Nobody Knows Anything [Full Movie] [New Drama]Full EP - Full

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Transcript

00:00:27Satsang with Mooji

00:00:30How to explain them things that nobody knows

00:00:35People these days they play and act like you know

00:00:38But nobody, not even you, woman

00:00:40Nobody knows, nobody knows

00:00:43Who are you to tell me what's true and what's not?

00:00:45What's happening now, what you got?

00:00:48This here, real life, I'm a jukebox

00:00:50Dinner on the block and got the blocks unlocked

00:00:51Stop, don't wanna hear another word

00:00:54Show me the money or your gifts to burn

00:00:56The second is when I promise you the world

00:00:58I'll make you a star more like Magma Earl

00:01:00Holler back when the contract's right

00:01:02You better best believe I'm looking out for mine

00:01:04I'm feeding on steak and wine

00:01:07Struggles of a naughty face often times

00:01:09Cause nobody knows what the future holds

00:01:11Nobody knows anything till it goes

00:01:13It takes off to the next level of the game

00:01:15Until then you don't know a damn thing

00:01:17Sometimes in life there's questions nobody knows

00:01:22I need to grab them in the first minute

00:01:28Behind these walls lay the broken dreams of men

00:01:31Who are now confined

00:01:32Nah, too depressing

00:01:35Fade in, on a tree-lined street

00:01:38Two good-looking, attractive guys

00:01:40Are good-looking, attractive?

00:01:43That's the same thing

00:01:44Why not tall, unshort guys?

00:01:49Nah

00:01:52Give them something they've never seen before

00:01:55Edgy

00:01:56Ow

00:01:57Different

00:01:59Ow

00:02:02It's the action-packed true story of how

00:02:07The search for the American dream goes dangerously awry

00:02:12I have one dream on rye with a pickle to go

00:02:14Hmm

00:02:15Not bad

00:02:17Gotta grab them in the first minute

00:02:20Hmm

00:02:20Maybe a little sex

00:02:24Meh

00:02:25Too obvious

00:02:31Cosmo says red is the power color for women

00:02:34But it makes me look like a fire truck

00:02:37Hollywood

00:02:40That's me

00:02:40Sarah Wilder

00:02:42I just graduated from film school

00:02:44And now I'm in the real world

00:02:45Well, LA

00:02:47Which may be real or unreal

00:02:49Depending on who you are

00:02:50Fortunately, I know a real person

00:02:53My Uncle Lou

00:02:54Who was once a big-time Hollywood writer

00:02:59Yeah, it's open

00:03:00Yeah

00:03:00So, uh, how did I, how did I do yesterday?

00:03:03Oh, good, good

00:03:04Oh, Phil, I'll talk to you later

00:03:06Bye

00:03:09So?

00:03:13Sarah Wilder

00:03:14Your niece

00:03:15I know that

00:03:15Sit down

00:03:19For me

00:03:21Oh, how nice

00:03:24So, uh, what made you want to get into the movie business?

00:03:27Why'd you pick a profession with dignity?

00:03:29Like begging

00:03:30Oh, okay, Uncle Lou

00:03:31You're just like Mom

00:03:32You think the movie business is populated with terrible people?

00:03:34No, no, no, no, no, no

00:03:35Believe me, believe me

00:03:36I'm not like your mother

00:03:37But, uh, in this instance, she's right

00:03:39The world is full of terrible people

00:03:40Why not the movie business?

00:03:42So, uh, speaking of which, how is your mother?

00:03:47And that lummox she married?

00:03:49She and Dad are great

00:03:50They're doing the Florida thing, you know

00:03:51Get a condo on the beach

00:03:52And play golf

00:03:53And tennis

00:03:54So what's this movie about that you want to make?

00:03:56Jimmy

00:03:57Cousin Jimmy

00:03:58On your father's side?

00:04:00The same

00:04:00But why?

00:04:02He's a bum

00:04:03I know him

00:04:04And like my film teacher always said

00:04:05Film what you know

00:04:08Uh-huh

00:04:09So this story is all about Jimmy's problems, huh?

00:04:13What audience is gonna sit down and watch a movie about a schmuck like that?

00:04:18I don't know

00:04:20He's a sweet guy

00:04:21And I think I want to explore the why of it all

00:04:26The why of it all?

00:04:28Uh-huh

00:04:30You know, I don't understand the movies they're making today

00:04:33Did you, uh, did you see something about Mary?

00:04:35Laugh my ass off

00:04:36Could I make a movie like that?

00:04:37Never

00:04:38Never in a million years

00:04:40I want to tell you something

00:04:42I still know a lot of people in this town

00:04:46I called in a lot of favors

00:04:50I don't know why I'm doing this

00:04:53But I, uh, set up some pitch meetings for you

00:04:56All right?

00:04:56Now stay focused

00:04:57And remember

00:04:58Nobody knows anything

00:05:02Today I have my first pitch meeting at a big studio

00:05:07Hello

00:05:08Oh, I can't talk right now

00:05:10No, I'm meeting Connor Fulton at 9.30

00:05:12I'll talk to you later

00:05:16Hello

00:05:24Wait, wait, wait, all right

00:05:25Hold on, Connor is talking now, okay?

00:05:27All right, now listen

00:05:28You are five million dollars over budget

00:05:30Hold on one second

00:05:31Miss Winston

00:05:32Wilder

00:05:33That's right, hold on, okay

00:05:34Listen, you're five million dollars over budget

00:05:36So either we're gonna stop paying you

00:05:37Or we stop beating the cast and the crew

00:05:39It's your decision

00:05:42So

00:05:43You're new in town

00:05:45And you got a story to do

00:05:46Tell

00:05:48Well, nobody ever said that Connor Fulton didn't give new talent a break

00:05:52Ain't that right?

00:05:55See?

00:05:57Everyone knows

00:05:58That's George, he's my assistant

00:05:59He's my eyes and my ears

00:06:01You can see the big picture

00:06:03Hi

00:06:07So shoot

00:06:07I got a ten o'clock's coming in early

00:06:09You got five minutes

00:06:10Any good story can be told in five minutes

00:06:11Ain't that right?

00:06:14See?

00:06:16Give me your best shot

00:06:18It's the action-packed true story of how the search for the American dream goes ominously awry

00:06:24Kind of like a modern James Dean

00:06:33But during his quest for the American dream

00:06:36Jimmy committed armed robbery

00:06:37A felony

00:06:38But he's my cousin

00:06:40I mean, I sat next to him at the kids table at every holiday dinner

00:06:43But what made him do it?

00:06:47Here's the twist

00:06:49You see, I shot interviews of every family member and eyewitnesses to the actual crime

00:06:55For a historic docudrama

00:06:58Kind of like Reds but without the communists

00:07:00And we'll cut back to them ever so often for background and to help uncover Jimmy's motivations

00:07:07The diet pills are working

00:07:08Oh, thank you!

00:07:09Are those canned?

00:07:10Oh, of course they're canned

00:07:11Are you nervous, Beatrice?

00:07:12No, I'm very relaxed

00:07:14You're gonna be wonderful, Uncle Sid

00:07:15You're gonna be brilliant

00:07:16I like that apathetic thing you got going on

00:07:18And it's all about glamour over here, isn't it?

00:07:20Oh, how do I look?

00:07:21Wonderful

00:07:21Good, I looked right in there?

00:07:23Absolutely, you looked really good

00:07:24It's all about cleverness

00:07:26Roll sound

00:07:28Should I wait for like action?

00:07:31Wait until I say dysfunction

00:07:33Dysfunction

00:07:34Okay, okay, good

00:07:35What do you want me to talk about?

00:07:37Tell me about my cousin Jimmy and Uncle Sid

00:07:39You look marvelous

00:07:42Oh

00:07:44Jimmy is our son

00:07:46We love him

00:07:47He's a very good boy

00:07:50A very good boy

00:07:51You know what rotten is?

00:07:53He's rotten, rotten of the car

00:07:54Oh, but he's a very good boy, you know

00:07:58Thank God he's got my genes

00:08:00You know he takes after my side of the family

00:08:03Your side of the family

00:08:04Your side of the family's crazy

00:08:07You know, all this bad stuff with Jimmy

00:08:10It's your fault

00:08:12My fault?

00:08:14I oughta sue you

00:08:15I oughta sue you and your family, you know that?

00:08:17For what?

00:08:18Because when I married you they passed you off as sane

00:08:22You're fucking crazy

00:08:24This is good

00:08:26This is good

00:08:30You used fucking properly

00:08:33I have a mother and a father too

00:08:35Most people do

00:08:35That's very identifiable

00:08:37Mmm

00:08:41I'm a basket case until my second day

00:08:43You wanna know what he does at the grocery store?

00:08:47Jesus Christ, he's gonna bring up the candy bin thing again

00:08:50He steals little pieces of candy from the candy bin at the grocery store

00:08:55Jimmy must have seen him do it

00:08:58Like father, like son

00:09:00You know, Jimmy used to be a very sweet boy

00:09:03My husband here corrupted him

00:09:06Okay, so maybe Jimmy didn't grow up in the best environment

00:09:10But it's not like he was so different than any other kid

00:09:13I can't do homework because they told me to do homework

00:09:15I can't work under these conditions

00:09:19Right, but there was always a constant in Jimmy's life

00:09:21His love, no, no, his obsession for Miranda

00:09:25Even when they were kids

00:09:26Miranda, I love you

00:09:30Best thing that ever happened to Jimmy was Miranda

00:09:33But even when they were kids, it wasn't always roses

00:09:35I told you, Jimmy, get the fuck out of here!

00:09:38I'm serious!

00:09:40By the time they got married, she'd been kicking him out for years

00:09:42Just leave!

00:09:45See, things haven't changed much

00:09:47But unfortunately, every time Jimmy and Miranda fought

00:09:50He'd always go to his best friend for solace

00:09:52For understanding

00:09:54Unfortunately, his best friend is Virus

00:09:56His partner in crime, so to speak

00:09:58A rocket scientist, Virus isn't

00:10:00But Jimmy still considered him a friend

00:10:02Don't even ask me why

00:10:05Conor, darling, the love of my life, the vein of my existence

00:10:08Great baby!

00:10:10George, see any good movies lately?

00:10:13So good to see

00:10:14How are you doing?

00:10:15What brings you to the salt mines?

00:10:17It's about Bruce Conor, dear, who else?

00:10:19Listen, I just saw those dailies, marvelous

00:10:21Huh?

00:10:22That fight inside, what is that? Is that a volcano?

00:10:25Of course

00:10:25That's incredible, that's incredible, that's incredible

00:10:27Did I say that was incredible?

00:10:29I said that, I said that

00:10:31I'm so happy you're happy

00:10:32Happy, happy

00:10:34I am ecstatic here

00:10:35Alright, I am delirious

00:10:36I'm about to loose control of my bladder

00:10:39What? I have something else you can piss on them

00:10:42Oh ho ho ho ho ho ho ho ho ho ho ho ho ho ho ho ho ho ho

00:10:45I hope you don't mind looking at the list of requests from Bruce has

00:10:48What is it, whoa, whoa, whoa, whoa, whoa, whoa, whoa, whoa, whoa

00:10:50Hasana in his trailer

00:10:51Mmh wet, not dry

00:10:53Not dry, not dry, George, remind me

00:10:55Hey, what's his new stand-in, a $4,000?

00:10:58Don't you think Bruce's brother would be perfect?

00:11:00Okay, where's his driver at $3,000?

00:11:02His nephew.

00:11:03Personal trainer, $2,000.

00:11:04His cousin.

00:11:05Coincidentally.

00:11:07You're killing me here.

00:11:08This is $14,000 a week.

00:11:10Why don't we just rent his whole family?

00:11:11You are, Connery, darling.

00:11:13You're renting the whole goddamn family.

00:11:15He's honest.

00:11:16He's honest.

00:11:17It's an $80 million movie.

00:11:18They'll need lots of asses in those seats to seek profits.

00:11:21Bruce can put them there.

00:11:23Ciao, George.

00:11:25Love what you're wearing.

00:11:29Thank you, Craig.

00:11:31Hey, listen.

00:11:31You take care, all right?

00:11:32Tell Bruce I'll see him at the fight.

00:11:33I will.

00:11:34Bye-bye, Bobby.

00:11:36Is this a fucking business or what?

00:11:41Would they run General Electric like this?

00:11:43No.

00:11:43No, you're damn right they would.

00:11:44Give me Jack Brown.

00:11:45I'm sorry about this.

00:11:47They said he went to an early lunch.

00:11:50Christ.

00:11:50It's 10.45 in the morning.

00:11:54Give me the other producer on his film.

00:11:55Bruce's film.

00:11:56Whatever his name is.

00:11:57I don't know.

00:11:57Call him.

00:12:00It is a crazy business.

00:12:02It is crazy.

00:12:03I tell you that.

00:12:04Stars that make $14 million a picture,

00:12:07and then they nickel and dime you

00:12:08for every perk they can think of.

00:12:11Producers go to a 10.45 lunch.

