Gunasekhar and Euphoria Movie Team Q & A With Media

Mana entertainment

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Transcript

00:00We are also streaming our celebrations and we are going to do the same thing in the world.

00:04We are also going to request all of you to do the same thing.

00:07We are also going to have a quick chairs for our media friends.

00:12I think this is a great appreciation session for Q&A.

00:17Because we are definitely sure that all of us are interested in cinema and theatres.

00:22I think if you are interested in cinema or OTT,

00:26we are going to have a reach of the audience.

00:31We are going to have a reach of the audience.

00:33So, we are going to have a reach of the audience for the audience.

00:40So, we are going to have Q&A session in the Q&A session.

00:43So, midnight at 12 o'clock,

00:45we are going to have a streaming model at the ETV.

00:49So, yes.

00:54Venkat.

00:56Center, okay.

00:57Done?

00:59Yes.

01:00Sir, Gunshagar, sir.

01:01Please, Q&A request shares to now.

01:14Sir.

01:15Sir, thank you.

01:50We are going to have to develop a daily account for a daily app

01:51because that is continuing to see you.

01:56Ah I have no idea why I said that.

02:01The cinema is talking about the movie.

02:05First...

02:06I have seen the movie and how it is.

02:12You have seen the movie and the movie.

02:13You have heard of the movie.

02:13You have heard of it.

02:14And you have heard of it.

02:15Sir, the only doubt is there.

02:17You have seen it in the cinema.

02:19Sir, I have heard of it.

02:21I have heard of it.

02:23But I have heard it.

02:24I think it's a good thing. It's a good thing.

02:30So, I think it's a good thing.

02:34I don't want to do any other career.

02:36I don't want to do any other college.

02:41So, I'm going to stop the process.

02:43a big problem with the money.

02:46By the amount of money,

02:47you have got to make a decision on the money,

02:50but you have got to make money,

02:52and the money is going to have라고l.

02:59Your money is going to make a decision.

03:02You couldn't make a decision,

03:02but your money is going to have to make money with all your money.

03:05You know,

03:05you are the only person who is here in the function of money.

03:10Let's go to the same stage.

03:15You aready.

03:18We aready.

03:19He has been a busy day.

03:22He is busy.

03:26I would tell people who are often not my first, but other students who are not my first class at

03:33all,

03:33they are not my first class!

03:35They do not share their own身.

03:46Being an educationist, a college principal,

03:50There is a great deal of the people who have the same people.

03:54That's why they have two chances of getting the same person.

04:02But, they didn't have a correction.

04:05Where did they have a correction?

04:07They didn't have a correction.

04:09They didn't have an exam.

04:11That's why they have to get the exam.

04:13But they have to get the exam.

04:16He did that.

04:17He did that.

04:21He had to come and get into this process and give up

04:23and fill up with the Tox.

04:30Then, he had put drugs in the jail.

04:33You don't have to do anything, so you get rough at night.

04:37You do it all like that, but you don't even have to get rough at night.

04:46You go through the hard times and you come to the hard times and then you take the hard times.

04:52So, this is what you want to give up.

04:58So, when you start a fight, you don't have to wait.

05:02In a moment, we can't wait.

05:15We can't wait for a minute, but we can't wait.

05:18This is a fight for you.

05:20He was doing the instinct. When he came into the revolver, he was running the ball, he was running the

05:28front.

05:29But the instinct was to be full. He was the head and he was a big head.

05:37He is also a man who is really a man, and his human instinct is made of it.

05:43But while he is in a man, he is able to defend this and beget evil.

05:49We are not dealing with a man.

05:53Now we are obviously a man of a man,

06:00and he is very good.

06:04Someone has to try to create a little more an educationist.

06:10They cannot do this in any incident, but they don't have to do any thought.

06:16They can't get hurt until it gets hurt from them.

06:20They are not the only one that, not the only evil one is done.

06:25And when truth is prepped from the internet, that is the reason.

06:30This is a trigger point for a child.

06:35When they are doing it, they are trying to find a mother.

06:46They are trying to find a mother.

06:51They are trying to be conscious.

06:53They are trying to be conscious.

06:56When the child is doing this, he is taking a single parent in this process.

07:01In this process, the child is taking the exam exam, and he says he is taking a exam.

07:10He has a condition and has a condition.

07:14He is taking a job in his life.

07:16If you are a person who is living in life, you will be able to live in life.

07:23That's why you are living in life.

07:24That's why you are living in life.

07:30Sir, I am going to say,

07:34Sir,

07:35This subject is a local subject,

07:39and it is a country,

07:40I will tell you, how many people are going to look at this subject.

