52What were you talking to my wife about?
00:41:03Oh.
00:41:05Thelma, I had no idea that you were married.
00:41:09Oh, don't worry about that.
00:41:11We were just talking about stuff in the script.
00:41:13Is that right?
00:41:14Hey, so you must be Edward Arwen.
00:41:17I've heard a lot about you.
00:41:19I'm Alex.
00:41:20Cool.
00:41:21Bye, Alex.
00:41:23Yeah, I'll see you later.
00:41:25I'll see you later down there.
00:41:26There you go.
00:41:27Good, you guys are all here.
00:41:29Edward brought snacks.
00:41:31They're in the lounge if anyone wants them.
00:41:32Yes, I'll come.
00:41:36Snacks.
00:41:40Edward doesn't usually come to set this often.
00:41:43He's quite the busy man.
00:41:44I think he's here to see you.
00:41:46He's here to see Carla, not me.
00:41:48Oh, please.
00:41:49Can you not see the way he looks at you?
00:41:52Whatever.
00:41:53Oh.
00:41:54Speak of the devil.
00:41:56I will give you two some pride.
00:41:58Wait, me?
00:41:58No, don't.
00:41:59Excuse me.
00:42:06You're getting out of hand.
00:42:08Don't forget, I'm the one who hired you.
00:42:10Excuse me?
00:42:12Stay away from Alex.
00:42:13Got it?
00:42:14What are you talking about?
00:42:15There's nothing going on between us.
00:42:17Besides, you came here to see Carla.
00:42:22So you're jealous.
00:42:24What are you talking about?
00:42:25I'm not just...
00:42:36What are you doing?
00:42:38Carla and I are together.
00:42:40I'm here for you.
00:42:41You really expect me to believe that?
00:42:44No, but...
00:42:50Yeah, girl?
00:42:53What?
00:43:01Jean, are you absolutely sure?
00:43:03Yes.
00:43:04Positive.
00:43:05I used to know this guy from the streets, and he and Algram drifted around for months.
00:43:09So where is he?
00:43:11Well, they later got separated, so he has no idea out of that, but that's got to mean
00:43:16that Algar's still alive, right?
00:43:18Oh my goodness.
00:43:20Thank you so much.
00:43:21I have no idea how much this means to me.
00:43:23It's been ten years.
00:43:26Don't forget, you are married too.
00:43:28What are you going to do?
00:43:30I'll divorce him once our contract is up.
00:43:33I needed the money.
00:43:35Algar will understand.
00:43:37I don't know.
00:43:39Edward seemed really into you.
00:43:42Actually, Jane, I think I should keep my distance from him.
00:43:56You okay?
00:43:57Yeah.
00:44:02You want to tell me what happened?
00:44:04I just want to be alone for a bit, okay?
00:44:08Is this about Carla?
00:44:11I told you I went to see you, not her.
00:44:14Edward, I don't care who you're seeing.
00:44:16We're only married on paper, right?
00:44:21This is because we're moving too fast.
00:44:42I just think that we should keep our distance.
00:44:51Please.
00:44:58So she was playing hard to get her.
00:45:01Maybe she doesn't want to seem too eager.
00:45:03I mean, why would anyone reject you?
00:45:06It's impossible.
00:45:09Come on.
00:45:10Let's get to the set.
00:45:15Hey, Selma, you'll be wearing this dress for the next scene.
00:45:17Is that okay?
00:45:18That's fine.
00:45:22So you think you could just take whatever you want?
00:45:29I thought this was my personal changing room, like it's always been.
00:45:34Carla, this room is for the lead role.
00:45:37Yours is outside.
00:45:39Well, actually, I'm all done here.
00:45:42Carla loves taking things that aren't hers.
00:45:44Be my guest.
00:45:45Use it.
00:45:46Oh.
00:45:48Aren't you quite generous then, hmm?
00:45:51Edward's not here, so you can drop the act.
00:45:54We actually need to get back to work, if there's nothing else.
00:45:58Actually, I can finish my makeup myself.
00:46:04Go on.
00:46:05What do you want to talk about?
00:46:06Let's make a deal.
00:46:08A deal?
00:46:12What the fuck do you think you are?
00:46:14Well, as far as I know, I'm Edward's wife.
00:46:21I'm gonna do.
00:46:23Stop picking fights with me.
00:46:24Stop giving me a hard time on set, and I won't take anything away from you.
00:46:28I'll actually help you with whatever you and Edward have going on.
00:46:34All right, deal.
00:46:37I'm done with this room, by the way.
00:46:39It's yours if you still want it.
00:46:40I don't need your pity.
00:46:55Don't you have, like, business to run?
00:46:57What are you doing here all day?
00:47:05Hey, um, actually, about what happened.
00:47:09I think that we should talk.
00:47:11Why don't you meet me in the lounge after we wrap up?
00:47:15Why can't we talk then?
00:47:16I want it to be a surprise.
00:47:19See you later.
00:47:29What does she want to talk about?
00:47:32Does she know what I see?
00:47:34Hi, Edward.
00:47:37Carla?