00:12:13Shit.

00:12:14I mean, most producers don't even come in

00:12:15until 11 o'clock, huh?

00:12:17Am I right?

00:12:18What?

00:12:18Rich Schwartz on two.

00:12:24Connor Fulton here.

00:12:26Hi.

00:12:26I want you to measure Bruce's trailer for a sauna,

00:12:29and then I want you to tell him every day

00:12:31that it is being specially made.

00:12:33I want you to tell him we're having trouble

00:12:35getting a green card for his French chef.

00:12:37I want you to bullshit him about his stand-in.

00:12:39I want you to bullshit him about his driver.

00:12:41I want you to bullshit him about his trainer.

00:12:42Tell him...

00:12:45Teamsters.

00:12:45Tell him we're having a problem with the Teamsters.

00:12:47They want their men in place.

00:12:48And if he has a problem with that,

00:12:50then his family's going to be sleeping with the fishes, okay?

00:12:52And then you tell him to go to hell!

00:13:03Where are we?

00:13:07What Jimmy and Virus needed was a direction.

00:13:09A goal.

00:13:11Get a job.

00:13:12Why don't you get a job?

00:13:13I'd like to get a job.

00:13:13Why don't you get a job?

00:13:15I can't!

00:13:16See?

00:13:17Because she told me to,

00:13:18and then if I get a job,

00:13:18it's because she told me to,

00:13:20and I can't work under those conditions.

00:13:22Remember, when Jimmy was a kid,

00:13:23he didn't like taking orders.

00:13:25He's no different now.

00:13:26Hey, fellas, let's go, huh?

00:13:28We got a house to paint.

00:13:30Rapido, rapido!

00:13:32For the daylight!

00:13:33You like some guy clapping at you?

00:13:35Come on, have some self-respect.

00:13:37You gotta be your own boss.

00:13:38I am my own boss, and I've got self-respect.

00:13:40No, what you got?

00:13:41Some guy telling you what to do.

00:13:43Nobody tells me what to do.

00:13:46Look, I'm gonna take off.

00:13:47Think about what I said.

00:13:48I thought you were coming over to help me paint.

00:13:50No.

00:13:51I thought I was coming over while you paint.

00:13:53I don't paint.

00:13:54I'm not a painter.

00:13:56Anyway, I gotta go pick up my check.

00:13:58Disability.

00:14:00Think about what I said.

00:14:01When I said they needed a gold,

00:14:03I really meant they needed money

00:14:05because all they were capable of doing

00:14:07was painting houses.

00:14:09All the fixtures you see are original.

00:14:12They were installed when the house was first built in 1946.

00:14:17Now, nine years ago,

00:14:19the owner of the house, Mississippi Blue Smoke Jones,

00:14:21had all of the fixtures removed,

00:14:23sent back to Germany,

00:14:24where they were originally manufactured in 1928.

00:14:29The Mississippi Blue Smoke Jones,

00:14:31a harmonica play?

00:14:32Yes.

00:14:34Wow.

00:14:37Nice house, Blue Smoke.

00:14:40How do you know Blue Smoke?

00:14:41I don't.

00:14:42I know Bob Kim.

00:14:43Not done yet!

00:14:44All of the fixtures were cleaned,

00:14:46restored, updated

00:14:47by the grandson of the original manufacturer,

00:14:51Minster Van der Klieger.

00:14:53Now, if that name rings a bell,

00:14:55it should,

00:14:56because we still use Klieg lights

00:14:58today.

00:14:58This way.

00:15:02Does he know we're here to paint?

00:15:04As you can see,

00:15:07as you can see,

00:15:08the kitchen has been updated as well.

00:15:09The technology of tomorrow

00:15:11with the hardwood floors of yesterday.

00:15:14I think that's pretty cool.

00:15:16Speaking of cool,

00:15:17nicely done,

00:15:18this refrigerator

00:15:19has the shell

00:15:21of its mother model,

00:15:22the Freeze Captain 627,

00:15:23with the entrails

00:15:25of the Captain Frost

00:15:27Master Whisperage.

00:15:31A lovely piece of machinery.

00:15:33Ha, ha, ha, ha.

00:15:34Ah.

00:15:35I believe this is yours.

00:15:38Ah, take a look at this.

00:15:39Is this beautiful?

00:15:40Look at this,

00:15:41with the trees

00:15:41and the sun.

00:15:43Look at this view.

00:15:45If this view

00:15:46were a lady,

00:15:47I would lay her down

00:15:48right here,

00:15:49right now,

00:15:50and give her the love.

00:15:52Oh, my God!

00:15:54Oh, my God!

00:15:58Oh, God!

00:15:59I am so goddamn tired

00:16:02of showing houses all day long.

00:16:04You couldn't give

00:16:05this piece of shit away.

00:16:06This, this shit,

00:16:07it's been on the market

00:16:08for six years now.

00:16:11Oh, God.

00:16:13Oh, God.

00:16:14Did you ever lie in bed at night

00:16:16and you look up at the ceiling

00:16:17and you realize,

00:16:18you know,

00:16:18I came to the fork in the road,

00:16:20I veered left.

00:16:20You know you should veer right,

00:16:22you know it,

00:16:22but, but it's too late.

00:16:25It's too late.

00:16:25I shit where I sleep.

00:16:27Oh, God.

00:16:28I wish I had a bad porch.

00:16:32It's too late.

00:16:36You guys,

00:16:37you seem like nice guys,

00:16:39really,

00:16:40and you're young.

00:16:41You should get away.

00:16:42Run away now

00:16:43because I feel one coming on,

00:16:45okay?

00:16:47I really need to be alone.

00:16:50Oh, God.

00:16:58Oh, God.

00:17:00Wow.

00:17:01Can you believe that?

00:17:02Oh.

00:17:03Blue Smoke's house

00:17:04has been on the market

00:17:04for six years.

00:17:05It's beautiful.

00:17:07Wait, wait, wait, wait, wait, wait, wait.

00:17:09Two guys,

00:17:11strike that,

00:17:11two morons

00:17:13who can't paint

00:17:14and they're talking about

00:17:15some musician.

00:17:17George,

00:17:18I thought this was about

00:17:20an armed robbery.

00:17:21It is.

00:17:22So?

00:17:23Where is it?

00:17:24I mean,

00:17:25how far are we into the picture now?

00:17:27Ten minutes,

00:17:28maybe.

00:17:30Ten minutes?

00:17:31Ten minutes is a lifetime.

00:17:32See?

00:17:33George knows.

00:17:34In Indiana Jones,

00:17:35he has already been chased

00:17:36by a boulder by now,

00:17:37okay?

00:17:38In Jaws,

00:17:39we've seen a girl

00:17:39get naked,

00:17:40make out with some guy,

00:17:41hop in the water

00:17:41and get eaten by a shark.

00:17:43That's the goal.

00:17:44That's what the audience

00:17:44is waiting for.

00:17:45Why are you making them wait?

00:17:48I wanted to build up

00:17:50the motivation

00:17:50to their committing

00:17:52the robbery.

00:17:53Wrong answer.

00:17:56My dear,

00:17:56you must be visual.

00:17:57You have to show this.

00:17:58You gotta show some guns,

00:18:00some violence,

00:18:00a little blood.

00:18:02I don't know.

00:18:02Wait.

00:18:03They, they,

00:18:04let's say they,

00:18:05they,

00:18:07they witness a robbery.

00:18:10They witness a robbery

00:18:11and that inspires them.

00:18:12That's good, isn't it?

00:18:13That's good.

00:18:14That's good.

00:18:15Try that.

00:18:16You want me to change

00:18:17what I have?

00:18:18Change what actually happened.

00:18:19Change the truth.

00:18:23The truth?

00:18:25What do you think

00:18:25this is?

00:18:26Church?

00:18:26The, yes.

00:18:27Yes.

00:18:28Change the truth,

00:18:29add the bit about the robbery

00:18:30and then, uh,

00:18:32continue.

00:18:34Okay.

00:18:35Um,

00:18:36let's see.

00:18:37Uh,

00:18:38as Uncle Lou said,

00:18:39nobody knows anything,

00:18:40so I might as well

00:18:41give it a try.

00:18:42Why can't Miranda

00:18:42just be nice to me?

00:18:44You guys need a dialogue, man.

00:18:45Is that it, fellas?

00:18:47Yeah.

00:18:48All right.

00:18:49Uh, let's see.

00:18:50Pepsi, Pepsi,

00:18:51fruit pie,

00:18:52fruit pie.

00:18:53265.

00:18:54We got two.

00:18:55We got

00:18:5750,

00:18:5861,

00:18:5962,

00:19:0063,

00:19:0264,

00:19:032,

00:19:0564.

00:19:072,

00:19:0864.

00:19:15All right.

00:19:15Fine.

00:19:19Miranda's just complicated,

00:19:20you know?

00:19:20You guys,

00:19:21you need to talk more,

00:19:21because she's like,

00:19:22let's stay calm,

00:19:23we just want the cash.

00:19:24Let's go, let's go,

00:19:24move it.

00:19:25All right,

00:19:25you two spread out.

00:19:26Spread out.

00:19:26See some money out of you two.

00:19:27Come on.

00:19:28Come on,

00:19:28I'm not fooling around here.

00:19:29Let's open the pot.

00:19:30See some cash.

00:19:31Man, I got nothing.

00:19:34Holy cow.

00:19:35Give me the change.

00:19:38Get the hands up.

00:19:39Clean,

00:19:39that's it.

00:19:39Let's go.

00:19:48How hairy was that?

00:19:51How about shit?

00:19:52Did you about shit?

00:19:52How about shit?

00:19:54You see me,

00:19:55I froze.

00:19:56I was just kidding.

00:19:57Hey, man.

00:19:59You're really cool.

00:20:00Yeah, it's because

00:20:00I don't give a shit.

00:20:01It happens every other week.

00:20:02I'm not going to get my ass

00:20:03shot up for, you know,

00:20:04200 bucks.

00:20:05It's not even mine.

00:20:07You were really cool.

00:20:08I should have put a cap

00:20:09in their ass.

00:20:10That's what I should have did.

00:20:11But I don't have a, uh,

00:20:12gun.

00:20:17Hey.

00:20:18Yeah, yeah, go ahead.

00:20:19You sure?

00:20:22Thanks a lot.

00:20:23Sure.

00:20:25Jimmy needed to do it.

00:20:26Jimmy needed to feel worthy

00:20:27in Miranda's eyes.

00:20:28To prove himself to her

00:20:30on his own terms.

00:20:32But he didn't know how.

00:20:34Witnessing the robbery

00:20:35was both shocking

00:20:36and exciting to them.

00:20:37A total adrenaline rush.

00:20:39To Jimmy and Virus,

00:20:40this was all the inspiration

00:20:41they needed.

00:20:42If you had to give a description

00:20:43of the cops right now,

00:20:44what would you tell them?

00:20:45I'd say there were two of them.

00:20:47Uh-huh.

00:20:48And that they were

00:20:48bigger than us?

00:20:49White.

00:20:51Hey, you don't catch guys

00:20:52like that.

00:20:53You know?

00:20:54They knew exactly

00:20:55what they were doing.

00:20:56They were professionals.

00:20:56You heard the cashier.

00:20:57That shit happens all the time.

00:20:58I like this much better now.

00:21:00I like it.

00:21:00This is good.

00:21:04Come on.

00:21:05Jimmy moved in with Virus.

00:21:06The wheels were now in motion

00:21:07that would lead them

00:21:08to their eventual destiny.

00:21:10Come on.

00:21:10Get the door open.

00:21:12Oh, boy.

00:21:13Bones are ringing.

00:21:14Hello?

00:21:15Oh, no.

00:21:16Hey, Miranda.

00:21:16How are you?

00:21:17No, actually,

00:21:18we just walked in.

00:21:19It's Miranda.

00:21:20Really?

00:21:21No, that's...

00:21:21Yeah.

00:21:22No, I will.

00:21:24Yeah, that's sweet.

00:21:25I will.

00:21:26Absolutely, I will.

00:21:27Uh-huh.

00:21:30You look like Joe Perry

00:21:31from Aerosmith right now

00:21:32in that light.

00:21:32It's weird.

00:21:33Your nose is...

00:21:34Huh?

00:21:35What are you saying?

00:21:36No, that...

00:21:36Oh, okay, cool.

00:21:38Absolutely.

00:21:39I will.

00:21:40Yeah, he's right here.

00:21:41Hold on one second.

00:21:42She wants to talk to you.

00:21:43Now, to Jimmy,

00:21:44his life may have been crap.

00:21:46But the one thing

00:21:47he did have

00:21:47was Miranda.

00:21:50Actually, he didn't,

00:21:51but that's Jimmy.

00:21:52Hello.

00:21:53Yeah, no.

00:21:54Just me and Virus.

00:21:56Hey, how'd you know

00:21:57I was here, anyway?

00:21:59No?

00:22:00Just...

00:22:00No.

00:22:01No.