07:45Actually, I will tell you, that you have reached out to me,

07:49and I will tell you, that you have reached out to me.

07:55At this time, I will tell you how many languages are in this subject.

08:00It is crazy, but this subject is in fact used.

08:04I will tell you how many languages are in this subject.

08:09That's it.

08:11First of all, I have to tell you, and talk about this.

08:18I have to tell you, that you have to tell me about this.

08:22I have to tell you about this.

08:23I have to tell you about this.

08:26I have to tell you about this.

08:28You know, I am a commercial director.

08:35I have to tell you about this.

08:36I don't have any of this directly or directly.

08:38I have to tell you about this.

08:41I have to tell you about this on the commercial method.

08:43I have to tell you the information.

09:02There is an adult sense and sense. It's our subject. It's a world-wide sensation.

09:11So, that's what I'm thinking.

09:13We were doing a little more research on the other side of Sahar Arjun.

09:18You will get started.

09:27You will get started.

09:30I will get started.

09:35I will get started.

09:36I will get started on the other side of the side.

09:38In the OTT, in the next platform, in the Tamil, in the Hindi, in the wider audience, we are able

09:45to reach a wider audience.

09:47Same data?

09:48No, it's not. It's only ETV.

10:07Vignesh, Vignesh.

10:08When you saw your performance, you saw your vibe.

10:12Either Bumika or Sarajun, you saw your emotions and your character arc.

10:20It's very different. Especially in the climax.

10:23When you were in the theater, you were in the theater.

10:27I witnessed that in the premieres and Mali Incosari show.

10:31It was the same.

10:33So, how was that response?

10:37First of all, thank you. Very sweet of you.

10:41Actually, Kada J.P. has a lot of scope for acting.

10:45Two different age groups, one arc.

10:48There is a scope for Kada J.P.

10:50So, somewhere Kada J.P. has a lot of scope.

10:54And yeah, I'm very happy with appreciation.

10:57Just like anyone else.

10:58When I was released, I was very good.

11:01So, what do I say?

11:02Like, there won't be any attention on me or anything.

11:06There's no reason for that.

11:07I'm very happy.

11:12Especially in climax, what was the input given by Goneshekar Garu for you and Sarajun Garu on the set?

11:18That day, first of all, I was injected.

11:21Kada J.P. has been here.

11:23And I wanted to talk a lot about how to shoot the story.

11:26So, actually, I have a lot of experience.

11:30All those shoot days.

11:31So, in the last scene of the confrontation, I have a lot of experiences inside.

11:38So, let me see.

11:39Mainly, if I shoot a linear shoot, sir, I will help you properly.

11:44Kuna J.P. is there?

11:45Sir, I have a lot of people who have praised.

11:51I have a lot of people who have praised.

11:52I have a lot of people who have praised.

11:53I have a lot of scenes.

11:56Like a box-o-case,

11:58Any scenes that you have seen as a medical scene,

12:01Any scenes that you have seen as a medical scene,

12:04Any scenes that you have seen as a medical scene.

12:05Max, if you look at his job, it has a lot of scope.

12:09But you have a lot of bold, intense and bold.

12:13So, you are still doing a lot of box-o-case.

12:18So, what is the process?

12:21What do you want to see the scenes?

12:22How do you want to see the scenes that you have seen as a presence?

12:24How did you explain the incident?

12:26In total, the incident was very difficult for me to explain the incident.

12:37So, I had a deep R&D.

12:41In that deep R&D, the process was cracked.

12:45Why did I explain the process?

12:48The process was very interesting.

12:51I had to explain the same as a and a court.

12:55I was told that.

13:00I was told,

13:00I was told that a lot.

13:03I was afraid of the attack.

13:04I was afraid of it.

13:13I was afraid of it.

13:15I was afraid of it.

13:16I was afraid of it.

13:16I was able to explain it to the process.

13:17I was going to bank this.

13:19The details of the audience were not the right details.

13:25I was going to get the right details.

13:26Today, a few teenagers are a bit afraid of the teenagers.

13:38I was going to get the details of this.

13:43There are no details of it.

13:46I mean, if you want to see the length, the sensor cuts, etc.

13:52If you want to see the camera, you'll be afraid of the theater.

13:57Why did you say that the interval?

14:00I mean, if you want to see this, there are many people who want to see it.

14:03There are many people who want to see it.

14:05There are many people who want to see it.

14:14There are many people who want to see it.

14:15There are many people who want to see it.

14:20I'm sorry.

14:22I'm sorry.

14:22In this film, it's very realistic in court.