00:47:39Why are you here?
00:47:41Where's the one?
00:47:42Where's the one?
00:47:47What are you doing?
00:47:48Are you trying to set those two up?
00:47:50Yeah, and if they're together, then they'll have nothing to do with me.
00:47:55Sounds like a terrible idea.
00:47:57Well, if you have a better idea, then let's hear it.
00:48:03Edward!
00:48:07If they're together, then they'll have nothing to do with me.
00:48:11Well, as long as you're okay with this.
00:48:15Of course I am.
00:48:16Why wouldn't I be?
00:48:18I mean, now I can just focus on what really matters, and I can try to find Algar.
00:48:25Edward!
00:48:27What the fuck are you doing?
00:48:37Whatever games you're playing, you need to stop.
00:48:39What are you talking about?
00:48:41You came here to see Carla, right?
00:48:43Dama, come on.
00:48:45Edward, we're going to be divorced really soon.
00:48:48So?
00:48:49So if you're attracted to somebody, then go for it.
00:48:52I want you to be happy.
00:48:53The only person I love is you.
00:48:59Edward, how could you?
00:49:03Everything I do for you, Carla, I do for your father.
00:49:08He looked down for me, so this is me paying him back.
00:49:18I'm already in love with somebody else.
00:49:21It's never going to be you.
00:49:23But if that man didn't exist, would you consider me?
00:49:26Stop it, Edward.
00:49:27It's never going to happen.
00:49:34What do I do, Algar?
00:49:36I know you're out there.
00:49:38What do I do?
00:49:51What do I do?
00:49:53Boss, you've been here for a while.
00:49:55Is everything okay?
00:49:59Why don't you tell her you're the one she's looking for?
00:50:04Do you remember what I did to return to the Ardoin family?
00:50:18About Algar.
00:50:20Are you telling me that Mr. Ardoin knows his illegitimate son is Algar?
00:50:27Yes.
00:50:28And now the old man wants him back.
00:50:31Hmm.
00:50:32Another brat to share their inheritance.
00:50:35If I could only get rid of his mother, getting rid of him shouldn't be a problem.
00:50:41Madam, it's our fault.
00:50:43Please don't withdraw your donation to the orphanage.
00:50:47If we work together on this, I could even help you.
00:50:53Get rid of Algar for good.
00:51:01Take care of it.
00:51:03But make sure we lose it.
00:51:07Should I go to the hospital?
00:51:09Yes, please.
00:51:11I must have to see it.
00:51:12I'm going to do the things.
00:51:17I got rid of the woman who killed my mother and sent me to an orphanage.
00:51:23I eliminated everyone associated with her.
00:51:27Over the years.
00:51:35I did whatever it took to gain my father's approval.
00:51:40To secure my inheritance.
00:51:43My methods were ruthless.
00:51:45My conscience.
00:51:48Callous.
00:51:50You did what you had to do.
00:51:52And now I'm a different man.
00:51:55A monster.
00:51:56She doesn't even recognize.
00:51:58If she finds out this is the man she's been looking for all these years, it'll drive her away.
00:52:05I can't lose her again.
00:52:09So it was true?
00:52:12Okay.
00:52:17Argon and I.
00:52:20We roamed the city for a winter.
00:52:24A lot of people say he made some enemies.
00:52:27One night, under the bridge where we slept, he got stabbed.
00:52:32And he died.
00:52:35No.
00:52:36You mistake it.
00:52:38And he always had a ring with him.
00:52:40It was a nice ring.
00:52:43I think it had the letters A and H on it.
00:52:47I told him he could pawn it for a few bucks, but he just kept it with him.
00:52:54No, he can't just be gone.
00:52:56He can't just be gone.
00:52:58It's okay.
00:52:59It's okay.
00:53:08Oh, Velma.
00:53:10Sweetie, what's wrong?
00:53:13Oh, my God.
00:53:14Baby, you haven't eaten in three days.
00:53:17Can I get you something?
00:53:19Anything?
00:53:20It's not good for you.
00:53:29This is my fault.
00:53:32She's burning up.
00:53:34The doctor said it was from emotional distress and not eating.
00:53:39Go make her something light.
00:53:41I'll stay with her.
00:53:43Yes.
00:53:51You need to get some rest and let me handle this.
00:53:54No, it's okay.
00:53:55Leave it to me.
00:53:57Look, I know you care.
00:53:59I've never seen you do this for anyone.
00:54:01And if the old lady were here, she'd be heartbroken to see you get exhausted.
00:54:07Don't worry about me, Sarah.
00:54:09You can go now.
00:54:21I'm not hungry.
00:54:26Please eat and get better.
00:54:39Selma.
00:54:42Selma.
00:54:57God, are you okay?
00:54:58I've been trying to call you ten times.
00:55:01You haven't done something stupid, have you?
00:55:03I can't find a reason to go.
00:55:06Stop saying that, okay?
00:55:09Don't listen to what that guy said.
00:55:10He doesn't know what he's talking about.
00:55:13They never found Algar's body.
00:55:15Maybe he's still alive.