00:22:03Now, see,

00:22:03I think you do want

00:22:04to fight about it.

00:22:05As a matter of fact,

00:22:05I think you want

00:22:06nothing more

00:22:07than to fight about it.

00:22:08Hang on a second there,

00:22:09Pudden.

00:22:09You're the one

00:22:10who asked me to...

00:22:12Puds?

00:22:12I even asked a psychiatrist

00:22:14why Miranda would call.

00:22:16It's called

00:22:16separation anxiety.

00:22:18You see,

00:22:18Jimmy was obsessed

00:22:19with Miranda,

00:22:20yet she was rejecting him.

00:22:22Quite often,

00:22:22when people are away,

00:22:23this sort of thing happens.

00:22:24Yeah, yeah, yeah.

00:22:25That's exactly

00:22:26what happened to me

00:22:26when I was on a stakeout

00:22:27for two months.

00:22:29Day in and day out,

00:22:30my wife and I,

00:22:31well, we were separated

00:22:32for some time.

00:22:33And, well,

00:22:34we had arguments

00:22:35and, you know,

00:22:37separation is very painful

00:22:38and stressful.

00:22:39Oh, it's terrible.

00:22:41He was not on a stakeout.

00:22:42He's disturbed.

00:22:44He thinks he's

00:22:45Joe Mannix

00:22:45from the television show.

00:22:46You were not on a stakeout.

00:22:48Yeah, I tried to call her

00:22:49from every discreet telephone

00:22:50I could find,

00:22:51but there just wasn't

00:22:52any telephones around.

00:22:53I was desperate,

00:22:54desperate to talk to her.

00:22:55I even had my secretary,

00:22:57Peggy.

00:22:57You remember Peggy.

00:22:58Peggy, I said,

00:22:59you got to get in touch

00:23:00with her,

00:23:00but nothing, nothing.

00:23:02You're not a private eye,

00:23:03Mr. O'Hanion.

00:23:04You're...

00:23:04Wait, wait a minute.

00:23:05What do you mean, Shrinko?

00:23:06Of course I'm a private eye.

00:23:08Joe Mannix,

00:23:09what are you talking about?

00:23:10I went undercover

00:23:11with my contacts

00:23:12at the police force,

00:23:12Lieutenant Tobias.

00:23:13Remember Lieutenant Tobias?

00:23:15Yes.

00:23:15Yeah, well,

00:23:16I was out of pocket

00:23:16for six months with that.

00:23:18You did not go undercover.

00:23:19Your name is not Joe Mannix,

00:23:20Mr. O'Hanion.

00:23:21It's Cricor O'Hanion.

00:23:22You live in Fresno

00:23:23and you make cheap white wine.

00:23:24Wait, wait, wait.

00:23:26You said it was going

00:23:27to be like Reds.

00:23:29What part does Warren Beatty play?

00:23:32No, he's not in it,

00:23:35but I'm using eyewitnesses

00:23:38like in the movie Reds.

00:23:42You get me Warren Beatty

00:23:43as an eyewitness.

00:23:44We got a movie.

00:23:50You have any other casting in place?

00:23:51You talk to George.

00:23:52He's my eyes and my ears.

00:23:56Is he coming back?

00:24:05How did you put a blind guy

00:24:06in the movie business?

00:24:07It's an advantage.

00:24:09First of all,

00:24:09nobody reads scripts anymore.

00:24:10They get these kids

00:24:12from UCLA to do that.

00:24:13Secondly,

00:24:14if he can't see,

00:24:15there's a little chance

00:24:16to take his boss's job.

00:24:19Though, uh,

00:24:21on the other hand,

00:24:23if he was also deaf,

00:24:24his chances could improve.

00:24:26Does everyone have a yes man?

00:24:29Some have no men.

00:24:31Most have

00:24:32and we'll get back to you, man.

00:24:33Here.

00:24:34Let me give you

00:24:35this guy's number.

00:24:36I used to know him.

00:24:38He's okay.

00:24:38I gave him his first shot.

00:24:40You just call him,

00:24:41all right?

00:24:43Lou Bracken.

00:24:44Is he still alive?

00:24:46He called you,

00:24:47didn't he?

00:24:49Hmm.

00:24:51Comes from Cuba.

00:24:53I can make my whole movie

00:24:54for the price

00:24:55of five of those.

00:24:56Is that legal?

00:24:58Cuba Gooding.

00:25:00Told me the money, baby.

00:25:05So, uh,

00:25:07where were we?

00:25:08Let's see.

00:25:09Your cousin Jimmy.

00:25:10Jimmy was spending his days

00:25:11watching TV

00:25:12and bemoaning Miranda.

00:25:14You're right.

00:25:15Should be separate, you know?

00:25:16I'm better off

00:25:17out of that house

00:25:18than still living

00:25:19with that emotional

00:25:19carnival freak.

00:25:20She's a sideshow.

00:25:22It's a really nice house, though.

00:25:27I'm an idiot.

00:25:28I still think.

00:25:30Check it out.

00:25:31Turn it up.

00:25:32Try it.

00:25:33After being convicted

00:25:34of the grisly murder

00:25:36of his 69-year-old grandmother,

00:25:38Sally Gag.

00:25:40Look who talks peach.

00:25:42They can't be beat.

00:25:43You'll say that's me.

00:25:45The best darn peach

00:25:46I could ever eat.

00:25:47So we jump in the bridge,

00:25:48but we do encourage you

00:25:49to try one.

00:25:50Look who talks peach.

00:25:51Once they saw the commercial,

00:25:53they decided to target

00:25:54McClintock's.

00:25:55Okay, this is Karen.

00:25:56Uh-huh.

00:25:57All right?

00:25:57She's a friend of mine.

00:25:58Karen used to work

00:25:59at McClintock's.

00:26:00Why she quit,

00:26:00that's not important either.

00:26:02Okay.

00:26:02All right?

00:26:03Here's the candy.

00:26:04Karen says they deposit

00:26:05the money to the bank

00:26:06every Monday afternoon.

00:26:07No.

00:26:08Yeah.

00:26:08So I figure we go in there

00:26:09on a Monday morning.

00:26:10That's a week's worth

00:26:11of business in that register.

00:26:12How hard can this be?

00:26:13Register full of cash,

00:26:14no security.

00:26:15I figure we walk in,

00:26:16grab the money,

00:26:16walk out,

00:26:17just like those guys did.

00:26:18Coffee Karen figures

00:26:19almost $50,000.

00:26:20Even as Jimmy and Virus

00:26:22plotted the robbery,

00:26:23it seemed that their feelings

00:26:24against McClintock's

00:26:25had found some public support.

00:26:26How dare the McClintock's

00:26:28invoked God

00:26:29to sell their peaches.

00:26:31They are the most

00:26:32self-righteous,

00:26:33pretentious con artists

00:26:34this town has ever seen.

00:26:35I could spit on them.

00:26:38McClintock's peaches

00:26:39smakują jak mojej mamy,

00:26:41zupełnie tak samo.

00:26:42These eyewitnesses,

00:26:44you shot them already,

00:26:45right?

00:26:46Oh, yeah.

00:26:47In the can.

00:26:47And there's a lot more

00:26:49than what you've heard.

00:26:50Mm-hmm.

00:26:52So, uh,

00:26:55who do you see

00:26:56as the peach expert?

00:26:58Oh,

00:26:59the real peach expert himself.

00:27:01The real one

00:27:01I already shot in the film.

00:27:04Okay, let's get this straight.

00:27:06Everyone,

00:27:06I don't care who they are,

00:27:08wants to get their hands

00:27:09on some of these peaches,

00:27:10especially if they've ever

00:27:11tasted McClintock's peach.

00:27:13I mean everyone.

00:27:14Okay?

00:27:16Huh.

00:27:17Merci, Bo.

00:27:20Euro trash.

00:27:22Oh.

00:27:22Sunscreen?

00:27:23Oh.

00:27:25I think,

00:27:26I think perhaps

00:27:28you should think younger.

00:27:30Maybe

00:27:32Ben Stiller

00:27:34as the peach expert.

00:27:38Well,

00:27:39whatever happened

00:27:40to authenticity?

00:27:42Authenticity is for CNN.

00:27:44Ben Stiller

00:27:45is for movies.

00:27:47Cheers.

00:27:48Maybe you're right.

00:27:55Oh.

00:27:57Well, think about it.

00:27:59Okay?

00:28:00Think about Ben.

00:28:02Okay, get this straight.

00:28:03Everybody,

00:28:04I don't care who it is,

00:28:05wants to get their hands

00:28:06on some of those peaches

00:28:07if they've ever tasted

00:28:08McClintock peach, okay?

00:28:11Ben Stiller.

00:28:12Hmm?

00:28:14Okay, get this straight.

00:28:16Everybody,

00:28:17I don't care who it is,

00:28:18wants to get their hands

00:28:19on some of those peaches

00:28:20if they've ever tasted

00:28:21McClintock peach, okay?

00:28:24Ben Stiller.

00:28:25Okay, get this straight.

00:28:26Everybody,

00:28:27I don't care who it is,

00:28:28wants to get their hands

00:28:29on some of those peaches

00:28:30if they've ever tasted

00:28:31McClintock peach, okay?

00:28:33Much better.

00:28:34Now continue.

00:28:36Well,

00:28:37the seat for Robby McClintock's

00:28:39was planted,

00:28:40but Jimmy was torn,

00:28:43confused.

00:28:44Just between his unrequited love

00:28:46for Miranda

00:28:47and the adrenaline rush

00:28:49from the robbery,

00:28:51Jimmy was an emotional,

00:28:53vulnerable,

00:28:56incredibly hurt boy.

00:28:58He was riding a manic-depressive

00:29:00rollercoaster,

00:29:01very deep,

00:29:05deep lows,

00:29:08and manic,

00:29:10sexy highs.

00:29:13Very manic highs.

00:29:15Excuse me.

00:29:16I'm just gonna put this over here.

00:29:19Virus wasn't any help.

00:29:21He was always testing Jimmy

00:29:22with ridiculous hypothetical questions.

00:29:25You were their camp counselor.

00:29:26I certainly was.

00:29:28And I'm here to say

00:29:29that these boys

00:29:29were not evil or vicious.

00:29:31Oh, they weren't geniuses,

00:29:33to be sure.

00:29:33But they had convictions,

00:29:35they had values.

00:29:36Hey, I got one for you.

00:29:38If you had to blow some guy,

00:29:39who would it be?

00:29:40Excuse me?

00:29:41Say you had to blow some guy,

00:29:42who would you pick?

00:29:43I don't have to blow some guy.

00:29:45Yeah, I know you don't have to,

00:29:46but if you did,

00:29:47who would it be?

00:29:48I try not to entertain that thought,

00:29:50and I don't think it's healthy

00:29:50when you do it.

00:29:51Come on, entertain me for a second.

00:29:53They got a gun to your head.

00:29:57Well, if they got a gun to my head,

00:29:59odds are I'll be blowing one of them.

00:30:00You're missing my point.

00:30:02Your point?

00:30:02I didn't realize there was a point.

00:30:04Forget about it, all right?

00:30:05No, all right,

00:30:06who are they, friends of yours?

00:30:07No.

00:30:08This doesn't make any sense.

00:30:09I don't know, look,

00:30:10they're just guys, all right?

00:30:11They're like bored frat guys.

00:30:13They're out on a drinking bin,

00:30:14just looking for something to do,

00:30:15and somebody gave them a gun.

00:30:17I give up.

00:30:18Who do I want to blow?

00:30:19I don't know.

00:30:20See, neither do I.

00:30:22You see, that was an essential part

00:30:24of the relationship,

00:30:25the conflict between fantasy and reality.

00:30:28Yeah, well, blowjobs are great,

00:30:31but not between two guys.

00:30:33This isn't about sex.

00:30:34That's not the point.

00:30:35Wrong.

00:30:37That is the point.

00:30:39Sex.

00:30:41You gotta have sex.

00:30:43Real sex.

00:30:46Sexy sex.

00:30:48What sex?

00:30:49Between a guy and a gal.

00:30:52Real sex?

00:30:54Yeah, like,

00:30:56Baywatch.

00:30:59Baywatch.

00:31:00That's it.

00:31:02Make it all happen at the beach.

00:31:05The whole picture.

00:31:07You reshoot all the witnesses

00:31:08at the beach.

00:31:10You change the robbery

00:31:11to the beach.

00:31:13Then you make Miranda

00:31:14a sexy, sexy lifeguard.

00:31:17And you send it to me,

00:31:20sealed with a kiss,

00:31:21and I'll get back to you.

00:31:24All you wanted was sex,

00:31:26sex, sex.

00:31:28Really?

00:31:29Ooh.

00:31:29That's three sexes.

00:31:31I always knew he was ambitious.

00:31:33This is very discouraging.

00:31:34Why, come on,

00:31:35you ready to give up already?

00:31:36Huh?

00:31:37I thought you were a toughie.

00:31:38I thought you had crust like me.

00:31:40That's what I always liked about you.