14:26However, Gautam Vazadev's character is a lot of commercial heroes.

14:33They're not able to see it in the theater.

14:36So, I don't know any comments.

14:38Now, in the OTT, there are many people who want to see it in social media.

14:46I hope and I thought.

14:48What I want to tell you is,

14:51I have a lot of people who want to see it in the audience.

14:58I think it's really important.

14:59When I listen to the audience and I use my people,

15:01I only have one of my filmmakers in the center.

15:08I feel that I have a lot of people in the North Carolina.

15:13I've never bothered me about you.

15:14I'm sorry.

15:22In fact, I'm sorry.

15:23I think many people who want to see it in the audience.

15:27But I think that these people who want to see it in the audience,

15:31I am a star hero.

15:39I am a star hero.

15:42I am a star hero.

15:53Please, please.

15:56One question.

15:59I didn't want to see the cinema, sir.

16:03After that,

16:08the last climax part of the film was still there.

16:11So, it was expected.

16:14So, after that performance,

16:17there was a little disappointment in the theatre audience.

16:19There was a little disappointment.

16:22If you didn't have an award,

16:24the audience would appreciate it,

16:27and you would be satisfied with the film makers.

16:30So, I would like to see that

16:32I would like to see a response from ETV.

16:36I would like to say,

16:37I would like to say,

16:39I would like to say,

16:49I would like to see the film in the film.

16:51If you're watching the film,

16:54you would like to see the audience.

16:56This is the need of the hour.

16:57This is the movie in the film.

17:00This is the only thing.

17:02This is the only thing.

17:02You can see a movie in the film.

17:04It's a happening movie in the film.

17:05I have kept super much attention and loved it.

17:12I was going to say, aren't I?

17:18I'd greatly appreciated this film because of it.

17:30I've never been into it.

17:32I am not, I am disappointed in the film.

17:38That's why I have to endure them.

17:41That's why it's not going to be the first film.

17:44It is not going to be the first film.

17:47You have to ignore it.

17:53I accept that.

17:55That's why I accept that.

17:59I'll talk about it in the next day.

18:02But, this cinema is not the case.

18:05This is the case for you.

18:07This is the case for 99.9% of people.

18:11This is the case for Satham.

18:13Now, this is the case for Satham.

18:15Now, this is the case for OTT.

18:16This is the case for OTT.

18:20This is the case for OTT.

18:21This is the case for Satham.

18:24Go ahead.

18:25Go ahead.

18:26Sir.

18:28If you haven't played horror cinema,

18:29this is the case for you.

18:31That's correct.

18:32That's correct.

18:33Because you have a fictional character.

18:36You have a lot of path-breaking movies.

18:41You have a realistic approach here.

18:44You have a lot of people who have lost generations.

18:49You have a lot of people who have lost generations.

18:51You have a lot of people who have lost generations.

18:52So, in this year, there are a lot of impact.

18:57Because the transformation has lost generations.

18:59You have a lot of people who have lost generations.

19:01What do you think about this?

19:04You have to have to have a lot of people who have lost generations.

19:12You have to have a lot of people who have lost generations.

19:21Because he knew their background work right away.

19:27However, all of them knew their character and your número own character and background.

19:32And you have to have a lot of people who have lost generations.

19:46In that process, we will track up any incident.

19:53In the past, we were inspired by the bomb blasts.

20:00So, in this case, I was worried about the details.

20:05I was worried about this process.

20:09So, I was worried about the process.

20:10But I am worried about the process.

20:13This is the advantage of the process.

20:20A few years, I have to take a look at the details.

20:24I have to take a look at the scene reconstruction.

20:31The potential is not a lot of details.

20:36I will take a look at the bank.

20:38So, it means that there is no incident. So, you are going to be afraid of this film.

20:47If you are not in the next film, you will be afraid of it.

20:51If you are afraid of it, you will be afraid of it.

20:54No sir, when you talk about adolescence and Netflix, that impact is allowed, and if you look at it, it's

21:06the same impact.

21:08That's why society has a mirror effect. So, if you look at it, if you look at the government awards,

21:17or OTT role, most of the audience reach it, it's all the purpose.

21:22No, I don't know. I don't know if you look at it.

21:26It's the best film in Intel.

21:29It's the best film.

21:31It's the best film.

21:33I don't know if you look at it.

21:36Sir, you've seen the theatrical experience.

21:42You've seen the OTT role.

21:44What changes are you doing?

21:46What changes are you doing?

21:50Same as it is.

21:51No, I don't do it.

21:52It's just a few things.

21:57You don't have to be self-sensoring.

22:00You don't have to feel a little.