00:55:18You've waited ten years, okay?
00:55:21You sure you're going to give up now?
00:55:23Don't you want to find out the truth for yourself?
00:55:26Yeah, you're right.
00:55:29I should keep going.
00:55:31Good.
00:55:32Now go get some sleep and get back to set, girl.
00:55:35Okay?
00:55:35That is something that you've always wanted, and you're not going to screw it up, all right?
00:55:39Yeah.
00:55:41I understand.
00:55:44I'll keep going for Algar.
00:55:49I want that bitch, Dad.
00:55:51You got that thing ready?
00:55:55Sure, I would do the job.
00:56:02All right.
00:56:03Don't mess this up.
00:56:04Ready for first scene.
00:56:07Coming.
00:56:19You wanted to see me?
00:56:20Yes, it is about the scene where you're stabbed.
00:56:24We will be using this as a prop.
00:56:26So once the safety is clipped off the blade, we'll go back inside itself upon impact, so
00:56:32don't worry.
00:56:32It's not going to hurt you.
00:56:34See?
00:56:35Nice.
00:56:38Exactly.
00:56:44Thelma, Carla, all set.
00:56:47All departments ready?
00:56:52And action.
00:56:59Wait.
00:57:00Cut, cut.
00:57:01Edward, are you okay?
00:57:03Oh, God, how did this happen?
00:57:04Edward, don't die on the ground.
00:57:08Tommy, please.
00:57:10I know that my past is complicated, and I'm not worthy of your time or your love.
00:57:16What makes me so special?
00:57:22Okay, I admit.
00:57:23I think somewhere along the way I became attracted to you, and I know that you keep this stone-cold
00:57:30face, but I know that that's not the real you.
00:57:36Please.
00:57:37Please.
00:57:38Show me the real you.
00:57:39Let me in.
00:57:44Edward!
00:57:52What are you doing?
00:57:53That's not funny.
00:57:54I was wearing sick.
00:57:55What's the matter with you?
00:57:56How else could I get such a lovely monologue?
00:57:59Okay.
00:58:00You know what?
00:58:00I'm going to go get a doctor.
00:58:01No, no, no.
00:58:02No.
00:58:03I'm fine.
00:58:04No.
00:58:05Look, not even a scratch.
00:58:07Just need a minute.
00:58:08Are you sure?
00:58:09It seemed pretty serious.
00:58:11Yeah, the knife didn't even get to me.
00:58:14Something blocked it.
00:58:16Really?
00:58:17Where is it?
00:58:19Nothing.
00:58:21I'll find out what happened today.
00:58:23Meanwhile, be more careful on stuff.
00:58:26Yeah?
00:58:26No, don't worry about it.
00:58:28You're the patient.
00:58:29Just rest up now.
00:58:32I heard everything you were saying about it.
00:58:35Okay.
00:58:36You know what?
00:58:36I'm really getting you a doctor now.
00:58:37Just shut up.
00:58:49You saved my life.
00:58:55How you doing, boss?
00:58:57Oh, not too shabby.
00:59:00So, what do you got to do with karma?
00:59:04Karma?
00:59:05Almost forgot.
00:59:07Let's get me back.
00:59:12I'm not sure what we're going to do after your little incident.
00:59:16I'm sorry.
00:59:17I wasn't thinking.
00:59:18It won't happen again.
00:59:19I promise.
00:59:20Jane, get a replacement for her role.
00:59:22She's done.
00:59:29Edward, what are you saying?
00:59:31I told you to stop pointing these tricks behind my back.
00:59:33I didn't do anything.
00:59:35Don't listen to her.
00:59:36She's making it all up.
00:59:38Carla had someone on the prop team switch the fake knife with a real one.
00:59:41She almost killed Thelma and myself.
00:59:44Edward, I'm sorry.
00:59:46I messed up.
00:59:47Please, please give me another chance.
00:59:50I've given you plenty of chances.
00:59:53Really, Edward?
00:59:55Edward, after all these years, please stop embarrassing yourself.
01:00:01You can't believe me.
01:00:03Doing all of this for a man?
01:00:04I hope it's worth it.
01:00:07Edward, you know everything I did is because I love you.
01:00:12If you try hurting her again, you will be sorry.
01:00:22Hand rubbed in place.
01:00:27Well, now that that's over, we should talk about what you said to me earlier.
01:00:32Which is what?
01:00:34That you were attracted to me.
01:00:39No, we're not going to talk about that.
01:00:41That's not fair.
01:00:42You tricked me.
01:00:45Good.
01:01:02What if the person you're looking for is me?
01:01:08Don't be ridiculous.
01:01:11Besides, you come from a rich and powerful family, and he's an orphan like me.
01:01:19And he's incredibly kind.
01:01:21He wouldn't even step on an ant.
01:01:25I can't say the same thing about you.
01:01:30People can change.
01:01:32I'll never stop searching for him.
01:01:35I'm afraid that you can't stop me.
01:01:40I'm afraid that you'd like to check with her.
01:01:42Thanks.
01:01:42Bye-bye.
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