00:31:41Well, it's just not exactly

00:31:42what I expected.

00:31:43What did you expect?

00:31:44Somebody,

00:31:45the first time you meet them,

00:31:46they're gonna give you money

00:31:47to make a focaccia little movie,

00:31:48huh?

00:31:50Come here.

00:31:51Come here.

00:31:52Come on.

00:31:54Look,

00:31:55this is a tough town.

00:31:56You gotta pay your dues.

00:31:58Sweetheart, sit down.

00:31:59Sit down.

00:32:05It just seems like

00:32:07everyone wants to make

00:32:08a different movie

00:32:08than the one that I want to make.

00:32:10Hey, so what?

00:32:12That's the town.

00:32:13Everybody is a critic.

00:32:15They go to screens

00:32:16and they say,

00:32:17why wasn't so-and-so

00:32:19in that part?

00:32:19Why can't the ending

00:32:20be different?

00:32:22Come here.

00:32:23I'm gonna set you up

00:32:24with Gus Schnuck,

00:32:25the king of schlock.

00:32:26He's not quite right

00:32:27for your picture,

00:32:28but he's not a critic.

00:32:29He wouldn't even pretend

00:32:30to know good from bad.

00:32:31Come on in.

00:32:32Come on in.

00:32:33What do you mean

00:32:34you never heard

00:32:34of a topless toga?

00:32:36What difference does it make?

00:32:37That woman's knockers

00:32:38are so big

00:32:39you couldn't cover them anyway.

00:32:41Hiya, Judge.

00:32:42Look, Harry,

00:32:42I'm sorry.

00:32:43We're gonna have to

00:32:44talk about this later.

00:32:45I gotta meet him now.

00:32:47Yeah, okay, bye.

00:32:48Have a seat, please.

00:32:50Sit down.

00:32:51Meet my assistant.

00:32:52Hey, babe.

00:32:53He started

00:32:53one of my worst pictures.

00:32:55Fuck you.

00:32:56You watch your mouth,

00:32:57you little shit.

00:32:58The picture was terrible,

00:33:00but it made a fortune.

00:33:01He thinks he should

00:33:01get all the money.

00:33:02I'm a star.

00:33:03I'm a star.

00:33:05Shut up.

00:33:06That's a beautiful bird.

00:33:09So, pick up

00:33:09where you left off.

00:33:10You're making this movie

00:33:12now about an armed robbery

00:33:13The American Dream,

00:33:14your cousin Jimmy.

00:33:15Around that time,

00:33:16almost everyone

00:33:17was talking about

00:33:17McClintock's peach.

00:33:19Peaches are good for you.

00:33:20They're healthy.

00:33:21Go to any health food store,

00:33:22they'll tell you.

00:33:23Peaches are number one.

00:33:24And these,

00:33:25kissed by God.

00:33:26I hate peaches.

00:33:28Not just McClintock's peaches,

00:33:29but all peaches.

00:33:31After all,

00:33:32if there weren't any peaches,

00:33:34Dwayne Allman

00:33:34would be alive today.

00:33:36The whole town

00:33:37had a fruit syndrome

00:33:38that infected everyone,

00:33:41particularly

00:33:41Jimmy and Virus.

00:33:43You could say

00:33:44that Virus caught a Virus.

00:33:50Excuse me,

00:33:51young lady.

00:33:52Is the owner in?

00:33:54Oh,

00:33:55good Lord,

00:33:56broke the mold

00:33:56with you two.

00:33:58Well,

00:34:00I'll just put in

00:34:01a French loaf

00:34:03and

00:34:06a couple

00:34:07muffins for you.

00:34:12Miranda was in earlier.

00:34:14Huh.

00:34:15Why don't you just

00:34:16quit your fussing

00:34:17and marry that girl?

00:34:19I did.

00:34:21Oh.

00:34:23And you,

00:34:24you ought to get yourself

00:34:26a steady

00:34:26because you're going

00:34:28to catch something

00:34:29that won't wash off.

00:34:32You don't want

00:34:32to grow old alone.

00:34:34No, ma'am.

00:34:36335.

00:34:46When I lost Walter,

00:34:48my life went into

00:34:48a tailspin.

00:34:51I really do miss

00:34:52that man.

00:34:53You know,

00:34:54we did such good

00:34:55business here

00:34:56before McClintock's opened.

00:34:58Can't compete

00:34:59with that

00:35:00God-kissed peach.

00:35:02Hi.

00:35:03McClintock's.

00:35:04Well,

00:35:05McClintock's is really

00:35:06the lifeblood

00:35:07of this town.

00:35:08You know,

00:35:09in large part,

00:35:10that's because

00:35:10of these peaches.

00:35:12These are some

00:35:13of the best peaches

00:35:13in the world.

00:35:14They're really kind

00:35:15of God-kissed,

00:35:17you know?

00:35:17Listen,

00:35:18they pumped the revenue

00:35:19right into this city.

00:35:20So,

00:35:20did you get that?

00:35:22You see,

00:35:23the thing is,

00:35:24every city,

00:35:25every major city

00:35:25has that one

00:35:26special attraction.

00:35:27You know,

00:35:28New York has

00:35:28the Statue of Liberty

00:35:29and San Antonio

00:35:30has the,

00:35:31you know,

00:35:32the Alamo.

00:35:32we have peaches.

00:35:34Now,

00:35:35this peach,

00:35:37did you get that?

00:35:38Are we in front?

00:35:39This peach

00:35:40was eaten by

00:35:41President Ronald Reagan.

00:35:45He came to this city

00:35:46just for the peaches.

00:35:49Actually,

00:35:50well,

00:35:50I mean,

00:35:51I think,

00:35:51actually,

00:35:52he was lost.

00:35:52But the point is that

00:35:54he took one bite

00:35:55of that peach

00:35:57and,

00:35:58well,

00:35:58he had to leave.

00:35:59But I was fortunate

00:36:00because I grabbed

00:36:00that peach

00:36:02before he left

00:36:03and

00:36:05it's a little rotted

00:36:05now,

00:36:06you can probably see.

00:36:07But those are

00:36:08his actual teeth marks.

00:36:11I'm pretty sure

00:36:12that they were

00:36:12his real teeth.

00:36:14Uh,

00:36:14excuse me,

00:36:14Sarah,

00:36:15who do you see

00:36:16as a peach expert?

00:36:17Ben Stiller.

00:36:17What?

00:36:18What are you,

00:36:19a casting director?

00:36:20That's exactly

00:36:21who I saw.

00:36:22Really?

00:36:23Go on.

00:36:24Ben Stiller.

00:36:25Ben Stiller.

00:36:27Not you,

00:36:27you dummy.

00:36:28Her.

00:36:29Please.

00:36:30Fuck you.

00:36:31I'm a star.

00:36:32Ben Stiller.

00:36:33I'm warning you,

00:36:34you're right on the edge.

00:36:35You're gonna get it.

00:36:36I'm sorry.

00:36:37Please,

00:36:37go ahead.

00:36:39As I was saying,

00:36:40by now,

00:36:41Jimmy and Virus

00:36:42had zeroed in

00:36:42on McClintocks,

00:36:43but they were still

00:36:44afraid of getting caught.

00:36:45I feel really good

00:36:46about the plan.

00:36:48I really,

00:36:49you know,

00:36:49feel good about

00:36:50the whole thing,

00:36:50but I also feel like

00:36:51we're gonna get caught.

00:36:52No,

00:36:53do not do that.

00:36:54Do not do that.

00:36:55Look,

00:36:55I feel like...

00:36:56I'm serious.

00:36:57Don't think that way.

00:36:58Look,

00:36:58I'm just saying...

00:37:01No!

00:37:01I know.

00:37:02You really don't get it,

00:37:03do you?

00:37:03Listen up,

00:37:04Skeeter,

00:37:04I'm gonna tell you once.

00:37:06If you think it,

00:37:07it will happen.

00:37:08Well,

00:37:08that is Jimmy,

00:37:08could he go psycho

00:37:09like De Niro did

00:37:10at the end of Taxi Driver?

00:37:12You know,

00:37:12I mean,

00:37:13that's something

00:37:13I could sell.

00:37:14Uh,

00:37:14no.

00:37:15But he could.

00:37:16But he didn't.

00:37:16But you're writing it,

00:37:17so he could.

00:37:18But it's a true story,

00:37:19so he didn't.

00:37:19Didn't.

00:37:20Watch it.

00:37:21Watch it.

00:37:22Fuck you.

00:37:23Fuck me.

00:37:23Fuck you.

00:37:25Teach him one bad word

00:37:26and he goes nuts.

00:37:27Now,

00:37:27what about music?

00:37:28This virus,

00:37:29he could be a musician,

00:37:30you know?

00:37:30Kids love music.

00:37:31I mean,

00:37:32soundtracks can put a movie

00:37:33in the black

00:37:33even if it's a turkey,

00:37:35you know?

00:37:35Turkey!

00:37:36I got the music in me.

00:37:39I can feel it.

00:37:40I just gotta find it.

00:37:42We all do.

00:37:44No,

00:37:44we all don't.

00:37:46What you're feeling,

00:37:47you see,

00:37:47there's a euphoria

00:37:48that comes along

00:37:49with believing

00:37:49your own bullshit.

00:37:50That's what you're feeling,

00:37:51not the music in you.

00:37:53Well,

00:37:54we mock

00:37:55what we don't understand.

00:37:58You see,

00:37:59because

00:38:00the music,

00:38:01she's my lady.

00:38:02She's my muse.

00:38:06But she's got

00:38:06a whole lot of mean

00:38:08up under that skirt of hers.

00:38:10She taunts me,

00:38:12sits at the end of the bar

00:38:13and just before we lock out,

00:38:15she's gone.

00:38:16She's like a cold

00:38:17cup of coffee.

00:38:20Sweet,

00:38:20sweet music.

00:38:22Jimmy and Virus

00:38:23had meticulously planned

00:38:24the robbery

00:38:25with detail and precision,

00:38:26asking all the tough questions.

00:38:28What does a professional

00:38:29robbery need for a robbery?

00:38:31You need a car

00:38:31and you need guns,

00:38:32that's about it.

00:38:32Mayonnaise?

00:38:33Mustangs.

00:38:33I can get a car,

00:38:34but what about guns?

00:38:35Pepsi?

00:38:35Please.

00:38:36I get guns.

00:38:37You can get guns.

00:38:39I get guns.

00:38:40You can get a car?

00:38:41I'll get guns.

00:38:42You can get a car.

00:38:44I can get guns.

00:38:46Then we got a car

00:38:46and we got guns.

00:38:47Sandwich?

00:38:50Car,

00:38:51guns,

00:38:53masks.

00:38:54Masks.

00:38:56And she's like,

00:38:57oh, I had trouble parking.

00:38:58It's like,

00:38:58there's hella parking outside.

00:39:01This is your idea

00:39:02for getting a car?

00:39:04What's your problem?

00:39:04I can rent a car

00:39:05and get guns,

00:39:06all right?

00:39:07Can you get guns?

00:39:10Don't talk about guns.

00:39:13Sorry.

00:39:14I have to be sorry.

00:39:17Don't talk about guns.

00:39:18You know,

00:39:19it's like hard.

00:39:20I mean,

00:39:20I would have done

00:39:20these women too sometimes.

00:39:22She's a liar.

00:39:23Because some people lie.

00:39:24And she said,

00:39:25first,

00:39:25you remember when she was gone,

00:39:27she said she had jewelry?

00:39:28She was,

00:39:29bitch was in Hawaii.

00:39:30I know she was

00:39:31because she came back

00:39:32with a tan

00:39:33and she was not

00:39:34taking cigarette breaks.

00:39:35She was smoking weed.

00:39:37Because I know

00:39:37what weed smells like.

00:39:38Weed,

00:39:38no,

00:39:39that's not the point.

00:39:40Weed smells like,

00:39:42no,

00:39:43weed,

00:39:43it's kind of like,

00:39:44kind of like sour apple

00:39:45and it's also kind of like

00:39:47butter.

00:39:48It's kind of like butter

00:39:49and pine.

00:39:50You know,

00:39:51like pine,

00:39:51no,

00:39:52not pine,

00:39:52pine.

00:39:53The point is,

00:39:54you don't smoke weed at work.

00:39:56You can smoke weed

00:39:56anywhere.

00:39:57You don't smoke,

00:39:58you smoke it on your top.

00:39:59You don't smoke weed

00:39:59on my time.

00:40:00You don't smoke weed.

00:40:02Oh,

00:40:02I'm sorry.

00:40:03I'm sorry.

00:40:04I'm sorry.

00:40:04I'll call you back.

00:40:07I'm sorry.

00:40:08Can I help you?

00:40:08Uh,

00:40:09yes,

00:40:09good afternoon.

00:40:10Uh,

00:40:11we were quite taken

00:40:12with a Cap'n Amonti

00:40:13we saw outside.

00:40:14Is that considered

00:40:15a midsize?

00:40:25It's an AP.

00:40:26I know how it fell.