22:02There's no anger and anger.

22:04That anger.

22:05After that, you've seen the anger and anger.

22:07It's been adjusted to the dining table.

22:14If you look at the content of the content,

22:18if you look at the visual,

22:20you can see the trend of self-sensoring.

22:24You have noticed that.

22:27Sir, you have seen a lot of people in cinema,

22:31and you have seen a lot of people in Sinister.

22:32The thing is that you could hear so much.

22:34If you could see the great movies,

22:36remember a psychoanalyst.

22:38and you're content.

22:40No human, you don't have any questions.

22:43I'm not being sabbed for this,

22:45but you don't have to worry any more.

22:46But we certainly don't think it's happening.

22:47And we're just talking about the reality of a family.

22:53But we don't have any trouble with this.

22:57But I'm curious about how my family feels.

23:00It's not so easy to get rid of them.

23:01It seems like you don't have to go to the village.

23:03If you're a little bit, you're a little bit, and then you look forward to the euphoria,

23:10now you're going to be a teacher.

23:12If I'm a teacher, then you're going to be a teacher.

23:18You're not alone, you're not alone.

23:26You're not alone, sir.

23:28You're not alone.

23:29There is a platform that is, but you can reach a platform in the future.

23:34You can see that in the film, you can see the film as a hero-oriented film,

23:45you can see it as a hero-oriented film, you can see it as a hero-oriented film.

23:47You can see it as a hero-oriented film.

23:53For example, there is euphoria.

23:57I don't have to worry about Mahesh Bhavan. I don't have to worry about my phone. I have to be

24:03obligated in my career.

24:05If you look at my own cinema, give me a phone, you'll know what kind of busy schedule.

24:12So, why are you talking about this?

24:15What is the cinema?

24:17I am a commercial superstar.

24:22I am a commercial superstar.

24:24Because we're talking about Mahesh and the Explainer,

24:29I feel my voice is so good.

24:31I have to be in a busy schedule for me by the day.

24:39I see a Sunday for him.

24:41So, who does that had a bad feeling?

24:43Mahesh Bhavan also, he does that.

24:46He's doing your own that.

24:48He's showing your own concern.

24:50This is commercial.

24:53Somebody said, we did not get asked for it in the theater.

24:56I had mentioned that they did the tweet and said to them,

25:01They called me, I are not tempted to.

25:03They did not get to anything to the world.

25:06They did not get to the director.

25:07They did not get to the Everybody's family.

25:09They looked at them.

25:11They looked at them, too.

25:13In the nextוד, they did not get to the others.

25:16They just changed everything.

25:16They didn't get to the music.

25:17If you don't like Maheshwabha's image, then you can't see it.

25:22You can't see it.

25:24You can't see it.

25:26You can't see it.

25:28You can't see it.

25:30You can't see it.

25:32Thank you, sir.

25:34Firstly, thank you, sir.

25:35After a long wait of two months, it's coming to our home.

25:38Nearly, you've seen the cinema three times.

25:41With my family too.

25:43My family members haven't seen it.

25:45After a long wait, thank you.

25:48So, you've seen a long wait of a movie.

25:51But as you told, it's not worked out commercially.

25:55But after a Malayalam movie, you've seen so much and so honest.

26:00You can't see it in your writing.

26:03You can't see it in your extended version.

26:07You can't see it in your extended version.

26:08And you can't see it in your extended version.

26:10Because you were hanging out with a memory.

26:18Yeah, you can't see it in your extended version.

26:24But you're getting out with a little bit.

26:28No matter who you are, you're getting out with the other things.

26:30You can't tell you.

26:33You can't see it in your extended version.

26:37You're still there.

26:38But I am going to tell you everything.

26:39In the last few minutes, the boldness of the day was to get a little bit of diluted.

26:46You know, you have to threaten yourself.

26:48Some of you have a sensor officer, some of you have a lot of yes officers,

26:54some of you have a lot of in-depth.

26:57You have a lot of aesthetics.

27:00You have a lot of high standards, you have a lot of technical,

27:03you have a lot of Hollywood films.

27:06You have a lot of content, you have a lot of disturbing.

27:13You have to do something wrong with it.

27:15You have to do something wrong with it.

27:18There are obsceneities, you have to do something wrong with it.

27:22But the way I am going to treat you and get rid of it,

27:25I am going to do something wrong with it.

27:28I am going to do something wrong with it.

27:31So, that's not the three ideas.

27:32You have to do something wrong with it.

27:34Thank you, Andy.

27:35Thank you very much to all our media friends.

27:37And thank you Gunasekar sir.

27:39Thank you to the team also.

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