00:40:28Of course you do.

00:40:33Which car?

00:40:34Driver's license.

00:40:36Yes,

00:40:36not on me.

00:40:38You're going to rent a car.

00:40:40It's so funny to me.

00:40:42How's that funny?

00:40:44We can't rent.

00:40:45We don't have money to rent.

00:40:46You don't need money to rent.

00:40:48You pay when you return.

00:40:50What if we don't get money?

00:40:51Then we don't return.

00:40:52It's what they got insurance for.

00:40:54Insurance is bullshit.

00:40:55Good hands, hand job. Reach around, bullshit.

00:41:00I still don't see how renting is funny.

00:41:02Well, it's not funny. It's cheating.

00:41:04Funny and cheating are synonyms.

00:41:07Whatever.

00:41:08Whatever. Good response. I guess you win.

00:41:11I'll just get Miranda's car.

00:41:13She's pissed at you.

00:41:14We need a car.

00:41:16Why don't they steal a car? I mean, all they do is talk.

00:41:19Not enough action. Too much talk.

00:41:21Talk, talk, talk.

00:41:22I warned you, you shut up now.

00:41:24Now, look, where's the action?

00:41:26The car chases, the broads, the...

00:41:28The IRS!

00:41:29I told you never, never to mention that.

00:41:33The IRS! The IRS!

00:41:35All right, that's it. Now I'm gonna get you.

00:41:41Miss me! Miss me!

00:41:42Parrot's got his number.

00:41:45The Parrot picture made him big money.

00:41:48So he's afraid the Parrot's gonna ride him out to the IRS.

00:41:51But he can't kill him because he needs him for the sequel.

00:41:53Is everybody in this town nuts?

00:41:56Ninety percent.

00:41:57Hmm.

00:41:59I got a new strategy for us.

00:42:02This lady gave me my last job, right?

00:42:04She's now a big executive in networks.

00:42:07I don't know.

00:42:09Maybe this could work as a movie of the week docudrama.

00:42:13Hmm?

00:42:14Darling, I can't make it a moment before nine.

00:42:16Okay.

00:42:19Go on.

00:42:20Well, when Jimmy and Virus are only days away from the robbery,

00:42:22it was clear there was only one thing they could do to stop them.

00:42:26Themselves.

00:42:26Stop right there.

00:42:29Do you have any stars attached?

00:42:32No.

00:42:34Then you're going to need a strong female lead.

00:42:37This woman, is she more than just a run-of-the-mill wife, girlfriend, mistress, hooker with a heart of

00:42:42gold?

00:42:42You want a chick flick?

00:42:43I'll give you a chick flick.

00:42:45Oh, she's strong, all right.

00:42:47And there's a lot more where that came from.

00:42:49I told you, Jimmy.

00:42:50Get the fuck out of here!

00:42:52I'm serious!

00:42:53Get out!

00:42:55So she's strong.

00:42:57What about love?

00:42:59Is she in love?

00:43:00Oh, there's love.

00:43:02I got robbed the other day.

00:43:04Good!

00:43:04You deserve it!

00:43:05Now just get out!

00:43:06No, you're right.

00:43:07I promise.

00:43:07I'm going to change puddin'.

00:43:08I promise.

00:43:09Wait, what did you just call me?

00:43:10Puddin'.

00:43:11Puddin'?

00:43:12No, no, no.

00:43:13You don't have the right to call me Puddin'.

00:43:14No more Puddin'.

00:43:16Okay?

00:43:16It used to be cute.

00:43:17It's not cute anymore, Jimmy.

00:43:19What's not cute about Puddin'?

00:43:21Puddin'?

00:43:21That's cute.

00:43:22Puddin'?

00:43:23Shut up!

00:43:25All right, look.

00:43:26Jimmy, I can't take this anymore, okay?

00:43:28It's been like a year, right?

00:43:30You watch videos all night.

00:43:32You sleep all day.

00:43:32Then you hang out with virus.

00:43:33I need more, you know that?

00:43:35So just leave me be, okay?

00:43:37Okay.

00:43:37Do us both a favor.

00:43:38Just get out of my life.

00:43:42I need to borrow the car.

00:43:46What?

00:43:47I need to borrow the car.

00:43:49Well, no.

00:43:50You can't borrow my car.

00:43:53Your car?

00:43:53Yeah, my car.

00:43:55The car.

00:43:57You're so fucking gangly.

00:43:59Oh.

00:44:00You are so beautiful.

00:44:02Oh, Jesus Christ.

00:44:04What are you doing?

00:44:05Get away.

00:44:06I've missed you so much.

00:44:07I don't give a fuck.

00:44:08There's, I have somebody over here.

00:44:10You can't come in.

00:44:10Don't, don't touch me.

00:44:12Makes me want to puke when you touch me.

00:44:15Get the fuck off me!

00:44:25They're star-crossed lovers.

00:44:27And they're sex.

00:44:47So, can I get those guns now?

00:44:55I hope Jennifer told you I don't deal in any of that Saturday night special nonsense.

00:44:59I've got clean, out of state, barely been used product.

00:45:06High resale value.

00:45:11Now, they might seem a little big, but they're not.

00:45:16You show me some patients, I get you a Smith & Wesson 38.

00:45:20Basically, snub-nosed service revolvers get the job done.

00:45:2338s are not as big as these.

00:45:28Yeah.

00:45:30Hello, ladies.

00:45:39You laughing at me, huh?

00:45:41Huh?

00:45:41You laughing at me?

00:45:41What am I, a clown?

00:45:42Do I amuse you?

00:45:43I'm funny now, huh?

00:45:44You must be laughing at me.

00:45:45I don't see anybody else around here.

00:45:46You're mixing your movies, dipshit.

00:45:49What?

00:45:49You're mixing your movies.

00:45:52Well, I'm not.

00:45:53How the fuck do I amuse you, huh?

00:45:55That's Joe Pesci.

00:45:57Joe Pesci wouldn't impact the driver.

00:45:59That's what I'm saying.

00:46:00You're mixing your movies.

00:46:01No, I'm not.

00:46:03Whatever.

00:46:04Whatever.

00:46:05Good response.

00:46:06I guess you went.

00:46:07You know, uh, Jennifer said you'd have 32 revolvers or something.

00:46:13What?

00:46:14Jennifer told me earlier that you have 32 revolvers.

00:46:17Jennifer told me earlier you'd have 32 revolvers.

00:46:19Jennifer told me earlier you'd have 32 revolvers.

00:46:21But guess what, ass-faced?

00:46:22I'm doing you a favor.

00:46:24I could get rid of these guns for at least $300 a piece tonight.

00:46:30You know what?

00:46:31I'll take those.

00:46:32Yeah, yeah, you will.

00:46:33600 bucks, first of the month.

00:46:34Don't mind me coming looking for you.

00:46:35Kiss.

00:46:37Great.

00:46:38I'm keeping the jacket.

00:46:39You're going to keep the jacket, great.

00:46:42Go on, get out of here.

00:46:43I got work to do.

00:46:47So, we have sex.

00:46:49Love.

00:46:50Well, a felony.

00:46:52And guns.

00:46:55I love guns.

00:46:58But I'm not sure I buy the bit about getting the guns from the girlfriend.

00:47:03Oh, well, I interviewed a gun expert.

00:47:07Oh.

00:47:09I'm all ears.

00:47:11Tell me more.

00:47:11You should buy from a licensed dealer like me.

00:47:16But you can get guns anyway.

00:47:18You want to feel one?

00:47:21Well, you don't have cold steel relaxing against the fleshy part of your finger.

00:47:28And you just ain't lying.

00:47:30It's hard.

00:47:31It's shiny.

00:47:32And it has beautiful girls.

00:47:34And it won't yell at you when you're bad.

00:47:37And it won't spank you for talking back.

00:47:39No.

00:47:40And it's your friend.

00:47:43Your best friend.

00:47:45You want to hold one?

00:47:49You know, guns are what made this country great.

00:47:53Don't you agree?

00:47:56Oh.

00:47:57Fever.

00:47:58Well, I'd rather not.

00:47:59I don't believe in guns.

00:48:02Well, you know, you don't know what it's like until you touch the love shaft of Mr. Smith and Mr.

00:48:09West.

00:48:10Actually, being a girl, it's all right for me not to be into guns.

00:48:14What do you mean, being a girl?

00:48:16That's all the more reason you need one.

00:48:18All these crazies in the streets.

00:48:20You want to be raped?

00:48:21No.

00:48:22You carry a gun.

00:48:24And you hold it in your arms.

00:48:26And you suck on the barrel like it's your mama's titties.

00:48:30Actually, I really don't want to do this.

00:48:32Watch out!

00:48:34Oh.

00:48:38That must have been heaven.

00:48:41What?

00:48:43Feeling the gun and actually having it go off in your hand.

00:48:50Well, actually, it scared me to death.

00:48:55You mean you don't like guns?

00:49:04Does that mean you don't want me to continue?

00:49:10Eight.

00:49:11Did I mention I saw Ben Stiller as the peach expert?

00:49:14Love you too, darling.

00:49:16Bye.

00:49:22Maybe we should go the indie route.

00:49:24You can't get a studio picture made these days without big stars.

00:49:27Yet, that has nothing to do with whether the film makes money or loses money.

00:49:30It's all about keeping your job.

00:49:31What do you mean?

00:49:32Well, let's say you've got a terrific screen, right?

00:49:35But you put two morons, Jimmy and Virus, in it, right?

00:49:38No studio's going to go for that.

00:49:39Why?

00:49:40Because the film loses money.

00:49:42Then, the executive who gave it to Green Light is going to lose his job.

00:49:45On the other hand, you get Tom Hanks or whoever else is the flavor to money.

00:49:49Then, the film tanks.

00:49:50It's Tom Hanks' fault.

00:49:51Or, even better yet, the director.

00:49:53I've got Ben Stiller.

00:49:55Oh.

00:49:57Very nice.

00:49:57That's good.

00:49:58That's a start.

00:49:59So, what do I do?

00:50:00Hold on, please.

00:50:03Yeah.

00:50:05Oh, Phil, yeah, look, I got my, I, no, no, no, I know we got busy.

00:50:10Uh, Phil, hold on for a second, okay?

00:50:13Listen, this is a wrong shot.

00:50:15Yeah, I'll call you right back.

00:50:16Just stay where you are, don't move, okay?

00:50:18Bye.

00:50:22I don't know why I didn't think about this before.

00:50:25That's my bookie.

00:50:26He's got a network.

00:50:27He puts money in a lot of independent movies.

00:50:29Your bookie?

00:50:30Uh-huh.

00:50:30Well, he books for all the writers.

00:50:32A good friend of mine couldn't pay him, right?

00:50:35So, he gave him his script.

00:50:36The picture became a huge hit.

00:50:37The guy is now hooked on movies.

00:50:41Hi.

00:50:42I'm Sarah Wilder.

00:50:43I'm here to see Phil Phillips.

00:50:46Hey, Phil!

00:50:47I'm Miss Sarah Wilder here to see you.

00:50:50Time to run!

00:50:51Go ahead.

00:51:00Sarah Wilder.

00:51:01Any friend of Lou's is a friend of mine.

00:51:03Actually, I'm his niece.

00:51:03I know that.

00:51:04So, Lou told me a little bit about this picture.

00:51:07Are there any cars in it?

00:51:08Yes.

00:51:11Yeah, you did.

00:51:16You know, Blue Smoke played with the Greengrass Boys.

00:51:18Really?

00:51:19I mean, he could have.

00:51:21I mean, he could have.

00:51:23Somebody's got the music in him.

00:51:27Not anymore.

00:51:28Let's see him.

00:51:30Just drive.

00:51:32I'm doing stuff over here you couldn't even comprehend.

00:51:35Beretta 9mm?

00:51:37This makes it official.

00:51:38Oh, yeah.

00:51:39We're crooks.

00:51:40That's cool.

00:51:4445, lucky.

00:51:45That's an expensive gun.

00:51:47Only two things nicer than an expensive gun.

00:51:49That'd be your Swiss watch and your pretty girl.

00:51:51What's that pretty girl's name?

00:51:52Is it pretty?

00:51:53Is it pretty?

00:51:54Yeah, Jolly.

00:51:55Yeah, Jolly.

00:51:56Down the ditch, Jolly.

00:51:57Jolly, down the ditch.

00:51:57Now, Jolly.

00:52:01That never happens again.

00:52:04Never.

00:52:08We live and die by the risk of the heist.

00:52:10What?

00:52:11We live and die by the risk of the heist.

00:52:12What does that mean?

00:52:14Right now, nothing.

00:52:18How'd they get this car?

00:52:20It was Miranda's car.

00:52:21Jimmy's wife.

00:52:23They didn't steal it or jack it?

00:52:25No.

00:52:26Let me get this straight.

00:52:28They're planning a robbery, and they're gonna use a car that belongs to his wife?

00:52:32What, are they idiots?

00:52:33They aren't the two brightest skies in the world.

00:52:37Hero.

00:52:37Okay.

00:52:38Good one.

00:52:39Uh, we'll get in there, and there's a dumb guy who wants to be a hero.

00:52:42Okay, how done we talking?

00:52:43All right, everything's going as planned, right?

00:52:45All right.

00:52:45Smooth as silk, just like clockwork.

00:52:47All of a sudden, some guy hops up off the floor and figures, hey, this is a good time

00:52:50to get in the newspapers.

00:52:51I'll foil this robbery.

00:52:53Yeah, I'm a hero.

00:52:54I'm a hero.

00:52:54React.

00:52:55Oh, yeah.

00:52:56Oh, yeah.

00:52:57Yeah.

00:52:57All right, you better just dial it down, all right?

00:52:59Just dial it down, numb nuts, before Mr. Thundermaker starts shitting some bullets.

00:53:11Don't worry.

00:53:12Pick another one.

00:53:13Okay.

00:53:14This is going great.

00:53:15You're doing well.

00:53:17Pregnant woman's water poops.

00:53:19Pops.

00:53:19Pregnant pop.

00:53:20Great.

00:53:20Pregnant woman's water poops.

00:53:24Oh, my God.

00:53:26I'm having my baby.

00:53:28I'm having my baby.

00:53:30Blanket of napalm.

00:53:41Morons.

00:53:42This picture's about two morons.

00:53:44Jimmy and Virus had practiced and rehearsed the robbery for days.

00:53:48It was the hardest work they'd done since, well, ever.

00:53:51And there was no turning back.

00:53:53This was it.

00:53:54Their moment of truth.

00:53:55We just parked the car.

00:53:56We walked the block, the location.

00:53:57We walked slow.

00:53:58We're just two guys walking.

00:53:59What if we see cops?

00:54:00It doesn't matter.

00:54:00We're just two guys walking.

00:54:01We're just two guys that happen to be walking.

00:54:03We determine the area's secure.

00:54:04Then we move forward.

00:54:05We're at the entrance.

00:54:06We pull out the guns.

00:54:06We run in.

00:54:07We grab the money.

00:54:07We run out.

00:54:08How long are we going to be there?

00:54:09Two minutes.

00:54:09Two minutes tops.

00:54:10Not two and a half, not three.

00:54:11Two minutes.

00:54:13Let's try one.

00:54:30You ready?

00:54:31Candy from a baby.

00:54:32On your mark.

00:54:40What's the name of this store, please?

00:54:45McClintock's Grocery.

00:54:48We're here.

00:54:49They've just done some remodeling.

00:54:50It's nice.

00:54:52It's not necessary.

00:54:53All right, listen up, people.

00:54:55This is a robbery.

00:54:57We don't want any trouble.

00:54:59So if you want to be stupid, let's do it now and get it over with.

00:55:05Look, nobody plays tough guy but me, all right?

00:55:08We have a gun and we got a car, okay?

00:55:12So we live and die by the risk of the heist.

00:55:13Hey, fellas, there's no need for all the shouting.

00:55:17If you're here for the peaches, I'm sure we can work something out.

00:55:22I think I'm speaking for the group when I say nobody here wants to take a bullet.

00:55:27I know I don't.

00:55:28Hey, you need to do some shopping?

00:55:31Great time.

00:55:34Look, he's cool.

00:55:35Let's go, huh?

00:55:35Just like we planned.

00:55:36Look, wipe that curly Joe smile off your stupid melon and just open the register.

00:55:40Now, you don't have to take that, Lawrence.

00:55:42Shut up.

00:55:43You apron-wearing fake-toothed pie-baker.

00:55:46Hey, hey, hey, hey, whoa, whoa, whoa, whoa, come on.

00:55:48You don't have to be mean.

00:55:49They'll do what we say.

00:55:49We got guns.

00:55:51Back off, you beanpole, Ichabod Crane motherfucker.

00:55:55I don't remember rehearsing this part.

00:55:57This whole thing was your idea, so if I don't meet your expectations of what a professional

00:56:00grocery store robber should be, I'd like to take this time to apologize in front of all

00:56:04the fine folks here at McClintock's.

00:56:06Hey, everybody!

00:56:07Peaches on me!

00:56:12Hey, uh, well, we're a little behind, but we're still professionals.

00:56:18We deserve better than this.

00:56:20No, you don't.

00:56:21But you know what does?

00:56:23This cow!

00:56:25This cow deserves better than this!

00:56:27You and your big McClintock's market!

00:56:30I got raw meat!

00:56:31I am crazy, so let's make with that cash and coin, Colonel Tom!

00:56:34I do it!

00:56:35He ain't right!

00:56:35Come on, all of it!

00:56:37Safe to it!

00:56:37You want to pitch in and help out with that?

00:56:39All right, now see, this is why I wanted you to go to the bank.

00:56:42There's no time for that, dear, now.

00:56:44These fellas seem to be in a hurry.

00:56:45Go ahead and watch the dog.

00:56:46Let's all pitch in.

00:56:47Come on!

00:56:48Jeez, come on!

00:56:49There's a few more dollars we're going to save to give to the church, but you might as

00:56:53well take the whole thing.

00:56:55Thank you, ma'am.

00:56:59Take us home!

00:57:00Clean!

00:57:01That's it!

00:57:02Let's go!

00:57:04Knock!

00:57:07Thanks a lot.

00:57:07Appreciate it.

00:57:09Morons.

00:57:10These are the two dumbest guys I ever heard of.

00:57:12It appeared that Jimmy and Virus had actually pulled off a successful robbery without getting

00:57:17caught.

00:57:17Anything to do with McClintock's was a big story in town.

00:57:21So, tell us, were you at the robbery or not?

00:57:25Yeah.

00:57:27Yeah, I was there, okay?

00:57:29Is that what you want to hear?

00:57:30I was there in the store when the three guys burst in wearing ski masks, pointing guns and

00:57:35shouting, okay?

00:57:35We were there and, uh, I didn't see a lot.

00:57:39Do you see a lot?

00:57:40No, I didn't really see a lot.

00:57:42No.

00:57:43Well, I thought they were after the missus at first.

00:57:45I didn't know what was going on.

00:57:46My first thought, of course, was the peaches.

00:57:49And then I thought the missus, because you never know what two men like this, desperate,

00:57:53are going to do with a beautiful young woman like this.

00:57:55You didn't get a good, uh, see him, you know, a good, uh, eyeball, if you will, you

00:58:00know, on account of, uh...

00:58:02Circumstances.

00:58:03Circumstances.

00:58:04Yeah.

00:58:05Who am I getting in the eye, you know?

00:58:07Let's talk turkey.

00:58:08I'm a freak.

00:58:09Well, I remember them.

00:58:10I remember that day.

00:58:11It was really a bad day for me, because I was here by myself, because somebody else wasn't

00:58:18here with me.

00:58:19So it was all different.

00:58:21So I remember that day was really distinctly...

00:58:23I'd stick the peaches up my ass if it would do something, sir.

00:58:28I'd have a whole crate up my rectal vault if I meant that I didn't have this frickin'

00:58:33eye!

00:58:35Okay, I stole five peaches.

00:58:37Okay, I stole five peaches.

00:58:37Is that it?

00:58:38Is that what you want to hear?

00:58:39I stole five peaches, all right?

00:58:41What did you want me to do?

00:58:42They were rolling around the floor like a bunch of alleys.

00:58:44What was I supposed to do?

00:58:45Everybody was taking them.

00:58:47The Samoan took three.

00:58:51Yeah, there was a Samoan.

00:58:53Yeah, I'm pretty sure.

00:58:55Or a really big Filipino.

00:58:59Excuse me.

00:59:01Mm-hmm.

00:59:02Jack!

00:59:03Yeah?

00:59:04Mm-hmm.

00:59:05Mm-hmm.

00:59:06Mm-hmm.

00:59:07Big Sky Jim in the fourth.

00:59:09Mm-hmm.

00:59:10Something fishy.

00:59:12Okay.

00:59:13No more action in the fourth!

00:59:17Excuse me.

00:59:18Anyway, the initial 48 hours after the robbery were crucial.

00:59:21How Jimmy and Virus would act would either mean a successful getaway or prison.

00:59:27Do what?

00:59:28Yeah.

00:59:30Beanpole, Ichabod, Crane, motherfucker.

00:59:35Yeah, I wanted to, uh, talk to you about that, because we should definitely discuss that.

00:59:40Yeah.

00:59:41Because I got really swept up in the moment.

00:59:46And I'm not proud of it.

00:59:47But the guy in that store, standing on that counter and just shouting, berating you,

00:59:55and the guy sitting on this counter, um, talking to you, um, are two different guys.

01:00:04Where's the feller done all the hollering?

01:00:06Love to have a little chinwag with him.

01:00:11Well, he asked me to tell you that he's sorry.

01:00:14And that he won't be coming around here anymore.

01:00:15I know that much.

01:00:18That you can...

01:00:20He, and he also asked me to give you this.

01:00:28A little bit of that.

01:00:30That's what he was...

01:00:37He'll be sure and tell him thank you.

01:00:40He definitely will.

01:00:43And I would also like to take you out to dinner or something like that.

01:00:47You know?

01:00:48I can't even believe we're having this conversation.

01:00:50Look me in the eye and tell me.

01:00:54I've never, ever slept with Miranda.

01:00:58I don't believe you.

01:01:00I give up.

01:01:02You give up because you know I'm right.

01:01:04Do you honestly think

01:01:06that if I'd ever had sex with her, even before we met,

01:01:08I wouldn't have brought it up?

01:01:14That sucks.

01:01:15Let's talk about something else.

01:01:17No.

01:01:17Don't.

01:01:18Not mine.

01:01:19Just stop it.

01:01:20Just put it out of your mind.

01:01:22And think about Kennedy

01:01:23taking a bullet to the back of the head.

01:01:25It's science.

01:01:26Valid science.

01:01:27It's been proven.

01:01:28You're a dick.

01:01:28I'm a dick.

01:01:29You're a dick.

01:01:30Then you're my balls.

01:01:31Sunshine.

01:01:33We can ask Trady.

01:01:37Sean Connery.

01:01:38Why Sean Connery?

01:01:40It's the only answer.

01:01:41How do you figure?

01:01:43Okay.

01:01:47You're out at some abandoned warehouse, right?

01:01:49These guys got a gun to your head

01:01:51because you've got to blow one of them.

01:01:53Bring me Sean Connery.

01:01:55Then, before you begin the actual blow,

01:01:58you look up at Sean like,

01:01:59okay, Sean, I'm going to give you the signal.

01:02:02We drop these guys and get the hell out of here.

01:02:05It's foolproof.

01:02:07Yeah.

01:02:08Uh, what if Sean's not with you?

01:02:14At least you're blowing one of the grapes, huh?

01:02:16This is a fucked up conversation.

01:02:18Hey, Phil!

01:02:19Somebody here to see you!

01:02:21Who?

01:02:22Frankie C!

01:02:23Frankie C!

01:02:24Jesus Christ, send him back!

01:02:26Frankie, you son of a bitch!

01:02:28Hi, how you doing?

01:02:29How's it great?

01:02:32Say hello to Sarah.

01:02:34I was just leaving.

01:02:34No, no.

01:02:35You stay.

01:02:38She's telling me about this movie.

01:02:39She's got this movie idea.

01:02:40You know, she's Lou's niece.

01:02:42You remember Lou?

01:02:42Nice guy.

01:02:43Yeah, yeah, yeah.

01:02:43Anyway, she's telling me this story

01:02:45about her idiot cousin.

01:02:46Go ahead.

01:02:47Tell him.

01:02:48They just knocked off a peach store.

01:02:51Actually, it's a grocery store

01:02:52that specialized in peaches.

01:02:54Whatever, whatever.

01:02:55Go ahead.

01:03:01You can't tell me you don't think

01:03:03about getting caught.

01:03:05What are you doing?

01:03:06I asked you not to do that.

01:03:08You can't tell me you don't think about it.

01:03:10Oh, that's great.

01:03:10Thanks a lot.

01:03:11You jinxed us.

01:03:12That's...

01:03:13Man, sorry.

01:03:14Get off.

01:03:15I mean, don't...

01:03:15Don't touch me.

01:03:24Where are you going?

01:03:25I'm leaving.

01:03:26You tainted the roof.

01:03:27Now I can never come up here again.

01:03:29And I paid my rent.

01:03:31We're not jinxed.

01:03:34Turn to the right.

01:03:40When I first heard Jimmy was involved,

01:03:44I didn't want to believe it.

01:03:46I don't even know

01:03:47what you guys are doing here

01:03:48because Jimmy and I

01:03:49are completely done.

01:03:50We were totally separated,

01:03:51so I don't really have

01:03:53anything to tell you.

01:03:59Okay, wait, wait, wait, wait, wait.

01:04:01So you're going to send

01:04:03those pictures to the cops?

01:04:05Jimmy's going to love this.

01:04:06What, are you kidding me?

01:04:07The cops are looking

01:04:08all over for me, right?

01:04:09So by sending them pictures,

01:04:10it shows I'm not scared.

01:04:12It's the risk of the hunt, baby.

01:04:13Do not baby me.

01:04:15Are you insane?

01:04:16They see the photos

01:04:18with me and you,

01:04:19and they're going to put

01:04:19two and two together.

01:04:20It's me, the actor.

01:04:22That's right.

01:04:22I don't even know you.

01:04:23That's right you don't know me.

01:04:25Why are you advertising

01:04:26our affiliation?

01:04:28Patty, Patty, sweet.

01:04:30Innocent Patty.

01:04:32Look, I want you to know

01:04:33that no matter what happens to me,

01:04:35I'm not going to forget about you.

01:04:37Where are you from?

01:04:39What are you not understanding?

01:04:40They see the photos

01:04:41with me on your lap,

01:04:43God, I know this is tough for you.

01:04:45God.

01:04:46You know, but I need you

01:04:47to stand tall

01:04:48and be strong and know

01:04:49that no matter what happens,

01:04:51all right,

01:04:51when a tear runs down your face,

01:04:52it's not a tear.

01:04:53Okay, it's me just saying

01:04:55I love you.

01:04:55Do you understand

01:04:56what I'm saying?

01:04:56Okay.

01:04:57Yeah, I think I get it now.

01:04:58Great.

01:04:59Okay, well,

01:05:01I gotta run.

01:05:02Pretty face.

01:05:18Hello?

01:05:19Yes, who am I speaking with, please?

01:05:21Well, hello, Officer Sturgis.

01:05:23This is Dick Tangler,

01:05:24and I need you to do me

01:05:25a favor if you could.

01:05:26Come and find me,

01:05:27you fat, donut-eating wife,

01:05:28beating, sad excuse for a cop.

01:05:3010-4, 10-4, 10-4.

01:05:34Take off the glasses.

01:05:43Uh, excuse me,

01:05:44uh,

01:05:45but this guy, uh,

01:05:46Cyrus.

01:05:48Virus.

01:05:48His name's Virus.

01:05:49Yeah, Virus Cyrus.

01:05:51Yeah, yeah.

01:05:51You say he went to the cops?

01:05:52Morons, I told you.

01:05:54Well, not exactly.

01:05:55Everyone had their own opinion on that.

01:05:57Feats of courage

01:05:59combined with nobility of purpose.

01:06:01That's what these boys are about.

01:06:03You, you,

01:06:04they don't sit there in judgment

01:06:06judging other people's idiosyncrasies.

01:06:09They're confident.

01:06:10You, what do you do?

01:06:11You ask questions.

01:06:13They don't ask questions.

01:06:14They give answers.

01:06:15They do something.

01:06:16You would do well

01:06:17to be more like them.

01:06:19That boy just wasn't right in the head.

01:06:21He used to come in here

01:06:23all the time

01:06:24and just be, you know,

01:06:25handling the breads.

01:06:28Of course, when he was little,

01:06:30he sure did fall down a lot

01:06:31when his daddy was home.

01:06:33Virus.

01:06:35I don't know him.

01:06:36So what do you think

01:06:37motivated him to rob McClintock's?

01:06:40I said, I know him.

01:06:41I'm not his mama.

01:06:43You know, Virus and I

01:06:44have this really special connection

01:06:45that, um,

01:06:47that Jimmy just,

01:06:48he can't understand it.

01:06:50You know what I mean?

01:06:50He's so lost.

01:06:54You know,

01:06:55this place wouldn't be so depressing

01:06:57if you guys just chose

01:06:58a different color scheme.

01:07:00Maybe get away from your pastels

01:07:01because a dark color

01:07:02in a dark place,

01:07:03that equals,

01:07:05equals dark.

01:07:07You guys need to get brighter.

01:07:12Your yellows.

01:07:13Burst of orange.

01:07:14Your blues.

01:07:15Make a man's day go quicker.

01:07:17You know, Truman,

01:07:18I'd be willing to sit down

01:07:19with your commanding officer

01:07:20and discuss it with him

01:07:21if you think it would help

01:07:21move things along a bit.

01:07:22Whatever.

01:07:23Whatever.

01:07:24Good response.

01:07:24I guess you win, right?

01:07:25Ahem!

01:07:43Got your letter.

01:07:46See you at Truman.

01:07:49Asshole, you got us caught!

01:07:50You got us caught!

01:07:51You jinxed us!

01:07:52As your attorney,

01:07:54I should tell you

01:07:55that this is my first case

01:07:56and I'm at a loss for words.

01:07:58I have no idea what to do

01:08:01and that worries me.

01:08:03Is everybody in this picture

01:08:04an idiot?

01:08:05I was just trying to tell the story

01:08:06like how it happened.

01:08:07Nobody could be that stupid.

01:08:09Well, you had to know him,

01:08:10especially Jimmy.

01:08:11That's his nature.

01:08:12You see,

01:08:13they're very good people.

01:08:14They just got in trouble

01:08:15for the wrong reasons.

01:08:16And that's the point

01:08:17I want to make in the film.

01:08:18If this goes to trial,

01:08:20we'll need to create some doubt.

01:08:22We need people to speak

01:08:24on your behalf

01:08:24and no one's willing to do that.

01:08:26Oh, there's going to be somebody.

01:08:28They're wonder-

01:08:29they're menses!

01:08:30You know what a mens is?

01:08:31That's what those boys are.

01:08:32You would do well

01:08:33to be more like them.

01:08:35You're boring.

01:08:36You, they're on the roof.

01:08:37What?

01:08:38What are you saying?

01:08:39You on the roof.

01:08:40We need you to come down now.

01:08:43What?

01:08:44Are you my three-

01:08:45I'm sorry,

01:08:45I think it's my three-

01:08:46are you the Goodmans?

01:08:48Yes,

01:08:48we're the Goodmans.

01:08:49I'm Sarah,

01:08:50this is my husband Lester.

01:08:52Now, please,

01:08:53come down off the roof.

01:08:55I'm sorry,

01:08:56that's my three o'clock.

01:08:57Okay,

01:08:58I'll be there in a jiffy,

01:08:59okay?

01:09:00See,

01:09:01either you got it

01:09:01or you don't got it.

01:09:04And this kid virus,

01:09:05he sure don't got it.

01:09:07You know,

01:09:08Jimmy pretty much

01:09:08did the whole thing

01:09:09to impress me.

01:09:10I mean,

01:09:11he's just sort of driven

01:09:13by his love for me.

01:09:14And he's so gangly,

01:09:15you know?

01:09:16It's like a little

01:09:17thin,

01:09:19I don't know,

01:09:19anyway.

01:09:20McClintocks are well-respected

01:09:22in the community

01:09:23and you two have pissed off

01:09:24that community.

01:09:26Those God-kissed peaches

01:09:28put this city on the map.

01:09:30They said,

01:09:30let's have everything

01:09:31in the safe.

01:09:32Well,

01:09:33I handed it to them

01:09:34and they were out the door

01:09:34and I wanted to say,

01:09:36I let you down.

01:09:37I didn't give you everything

01:09:38I had in the safe.

01:09:40And I was going to run after them

01:09:41and the missus said,

01:09:42no,

01:09:43they made their bed,

01:09:44let them lie in it.

01:09:45No,

01:09:45we added that

01:09:46to the insurance

01:09:47class.

01:09:49Gentlemen,

01:09:50I've gone over your case

01:09:52almost three times.

01:09:54And I'm sorry to say,

01:09:56but I don't see any loopholes.

01:09:57There's no way

01:09:57around this evidence.

01:09:59You're going to be in here

01:10:00for a while.

01:10:01Either you were born

01:10:02with the gift

01:10:02or you're not.

01:10:04I hate to break it to you,

01:10:05you were born

01:10:06without the gift.

01:10:08Oh,

01:10:10sinner man,

01:10:13can't you hear me say?

01:10:16Oh God.

01:10:18Oh.

01:10:19So you're jealous.

01:10:21Yeah.

01:10:21You're jealous because

01:10:22I unleashed the music in me.

01:10:25Kill me.

01:10:27Somebody,

01:10:28anybody,

01:10:29please kill me.

01:10:31All right,

01:10:32lights out.

01:10:34Me too.

01:10:36Oh,

01:10:37and whose

01:10:39bright idea

01:10:40was it to send

01:10:41those photographs

01:10:41to the police?

01:10:45They knew you were

01:10:47mocking them.

01:10:49Yes,

01:10:50I know virus.

01:10:52Yes,

01:10:52we slept together.

01:10:54I got it lit.

01:10:55Great.

01:10:55And yes,

01:10:56that may be me

01:10:57in the picture with him.

01:10:59But the money

01:10:59I was counting

01:11:00is my money.

01:11:01Money I busted my ass.

01:11:02Quit it!

01:11:03The money I busted

01:11:04my ass to get.

01:11:06I'm not gonna

01:11:06bullshit you.

01:11:07Quit it!

01:11:08I'm sorry.

01:11:09You're not sorry.

01:11:10You always fucking

01:11:11keep at me

01:11:12and at me.

01:11:12You're picking at me.

01:11:13I wanted to touch you.

01:11:15Just shut up,

01:11:16you fucking retard.

01:11:17I'm not retarded.

01:11:18Look,

01:11:19I'm not,

01:11:19you are retarded.

01:11:20No, I'm not.

01:11:20You are retarded.

01:11:22I've got some,

01:11:22some schooling.

01:11:25I've got some schooling.

01:11:26Don't lose hope, fellas.

01:11:28Because listen,

01:11:29from what I've heard,

01:11:30there's a judge

01:11:31in the Fifth Circuit Court

01:11:33who can maybe

01:11:33get you a lighter sentence.

01:11:34Maybe

01:11:35as little as eight years.

01:11:39Jimmy and virus

01:11:40tried to make the best

01:11:41of their incarceration.

01:11:42They started

01:11:43a congenial con policy

01:11:45and tried to meet

01:11:45at least one new felon a day.

01:11:47With this new approach,

01:11:48they met arsonists,

01:11:49armed robbers,

01:11:51and even some

01:11:51interesting murderers.

01:11:53Are you Harold Jack?

01:11:56Who wants to know?

01:11:57My name's Jimmy.

01:11:59Oh,

01:12:00you and your buddy

01:12:01Robin Clintux.

01:12:02Yeah.

01:12:04That took balls.

01:12:06Yeah.

01:12:08Say,

01:12:09Harold,

01:12:10uh,

01:12:11I wonder if I ask you

01:12:12a question.

01:12:13No.

01:12:14I didn't kill

01:12:15my grandma.

01:12:17You know,

01:12:17I talked a lot about it.

01:12:18I even write about it

01:12:20in my journal,

01:12:20but that's because

01:12:21that's what I am.

01:12:22A writer,

01:12:23not a killer.

01:12:25Now that I'm in here,

01:12:26I can write all I want.

01:12:29Half the time,

01:12:29I do a bit of reading, too.

01:12:32I read.

01:12:33I'm a reader.

01:12:38You look like

01:12:39Joe Perry

01:12:39from Aerosmith.

01:12:46What kind of stuff

01:12:46you read?

01:12:47You know,

01:12:48I like to read

01:12:48a lot of books

01:12:48about, you know,

01:12:51and free thinking.

01:12:52They taught me

01:12:52to realize

01:12:53it's what I am,

01:12:54you know?

01:12:55Yeah, I do know.

01:12:56Yeah?

01:12:57I mean,

01:12:57it's your life.

01:12:57You want to live it

01:12:58on your terms, right?

01:12:59Yeah, I think of myself

01:13:00as a sure thinker,

01:13:01you know,

01:13:02a leader,

01:13:03you know?

01:13:05My grandma,

01:13:05though, man,

01:13:06she was always

01:13:06telling me what to do,

01:13:07you know?

01:13:07I hated that.

01:13:08I don't like people

01:13:09telling me what to do.

01:13:10I'm the same way.

01:13:11Finally,

01:13:11I meet somebody

01:13:12who gets it.

01:13:13Yeah,

01:13:13because I'm a leader,

01:13:14not a follower.

01:13:15I don't follow.

01:13:16I lead.

01:13:18I'm the same way.

01:13:19Did I kill my grandma?

01:13:22No.

01:13:23No, I didn't kill her, man.

01:13:25Oh, man,

01:13:26but sometimes

01:13:26she just wouldn't let up,

01:13:27you know?

01:13:29She'd follow me

01:13:29around the house

01:13:30like a parrot

01:13:30on my shoulder,

01:13:31you know?

01:13:32Into my ear

01:13:33every five minutes,

01:13:34you know?

01:13:34Don't forget

01:13:35to dot your I's.

01:13:36Don't forget

01:13:36to cross your T's,

01:13:37you know?

01:13:38She'd jump on a vein

01:13:39and suck it dry,

01:13:41you know what I'm saying?

01:13:41Over and over.

01:13:44Tomato dumplings,

01:13:45huh?

01:13:47Why would it,

01:13:48why would any woman

01:13:49get up in the morning

01:13:50and decide

01:13:51that I like tomato dumplings?

01:13:53What's up with that?

01:13:54I never even knew

01:13:55what one was

01:13:55until it showed up

01:13:56on my plate, huh?

01:13:57What kind of sick game

01:13:58is she playing, huh?

01:14:00Oh, I didn't kill her.

01:14:01You know what?

01:14:02Whoever did kill her,

01:14:03man,

01:14:03they were right on, man.

01:14:05This journal?

01:14:07This journal's my escape.

01:14:08This journal's my way out,

01:14:10huh?

01:14:10The only way

01:14:11to keep my head clear

01:14:12is to write short stories

01:14:13about corking up

01:14:14her mouth hole,

01:14:15huh?

01:14:24What are you working on now?

01:14:26Oh, it's a short story

01:14:27about my brother's wife.

01:14:28It's called

01:14:29You and Your Goddamn Pies.

01:14:31Okay,

01:14:32I'm gonna step off

01:14:34for a minute.

01:14:34What?

01:14:35I gotta keep going.

01:14:36Uh, Harold,

01:14:36I want you to have

01:14:37a very nice day.

01:14:39It's supposed to rain.

01:14:39Yeah.

01:14:40Hey,

01:14:42you know,

01:14:43Hitler was a leader.

01:14:46Okay.

01:14:47Are we rolling?

01:14:49Okay, uh,

01:14:50hey,

01:14:50Jimmy!

01:14:51Jimmy!

01:14:53Pay attention,

01:14:54okay?

01:14:54I want to ask you a question.

01:14:56What?

01:14:57What were you thinking?

01:15:00What are you...

01:15:01Look,

01:15:02you know,

01:15:03we weren't waiting around

01:15:04for any handouts,

01:15:05if that's what you mean,

01:15:06you know?

01:15:06We saw what we wanted,

01:15:07and we went out and took it.

01:15:08That's what makes

01:15:09America,

01:15:10America.

01:15:11You see something you want,

01:15:12and you figure out

01:15:13how to get it.

01:15:14And I did what I did.

01:15:16I didn't like people

01:15:17telling me what to do.

01:15:19Hey, Jimmy!

01:15:20Break's over!

01:15:21You got a prison to paint.

01:15:22Let's go!

01:15:24Well, you know,

01:15:26looking back on it now,

01:15:27I suppose...

01:15:28I suppose I do

01:15:29some things differently.

01:15:32You know,

01:15:33I don't even know

01:15:33if I'd do it again.

01:15:36I don't even know

01:15:36if I'd do it again.

01:15:38I don't even know

01:15:39I don't even know

01:15:42if I'd do it again.

01:15:42I don't even know

01:15:43if I'd do it again.

01:15:54What do you want?

01:15:57Well, I wanted to see you,

01:15:59and I figured

01:15:59you'd want to see me, too.

01:16:01Why would I want to see you?

01:16:04Because, you know,

01:16:05he told me to get

01:16:06my shit together,

01:16:06and I have.

01:16:07You've been here

01:16:08five months.

01:16:09You're in jail.

01:16:09I don't call that

01:16:10getting your shit together.

01:16:14I'm a professional.

01:16:16And I wrote you a poem.

01:16:20Oh, no, don't.

01:16:20You're not going to read it,

01:16:21are you?

01:16:21Jimmy, Jimmy.

01:16:22You have sunk

01:16:23to new depths, Jimmy.

01:16:25Jimmy, if you read that,

01:16:26we are both going to be

01:16:27so embarrassed, okay?

01:16:30No, we won't.

01:16:31Yes, I will.

01:16:32So, if you want

01:16:33to give me something,

01:16:33just make me a license plate

01:16:35or something.

01:16:37My Miranda.

01:16:39My Jimmy Cookie.

01:16:43Poor sweet thing.

01:16:45I've put you through so much.

01:16:47I want nothing more

01:16:48than just to feel your touch.

01:16:50Okay, please don't do this, Jimmy.

01:16:52Jimmy, please.

01:16:52When I'm thinking of you

01:16:53and my heart is breaking,

01:16:56they tell me to shut up,

01:16:58get back to raking.

01:17:00Oh, God.

01:17:03So, for the state

01:17:04in my filth,

01:17:05I've wallowed,

01:17:06and for you, my love,

01:17:08my pride,

01:17:10I've swallowed.

01:17:12Okay, that's just darling.

01:17:14I think this can't be true.

01:17:16I shouldn't be here.

01:17:18I should be at home

01:17:20protecting you.

01:17:23But I'm not.

01:17:26Oh, my God.

01:17:27I've got to get out of here.

01:17:28Card.

01:17:29Thanks for listening

01:17:30and making the long drive.

01:17:31I really appreciate it.

01:17:33Careful on the drive home.

01:17:34People are nuts out there.

01:17:43Okay.

01:17:45I love you.

01:17:47This summer,

01:17:47virus comes over,

01:17:48and he's, like,

01:17:48helping me paint the kitchen, right?

01:17:50And Jimmy gets in his head

01:17:53that I want to sleep with virus,

01:17:55which would fucking kill virus, right?

01:17:57I mean, he's just so pathetic.

01:18:04Hey, virus?

01:18:07Virus?

01:18:08Can you help me out here?

01:18:09There's something I'm not clear on.

01:18:11Let's hear it.

01:18:13Was that me that was always thinking

01:18:14about us getting caught?

01:18:15Or was I the one who said,

01:18:17if you think it, it'll happen?

01:18:19See, because, uh,

01:18:20I remember hearing it,

01:18:21I just don't remember

01:18:23if that was me saying it to you

01:18:24or you saying it to me.

01:18:26Oh, right.

01:18:26Right.

01:18:27Now I remember.

01:18:28Right.

01:18:29I was the one who said,

01:18:30nothing exists,

01:18:31thinking makes it so.

01:18:32Well, you were the one

01:18:34who kept willing us to get caught.

01:18:36That's right.

01:18:38Now I got it.

01:18:39Right.

01:18:39And did we get caught?

01:18:41I forget.

01:18:44Sure.

01:18:45Sure we did.

01:18:46Right.

01:18:46We're raking

01:18:47because we have to,

01:18:49not because we enjoy it.

01:18:51Right.

01:18:52We're in prison right now.

01:18:54That's right.

01:18:55So,

01:18:55I was right

01:18:56and you

01:18:58got us caught.

01:18:59Right?

01:19:00That's right.

01:19:01Okay.

01:19:02Right.

01:19:04Hey, virus?

01:19:05Do me a favor, would you?

01:19:06Do not think about us

01:19:08dying a slow, painful death

01:19:09in prison, okay?

01:19:11And above all,

01:19:12don't think about

01:19:13what's in your

01:19:13heart of hearts.

01:19:15Your heart of hearts.

01:19:16Because that's where

01:19:17us getting caught lives.

01:19:19Admit it, rockstar.

01:19:20You got us caught.

01:19:24Yeah, I guess so.

01:19:27Oh, what's that, son?

01:19:29I can't hear you.

01:19:30What are you, deaf, son?

01:19:32No, I'm not deaf.

01:19:33I was just thinking.

01:19:35About fucking Miranda.

01:19:37You asshole.

01:19:39I'm kidding.

01:19:40I'm kidding.

01:19:41I'm kidding.

01:19:45That's right.

01:19:46That's right.

01:19:47The only thing that kept

01:19:48Jimmy going was blaming

01:19:49virus for jinxing them

01:19:50and to get out by any means

01:19:52possible, escape if necessary.

01:19:54Just a couple of cons.

01:19:56I'm sweeping.

01:19:57Don't want no trouble here, boss,

01:19:58because I'm just a sweeper.

01:20:00Look at all the trash.

01:20:02You ready?

01:20:04I'm ready.

01:20:08Get set.

01:20:11Go.

01:20:31You... you said it wasn't electrified?

01:20:38I was kidding.

01:20:50I'm not gonna bullshit you. I don't have the time, and if you fucking touch me, and you don't have

01:20:56the film, but if you need some, I can hook you up.

01:21:01Not good film, though. It's a really cheap film.

01:21:04Yeah, take it from a retard.

01:21:06Cheap.

01:21:06He knows about film quality.

01:21:07I do. I'm a savant.

01:21:11You gotta laugh at me.

01:21:13There you go. Make a wish.

01:21:18Nah, I still got the fucking eye.

01:21:20Yeah, I was there. I'm really glad those guys Rob McClintock's.

01:21:24As far as I'm concerned, those boys did a service to the community. Those boys are heroes.

01:21:29Jimmy and Virus Big Day finally arrived. Their first meeting in front of the parole board.

01:21:35Well, I hope you've learned a few things while you're in here in the last six months.

01:21:40Absolutely. Sure did.

01:21:42Alright, I'll take that as a yes.

01:21:45Yes.

01:21:45Okay.

01:21:47And since neither of you actually use any live ammo, I suppose we have no choice but to reluctantly return

01:21:57you to society.

01:22:00We, uh, never intended to harm anyone.

01:22:04We respect that and appreciate your honesty.

01:22:07Now once you go through that door to the outside, I don't want to see you back in here again.

01:22:13Not while I'm here. And I'm going to be here.

01:22:17Alright, that's all.

01:22:19Get up.

01:22:22Goodbye.

01:22:31What if they can't find Sean Connery?

01:22:33Then it's considered a forfeit.

01:22:35Come on, that doesn't make any sense. And I'd pick Churchill, you know?

01:22:40Everybody picks some guy they know they can't get.

01:22:42That's cheating.

01:22:44You're making up these rules as you go along, I think.

01:22:47That's your opinion.

01:22:48Come on, you're making up the rules.

01:22:50Opinion?

01:22:52Got you a little something-something.

01:22:53What?

01:22:55Thanks.

01:22:56Wow!

01:22:57A Mississippi Blue Smoke and Ludica.

01:23:00Yeah.

01:23:01But these are commemoratives.

01:23:02They only made a million of these.

01:23:04I was able to track one down.

01:23:06Wow.

01:23:07I'm going to head in.

01:23:08Uh, let her know I'm home.

01:23:10Show her this.

01:23:11Oh, she's going to love that.

01:23:13I got a feeling she is.

01:23:16I'll get that.

01:23:17Alright, take care.

01:23:20Okay.

01:23:21I was going to...

01:23:35This is the right thing?

01:23:36You be strong.

01:23:38See you, man.

01:23:39Yeah, seriously it's been fun.

01:23:40Had a blast.

01:23:42Right back at ya.

01:23:44Well, take it easy?

01:23:46Me too.

01:23:46You know, we'll do it again.

01:23:54Good luck.

01:24:23I told you Jimmy, get the fuck out of here, I'm serious, get out, get out.

01:24:48Oh, I'm just gonna look over here.

01:24:52I like it.

01:24:57So, that's how it got made.

01:24:59It might not be the best film in the world, but it's my first film and I got it made.

01:25:03I love Frankie and Phil for giving me a chance, and of course, my Uncle Lou.

01:25:08So if you're someone like me who wants to make a movie, find an Uncle Lou.

01:25:12Or better yet, find a bookie who has an auto repair shop who loves the movie.

01:25:18Uncle Lou!

01:25:20We did it!

01:25:26Remember, nobody knows anything.

01:25:33You're killing me here, Phil.

01:25:35Oh, you're like a bank, you always pay off.

01:25:37Ha, ha, ha, ha, ha.

01:25:39You're killing me, you know that?

01:25:40You're busting my balls.

01:25:41Get a good count.

01:25:42I got the big wish cover, don't worry, but I take it.

01:25:44Oh, it's alright.

01:25:45I love you anyway.

01:25:46Don't touch.

01:25:49It's all day.

01:25:50It's all day.

01:25:54It's all day.

01:26:04It's all day.

01:26:06I'm sure.

01:26:07How to explain the things that nobody knows

01:26:11People these days, they play and act like you know

01:26:15But nobody, not even you, woman

01:26:17Nobody knows, nobody knows

01:26:20Sometimes in life there's questions nobody knows

01:26:24How to explain the things that nobody knows

01:26:29People these days, they play and act like you know

01:26:32But nobody, not even you, woman

01:27:03Nobody knows, nobody knows

01:27:11Then act like you know

01:27:13But it's all for sure

01:27:16And the show don't go

01:27:18Too much weight on your nose

01:27:20Then act like you know

01:27:22But it's all for sure

01:27:24And the show don't go

01:27:27Nobody knows, nobody knows

01:27:28Sometimes in life there's questions nobody knows

01:27:33How to explain the things that nobody knows

01:27:38People these days, they play and act like you know

01:27:41But nobody, not even you, woman

01:27:44Nobody knows, nobody knows

01:27:46Sometimes in life there's questions nobody knows

01:27:51How to explain the things that nobody knows

01:27:55People these days, they play and act like you know

01:27:59But nobody, not even you, woman

01:28:01Nobody knows, nobody knows

01:28:03People they play and act like you know

Nobody Knows Anything [Full Movie] [New Drama]Full EP - Full

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